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Steve and Janet Ray's Biography
STEVE AND JANET RAY’S BIOGRAPHY Steve and Janet Ray in Jerusalem—they have been to the Holy Land over 170 times Steve’s first book—his conversion story EARLY YEARS CONVERSION PUBLISHED BOOKS Stephen K. Ray was born in 1954 to parents Prior to 1994, neither Steve or Janet had Crossing the Tiber who had just become Christians through a ever set foot in a Catholic Church. After (conversion story) Billy Graham Crusade. studying many books to convince their best friend and recent convert, Al Kresta, that He was raised in a Fundamentalist Baptist Upon this Rock: the early church was evangelical, Steve family and was dedicated to Jesus in the Peter and the Primacy of Rome and Janet backed their way right into the local Baptist Church. At four years old he Catholic Church. “asked Jesus into his heart” and was “born St. John’s Gospel again” according to Baptist tradition. On Pentecost Sunday, 1994, they entered (a Bible Study) the Church at Christ the King Parish in Ann In 1976, Stephen married Janet who Arbor, Michigan. The Papacy: came from a long line of Protestants. Her What the Pope Does and Why it ancestors were pilgrims who came to Steve began writing a letter to his father Matters America on the Mayflower and Moravian explaining why they became Catholic. This Hussite Protestants who joined the letter soon became the book Crossing the Faith for Beginners: Protestant Reformation in the 1600s. Tiber: Evangelical Protestants Discover the A Study of the Creeds Historic Church, published by Ignatius Press. EXPLORING THEIR FOOTPRINTS OF GOD PROTESTANT ROOTS DVD SERIES CURRENT With two small children in tow, Steve and Janet moved to Europe for one year where Since then, Steve’s passion for the depth Abraham: Father of Faith they traveled extensively researching their of truth found within the Catholic tradition and Words reformation roots in Switzerland, Germany, has led him to walk away from his business Moses: Signs, Sacraments, and England. -
The Biographical Turn and the Case for Historical Biography
DOI: 10.1111/hic3.12436 ARTICLE The biographical turn and the case for historical biography Daniel R. Meister Department of History, Queen's University Abstract Correspondence Daniel R. Meister, Department of History, Biography has long been ostracized from the academy while Queen's University, Canada. remaining a popular genre among the general public. Recent height- Email: [email protected] ened interest in biography among academics has some speaking of a Funding information biographical turn, but in Canada historical biography continues to be International Council for Canadian Studies, undervalued. Having not found a home in any one discipline, Biog- Grant/Award Number: Graduate Student Scholarship (2017); Social Sciences and raphy Studies is emerging as an independent discipline, especially Humanities Research Council of Canada, in the Netherlands. This Dutch School of biography is moving biog- Grant/Award Number: 767‐2016‐1905 raphy studies away from the less scholarly life writing tradition and towards history by encouraging its practitioners to utilize an approach adapted from microhistory. In response to these develop- ments, this article contends that the discipline of history should take concrete steps to strengthen the subfield of Historical Biography. It further argues that works written in this tradition ought to chart a middle path between those studies that place undue focus on either the individual life or on broader historical questions. By employing a critical narrative approach, works of Historical Biography will prove valuable to both academic and non‐academic readers alike. The border separating history and biography has always been uncertain and anything but peaceful. (Loriga, 2014, p. 77) Being in the midst of a PhD dissertation that has its roots in extensive biographical research, I was advised to include in my introduction an overview of theoretical approaches to biography. -
Rhetoric and Resistance in Black Women's Autobiography
Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M. -
Download a Pdf File of This Issue for Free
Issue 70: Dante's Guide to Heaven and Hell Dante and the Divine Comedy: Did You Know? What a famous painting suggests about Dante's life, legend, and legacy. Big Man in the Cosmos A giant in the world of which he wrote, laurel-crowned Dante stands holding his Divine Comedy open to the first lines: "Midway this way of life we're bound upon, / I woke to find myself in a dark wood, / Where the right road was wholly lost and gone." Of course, his copy reads in Italian. Dante was the first major writer in Christendom to pen lofty literature in everyday language rather than in formal Latin. Coming 'Round the Mountain Behind Dante sits multi-tiered Mount Purgatory. An angel guards the gate, which stands atop three steps: white marble for confession, cracked black stone for contrition, and red porphyry for Christ's blood sacrifice. With his sword, the angel marks each penitent's forehead with seven p's (from Latin peccatum, "sin") for the Seven Deadly Sins. When these wounds are washed away by penance, the soul may enter earthly paradise at the mountain's summit. Starry Heights In Paradiso, the third section of the Comedy, Dante visits the planets and constellations where blessed souls dwell. The celestial spheres look vague in this painting, but Dante had great interest in astronomy. One of his astronomical references still puzzles scholars. He notes "four stars, the same / The first men saw, and since, no living eye" (Purgatorio, I.23-24), apparently in reference to the Southern Cross. But that constellation was last visible at Dante's latitude (thanks to the earth's wobbly axis) in 3000 B.C., and no one else wrote about it in Europe until after Amerigo Vespucci's voyage in 1501. -
Medieval Biography Between the Individual and the Collective
Janez Mlinar / Medieval Biography Between the individual and the ColleCtive Janez Mlinar Medieval Biography between the Individual and the Collective In a brief overview of medieval historiography penned by Herbert Grundmann his- torical writings seeking to present individuals are divided into two literary genres. Us- ing a broad semantic term, Grundmann named the first group of texts vita, indicating only with an addition in the title that he had two types of texts in mind. Although he did not draw a clear line between the two, Grundmann placed legends intended for li- turgical use side by side with “profane” biographies (Grundmann, 1987, 29). A similar distinction can be observed with Vollmann, who distinguished between hagiographi- cal and non-hagiographical vitae (Vollmann, 19992, 1751–1752). Grundmann’s and Vollman’s loose divisions point to terminological fluidity, which stems from the medi- eval denomination of biographical texts. Vita, passio, legenda, historiae, translationes, miracula are merely a few terms signifying texts that are similar in terms of content. Historiography and literary history have sought to classify this vast body of texts ac- cording to type and systematize it, although this can be achieved merely to a certain extent. They thus draw upon literary-historical categories or designations that did not become fixed in modern languages until the 18th century (Berschin, 1986, 21–22).1 In terms of content, medieval biographical texts are very diverse. When narrat- ing a story, their authors use different elements of style and literary approaches. It is often impossible to draw a clear and distinct line between different literary genres. -
College of the Holy Cross Archives and Special Collections P.O
College of the Holy Cross Archives and Special Collections P.O. Box 3A, Worcester, MA 01610-2395 College of the Holy Cross Archives and Special Collections Collection Inventory Accession Number:SC2000-77 Collection Name (Title): Newman, Cardinal John Henry, Collection Dates of Material: Size of Collection: 2 Boxes Arrangement: Restrictions: Related Material: Preferred Citation: Processed on: Biography/History: Cardinal John Henry Newman was born in London, England on February 21, 1801. He entered Trinity College in Oxford in 1817 and was ordained as an Anglican minister at Christ Church in 1825. Rev. Newman resigned from St. Mary’s and joined the Catholic Church in 1845. He established the English Congregation of the Oratory in 1848, and then he was appointed Rector of the Catholic University of Ireland in 1851. Newman then founded the Oratory School in 1859. On May 12, 1879 Rev. Newman was created Cardinal by Pope Leo XIII. Cardinal Newman died on August 11, 1890. Scope and Content Note: Box 1 contains original and typed copies of correspondence of Rev. Newman. Folder 1 contains letters miscellaneous letters dating from the 1850s through to the 1880s. The majority of these letters are original and handwritten. Folder 2 has a single letter written by Rev. Newman sent to Rev. H.A. Woodgate dated from September 27, 1842. Folder 3 includes 5 letters dated between 1840 and 1879 from Rev. Newman to Cardinal Manning. This folder also has typed copies of the handwritten letters. Folder 4 has a single letter from Rev. Newman, dated August 1, 1884, to “Louisa.” Folder 5 holds 3 letters, dated between 1884 and 1886, written to Rev. -
Epic and Autobiography in Dante's Inferno
Sacred Heart University Review Volume 24 Issue 1 Sacred Heart University Review, Volume XXIV, Article 5 Numbers 1 & 2, Fall 2006/ Spring 2007 March 2010 The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Simone Marchesi Follow this and additional works at: http://digitalcommons.sacredheart.edu/shureview Recommended Citation Marchesi, Simone (2010) "The oeP t in the Mirror: Epic and Autobiography in Dante’s Inferno," Sacred Heart University Review: Vol. 24 : Iss. 1 , Article 5. Available at: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 This Article is brought to you for free and open access by the SHU Press Publications at DigitalCommons@SHU. It has been accepted for inclusion in Sacred Heart University Review by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected]. The oP et in the Mirror: Epic and Autobiography in Dante’s Inferno Cover Page Footnote Simone Marchesi is Assistant Professor of French and Italian at Princeton University. This talk was delivered at Sacred Heart University on April 7, 2006, as part of the College of Arts & Sciences Lecture Series on “The Real and Fabled Worlds of Dante Alighieri.” All English translations in the text from Dante’s Divine Comedy are by Robert Hollander and Jean Hollander, in their edition published by Doubleday/Anchor in 2000. This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol24/iss1/5 Marchesi: The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno S IMONE M ARCHESI ____________________ The Poet in the Mirror: Epic and Autobiography in Dante’s Inferno Perché cotanto in noi ti specchi? [Why do you reflect yourself so long in us?] Inferno 32.54 Let me begin with an easy question: What is the Divine Comedy? Dante’s poem has been and is many things. -
Cicero a Study of Gamesmanship in the Late
CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Eugene H. Boyd FALL 2018 © 2018 Eugene H. Boyd ALL RIGHTS RESERVED ii CICERO A STUDY OF GAMESMAN SHIP IN THE LATE REPUBLIC A Thesis by Eugene H. Boyd Approved by: __________________________________, Committee Chair Nikolaos Lazaridis, PhD. __________________________________, Second Reader Jeffrey Brodd, PhD. ____________________________ Date iii Student: Eugene H. Boyd I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________Graduate Coordinator ___________________ Jeffrey Wilson, PhD Date Department of History iv Abstract of CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC by Eugene H. Boyd Roman politics during the final decades of the Late Republic was a vicious process of gamesmanship wherein lives of people, their families and friends were at the mercy of the gamesmen. Cicero’s public and political gamesmanship reflects the politics, class and ethnic biases of Roman society and how random events impacted personal insecurities. ______________________ _, Committee Chair Nikolaos Lazaridis, PhD. ____________________________ Date v ACKNOWLEDGEMENTS The process of obtaining a Master’s degree, I have found, is not an independent, isolated experience. Citing a contemporary adage, “It takes a village.” Truer words have never by spoken. To that end, I would like to recognize in the most warmly and thankful manner, the people in my “village” who helped me through the graduate study program and eventual master’s degree. -
Malcolm X and Christianity
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS MALCOLM X AND CHRISTIANITY FATHIE BIN ALI ABDAT (B. Arts, Hons) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF SINGAPORE 2008 Acknowledgements I extend my sincerest gratitude first to the National University of Singapore (NUS) for granting me the Masters Research Scholarship that enabled me to carry out this undertaking. Also, my thanks go out to the librarians at various universities for assisting me track down countless number of primary and secondary sources that were literally scattered around the world. Without their tireless dedication and effort, this thesis would not have been feasible. The NUS library forked out a substantial sum of money purchasing dozens of books and journals for which I am grateful for. In New York, the friendly staff at Columbia University’s Butler Library, Union Theological Seminary’s Burke Library and Schomburg Centre for Research in Black Culture provided me access to newspaper articles, FBI files, rare books and archival materials that provided much content for my work. In Malaysia, the staff at the University of Malaya enabled me to browse through Za’aba’s extensive private collection that included the journal, Moslem World & the U.S.A. In the process of writing this thesis, I am indebted to various faculty members at the Department of History such as Assoc. Prof. Ian Gordon, Assoc. Prof. Michael Feener and Assoc. Prof. Thomas Dubois, who in one way or another, helped shape my ideas on Malcolm X’s intellectual beliefs and developed my skills as an apprentice historian. -
“Dot to Dot: the Biography of an Ordinary Renaissance Man” He Wakes up Bright and Early As Mornings Are His Favourite Time of the Day
“Dot to Dot: The biography of an ordinary Renaissance Man” He wakes up bright and early as mornings are his favourite time of the day. He is the leader of an unofficial laughter club where friends meet for morning tea and togetherness. He believes in reaching work before his employees. He leads by example – if his employees are working on the day of a festival, he too will be at work with them. He is a manufacturing man – not afraid to work with his hands on the shop floor. If he demands exacting standards from his employees he demands much more from his sons and he makes sure that he understands those exacting standards first himself. He is more than sixty years in age but hasn’t stopped learning. Let us call him Raju. Raju as we will get to know him was born with a silver spoon in his mouth and was the apple of his mother’s eye. The first boy born after 3 girls in a rich business family in India in mid- 19th century, he was destined for all things good that life had to offer. His fair looks only added to his personality, he was a charmer. Having done his graduation in the field of Physics from the then small town of Pune he went to London for a higher education in Materials Science. Apart from being a man of science by education he is a man of varied interests. His passions include aero-modelling, wind surfing, para gliding, sailing and golf. If you can call being a people’s person an art then he is an artistic man. -
Dante's Inferno
Dante’s Inferno: Critical Reception and Influence David Lummus Dante and the Divine Comedy have had a profound influence on the production of literature and the practice of literary criticism across the Western world since the moment the Comedy was first read. Al- though critics and commentators normally address the work as a whole, the first canticle, Inferno, is the part that has met with the most fervent critical response. The modern epoch has found in it both a mirror with which it might examine the many vices and perversions that define it and an obscure tapestry of almost fundamentalist pun- ishments that are entirely alien to it. From Ezra Pound, T. S. Eliot, and Osip Mandelstam in the early twentieth century to Seamus Heaney, W. S. Merwin, and Robert Pinsky at century’s end, modern poets of every bent have been drawn to the Inferno and to the other two canti- cles of the Comedy as an example of poetry’s world-creating power and of a single poet’s transcendence of his own spiritual, existential, and political exile.1 To them Dante was and is an example of how a poet can engage with the world and reform it, not just represent it, through the power of the poetic imagination. In order to understand how Dante and his poem have been received by critics and poets in the twentieth and twenty-first centuries, we must glance—however curso- rily—at the seven-hundred-year critical tradition that has formed the hallowed academic institution of Dante studies. In this way, we can come to see the networks of understanding that bind Dante criticism across its history. -
Creative Lives in Classical Antiquity Poets, Artists and Biography 1St Edition Download Free
CREATIVE LIVES IN CLASSICAL ANTIQUITY POETS, ARTISTS AND BIOGRAPHY 1ST EDITION DOWNLOAD FREE Richard Fletcher | 9781107159082 | | | | | David Markson Koine is regarded as a separate historical stage of its own, although in its earlier form it closely resembles Classical Greek. Winckelmann's work on Herculaneum in the s. Annual Support. More Details He defended this idea to his more conservative contemporaries. The most famous and significant figures in classical Athenian philosophy, from the 5th to the 3rd centuries BC, are Socrateshis student PlatoArtists and Biography 1st edition Aristotlewho studied at Plato's Academy before founding his own school, known as the Lyceum. Kulturhistorisches Werklexikon, pp. Italian Humanism and Mexico. The poet Walter Savage Landor claimed to have been one of the first English schoolboys to write in Greek during his time at Rugby School. More Info. Give Artists and Biography 1st edition External Websites. Freud and the biography of antiquity. Back to search. What happened when creative biographers took on especially creative subjects poets, artists and others in Greek and Roman antiquity? Woodman and R. He specializes in ancient Greek and Roman philosophy and the dynamic between Classics and contemporary art. History Geography. Other editions. Main article: Ancient philosophy. Help Learn to edit Community portal Recent changes Upload file. Creative Lives in Classical Antiquity Poets late works further refine the allusive, minimalist style of Wittgenstein's Mistress. This article is about the academic discipline. The Renaissance led to the increasing study of both ancient literature and ancient history, [7] as well as a revival of classical styles of Latin. Classical StudiesFreeLecture.