INTRODUCTION to the GALLERY and ARTWORKS Introduction Gallery 6, Which Is One of the City’S Landmarks Depicted in Many of These Works of Art

Total Page:16

File Type:pdf, Size:1020Kb

INTRODUCTION to the GALLERY and ARTWORKS Introduction Gallery 6, Which Is One of the City’S Landmarks Depicted in Many of These Works of Art INTRODUCTION TO THE GALLERY AND ARTWORKS Introduction Gallery 6, which is one of the city’s landmarks depicted in many of these works of art. The Hepworth Wakefield opened in 2011 and celebrates the region’s heritage as the birthplace of modern British Temporary Exhibitions sculpture. Paticularly the achievements of Barbara Hepworth (1903–1975) and Henry Moore (1898–1986) The Hepworth Wakefield features a changing programme – two of the most important artists of the 20th century, of world-class exhibitions by leading UK and international who were born and grew up in the Wakefield district. artists. We present 3 – 5 exhibitions per year. You can view details of all our current and forthcoming exhibitions The Hepworth Wakefield has ten gallery spaces. on the website – www.hepworthwakefield.org Galleries 1 – 6 contain Wakefield Art Collection displays and Galleries 7 – 10 contain temporary exhibitions. The Gallery Building Wakefield Art Collection The Hepworth Wakefield has been designed by David Chipperfield Architects, winners of over 40 international This collection consists of over 5,000 works. At the core design competitions. The gallery’s façade is constructed of this is a significant group of work by modern British of pigmented concrete giving the building a highly artists. sculptural appearance that echoes the clarity and power of form in Barbara Hepworth’s work. From its foundation in 1934, the original Wakefield Art Gallery, located on Wentworth Terrace, adopted Yorkshire Sculpture Triangle (YST) an ambitious collecting policy and acquired works by the leading artists of the time. Wakefield Art Gallery The Hepworth Wakefield, Yorkshire Sculpture Park, closed in 2009 and the collection is now held at The Henry Moore Institute and Leeds Art Gallery are four of Hepworth Wakefield. It includes works by Ben Nicholson, the UK’s leading visual art organisations, situated within Jacob Epstein, Victor Pasmore, Ivon Hitchens, Graham 30 minutes drive from one another. They build on West Sutherland, John Piper, Paul Nash, Patrick Heron, Yorkshire’s unique artistic legacy. Bernard Meadows and L.S. Lowry among many others. The Henry Moore Institute (HMI) is a world–recognised The Hepworth Family Gift centre for the study of sculpture in the heart of Leeds. The Hepworth Family Gift includes 44 full-size working Yorkshire Sculpture Park (YSP) is an international centre models, drawings, and prints by Barbara Hepworth. for modern and contemporary art, set within 500 acres The Hepworth at Work display in Gallery 4 explores of 18th century parkland, woods and lakes. Hepworth’s studio environment and her artistic process. Leeds Art Gallery has been described as ‘probably the It includes Hepworth’s own tools and materials, a step– best collection of twentieth century British art outside by–step of the bronze–casting process and photographs London’ (The Times). of her works in progress. Many of Hepworth’s plaster and aluminium prototypes are on permanent display in Gallery Contact Us 5. These works, created between the 1950s – 1970s, were made in preparation for sculptures Hepworth later cast For bookings and general enquiries, please contact in bronze. The purpose–built gallery spaces offer a full the Learning Administrator on 01924 247398 or exploration of the prototypes for the first time. [email protected]. The Gott Collection If you wish to discuss longer–term projects or working in partnership with the gallery, please contact Natalie This unique resource, given to the gallery in 1930, Duffield–Moore, Formal Learning Manager on includes 1,200 works on paper from the 18th and 19th [email protected] or 01924 centuries. It includes maps, topographical drawings and 247374. watercolours, depicting over 200 Yorkshire towns and villages. The medieval Chantry Chapel can be seen from Why not Tweet about your visit? Contact us at @HepworthGallery and use the hashtag #THWCreates..
Recommended publications
  • KAWS Media Release
    KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal.
    [Show full text]
  • Sculpting Lives S1E1, Barbara Hepworth
    Sculpting Lives podcast transcript Series 1, Episode 1: Barbara Hepworth This document is an accessible transcript of the podcast audio. Subscribe and listen: https://audioboom.com/posts/7525504-sculpting-lives-barbara-hepworth [music] Sara Matson: She managed her brand, fair play. Eleanor Clayton: A normal person from Wakefield; A remarkable artist but a remarkable woman. Stephen Feeke: Hepworth was odd because she didn't see herself as a feminist at all and didn't see herself as “I'm a pioneering woman”. She just felt she was a pioneering sculptor. Barbara Hepworth: I was born with the ideas of certain shapes in my mind. At least I remember as far back as seven. The whole time one's been working at it and working, trying to simplify and make more mature, get the right scale, and develop it according to the development of society. [music] Jo Baring: Hello, and welcome to Sculpting Lives the podcast by me, Jo Baring. Sarah Victoria Turner: And me, Sarah Turner. Jo, this is our first podcast and episode. Why are we doing this? Jo Baring: We met in our professional lives. You are Deputy Director of the Paul Mellon Centre, and I am Director of the Ingram Collection. We have a shared interest in art, but we realised when we met that we are really fascinated by sculpture in particular. Also, during the course of our discussions, we realised that women artists and women sculptors, in general, are less commercially successful than men, less represented in national institutions, museums, possibly have less gallery shows and we really wanted to unpick why that happens.
    [Show full text]
  • Towards an Understanding of the Contemporary Artist-Led Collective
    The Ecology of Cultural Space: Towards an Understanding of the Contemporary Artist-led Collective John David Wright University of Leeds School of Fine Art, History of Art and Cultural Studies Submitted in accordance with the requirements for the degree of Doctor of Philosophy December 2019 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of John David Wright to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 Acknowledgments Thank you to my supervisors, Professor Abigail Harrison Moore and Professor Chris Taylor, for being both critical and constructive throughout. Thank you to members of Assemble and the team at The Baltic Street Playground for being incredibly welcoming, even when I asked strange questions. I would like to especially acknowledge Fran Edgerley for agreeing to help build a Yarn Community dialogue and showing me Sugarhouse Studios. A big thank you to The Cool Couple for engaging in construcutive debate on wide-ranging subject matter. A special mention for all those involved in the mapping study, you all responded promptly to my updates. Thank you to the members of the Retro Bar at the End of the Universe, you are my friends and fellow artivists! I would like to acknowledge the continued support I have received from the academic community in the School of Fine Art, History of Art and Cultural Studies.
    [Show full text]
  • Press Release Yorkshire Sculpture Park Set to Welcome Visitors Back This Spring
    Press Release Yorkshire Sculpture Park set to welcome visitors back this spring As spring brings the promise of brighter days ahead, Yorkshire Sculpture Park (YSP) has unveiled its plans to continue its phased reopening in line with the government roadmap, and welcome visitors back to appreciate and enjoy a remarkable collection in an exceptional landscape. YSP is a unique cultural destination, museum and registered charity in Wakefield, welcoming diverse audiences across its 500 acres where around 100 sculptures are sited in formal gardens, parkland, woods and around two lakes. Serving ongoing cultural learning, physical activity and mental wellbeing, throughout 2021, new exhibitions and artist projects will be launched, with narratives of identities and histories, and a material focus on textiles, photography, ceramics and the natural world. From 12 April, the shop in the YSP Centre will reopen, displaying a stunning collection of ceramic tiles and prints as part of Alison Milner’s new exhibition, Decorative Minimalist, inspired by YSP. After more than a year of closure due to COVID-19, The Weston will begin to reopen its doors. From 27 April, The Weston shop will welcome customers back to browse an exciting new range of products, and The Restaurant will open for outdoor dining on the same day. Indoor restaurant seating will follow on 18 May, complete with a revamped menu for spring. Booking is advised and reservations will be taken from 12 April. Please phone +44 (0)1924 930004 or email [email protected] to reserve a table. The Weston will be open Tuesday to Sunday and Bank Holidays.
    [Show full text]
  • KAWS Media Release
    KAWS Media release OPEn-AIR KAWS SCULPTURES TO REMAIN AT YORksHIRE SCULPTURE PARK Yorkshire Sculpture Park (YSP) is pleased to announce that six sculptures by the renowned American artist KAWS will remain on display until December 2016 giving visitors to the Park a further six months to enjoy the monumental works in the open air. Following the success of the artist’s first UK museum exhibition in YSP’s Longside Gallery and the open air, the six sculptures – SMALL LIE (2013), GOOD INTENTIONS (2015), AT THIS TIME (2013), BETTER KNOWING (2013), FINAL DAYS (2013) and ALONG THE WAY (2013) – will continue to be seen in the Lower Park, beyond the exhibition’s official end date of 12 June 2016. Outdoors, with their outsize and monumental proportions, KAWS’s sculptures bring to mind dystopian cartoon characters; recognisable personalities from childhood who appear to have lost their innocence. Against the Park’s tree line, the group of six works in natural and black-stained wood, measuring between three and 10 metres in height, are simultaneously spectacular and plaintive. Once bright, iconic characters are rendered in disheartened, world-weary Images, left to right: poses; imposing yet full of pathos, they point to an array of psychological SMALL LIE (2013) courtesy the artist, narratives, suggesting compassion, surprise and despair. YSP and Galerie Perrotin. Wood, H1000cm x W464cm x D427.2cm; Brooklyn-based KAWS is considered one of the most relevant artists of his time. GOOD INTENTIONS (2015) Courtesy His influential work engages people across the generations with contemporary the artist and More Gallery. Wood, art and especially opens popular culture to young and diverse audiences.
    [Show full text]
  • Economic Value and Impact of Yorkshire Sculpture Park
    Economic Value and Impact of Yorkshire Sculpture Park Final Report October 2011 Carlisle Leicester Suite 7 (Second Floor) 1 Hewett Close Carlyle’s Court Great Glen 1 St Mary’s Gate Leicester Carlisle CA3 8RY LE8 9DW t: 01228 402 320 t: 0116 259 2390 m: 07501 725 114 m: 07501 725115 e: [email protected] e: [email protected] www.dcresearch.co.uk Economic Value and Impact of Yorkshire Sculpture Park: Final Report CONTENTS KEY FINDINGS...........................................................................................1 1. INTRODUCTION AND BACKGROUND ....................................................2 2. KEY QUANTITATIVE ECONOMIC IMPACTS .............................................4 Visitor Impacts .................................................................................4 Employment and Procurement Impacts................................................7 3. ADDITIONAL AND CATALYTIC IMPACTS, AND ADDED VALUE...................9 Education and Learning .....................................................................9 Supporting Local Priorities................................................................ 10 Profile Impacts ............................................................................... 12 Summary and Future Impacts .......................................................... 13 APPENDIX 1: CONSULTEES ....................................................................... 15 APPENDIX 2: GLOSSARY OF KEY TERMS ..................................................... 16 Economic Value and Impact of Yorkshire
    [Show full text]
  • World-Famous Artist Swapping New York for Wakefield
    Release date: Tuesday May 14 WORLD-FAMOUS ARTIST SWAPPING NEW YORK FOR WAKEFIELD A world-famous artist will be swapping New York for Wakefield city centre as part of a major sculpture festival this summer. Huma Bhabha (b.1962 Karachi, Pakistan, lives in Poughkeepsie, New York, USA) is creating a new sculpture which will be installed outside Wakefield Council’s County Hall near Wakefield College for three months. It’s all part of the free to see Yorkshire Sculpture International – the UK’s biggest sculpture festival this year – and backed by Wakefield Council, Wakefield College, Arts Council England and Leeds 2023. In 2018, the artist installed "We Come in Peace" on the roof of New York's Metropolitan Museum of Art, overlooking the famous Manhattan skyline and her new sculpture for Wakefield will go on display from 22 June to late September this year. This summer’s event is being presented by four world-class art galleries which make up the Yorkshire Sculpture Triangle - The Hepworth Wakefield, Yorkshire Sculpture Park, The Henry Moore Institute and Leeds Art Gallery – who are collaborating to present a sculpture festival featuring major new commissions and exhibitions at each of the four partner venues and sculpture outdoors in Leeds and Wakefield. Huma Bhabha said: “It’s always exciting to create something new for a landscape I have never worked in before. I approach all my work with the intention of making it intense, and everything else will fall into place.” Cast in bronze to stand outdoors ‘Receiver’ 2019 is a human like form which began as a sculpture carved from everyday materials including Styrofoam and cork.
    [Show full text]
  • Festival of the Earth Using Less Plastic, and Much More
    Wakefield Council has declared a climate emergency and aims to have Net Zero carbon emissions by 2030. We need to act now and act together! As a district we need to commit to recycling more, festival of the earth using less plastic, and much more. JULY - OCTOBER 2021 The Council will support other organisations and residents in reaching this goal as close to this time frame as possible. To join in and find out more visit: bit.ly/climatewfd festival of the earth Festival of the Earth is an exciting collection of events, activities, workshops and more taking place from July to October 2021 across the Wakefield district. Work with us to make positive environmental changes to your daily lives and help tackle climate change - while having loads of fun! You can do this by visiting an exhibition, taking part in an activity, or researching other ways to make a difference. This is also an opportunity for young people across the district to take action to change how they live, support the environment and protect Wakefield for future generations. Join us on the start of this huge journey where everyone can play their part; small changes can lead to big movements. For more information on the festival visit: expwake.co/EarthFestWFD Designed and produced by Wakefield Council, Communications 06/21 Council, Wakefield Designed and produced by 247698 Food for Thought by Mark Ratcliffe unearths the people behind allotment gates across seven sites in Wakefield FESTIVAL OF THE EARTH HIGHLIGHTS district. This online gallery features beautiful photographs Theatre Royal Wakefield Museum’s A World of Good taken in summer 2020 on 35mm film.
    [Show full text]
  • Watch This Space 7 Gallery Educator Case Study
    WATCH THIS SPACE 7 GALLERY EDUCATOR CASE STUDY Ami Hallgarth, Formal Learning Coordinator, The Hepworth Wakefield Gallery: The Hepworth Wakefield School: Airedale High School, College for the Arts Project theme: ‘Relationships’, Year 9 project with Art and Dance pupils 1 Summary Ami Hallgarth, Formal Learning Coordinator at The Hepworth Wakefield undertook a placement at Airedale High School, between September and December 2010. Along with establishing an effective partnership between school and gallery, one of the main aims was to explore how a gallery visit could be integrated within the curriculum and what preparatory and developmental activities The Hepworth W akefield would be effective in ensuring teachers and Photo: Jonty Wilde pupils get the most from their visit. Ami worked with an artist and teachers from Airedale High School and Silcoates Senior School, to devise and deliver a short project with forty pupils across three classes of Year 9 GCSE art and dance students, to explore the theme of ‘relationships,’ using the work of Hepworth and Moore as a starting point. 1.1 The Hepworth Wakefield The Hepworth Wakefield is a new art gallery in West Yorkshire, due to open in May 2011. It is the largest purpose-built gallery outside London, has a collection and exhibition programme and has benefitted from a unique gift of around forty working models by Barbara Hepworth, donated by the Hepworth Estate. 1 The gallery is named after Barbara Hepworth who was born and grew up in Wakefield. The collection also contains works by Henry Moore who was born in nearby Castleford; the region in which Airedale High School is located.
    [Show full text]
  • Marlborough Gallery
    Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O.
    [Show full text]
  • Forming Sculpture, Provisional Programme 26 – 27 June 2018, Leeds
    Association for Art History Summer Symposium 2018 (Re-)Forming Sculpture, Provisional Programme 26 – 27 June 2018, Leeds Tuesday 26 June, The Hepworth Wakefield 10.00-10.15 Registration and Refreshments 10.15-10.30 Welcome from Conference Organisers | Gregory Perry, CEO, Association for Art History 10.30-11.45 Session 1: Curating the Sculptural Display Chair: Rebecca Wade • Nicole Cochrane (University of Hull) ‘’The Only Happy Couple I Ever Saw’: Ancient Hermaphrodite Sculptures and their Receptions’ • Helen Goulston (University of Birmingham/Oxford University Museum of Natural History) ‘’The Founders of Natural Knowledge’: Sculpture at the Oxford University Museum of Natural History’ • Amy Harris (University of York/Tate Britain) ‘Wrestling with an Unruly Collection: The Curation of the Sculpture Hall at Tate Britain – 1904 and 1933’ 11.45-11.50 Comfort Break 11.50-1.30 Session 2: Rethinking the Monument Chair: TBC • Stephano Colombo (University of Warwick) ‘Baldassarre Longhena’s Funerary Monument to Doge Giovanni Pesaro and the Rhetoric of the Living Sculpture’ • Ciarán Rua O’Neill (University of York) ‘‘The Old Truth that The Art is One’: Sculpture and Artistic Intermediality from the Nineteeth to Early Twentieth Centuries’ • Clare Fisher (University of St Andrews) ‘Reducktive Art, or What I’ve Learnt from Las Vegas’ • Sooyoung Leam (Courtauld Institute of Art) ‘The Spectres and Spectacles of the Past: Lee Seung-taek’s Non-Sculptures and Monuments’ 1.30-2.20 Lunch 2.20-3.15 Session 3: Yorkshire: Sculpting a Legacy Chair: Rowan Bailey
    [Show full text]
  • Major New Sculpture Festival Announces Programme Details
    PRESS RELEASE YORKSHIRE SCULPTURE INTERNATIONAL: MAJOR NEW SCULPTURE FESTIVAL ANNOUNCES PROGRAMME DETAILS 25 February 2019 Yorkshire Sculpture International (YSI) is pleased to announce programme details for the inaugural edition taking place across Yorkshire this summer from 22 June until 29 September 2019. YSI, the UK’s largest dedicated sculpture festival, will feature major public commissions in outdoor spaces across Leeds and Wakefield and exhibitions at each of the four partner venues – Henry Moore Institute, Leeds Art Gallery, The Hepworth Wakefield and Yorkshire Sculpture Park. Featuring 15 international artists from 12 different countries, the programme will bring together artists who share an interest in harnessing the cultural histories and physical properties of the materials they use. New commissions and exhibitions will respond to a provocation made by artist Phyllida Barlow in 2018 – that ‘sculpture is the most anthropological of the artforms’. Highlights will include a new commission by Rashid Johnson at the Henry Moore Institute, and rarely-seen sculptures by preeminent Abstract Expressionist sculptor David Smith at Yorkshire Sculpture Park. The Hepworth Wakefield will present a series of large-scale installations including new work by Wolfgang Laib and Tau Lewis’ first exhibition in the UK. Leeds Art Gallery will present ambitious new collection displays, a series of solo presentations and new commissions by artists including Nobuko Tsuchiya. In addition, commissions by Ayşe Erkmen, Huma Bhabha and Tarek Atoui will liven the public realm in Wakefield and Leeds. COMMISSIONS Huma Bhabha (b. 1962, Pakistan), will site her first public realm commission in the UK in central Wakefield. Working almost entirely with figurative sculpture, Bhabha’s approach is unconventional and cross-cultural, making connections between histories, languages and civilisations.
    [Show full text]