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Historic Seattle Awards Book-2019-Final
HISTORIC SEATTLE’S ANNUAL PRESERVATION CELEBRATION BENEFIT THURSDAY, SEPTEMBER 19, 2019 Welcome To HISTORIC SEATTLE’S ANNUAL PRESERVATION CELEBRATION BENEFIT Thursday, September 19 Georgetown Ballroom 6 PM Libations 6:30 PM Dinner featuring a special musical performance by Benjamin Gibbard, remarks by emcee Cynthia Brothers, and award presentations 8 PM Dessert Reception About Cynthia Brothers Cynthia Brothers is the founder of Vanishing Seale, a project that documents the disappearing and displaced institutions, small businesses, and cultures of Seale - and celebrates the spaces and communities that give the city its soul. Cynthia is also a founding member of the anti-displacement organizing group, the Chinatown International District Coalition aka Humbows Not Hotels. For her day job she works as a Program Ocer for the Four Freedoms Fund, a national fund supporting the immigrant rights movement. Born and raised in Seale, Cynthia admits to local clichés like once playing in bands and making espresso for a living - and is a proud alumna of the high school where Bruce Lee first demonstrated his famous “one-inch punch.” About Benjamin Gibbard Ben Gibbard is a singer, songwriter and guitarist. He is the lead vocalist and guitarist of the Grammy nominated band Death Cab for Cutie, with which he has recorded nine studio albums, and is one half of the electronic duo the Postal Service. Gibbard released his debut solo album, Former Lives, in 2012, and a collaborative studio album, One Fast Move or I'm Gone (2009), with Uncle Tupelo and Son Volt's Jay Farrar. Photo of Benjamin Gibbard by Eliot Lee Hazel (1) COMMUNITY. -
Safety on Stairs
d Div. 100 ! i I 1 ' L BS BUILDING SCIENCE SERIES 108 afety on Stairs S DEPARTMENT OF COMMERCE • NATIONAL BUREAU OF STANDARDS NATIONAL BUREAU OF STANDARDS The National Bureau of Standards' was established by an act of Congress March 3, 1901. The Bureau's overall goal is to strengthen and advance the Nation's science and technology and facilitate their effective application for public benefit. To this end, the Bureau conducts research and provides: (1) a basis for the Nation's physical measurement system, (2) scientific and technological services for industry and government, (3) a technical basis for equity in trade, and (4) technical services to promote pubUc safety. The Bureau's technical work is performed by the National Measurement Laboratory, the National Engineering Laboratory, and the Institute for Computer Sciences and Technology. THE NATIONAL MEASUREMENT LABORATORY provides the national system of physical and chemical and materials measurement; coordinates the system with measurement systems of other nations and furnishes essential services leading to accurate and uniform physical and chemical measurement throughout the Nation's scientific community, industry, and commerce; conducts materials research leading to improved methods of measurement, standards, and data on the properties of materials needed by industry, commerce, educational institutions, and Government; provides advisory and research services to other Government Agencies; develops, produces, and distributes Standard Reference Materials; and provides calibration services. -
Table of Contents
Administrative Services and Property Management SPECIFICATIONS SOLICITATION #: 15-22173 BUILDING: U-89 Uplands Campus Ottawa, Ontario PROJECT: U-89 Washroom Renovation PROJECT #: U89-5054 Date: January 2015 SPECIFICATION TABLE OF CONTENTS Construction Tender Form Buyandsell Notice Instructions to Bidders Ontario Sales Tax Acceptable Bonding Companies Articles of Agreement Plans and Specifications A Terms of Payment B General Conditions C Labour Conditions and Fair Wage Schedule D N/A Insurance Conditions E Contract Security Conditions F Security Requirement Check List G Directions to the Ottawa Research Facilities — Uplands NRC Institute for Aerospace Research (NRC-IAR) Research Road Ottawa, Ontario, Canada Tel: 613-991-5738 NRC Centre for Surface Transportation Technology (NRC-CSTT) 2320 Lester Road Ottawa, Ontario, Canada Tel: 613-998-9639 NRC Institutes/Branch/Program Buildings NRC Administrative Services and Property Management (NRC-ASPM) U-62 NRC Institute For Aerospace Research (NRC-IAR) U-61, U-66, U-67, U-69, U-70 NRC Centre for Surface Transportation Technology (NRC-CSTT) U-84, U-86, U-87, U-88, U89, U-90, U-91 By Road, from the MONTREAL RD FACILITIES to NRC-CSTT, 2320 Lester Road 1. Drive EAST on MONTREAL RD 2. Turn RIGHT on BLAIR RD, cross OGILVIE RD 3. Take the ramp and follow Highway 174 WEST 4. Keep RIGHT and take first exit on ramp Highway 417 EAST towards Cornwall/Montreal 5. Exit at WALKLEY RD, merge RIGHT on WALKLEY 6. Turn LEFT at CONROY RD 7. Turn RIGHT at DAVIDSON RD, cross BANK ST – name changes to LESTER RD 8. Continue on LESTER RD and watch for NRC Research Facilities signs Directions to the Ottawa Research Facilities — Uplands PAGE 2 of 4 By Road, from the MONTREAL RD FACILITIES to NRC-IAR, Research Road 1. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Death Cab for Cutie Ðлбуð¼
Death Cab for Cutie ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Plans https://bg.listvote.com/lists/music/albums/plans-16419/songs Transatlanticism https://bg.listvote.com/lists/music/albums/transatlanticism-16418/songs Narrow Stairs https://bg.listvote.com/lists/music/albums/narrow-stairs-16420/songs Something About Airplanes https://bg.listvote.com/lists/music/albums/something-about-airplanes-16415/songs https://bg.listvote.com/lists/music/albums/we-have-the-facts-and-we%27re-voting- We Have the Facts and We're Voting Yes yes-16416/songs The Photo Album https://bg.listvote.com/lists/music/albums/the-photo-album-16417/songs Codes and Keys https://bg.listvote.com/lists/music/albums/codes-and-keys-16421/songs The Forbidden Love EP https://bg.listvote.com/lists/music/albums/the-forbidden-love-ep-7734738/songs Kintsugi https://bg.listvote.com/lists/music/albums/kintsugi-18786450/songs Thank You for Today https://bg.listvote.com/lists/music/albums/thank-you-for-today-55080329/songs https://bg.listvote.com/lists/music/albums/itunes-originals-%E2%80%93-death-cab- iTunes Originals – Death Cab for Cutie for-cutie-3146983/songs The John Byrd EP https://bg.listvote.com/lists/music/albums/the-john-byrd-ep-7743362/songs Studio X Sessions EP https://bg.listvote.com/lists/music/albums/studio-x-sessions-ep-7628265/songs Drive Well, Sleep Carefully – On the https://bg.listvote.com/lists/music/albums/drive-well%2C-sleep-carefully- Road with Death Cab for Cutie %E2%80%93-on-the-road-with-death-cab-for-cutie-5307925/songs https://bg.listvote.com/lists/music/albums/directions%3A-the-plans-video-album- Directions: The Plans Video Album 5280453/songs https://bg.listvote.com/lists/music/albums/you-can-play-these-songs-with-chords- You Can Play These Songs with Chords 2517302/songs https://bg.listvote.com/lists/music/albums/you-can-play-these-songs-with-chords- You Can Play These Songs with Chords 2499825/songs. -
Contextual Predictability Norms for Pairs of Words Differing in a Single Letter
H I LLINI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. ~66' Technical Report No. 260 CONTEXTUAL PREDICTABILITY NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 Center for the Study of Reading TECHNICAL REPORTS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 51 Gerty Drive Champaign, Illinois 61820 BOLT BERANEK AND NEWMAN INC. 50 Moulton Street Cambridge, Massachusetts 02238 [LtHE LIBRARY OF TH-I The National Institute of Education U.S. Department of Education UNIVE.SITY OF ILL:S Washington. D.C. 20208 IT ^a -- CENTER FOR THE STUDY OF READING Technical Report No. 260 CONTEXTUAL PREDICTABILITY' NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 University of Illinois at Urbana-Champaign Bolt Beranek and Newman Inc. 51 Gerty Drive 50 Moulton Street Champaign, Illinois 61820. Cambridge, Massachusetts 02238 This research was conducted under grants MH 32884 and MH 33408 from the National Institute of Mental Health to the first author, and National Institute of Education contract HEW-NIE-C-400-76-0116 to the Center for the Study of Reading. Copies of this report can be obtained by writing to George W. McConkie, Center for the Study of Reading, 51 Gerty Drive, Champaign, Illinois 61820. EDITORIAL BOARD William Nagy and Stephen Wilhite Co--Editors Harry Blanchard Anne Hay Charlotte Blomeyer Asghar Iran-Nejad Nancy Bryant Margi Laff Avon Crismore Terence Turner Meg Sallagher Paul Wilson Abstract Predictability Norms Four hundred sixty-seven pairs of short texts were written. -
June Clarion (2008)
Chatsworth High School The Clarion June 2008 No Time For State Universities Hiking Their Fees Reading? By Faith Lim hole in their budget. helping students. Financial $276 and students will pay about Staff Writer Beginning next year, Cal problems is like the biggest rea- $3,800 for the term, including State University students will son why kids don’t go to col- the campus-based fees, and the You’re Not Students at California uni- have to pay 10 percent more in lege,” said senior Tommy Wu. graduate fees will rise by $342 versities are going to have to the fall and UC students will “There goes my car. There or more. Alone pay more for their education. have to pay 7.4 percent or go my clothes. Students have to UC undergraduate students According to UC news- more. pay more after we graduate be- will have to pay $490 or more By Katherine Falcon room, UC President Robert “That’s a big rip off be- cause many people get loans,” and the average annual cost will News Editor Dynes said the decision to raise cause I know colleges are com- said Karen Su, a senior. be around $8,000, nor including the tuition was “agonizing but petitive and all that, but they are Undergraduate Cal State housing, books, and other ex- Americans are reading less, necessary” to help fill a gaping more into getting money than University fees will rise by penses. and more importantly, Ameri- cans are reading less well. According to an Associated What Will Press poll released on 2007, one Teachers Protest Budget Cuts in four adults read no books at all in the past year. -
Death Cab for Cutie's
11° featured iPhone "massage" Watch: CY Leung Search app could guide you named third Chief to a brothel in Executive of Hong our cities: austin Dongguan Kong Death Cab For Cutie’s Asian Fixation By Kyle Mullin Systems Engineer This Sr. System Administrator will provide services to our mi... Dell, Inc WASHINGTON, DC Electrician About Us: EMCOR Government Services offers an experienced sing... EMCOR Group Inc. Washington/Metro Looking for a... Essential Job Functions Responsible for oversight of large com... CSC Washington, DC RN Case Manag... Serco is a leading provider of professional, technology and ma... Serco Fort Belvoir, VA The indie troupe’s sonic mastermind, Chris Walla (on the left of the picture), touches on the criss- crossed philosophies that will inform the band’s March 9 Yun Feng Theater gig. Interest Based Ad He’s mastered piano riffs, guitar chords, synth codes and keys. Up next— calligraphy. Maybe not quite, but Chris Walla has always drawn on China for inspiration. That Mandarin fixation sets itself far apart from any of his other endeavours—playing and producing for indie super troupe Death Cab For Cutie, or personals hopping behind the studio mixing boards for countless other all star songwriters like The Decemberists and Tegan and Sara. To tap into that Chinese muse, he needed nothing more than his father’s briefcase and business plans. “My dad spent a good chunk of my childhood in China and he always loved it,” the songwriter and producer says of his father’s Far East business trips while working for the Boeing Airline Company in the mid to late 1980s. -
Issue 11 - Thursday, December 18, 2003
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Winter 12-18-2003 Volume 39 - Issue 11 - Thursday, December 18, 2003 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 39 - Issue 11 - Thursday, December 18, 2003" (2003). The Rose Thorn Archive. 261. https://scholar.rose-hulman.edu/rosethorn/261 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY TERRE HAUTE, INDIANA Thursday, December 18, 2003 Volume 39, Issue 11 Saddam: Just a man? Part I - Rise his capture. Rubaie had been chose life over death at the legal privilege to have up to need to educate him. -
Julia Wilbur Diary, 1863
Diary of Julia Wilbur, 1863 Originals at Haverford College, Quaker and Special Collections Transcriptions by volunteers at Alexandria Archaeology The transcribed pages that follow are from the diaries kept by Julia Wilbur, an abolitionist from Rochester, New York, who lived in Alexandria, Virginia, from October 1862 to February 1865. She moved to Washington, DC, where she lived until her death in 1895. This file contains entries from 1863. The diaries are in the form of packets of paper that she assembled and dated as she went along, approximately 4 by 7 inches. The diaries go from 1844 to 1873. (She also kept journals, which were smaller, pre-printed, leather-bound booklets, one per year through 1895.) In a cooperative effort between Haverford and Alexandria Archaeology, pages of the diaries were scanned in Summer 2013 (March 7, 1860, through May 30, 1873). Alexandria Archeology volunteers transcribed from March 7, 1860, through July 3, 1866. Acknowledgments Thanks go to Ann Upton and Diana Peterson at Haverford, to Alexandria Archaeology staff, especially Ruth Reeder and Fran Bromberg, and to Friends of Alexandria Archaeology, the nonprofit that helped fund the scanning project. In addition, the following people volunteered their time to transcribe and/or proofread the diary entries: Lori Arbuckle, Gale Carter (and her students at East Chicago High School), Melissa Carter, Laci Chelette, Tom D’Amore, Christopher Goodwin, Jill Grinsted, Tom Gross, Janet Hughes, Maureen Lauran, Donna Martin, Wendy Miervaldis, Patty Morison, Mary Jane Nugent, Kim Ormiston, Trudy Pearson, Janet Penn, Mary Ray, Diane Riker, Kelly Rooney, Elizabeth Schneider, Cindy Slaton, Rachel Smith, Jeanne Springman, Paula Whitacre, Karen White, and Christina Wingate. -
Death Cab for Cutie
ISSUE #41 MMUSICMAG.COM ISSUE #41 MMUSICMAG.COM Q&A Did that affect the album? Were you happy with the results? How did you fi nd Dave Depper? I don’t think so. It wasn’t like there was This being our fi rst record with an outside Dave has been a friend of ours for a long any bad blood, but we didn’t tell Rich that producer, it’s kind of a transitional record. I time, and he’s been a noted northwest Chris was leaving the band until after the really enjoyed working with Rich throughout. musical fi gure for a long time. When we were record was done—just because we didn’t He did a phenomenal job with the album— thinking of who we were going to play with, want exactly what you’re talking about to fi tting some of the newer demos, the way I’d he was literally the fi rst person we thought happen. It was better for the record and written the songs, with the stuff we’d already of. It was that kind of thing where we didn’t better for everybody. But it wasn’t a dramatic recorded with Chris in the summer of 2013. waste a lot of time thinking, “Oh, my God, or loaded-gun experience—it was more like, When we had the fi nal versions we knew what will we do?” We just thought, “OK, who “OK, let’s do the work.” In some ways, it Rich had been the right man for the job and shall we get in?” Dave was the fi rst person was like Chris was a very familiar session he brought the best out of us and the songs. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.