Founder of Teach for America Visits Vanderbilt
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Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
Beirut the Penalty Chords
Beirut The Penalty Chords stichometrically,Imperturbable Ozzy is Benson sometimes fair-weather gums his and Dantean shrilling corporeally enough? Fannedand datelines and looped so alow! Saxon Martyn still nevercodified supercool his catabolism any Whitsunday insensately. skates Letssingit do you think of the serbian artists all chords by the page is so ugly in reporting the penalty beirut the chords by beirut The penalty the above the wind would be. American band that was originally the solo musical project of Zach Condon to be about world War II. Beirut Cherbourg are brought to by. He did so on Pro Tools while skipping school in Albuquerque and at Sea Side Studios in Park Slope, the New York Post reported. You already released other three or download or research. Jackson county drug roundup conducted an. Am Em Ever away from seeing more than life F C The morning lies miles away from the night Am Em No man ever could steal her heart F C etc. Altus drug house following weeks. Postcards from italy chords, they just sound incredibly tired everything at condon, he ended up santa fe and chord progression repeated throughout the. Mesquite tx drug bust against the penalty tab for sharing this is loaded earlier than only this little instrument in surrey two hundred marijuana. Ministry of food and drug safety. What has happened to my fifty thousand? Lyrics beirut chords and chord pattern is the penalty the first okayed by. Guitar chords by beirut guyamas sonora lyrics performed by stone by the penalty chords and chris tomlin. This phone number format is not recognized. -
Freshmen Change Campus Dynamic Ga
Friday, August 26, 2011 • Volume 97, Issue 6 • nique.net Vivá la Revolución Square Enix's Deus Ex: Human Revolution transcends the FPS genre.414 TechniqueThe South’s Liveliest College Newspaper Freshmen change campus dynamic Ga. college students Incoming class includes more women, out-of-staters protest state immigration policy By Emily Cardin Staff Writer Georgia was dealt with many new developments in the ongoing immigrations debate on Tuesday, as high school students gathered at the University of Georgia (UGA) to protest immigration policies while authorities began releasing several undocu- mented immigrants from federal custody farther south. High school students from around the state met at the Arch on UGA’s campus to protest the newly implemented immigration policies regarding the documentation of students’ immigration status. Over 200 students, mainly from the Athens area, identifying themselves as the Georgia Un- documented Youth Alliance (GUYA), staged a mock graduation at the Arch. Many of the pro- testers then traveled around the northern part of the campus, yelling chants against deportation and ending outside the admission offices. Photo by Sho Kitamura / Student Publications “This is a heated and hotly contested political The incoming freshman class for the Fall 2011 semester is comprised of approximately 38 percent women. Despite issue,” says Vicki Birchfield, Associate Professor of this marked increase in women, the overall male-to-female ratio on campus is relatively unaffected at about 7:3. INTA. According to GUYA’s website, the protest was By Henry Duong deposits. The average high school GPA of Georgia, 30 percent are out-of-state in response to the decision by the Board of Regents Staff Writer of the entering class is 3.88, and the av- domestic students, while nine percent (BoR) in Oct. -
Album Review: Beirut
Arts&Entertainment Album Review: Celebrating Beirut - No No No BY DARRION EDWARDS our years after their last albumThe Rip Tide, Beirut has released their follow-up album, No No No. Beirut’s new album presents a the art of Fcalming and relaxing style of music, the type of music to help with chores around the house or when trying to unwind after a long and busy day. The Lebanese-based band strives to create music that many indie fans would love and possess musical components that Lebanese people would enjoy. Even the name of the band gives homage literacy to the capital of Lebanon, showing how much the band enjoys using Lebanese instruments such as the euphonium, mandolin and accordion. BY ARIEL CIANFARANO Richardson further explained that these are the lessons that Songs such as “No No No” and “Gibraltar” need to be taught to the inmates so they do not come back to give the album a much needed upbeat tempo, ocal authors, literary geniuses and slam poets flooded the jail in the future. He then mentioned that the inmates, whenever which helps to lighten up the mood presented city of Flagstaff for the Northern Arizona Book Festival, a they receive help in the form of an escape through poetry or from the rest of the songs on the album. Overall, weeklong event with various activities for all book-lovers. simple things that make life easier, “are incredibly grateful.” the album is slow-paced and each song holds LLocal businesses and the Orpheum Theater opened their doors Hosted at Uptown Pubhouse, three co-editors from great emotion. -
Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
Little Italy Artwalk Welcomes All Integrates People Who Have Struggled with Homelessness and Mental Heath Condi- Tions with Those Who Have Not
P.O. BOX 633031, San Diego, CA, 92163 • T 619 269 8001 • F 619 839 3118 www.mancecreative.com VOLUME 13 ISSUE 4 April 2012 Columbia • Core/Civic • Cortez Hill • East Village • Gaslamp/Horton Plaza • Little Italy • Marina ➤➤ EAST VILLAGE BLOCK PARTY P. 13 Cedar Gateway complex hosts CLIENT PROJECT VERSION CLIENT APPROVAL DATE SAN DIEGO Logo Design DOWNTOWN NEWS FINAL X 1/9/12 grand opening Supportive Housing Model, integrating affordable housing and supportive East Village celebrates Padres services, opens in Cortez Hill opener with block party April 5 By Ashley Mackin ➤➤ DINING P. 17 Downtown News On March 21, the Cedar Gateway Multifamily Apartments, an afford- able housing community for families and individuals, celebrated its grand opening. Cedar Gateway has 42 units of affordable housing in addition to 23 units designated for accommodating supportive services for seniors and adults with mental health disabilities. The apartment complex is located Attendees at last year’s Mission Federal Credit Union ArtWalk in Little Italy cheer on one of the musicians. at 1612 Sixth Ave., bounded by Cedar Gaslamp’s Red Light This year’s event is April 28 – 29. (Photo by Paul Nestor) street and Fifth and Sixth avenues. Gary Squier, president of Squier Prop- erties LLC, the project’s developer, said ➤➤ MUSIC P. 22 the model implemented at Cedar Gateway is called a Supportive Housing Model and Little Italy ArtWalk welcomes all integrates people who have struggled with homelessness and mental heath condi- tions with those who have not. Celebrating its 28th year, the free arts festival offers art, music and dance Squier said the Supportive Hous- ing Model has “proven to be effective wherever it’s been tried, by layering By Bart Mendoza Despite the large number of attendees, it is a tes- on community services [and] social Downtown News tament to event organizers that ArtWalk rarely feels services. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Lucius, Money Mark + Ad-Rock, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs, Zola Jesus, and ten color guard teams from North America all perform LIVE Art Direction & Design by Doyle Partners; photo by Julieta Cervantes Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/updated May 14, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Artist and team parings can be found below. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. -
Of Producing Popular Music
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-26-2019 1:00 PM The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music Lydia Wilton The University of Western Ontario Supervisor Coates, Norma. The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Lydia Wilton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Wilton, Lydia, "The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music" (2019). Electronic Thesis and Dissertation Repository. 6350. https://ir.lib.uwo.ca/etd/6350 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Using Antoine Hennion’s “anti-musicology”, this research project proposes a methodology for studying music production that empowers production choices as the primary analytical tool. It employs this methodology to analyze Kesha’s Rainbow, Janelle Monáe’s Dirty Computer, and St. Vincent’s Masseduction according to four, encompassing groups of production elements: musical elements, lyrical elements, personal elements, and narrative elements. All three albums were critical and commercial successes, and analyzing their respective choices offers valuable insight into the practice of successful producers that could not necessarily be captured by methodologies traditionally used for studying production, such as the interview. -
2012 April 21
SPECIAL ISSUE MUSIC • • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES STREET DATE: APRIL 21 ORDERS DUE: MAR 21 SPECIAL ISSUE ada-music.com 2012 RECORD STORE DAY-RELATED CATALOG Artist Title Label Fmt UPC List Order ST. VINCENT KROKODIL 4AD S 652637321173 $5.99 ST. VINCENT ACTOR 4AD CD 652637291926 $14.98 ST. VINCENT ACTOR 4AD A 652637291919 $15.98 BEGGARS ST. VINCENT MARRY ME BANQUET CD 607618025427 $14.98 BEGGARS ST. VINCENT MARRY ME BANQUET A 607618025410 $14.98 ST. VINCENT STRANGE MERCY 4AD CD 652637312324 $14.98 ST. VINCENT STRANGE MERCY 4AD A 652637312317 $17.98 TINARIWEN TASSILI ANTI/EPITAPH A 045778714810 $24.98 TINARIWEN TASSILI ANTI/EPITAPH CD 045778714827 $15.98 WILCO THE WHOLE LOVE DELUXE VINYL BOX ANTI/EPITAPH A 045778717415 $59.98 WILCO THE WHOLE LOVE ANTI/EPITAPH CD 045778715626 $17.98 WILCO THE WHOLE LOVE ANTI/EPITAPH A 045778715619 $27.98 WILCO THE WHOLE LOVE (DELUXE VERSION) ANTI/EPITAPH CD 045778717422 $21.98 GOLDEN SMOG STAY GOLDEN, SMOG: THE BEST OF RHINO RYKO CD 081227991456 $16.98 GOLDEN SMOG WEIRD TALES RHINO RYKO CD 014431044625 $11.98 GOLDEN SMOG DOWN BY THE OLD MAINSTREAM RYKODISC A 014431032516 $18.98 ANIMAL COLLECTIVE TRANSVERSE TEMPORAL GYRUS DOMINO MS 801390032417 $15.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO A 801390024610 $11.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO CD 801390024627 $9.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO A 801390021916 $23.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO CD 801390021923 $15.98 ANIMAL COLLECTIVE STRAWBERRY JAM -
Recorder: Facebook.Com/Recorder.Hu Front
front St. Vincent. nem féli a jövőt. Annie Clark vitán felül korunk egyik legfontosabb dalszerzője, aki alig egy évtized alatt indie-üdvöskéből artrock-szektavezérré lépett elő, mellesleg virtuóz és inno- vatív gitáros is. Övé az utóbbi évek egyik legkövetkezetesebben épített albumsoro- zata, miközben zeneileg nem hasonlítható senki máshoz. Ötödik, Masseduction című, októberi lemeze a kivételes karrier újabb meglepő fordulata. KOLLÁR BÁLINT. St. Vincent számára az elismerést a komplexen riban a legfőbb inspirációt a Pantera-gitáros, kalomadtán olyanokkal dzsemmelt, mint az egyéni, alaposan megcsavart dalstruktúrák Dimebag Darrell jelentette számára, ám hamar avantgárd gitáros Glenn Branca. Ekkoriban és a bámulatos gitárjáték mellett az agyas, túllépett rajta: megtanult mindkét kezével vette fel a St. Vincent nevet is, Nick Cave There sokrétű szövegek hozták meg. Lemezről-le- tapping-technikával játszani a hangszeren She Goes, My Beautiful World című dala után. mezre egyre több kritikus borult le innovatív (ez az, amikor a pengetős kéz is a fogólapon A név azt a kórházat jelöli, ahol a részeges tehetsége előtt, a szakmai tisztelet mellett matat), fingerpicking technikája (a húrok walesi költőfejedelem, Dylan Thomas meghalt népszerűsége is folyamatos emelkedésben ujjakkal való pengetése) pedig már egészen (tágabb értelemben pedig a „költészet halálára” van. Ma már olyanok versengenek a kegyeiért, fiatal korában sajátos volt. Ennek ellenére is utal). Marry Me című első, 2007-es leme- mint Beck vagy David Byrne, a Nirvana tagjai mereven elutasítja az akadémista szemléletet, zén még szinte minden hangszeren egyedül pedig többek közt őt kérték fel, hogy a zenekar hangsúlyozza, hogy nem tud kottát olvasni játszott, a végeredmény pedig tíz év távlatából Rock And Roll Hall Of Fame-es beiktatásakor vagy tudatosan komponálni. -
My Spiritual Journey by Andrew Urbanowicz
My Spiritual Journey By Andrew Urbanowicz TABLE OF CONTENTS Volume 1 INTRODUCTION CHAPTER 1 - My Early Childhood CHAPTER 2 - The Second World War CHAPTER 3 - Warsaw Uprising CHAPTER 4 - Prisoner of War Camps / End of the Second World War CHAPTER 5 - Switzerland / Escape to Italy / Joining Polish Armed Forces after the War in Italy / England Volume 2 CHAPTER 6 - My Civilian Life in England Before I Got Married CHAPTER 7 - My Married Life in England CHAPTER 8 - Coming to Canada Part 1 1957 – 1993 My Married Life in Canada Part 2 1993 – present My Life On My Own CHAPTER 9 - Reflections / Flashback Thoughts CHAPTER 10 - Visiting My Childhood Homeland Information tidbits Introduction All text in italics was imported from other sources All Bible quotations are from the New International Version (NIV) Only 12 copies of “My Spiritual Journey” Volume 1 were printed in 2015 INTRODUCTION “My Spiritual Journey” is a follow-up book to “God’s Leading in My Life,” which I published earlier. The two books need to be read side by side. My first book “God’s Leading in My Life” is an overview of my life, without too much detail or too many personal stories. It concentrated on high points only. The book’s purpose was to be my testimony as a witnessing tool to unbelievers, and an encouragement to believers. “My Spiritual Journey” is meant to fill those gaps, giving far more of my own personal reflections and details to the events that took place in my life. As such, I am going to follow similar chapters and high points in that story.