The Reporter, November 7, 1956

Total Page:16

File Type:pdf, Size:1020Kb

The Reporter, November 7, 1956 City University of New York (CUNY) CUNY Academic Works The Reporter Archives 1956 The Reporter, November 7, 1956 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_arch_reporter/312 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE . ���ili ( .. r,.•3) � r\ "Have WondeTful : (S .. P,g•5) • I<. Ep QR1!!1��t� COCCICf'JtU•� Only Volume LI . 1 ·o. 8 By Subscription Former City Mid-East Conflict Affects Students E.�. student t Council' Pres. the male gathering, felt more than shor survey by this paper f?und WI ns $44,000 By James Cox t r t t t a little relieved. For to them, �n- tha mo e studen s a he Busmess The overflowing crowds in the t . t r t o her Korean-tyre ?ol!ce ac 10n Center are reading mo e news- elevision lounge and Lounge C t . t r r n OW l Wins M al t t would mean_ rad g m their tex - pape s to bone, up on the wa Q TV sh ed watching and lis ening o President m t t t t r t t agains Isa:real, Eisenhower speak to he na ion books f�r ifles; to some for he Egyp is figh ing Herb Stempel who was once ewbold Morris, former pres­ t t France, and England. r t t Wednesday e,,ening pointed up he second ime. conside ed a "slow" student by his ident of he Ci y Council and chair­ t t r t t t t t t t t t t r keen in eres which Ba uch stu- If any hing, he Presiden 's talk Perhaps he a ti ude of mos elemen ary school principal, won man of he board of he ew Yo k t t t r t oi t t t t t t den s are showing in he s rained aroused a spi i new in eres . studen s a the Baruch School can $44,000 las Wednesday evening on Ci y enter of Music and Drama, r t t r t t t t r t t t Mediter anean si uation. Ques ions and c iticisms of he be summed up by a s a emen the guiz prog am "2L" Herb, a was recen ly named as he enth t t t t t The crowds in both lounges hung speech, in erna ional discussions, made by Jim Robinson, club ed­ his ory major, attends Ci y, 1-fP· annual winner of he John H. Fin­ t t t t t t t on to every word he Presiden and par icularly, queries on the i or of The Reporter. His hought town a nigh . ley Medal for significant service t t t t t t t spoke. When a last he firmly draft and veterans' reserve s a us was: "I haven't bee1;1 able o sleep Twenty-eigh year old S empler to the City of New York, i was t t t t t t t t t r t tt sta ed ha he Upi ed Sta es flew all over he sc;hool. Classes, these pas fe nigh �. I keep is ma ried, l,as a small son, and announced by Mor on Go schall, t t t t t t r r . t t "; . t t would not en er he Eo-yp -Israel eleva ors, and he cafe e ia buzzed d eammg ha Im back 1n umform. is supporting a ,vidowed mo her. presiden of the college's Alumni t t t t t t t t war, many students, p°ar icularly wi h alk about he war. Even a Wha a errifying though !" He served eight years in he Army. Assoqiation. t t When Herb lef he program, The award was established in t t which is on .Channel 4, a , 10 :30 memory of the late John Hus on p.m., lie was tied with his oppo­ Finley, thfrd president of City Col­ t t r nen 21-21. Tha means when he lege and edito of The New York Get goes back to the program each -city Grads t rt Times, as a means of symbolizing ques ion will be wo h $1,000. For the Ephebic Oath taken at the com­ t t r every ques ion Herb fails o an­ r t mencement ceremony by gtoaduates. swe and his opponen does, $1,000 The Oath pledges them "strive t t t Most Doctorates will be deducted from his $44,000. o transmit this ci y not only no t t tt Even if he doesn't answer one.. less bu grea er, be er and more The City College of New York led all colleges and univer­ question correctly, the minimum he beautiful than it was transmitted sities in the metropolitan area in the number of graduates will go home/with is $23,000. • to us." According to the contest rules, t t who went on, to receive doctorate degrees in the sciences, t r Pas winners of he award in­ t t Hel·b can s ay on the prog am and r r t humani ies and social sciences • t t clude Berna d M. Ba uch; he ar s, con inue o win money as long as t from 1936 to 1950. t Rockefeller family; Ar hur Hays r r he answers more questions han his Sulzberger, Publisher of The New 'Dhe 15-yea ecord was revealed opponent. The game is played with York Times; Mrs. Ogden Reid, for­ in two reports issued by the Na- The Pan h an di.er two people, each one is placed in mer publisher of the New York t t t t r ional Academy of Sciences - Na- an isola ion boo h and mus an- Herald Tribune; Mrs. Cha les S. PacJ<ed A Knife . swer the questions from two sub­ r tional Research Council on the un- t t Guggenheime , chairman of Sta­ r t t jec s chosen by he players. Each r t doctora es t t t dium Conce ts, lpc.; and las year's dergraduate o igins of . The panhandler w�o accos ed subjec_ has 11 ques ions, he high­ ties; . ana· City - College st�aeifC Joel Harris t recipient, Mrs. David M. Levy, in sciences, arts,humani r er )he number, he harder the ques­ president of the Citizens' Commit­ r t 'l'hursdays ca ried an umbre�a, r t r r t social sciences awa ded in he t r . tion. The fi s playe to answer 21 t g eq p- t t tee on Children of New Yo k Ci y. ted States. r tha period, :::!1�0: �:�! f ?:��; m ques ions correc ly, wins. Each t Uni Du ing ict r t Presentation of he award will -Bernard M. Baruch t r question is at fi st wor h $500. t t t a to al of 999 CCNY g aduates Harris, 18, of 2865 Faber Ter­ t take place at he associa ion's '76 h r t t t During las Wednesday's pro­ were awa ded heir doc orate de- race, Far Rockaway, turned he r r t Annual Dinner on Wednesday eve- Townsend Ha,nis Medals for dis­ t g am, P esiden Buell Gallagher t man down and con inued walking t t . ning, November 14 in the Grand tinguished pos -graduate achieve­ grees. t t t was seated in he s udio audience . t t t 1 r down Conven avenue owards he Ballroom of he Shera on-As or ment will go to Rabbi Mo1·decai In New Yo k, City College was p t school. The panhandler followed. Ho el. Kaplan, 1900; Dr. Philip Levine, followed by Columbia University t t "I got a knife in his umbrella," Five other City College Alumni '19; Dr. Morris Meister, '16; Albert with a total qf 871 and NYU wi h t t r t t he told young Harris. "Gimme all will also be honored a he dinner. P. Andrea, '18, and Berna d Hersh­ a to al of 616 s udents earning t Urges liberal t doctorates for the same period. you go ." The annual presentation of he kopf, '06. Harris turned over $15. ' In one report, on the origin of t t t r t When Harris old he police, i Arts Courses science docto a es, \ City College t t r t turned ou he was vic im number anked second in he nation from t r r t t t t wo. Hali an hou earlier CCNY T ustees of he Carnegie Foun­ Design School Of The 1946 to 1950 wi h a o al of 296, student David Shelupsky/ 18, of t t t and eighth from 193.6 to 1945 with da ion for he Advancemen of t Brooklyn, had been approached by t a otal of 229. t Teaching called recen ly for ,in­ t t the umbrella-man as he left he t In he second report, on he IND's 145th Street station on the creased emphasis on he liberal arts Future and Win Money t r t t t origin of doc o a es in he arts, way to school. Sheplusky only gave in all phases o:f; educa ion.
Recommended publications
  • Blurring Fiction with Reality: American Television and Consumerism in the 1950S
    Blurring fiction with reality: American television and consumerism in the 1950s On the evening of 15 October 1958, veteran correspondent Edward R. Murrow stood at the podium and looked out over the attendees of the annual Radio Television Digital News Association gala. He waited until complete silence descended, and then launched into a speech that he had written and typed himself, to be sure that no one could possibly have had any forewarning about its contents. What followed was a scathing attack on the state of the radio and television industries, all the more meaningful coming from a man who was widely acknowledged as not only the architect of broadcast journalism but also a staunch champion of ethics and integrity in broadcasting.1 This was the correspondent who had stood on the rooftops of London with bombs exploding in the background to bring Americans news of the Blitz, whose voice was familiar to millions of Americans. This was the man who had publicly eviscerated the redbaiting Senator Joseph McCarthy, helping to put an end to a shameful period in America’s history (see e.g. Mirkinson, 2014, Sperber, 1986). And it became apparent that evening that this was also a man bitterly disappointed with the “incompatible combination of show business, advertising and news” that the broadcasting industry had become: Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or color, evidence of decadence, escapism and insulation from the realities of the world in which we live.
    [Show full text]
  • Herman Brood & His Wild Romance „Live at Rockpalast 1978 + 1990“
    Herman Brood & His Wild Romance „Live At Rockpalast 1978 + 1990“ Elisabeth Richter Hildesheimer Straße 83 30169 Hannover GERMANY Tel.: 0049‐511‐806916‐16 Fax: 0049‐511‐806916‐29 Cell: 0049‐177‐7218403 elisabeth.richter@mig‐music.de VÖ : 27.01.2012 Cat. No.: MIG 90432 2CD Barcode: 885513904324 Format: 2 CD Jewel Genre: Rock ROCK'N ROLL JUNKIE The rise and fall of a Dutch icon: Herman Brood 1946-2001 Ten years ago, in July 2001, the Dutch musician, painter and media personality Herman Brood put an end to his life by jumping from the roof of the Amsterdam Hilton Hotel. To many, his suicide was the most significant event in the history of Dutch pop music of the 20th century. Ten years without Brood, but he still lives on: His music, an impressive art collection and, last but not least, the story of his life, have made him immortal. Herman Brood (1946-2001) was an "enfant terrible" and a cultural figure whose suicide only strengthened his controversial status. According to his friends, he could not cope with his failure to kick his drug and alcohol habit. Herman was called "the Netherlands' greatest and only rock'n'roll star." Later in life he became also a well-known painter. He set up his atelier in Amsterdam, and it became his second home. Herman Brood was born on November 5, 1946 in Zwolle in the eastern part of Holland. In 1959 the Dutch 'icon to be' got his first piano lessons. In school he was rather slow. He was more into playing the piano at his father's abandoned factory building.
    [Show full text]
  • Stream Music List
    Mainstream­RSL­Music­Suggestions These­songs­are­available­in­all­of­our­systems.­This­is­just­a­sample­of­our­library.­For­an­up-to-date­list,­visit­www.russellsoundlab.com ­—­Some­of­our­Top­40­Music­— ­—­Some­of­our­Progressive­Music­— Indian­Outlaw­............................................................................................................................Tim­McGraw It’s­America­...............................................................................................................................Rodney­Atkins Baby­..................................................................................................................................................Justin­Bieber Alive­..........................................................................................................................................................Pearl­Jam John­Deere­Green­........................................................................................................................Joe­Diffie Boom­Boom­Pow­......................................................................................................Black­Eyed­Peas Basket­Case­.......................................................................................................................................Greenday Keeper­of­the­Stars­..................................................................................................................Tracey­Bird Buttons­................................................................................The­Pussycat­Dolls/Big­Snoop­Dogg
    [Show full text]
  • CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries.
    [Show full text]
  • Wonderlijke Wereld Televisie
    titelpagina televisieboek Muldef qxp.qxp_Opmaak 1 23-03-21 12:12 Pagina 1 MARTIN MULDER titelpagina televisieboek Muldef qxp.qxp_Opmaak 1 23-03-21 12:12 Pagina 1 MARTIN MULDER De wonderlijke wereld van de televisie Avonturen metDe Mart Smeets, Willem Ruis, Gert-Janw Dröge,o Harrynd Vermeegenerlijke en vele anderen wereld van de televisie Avonturen met Mart Smeets, Willem Ruis, Gert-Jan Dröge, Harry Vermeegen en vele anderen ‘It was a very good year.’ Frank Sinatra Nur 402/W042101 Bisac PER010000 / LCO010000 © Pepper Books © MMXXI Tekst: Martin Mulder Vormgever omslag: Mariska Cock Opmaak binnenwerk: Studio L.E.O. © Omslagfoto: Koos Breukel © Foto 2: Mike Naber © Foto 16: Willem Mouissie De niet genoemde foto’s komen uit het privébezit van Martin Mulder. Alle rechten voorbehouden, inclusief het recht van reproductie in zijn geheel of in gedeelten, in welke vorm dan ook. pepperbooks.nl Inhoud Inleiding – De kat op het spek 9 1. Doe de gordijnen maar dicht 16 2. In het diepe 30 3. Huursoldaat 38 4. Gaat het weer een beetje? 60 5. De slag bij Oostende 78 6. Curaçao & Miami 89 7. De naam is Storms 114 8. Ik wens je veel personeel 133 9. Een gevarieerd menu 149 10. Goede tijden, slechte tijden 166 Epiloog 189 Inleiding De kat op het spek Het was op een vrijdagmiddag in het voorjaar van 2019, het virus was nog ver weg. Ik was bezig met mijn dagelijkse fietsronde door Amsterdam. Een uurtje trappen om een beetje in conditie te blij- ven (zo maakte ik mijzelf wijs); in feite was het een excuus om zo omstreeks vijf uur, als beloning, een drankje te consumeren in een of andere vage kroeg van twijfelachtige reputatie.
    [Show full text]
  • Quiz Show” Scandals to Teach Issues of Ethics and the Media in a Business Law Class
    North East Journal of Legal Studies Volume 35 Spring/Fall 2016 Article 5 3-20-2017 Using the “Quiz Show” Scandals to Teach Issues of Ethics and the Media in a Business Law Class Sharlene A. McEvoy Fairfield Universty, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/nealsb Recommended Citation McEvoy, Sharlene A. (2017) "Using the “Quiz Show” Scandals to Teach Issues of Ethics and the Media in a Business Law Class," North East Journal of Legal Studies: Vol. 35 , Article 5. Available at: https://digitalcommons.fairfield.edu/nealsb/vol35/iss1/5 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 91 / Vol 35 / North East Journal of Legal Studies Using the “Quiz Show” Scandals to Teach Issues of Ethics and the Media in a Business Law Class by Dr. Sharlene A. McEvoy ABSTRACT It was a big deal in the late 1950s but many students have difficulty understanding what the fuss was all about when it was revealed that television quiz shows were rigged.
    [Show full text]
  • {PDF EPUB} Television Fraud the History and Implications of The
    Read Ebook {PDF EPUB} Television Fraud The History and Implications of the Quiz Show Scandals by Kent Anderson Television Fraud: The History and Implications of the Quiz Show Scandals by Kent Anderson. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #0dfa9e20-ce3c-11eb-b781-7deb85178a3d VID: #(null) IP: 116.202.236.252 Date and time: Wed, 16 Jun 2021 00:44:49 GMT. 1950s quiz show scandals. The American quiz show scandals of the 1950s were a series of revelations that contestants of several popular television quiz shows were secretly given assistance by the show's producers to arrange the outcome of an ostensibly fair competition. The quiz show scandals were driven by a variety of reasons. Some of those reasons included the drive for financial gain, the willingness of contestants to "play along" with the assistance, and the lack of current regulations prohibiting the rigging of game shows. [1] The $64,000 Question became the first big-money television quiz show during the 1950s, and the most publicized quiz scandals surrounded that program in addition to Twenty One and Dotto . [1] In 1956, the Jack Barry-hosted game show Twenty One featured a contestant, Herb Stempel, coached by producer Dan Enright to allow his opponent to win the game. The matter was brought into focus in 1958 when Enright was revealed to have rigged the show; this revelation caused networks to cancel their entire lineups of quiz shows.
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • In an Enemy of the People, As We Watch Brothers Battle Over the Fate
    TunedBy Kellie Mecleary, Production Dramaturg, and Matthew Buckley Smith In In An Enemy of the People, as we watch brothers battle over the fate of their town, it is worth noting the role that the town paper, The People’s Daily Messenger, plays—the various ways in which it contributes to the machinations and outcome of the plot. The paper is a powerful tool, and its use in the play reflects the use of mass media in other times. In Arthur Miller’s day, the media that was fast becoming a central part of American life was television: as it grew in scope and influence, it took on the role of both informing and reflecting American society and culture. These pages provide an overview of the late ’50s and early ’60s through the major shows and events that dominated the small screen at the time. I Love Lucy used his celebrity to run for president in technology wholeheartedly. The television For the dazzling, six-year run of the show, 1952, gaining almost 40 times as many program Disneyland skillfully promoted an I Love Lucy would remain conservative votes in Democratic primary elections as eponymous amusement park that opened in content and innovative in technique. Illinois Governor Adlai Stevenson. Party several months later to such popularity Lucy, the scheming, ebullient housewife leadership, however, favored Stevenson, that in only two-and-a-half years it marked of Cuban bandleader Ricky Ricardo, never who went on to lose to General Dwight its 10-millionth visitor. With a hit theme earns her own money but never stops D.
    [Show full text]
  • Herman Brood Hermanus "Herman" Brood (5 November 1946 – 11 July 2001) Was a Dutch Musician, Painter, Actor and Poet
    Herman Brood Hermanus "Herman" Brood (5 November 1946 – 11 July 2001) was a Dutch musician, painter, actor and poet. As a musician he achieved artistic and commercial success in the 1970s and 1980s, and was called "the greatest and only Dutch rock 'n' roll star". Later in life he started a successful career as a painter. Known for his hedonistic lifestyle of "sex, drugs and rock 'n' roll", Brood was an enfant terrible and a cultural figure whose suicide by jumping from a hotel roof, apparently influenced by a failure to kick his drug and alcohol habit,[2] strengthened his controversial status; according to a poll organised to celebrate fifty years of Dutch popular music, it was the most significant event in its history. Musical career Herman Brood was born in Zwolle, and started playing the piano at age 12. He founded beat band The Moans in 1964, which would later become Long Tall Ernie and the Shakers. Brood was asked to play with Cuby and the Blizzards, but was removed by management when the record company discovered he used drugs. For a number of years Brood was in jail (for dealing LSD), or abroad, and had a number of short-term engagements (with The Studs, the Flash & Dance Band, Vitesse).[4] In 1976, Brood started his own group, Herman Brood & His Wild Romance, (and started work with photographer Anton Corbijn) initially with Ferdi Karmelk (guitar), Gerrit Veen (bass), Peter Walrecht (drums), and Ellen Piebes and Ria Ruiters (vocals). They played the club and bar circuit, first in Groningen (the northeasternmost province of the Netherlands.) In 1977 the band released their first album, Street.
    [Show full text]
  • Congressional Hearings Into Cultural Regulation
    Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulation, 1953-1967 A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Shawn M. Selby August 2008 © 2008 Shawn M. Selby. All Rights Reserved. This dissertation titled Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulatoin, 1953-1967 by SHAWN M. SELBY has been approved for the Department of History and the College of Arts and Sciences by Kevin M. Mattson Professor of History Benjamin M. Ogles Dean, College of Arts and Sciences 2 ABSTRACT SELBY, SHAWN M., Ph.D., August 2008, History Congress, Culture and Capitalism: Congressional Hearings into Cultural Regulation, 1953-1967 (439 pp.) Director of Dissertation: Kevin M. Mattson This dissertation describes the series investigations and hearings into cultural regulation that took place before the U.S. congress between 1953 and 1967. Beginning with Senate inquiries into juvenile delinquency and ending with the creation of the public broadcasting system in 1967, the dissertation argues that lawmakers and witnesses repeatedly emphasized internal industry oversight and the power of competition within the culture industry to regulate cultural products like comic books, movies and television. Public television was seen as a solution to the problem that met the demands lawmakers had placed upon their investigations. Existing works tending to focus on matters of quality or social science overlook the economic and regulatory aspects of congress’s activities. Approved: _____________________________________________________________ Kevin M. Mattson Professor of History 3 ACKNOWLEDGEMENTS As with any undertaking of such a size and requiring such an expenditure of effort, there are a substantial number of individuals whom I must thank.
    [Show full text]
  • The $64,000 Question (1955 – 1968) Host: Hal March
    COM308 Week 4 Notes—Quiz Show Scandal Purpose Today we are going to consider the formative years of TV and the quiz show scandal's impact on the TV business and a naive America. Background When CBS premiered "The $64,000 Question" in 1955, the show was more than a hit; it was a national phenomenon. No program in the short history of television had ever attracted so many viewers so quickly -- 47 million in ten weeks. Audiences loved the idea of watching people like themselves compete for huge sums of money by answering tough questions. "The common man as genius," one writer called it. More quiz shows followed, including "Twenty One" and "Tic Tac Dough." At the times these shows aired, the crime rate and movie theatre attendance actually dropped. What the viewing audience was to learn, but only much later, was that many of the TV quiz shows were fixed. Initially, popular contestants were favored with easier questions; they were "rehearsed" by the show's producers for hours before airtime. When producer Dan Enright saw ratings plummet for his show "Twenty One," he went even further, providing contestants with answers before air time. To make the charade convincing, Enright coached his hand-picked winners down to the smallest detail: when to stutter, mop their brow, bite their lip, even how to dress. The most famous of these contestants was Charles Van Doren. Young, intelligent, and handsome, Van Doren was "a bona fide egghead with enough sex appeal" to create a sensation. Slowly and painfully, the deceit unraveled. When a Congressional investigation revealed that wholesome Van Doren and the quiz shows were a fraud, Americans felt angry and betrayed.
    [Show full text]