Season Sponsor

Total Page:16

File Type:pdf, Size:1020Kb

Season Sponsor Published by: Season Sponsor: Brooklyn Academy of Music Adam E. Max, Chairman of the Board William I. Campbell, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Man to Man Executive Producer By Manfred Karge Translated by Alexandra Wood A Wales Millennium Centre Production DATES: NOV 7—11 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) RUN TIME: 1hr, 15mins Major support for theater at BAM no intermission provided by: The Achelis and Bodman Foundation The Francena T. Harrison Foundation Trust The SHS Foundation The Shubert Foundation, Inc. #BAMNextWave BAM Fisher ABOUT Man to Man Man to Man Manfred Karge’s Man to Man tells the story of Ella: a woman forced to adopt the identity of her dead husband in Performer Production Manager order to survive in Nazi Germany. Maggie Bain Martin Hunt Compromising her own identity for Playwright Company Stage Manager survival, Ella is plunged into a new Manfred Karge Sarah Thomas masculine world of beer, schnapps, and poker—a claustrophobic existence Translation Technical Stage Manager dominated by the fear of discovery Alexandra Wood Angus Foster and the changing face of authority in a volatile 20th-century Germany. Directed by Assistant Stage Manager Bruce Guthrie & Scott Graham Katie Bingham Shunted from one memory to another, the audience experiences the full force Set and Costume Design Production Electrician of this all-consuming one-woman play, Richard Kent Mollie Tuttle confronting the horror of the Second World War from a unique and deeply Lighting Design American Stage Manager personal perspective. Rick Fisher R. Michael Blanco In this new English adaptation of the Sound Design German masterpiece by Alexandra Mike Walker The Actors are appearing with the per- Wood, directors Bruce Guthrie and mission of Actors’ Equity Association. Frantic Assembly’s Scott Graham Video Design re-imagine this seminal text alongside Andrzej Goulding The American Stage Manager is a a stellar creative team. member of Actors’ Equity Association. Music composed by The production was created at Wales Matthew Scott Millennium Centre in February 2015 and transferred to the Edinburgh Fringe Voice & Dialect Coach Festival in August of that year. Hugh O’Shea Produced by Pádraig Cusack Wales Millennium Centre’s license to present Manfred Karge’s Man to Man is granted by Rosica Colin Limited, London, by arrangement with henschel SCHAUSPIEL, Berlin Ernst Busch Acting School in Berlin. He BRUCE GUTHRIE has appeared in Hauptmann’s Die Ratten Director (The Rats), as well as in Wedekind’s Lulu, at the Maxim Gorki Theater. In Bruce Guthrie recently directed a new UK the last few years Karge has been active Who’s production of Jonathan Larson’s legend- as an actor and director at the Berliner ary musical Rent (St James Theatre and Ensemble, taking major roles in Richard UK tour); Constellations by Nick Payne II, Mother Courage und Ihre Kinder, and (Singapore Repertory Theatre); The Last Die Heilige Johanna der Schlachthoefe. Mermaid with Charlotte Church (Festival Who His productions include Schweyk in the of voice, Wales Millennium Centre); Man Second World War, Fear and Suffering to Man by Manfred Karge (Wales Mil- MANFRED KARGE of the Third Reich, The Caucasian Chalk lennium Centre and Edinburgh Festival Author Circle, and The Hanns Eisler Revue. 2015); Lotty’s War by Giuliano Crispini Karge has two books published by and Clare Slater (UK Tour); Bakersfield Manfred Karge was born in 1938. After Alexanderverlag, Berlin. Mist starring Kathleen Turner and Ian Mc- drama school, he was invited by Helene Photo: Maggie Bain by Wolf Marioh Photo: Maggie Bain by Wolf Diarmid (Duchess Theatre); An Incident at Weigel—world-famous actor, director, the Border by Kieran Lynn (Finborough & ex-wife of Bertolt Brecht, and one-time ALEXANDRA WOOD Trafalgar Studios); The Merchant of Ven- head of the Berliner Ensemble—to join English Language Author MAGGIE BAIN ice, Othello, and Twelfth Night (Singapore the Berliner Ensemble in 1961. In 1963 Actor Repertory Theatre, Fort Canning Park, he began work with Matthias Langhoff Alexandra Wood is an award-winning Singapore); and Stories by Heart, written and also started his career as an actor in British dramatist. Her plays include The Originally from Scotland, Maggie Bain by and starring multi-award-winning actor feature films. Human Ear (Paines Plough); Ages (Old grew up in England, moving to London John Lithgow (Lyttelton NT). Guthrie also Vic New Voices); Merit (Plymouth Drum); for drama school. She recently completed wrote and directed events celebrating the In 1969 Karge and Langhoff moved to the The Initiate (Paines Plough, winner of filming First & Only, a film adaptation of centenary of the Welsh Guards in 2015. Volksbuehne, East Berlin. In 1975 they a Scotsman Fringe First); The Empty Peter Flannery’s best-selling novel of the These took place at the Royal Welsh staged the premiere of Heiner Mueller’s Quarter (Hampstead); an adaptation of same name. Other credits include Emma College of Music and Drama and the Die Schlacht (The Battle). Productions Jung Chang’s Wild Swans (Young Vic/ Rice’s A Midsummer Night’s Dream Principality Stadium, Cardiff. followed in Hamburg, Geneva, Cologne, ART); The Centre (Islington Community (Shakespeare’s Globe); Man to Man and Hanover. Claus Peymann installed Theatre); Unbroken (Gate); The Lion’s (Wales Millennium Centre and Edinburgh Karge at the Schauspielhaus Bochum. Mouth (Rough Cuts/Royal Court); The Fringe Festival 2015); The Blood Is Strong SCOTT GRAHAM Productions took place in Paris, Zurich, Eleventh Capital (Royal Court); and the (Finborough Theatre); Beautiful Burnout Director Stuttgart, and other cities. In 1982 radio play Twelve Years (BBC Radio 4). (Frantic Assembly, UK Tour); Henry V and the world premiere of Karge’s first play A Doll’s House (Theatre Delicatessen); and Scott Graham is artistic director and co- Jacke Wie Hose was staged at the Short plays include Pope’s Grotto (Paines Love of the Nightingale (Rough Fiction). founder of Frantic Assembly, for which Schauspielhaus Bochum, directed by Plough/Come to Where I’m From); My TV and film credits include Happiness he recently directed Things I Know to Karge. Under the English title Man to Name Is Tania Head (Decade/Headlong); (David Austen Studios for Channel 4/Ran- Be True, No Way Back, Othello, and Man, Tilda Swinton played the character, and work for the Royal Court, Oxford dom Acts); Making Ugly (Vernon Films); The Believers. He has been nominated Max Gericke (Traverse Theatre, Edinburgh School of Drama, Rose Bruford College, Lady Randy in Lady Randy: Churchill’s for an Olivier and a Tony Award for best 1987; Royal Court Theatre 1988), and Dry Write, Nabokov, and Curious Mother (Channel 4 & Flame TV); and choreography for the multi-award-winning the production was filmed. Karge’s second Directive. Wood is a past winner of the Crisis Control (BBC). NT production The Curious Incident of play Conquest of the South Pole followed George Devine Award and was the Big the Dog in the Night-Time. For Frantic (Traverse Theatre 1988; Royal Court Room playwright-in-residence at Paines In addition to her theater, film, and televi- Assembly he has co-directed Little Dogs, 1988) and was also filmed. Plough in 2013. sion work Bain is also a Learn & Train Lovesong, Beautiful Burnout, Stockholm, Practitioner for Frantic Assembly, teaching pool (no water), Dirty Wonderland, With Claus Peymann, Karge went to the physical theater skills and devising tech- Rabbit, Peepshow, and Underworld. His Burgtheater Vienna in 1986 to stage work niques for schools and theater companies director/performer credits include Hymns, by Brecht, Fuehmann, Jelinek, and others. throughout the world. Tiny Dynamite, On Blindness, Heavenly, From 1993 onwards, he has managed the Sell Out, Zero, Flesh, Klub, and Look seen with the Monteverdi Choir’s triple bill cible and UK Tour); Oliver! (Grange Park Opera); and Silent Night (Philadelphia Back in Anger.Other directing credits of Orfeo, Ulisse, and Poppea (UK, Europe, Opera); Outside Mullingar (Ustinov, Bath); Opera, US tour). Goulding was recently include Man to Man at Wales Millennium New York), and forthcoming work includes The Colby Sisters Of Pittsburgh, Pennsyl- nominated for the first ever Whatsonstage Centre and Home for the National Theatre Billy Elliot (Tokyo); Forbidden City (Singa- vania, A Boy and His Soul, Paper Dolls, award for video design (Groundhog Day) of Scotland. His choreography/movement pore); and Cell Mates (Hampstead). and Multitudes (Tricycle); Bad Jews, and a Welsh Theatre Award for design direction credits include The Merchant of (Ustinov Bath, St James, Arts, Haymarket, (The Last Mermaid). agoulding.com Venice for Singapore Repertory Company; and UK Tour); Handbagged (Tricycle, Praxis Makes Perfect for National Theatre MIKE WALKER Vaudeville, and UK Tour); Macbeth, Shef- Wales; The Canticles at Brighton Festival/ Sound Design field Mysteries (Sheffield Crucible); The MATTHEW SCOTT Aldeburgh Music; Husbands & Sons, Port, Dance of Death (Donmar Trafalgar); The Composer Hothouse, and Market Boy at the National Mike Walker trained at Guildhall School of Merchant of Venice (Singapore Repertory Theatre; and Dr. Dee for Manchester Music and Drama in London. His many Theatre); Murder Ballad and Josephine Matthew Scott trained at the Guildhall International Festival/ENO. With Steven designs for the National Theatre include Hart Poetry Week (Arts Theatre); Unfaith- School and City University London, at the Hoggett and Bryony Lavery, he created It Three Winters, Chewing Gum Dreams, ful (Found 111); Watership Down (The Berlin Hochshule für Musik and in New Snows, a National Theatre Connections Home, Hymn, St. Matthew Passion, Major Watermill); The Cocktail Party (Print York, where he worked as music assistant play and, with Steven Hoggett, wrote The Barbara, Caroline or Change, and Jerry Room); Communicating Doors (Menier to Lotte Lenya. He has written music for Frantic Assembly Book of Devising The- Springer–The Opera, for which he won the Chocolate Factory); Neighbors and Clock- many plays including premieres by Sir atre (Routledge 2nd ed.).
Recommended publications
  • 2015 United Solo Festival Guide
    GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R.
    [Show full text]
  • ESTELLE PARSONS & NAOMI LIEBLER  Monday, April 13
    SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB THE ENGLISH-SPEAKING UNION THE LAMBS, NEW YORK CITY ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13 For this special gathering, the GUILD is delighted to join forces with THE LAMBS, a venerable theatrical society whose early leaders founded Actors’ Equity, ASCAP, and the Screen Actors Guild. Hal Holbrook offered Mark Twain Tonight to his fellow Lambs before taking the show public. So it’s hard to imagine a better THE LAMBS setting for ESTELLE PARSONS and NAOMI LIEBLER to present 3 West 51st Street a dramatic exploration of “Shakespeare’s Old Ladies.” A Manhattan member of the American Theatre Hall of Fame and a PROGRAM 7:00 P.M. former head of The Actors Studio, Ms. Parsons has been Members $5 nominated for five Tony Awards and earned an Oscar Non-Members $10 as Blanche Barrow in Bonnie and Clyde (1967). Dr. Liebler, a professor at Montclair State, has given us such critically esteemed studies as Shakespeare’s Festive Tragedy. Following their dialogue, a hit in 2011 at the New York Public Library, they’ll engage in a wide-ranging conversation about its key themes. TERRY ALFORD Tuesday, April 14 To mark the 150th anniversary of what has been called the most dramatic moment in American history, we’re pleased to host a program with TERRY ALFORD. A prominent Civil War historian, he’ll introduce his long-awaited biography of an actor who NATIONAL ARTS CLUB co-starred with his two brothers in a November 1864 15 Gramercy Park South benefit of Julius Caesar, and who restaged a “lofty Manhattan scene” from that tragedy five months later when he PROGRAM 6:00 P.M.
    [Show full text]
  • 159 Years After Dred Scott Decision, Descendants of Scott and Chief Justice Taney Meet on Stage
    (For immediate release—with photo) 159 years after Dred Scott decision, descendants of Scott and Chief Justice Taney meet on stage. Theinfamous Dred Scott decision that led to the Civil War is the focus of a contemporary dialogue in a new play by Kate Taney Billingsley presented by The Actors Studio in New York under the direction of Estelle Parsons, Oscar winner and a stage and screen presence for more than 60 years. The play, A Man of His Time, is part The Community Project, a series of original one-act productions the studio (at 432 West 44th St.) is offering at 7 p.m. May 13-14 and May 19-21 with a 2 p.m. matinee May 21(Saturday) Admission is free. For reservations, e- mail [email protected]. The playwright, Taney Billingsley, is a descendant of Chief Justice Roger B. Taney, author of the Supreme Court ruling that both declared Dred Scott property as well as nullifying the Missouri Compromise, making slavery legal in the western territories.Her dramatization is a etaphor for today’s disourse o rae, preseted as a oersatio oer offee etee Taney and Scott family members. Following the nightly curtain May 14, two family descendants—Charlie Taney of Norwalk, CT, the playright’s father, ad Lye M. Jackson, great-great-granddaughter of Scott, and founder of the Dred Scott Heritage Foundation of St. Louis, MO—will take the stage to engage in a discussion of race relations then and now. Estelle Parsons is a member of the American Theatre Hall of Fame and at 88 is still a vibrant figure in the theater.
    [Show full text]
  • Bam 2016 Annual Report
    BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016.
    [Show full text]
  • ANNA MAGNANI the GOLDEN COACH.1953 [Commedia Del’Arte] DIR RENOIR the FUGITIVE KIND.1959
    Acting Styles Film List All the films and actors are part of film history that you should be aware of. They all contain a differing acting “style” and often have a different “method” within each film. Follow up any film and actor that interests you. Don’t feel you have to finish any you are not enjoying. My priority choices in red ANNA MAGNANI THE GOLDEN COACH.1953 [commedia del’arte] DIR RENOIR THE FUGITIVE KIND.1959. T.W .BRANDO . JOANNA WOODWARD, MAUREEN STAPLETON. THE ROSE TATTOO. 1955 T.W. BURT LANCASTER WILD IS THE WIND.1957 ANTHONY QUINN. FRANCIOSA. DIR GEORGE CUKOR. BETTE DAVIS NOW VOYAGER. 1942 CLAUDE RAINS ALL ABOUT EVE. 1950. ANNE BAXTER. MARILYN MONROE WHAT EVER HAPPENED TO BABY JANE? 1962. JOAN CRAWFORD. GERALDINE PAGE. SUMMER & SMOKE. 1961. T.W. LAWRENCE HARVEY SWEET BIRD OF YOUTH 1962. T,W. PAUL NEWMAN MONTGOMERY CLIFT. A PLACE IN THE SUN. 1951 .ELIZABETH TAYLOR YOUNG LIONS. 1958 MARLON BRANDO FROM HERE TO ETERNITY 1953. BURT LANCASTER. FRANK SINATRA. SUDDENLY LAST SUMMER 1959. T.W. ELIZABETH TAYLOR KATHERINE HEPBURN THE MISFITS. 1961. MARILYN MONROE, CLARK GABLE GRETA GARBO QUEEN CHRISTINA. 1933. JOHN GILBERT. CAMILLE 1936. ROBERT TAYLOR. DIR. GEORGE CUKOR ELIZABETH TAYLOR/BURTON WHO’S AFRAID OF VIRGINIA WOOLF. 1956 THE TAMING OF THE SHREW 1967. DIR ZEFFERELLI CAT ON A HOT TIN ROOF T.W. 1958. PAUL NEWMAN REFLECTIONS IN A GOLDEN EYE. 1967. BRANDO. DIR. JOHN HUSTON GIANT 56 JAMES DEAN. ROCK HUDSON VIVIEN LEIGH________ A STREETCAR NAMED DESIRE. T.W. 1951. BRANDO. KIM STANLEY DIR. ELIA KAZAN THE ROMAN SPRING OF MRS STONE.
    [Show full text]
  • 03 Man-Of-La-Mancha
    2017 2018 IN THIS ISSUE DECEMBER 2017 Title Page . 2 Cast . 3 Musical Numbers . 4 Letter from Artistic Director David Ivers . 5 Letter from Managing Director Billy Russo . 6 Director’s Note . 7 The Cast . 8 The Creative Team . 14 Executive Leadership . 19 About Arizona Theatre Company . 21 ATC Board of Trustees . 22 Donors . 23 ATC Staff . 30 Theater Information . 32 The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix. Cover art by: ESSER DESIGN 1 2017 2018 David Ivers Billy Russo Artistic Director Managing Director MAN OF LA MANCHA BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION ORIGINAL PRODUCTION STAGED BY ALBERT MARRE ORIGINALLY PRODUCED BY ALBERT W. SELDEN AND HAL JAMES David Bennett ........................................................ Director Kathryn Van Meter .............................................. Choreographer Tim Symons ................................................... Music Supervisor Greg Fulton ...................................... Associate Music Director, Arranger William Bloodgood ............................................. Scenic Designer Melanie Burgess .............................................. Costume Designer Mary Louise Geiger ............................................ .Lighting Designer Abe Jacob .................................................... Sound Designer Brian Jerome Peterson .................................... Resident Sound Designer William Kirkham ...................................... Associate Lighting Designer Geoff Josselson, CSA ................................................
    [Show full text]
  • MIRACLE on 42ND STREET” a Documentary About Manhattan Plaza
    Media Press Kit “MIRACLE ON 42ND STREET” A documentary about Manhattan Plaza LOG LINE The story oF Manhattan Plaza - a housing complex in New YorK City For people in the perForming arts, and how it led to the revitalization of midtown Manhattan. Miracle on 42nd Street is the First film to focus on the story of affordable housing for artists. SYNOPSIS Miracle on 42nd Street is a one-hour documentary about the untold history and impact of the Manhattan Plaza apartment complex in New YorK City. Starting with the bacKground of the blighted Hell's Kitchen neighborhood and the building’s initial commercial Failure in the mid- 1970s, the story recounts how – in a moment oF bold inspiration or maybe desperation - the buildings were “re-purposed” as subsidized housing For people who worKed in the perForming arts, becoming one of the First intentional, government supported, afFordable housing For artist residences. The social experiment was a resounding success in the lives oF the tenants, and it led the way in the transformation of the midtown neighborhood, the Broadway theater district and local economy. The Film makes a compelling case For the economic value of the arts and artists in America. The success oF Manhattan Plaza has become a role model For similar experiments, which the Film Features, around the country, in places like Ajo, Arizona, Providence, Rhode Island and Rahway, New Jersey. Narrated by acclaimed actor/writer Chazz Palminteri, Miracle on 42nd Street features on-camera interviews with people whose lives were positively impacted by the complex, including Alicia Keys, Terrence Howard, Donald Faison, Larry David and Samuel L JacKson, Angela Lansbury, Giancarlo Esposito, and many others.
    [Show full text]
  • INSERT: Theatre from a to Z at Annenberg Center and How It Grew
    A Supplement to Almanac The News Magazine of The University of Pennsylvania VOLUME 2. NUMBER 2 Theatre From A to Z at Annenberg Center and How It Grew Before 1971 the Annenberg School shared the 3600 block of Walnut Street with a car dealership. Nine years later the Annenberg Center complements the School and the University with its striking exterior and rich cultural life. "This is a Center with a difference. It A NEW FOCUS will seek to serve the basic House". The prestigious Shaw Festival of objec- A different format was Canada joined the roster of tives of the University, to contribute programming quality produc- to considered and the Center began to look ing organizations appearing at the Center knowledge through teaching, outside for which would and presented a successful produc- research, public expression and quality productions highly service." augment the University's educational pro- tion of "Charley's Aunt" starring Paxton In 1972 The New Phoenix Whitehead to complete the 1974-75 Miss Nancy Hanks. Chairman, National grams. Reper- Endowment for the Arts, at the Dedica- tory Company opened its season at the season. tion Exercises of the Annenberg Center, Annenberg Center with an assist from local CONTINUING FINANCIAL PROBLEMS April 1971. theatre entrepreneur and Penn alumnus, While the steps were progressing, Franklin Roberts. O'Neill's "The Great God however, the financial difficulties were Miss Hanks knew what the Center Brown," directed by Harold Prince, also a keeping pace. Managing Director Richard wanted to be when it grew up. Ambassador University alumnus and the person for Kirschner, who had guided the Annenberg Annenberg's magnificent gift to the Univer- whom the Center's 200-seat theatre was Center during its difficult formative years, sity of the superbly equipped three-theatre named, and Moliere's "Don Juan," directed resigned, citing lack of University financial performing arts center was an auspicious by Stephen Porter, both received high crit- commitment, and became the Managing start.
    [Show full text]
  • University Microilms International 300 N
    MAUREEN STAPLETON, AMERICAN ACTRESS. Item Type text; Thesis-Reproduction (electronic) Authors Rosen, Esther. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 12:15:27 Link to Item http://hdl.handle.net/10150/274791 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame.
    [Show full text]
  • LEFTIES, the FAMOUS and the INFAMOUS
    LEFTIES, the FAMOUS and the INFAMOUS U.S. PRESIDENTS RECORDING ARTISTS James Garfield, 20th President Kurt Cobain (Nirvana) Herbert Hoover, 31st President Phil Collins (Genesis) Harry S. Truman, 33rd President Don and Phil Everly (The Everly Gerald Ford, 38th President Brothers - 100% of the group!) George H.W. Bush, 41st President Jimi Hendrix Bill Clinton, 42nd President Paul McCartney (the Beatles; Wings) Barack Obama, 44th President Paul Simon (Simon & Garfunkel) Tiny Tim Some notes about the Presidents: Rudy Valee (1) Ronald Reagan was rumored to have VISUAL ARTISTS been born left-handed but was forced to switch early in his life. However, no Don Adams (Actor) documentation, photos, or witnesses Dan Aykroyd (Actor) have come forth to verify. So he is Eddie Albert (Actor) disqualified from this elite list. Tim Allen (Actor) June Allyson (2) Grover Cleveland was elected to Harry Anderson (Actor) two non-consecutive terms and is Amitabh Bachchan (Indian actor) counted twice. Herschel Bernardi Robert Blake (Actor) (3) The totals, then, is out of 43 US Matthew Broderick (Actor) Presidents, 7 have been left-handed. Bruce Boxleitner This is about twice the national Carol Burnett (Actress) percentage. Does the data suggest George Burns (Comedian) that if you are left-handed, you have Ruth Buzzi (Comedienne) slightly better chance of becoming a Drew Carey (Actor) US president? Probably not, but it is Keith Carradine (Actor) fun to speculate. Khaled Chahrour (Egyptian actor) Charlie Chaplin (Actor) George Gobel (Comedian) Chuck Conners (Actor) Hans Conreid James Cromwell Tom Cruise (Actor) Quinn Cummings Daniel Davis Steve McQueen (Actor) Bruce Davison Howie Mandel (Comedian) Matt Dillon (Actor) Marcel Marceau (Mime) Marty Engles (Comedian) Harpo Marx (Actor) Olivia de Havilland Marsha Mason Robert DeNiro (Actor) Mary Stuart Masterson Michael Dorn Anne Meara (Comedian) Fran Drescher (Comedian) Sasha Mitchell Richard Dreyfuss (Actor) Marilyn Monroe (Actress) W.C.
    [Show full text]
  • BAM Salutes to Jointheartistcircle Contactgwendolyndunaifat718.623.7810 [email protected]
    2013 Next Wave Festival Brooklyn Academy of Music Alan H. Fishman, BAM salutes Chairman of the Board William I. Campbell, Members of the Artist Circle Vice Chairman of the Board Bodycast: Adam E. Max, for their generosity and commitment to providing Vice Chairman of the Board a home for adventurous artists, audiences, and ideas Karen Brooks Hopkins, An Artist Lecture by President Joseph V. Melillo, Suzanne Bocanegra Artist Circle Members Executive Producer Diane & Adam E. Max, Cheryl Henson & Ed Finn The O’Grady Foundation Starring Artist Circle Chairs Sophie Hughes Maya Polsky Alan Jones & Ashley Garrett William D. & Susan Kahan Rifkin Roger Alcaly & Helen Bodian Miriam Katowitz & Max Rifkind-Barron Frances McDormand Susan L. Baker & Michael R. Lynch Arthur Radin Mr. & Mrs. Theodore C. Rogers The Howard Bayne Fund Gene & Terry Kaufman Carley Roney & David Liu Roger & Brook Berlind Eileen M. Lach Bette & Richard Saltzman Mr. & Mrs. Anthony Bowe Solange Landau Jon & NoraLee Sedmak Mr. & Mrs. Purnendu Chatterjee The Levine Foundation Susan & Larry Sills Simon & Sarah Collier Briehan Lynch & In Memory of Robert Sklar Mary Sharp Cronson Alexander Evis Mr. & Mrs. Howard Solomon Joan K. Davidson Grace Lyu-Volckhausen Sam & Ellen Sporn (The J.M. Kaplan Fund) Mattis Family Foundation David & Aliana Spungen Beatrice & James Del Favero Hamish Maxwell Starry Night Fund Carol & Roger Einiger Scott C. McDonald Jean Stein David & Susie Gilbert Constance & John Strasswimmer Directed by Elaine Golin H. Roemer McPhee Wendy vanden Heuvel Pamela Grace Joyce F. Menschel The Robert W. Wilson Paul Lazar The Grodzins Fund Barbara & Richard Moore Charitable Trust Mr. & Mrs. Henry B. Gutman Alexandra Munroe & Carol Yorke & Gerard Conn Mr.
    [Show full text]
  • Julius Caesar
    PRESENTED BY William Shakespeare's JULIUS CAESAR SHAKESPEARE THEATRE COMPANY Dear Friend, "i thank you for your pains and courtesy". Table of Contents I hope you will enjoy one of Julius Caesar, act 2, scene 2 Letter from Michael Kahn 3 Shakespeare’s most politically Out of the Past charged pieces, uniquely suited by Akiva Fox 4 to Washington, D.C., audiences. Synopsis 7 Julius Caesar reaches into the ThE 2011 ShakESPEaRE ThEaTRE ComPaNY About the Playwright 9 heart of Roman history to explore not only the consequences of Title Page 11 FREE FoR all iS PRESENTED BY conspiracy but also the complications of political Cast 12 ambition. David Muse’s original 2008 production Cast Biographies 13 was called “majestic” by the Washington Times and hailed as “electrifying” by DC Theatre Review. Direction and Design Biographies 21 I am pleased to make this wonderful production available to the Washington community for free, Shakespeare: with the generous support of sponsors like Target Caesar of Playwrights? 26 and donors like the Friends of Free For All. Shakespeare Theatre Company There could be no greater gift on the eve of this Board of Trustees 6 anniversary season than to celebrate its opening Shakespeare Theatre with you—friends new and old. I hope you will Company 24 return during the 2011-2012 Season to experience some of the exciting events we have in store. This Friends of Free For All 28 Ad Space season is sure to bring many memorable moments For the Shakespeare to STC stages, from the classic works of Regnard, Theatre Company 30 O’Neill and Goldoni to Shakespeare’s Much Ado Staff 32 About Nothing, The Two Gentlemen of Verona Happenings 33 and The Merry Wives of Windsor.
    [Show full text]