Museum of Russian Icons 2018 Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Museum of Russian Icons 2018 Annual Report MUSEUM OF RUSSIAN ICONS 2018 ANNUAL REPORT 1 Mission: The Museum of Russian Icons inspires the appreciation and study of Russian culture by collecting and exhibiting icons and related objects, igniting the interest of national and international audiences, and offering interactive educational programs. The Museum serves as a leading center for research and scholarship through the Center for Icon Studies and other institutional collaborations. Деятельность Музея Русских Икон направлена на создание атмосферы интереса к истории России и понимания российской культуры. Коллекционирование и экспозиция икон а также относящихся к ним предметам, призваны пробудить активную заинтересованность посетителей музея – как американских, так и иностранных – к древнему виду искусства написания икон. Музей предлагает разнообразные интерактивные образовательные программы. Музей является ведущим центром научно-исследовательских проектов и активно сотрудничает как с Центром по Изучению Икон так и с другими исследовательскими учреждениями Vision: The Museum of Russian Icons enhances relations between Russia and the United States through the medium of art, especially Russian icons. Музей Русских Икон укрепляет отношения между Россией и США через посредство искусства, особенно искусство русских икон. Approved by the Board of Trustees, March 27, 2013 2 3 REPORT FROM THE CEO 2018 HIGHLIGHTS Dear Friends: 2018, Frank gave the museum an extensive collection Administration the 1960s. Dick was a founding The new tour complements the of Soviet-era holiday decorations and toys, which partner of Mountain Dearborn & folklore tour also funded by Mass In 2018, visitors to the Museum of Russian Icons In October, the Museum became the foundation for the popular exhibition Whiting law firm, and many area Humanities. enjoyed the extraordinary generosity of collectors inaugurated Free First Sundays. Corncobs to Cosmonauts: Redefining the Holidays nonprofits were the beneficiaries who shared their varied collections, and their Previously, the Museum’s free During the Soviet Era. For both of these exhibitions, of his philanthropy and expertise, The second major project expertise, with us. Because the Museum focuses admission hours had been on Frank also contributed his remarkably indepth including Tower Hill Botanic that has enhanced the visitor almost exclusively on Russian Icons, presenting First Thursday evenings from 4 knowledge of the material, which he has collected for Garden, Preservation Worcester, experience is the reinstallation exhibitions of complementary art and artifacts to 8 p.m. The decision to have a decades. Children’s Friend, and the of the lower level gallery to allows us to expand our audiences and to present full free day on the weekend was Greater Worcester Community create a cohesive orientation context for our icons. The Museum is grateful to the Tiliakoses and to Dr. motivated by the desire to allow Foundation. Dick was instrumental gallery. This space now includes Sciacca; we are also grateful to the many visitors, access to a greater number of The exhibition Icons of the Hellenic World marked in the founding of the Museum of comprehensive information groups, and scholars who came to see these people. Thus far, the move has the first time the Museum presented an exhibition Russian Icons, both as an advisor about how to read an icon, how exhibitions; and to the volunteer docents who give so proved extremely successful, with exclusively of Greek Icons. The icons came from to Gordon and as a member of the icons are used, the symbolism generously of their time to help ensure that our visitors Free First Sunday attendance the remarkable collection of Argie and Emmanuel founding Board of Trustees, on of icons, and their materials. A have an enjoyable and educational experience. surpassing First Thursday Tiliakos, who shared not only their icons, but also which he continued to serve until specially commissioned project evenings quite significantly. The by iconographer Maureen their extensive knowledge on the subject. On behalf of our founder Gordon Lankton, the Board his death. Nypro Foundation has generously McCormick shows panels in of Trustees, and the Museum staff, thank you for your Franklin Sciacca is another collector whose funded both First Thursdays and Two major projects were unveiled various stages of completion, support in 2018. We hope to see you at the Museum generosity has had a significant impact on the First Sundays and will continue to in 2018 serve to provide visitors illustrating the intricate process often in 2019! museum. In 2017, we exhibited his collection of do so in 2019. with more information and context of icon painting. We recommend the sacred Ukrainian textiles called rushnyky; that about the icons on display at the that visitors who are new to icons In December, the Museum exhibition continued into early 2018. In the fall of Museum. In June, the Museum and/or new to the Museum start mourned the death of Richard launched a new audio tour, funded their visit on the lower level in Kent Russell (Dick) Dearborn, 98, of Worcester. by a grant from Mass Humanities. the orientation gallery. Plans are CEO/Curator Dick was a long-time friend and Featuring all-new material, and underway to reinstall the upper- business associate of Museum professionally narrated and level galleries as well, creating a Founder Gordon Lankton, serving translated, the audio tour is seamless narrative throughout the as the attorney who helped available in English, Russian, building. Gordon secure the first loan to Spanish, French, and Portuguese. purchase Nypro Corporation in 4 5 Collection sometimes overtly, and other times Olivia Gibbs, WPI students Julia Visitor Services receive from the popular review more subtly. Films in this series Awad, Shannon Brown, Isabelle site. This is the 7th consecutive As noted in the Curator’s letter, The Museum once included Marty, On the Waterfront, Ho, and Cole Kraus developed year the Museum has won this Franklin Sciacca donated a again participated in the Blue Mr. Smith Goes to Washington, a solar energy asssessment and award. large collection of Soviet holiday Star Museums program, a and Force of Evil. energy plan for the Museum. ornaments and toys to the collaboration between the This will have a very beneficial The Museum Shop Museum. During school vacation weeks, National Endowment for the Arts, impact on the Museum’s planning The Museum Shop participated in the Museum’s auditorium Blue Star Families, the Department for energy costs and equipment the second annual Museum Store Acquisitions transformed into a Popup Maker of Defense, and more than 2,000 replacement over the next several Sunday, organized by the Museum The Museum received a major gift Space, with materials and self- museums across America to offer years. Store Association, on Sunday, of over 300 ornaments, vintage guided instruction available for free admission to the nation’s November 26. The mission of toys, and related ephemera from visitors to try their hands at a active-duty military personnel and Museum Store Sunday is to Franklin Sciacca, as well as a long- creative project. Visitors of all their families, including National promote shopping with a purpose. term loan of Ukrainian rushnyky ages have enjoyed the maker Guard and Reserve, from Memorial All sales go towards supporting for the purposes of developing a space experience, which featured Day through Labor Day. the Museum’s mission. traveling exhibition. a cosmonaut theme in December The Museum also participated in in honor of the special exhibition the Massachusetts Department Programming Corncobs to Cosmonauts. Look for of Transitional Living’s revamped the space to pop up again during The museum launched several EBT Card to Culture program. This future vacation weeks. new programs in 2018 to initiative, in partnership with the complement the broad range Featured Collaborations Massachusetts Cultural Council, of educational offerings that enables EBT cardholders to visitors enjoy. Popcorn Sermons, A group of students from have wider access to arts and presented by classic film columnist Worcester Polytechnic Institute culture. The Museum is one of 150 JoAnn DiVerdi, featured the completed their Interactive organization participating. screening of classic films Qualifying Project at the Museum. contextualized by JoAnn’s Their project involved assessment The Museum received a discussion of the religious of the Museum’s solar panels. 2018 TripAdvisor Certificate of symbolism and themes Excellence, the highest award that appear in them— Under the direction of Professor any public or private venue can Svetlana Nikitina and Professor 6 7 TEMPORARY EXHIBITIONS of its most ancient and valued focus exclusively on Greek and kind in the nation—as a college In his work, Gassel uses ancient Opened in 2017 and continued From Firebird to Fisherman: traditions: rushnyky, the ornately Byzantine iconography. The show student in the 1960s. techniques employed in the into 2018 Twelve Fairy Tale Plates October 28, 2017 through March embroidered woven textiles delved deeply into the links and creation of icon paintings. He Migration + Memory: Jewish 18, 2018 that function at the core of many the continuity of Greek art and The Art of Alexander Gassel paints with egg tempera, making Artists of the Russian and life-cycle ceremonies and rituals culture from late antiquity, through May 20, 2018 through February his color pigments by grinding Twelve decorative plates Soviet Empires of the Ukrainian people.
Recommended publications
  • An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
    An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • The Open Notebook’S Pitch Database Includes Dozens of Successful Pitch Letters for Science Stories
    Selected Readings Prepared for the AAAS Mass Media Science & Engineering Fellows, May 2012 All contents are copyrighted and may not be used without permission. Table of Contents INTRODUCTION PART ONE: FINDING IDEAS 1. Lost and found: How great non-fiction writers discover great ideas—In this topical feature, TON guest contributor Brendan Borrell interviews numerous science writers about how they find ideas. (The short answer: In the darndest places.) 2. Ask TON: Saving string—Writers and editors provide advice on gathering ideas for feature stories. 3. Ask TON: From idea to story—Four experienced science writers share the questions they ask themselves when weighing whether a story idea is viable. 4. Ask TON: Finding international stories—Six well-traveled science writers share their methods for sussing out international stories. PART TWO: PITCHING 5. Ask TON: How to pitch—In this interview, writers and editors dispense advice on elements of a good pitch letter. 6. Douglas Fox recounts an Antarctic adventure—Doug Fox pitched his Antarctica story to numerous magazines, unsuccessfully, before finding a taker just before leaving on the expedition he had committed to months before. After returning home, that assignment fell through, and Fox pitched it one more time—to Discover, who bought the story. In this interview, Fox describes the lessons he learned in the pitching process; he also shares his pitch letters, both unsuccessful and successful (see links). 7. Pitching errors: How not to pitch—In this topical feature, Smithsonian editor Laura Helmuth conducts a roundtable conversation with six other editors in which they discuss how NOT to pitch.
    [Show full text]
  • Rus Sian Jews Between the Reds and the Whites, 1917– 1920
    Rus sian Jews Between the Reds and the Whites, 1917– 1920 —-1 —0 —+1 137-48292_ch00_1P.indd i 8/19/11 8:37 PM JEWISH CULTURE AND CONTEXTS Published in association with the Herbert D. Katz Center for Advanced Judaic Studies of the University of Pennsylvania David B. Ruderman, Series Editor Advisory Board Richard I. Cohen Moshe Idel Alan Mintz Deborah Dash Moore Ada Rapoport- Albert Michael D. Swartz A complete list of books in the series is available from the publisher. -1— 0— +1— 137-48292_ch00_1P.indd ii 8/19/11 8:37 PM Rus sian Jews Between the Reds and the Whites, 1917– 1920 Oleg Budnitskii Translated by Timothy J. Portice university of pennsylvania press philadelphia —-1 —0 —+1 137-48292_ch00_1P.indd iii 8/19/11 8:37 PM Originally published as Rossiiskie evrei mezhdu krasnymi i belymi, 1917– 1920 (Moscow: ROSSPEN, 2005) Publication of this volume was assisted by a grant from the Lucius N. Littauer Foundation. Copyright © 2012 University of Pennsylvania Press All rights reserved. Except for brief quotations used for purposes of review or scholarly citation, none of this book may be reproduced in any form by any means without written permission from the publisher. Published by University of Pennsylvania Press Philadelphia, Pennsylvania 19104- 4112 www .upenn .edu/ pennpress Printed in the United States of America on acid- free paper 10 9 8 7 6 5 4 3 2 1 -1— Library of Congress Cataloging- in- Publication Data 0— ISBN 978- 0- 8122- 4364- 2 +1— 137-48292_ch00_1P.indd iv 8/19/11 8:37 PM In memory of my father, Vitaly Danilovich Budnitskii (1930– 1990) —-1 —0 —+1 137-48292_ch00_1P.indd v 8/19/11 8:37 PM -1— 0— +1— 137-48292_ch00_1P.indd vi 8/19/11 8:37 PM contents List of Abbreviations ix Introduction 1 Chapter 1.
    [Show full text]
  • Russian Art, Icons + Antiques
    RUSSIAN ART, ICONS + ANTIQUES International auction 872 1401 - 1580 RUSSIAN ART, ICONS + ANTIQUES Including The Commercial Attaché Richard Zeiner-Henriksen Russian Collection International auction 872 AUCTION Friday 9 June 2017, 2 pm PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_russisk_s001-188.indd 1 28/04/17 16.28 Коллекция коммерческого атташе Ричарда Зейнера-Хенриксена и другие русские шедевры В течение 19 века Россия переживала стремительную трансформацию - бушевала индустриализация, модернизировалось сельское хозяйство, расширялась инфраструктура и создавалась обширная телеграфная система. Это представило новые возможности для международных деловых отношений, и известные компании, такие как датская Бурмэйстер энд Вэйн (В&W), Восточно-Азиатская Компания (EAC) и Компания Грэйт Норсерн Телеграф (GNT) открыли офисы в России и внесли свой вклад в развитие страны. Большое количество скандинавов выехало на Восток в поисках своей удачи в растущей деловой жизни и промышленности России. Среди многочисленных путешественников возникало сильное увлечение культурой страны, что привело к созданию высококачественных коллекций русского искусства. Именно по этой причине сегодня в Скандинавии так много предметов русского антиквариата, некоторые из которых будут выставлены на этом аукционе. Самые значимые из них будут ещё до аукциона выставлены в посольстве Дании в Лондоне во время «Недели Русского Искусства». Для более подробной информации смотри страницу 9. Изюминкой аукциона, без сомнения, станет Русская коллекция Ричарда Зейнера-Хенриксена, норвежского коммерческого атташе.
    [Show full text]
  • Information Technologies of the Project of New Museum Exposition
    Information technologies of the project of new museum exposition “Periods of the history of Kolomenskoye” Author: Olga A. Polyakova Olga A. Polyakova Information technologies of the project of new museum exposition My presentation will deal with Kolomenskoye museum-reserve in Moscow and projects involving use of new technologies that the museum experts intend to employ in their everyday work. Let me say a few words about the museum. It is located in Moscow and occupies a site of 390 hectares. The peculiarity of our museum consists in the fact that quite diverse monuments and objects of cultural heritage are concentrated in it. Lands of Kolomenskoye where the museum is located has been inhabited by people since the most ancient times. The very landscape of Kolomenskoye is the unique object of the cultural heritage. The museum- reserve is situated on a high beautiful place at the Moscow river bank. The oldest trees in Moscow, oaks that are more than 600 years old have survived to the present time in the place. Flood plains, rare herbs and flowers included in the Red book, ravines with exposed geological strata, streams and springs belong to natural monuments. The old park of planted oaks, larches, fir trees, elms and ash trees and gardens of apple and pear trees occupy the greater part of Kolomenskoye plot. The particular value of Kolomenskoye museum is imparted by the fact that the place served as the summer time residence of the Russian tsars for good six hundred years. Originally Kolomenskoye was situated outside Moscow city boundaries. It lies south off the city and Russian potentates did not select the place for their residence on the high beautiful river bank just by chance.
    [Show full text]
  • Margaret Dolinsky
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 FACING EXPERIENCE: A PAINTER'S CANVAS IN VIRTUAL REALITY Dolinsky, Margaret http://hdl.handle.net/10026.1/3204 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. FACING EXPERIENCE: A PAINTER’S CANVAS IN VIRTUAL REALITY by MARGARET DOLINSKY A thesis submitted to the University of Plymouth in partial fulfillment for the degree of DOCTOR OF PHILOSOPHY School of Art & Media Faculty of Arts In collaboration with Indiana University, Bloomington USA September 2014 Facing Experience: a painter's canvas in virtual reality Margaret Dolinsky Question: How can drawings and paintings created through a stream of consciousness methodology become a VR experience? Abstract This research investigate how shifts in perception might be brought about through the development of visual imagery created by the use of virtual environment technology. Through a discussion of historical uses of immersion in art, this thesis will explore how immersion functions and why immersion has been a goal for artists throughout history.
    [Show full text]
  • Welcome to the Moscow Program!
    Welcome to the Moscow Program! Dear Moscow Program Participant: This Moscow Orientation Handbook has been prepared to make your transition to Moscow and the Russian educational system a little smoother. If you have any questions, contact the Center for Global Study and Engagement (CGSE) at (717) 245- 1341 or [email protected] . The Center for Global Study and Engagement is open Monday through Friday from 8:30 am to 4:30 pm (EST). 1 IMPORTANT CONTACT INFORMATION On-site Program Contacts: To dial Moscow directly from the U.S., dial (011-7-495/499) and then the local number. Irina Filippova, Program Coordinator Russian Embassy in the U.S./Consular Tel: (011-7-499) 250-6511 (work) Section: T (011-7-495) 935-2762 (home) There are also Russian consulates in New York, (011-7) 925-298-56-76 (mobile) San Francisco, and Seattle E-mail: [email protected] 2641 Tunlaw Rd. N.W. Washington, DC 20007 Tel: (202) 939-8907, 939-8913, 939-8918 FAX: (202) 483-7579 Russian State University for the Humanities Web site: http://www.russianembassy.org I.V. Eliseev, I.I., Director 125267 Moskva Miusskaia Ploshad, dom 6, korp.6 Major Emergency Protocol: Tel: 011 - 7 -499 - 250-65-11 If you need to contact the Center for Global Fax: 011-7-499-251-10-70 Study and Engagement after hours for Email: [email protected] emergency assistance in a very serious situation, call the Dickinson College Public Safety 24-Hour On-Campus Coordinator: Hotline (001-717-245-1111), identify yourself and Prof. Elena Duzs the program, describe the emergency briefly, and Department of Russian give a number for call back.
    [Show full text]
  • The Architecture of Tbilisi, 1801-1917), Tbilisi, V
    FaRiG Rothschild Research Grant NINETEENTH-CENTURY ARCHITECTURE OF TBILISI AS A REFLECTION OF CULTURAL AND SOCIAL HISTORY OF THE CITY Nino Chanishvili The city of Tbilisi underwent incredibly rapid development in the 19th century. From a feudal town, it grew into one of the most important metropolises of the Russian Empire and became the major political, administrative and cultural center of the South Caucasus. The present article purports to explain how the social and the cultural context of Tbilisi reverberated on the face of the city. Trends of urban development similar to Tbilisi are found in different cities of the Caucasus and the Balkans as well. Baku, Salonica and Sarajevo have been chosen for comparative analysis because these cities, like Tbilisi, constituted regional centers of different Empires in the 19th century: Tbilisi and Baku were incorporated into the Russian Empire, Salonica was in the Ottoman Empire, whereas Sarajevo in the beginning was part of the Ottoman Empire, but from 1878, the city was dominated by the Austro-Hungarian rule. Historically, beginning from the medieval period, these cities were inhabited by ethnically and religiously diverse populations. The rulers of their respective empires approved this diversity and supported the process of settlement of the cities by migrants of different nationalities and faiths. The Russian Empire, for example, settled Tbilisi as well as other regions of Georgia with Armenian nationals evicted from Turkey and Persia, so-called Dukhobors expelled from Russia and sectarians deported from Wurttemberg and Baden. The development of urban culture in these cities was rapidly taking hold and the co-existence between these people of different nationalities and faiths was more or less peaceful.
    [Show full text]
  • An Imperial Collection: Exploring the Hammers' Icons Wendy Salmond Chapman University, [email protected]
    Chapman University Chapman University Digital Commons Art Faculty Books and Book Chapters Art 2013 An Imperial Collection: Exploring the Hammers' Icons Wendy Salmond Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/art_books Part of the Art and Design Commons, Christian Denominations and Sects Commons, Christianity Commons, Fine Arts Commons, History of Christianity Commons, History of Religions of Western Origin Commons, Other History of Art, Architecture, and Archaeology Commons, Other Religion Commons, and the Slavic Languages and Societies Commons Recommended Citation Salmond, Wendy. "An Imperial Collection: Exploring the Hammers' Icons." In Rublev to Fabergé: The Journey of Russian Art and Culture to America, edited by John M. Nolan, Wendy Salmond, Edward Kasinec, and Donalynn Hess, 19-27. Bowling Green, SC: Bob Jones University Museum & Gallery, Inc., 2013. This Book is brought to you for free and open access by the Art at Chapman University Digital Commons. It has been accepted for inclusion in Art Faculty Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. WENDY SALMOND CHAPMAN UNIVERSITY Y RUSSIAN ICONS PASSED through the hands of the entrepreneurial brothers mand and Victor Hammer in the 1930s and 1940s, entering America's museums d private collections at a time when the icon's artistic value was by no means ·versally acknowledged. These "Hammer icons" had an aura and mystique all their n.Whether attributed to the legendary Andrei Rublev or bathed in the glamorous 19 0111 = The Martyrs St. A.nthony, St. John, and St.
    [Show full text]
  • Shapiro Auctions
    Shapiro Auctions RUSSIAN AND INTERNATIONAL ART AND ANTIQUES Saturday - May 18, 2013 RUSSIAN AND INTERNATIONAL ART AND ANTIQUES 1: RUSSIAN ICON OF SPAS OPLECHNII 18TH CENTURY USD 1,800 - 2,200 A RUSSIAN ICON OF SPAS OPLECHNII, 18th C., Egg tempera and gesso on wood panel with a kovcheg. Two insert splints on the back. 31.5 x 26.2 cm. (12 3/8 x 10 1/4 in.) PROVENANCE: Purchased by the Mother of the current owner in Russia during the 1920s; thence by descent in Family Collection. LOT NOTES: During the late 1920s, shortly after the Russian Revolution, two young New York society women, sisters Adelaide and Helen Hooker secretly traveled to Russia “out of curiosity and cussedness.” Unbeknownst to their father, the president of the American Defense Society, they spent over six months in snowy Russia, pursuing adventure in Moscow, Leningrad, Vladimir, Novgorod, and Suzdal among other cities. Searching for a glimpse of “Old Russia,” the women sought-out ancient churches and monasteries, just as they were being taken over by the government and converted to Anti-Religious museums. This icon was among those that Adelaide and Helen Hooker purchased from these establishments and brought to the United States, in effect saving them from becoming victims of iconoclasm. In the States, the icons were kept in esteemed family collections. One of the sisters would go on to marry the IRA officer Ernie O'Malley, the other the writer John P. Marquand. Their youngest sister, Blanchette, went on to marry John D. Rockefeller III, and would become a major benefactor of the Museum of Modern Art, where she served as president from 1972 to 1985.
    [Show full text]
  • Remarkable Russian Women in Pictures, Prose and Poetry
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 11-2013 Remarkable Russian Women in Pictures, Prose and Poetry Marcelline Hutton [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the European History Commons, European Languages and Societies Commons, Slavic Languages and Societies Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hutton, Marcelline, "Remarkable Russian Women in Pictures, Prose and Poetry" (2013). Zea E-Books. 21. https://digitalcommons.unl.edu/zeabook/21 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Remarkable Russian Women in Pictures, Prose and Poetry N Marcelline Hutton Many Russian women of the late 19th and early 20th centuries tried to find happy marriages, authentic religious life, liberal education, and ful- filling work as artists, doctors, teachers, and political activists. Some very remarkable ones found these things in varying degrees, while oth- ers sought unsuccessfully but no less desperately to transcend the genera- tions-old restrictions imposed by church, state, village, class, and gender. Like a Slavic “Downton Abbey,” this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, in- deed, the twentieth century in the West.
    [Show full text]