Press Release Yorkshire Sculpture Park Set to Welcome Visitors Back on Wednesday 29 July 2020

Total Page:16

File Type:pdf, Size:1020Kb

Press Release Yorkshire Sculpture Park Set to Welcome Visitors Back on Wednesday 29 July 2020 Press Release Yorkshire Sculpture Park set to welcome visitors back on Wednesday 29 July 2020 Yorkshire Sculpture Park has announced that it will reopen its gates 7 days a week between 10am and 6pm. From Wednesday 29 July, visitors will once again be able to enjoy world-class modern and contemporary sculpture in the open air, set within beautiful 18th century landscape. The Underground Gallery will be open, where visitors can view the vibrant, major exhibition by leading Portuguese artist Joana Vasconcelos and the physical gallery shop will be open for business as well as online. Over the coming months, additional galleries including The Weston, Chapel and Longside will open as restrictions and funding permits. YSP’s retail outlet in the main visitor centre will be open, and in due course the main café will reopen. There will be a take-out offer available at YSP Learning café. Prioritising safety and compliance with NHS guidelines to ensure YSP is COVID-19 secure has meant that some essential changes have been put into place. These include social distancing, one-way systems and restricted visitor numbers. Similar to attractions across the UK, everyone must pre-book a ticket online in advance to gain entry. A £6 ticket booked through www.ysp.org.uk includes access to the Underground Gallery, open air galleries, YSP grounds and parking. Under 16s, carers and Max card holders are eligible for a free ticket but must book, so that numbers can be managed on site. Founded in 1977, the much-loved charity and accredited museum is set in a vast landscape, with 6 indoor galleries, restaurants, shops, cafes and an arts learning centre. The costs associated with operating an organisation of this type and scale is significant, and YSP has to raise 80% of the income needed to operate through visitors, fundraising and donations. Since YSP closed its gates in March due to COVID-19, it has faced a financial challenge. The charity has lost £4 in every £5 of its income. It now needs vital funds from tickets and donations to be able to open to the public. Visitors are asked to plan ahead, book and pay on line and once on site, to follow new directional signage, use hand sanitiser stations and follow one-way systems to keep each other and YSP staff safe. For more information and to plan your visit, visit www.ysp.org.uk/visit. Ends Press enquiries Hannah Pearson / [email protected] Download images at ysp.org.uk/media Listings information Yorkshire Sculpture Park, West Bretton, Wakefield WF4 4LG Near Wakefield and Barnsley – M1 Junction 38 +44 (0)1924 832631 | ysp.org.uk Open seven days a week, except Christmas Eve and Christmas Day Pre-booking essential via www.ysp.org.uk Social Media Twitter: @YSPsculpture Instagram: @YSPsculpture Notes to editors Yorkshire Sculpture Park (YSP) is the leading international centre for modern and contemporary sculpture which celebrated its 40th anniversary in 2017. It is an independent charitable trust and registered museum (number 1067908) situated in the 500-acre, 18th-century Bretton Hall estate in West Yorkshire. Founded in 1977 by Executive Director Peter Murray, YSP was the first sculpture park in the UK, and is the largest of its kind in Europe, providing the only place in Europe to see Barbara Hepworth’s The Family of Man in its entirety alongside a significant collection of sculpture, including bronzes by Henry Moore and site-specific works by Andy Goldsworthy, David Nash, Alfredo Jaar and James Turrell. YSP mounts a world-class, year-round temporary exhibitions programme including some of the world’s leading artists across five indoor galleries and the open air. Recent highlights include projects by Giuseppe Penone, Chiharu Shiota, Tony Cragg, KAWS, Bill Viola, Fiona Banner, Ai Weiwei, Ursula von Rydingsvard, Amar Kanwar, Yinka Shonibare MBE, Joan Miró, Shirin Neshat and Joana Vasconcelos. More than 80 works on display across the estate include significant sculptures by Phyllida Barlow, Katrina Palmer, Ai Weiwei, Roger Hiorns, Sean Scully, Elisabeth Frink and Niki de Saint Phalle. Attracting almost half a million visitors a year prior to the pandemic, YSP’s driving purpose for over 40 years has been to encourage, nurture and sustain interest in and debate around contemporary art and sculpture, especially with those not typically familiar with art participation. It enables open access to art, situations and ideas, and continues to re-evaluate and expand the approach to considering art’s role and relevance in society. Supporting 40,000 people each year through YSP’s learning programme, this innovative work develops ability, confidence and life aspiration in participants. Creative Case for Diversity Yorkshire Sculpture Park was founded in 1977 to enable fairer cultural access and opportunity and we are committed to being part of change towards a fairer world. We do not tolerate discrimination in any form and are proactive in our programme, policies and behaviours to address inequalities locally, nationally and internationally. We recognise that economic, social and cultural disadvantage is complex and intersectional and shape our activity accordingly. Diversity and equality are crucial to the arts because they release the true potential of our nation’s artistic talent – from every background. At YSP, we support Arts Council England’s mission – great art and culture for everyone. We share ACE’s commitment to promote and embed diversity in our workforce and cultural programme. This is called the ‘Creative Case for Diversity’..
Recommended publications
  • Vebraalto.Com
    94 Huddersfield Road, PCM Bretton WF4 4JW £675 PCM CHARACTERFUL GRADE II LISTED COTTAGE, REFURBISHED TO A HIGH STANDARD THROUGHOUT AND OFFERING IDYLLIC COUNTRY LIVING. WITH OFF ROAD PARKING, LARGE LAWNED GARDEN AND EASY ACCESS TO SURROUNDING TOWNS, VILLAGES AND M1 MOTORWAY AVAILABLE EARLY JANUARY, UNFURNISHED, NO PETS OR SMOKERS, BOND IS £750, EPC IS D63 This is a great opportunity to rent this sunny south facing character cottage in the much sought after village of West Bretton – easy walking distance to the renowned Yorkshire Sculpture Park and only 1-2 miles to J38 & J39 of M1. This wonderful property is in an ideal rural location yet offering easy access to Huddersfield, Wakefield, Barnsley and the motorway networks. Refurbished to a very high standard but retaining a host of original features, with oak beams and open country views, the property briefly comprises of Entrance porch, large living room & fitted kitchen and upstairs: bathroom and very large (approx.18x16 ft) bedroom with original feature fireplace. This property will attract a large amount of interest from the start therefore viewings are highly recommended. Ideally suited for professional person or couple NEW LETTINGS INFORMATION All measurements are approximate and quoted in metric with imperial equivalents and for general guidance only and whilst every attempt has been made to ensure accuracy, they must not be relied on. We advise you take your own measurements prior to ordering any fixtures, fittings or furnishings. Internal photographs are produced for general information and it must not be inferred that any item shown is included with the property.
    [Show full text]
  • KAWS Media Release
    KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal.
    [Show full text]
  • Towards an Understanding of the Contemporary Artist-Led Collective
    The Ecology of Cultural Space: Towards an Understanding of the Contemporary Artist-led Collective John David Wright University of Leeds School of Fine Art, History of Art and Cultural Studies Submitted in accordance with the requirements for the degree of Doctor of Philosophy December 2019 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of John David Wright to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 Acknowledgments Thank you to my supervisors, Professor Abigail Harrison Moore and Professor Chris Taylor, for being both critical and constructive throughout. Thank you to members of Assemble and the team at The Baltic Street Playground for being incredibly welcoming, even when I asked strange questions. I would like to especially acknowledge Fran Edgerley for agreeing to help build a Yarn Community dialogue and showing me Sugarhouse Studios. A big thank you to The Cool Couple for engaging in construcutive debate on wide-ranging subject matter. A special mention for all those involved in the mapping study, you all responded promptly to my updates. Thank you to the members of the Retro Bar at the End of the Universe, you are my friends and fellow artivists! I would like to acknowledge the continued support I have received from the academic community in the School of Fine Art, History of Art and Cultural Studies.
    [Show full text]
  • Local Area Map Buses and Taxis Taxis Main Destinations By
    Wakefield Westgate Station i Onward Travel Information Buses and Taxis Local area map Wakefield Westgate Contains Ordnance Survey data © Crown copyright and database right 2017 & also map data © OpenStreetMap contributors, CC BY-SA is a PLUSBUS area Rail replacement buses depart from outside this station at the bus stop PLUSBUS is a discount price ‘bus pass’ that you buy with (W9) in the short-stay Car Park on Mulberry Way. your train ticket. It gives you unlimited bus travel around your chosen town, on participating buses. Visit www.plusbus.info Main destinations by bus (Data correct at June 2017) BUS BUS BUS BUS BUS BUS DESTINATION DESTINATION DESTINATION ROUTES STOP ROUTES STOP ROUTES STOP { Alverthorpe 104, 105, 212 W8 102, 116##, "freecitybus" W9 { Wakefield Bus Station { Bately # 212 W8 126, 127, 128, All services W7 { Lupset W8 { Calder Grove # 435, 436 W8 130, 231, 232, "freecitybus" W9 { Wakefield Kirkgate # { Carlton # 444# W7 268A 102, 105 W7 { Chickenley 126, 127 W8 { Middlestown 128, 130, 232 W8 231*, 435, { West Bretton # W8 { Clayton WestSTM 435, 436 W8 { Midgley 231 W8 436 { W8 National Coal Mining { Westerton 117, 212 W8 Denby Dale 435, 436 { 128, 130, 232 W8 126, 127, 128, Museum { Whitley Lower 128, 130 W8 { Dewsbury W8 212, 268A { Netherton 231 W8 { Windhill 102, 104 W7 { Dewsbury & District Hospital 212, 268A W8 102**, 116##, { Yorkshire Sculpture Park 96 Bus Station 443, 444# W9 { Ossett # 117, 126, 127, W8 { Durkar # 435, 436 W8 268A 102**, 117, 126, 127, { W8 { Earlsheaton W8 Ossett Spa 268A 126, 127 { W8 { Eastmoor # 102, 104 W7 Overton 128, 130, 232 { W7 { Emley 232 W8 Pindersfields (Hospital) # 444# { W7 { Emley Moor 232 W8 Portobello 105 "freecitybus" W9 102, 117, { { Flanshaw (Dewsbury Road) W8 Ridings Shopping Centre 268A 102, 105 W7 Notes { W7 { Flanshaw (Flanshaw Lane) 104, 212 W8 Rothwell # 444# PLUSBUS destination, please see below for details.
    [Show full text]
  • Press Release Yorkshire Sculpture Park Set to Welcome Visitors Back This Spring
    Press Release Yorkshire Sculpture Park set to welcome visitors back this spring As spring brings the promise of brighter days ahead, Yorkshire Sculpture Park (YSP) has unveiled its plans to continue its phased reopening in line with the government roadmap, and welcome visitors back to appreciate and enjoy a remarkable collection in an exceptional landscape. YSP is a unique cultural destination, museum and registered charity in Wakefield, welcoming diverse audiences across its 500 acres where around 100 sculptures are sited in formal gardens, parkland, woods and around two lakes. Serving ongoing cultural learning, physical activity and mental wellbeing, throughout 2021, new exhibitions and artist projects will be launched, with narratives of identities and histories, and a material focus on textiles, photography, ceramics and the natural world. From 12 April, the shop in the YSP Centre will reopen, displaying a stunning collection of ceramic tiles and prints as part of Alison Milner’s new exhibition, Decorative Minimalist, inspired by YSP. After more than a year of closure due to COVID-19, The Weston will begin to reopen its doors. From 27 April, The Weston shop will welcome customers back to browse an exciting new range of products, and The Restaurant will open for outdoor dining on the same day. Indoor restaurant seating will follow on 18 May, complete with a revamped menu for spring. Booking is advised and reservations will be taken from 12 April. Please phone +44 (0)1924 930004 or email [email protected] to reserve a table. The Weston will be open Tuesday to Sunday and Bank Holidays.
    [Show full text]
  • KAWS Media Release
    KAWS Media release OPEn-AIR KAWS SCULPTURES TO REMAIN AT YORksHIRE SCULPTURE PARK Yorkshire Sculpture Park (YSP) is pleased to announce that six sculptures by the renowned American artist KAWS will remain on display until December 2016 giving visitors to the Park a further six months to enjoy the monumental works in the open air. Following the success of the artist’s first UK museum exhibition in YSP’s Longside Gallery and the open air, the six sculptures – SMALL LIE (2013), GOOD INTENTIONS (2015), AT THIS TIME (2013), BETTER KNOWING (2013), FINAL DAYS (2013) and ALONG THE WAY (2013) – will continue to be seen in the Lower Park, beyond the exhibition’s official end date of 12 June 2016. Outdoors, with their outsize and monumental proportions, KAWS’s sculptures bring to mind dystopian cartoon characters; recognisable personalities from childhood who appear to have lost their innocence. Against the Park’s tree line, the group of six works in natural and black-stained wood, measuring between three and 10 metres in height, are simultaneously spectacular and plaintive. Once bright, iconic characters are rendered in disheartened, world-weary Images, left to right: poses; imposing yet full of pathos, they point to an array of psychological SMALL LIE (2013) courtesy the artist, narratives, suggesting compassion, surprise and despair. YSP and Galerie Perrotin. Wood, H1000cm x W464cm x D427.2cm; Brooklyn-based KAWS is considered one of the most relevant artists of his time. GOOD INTENTIONS (2015) Courtesy His influential work engages people across the generations with contemporary the artist and More Gallery. Wood, art and especially opens popular culture to young and diverse audiences.
    [Show full text]
  • Nether End House Netherdale Court | Denby Dale | Huddersfield | HD8 8YG NETHER END HOUSE
    Nether End House Netherdale Court | Denby Dale | Huddersfield | HD8 8YG NETHER END HOUSE Nether End House is a stunning family home which effortlessly combines a seventeenth century building with the sophistications of the twenty first century. The house has a design and a layout that is customised for an elegant yet homely and comfortable living experience. Nether End House Pages.indd 1 06/10/2016 11:47 Nether End House Pages.indd 2 06/10/2016 11:48 An impressive 18th century, grade II listed, country house occupying delightful 2 acre grounds approached by a sweeping tree lined driveway and adjoining glorious open countryside resulting in long distance views. A substantial family home enjoying the most idyllic of locations privately positioned on the outskirts of this sought after village; sympathetically restored with retained period features and extended resulting in spacious accommodation which incorporates a desirable living kitchen and a self- contained annex. Nether End House is positioned on the edge of the Pennines being highly commutable and well served by an abundance of local services including highly regarded schools. Nether End House Pages.indd 3 06/10/2016 11:48 The accommodation comprises Ground Floor An open Portico shelters a stone flagged floor and beautiful oak doors with full height windows on either side which opening to the reception hall. Reception Hallway Providing an impressive introduction to the property with full height windows to the rear and a personal entrance door which opens to the rear garden. The hallway has a limestone floor with underfloor heating, inset spotlighting to the ceiling and internal French doors which open to the living kitchen.
    [Show full text]
  • Economic Value and Impact of Yorkshire Sculpture Park
    Economic Value and Impact of Yorkshire Sculpture Park Final Report October 2011 Carlisle Leicester Suite 7 (Second Floor) 1 Hewett Close Carlyle’s Court Great Glen 1 St Mary’s Gate Leicester Carlisle CA3 8RY LE8 9DW t: 01228 402 320 t: 0116 259 2390 m: 07501 725 114 m: 07501 725115 e: [email protected] e: [email protected] www.dcresearch.co.uk Economic Value and Impact of Yorkshire Sculpture Park: Final Report CONTENTS KEY FINDINGS...........................................................................................1 1. INTRODUCTION AND BACKGROUND ....................................................2 2. KEY QUANTITATIVE ECONOMIC IMPACTS .............................................4 Visitor Impacts .................................................................................4 Employment and Procurement Impacts................................................7 3. ADDITIONAL AND CATALYTIC IMPACTS, AND ADDED VALUE...................9 Education and Learning .....................................................................9 Supporting Local Priorities................................................................ 10 Profile Impacts ............................................................................... 12 Summary and Future Impacts .......................................................... 13 APPENDIX 1: CONSULTEES ....................................................................... 15 APPENDIX 2: GLOSSARY OF KEY TERMS ..................................................... 16 Economic Value and Impact of Yorkshire
    [Show full text]
  • The London.Gazette, 9Th September 1966 9911
    THE LONDON.GAZETTE, 9TH SEPTEMBER 1966 9911 Road District Description of Length Calf Hill Lane (Non County) ... Holmfirth Urban ... From its junction with the Woodhead and Honley County Road A.6024 at Spring Lodge to its junction with Deanhouse Lane, a distance of approximately 490 yards. Wickins Lane (Non County) ... Holmfirth Urban ... From a point 100 yards north west of Town Gate in a general northerly direction to a point at Wolfstones Heights, a distance of approximately 950 yards. Bradley and Grange Moor County Kirkburton Urban... From its junction with the Huddersfield-Wakefield- Road(B.6118) Hook Moor County Road (A.642) at Grange Moor to the west side of its junction with Back Lane, a distance of approximately 620 yards. Paul Lane and Moor Top Lane Kirkburton Urban... From a point 453 yards south of the Huddersfield- (Non County) Wakefield-Hpok Moor County Road A.642 at Lepton Edge to its junction with Long Lane a distance of approximately 740 yards. Green Lane (Non County) ... Queensbury and From its junction with the Denholme Gate, Brighouse- Shelf Urban Dewsbury County Road A.644 at Raggalds, south westwards to the Halifax County Borough Boundary, a distance of approximately 406 yards. Windy Bank Lane (Non County) Queensbury and From a point 100 yards west of its junction with the Shelf Urban Halifax-Bradford-Leeds County Road A.647 at Shibden Head, to the Halifax County Borough boundary a distance of approximately 700 yards. Deanstone Lane (Non County)... Queensbury and From its junction with the road leading to the warehouse Shelf Urban at Ing Head north westwards to a point approxi- mately 50 yards north west of Long Lane a distance of approximately 310 yards.
    [Show full text]
  • Festival of the Earth Using Less Plastic, and Much More
    Wakefield Council has declared a climate emergency and aims to have Net Zero carbon emissions by 2030. We need to act now and act together! As a district we need to commit to recycling more, festival of the earth using less plastic, and much more. JULY - OCTOBER 2021 The Council will support other organisations and residents in reaching this goal as close to this time frame as possible. To join in and find out more visit: bit.ly/climatewfd festival of the earth Festival of the Earth is an exciting collection of events, activities, workshops and more taking place from July to October 2021 across the Wakefield district. Work with us to make positive environmental changes to your daily lives and help tackle climate change - while having loads of fun! You can do this by visiting an exhibition, taking part in an activity, or researching other ways to make a difference. This is also an opportunity for young people across the district to take action to change how they live, support the environment and protect Wakefield for future generations. Join us on the start of this huge journey where everyone can play their part; small changes can lead to big movements. For more information on the festival visit: expwake.co/EarthFestWFD Designed and produced by Wakefield Council, Communications 06/21 Council, Wakefield Designed and produced by 247698 Food for Thought by Mark Ratcliffe unearths the people behind allotment gates across seven sites in Wakefield FESTIVAL OF THE EARTH HIGHLIGHTS district. This online gallery features beautiful photographs Theatre Royal Wakefield Museum’s A World of Good taken in summer 2020 on 35mm film.
    [Show full text]
  • Marlborough Gallery
    Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O.
    [Show full text]
  • Forming Sculpture, Provisional Programme 26 – 27 June 2018, Leeds
    Association for Art History Summer Symposium 2018 (Re-)Forming Sculpture, Provisional Programme 26 – 27 June 2018, Leeds Tuesday 26 June, The Hepworth Wakefield 10.00-10.15 Registration and Refreshments 10.15-10.30 Welcome from Conference Organisers | Gregory Perry, CEO, Association for Art History 10.30-11.45 Session 1: Curating the Sculptural Display Chair: Rebecca Wade • Nicole Cochrane (University of Hull) ‘’The Only Happy Couple I Ever Saw’: Ancient Hermaphrodite Sculptures and their Receptions’ • Helen Goulston (University of Birmingham/Oxford University Museum of Natural History) ‘’The Founders of Natural Knowledge’: Sculpture at the Oxford University Museum of Natural History’ • Amy Harris (University of York/Tate Britain) ‘Wrestling with an Unruly Collection: The Curation of the Sculpture Hall at Tate Britain – 1904 and 1933’ 11.45-11.50 Comfort Break 11.50-1.30 Session 2: Rethinking the Monument Chair: TBC • Stephano Colombo (University of Warwick) ‘Baldassarre Longhena’s Funerary Monument to Doge Giovanni Pesaro and the Rhetoric of the Living Sculpture’ • Ciarán Rua O’Neill (University of York) ‘‘The Old Truth that The Art is One’: Sculpture and Artistic Intermediality from the Nineteeth to Early Twentieth Centuries’ • Clare Fisher (University of St Andrews) ‘Reducktive Art, or What I’ve Learnt from Las Vegas’ • Sooyoung Leam (Courtauld Institute of Art) ‘The Spectres and Spectacles of the Past: Lee Seung-taek’s Non-Sculptures and Monuments’ 1.30-2.20 Lunch 2.20-3.15 Session 3: Yorkshire: Sculpting a Legacy Chair: Rowan Bailey
    [Show full text]