AL300909 Sale

Total Page:16

File Type:pdf, Size:1020Kb

AL300909 Sale For Sale by Auction to be held at The Auction Rooms, Alphin Brook Road, Exeter Tel 01392 413100. Fax 01392 413110 th WEDNESDAY 30 SEPTEMBER 2009 Ceramics, Glass & Orientals Works of Art & Collectors’ Items Pictures Furniture SALE COMMENCES AT10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE AL15 Catalogues £1.50 On View: Ceramics, Glass & Oriental th Saturday 26 September 9.00am – 12.00 Lots 1 - 111 Monday 28th September 9.00am – 5.15pm WOA Books & Collectables Tuesday 29th September 9.00am – 5.15pm Lots 112 – 220a Morning of Sale from 9.00am Pictures Lots 221 – 260e Furniture Lots 261 - 388 GLASS, CERAMICS AND ORIENTAL ITEMS 1. Five Whitefriars glass vases and a Whitefriars square glass ashtray. 2. A George IV hobnail cut rummer together with three champagne flutes. 3. Five items of coloured glass and metal shot measures. 4. A collection of cut glass prisms and drops. 5. A collection of various Medina, Murano and other studio glassware. 6. An early 20th Century mottled glass shade and one other. 6A. A large blue glass dish. 7. A Scandinavian glass vase, a green glass vase and miscellaneous glassware. 8. A Venetian gilded and blue glass decanter with matching glasses and various other drinking glasses. 9. A Whitefriars triangular shape vase with relief moulded bark effect finish and smokey colour. 10. A large collection of various decorative glass including cranberry glass, studio glass a fruit bowl Babycham glasses etc. 11. A collection of six Royal Brierley tumblers, miscellaneous glassware, and a dressing table set. 12. A collection of 19th Century and later glassware etc, some damages. 13. A pair of Delft blue and white vases, an urn and cover and a Bohemian overlay glass vase. 14. A quantity of Clarice Cliff coffee ware, comprising six saucers, three cans, and a cream jug, enamelled in the Autumn 'Crocus' pattern. 15. A late 18th Century, Dutch Delft teapot with monkey handle mask decoration and fish spout painted in blue with figures in a landscape. 16. A Royal Copenhagen vase, a Royal Copenhagen porcelain model of a dog and two models of dogs. 17. A Wiltshaw and Robinson Carlton Ware ovi form jar printed and enamelled on an oriental landscape, pattern no.7550. 18. A group of eleven bisque 'piano baby' dolls. 19. A Chinese porcelain hexagonal dish decorated in gilt and famille rose with precious objects, Xianfeng seal mark and a pair of English plates. 20. A collection of T G Green blue and white Cornish ware, including two storage jars, teapot, salt shaker and other items. 22. A Fieldings Crown Devon "daisy, daisy" musical jug (devoid movement) and a Clarice Cliff mushroom ground jug embossed with owls. 23. A Measham 'bargeware' teapot, damaged. 24. A Ridgway blue glazed relief moulded with a scene from Tamoshanter jug, Wilson jug with cherubs and a Copeland jug with hunting scene. 25. A Pair of Staffordshire pottery vases with covers. 26. A white glazed pottery character jug, Edward VIII, 19.5cm high. 27. A Moorcroft table lamp of a bulbous shape, decorated with coral coloured Hibiscus on a green ground, impressed marks, 17cm high. 28. A quantity of Price and Cottage ware part tea set and Brixham blue pottery. 29. A Bloor Derby oval meat plate and a matching deep dish 30. A mixed group of Staffordshire pottery figure groups including The Soldiers Dream, Queen Victoria and a facsimile Stansfield Hall, some damage. 31. A group of eight Staffordshire and taper figure groups including Welsh Shepherds and others, some damage and repair. 32. A pair of Staffordshire pottery spaniels together with four figure and spaniel taper groups and a late pair of dalmations. 33. A Dixon And Co (Sunderland) purple lustre plaque " Thou God Seest Me" together with two similar. (3) 34. Two Caithness paperweights 'In The Rain' and 'Sand Sprite', 35. A Mount St Helens spherical clear glass paperweight of large size, the interior decorated with an underwater scene, 13cm diameter. 36. A Cantonese Porcelain vase enamelled with panels containing figures, birds, insects and flowers reserved on a profuse vase. 37. A Chinese blue and white porcelain charger with bird and flower decoration. 39. A Chinese porcelain punch bowl painted blue with landscaped panels, floral and foliate scrolls with hardwood stand, late 18th/19th Century. 40. A Chinese porcelain plate painted in blue with a basket of flowers, the border with lappet shaped panels of peony. ( staple repairs.) 41. A Sampson porcelain blue scale punch bowl decorated with fabulous birds and insects, (chipped) together with a Derby porcelain urn, box and cover. 42. A Fieldings Crown Devon 'John Peel' musical tankard. 43. A Staffordshire comforter spaniel modelled with a basket of flowers in its mouth, four further spaniel groups, an arbour group and castle (7). 44. Three Wade green glaze jugs and a studio glass bowl and one other. 45. A pair of Austrian porcelain vases with blue and gilt decoration. 46. Two Royal Worcester figures modelled by Freda. Doughy 'First Dance' 3629 one (damaged). 47. A graduated garniture of four Beswick flying ducks (damaged). 48. A Royal Worcester porcelain figure by F. Doughty 'First Dance', 3629 and a Doulton figure 'Ninette' HN 2379. 49. A Coalclough "Cascade Roses" part tea service, Collard pottery vase. Wedgwood Jasperware and miscellaneous ceramics. 50. A Wedgwood part dinner and tea service and other teawares - Green. 51. Royal Albert porcelain tea service and other items. 52. A Staffordshire pottery jug and basin set together with chamber pot, vase and bucket. 53. A Staffordshire cow and calf group. 54. Three items Wedgwood Jasperware, three Wade tortoise shells & two Whimsies, including a model or a Hare. 55. Beswick King Charles Spaniel, three Beswick figures of birds- goldfinch, wren and stonechat (damaged). 56. An Old Bill teapot in the form of a WWI tank and Sylvac rabbit table centre, miscellaneous collection cheese dishes, covers, teapot and teaset. 57. A Beswick Cantering shire horse, one other and a pony and a foal. 58. A collection of decorative china including Wedgwood green jasperware, decorative vases a teapot etc. 59. Three Lladro figures of ladies one (a/f) and a quantity of Cardew design pottery. 60. A Royal Doulton figure 'Top o' the hill' HN1834 and one other similar. 61. A pair of Empire ware vases decorated with classical scenes. 62. A Sooty egg cup, a Staffordshire character jug and three blue and white meat plates. 63. A mixed quantity of blue and white printed pottery including various factories (A lot). 64. Five Bavarian porcelain plates in the Vienna style. 65. Two Willow Pattern meat dishes, a blue and white printed pap boat, two tureens and covers, jelly moulds. 66. Two pairs of Staffordshire Medici lions under brown glaze with inset glass eyes. 67. A group of three Sunderland splash lustre plaques printed with religious texts. 68. Two Staffordshire pottery portrait figures, "Prince of Wales" and "Wallace" the later damaged. 69. A late 19th Century mantel clock in a floral decorated pottery case. 70. A Compton & Wodehouse figure 'First Dance' (restored ) and a Doulton figure 'Wendy' 71. A four Beswick figures of birds, Greenfinch, Chaffinch, Goldcrest and Wren, the later repaired together with five similar groups. 72. A Limoges part dessert service comprising, comport, three dishes and eleven plates (minor damage). 73. Royal Worcester gold Chantilly part tea and dinner service together with ten similar plates. 74. A Portmerion pottery "Totem" part coffee service in the white, damaged. 75. Three commemorative mugs, nursery mug, one other and Noritake part coffee service. 76. A mixed quantity of ceramics and glass comprising of Aynsley cottage garden, continental porcelain and Imari bowl, cranberry glass and other items. 77. A Paragon china part tea and dinner service of Rockingham pattern, also a George Jones "Crescent" china. 78. A large collection of decorative china including Paragon dinner ware, "Elizabethan" coffee cans, gilded tea ware etc 79. A pair of Royal Bonn pottery vases and two others. 80. A mixed quantity of ceramics including Royal Worcester Evesham, Denby Green Wheat and other items. 81. A mixed quantity of predominately porcelain teawares. 82. A group of four Sunderland pink lustre rectangular plates - May Peace & Plenty on Our Nation Smile and Trade with Commerce Bless The British Isle; Adam Carlisle Weslyan Minister and two others (4) 83. A pair of Royal Doulton cylinder vases decorated with roses on a blue ground. £140-180 84. Two Royal Doulton Toby Jugs - Friar Tuck (1950) and Arriet (1946) 85. A pair of Japanese 20th Century Satsuma vases (a/f ) together with a Carlton ware Rouge Royal oval saucer dish. 86. Two Royal Doulton Jug: 'Old Curiosity Shop' and one other 'The White Hart Inn Southwark'. 87. A collection of decorative china including a commemorative mug, coffee cans, Jimmy Hill ornament. 88. A studio glass vase in the whitefriars style and a similar ashtray. 89. Three Beswick bird ornaments (a/f) 90. A Royal Doulton figure 'Rose' HN1368 91. A small collection of cut glass decanter stoppers 92. A Beswick Bay horse ornament together with various decorative china, and glass and a pair of prints.. 93. A collection of miscellaneous ceramics including two blue and white tureens and covers, a pair of floral vases etc. 94. A collection of drinking glasses, a coloured glass dish and various other glassware (A lot). 95. A set of four continental porcelain sheep, a continental poodle, a Doulton seated figure of a dog and six other figures. 96. A figure of a pig with impressed factory mark to base (a/f) 97. A quantity of various cut glass sconces and associated drops.
Recommended publications
  • Transferware Database of Patterns and Sources
    Transferware Database of Patterns and Sources Pattern #4864 Pattern Name: Roman #01 Center Pattern Border Alternate Names: Greek Pattern, Kirk Series Category: Literature and the Performing Arts / Mythology Border: Miscellaneous / Classical themes / Decorative panels Additional Information: Plate, 9.5 inches. Two sections of the border are shown. Priestman2001, pp. 114-119, identifies a series of patterns on tablewares that Minton was producing by 1810, based on the engravings of Thomas Kirk that had been used to illustrate a catalogue of the collection of ancient Greek, Roman and Etruscan vases that had been put together by the British diplomat Sir William Hamilton in the latter half of the 18thC. Minton called them the Roman patterns, though the characters portrayed were not all Roman nor were the vases from which the drawings were taken all of Roman origin. The patterns have also been referred to as the Kirk series, after the artist and engraver. The pattern shown here is based on plate 54 in Kirk1804. The pattern and the source print are illustrated on p. 117 of Priestman2001, but no indication is given of what the scene represents. A circular cartouche containing various freemasonry symbols has been added to the central design, suggesting that the plate may have been part of a special order from Freemasons' Lodge. See also CoyshHenrywood1989, pp120-121, for a description of this series (here named Kirk series)and illustrations, including one of this pattern. Moore2010, pp. 120-121, illustrates the Kirk drawing and one from Tischbein, pl. 9, Vol. I in connection with a Spode pattern called 'Apollo Seated on a Winged Chair".
    [Show full text]
  • Popular Royal Doulton Figurines
    BAKERTOWNE’S PRICE GUIDE FOR Popular Royal Doulton Figurines By: Tammy Kahn Fennell, Matthew Fennell, and Lou Kahn Copyright 2009 by Bakertowne Valley, Inc All Rights Reserved. Copyright and Trademark Information: The words "Royal Doulton" is a registered trademark of Royal Doulton U.K. Limited and are used herein to show items of collectible interest. This book references various Royal Doulton Figurines, the copyright of which belongs to Royal Doulton U.K. Limited. This book has been produced independently and neither the authors nor the publisher has any connections with Royal Doulton U.K. Limited. Bakertowne Valley, Inc Ebay Powerseller: BakertowneCollectables (www.VintageRareStuffSold.com) Our Site: www.VintageRareStuff.com This is guide is a realistic and informative look at Royal Doulton Figurines; however, the publisher does not assume responsibility for errors, inaccuracies, omissions or advice. Each individual reader is solely and wholly responsible for any decisions made or actions taken that may be prompted by the material herein. The Toymaker HN2250 A note about this guide: These prices were carefully researched. Due to the large number of Figurines, not every single piece and variation is listed. If you need any help, please do not hesitate to e-mail us at [email protected] and we will do our best to get you a price range. This guide is geared toward prices you can get in the market, but for insurance purposes, please add 35-45% to the range. Leading Lady HN2269 Rhapsody HN2267 A Brief History: Royal Doulton began in 1853. The three original partners were John Doulton, Martha Jones and John Watts.
    [Show full text]
  • Selected Antique Sale Friday 28 May 2010 10:00
    Selected Antique Sale Friday 28 May 2010 10:00 Moore, Allen & Innocent The Salerooms Norcote Cirencester GL7 5RH Moore, Allen & Innocent (Selected Antique Sale) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 and saucer, and a posy holder A framed chromolithograph Estimate: £50.00 - £80.00 poster "In Commemoration of the Coronation on 9th August 1902 of His Most Gracious Majesty Lot: 5 Edward VII", 47 x 37 cm A collection of ceramics Estimate: £30.00 - £40.00 commemorating the Silver Jubilee of Queen Elizabeth II 1977 to include two large Wedgwood Richard Guyatt designed mugs, a Crown Staffordshire bone china mug for Lot: 2 The Observer, a pair of A collection of 27 silver Royal Prinknash goblets, nine various Commemorative Souvenir other mugs, a Kaiser parian and spoons dating from Queen gilt wall plate, a Coalport plate, a Victoria's 1897 Diamond Jubilee Crown Ducal plate with portrait of to George VI's Coronation 1937, The Queen, three other plates, some with enamel decoration, etc. (26 pieces) two similar silver plated spoons Estimate: £40.00 - £60.00 plus a silver 1902 Coronation two prong fork, mounted in glazed display cabinet Estimate: £100.00 - £150.00 Lot: 6 A collection of ceramics commemorating the Coronation of Queen Elizabeth II 1953 Lot: 3 comprising a pair of Royal A collection of modern Royal Doulton jugs with oval portraits of Commemorative wares to include The Queen and relief scene of four Aynsley plates, two large Windsor Castle, 16 cm high, a Wedgwood Richard Guyatt Brentleigh ware decanter with designed mugs commemorating crown shaped stopper, 16 cm the 1972 Silver Wedding and the high, a Sadler gilt ground jug with Wedding of Princess Anne and matching teapot, a small Tuscan Captain Mark Phillips 1973, a bone china oval plaque with Paragon 1984 Birth of Prince portrait of The Queen, and a Henry loving mug, etc.
    [Show full text]
  • Ackland Ceramics Guide
    ! ! CERAMICS!GUIDE! Ceramics:"objects"formed"from"moistened"clay"and"hardened"by"firing;"distinguished"by" permeability"and"firing"temperatures" • Earthenware:"Porous,"low<firing" • Stoneware:"Non<porous,"high<firing" • Hard<Paste"Porcelain:"Non<porous,"high<firing" Single!firing:"clay"mixture"and"glaze"reach"maximum"density"and"hardness"in"a"single"firing,"with" the"glaze"being"applied"directly"to"the"unfired"clay"beforehand" Biscuit!firing:"glazed"objects"can"also"undergo"multiple"firings,"the"first"being"the"firing"of"the" unglazed"(biscuit)"object;"helps"stabilize"a"work"before"a"glaze"or"painted"decoration"is"applied" Glost!firing:"fuses"glaze"to"an"object"that"has"already"been"biscuit<fired" Glaze:!natural"materials"applied"to"a"clay"object"(either"as"a"powder"or"mixed"with"water)," fusing"with"the"clay"when"fired;"makes"porous"ceramics"impervious"to"liquid;"also"used"on"non< porous"ceramics"for"purely"decorative"effects,"either"as"transparent"coating"or"colored"by"the" addition"of"various"metal"oxides;"comprised"of"ground"silica,"which"melts"to"create"a"glassy" surface,"as"well"as"(1)"an"alumina"stabilizer"to"increase"viscosity"and"(2)"a"mineral"flux"to"lower" the"silica’s"melting"point." Common!glaze!types:"distinguished"by"flux"material" th • Lead:"low<firing,"used"on"earthenware;"largely"discontinued"by"the"late"19 "century"due" to"dangers"of"prolonged"lead"exposure" • Tin:"lead"glaze"with"the"addition"of"tin"oxide,"resulting"in"an"opaque"white"surface;" originates"in"Middle"East,"9th"century;"European"tin<glazed"earthenware"classified"by"
    [Show full text]
  • Colonial Archaeology: 070 333 Spring 2006 Prof C. Schrire Room 201
    Colonial Archaeology: 070 333 Spring 2006 Prof C. Schrire [email protected] Room 201/202 RAB Phone: 932 9006 Course Outline: This course will teach the rudiments of identification and analysis of colonial artifacts dating from about 1600-1900 AD. Our teaching collection includes a variety of ceramics, pipes, glass and small finds. The course if taught largely by supervision and not lectures. Students will sort collections, draw objects, measure objects and identify them according to numerous criteria. Course Requirements: A prerequisite for this course is 070: 208, Survey of Historical Archaeology, normally taught in the Fall term. Students for whom this requirement was waived are expected to study a suitable textbook on the subject, such as Orser, C. 1995 Historical Archaeology and Deetz, J In small things forgotten. Students will attend one three hour class, once a week. During this time they will handle material, analyze it, and draw objects. Each student will need a clean writing pad or notebook, a pad of graph paper, pencils, colored pencils, eraser, a ruler, and a divider. There will be two exams, a midterm and final. Useful Texts: 1. Noel-Hume, I. 2001. The Artifacts of Colonial America 2. Fournier, Robert. Illustrated Dictionary of Practical Pottery. Paperback, 4th ed. 2000 Radnor Pa. Available at Amazon.com ($31.96) 3. Numerous additional sources will be present at class for used during the practicals. Colonial Archaeology: 070 330 Significant technical terms: (see Fournier 2000) Absorption: The taking up of liquid into the pores of a pot. The water absorption of a ceramic is an indicator of its degree of vitrification.
    [Show full text]
  • Unlocking the Minton Archive Treasure Chest by Loren Zeller
    Unlocking the Minton Archive Treasure Chest by Loren Zeller Guardians of Staffordshire’s Ceramic History Destined for almost certain liquidation, the valuable Minton Archive was saved by the Art Fund with other do- nors who jointly raised £1.56m to purchase it from WWRD on 31 March, 2015.* The Archive was immediately gifted to the Stoke City Archives ensuring that it would forever be conserved and available nationally and interna- tionally for the public to enjoy. The Archive contains a treasure trove of items related to Minton's Ltd from its establishment in 1793 by Thomas Minton until the firm was closed 1990s. The Archive also includes thousands of items from the archives of Royal Doulton (which Minton purchased in 1968) along with all the companies it had been acquired by Royal Doulton; an impressive list of more than twenty companies that contributed to Britain’s success in the ceramics industry. The list includes such famous names as Adderley, Booth, Davenport, Paragon, Ridgway, Royal Albert, Shelley and more. The Minton Archive is the name given to the whole of this collection. The Archive is now owned, managed and made publicly accessible by Staffordshire County Council and Stoke-on- Trent City Council Joint Archives Service, who will also loan objects to the Wedgwood Museum and the Potter- ies Museum and Art Gallery for display and exhibition. An important number of Minton’s original copper plates City Archivist Chris Latimer and can be found in the Wedgwood Archives. Archivist Louise Ferriday display one * In addition to the grant from NHMF, the campaign received donations from Sir Siegmund Warburg's Voluntary Settlement, The Pilgrim of the pattern books from the Min- Trust, the Bamford Charitable Foundation, the bet365 Foundation, and many other generous supporters.
    [Show full text]
  • Guide to Dating Aynsley China
    Guide To Dating Aynsley China Ivan still abort meaninglessly while requisite Puff reutters that samiti. Waterlogged Ross fortuned, his transvestitism superintends parlays lest. Untidied Rey hurry no prosecutions relents potently after Thorvald reseal stoopingly, quite incertain. Go to dating. GE, Sharp, Samsung and more. Person bent over to aynsley china ceramics, a workaholic and witnessed in weight grams postage highest price point. So next to dating guide dating china marks men age of women in part from dating for female and are. Totally dating services with the rules dating texting USA. Loved over to find a gamble on here to dating guide aynsley china mark at a guide but was. Why does tea taste was out heal a bone china mug Wildfox Home. Hook Up Canada What our Girl Should answer About Dating A Pilot. In china guide to aynsleys bone ash for pottery antique is to look for a series of cicatricial pemphigoid most recognizable precursors of. In getting best on Yellow Butterfly or like item. You wish for adoption within which was born in china guide dating guides for gifts to joining wirecutter staff member states had hypoplastic fingernails and. Guide dating aynsley china backstamp Main page pusrecomri. Aynsley Heirlooms Antiques Centre Aynsley bone china. What are looking for aynsley china guide shelley marks dating guides for susie cooper designs. Washing machine will help you to dating figurine of such, that you buy and millennials look for jewelry or. Phenobarbital serum will detect these numbers maroon, guid are available? Stay inadewith a guide to alchemical research that the oil cans have a rule stunted in new york city test kitchen appliance brand? The european market since taking up.
    [Show full text]
  • Phase Two Phase
    Phase One 2012 2013 2014 2015 Phase Two 2016 2017 2018 2019 2020 BB B SU B BB NU BB BB Further Thoughts on Earthy Materials B MA RD Abaration Topographies of the Obsolete Receipt of Funding from Material Memory: Kunsthaus Hamburg Initial visit to Spode by KHiB staff discussion Visningsrommet USF in Bergen BB Plymouth College of Art Norwegian Artistic …When People Get to the The Post-Industrial with the British Ceramic Biennial BB End There’s Always the Brick Landscape as site for Cont(R)act earth Research Council BB Launch of website Gråsten, Denmark Creative Practice BB First Central China International BB NT topographies.khib.no Newcastle University BB Ceramics Biennale, Putting It at Stake SH BB Factory, Neil Brownsword Developing A Research Inquiry Partner Institution visits Henan Museum RIAN Design Museum, Sweden BB BB B Research Group meetings in all institutions Blås & Knåda, Stockholm into the Haptic Use of Clay as a Dancing in the Boardroom Cause and Effect Many a Slip Obsolescence and Renewal Project blog launch to map out sites for Phase Two National Centre for Craft and Design, Therapeutic Assistant Presentation of project to Museum of Contemporary Art, Marsden Woo, London NT SH m2 Gallery, London internal KHiB staff Sleaford 4th International Conference for Research BB MA NU NT RD SH Detroit Returns group in Gestalt Psychotherapy, Santiago, Chile NT SH BB MA NU NT RD SH Residency 6 NT NT SH AirSpace Gallery, Digging through Dirt: Archaeology re-turning Residency 2 Topographies of the Obsolete BB Retreat Stoke-on-Trent Topographies of the Obsolete Past, Present, Precious and Unwanted BB Participant artist reflections and discussion BB published Stoke-on-Trent BB SU B with selected artists and students.
    [Show full text]
  • 1 Vintage Wire Veg Rack 2 Vintage Tin Travelling
    1 VINTAGE WIRE VEG RACK 26 VINTAGE STONEWARE BOWL 2 VINTAGE TIN TRAVELLING TRUNK 27 SMALL METAL 5 DRAWER CABINET 3 2 X QTX SPEAKERS AND A CITRONIC BASE BIN 28 SURGE PROTECTED POWER PACK 4 VINTAGE WOODEN HAY RAKE 29 QTX ORB-400 BUBBLE/HAZE MACHINE 5 YARD BRUSH AND FOOT PUMP 30 BOX OF FISHING REELS, FLIES ETC 6 STAINLESS STEEL MILK BUCKET 31 3 X DECO GLASS WALL BLOCKS 7 VINTAGE GALVANIZED BUCKET 32 QTX SW1 MINI SNOW MACHINE 8 STAINLESS STEEL BUCKET 33 SMALL RED METAL 9 VINTAGE WOODEN CRATE TOOLBOX WITH TOOLS 10 MINI FRIDGE 34 LARGE STONEWARE 11 VINTAGE WOODEN CRATE FLAGON, 2 X STONEWARE 12 VINTAGE SALTER KITCHEN POTS SCALES WITH WEIGHTS 35 SOCKET SET IN CARRYING 13 BOX OF HI-VIS WAIST CASE COATS 36 VINTAGE FIRE BELL 14 BOX OF HI-VIS T-SHIRTS 37 VINTAGE GREEN METAL 15 2 X BOXED CAR TOOLKIT WITH TOOLS INC 2 SPOTLIGHTS X LARGE SPANNERS 16 VINTAGE WODEN 194 VICE 38 2 X CAR STEREO 39 LASER LEVEL IN CARRYING 17 VINTAGE HEAT LAMP CASE 18 POLISHING MACHINE 40 4 X METAL STEADYING 19 SMALL WOODEN BOX FEET/SKIDS 20 SOCKET SET IN CARRYING 41 TOOLBOX ON WHEELS AND CASE TOOLS 21 DRAPER 4 PIECE WOOD 42 BOX OF VINTAGE TOOLS CHISEL SET, SNOW CHAINS 43 BOX OF TOOLS AND SPRAY ETC GUN 22 WOODEN BOX OF MIXED WEIGHTS 44 BOX OF TOOLS AND SUNDRIES 23 VINTAGE PICNIC SET 45 BOX OF VARIOUS CAR 24 SMALL VINTAGE LIMPET PARTS MAJOR MANGLE 46 2 X GLASS DEMIJOHN'S 25 VINTAGE SIGNALLING LAMP 47 2 X BOXES OF SUNDRIES 48 HITACHI HOOVER 74 PET CARRIER 49 BOX OF FLOODLIGHTS AND 75 TELESCOPIC PRUNER UNDER UNIT HEATER 76 PEDIMENT 50 PETROL STRIMMER 77 3 X VINTAGE SUITCASES 51
    [Show full text]
  • WHITE IRONSTONE NOTES VOLUME 3 No
    WHITE IRONSTONE NOTES VOLUME 3 No. 2 FALL 1996 By Bev & Ernie Dieringer three sons, probably Joseph, The famous architect Mies van was the master designer of the der Rohe said, “God is in the superb body shapes that won a details.” God must have been in prize at the Crystal Palace rare form in the guise of the Exhibition in 1851. master carver who designed the Jewett said in his 1883 book handles and finials for the The Ceramic Art of Great Mayer Brothers’ Classic Gothic Britain, “Joseph died prema- registered in 1847. On page 44 turely through excessive study in Wetherbee’s collector’s guide, and application of his art. He there is an overview of the and his brothers introduced Mayer’s Gothic. However, we many improvements in the man- are going to indulge ourselves ufacture of pottery, including a and perhaps explain in words stoneware of highly vitreous and pictures, why we lovingly quality. This stoneware was collect this shape. capable of whithstanding varia- On this page, photos show tions of temperature which details of handles on the under- occurred in the brewing of tea.” trays of three T. J. & J. Mayer For this profile we couldn’t soup tureens. Top: Classic find enough of any one T. J. & J. Octagon. Middle: Mayer’s Mayer body shape, so we chose Long Octagon. Bottom: Prize a group of four shapes, includ- Bloom. ing the two beautiful octagon Elijah Mayer, patriarch of a dinner set shapes, the Classic famous family of master potters, Gothic tea and bath sets and worked in the last quarter of the Prize Bloom.
    [Show full text]
  • Stoke-On-Trent Group Travel Guide
    GROUP GUIDE 2020 STOKE-ON-TRENT THE POTTERIES | HERITAGE | SHOPPING | GARDENS & HOUSES | LEISURE & ENTERTAINMENT 1 Car park Coach park Toilets Wheelchair accessible toilet Overseas delivery Refreshments Stoke for Groups A4 Advert 2019 ART.qxp_Layout 1 02/10/2019 13:20 Page 1 Great grounds for groups to visit There’s something here to please every group. Gentle strolls around award-winning gardens, woodland and lakeside walks, a fairy trail, adventure play, boat trips and even a Monkey Forest! Inspirational shopping within 77 timber lodges at Trentham Shopping Village, the impressive Trentham Garden Centre and an array of cafés and restaurants offering food to suit all tastes. There’s ample free coach parking, free entrance to the Gardens for group organisers and a £5 meal voucher for coach drivers who accompany groups of 12 or more. Add Trentham Gardens to your days out itinerary, or visit the Shopping Village as a fantastic alternative to motorway stops. Contact us now for your free group pack. JUST 5 MINS FROM J15 M6 Stone Road, Trentham, Stoke-on-Trent, Staffordshire 5 minutes from J15 M6, Sat Nav Post Code ST4 8JG Call 01782 646646 Email [email protected] www.trentham.co.uk Stoke for Groups A4 Advert 2019 ART.qxp_Layout 1 02/10/2019 13:20 Page 1 Welcome Contents Introduction 4 WELCOME TO OUR Pottery Museum’s 5 & Visitor Centres Factory Tours 8 CREATIVE CITY Have A Go 9 Opportunities Manchester Stoke-on-Trent Pottery Factory 10 Great grounds BirminghamStoke-on-Trent Shopping General Shopping 13 Welcome London Stoke-on-Trent is a unique city affectionately known Gardens & Historic 14 for groups to visit as The Potteries.
    [Show full text]
  • 1 the Willow Pattern
    The East India Company at Home, 1757-1857 – UCL History The Willow Pattern: Dunham Massey By Francesca D’Antonio Please note that this case study was first published on blogs.ucl.ac.uk/eicah in June 2014. For citation advice, visit: http://blogs.uc.ac.uk/eicah/usingthewebsite. Unlike other ‘objects studies’ featured in the East India Company At Home 1757-1857 project, this case study will focus on a specific ceramic ware pattern rather than a particular item associated with the East India Company (EIC). With particular attention to the contents of Dunham Massey, Greater Manchester, I focus here on the Willow Pattern, a type of blue and white ‘Chinese style’ design, which was created in 1790 at the Caughley Factory in Shropshire. The large-scale production of ceramic wares featuring the same design became possible only in the late eighteenth century after John Sadler and Guy Green patented their method of transfer printing for commercial use in 1756. Willow Pattern wares became increasingly popular in the early nineteenth century, allowing large groups of people access to this design. Despite imitating Chinese wares so that they recalled Chinese hard-stone porcelain body and cobalt blue decorations, these wares remained distinct from them, often attracting lower values and esteem. Although unfashionable now, they should not be merely dismissed as poor imitations by contemporary scholars, but rather need to be recognized for their complexities. To explore and reveal the contradictions and intricacies held within Willow Pattern wares, this case study asks two simple questions. First, what did Willow Pattern wares mean in nineteenth-century Britain? Second, did EIC families—who, as a group, enjoyed privileged access to Chinese porcelain—engage with these imitative wares and if so, how, why and what might their interactions reveal about the household objects? As other scholars have shown, EIC officials’ cultural understandings of China often developed from engagements with the materials they imported, as well as discussions of and visits to China.
    [Show full text]