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The Working-Class Experience in Contemporary Australian Poetry
The Working-Class Experience in Contemporary Australian Poetry A thesis submitted for the degree of Doctor of Philosophy Sarah Attfield BCA (Hons) University of Technology, Sydney August 2007 i Acknowledgements Before the conventional thanking of individuals who have assisted in the writing of this thesis, I want to acknowledge my class background. Completing a PhD is not the usual path for someone who has grown up in public housing and experienced childhood as a welfare dependent. The majority of my cohort from Chingford Hall Estate did not complete school beyond Year 10. As far as I am aware, I am the only one among my Estate peers to have a degree and definitely the only one to have attempted a PhD. Having a tertiary education has set me apart from my peers in many ways, and I no longer live on the Estate (although my mother and old neighbours are still there). But when I go back to visit, my old friends and neighbours are interested in my education and they congratulate me on my achievements. When I explain that I’m writing about people like them – about stories they can relate to, they are pleased. The fact that I can discuss my research with my family, old school friends and neighbours is really important. If they couldn’t understand my work there would be little reason for me to continue. My life has been shaped by my class. It has affected my education, my opportunities and my outlook on life. I don’t look back at the hardship with a fuzzy sense of nostalgia, and I will be forever angry at the class system that held so many of us back, but I am proud of my working-class family, friends and neighbourhood. -
Funkoars the Greatest Hits Mp3, Flac, Wma
Funkoars The Greatest Hits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Greatest Hits Country: Australia Released: 2006 MP3 version RAR size: 1474 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1605 mb Rating: 4.7 Votes: 176 Other Formats: TTA MOD MP4 WMA RA AUD FLAC Tracklist Hide Credits 1 Hurro 2:23 2 Da Na Na 3:52 3 The Greatest Skit 1:19 4 The Greatest Hit 3:39 5 Black Out 4:00 6 You Know It 3:17 The Symphony 7 3:47 Featuring, Songwriter – Vents 1* Swank Stedly Presents 8 1:51 Percussion – Brave HandlebarsVocals – Swank Stedly 9 C.O.T.Y 3:58 10 And Now For Something Completely Different... 3:23 11 Sesta Vs. Pressure 1:16 What I Want 12 4:30 Featuring – Hilltop HoodsSongwriter – Pressure , Suffa 13 Masterpiece 3:31 Meet The Family 14 3:13 Featuring, Songwriter – PegzProducer – Suffa 15 The Reason 4:42 Companies, etc. Pressed By – AAV Regency – 91074.1 Mastered At – Disk-Edits Credits Mastered By – Neville Clark Mixed By – DJ Reflux Photography By [Funkoars Pictures] – Andrew Boyle Photography By [Model Pictures] – PJ Producer – Heat Vision & Jack (tracks: 3, 8, 11), Sesta (tracks: 5, 9, 15), Trials (tracks: 1, 2, 4, 6, 10, 12, 13) Recorded By – Heat Vision & Jack Scratches – DJ Reflux Songwriter – Hons (tracks: 1, 2, 4, 6, 7, 9, 10, 12 to 15), Sesta (tracks: 1, 2, 4 to 7, 9, 10, 12 to 15), Trials (tracks: 1, 2, 4 to 7, 9, 10, 12 to 15) Notes Recorded at Sesta's House Tracks 3, 8 and 11 are short comedy skits Mastered at Disk Edits. -
Robert Hunter (Huntersbx) on Twitter
Robert Hunter (HunterSBX) on Twitter http://twitter.com/ Twitter Search Home Profile Messages Who To Follow AliaK Settings Help Switch to Old Twitter Sign out New Tweet Robert Hunter @HunterSBX Perth Western Australia Rapper, a parent to a Son named Marley. A cancer patient. That's what I am. Message Following Unfollow Timeline Favorites Following Followers Lists » HunterSBX Robert Hunter @ @I_Am_Simplex Kirks massive BBQ bonananza! Was just Trials, Daz, Kirk, me, a digital 1 of 134 20/04/11 1:50 PM Robert Hunter (HunterSBX) on Twitter http://twitter.com/ camera, 3 cartons of Pale. 21 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter @ @funkoars the confusion of being in a photo within a photo of your own penis is something that will always confuse me. #scaredofthedick 26 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter I didn't make, fund, or have anything to do with said Doco, I just consented to them following me around. I am honored that they did but. 31 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter @ @funkoars yeh no shit hey! That's an integral part of the whole picture! Hahah! I'm just glad they don't have too much footage of my penis 33 minutes ago Favorite Retweet Reply » HunterSBX Robert Hunter Check this video out -- Hunter: The Documentary (short teaser) youtube.com/watch?v=LVNc8b… via @youtube <~~ pretty strange feeling. 1 hour ago Unfavorite Undo Retweet Reply » HunterSBX Robert Hunter Exclusive: Drapht''s "Sing It (The Life of Riley)" music video - NovaFM Videos novafm.com.au/video_exclusiv… <-- good shit! 1 hour ago Favorite Retweet Reply » HunterSBX Robert Hunter Turned on the computer and lost all inspiration to write... -
Reflections of a Hometown Heritage, , Jay Musfeldt, 2006, 0977992403, 9780977992409
Echoes: Reflections of a Hometown Heritage, , Jay Musfeldt, 2006, 0977992403, 9780977992409, . A collection of 75 little stories about the life, times, and values of small town, rural America of the 1940's and 1950's. Set in rural Iowa, the detailed stories recall with warmth and humor an earlier and simpler time in American life and culture.. DOWNLOAD HERE , , , , . This book is based on the author's experiences growing up on a farm in rural Iowa in 1950's and 1960's. It is 74 vignettes about growing up in a rural/small town farming environment where life centered around hard work, family, neighbors and community schools and churches in a time and lifestyle that cannot be replicated in our modern society. Some of the episodes are humorous, some are thought provoking and some are just plain feel-good stories. They are stories of a happy childhood experienced by someone who, at the time, thought his life was just "normal". Only after being able to look at it in hindsight could he appreciate how blessed he was to have experienced the time, place and value system that would mold his attitudes and actions in such a positive way for the rest of his life. The author's stories have a combination of "Lake Wobegon" and "Huckleberry Finn" qualities to them, but they are told in such a way there will be no doubt in your mind about them being real. You don't have to be from the Mid-West, have a rural and/or small town heritage or be old enough to remember the '50's and '60's to really enjoy this book, but if you experienced any of them, even briefly, the book will provide absolute nostalgic pleasure. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
HIP HOP FEATURE.Indd
MEMORIES AND MILESTONES COURTESY OF DJ SHERRIF ROSCO (TOP BILLIN/RRR) • 1995 OB’S RECORDS OPENS ( LATER BECOMING OBESE RECORDS) • 1996 THE FORMULA STARTS AIRING ON PBS • 1997 PROWLA RELEASES MONEY WALKS • 1998 BIAS RELEASES BEEZWAX, TREM DROPS SHEER TALENT 12” • 1999 RDC COMPILATION IS RELEASED BY NUFF SAID, LAUNCH OF STEALTH AND OUT FOR FAME (LATER ACCLAIM) MAGAZINES • 2000 CULTURE OF KINGS 1 RELEASED • 2001 TRIPLE J HIP HOP SHOW BEGINS AIRING NATIONALLY, PROWLA RELEASES LONE WOLF • 2002 CULTURE OF KINGS 2 IS RELEASED. OZHIPHOP.COM LAUNCHES • 2003 HILLTOP HOODS RELEASE THE CALLING (FIRST AUSTRALIAN GOLD ALBUM) • 2004 AUSTRALIA VS NEW ZEALAND MC BATTLE SELLS OUT HI FI BAR THE RISE AND RISE OF AUSTRALIAN HIP HOP HAS ARGUABLY BEEN DRIVEN BY MELBOURNE, AND AS SOME OF THE • 2005 JUSTICE BEATS THESAURUS IN THE SCRIBBLE JAM SCENE’S PIONEERS AND RISING STARS PREPARE TO GATHER • 2006 HILLTOP HOODS RELEASE THE HARD ROAD (FIRST LOCAL PLATINUM ALBUM) FOR THE INAUGURAL MADE IN MELBURN SHOWCASE, FERN GREIG-MOORE TOUCHES BASE WITH KEY PLAYERS • 2007 TOP BILLIN LAUNCHES ON RRR TO CHART THE SCENE’S EVOLUTION – AND ITS FUTURE. • 2008 M- PHAZES WINS ONE STOP SHOP PRODUCERS CONFERENCE IN USA • 2009 KINGS WAY IS RELEASED, SHOGUN DISTRIBUTION CLOSES DOWN, MADE IN MELBURN TAKES PLACE AT BILLBOARD FRIDAY 23 APRIL. PEZ WINS BEST URBAN RELEASE AT AIR AWARDS • 2010 M-PHAZES BREAKS ARIA CHARTS AT #20 Melbourne’s rave culture is at Word of mouth, rumours, industry gossip and hype sparked its peak. Gen Ys see the back interest, which in turn encouraged local talent to come out 1998end of a grunge nation as their of the woodwork. -
Theft, Transformation, and the Need of the Immaterial: a Proposal for a Fair Use Digital Sampling Regime
ASHTAR_FORMAT_YS.DOCX 9/20/2009 1:17 PM THEFT, TRANSFORMATION, AND THE NEED OF THE IMMATERIAL: A PROPOSAL FOR A FAIR USE DIGITAL SAMPLING REGIME By Reuven Ashtar* TABLE OF CONTENTS I. INTRODUCTION ...................................................................... 263 II. MUSICAL COPYRIGHT IS INCOHERENT .......................... 265 A. SAMPLING AS THEFT ................................................. 265 1. Grand Upwrong ........................................................ 265 2. Trolling for Samples ................................................. 268 3. Malice and Deceit ..................................................... 269 B. THE DISJOINTED LICENSING SCHEME ................ 269 1. Master Use & Synchronization Licenses ................ 270 2. The Scope of Musical Copyrights ............................ 270 3. Moral Rights ............................................................. 271 4. Licensing Rates ........................................................ 273 5. Penalties ................................................................... 276 C. COURTS MUDDLE THE REGIME .............................. 276 1. Bridgeport Music ...................................................... 276 2. Newton ...................................................................... 279 III. CREATIVE SAMPLING & COPYRIGHT .................................... 280 A. THE ORIGINS OF COPYRIGHT .................................. 281 1. English Origins ........................................................ 281 2. American Origins .................................................... -
Robert Hunter (Huntersbx) on Twitter
Robert Hunter (huntersbx) on Twitter http://twitter.com/ Twitter Search Home Profile Messages Who To Follow New Tweet AliaK Settings Help Sign out Robert Hunter @HunterSBX Perth Western Australia Rapper, a parent to a Son named Marley. A cancer patient. That's what I am. Following Unfollow Tweet to @HunterSBX 140 Tweet Tweets Favorites Following Followers Lists » HunterSBX Robert Hunter Rob passed away peacefully this morning surrounded by family & friends. Thanks so much for all the love. Keep u posted about funeral. Lau xo 3 hours ago Favorite Retweet Reply » 1 of 525 20/10/11 9:33 PM Robert Hunter (huntersbx) on Twitter http://twitter.com/ HunterSBX Robert Hunter There will be no pearls of wisdom today or tommorow. They are gathering my next if kin 18 Oct Favorite Retweet Reply » HunterSBX Robert Hunter So I guess you all know there is a bad blog going around about you? 18 Oct Favorite Retweet Reply » HunterSBX Robert Hunter @ @AliaK I went a bit crazy. Am feelin a bit that way tonight but gonna try grin and bear it 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter If it wasn't @mattiegeesus visit to me in the hospice last night, shit would have gotten extreme! I ain't talkin make over biitchez! 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter @ @Drapht us oldies still ROCK ON! 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter @ @Mattb636 pretty fucked. Open warfare with the nurses last night 17 Oct Favorite Retweet Reply » HunterSBX Robert Hunter Bad night last night. Bad 17 Oct Favorite Retweet Reply 2 of 525 20/10/11 9:33 PM Robert Hunter (huntersbx) on Twitter http://twitter.com/ » HunterSBX Robert Hunter @ @hippo_rex Go Glasgow Rangers! 16 Oct Favorite Retweet Reply » HunterSBX Robert Hunter I'm getting this shit taken out of my arm in the morning, it's making me sick, and I already sick enough thankyou 16 Oct Favorite Retweet Reply » HunterSBX Robert Hunter I'm getting this shit taken out of my arm in the morning, it's making sick. -
13/Australian Hip Hop's Multi
AUSTRALIAN HIP HOP’S MULTI- 13/ CULTURAL LITERACIES / A SUBCULTURE EMERGES INTO THE LIGHT / TONY MITCHELL uch has been written in recent years about the relationship between hip hop Mculture, pedagogy and youth literacies in an African-American context (Ibrahim 2003; Dimitriades 2004; Ginwright 2004; Richardson 2006). However, hip hop is also being used increasingly in the broader educational contexts of language learning and popular culture studies both in the US and throughout the rest of the world. Hip Hop Studies is now a discipline taught in US universities (Forman & Neal 2004) and is gradually spreading to educational contexts in other parts of the world. In Hiphop literacies, Elaine Richardson (2006) argues for “the depth, the importance, and the immediate necessity of acknowledging one of the most contemporary, accessible, and contentious of African American literacies, Hiphop literacies” (p.xv). She sets out to locate hip hop discourses “within a trajectory of Black discourses” and to consider hip hop as an oral and semiotic form of discourse, analysing “rap music and song lyrics, electronic and digital media, including video games, music videos, telecommunication 231 SOUNDS OF THEN, SOUNDS OF NOW / POPULAR MUSIC IN AUSTRALIA devices, magazines, ‘Hip hop’ novels, oral performances, and cinema” (Richardson 2006, p.xvi). Richardson’s study is restricted by two major limitations. Apart from looking at the use of African-American language in online German hip hop sites, neither considers the indigenising global spread of hip hop beyond the boundaries of African-American vernacular cultures, nor the non-linguistic but fundamentally semiotic aspects of hip hop such as beatboxing, DJing, breakdancing and graffiti writing, which are arguably of equal importance to MCing as hip hop literacies. -
Defining Authenticity in the Adelaide and Melbourne Hip Hop Scenes
Living Hip Hop: Defining Authenticity in the Adelaide and Melbourne Hip Hop Scenes Dianne Rodger Thesis submitted for the degree of Doctor of Philosophy Faculty of Humanities and Social Sciences Discipline of Anthropology The University of Adelaide October 2011 Thesis Declaration This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution to Dianne Rodger and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library catalogue, the Australasian Digital Theses Program (ADTP) and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. _________________ Dianne Rodger I Acknowledgements Although the completion of a PhD can sometimes feel like a solitary endeavour, this thesis could not have been completed without the support, encouragement and involvement of numerous people who I would like to acknowledge. First and foremost I want to thank all the people who agreed to be interviewed for this research or who graciously endured my presence and my endless questions at Hip Hop gigs or other events. -
Who Is Hunter?
WHO IS HUNTER? Since his cancer diagnosis at the age of 34, Australian Rapper and MC Hunter has managed to record, release, promote and tour two albums plus put together a charity compilation album “ Australian Hip Hop Supports CanTeen” due for release Be a part of Hunter‟s Journey- Hunter the Documentary November 2011. He has proven to be a true http://hunter.periscopepictures.com.au/ Please Note: the inspiration to the Australian music community and to documentary is not a part of the Australian Hip Hop Supports all young people by remaining positive, keeping CanTeen Album project. busy, and making each day count. Timeline-Hunter’s Significant Events What started as Hunter asking a few artists to lay down some tracks to raise money for CanTeen has November 2009 turned into one of Australia‟s most remarkable Hunter diagnosed with stage 4 neuroendocrine musical projects. Hunter has ensured that this cancer In Adelaide while on tour. album is not just your ordinary fundraiser, the artists Continues to write and record „Monster House‟ candidly discuss the issue of cancer in their music with DJ Vame. and lyrics, some of which have cancer themselves, hoping to provide some support and solidarity to February 2010 Hunter commences experimental cancer young Australian cancer sufferers through a treatment at Fremantle Hospital Western genuine gift of music. Australia. Hunter feels that he could help other young Although not enjoying the popular success of some people with cancer and receives a fundraising of his crewmates and industry friends like, authority from CanTeen in lieu of producing an Downsyde, Drapht, Koolism and the Hilltop Hoods, Australian Hip Hop compilation album with 100% Hunter has a solid fan base in the underground hip profits going to CanTeen. -
2011 Aria Awards Nominations Announced
2011 ARIA AWARDS NOMINATIONS ANNOUNCED Boy & Bear, Drapht, Gotye, Eskimo Joe, Geoffrey Gurrumul Yunupingu, Birds of Tokyo, Billy Thorpe and Guy Sebastian lead Nominations Winners announced in Artisan and Fine Arts categories! Australian Music Fans Get To Cast Their Votes! First three performances announced! Sydney, Australia – Wednesday, 12 October, 2011 (under total media embargo until 11.15am EDST): With just over six weeks until the 25th Anniversary ARIA Awards, the Australian Recording Industry Association (ARIA) today announced the Nominees in all categories along with the details of the 2011 ARIA Awards to be staged at Allphones Arena, Sydney Olympic Park, on Sunday, 27 November, 2011. Also announced today were the winners in four ARIA ARTISAN AWARD categories, four ARIA FINE ARTS categories and BEST MUSIC DVD - the first of many artists to be acknowledged by their peers for their creative contributions over the preceding 12 months. This year‟s nominations are an exciting mix of both new and established artists and set the scene for what will be a milestone celebration of 25 years of Australian music history. After a one year absence, the HIGHEST SELLING SINGLE and HIGHEST SELLING ALBUM categories make a welcome return as well as BREAKTHROUGH ARTIST – SINGLE and BREAKTHROUGH ARTIST – ALBUM (which were merged last year into one Breakthrough Artist category). In what is sure to once again be a hit among music lovers, Australian fans are given the opportunity to vote in three categories - MOST POPULAR AUSTRALIAN ARTIST, MOST POPULAR INTERNATIONAL ARTIST and MOST POPULAR AUSTRALIAN LIVE ARTIST, brought to you by HP and Intel, with voting details for these categories set out below.