Economic Value and Impact of Yorkshire Sculpture Park

Total Page:16

File Type:pdf, Size:1020Kb

Economic Value and Impact of Yorkshire Sculpture Park Economic Value and Impact of Yorkshire Sculpture Park Final Report October 2011 Carlisle Leicester Suite 7 (Second Floor) 1 Hewett Close Carlyle’s Court Great Glen 1 St Mary’s Gate Leicester Carlisle CA3 8RY LE8 9DW t: 01228 402 320 t: 0116 259 2390 m: 07501 725 114 m: 07501 725115 e: [email protected] e: [email protected] www.dcresearch.co.uk Economic Value and Impact of Yorkshire Sculpture Park: Final Report CONTENTS KEY FINDINGS...........................................................................................1 1. INTRODUCTION AND BACKGROUND ....................................................2 2. KEY QUANTITATIVE ECONOMIC IMPACTS .............................................4 Visitor Impacts .................................................................................4 Employment and Procurement Impacts................................................7 3. ADDITIONAL AND CATALYTIC IMPACTS, AND ADDED VALUE...................9 Education and Learning .....................................................................9 Supporting Local Priorities................................................................ 10 Profile Impacts ............................................................................... 12 Summary and Future Impacts .......................................................... 13 APPENDIX 1: CONSULTEES ....................................................................... 15 APPENDIX 2: GLOSSARY OF KEY TERMS ..................................................... 16 Economic Value and Impact of Yorkshire Sculpture Park: Final Report KEY FINDINGS This report sets out the findings of an assessment of Yorkshire Sculpture Park’s economic value. The findings in this report are founded upon rigorous economics and national best practice approaches (i.e. HM Treasury ‘Green Book’, English Partnerships and Scottish Enterprise) on Economic Impact Assessments and Additionality1. The estimated economic impact of visitors to Yorkshire Sculpture Park (YSP) in the 12 months to 31st August 2011 is worth at least £4.96million and could well be in the order of £5.53million2 in its value to the local economy. In terms of employment this is the equivalent of supporting between 63 and 70 full time jobs3. Whilst YSP’s employment and spending effects are partially included in these visitor impacts, (as revenues from the visitors to YSP will contribute both towards employee salaries and the purchase of goods and services), employment data suggests that 108 FTE jobs at YSP support a further 25 FTE jobs in Wakefield and Barnsley, and 19 FTE jobs elsewhere in the Rest of West Yorkshire and the Rest of Yorkshire. Furthermore, £1.98million of direct procurement spent by YSP creates an estimated £86,000 of additional spending effects in Wakefield and Barnsley, and a further £165,000 and £184,500 in the Rest of West Yorkshire and the Rest of Yorkshire respectively. Whilst not quantifiable, the wider economic role of YSP provides a number of significant catalytic and strategic added value impacts in terms of profile and reputation, educational and community development impacts, and supports partners in delivering their own priorities: . YSP has an international profile and reputation, and is regarded by partners as being both unique and ‘a really high quality, exceptional world class organisation’. The Park has the ability to attract international collectors and critics. Through the quality of its programme YSP has significant strengths in joining up Arts Council England’s strategy to provide ‘Great Art for Everyone’. The green space that is developed and managed by the Park is regarded by many partners as being a critical element of the success of the Park, and whilst its impact in isolation is difficult to quantitatively measure, it is fundamental to the sense of uniqueness that partners have repeatedly highlighted. YSP has a strategic fit with a range of local policy agendas across Wakefield and Barnsley through enhancing and supporting the development of cultural and tourist facilities in order to support wider economic growth and promote sustainable development. The Park attracts around 45,000 participants each year as part of its Learning Programme, and through education and community projects, YSP delivers against Culture Creates outcomes for Wakefield Council’s Creative Partners Grant Scheme. YSP has also developed a particularly strong relationship with communities in Castleford through its work with the Castleford Heritage Trust. 1 See HM Treasury’s The Green Book: Appraisal and Evaluation in Central Government (2003); Scottish Enterprise’s Additionality & Economic Impact Assessment Guidance Note (2008); and English Partnership’s Additionality Guidance (3rd Edition, 2008). 2 £4.96million is based on an average of 2.6 people per car entering the Park (a measure used since 1999), and £5.53million based on 2.9 people per car entering the Park. Recent research suggests that whilst 2.9 could be a reasonable average, evidence will need to be assessed over a 12 month period to confirm its reliability. 3 These impacts are created as a result of visits to YSP, and whilst it cannot be specifically claimed that all impact is contained in Wakefield or Barnsley (as visitor movements off site cannot meaningfully captured) it is plausible to say that impacts will be largely contained within West Yorkshire. 1 Economic Value and Impact of Yorkshire Sculpture Park: Final Report 1. INTRODUCTION AND BACKGROUND Introduction 1.1 DC Research was appointed by Yorkshire Sculpture Park (YSP) in September 2011 to undertake an assessment of the Park’s economic value. This included capturing the value of the Park to the local economy in terms of visitors and tourism, employment, procurement and commercial impacts, the contribution the Park makes to national and local strategies and priorities, and understanding the catalytic and added value impacts of the Park to Wakefield, Barnsley and the surrounding area. 1.2 This final report (produced in October 2011) sets out an estimation of the economic value of YSP expressed through visitor impacts; direct, indirect and induced employment and procurement effects; and capital expenditure impacts, balanced by strategic and catalytic impacts and insights from partners and stakeholders. The report is aimed at informing and supporting advocacy in terms of the footprint and economic role of YSP, demonstrating the Park’s economic value to local and regional influencers and partners. 1.3 Consultations were carried out with key partner representatives from Wakefield Council, Barnsley Council, Arts Council England, Castleford Heritage Trust, Rushbond PLC, Welcome to Yorkshire and, of course, YSP as part of this study, and DC Research is most grateful for the insight, perspectives and the time given by all the consultees involved. These discussions helped shape the specific assumptions used in the analysis, and also served to capture the catalytic and strategic added value impacts of the Park. 1.4 Finally, DC Research would also like to thank Richard Dean, Paul Rogers and Victoria Collins from YSP, for their guidance and advice, and the provision of key datasets and survey support. Background 1.5 Yorkshire Sculpture Park (YSP) opened in 1977 with the goal of providing ‘great art for everyone’. The Sculpture Park, located outdoors in 500 acres of land in West Bretton, Wakefield is designed to remove barriers to art and encourage greater participation. The Park forms a ‘gallery without walls’ and began with £1,000 investment and 31 sculptures. Since then the Park has grown, now including five indoor galleries, is also now an international centre for modern and contemporary sculpture with regular changing exhibitions. 1.6 The open nature of the Park is designed to encourage visitors to explore the relationship between art and nature, allowing all visitors to make their own personal discoveries. Sculptures and site specific permanent works from some of the 20th Century’s leading artists including Antony Gormley, Henry Moore, Anthony Caro, Barbara Hepworth, James Turrell, Andy Goldsworthy and David Nash, are on display both outdoors and in the indoor galleries. The five indoor galleries include: the Underground Gallery, Bothy Gallery, Garden Gallery, The Chapel, and Longside (the hillside facing the original park). 1.7 Since the summer of 2011, visitors can also explore some of YSP’s historic lakes and woodland following extensive work funded by Natural England’s Higher Level Stewardship Scheme. This £500,000 investment allowed YSP to develop and enhance 85 acres of woodland nature reserve, restoring water management infrastructure, historic footpaths, bridges, follies, a Greek-style summer house, a 2 Economic Value and Impact of Yorkshire Sculpture Park: Final Report Boat House, Obelisk, Stepping Stones and a Shell Grotto to open up historic vistas and views to augment the landscape. 1.8 Whilst there are over 30 other sculpture parks and gardens in England4, YSP is unique due to its changing exhibition programme, and the size of the grounds make the park one of the largest in the world. YSP was also the first permanent park in the UK dedicated to exhibiting sculpture outdoors year-round. 1.9 In addition to the sculpture exhibitions, YSP also has facilities such as large restaurant, shop, coffee bars, and auditorium and meeting rooms. Furthermore, the venue hosts a range of workshops courses and lectures as well as guided tours. The park is run as a charity and admission is free, with parking costing £5
Recommended publications
  • Vebraalto.Com
    94 Huddersfield Road, PCM Bretton WF4 4JW £675 PCM CHARACTERFUL GRADE II LISTED COTTAGE, REFURBISHED TO A HIGH STANDARD THROUGHOUT AND OFFERING IDYLLIC COUNTRY LIVING. WITH OFF ROAD PARKING, LARGE LAWNED GARDEN AND EASY ACCESS TO SURROUNDING TOWNS, VILLAGES AND M1 MOTORWAY AVAILABLE EARLY JANUARY, UNFURNISHED, NO PETS OR SMOKERS, BOND IS £750, EPC IS D63 This is a great opportunity to rent this sunny south facing character cottage in the much sought after village of West Bretton – easy walking distance to the renowned Yorkshire Sculpture Park and only 1-2 miles to J38 & J39 of M1. This wonderful property is in an ideal rural location yet offering easy access to Huddersfield, Wakefield, Barnsley and the motorway networks. Refurbished to a very high standard but retaining a host of original features, with oak beams and open country views, the property briefly comprises of Entrance porch, large living room & fitted kitchen and upstairs: bathroom and very large (approx.18x16 ft) bedroom with original feature fireplace. This property will attract a large amount of interest from the start therefore viewings are highly recommended. Ideally suited for professional person or couple NEW LETTINGS INFORMATION All measurements are approximate and quoted in metric with imperial equivalents and for general guidance only and whilst every attempt has been made to ensure accuracy, they must not be relied on. We advise you take your own measurements prior to ordering any fixtures, fittings or furnishings. Internal photographs are produced for general information and it must not be inferred that any item shown is included with the property.
    [Show full text]
  • KAWS Media Release
    KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal.
    [Show full text]
  • Sculpting Lives S1E1, Barbara Hepworth
    Sculpting Lives podcast transcript Series 1, Episode 1: Barbara Hepworth This document is an accessible transcript of the podcast audio. Subscribe and listen: https://audioboom.com/posts/7525504-sculpting-lives-barbara-hepworth [music] Sara Matson: She managed her brand, fair play. Eleanor Clayton: A normal person from Wakefield; A remarkable artist but a remarkable woman. Stephen Feeke: Hepworth was odd because she didn't see herself as a feminist at all and didn't see herself as “I'm a pioneering woman”. She just felt she was a pioneering sculptor. Barbara Hepworth: I was born with the ideas of certain shapes in my mind. At least I remember as far back as seven. The whole time one's been working at it and working, trying to simplify and make more mature, get the right scale, and develop it according to the development of society. [music] Jo Baring: Hello, and welcome to Sculpting Lives the podcast by me, Jo Baring. Sarah Victoria Turner: And me, Sarah Turner. Jo, this is our first podcast and episode. Why are we doing this? Jo Baring: We met in our professional lives. You are Deputy Director of the Paul Mellon Centre, and I am Director of the Ingram Collection. We have a shared interest in art, but we realised when we met that we are really fascinated by sculpture in particular. Also, during the course of our discussions, we realised that women artists and women sculptors, in general, are less commercially successful than men, less represented in national institutions, museums, possibly have less gallery shows and we really wanted to unpick why that happens.
    [Show full text]
  • Towards an Understanding of the Contemporary Artist-Led Collective
    The Ecology of Cultural Space: Towards an Understanding of the Contemporary Artist-led Collective John David Wright University of Leeds School of Fine Art, History of Art and Cultural Studies Submitted in accordance with the requirements for the degree of Doctor of Philosophy December 2019 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of John David Wright to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 Acknowledgments Thank you to my supervisors, Professor Abigail Harrison Moore and Professor Chris Taylor, for being both critical and constructive throughout. Thank you to members of Assemble and the team at The Baltic Street Playground for being incredibly welcoming, even when I asked strange questions. I would like to especially acknowledge Fran Edgerley for agreeing to help build a Yarn Community dialogue and showing me Sugarhouse Studios. A big thank you to The Cool Couple for engaging in construcutive debate on wide-ranging subject matter. A special mention for all those involved in the mapping study, you all responded promptly to my updates. Thank you to the members of the Retro Bar at the End of the Universe, you are my friends and fellow artivists! I would like to acknowledge the continued support I have received from the academic community in the School of Fine Art, History of Art and Cultural Studies.
    [Show full text]
  • Local Area Map Buses and Taxis Taxis Main Destinations By
    Wakefield Westgate Station i Onward Travel Information Buses and Taxis Local area map Wakefield Westgate Contains Ordnance Survey data © Crown copyright and database right 2017 & also map data © OpenStreetMap contributors, CC BY-SA is a PLUSBUS area Rail replacement buses depart from outside this station at the bus stop PLUSBUS is a discount price ‘bus pass’ that you buy with (W9) in the short-stay Car Park on Mulberry Way. your train ticket. It gives you unlimited bus travel around your chosen town, on participating buses. Visit www.plusbus.info Main destinations by bus (Data correct at June 2017) BUS BUS BUS BUS BUS BUS DESTINATION DESTINATION DESTINATION ROUTES STOP ROUTES STOP ROUTES STOP { Alverthorpe 104, 105, 212 W8 102, 116##, "freecitybus" W9 { Wakefield Bus Station { Bately # 212 W8 126, 127, 128, All services W7 { Lupset W8 { Calder Grove # 435, 436 W8 130, 231, 232, "freecitybus" W9 { Wakefield Kirkgate # { Carlton # 444# W7 268A 102, 105 W7 { Chickenley 126, 127 W8 { Middlestown 128, 130, 232 W8 231*, 435, { West Bretton # W8 { Clayton WestSTM 435, 436 W8 { Midgley 231 W8 436 { W8 National Coal Mining { Westerton 117, 212 W8 Denby Dale 435, 436 { 128, 130, 232 W8 126, 127, 128, Museum { Whitley Lower 128, 130 W8 { Dewsbury W8 212, 268A { Netherton 231 W8 { Windhill 102, 104 W7 { Dewsbury & District Hospital 212, 268A W8 102**, 116##, { Yorkshire Sculpture Park 96 Bus Station 443, 444# W9 { Ossett # 117, 126, 127, W8 { Durkar # 435, 436 W8 268A 102**, 117, 126, 127, { W8 { Earlsheaton W8 Ossett Spa 268A 126, 127 { W8 { Eastmoor # 102, 104 W7 Overton 128, 130, 232 { W7 { Emley 232 W8 Pindersfields (Hospital) # 444# { W7 { Emley Moor 232 W8 Portobello 105 "freecitybus" W9 102, 117, { { Flanshaw (Dewsbury Road) W8 Ridings Shopping Centre 268A 102, 105 W7 Notes { W7 { Flanshaw (Flanshaw Lane) 104, 212 W8 Rothwell # 444# PLUSBUS destination, please see below for details.
    [Show full text]
  • Press Release Yorkshire Sculpture Park Set to Welcome Visitors Back This Spring
    Press Release Yorkshire Sculpture Park set to welcome visitors back this spring As spring brings the promise of brighter days ahead, Yorkshire Sculpture Park (YSP) has unveiled its plans to continue its phased reopening in line with the government roadmap, and welcome visitors back to appreciate and enjoy a remarkable collection in an exceptional landscape. YSP is a unique cultural destination, museum and registered charity in Wakefield, welcoming diverse audiences across its 500 acres where around 100 sculptures are sited in formal gardens, parkland, woods and around two lakes. Serving ongoing cultural learning, physical activity and mental wellbeing, throughout 2021, new exhibitions and artist projects will be launched, with narratives of identities and histories, and a material focus on textiles, photography, ceramics and the natural world. From 12 April, the shop in the YSP Centre will reopen, displaying a stunning collection of ceramic tiles and prints as part of Alison Milner’s new exhibition, Decorative Minimalist, inspired by YSP. After more than a year of closure due to COVID-19, The Weston will begin to reopen its doors. From 27 April, The Weston shop will welcome customers back to browse an exciting new range of products, and The Restaurant will open for outdoor dining on the same day. Indoor restaurant seating will follow on 18 May, complete with a revamped menu for spring. Booking is advised and reservations will be taken from 12 April. Please phone +44 (0)1924 930004 or email [email protected] to reserve a table. The Weston will be open Tuesday to Sunday and Bank Holidays.
    [Show full text]
  • KAWS Media Release
    KAWS Media release OPEn-AIR KAWS SCULPTURES TO REMAIN AT YORksHIRE SCULPTURE PARK Yorkshire Sculpture Park (YSP) is pleased to announce that six sculptures by the renowned American artist KAWS will remain on display until December 2016 giving visitors to the Park a further six months to enjoy the monumental works in the open air. Following the success of the artist’s first UK museum exhibition in YSP’s Longside Gallery and the open air, the six sculptures – SMALL LIE (2013), GOOD INTENTIONS (2015), AT THIS TIME (2013), BETTER KNOWING (2013), FINAL DAYS (2013) and ALONG THE WAY (2013) – will continue to be seen in the Lower Park, beyond the exhibition’s official end date of 12 June 2016. Outdoors, with their outsize and monumental proportions, KAWS’s sculptures bring to mind dystopian cartoon characters; recognisable personalities from childhood who appear to have lost their innocence. Against the Park’s tree line, the group of six works in natural and black-stained wood, measuring between three and 10 metres in height, are simultaneously spectacular and plaintive. Once bright, iconic characters are rendered in disheartened, world-weary Images, left to right: poses; imposing yet full of pathos, they point to an array of psychological SMALL LIE (2013) courtesy the artist, narratives, suggesting compassion, surprise and despair. YSP and Galerie Perrotin. Wood, H1000cm x W464cm x D427.2cm; Brooklyn-based KAWS is considered one of the most relevant artists of his time. GOOD INTENTIONS (2015) Courtesy His influential work engages people across the generations with contemporary the artist and More Gallery. Wood, art and especially opens popular culture to young and diverse audiences.
    [Show full text]
  • Nether End House Netherdale Court | Denby Dale | Huddersfield | HD8 8YG NETHER END HOUSE
    Nether End House Netherdale Court | Denby Dale | Huddersfield | HD8 8YG NETHER END HOUSE Nether End House is a stunning family home which effortlessly combines a seventeenth century building with the sophistications of the twenty first century. The house has a design and a layout that is customised for an elegant yet homely and comfortable living experience. Nether End House Pages.indd 1 06/10/2016 11:47 Nether End House Pages.indd 2 06/10/2016 11:48 An impressive 18th century, grade II listed, country house occupying delightful 2 acre grounds approached by a sweeping tree lined driveway and adjoining glorious open countryside resulting in long distance views. A substantial family home enjoying the most idyllic of locations privately positioned on the outskirts of this sought after village; sympathetically restored with retained period features and extended resulting in spacious accommodation which incorporates a desirable living kitchen and a self- contained annex. Nether End House is positioned on the edge of the Pennines being highly commutable and well served by an abundance of local services including highly regarded schools. Nether End House Pages.indd 3 06/10/2016 11:48 The accommodation comprises Ground Floor An open Portico shelters a stone flagged floor and beautiful oak doors with full height windows on either side which opening to the reception hall. Reception Hallway Providing an impressive introduction to the property with full height windows to the rear and a personal entrance door which opens to the rear garden. The hallway has a limestone floor with underfloor heating, inset spotlighting to the ceiling and internal French doors which open to the living kitchen.
    [Show full text]
  • The London.Gazette, 9Th September 1966 9911
    THE LONDON.GAZETTE, 9TH SEPTEMBER 1966 9911 Road District Description of Length Calf Hill Lane (Non County) ... Holmfirth Urban ... From its junction with the Woodhead and Honley County Road A.6024 at Spring Lodge to its junction with Deanhouse Lane, a distance of approximately 490 yards. Wickins Lane (Non County) ... Holmfirth Urban ... From a point 100 yards north west of Town Gate in a general northerly direction to a point at Wolfstones Heights, a distance of approximately 950 yards. Bradley and Grange Moor County Kirkburton Urban... From its junction with the Huddersfield-Wakefield- Road(B.6118) Hook Moor County Road (A.642) at Grange Moor to the west side of its junction with Back Lane, a distance of approximately 620 yards. Paul Lane and Moor Top Lane Kirkburton Urban... From a point 453 yards south of the Huddersfield- (Non County) Wakefield-Hpok Moor County Road A.642 at Lepton Edge to its junction with Long Lane a distance of approximately 740 yards. Green Lane (Non County) ... Queensbury and From its junction with the Denholme Gate, Brighouse- Shelf Urban Dewsbury County Road A.644 at Raggalds, south westwards to the Halifax County Borough Boundary, a distance of approximately 406 yards. Windy Bank Lane (Non County) Queensbury and From a point 100 yards west of its junction with the Shelf Urban Halifax-Bradford-Leeds County Road A.647 at Shibden Head, to the Halifax County Borough boundary a distance of approximately 700 yards. Deanstone Lane (Non County)... Queensbury and From its junction with the road leading to the warehouse Shelf Urban at Ing Head north westwards to a point approxi- mately 50 yards north west of Long Lane a distance of approximately 310 yards.
    [Show full text]
  • World-Famous Artist Swapping New York for Wakefield
    Release date: Tuesday May 14 WORLD-FAMOUS ARTIST SWAPPING NEW YORK FOR WAKEFIELD A world-famous artist will be swapping New York for Wakefield city centre as part of a major sculpture festival this summer. Huma Bhabha (b.1962 Karachi, Pakistan, lives in Poughkeepsie, New York, USA) is creating a new sculpture which will be installed outside Wakefield Council’s County Hall near Wakefield College for three months. It’s all part of the free to see Yorkshire Sculpture International – the UK’s biggest sculpture festival this year – and backed by Wakefield Council, Wakefield College, Arts Council England and Leeds 2023. In 2018, the artist installed "We Come in Peace" on the roof of New York's Metropolitan Museum of Art, overlooking the famous Manhattan skyline and her new sculpture for Wakefield will go on display from 22 June to late September this year. This summer’s event is being presented by four world-class art galleries which make up the Yorkshire Sculpture Triangle - The Hepworth Wakefield, Yorkshire Sculpture Park, The Henry Moore Institute and Leeds Art Gallery – who are collaborating to present a sculpture festival featuring major new commissions and exhibitions at each of the four partner venues and sculpture outdoors in Leeds and Wakefield. Huma Bhabha said: “It’s always exciting to create something new for a landscape I have never worked in before. I approach all my work with the intention of making it intense, and everything else will fall into place.” Cast in bronze to stand outdoors ‘Receiver’ 2019 is a human like form which began as a sculpture carved from everyday materials including Styrofoam and cork.
    [Show full text]
  • Festival of the Earth Using Less Plastic, and Much More
    Wakefield Council has declared a climate emergency and aims to have Net Zero carbon emissions by 2030. We need to act now and act together! As a district we need to commit to recycling more, festival of the earth using less plastic, and much more. JULY - OCTOBER 2021 The Council will support other organisations and residents in reaching this goal as close to this time frame as possible. To join in and find out more visit: bit.ly/climatewfd festival of the earth Festival of the Earth is an exciting collection of events, activities, workshops and more taking place from July to October 2021 across the Wakefield district. Work with us to make positive environmental changes to your daily lives and help tackle climate change - while having loads of fun! You can do this by visiting an exhibition, taking part in an activity, or researching other ways to make a difference. This is also an opportunity for young people across the district to take action to change how they live, support the environment and protect Wakefield for future generations. Join us on the start of this huge journey where everyone can play their part; small changes can lead to big movements. For more information on the festival visit: expwake.co/EarthFestWFD Designed and produced by Wakefield Council, Communications 06/21 Council, Wakefield Designed and produced by 247698 Food for Thought by Mark Ratcliffe unearths the people behind allotment gates across seven sites in Wakefield FESTIVAL OF THE EARTH HIGHLIGHTS district. This online gallery features beautiful photographs Theatre Royal Wakefield Museum’s A World of Good taken in summer 2020 on 35mm film.
    [Show full text]
  • Watch This Space 7 Gallery Educator Case Study
    WATCH THIS SPACE 7 GALLERY EDUCATOR CASE STUDY Ami Hallgarth, Formal Learning Coordinator, The Hepworth Wakefield Gallery: The Hepworth Wakefield School: Airedale High School, College for the Arts Project theme: ‘Relationships’, Year 9 project with Art and Dance pupils 1 Summary Ami Hallgarth, Formal Learning Coordinator at The Hepworth Wakefield undertook a placement at Airedale High School, between September and December 2010. Along with establishing an effective partnership between school and gallery, one of the main aims was to explore how a gallery visit could be integrated within the curriculum and what preparatory and developmental activities The Hepworth W akefield would be effective in ensuring teachers and Photo: Jonty Wilde pupils get the most from their visit. Ami worked with an artist and teachers from Airedale High School and Silcoates Senior School, to devise and deliver a short project with forty pupils across three classes of Year 9 GCSE art and dance students, to explore the theme of ‘relationships,’ using the work of Hepworth and Moore as a starting point. 1.1 The Hepworth Wakefield The Hepworth Wakefield is a new art gallery in West Yorkshire, due to open in May 2011. It is the largest purpose-built gallery outside London, has a collection and exhibition programme and has benefitted from a unique gift of around forty working models by Barbara Hepworth, donated by the Hepworth Estate. 1 The gallery is named after Barbara Hepworth who was born and grew up in Wakefield. The collection also contains works by Henry Moore who was born in nearby Castleford; the region in which Airedale High School is located.
    [Show full text]