Portrayed in the Works of Countless Artists and Writers, Havana Is
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Globalrelations.Ourcuba.Com Cleveland Ballet in Havana
GlobalRelations.OurCuba.com 1-815-842-2475 Cleveland Ballet in Havana In Cuba from Thursday February 27th to Monday March 2, 2020 Day 1 – Thursday :: Arrive Cuba, Iconic Hotel, welcome dinner and evening to explore Depart to Havana via your own arranged flights. You should plan arriving Havana by mid-afternoon. It may take you some time to clear Cuban Immigration, get your bag and go through Customs. You will be met in the arrival hall, after clearing Customs, by our Cuban representative holding a ‘Cuba Explorer’ sign to take you to your hotel. They will have your name and will be monitoring your flight arrival in case there is a delay. Your first tour activity will be the welcome dinner and your guide will finalize details with you on arrival to your hotel. On departure from Cuba you will be asked to be at the airport 3 hours in advance. Havana’s International Airport arrival hall does have bathrooms. They may not have seats or tissue. This is normal in Cuba, so you may wish to bring packets of tissues. It is suggested to use the restroom on your flight before landing. On arrival at Havana’s José Martí International Airport proceed through Immigration. Your carry-on will once again be scanned. Give your ‘Health’ form to the nurses in white uniforms after you go through Immigration & screening. The important question they may ask is if you have been exposed to Ebola. Collect your bags and go through Customs giving them your blue customs form. You will be welcomed at the airport exterior lobby after you exit Cuban Customs. -
Slum Clearance in Havana in an Age of Revolution, 1930-65
SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 by Jesse Lewis Horst Bachelor of Arts, St. Olaf College, 2006 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Jesse Horst It was defended on July 28, 2016 and approved by Scott Morgenstern, Associate Professor, Department of Political Science Edward Muller, Professor, Department of History Lara Putnam, Professor and Chair, Department of History Co-Chair: George Reid Andrews, Distinguished Professor, Department of History Co-Chair: Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics, Department of History, Harvard University ii Copyright © by Jesse Horst 2016 iii SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 Jesse Horst, M.A., PhD University of Pittsburgh, 2016 This dissertation examines the relationship between poor, informally housed communities and the state in Havana, Cuba, from 1930 to 1965, before and after the first socialist revolution in the Western Hemisphere. It challenges the notion of a “great divide” between Republic and Revolution by tracing contentious interactions between technocrats, politicians, and financial elites on one hand, and mobilized, mostly-Afro-descended tenants and shantytown residents on the other hand. The dynamics of housing inequality in Havana not only reflected existing socio- racial hierarchies but also produced and reconfigured them in ways that have not been systematically researched. -
The Art & Architecture of Cuba
VIRGINIA MUSEUM OF FINE ARTS When you make a new reservation on this program, your payments will be fully refundable until 60 days prior to departure. The Art & Architecture of Cuba: In Support of the Cuban People February 13–20, 2021 HIGHLIGHTS ENGAGE with Cuba’s leading creators in exclusive gatherings, with intimate discussions at the homes and studios of artists, a private rehearsal at a famous dance company, and a phenomenal evening of art and music at Havana’s Fábrica de Arte Cubano DELIGHT in a private, curator-led tour at the National Museum of Fine Arts of Havana, with its impressive collection of Cuban artworks and international masterpieces from Caravaggio, Goya, Rubens, and other legendary artists CELEBRATE and mingle with fellow travelers at exclusive receptions, including a cocktail reception with a sumptuous dinner in the company of the President of The Ludwig Foundation of Cuba and an after-tours tour and reception at the dazzling Ceramics Museum MEET the thought leaders who are shaping Cuban society, including the former Deputy Minister for Foreign Affairs, who will share profound insights on Cuban politics DISCOVER the splendidly renovated Gran Teatro de La Habana Alicia Alonso, the ornately designed, Neo-Baroque- style home to the Cuban National Ballet Company, on a private tour ENJOY behind-the-scenes tours and meetings with workers at privately owned companies, including a local workshop for Havana’s classic vehicles and a factory producing Cuban cigars VENTURE to the picturesque Cuban countryside for When you make a new reservation on this program, a behind-the-scenes tour of a beautiful tobacco plantation your payments will be fully refundable until 60 days prior to departure. -
El Puerto De La Habana. Un Recorrido Por Su Historia Militar Hasta 1898
EL PUERTO DE LA HABANA. UN RECORRIDO POR SU HISTORIA MILITAR HASTA 1898 HAVANA PORT. A RUN THROUGH OF IT’S MILITARY HISTORY UNTIL 1898 Gustavo Placer Cervera RESUMEN ABSTRACT La historia de La Habana está indisolu- The history of Havana is undeniably blemente ligada a la de su hermosa ba- linked to its beautiful history, magnifi- hía, magnífico puerto natural, a su acti- cent natural port, its economic activity vidad económica y a su historia militar. and its military history. Trade, war and Comercio, guerra y navegación: la his- navigation: the history of port-villa, toria de la villa-puerto, poco a poco little by little changed into capital city, transformada en capital girará durante will live for centuries in accordance siglos alrededor de estos factores deter- with these factors that will shape its minando su fisonomía y destino hasta appearance and destiny up until the end th finales del siglo XIX. El contenido de la of the 19 century. The following is ponencia es sobre los inicios. Los pri- contained in the paper: meros ataques de piratas y su respuesta. The beginnings. The first pirate attacks El primer sistema defensivo. La cons- and the response. The first system of trucción naval. La toma de La Habana defense. The naval construction. The por los ingleses en 1762. La construc- takeover of Havana by the English in ción del segundo sistema defensivo. La 1762. The construction of the second Habana, base de la recuperación de Las system of defense. Havana, base of the Floridas y Bahamas. El siglo XIX. El recovering of Florida and the Bahamas. -
Havanareporter YEAR VI
THE © YEAR VI Nº 7 APR, 6 2017 HAVANA, CUBA avana eporter ISSN 2224-5707 YOUR SOURCE OF NEWS & MORE H R Price: A Bimonthly Newspaper of the Prensa Latina News Agency 1.00 CUC, 1.00 USD, 1.20 CAN Caribbean Cooperation on Sustainable Development P. 3 P. 4 Cuba Health & Economy Sports Maisí Draws Tourists Science Valuable Cuban Boxing to Cuba’s Havana Hosts Sugar by Supports Enhanced Far East Regional Disability Products Transparency P.3 Conference P. 5 P. 13 P. 15 2 Cuba´s Beautiful Caribbean Keys By Roberto F. CAMPOS Many tourists who come to Cuba particularly love the beak known as Coco or White Ibis. Cayo Santa Maria, in Cuba’s the north-central region “Cayos” and become enchanted by their beautiful and Adjacent to it are the Guillermo and Paredón has become a particularly popular choice because of its very well preserved natural surroundings and range of Grande keys, which are included in the region´s tourism wonderful natural beauty, its infrastructure and unique recreational nautical activities. development projects. Cuban culinary traditions. These groups of small islands include Jardines del Rey Cayo Coco is the fourth largest island in the Cuban 13km long, two wide and boasting 11km of prime (King´s Gardens), one of Cuba´s most attractive tourist archipelago with 370 square kilometers and 22 beachfront, Cayo Santa María has small islands of destinations, catering primarily to Canadian, British kilometers of beach. pristine white sands and crystal clear waters. and Argentine holidaymakers, who praise the natural Cayo Guillermo extends to 13 square kilometers Other outstandingly attractive islets such as environment, infrastructure and service quality. -
MOA Journeys: Cuba 2014
Thursday, 20 November Day 1 Arrive in Havana Arrive in Havana at Jose Marti International Airport. Meet your guide then transfer to your 4-star hotel in the heart of the old city. All transport within Cuba is by private deluxe motor coach. Upon arrival in the city, the vibrancy of the people is one of the first things you will notice. Also striking is the fact that, day or night, music can be heard and most evenings, somewhere in the city, people can be found dancing in the streets. The rich history of the island is apparent in the faces of the people. They are the descendants of the Spanish conquistadores who colonised the island in the sixteenth century and African slaves brought over to work on the tobacco and sugar plantations. Overnight in Havana. Meal plan: Tonight, you’ll enjoy a welcome dinner & cocktails*, meet your Adventures Abroad tour guide, mingle with the Museum of Anthropology representatives and members like you, and enjoy an introductory presentation by Without Masks curator, Orlando Hernández. *subject to flight schedules Friday, 21 November Day 2 Havana: Centre City Tour Cuba's cosmopolitan capital was once one of the world's most prosperous ports and the third most populous city in the Americas. As La Llave del Mundo (Key of the World), she saw riches from Mexico, Peru, and Manila pass through her sheltered harbour to Spain. Havana shows evidence of long neglect but her beauty shines through an amalgam of Spanish, African, colonial, communist, and capitalist influences. Today we have a tour of Old Havana, including a stroll down Prado Avenue, for many years Havana's most important and impressive avenue. -
Music Production and Cultural Entrepreneurship in Today’S Havana: Elephants in the Room
MUSIC PRODUCTION AND CULTURAL ENTREPRENEURSHIP IN TODAY’S HAVANA: ELEPHANTS IN THE ROOM by Freddy Monasterio Barsó A thesis submitted to the Department of Cultural Studies In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (September, 2018) Copyright ©Freddy Monasterio Barsó, 2018 Abstract Cultural production and entrepreneurship are two major components of today’s global economic system as well as important drivers of social development. Recently, Cuba has introduced substantial reforms to its socialist economic model of central planning in order to face a three-decade crisis triggered by the demise of the USSR. The transition to a new model, known as the “update,” has two main objectives: to make the state sector more efficient by granting more autonomy to its organizations; and to develop alternative economic actors (small private businesses, cooperatives) and self-employment. Cultural production and entrepreneurship have been largely absent from the debates and decentralization policies driving the “update” agenda. This is mainly due to culture’s strategic role in the ideological narrative of the ruling political leadership, aided by a dysfunctional, conservative cultural bureaucracy. The goal of this study is to highlight the potential of cultural production and entrepreneurship for socioeconomic development in the context of neoliberal globalization. While Cuba is attempting to advance an alternative socialist project, its high economic dependency makes the island vulnerable to the forces of global neoliberalism. This study focuses on Havana’s music sector, particularly on the initiatives, musicians and music professionals operating in the informal economy that has emerged as a consequence of major contradictions and legal gaps stemming from an outdated cultural policy and ambiguous regulation. -
Download Our Cuba Brochure (PDF Format)
CUBA � � � � � � � � � ���������������������� ���������������������� ������������ � � � � � � � � � ���������������������� ���������������������� ������������ � � � � � � � � � ���������������������� ���������������������� ������������ CARIBBEAN DESTINATIONS • TABLE OF CONTENTS • CUBA INTRODUCTION P: 2-3 EXPLORE & DISCOVER CUBA P: 14-16 BOUTIQUE HOTELS, HAVANA P: 4-5 – TOURS HAVANA HOTELS P: 6 CAR HIRE & FLEXIDRIVE P: 17 CIENFUEGOS P: 7 YACHTING & SCUBA DIVING P: 18 VILLA CLARA P: 8 HONEYMOONS & WEDDINGS P: 19 TRINIDAD P: 9 JAMAICA P: 20 VINALES VALLEY & PINAR DEL RIO P: 10 MEXICO P: 21 SANTIAGO DEL CUBA & CAMAGUEY P: 11 CUBAN CULTURE P: 22 VARADERO P: 12 GETTING TO CUBA P: 23 THE KEYS P: 13 TERMS & CONDITIONS P: 24 CARIBBEAN DESTINATIONS WHY BOOK WITH TAILOR MADE TRAVEL We are delighted to introduce you to our CARIBBEAN DESTINATIONS? Caribbean Destinations can offer the most dedicated Cuba brochure, although this is merely Our expertise extends through the USA and comprehensive and flexible tailor-made holiday an introduction to the myriad of Cuban travel West Indies area, enabling us to construct and to Cuba, backed by the combined experience of opportunities that are available through Caribbean tailor make travel packages to suit all individual handling many hundreds of tailor made travelers Destinations. We have excellent personal knowledge budgets saving you time and money. arriving into Cuba every year. of Cuba and regularly travel to the island to Our specialist team of travel consultants, all keep ahead of developments in this fascinating -
Book Proposal ORIENTE: CUBA's WILD EAST Peter Hulme in Line with the Rationale for the American Tropics Series, This Book Focu
Book proposal ORIENTE: CUBA’S WILD EAST Peter Hulme In line with the rationale for the American Tropics series, this book focuses on the particular region that is Oriente, roughly the eastern third of the island of Cuba. Oriente: Cuba’s Wild East recounts a literary history of modern Cuba that has four distinctive and interrelated characteristics. Oriented to the east of the island, it looks aslant at a Cuban national literature that has sometimes been indistinguishable from a history of Havana. Given the insurgent and revolutionary history of that eastern region, it recounts stories of rebellion, heroism, and sacrifice. Intimately related to places and sites which now belong to a national pantheon, its corpus—while including fiction and poetry—is frequently written as memoir and testimony. As a region of encounter, that corpus is itself resolutely mixed, featuring a significant proportion of writings by US journalists and novelists as well as by Cuban writers. Word count: c. 100,000 Contents and synopsis If you want to know another country without going abroad, then try going to Oriente. [El que quiera conocer otro país, sin ir al extranjero, que se vaya a Oriente] (Pablo de la Torriente Brau) Oriente, if only I could sing your song the way I want to. [Oriente, si yo pudiera cantarle como deseo] (Cheo Marquetti) ____________________________________________________________ Series Preface Contents List of illustrations Introduction Containing a brief account of Oriente and of its characteristics as a region; an outline of the book’s approach; and an introduction to its themes and writers. [Draft of Introduction is attached] 1. -
Da Costa Meyer Project Description
Project: The Havana Lessons: City, Architecture and Society ART 466 /ARC 466 /URB 466 /PLAS 466 Esther da Costa Meyer (Department of Art and Archaeology) Eduardo Luis Rodriguez (PLAS) Trip to Havana (March 18-March 26, 2017) This seminar on the urban history of Havana will be team-taught with the Cuban architectural historian Eduardo Luis Rodriguez – a visiting fellow at PLAS – who is the island’s top specialist on the subject. The seminar covers architecture in Havana from the arrival of the Spanish, through centuries of colonization, the years of the Republic, the Cuban Revolution, and the Soviet Years. It concludes by studying Havana’s Master Plans for the future in light of its current predicament as a magnet for international tourism. The US embargo, imposed on Cuba since 1958, has had an unusual effect on the city. As building materials are scarce, nothing has been destroyed by design, though hundreds of buildings have crumbled due to the difficulties of finding materials for preservation. Havana thus shows an unbroken architectural tradition stretching over the past four centuries. It is the best anthology of Latin American architecture in existence, though a great part of these structures are in ruins. Despite the embargo, the island has never been cut off from recent developments. Cuba – and Havana in particular – has always been a major cultural and ethnic crossroads, and it is this global perspective – operative long before the word acquired its current meaning – that we want to capture by studying the urban and architectural traces left behind by the Spaniards, the British, the Chinese, the Americans, the Soviets – not to mention Christian, Jewish, Muslim and African religions. -
Viaje a La Habana 1
HABANA HABANA Texto / Ricardo Angoso VIAJE A LA HABANA 1. Estos son los que lugares que edificio robusto, recio e imperial hemos seleccionado para tu viaje, se encuentra la Real Fábrica de aunque no debes perder de vista Partagas, que se puede conocer a que un buen viajero siempre impro- través de sus visitas guiadas y siem- visa su itinerario después de haber pre pagadas. Cerca del capitolio, y 85 leído lo suficiente sobre el lugar como curiosidad, se encuentra el diario16 para realizar su propia visita con sus Centro Gallego, emblemático lugar señas de identidad personales y de la inmigración española llegada sus ‘descubrimientos’ en ruta. a la isla y construido por emigran- 1. El malecón. Es el lugar más tes gallegos entre 1907 y 1914. Por emblemático de la ciudad y es una cierto, en Cuba conviene recordar suerte de dique de ocho kilóme- al viajero que todas las visitas a tros de longitud que separa, o monumentos y museos siempre une, según se mire, a La Habana son de pago obligado. 2. del mar. Fue construido en 1901, 3. El Gran Teatro de la Habana. durante el periodo de gobierno y Muy cerca del Capitolio pode- administración norteamericana, y mos conocer el Gran Teatro de recorre la costa desde el castillo la ciudad que, con 2.000 butacas, de San Salvador de la Punta, en es el más grande de la isla y el La Habana vieja, hasta el fuerte de más antiguo del Nuevo Mundo o Santa Dorotea. El recorrido a través las Américas, siendo muy bello y del malecón muestra a un lado exquisito en su decoración exterior unos edificios bastante abando- e interior. -
Jorge Perez-Lopez
MAPPING CUBA’S TWENTIETH-CENTURY ARCHITECTURE Josef Asteinza1 A place without a past has no future. TWENTIETH-CENTURY ARCHITECTURE IN CUBA That Cuba is frozen in time is a commonplace that The greatest expansion of Cuban cities, Havana in the casual visitor often expresses. Of course, what we particular, occurred in the early 20th century, during observe and respond to is not stillness but the differ- a period of intense experimentation in the arts that ence in movement—the vector and velocity of also occurred in architecture. From the mid 1920s change—between worlds separated for a half centu- through the mid 1960s, this search, attuned to inter- ry. Everything changes, even Cuba, and whatever il- national movements and drawing from the essential lusion of frozenness there may have been is already elements of Cuban architecture, resulted in highly melting away with the recent thaw in US-Cuban re- original buildings. Eduardo Luis Rodríguez, in the lations. introduction to his architectural guide to this period, writes, “For the first time in its history, Cuba’s na- The functioning relics that predate the Cold War tional architecture was viewed in terms of richness embargo, like the automobiles and appliances, readi- and quality as good as or better to that being prac- ly capture the visitor’s attention, but the greatest ticed in other, more developed countries.”2 A few of source of this seemingly timeless panorama is Cuba’s the architectural leaders include Eugenio Batista, extraordinary architecture, five centuries of building Mario Romañach, Aquiles Capablanca, Max Borges, that constitute some of the earliest post-Columbian Emilio del Junco, Manuel Gutiérrez, Ricardo Porro, settlements in the Americas as well as an exceptional Frank Martínez, and Nicolás Quintana.