Taking Punishment Gladly; Bill Tildens Performances of the Unruly Male Body N a t h a n T i t m a n * American Studies University o f Iowa Although historians have read the athleticism o f seven-time national tennis cham pion Bill Tilden as a cover for his sexual identity, his playing style was very much a product o f his existence outside normative gender expectations in the 1920s. Tennis allowed Tilden to engage in the homosocial amateur sporting code o f upper-class Northeastemers— establishing psychological intimacy with playing partners, opponents, andprotégés— while also adapting the more “roughneck” and varied techniques o f working-class Californian players into a style that observers celebrated for both its power and its beauty Tilden defied contempo rary expectations that bourgeois white men should eventually limit their partici pation in leisure and settle down with marriage and stable capitalist produc tion, while using athletic movement to bridge gentler categories in the creation o f his own “artistic” self-expression. I n t h e 1920s, Bill Tilden became tennis’ version of a sport celebrity. He won seven national titles in that decade and, in 1920, became the first American man to win fA version of this paper was selected as the 2014 winner of the North American Society for Sport History Graduate Student Essay. Correspondence to
[email protected]. Wimbledon. Sports enthusiasts who enjoyed more leisure time and expendable income after World War I craved appealing champion athletes, and Tilden joined the ranks of Babe Ruth, Jack Dempsey, and Red Grange as one of the leading protagonists in the “Golden Age of Sport.”1 However, despite his dominant play and— compared to previous tennis champions— unrivaled celebrity, his arrests in 1946 and 1949 for morals violations with underage boys ultimately rendered him a pariah in the sport, a tragic figure whose sexual proclivities sullied his athletic successes.