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July 4, 2021 Sixth Sunday After Pentecost Holy Eucharist Rite I, Proper 9 11:30 Am
July 4, 2021 Sixth Sunday after Pentecost Holy Eucharist Rite I, Proper 9 11:30 AM Welcome 2. Lord, you call us to your service: Welcome to St. Paul’s Episcopal Cathedral; we are so “In my name baptize and teach.” glad you are here. St. Paul’s is a safe and welcoming That the world may trust your promise, place for all people. If you are new to St. Paul’s we life abundant meant for each, encourage you to get connected with our weekly email give us all new fervor, draw us newsletter. You can sign up online at stpaulsokc.org. closer in community; with the Spirit’s gifts empower us A friendly reminder to those who are worshiping in- for the work of ministry. person: if you are not fully vaccinated against Cov- id-19, please have your mask on (covering your mouth 3. Lord, you make the common holy: and nose). If you are fully vaccinated, wearing a mask “This my body, this my blood.” is not required. We thank you in advance for adhering Let your priests, for earth’s true glory, to these protocols which keep us all safe and allow for daily lift life heavenward, us to worship in person. asking that the world around us share your children’s liberty; with the Spirit’s gifts empower us for the work of ministry. Prelude Music for Flute and Organ 4. Lord, you show us love’s true measure: Jeanise Wynn, Flautist “Father, what they do, forgive.” Yet we hoard as private treasure all that you so freely give. -
June 2, 2018 Cathedral of St
THE RITE OF ORDINATION TO THE DIACONATE FOR NICHOLAS FRANZ BLANK EDOUARD BERTRAND GUILLOUX SEAN THOMAS KOEHR CHRISTOPHER WILLIAM NYCE, JR. JAMES FRANCIS WAALKES As conferred by MOST REVEREND MICHAEL F. BURBIDGE BISHOP OF ARLINGTON JUNE 2, 2018 CATHEDRAL OF ST. THOMAS MORE ARLINGTON, VA The Ordination of St. Stephen, Deacon. (Fra Angelico) THE INTRODUCTORY RITES PRELUDE Alleluia Douglas Wagner PROCESSIONAL All Creatures of our God and King William Henry Draper GREETING PENITENTIAL ACT GLORIA Russell Weismann 2 zzzzzzzzzzzzzzzzzzzz COLLECT Please Be Seated 3 LITURGY OF THE WORD FIRST READING Jeremiah 1: 4-9 In the days of King Josiah, the word of the Lord En tiempo de Josías, el Señor me dirigió estas came to me, saying: Before I formed you in the palabras: “Desde antes de formarte en el seno womb I knew you, before you were born I materno, te conozco; desde antes de que nacieras, dedicated you, a prophet to the nations I te consagré como profeta para las naciones”. appointed you. Yo le contesté: “Pero, Señor mío, yo no sé "Ah, Lord God!" I said, "I know not how to expresarme, porque apenas soy un muchacho”. spea k; I am too young." But the Lord answered me, Say not, "I am too young." To whomever I El Señor me dijo: “No digas que eres un send you, you shall go; whatever I command you, muchacho, pues irás a donde yo te envíe y dirás you shall speak. Have no fear before them, lo que yo te mande. No tengas miedo, porque yo because I am with you to deliver you, says the estoy contigo para protegerte”, palabra del Señor. -
Berkeley Divinity School at Yale
Assisting in Today’s Liturgy Officiant The Very Rev. Dr. Andrew B. McGowan, Dean & President, Berkeley Divinity School at Yale Cantors Aaron Tan, MM ‘20, MMA ‘21 Clara Gerdes, MM Organ ’21 Choir Directors Teddy Cheng, MM ‘22 Clara Gerdes, MM Organ ‘21 Berkeley Choir Laura Claap Rebecca Ehren Benjamin Ferriby Alex Longnecker Deborah Stephens Aaron Tan Camilia Tassi Zach Watters Berkeley Divinity School at Yale Lectors Dr. Donyelle McCray, Assistant Professor of Homiletics Lizzie Robbins, MDiv ‘22 Convocation Evensong Together with the Conferral of Honorary Degrees Chapel Ministers Jake Cunliffe, MDiv ‘22 and the Cheney Lecture for 2020 Jessica Harmon, MDiv ‘21 David Potter, MDiv ‘22 Ansley Walker, MDiv ‘21 Tuesday, October 20th, 2020 4:00 PM Yale University New Haven, Connecticut BERKELEY DIVINITY SCHOOL AT YALE BOARD OF TRUSTEES 2020-2021 James Elrod, Riverside, Connecticut, Chair Linda K. Lorimer, New Haven, Connecticut, Vice Chair & Secretary Charles Royce, Greenwich, Connecticut, Vice Chair The Rev. G. Hartwell Hylton, Darien, Connecticut, Vice Chair - Finance The Very Rev. Dr Andrew B. McGowan, New Haven, Connecticut, Dean and President The Rev. Clayton Thomason, Chicago, Illinois, Asst. Secretary L.Francis Huck, Darien, Connecticut, Counsel Dr. Emily Bakemeier, New Haven, Connecticut Thomas Berardino, New Canaan, Connecticut Alan Blanchard, New York, New York The Rev. Elizabeth Blunt, New York, New York The Rt. Rev. Dr. Ian Douglas, Meriden, Connecticut Dr. Silvia Gosnell, Cambridge, Massachusetts The Hon. Margaret Marshall, Boston, Massachusetts Andrew Ogletree, New Haven, Connecticut The Rev. Dr. Carol Pinkham-Oak, Cincinnati, Ohio Lizzie Robbins, New Haven, Connecticut The Rev. Dr. Yolanda Rolle, Washington D.C. -
Safety on Stairs
d Div. 100 ! i I 1 ' L BS BUILDING SCIENCE SERIES 108 afety on Stairs S DEPARTMENT OF COMMERCE • NATIONAL BUREAU OF STANDARDS NATIONAL BUREAU OF STANDARDS The National Bureau of Standards' was established by an act of Congress March 3, 1901. The Bureau's overall goal is to strengthen and advance the Nation's science and technology and facilitate their effective application for public benefit. To this end, the Bureau conducts research and provides: (1) a basis for the Nation's physical measurement system, (2) scientific and technological services for industry and government, (3) a technical basis for equity in trade, and (4) technical services to promote pubUc safety. The Bureau's technical work is performed by the National Measurement Laboratory, the National Engineering Laboratory, and the Institute for Computer Sciences and Technology. THE NATIONAL MEASUREMENT LABORATORY provides the national system of physical and chemical and materials measurement; coordinates the system with measurement systems of other nations and furnishes essential services leading to accurate and uniform physical and chemical measurement throughout the Nation's scientific community, industry, and commerce; conducts materials research leading to improved methods of measurement, standards, and data on the properties of materials needed by industry, commerce, educational institutions, and Government; provides advisory and research services to other Government Agencies; develops, produces, and distributes Standard Reference Materials; and provides calibration services. -
Death Cab for Cutie Ðлбуð¼
Death Cab for Cutie ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Plans https://bg.listvote.com/lists/music/albums/plans-16419/songs Transatlanticism https://bg.listvote.com/lists/music/albums/transatlanticism-16418/songs Narrow Stairs https://bg.listvote.com/lists/music/albums/narrow-stairs-16420/songs Something About Airplanes https://bg.listvote.com/lists/music/albums/something-about-airplanes-16415/songs https://bg.listvote.com/lists/music/albums/we-have-the-facts-and-we%27re-voting- We Have the Facts and We're Voting Yes yes-16416/songs The Photo Album https://bg.listvote.com/lists/music/albums/the-photo-album-16417/songs Codes and Keys https://bg.listvote.com/lists/music/albums/codes-and-keys-16421/songs The Forbidden Love EP https://bg.listvote.com/lists/music/albums/the-forbidden-love-ep-7734738/songs Kintsugi https://bg.listvote.com/lists/music/albums/kintsugi-18786450/songs Thank You for Today https://bg.listvote.com/lists/music/albums/thank-you-for-today-55080329/songs https://bg.listvote.com/lists/music/albums/itunes-originals-%E2%80%93-death-cab- iTunes Originals – Death Cab for Cutie for-cutie-3146983/songs The John Byrd EP https://bg.listvote.com/lists/music/albums/the-john-byrd-ep-7743362/songs Studio X Sessions EP https://bg.listvote.com/lists/music/albums/studio-x-sessions-ep-7628265/songs Drive Well, Sleep Carefully – On the https://bg.listvote.com/lists/music/albums/drive-well%2C-sleep-carefully- Road with Death Cab for Cutie %E2%80%93-on-the-road-with-death-cab-for-cutie-5307925/songs https://bg.listvote.com/lists/music/albums/directions%3A-the-plans-video-album- Directions: The Plans Video Album 5280453/songs https://bg.listvote.com/lists/music/albums/you-can-play-these-songs-with-chords- You Can Play These Songs with Chords 2517302/songs https://bg.listvote.com/lists/music/albums/you-can-play-these-songs-with-chords- You Can Play These Songs with Chords 2499825/songs. -
Death Cab for Cutie's
11° featured iPhone "massage" Watch: CY Leung Search app could guide you named third Chief to a brothel in Executive of Hong our cities: austin Dongguan Kong Death Cab For Cutie’s Asian Fixation By Kyle Mullin Systems Engineer This Sr. System Administrator will provide services to our mi... Dell, Inc WASHINGTON, DC Electrician About Us: EMCOR Government Services offers an experienced sing... EMCOR Group Inc. Washington/Metro Looking for a... Essential Job Functions Responsible for oversight of large com... CSC Washington, DC RN Case Manag... Serco is a leading provider of professional, technology and ma... Serco Fort Belvoir, VA The indie troupe’s sonic mastermind, Chris Walla (on the left of the picture), touches on the criss- crossed philosophies that will inform the band’s March 9 Yun Feng Theater gig. Interest Based Ad He’s mastered piano riffs, guitar chords, synth codes and keys. Up next— calligraphy. Maybe not quite, but Chris Walla has always drawn on China for inspiration. That Mandarin fixation sets itself far apart from any of his other endeavours—playing and producing for indie super troupe Death Cab For Cutie, or personals hopping behind the studio mixing boards for countless other all star songwriters like The Decemberists and Tegan and Sara. To tap into that Chinese muse, he needed nothing more than his father’s briefcase and business plans. “My dad spent a good chunk of my childhood in China and he always loved it,” the songwriter and producer says of his father’s Far East business trips while working for the Boeing Airline Company in the mid to late 1980s. -
Julia Wilbur Diary, 1863
Diary of Julia Wilbur, 1863 Originals at Haverford College, Quaker and Special Collections Transcriptions by volunteers at Alexandria Archaeology The transcribed pages that follow are from the diaries kept by Julia Wilbur, an abolitionist from Rochester, New York, who lived in Alexandria, Virginia, from October 1862 to February 1865. She moved to Washington, DC, where she lived until her death in 1895. This file contains entries from 1863. The diaries are in the form of packets of paper that she assembled and dated as she went along, approximately 4 by 7 inches. The diaries go from 1844 to 1873. (She also kept journals, which were smaller, pre-printed, leather-bound booklets, one per year through 1895.) In a cooperative effort between Haverford and Alexandria Archaeology, pages of the diaries were scanned in Summer 2013 (March 7, 1860, through May 30, 1873). Alexandria Archeology volunteers transcribed from March 7, 1860, through July 3, 1866. Acknowledgments Thanks go to Ann Upton and Diana Peterson at Haverford, to Alexandria Archaeology staff, especially Ruth Reeder and Fran Bromberg, and to Friends of Alexandria Archaeology, the nonprofit that helped fund the scanning project. In addition, the following people volunteered their time to transcribe and/or proofread the diary entries: Lori Arbuckle, Gale Carter (and her students at East Chicago High School), Melissa Carter, Laci Chelette, Tom D’Amore, Christopher Goodwin, Jill Grinsted, Tom Gross, Janet Hughes, Maureen Lauran, Donna Martin, Wendy Miervaldis, Patty Morison, Mary Jane Nugent, Kim Ormiston, Trudy Pearson, Janet Penn, Mary Ray, Diane Riker, Kelly Rooney, Elizabeth Schneider, Cindy Slaton, Rachel Smith, Jeanne Springman, Paula Whitacre, Karen White, and Christina Wingate. -
Death Cab for Cutie
ISSUE #41 MMUSICMAG.COM ISSUE #41 MMUSICMAG.COM Q&A Did that affect the album? Were you happy with the results? How did you fi nd Dave Depper? I don’t think so. It wasn’t like there was This being our fi rst record with an outside Dave has been a friend of ours for a long any bad blood, but we didn’t tell Rich that producer, it’s kind of a transitional record. I time, and he’s been a noted northwest Chris was leaving the band until after the really enjoyed working with Rich throughout. musical fi gure for a long time. When we were record was done—just because we didn’t He did a phenomenal job with the album— thinking of who we were going to play with, want exactly what you’re talking about to fi tting some of the newer demos, the way I’d he was literally the fi rst person we thought happen. It was better for the record and written the songs, with the stuff we’d already of. It was that kind of thing where we didn’t better for everybody. But it wasn’t a dramatic recorded with Chris in the summer of 2013. waste a lot of time thinking, “Oh, my God, or loaded-gun experience—it was more like, When we had the fi nal versions we knew what will we do?” We just thought, “OK, who “OK, let’s do the work.” In some ways, it Rich had been the right man for the job and shall we get in?” Dave was the fi rst person was like Chris was a very familiar session he brought the best out of us and the songs. -
OF US EVANGELISTS in JESUS' NAME Lessons
The Rt. Rev. Jeffery Rowthorn May 6, 2012 The Fifth Sunday of Easter Bishop in Europe, retired 11:15 a.m. Christ & Holy Trinity Episcopal Church, Westport, CT ALL OF US EVANGELISTS IN JESUS’ NAME Lessons: Acts 8:26-40; 1 John 4:7-21; John 15:1-8 Text: “Philip began to speak and, starting with this scripture he proclaimed to him the good news about Jesus ….[Then] both of them went down into the water …. and Philip baptized him.” (Acts 8: 35, 38a) ____________________________________________________________________________________ When it comes to evangelism, many of us can identify with Jonah, God’s most reluctant evangelist. Commanded by God to go to Nineveh, he goes instead to Joppa where he finds a ship that can take him to the other end of the Mediterranean. He goes west when he should be going east, and that’s not because he has a very poor sense of geography! No, it’s because the ship is a welcome escape-hatch for this most reluctant evangelist. There could hardly be a greater contrast to Jonah than Philip whom we heard about in our first reading this morning. Philip has been preaching the Gospel in Samaria. Then, in response to God’s command, he goes south towards Gaza. On the way he encounters a senior minister of the Queen of Ethiopia who is now returning home from Jerusalem. And in that encounter Philip shows himself, in three crucial respects, to be not a reluctant but a willing evangelist for Jesus. First of all, he is responsive to the Holy Spirit: “Then the Spirit said to Philip, ‘Go over to that chariot and join it’ So Philip ran up to it and heard the Ethiopian reading the prophet Isaiah.” (Acts 8:29-30a) Secondly, he is responsive to the man’s questions and concerns: “ ‘How can I understand what I am reading unless someone guides me?’… . -
The Rose Thorn Archive Student Newspaper
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Winter 1-9-2009 Volume 44 - Issue 12 - Friday, January 9, 2009 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 44 - Issue 12 - Friday, January 9, 2009" (2009). The Rose Thorn Archive. 141. https://scholar.rose-hulman.edu/rosethorn/141 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. T HE R OSE T HORN R OSE -H ULMAN I NSTITUTE OF T ECHNOLOGY T ERRE H AUTE , I NDIANA THURSDAY, DECEMBER 18, 2008 ROSE-HULMAN.EDU/THORN/ VOLUME 44, ISSUE 12 Rose retirees reminisce News Briefs Lindsay Saxton in the same sentence be- including the impressive posed and construction took By Andrew Klusman G u e s t W r i t e r fore moving on to describ- statistics of the graduating place where the SRC is today. -
Theologian, Musician, Author and Educator
Theologian, Musician, Author and Educator The gift collections of Dr. Jon Michael Spencer A Catalogue of Books, Microfilm, Journals and Vertical Files Donated to the L. Douglas Wilder Library Virginia Union University Compiled by Suzanne K. Stevenson, Special Collections Librarian Michelle A. Taylor, Technical Services Librarian Library Bibliography Series ©Spring 2002 1 PREFACE Since 1998, Dr. Jon Michael Spencer has donated more than 1,100 books from his personal research library as well as selected journals, microfilm of historic papers and research documentation to the L. Douglas Wilder Library at Virginia Union University. The subject areas reflect his specialties in the history and theology of African-American sacred and secular music, African history and slave culture, and African-American history and sociology. The collection includes a significant number of hymnals from various denominations. The former University of Richmond music and American studies professor is now a professor of religious studies at the University of South Carolina. He earned a music degree from Hampton University and completed graduate work in music composition as well as theology at Washington University and Duke Divinity School. Spencer donated this extensive collection to VUU for several reasons. Until the summer 2000, he was a resident of Richmond and VUU was the city’s African American university. As well, VUU has a School of Theology and Spencer has published extensively in the area of religion. Finally, his architect father, John H. Spencer, participated in the design of the Wilder library. It is in the elder Spencer’s name that Dr. Spencer has donated his collections. The books are housed in the library’s closed collections. -
(Death Cab for Cutie) Y Venir a Tocar a España” Ser Mi Tercera Vez Allí Y Siempre Lo Pasé Muy Bien
Vais a tocar en el FIB. ¿Qué opináis de los grandes “Es duro festivales? Hay buenos y malos festivales, todo depende del lugar donde se hagan. Por ejemplo, no lo pasé nada bien en ser vegetariano Coachella (uno de los más famosos de EE UU), estaba Chris Walla muy mal organizado. Benicàssim es distinto. Esta va a (Death Cab for Cutie) y venir a tocar a España” ser mi tercera vez allí y siempre lo pasé muy bien. Después de alcanzar el éxito planetario con Plans, ¿Qué os parece España? Death Cab for Cutie publican Narrow Stairs. Me encanta España. En una de las primeras giras hicimos Un sexto álbum en el que vuelven a hacer lo que catorce fechas, lo que es increíble. Lo único que llevo mejor se les da: indie rock de delicadas melodías, mal de España es que soy vegetariano. Es muy duro serlo dulce y crudo a la vez, emocional e imprevisible. e ir a tocar allí, particularmente en Madrid. Hay carne por todas partes (risas). Es la única pega que tiene. Chris Walla es, además del guitarrista, productor Muchos esperan saber algo de The Postal Service (el y artífice del sonido de una banda que se ha proyecto paralelo de Gibbard con Jimmy Tamborello). hecho más grande de lo que nunca imaginaron. Me imagino que habría que preguntarle a Ben… Trabajar contigo como productor otorga a la banda Esta vez habéis escogido un single de más de 8 minutos. una perspectiva que no todos los grupos tienen… Es algo arriesgado e inusual… Sí, pero te puedo decir que no hay nada de nada.