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Milla Berntsen (Voice) Performance 2A Recital Performance Space, City, University of London 2 June 2021 4:45PM
Milla Berntsen (voice) Performance 2A Recital Performance Space, City, University of London 2 June 2021 4:45PM Keshi, “Drunk” from the album always (2020). Written by Casey Luong (Keshi). Casey Luong, professionally known as Keshi, is a 26-year-old American singer, songwriter, producer, and multi-instrumentalist from Houston, Texas, USA. He began his musical career by sharing his music on Soundcloud, where he eventually gained enough popularity to gain confidence to quit his job as a nurse and fly to New York City to sign with Island Records. He’s best known for his falsetto vocals and textural instrumentals in alternative, indie, and R&B music. This alternative/indie song is about feeling alone and missing being in love. The main character is left by himself while his friends are drunk, which causes him to think about his past lovers. It has a soothing moodiness to it along with a bit of playfulness in its melodramatic kick. I’ve chosen this song because I want to begin this performance by allowing the audience to layback as the song plays with both the high and low register of the voice. Let us take a sip, shall we? The Neighbourhood, “Stargazing” from the album Chip Chrome & The Mono-Tones (2020). Written by Jesse James Rutherford (vocalist), Brandon Fried (drummer), Jeremiah Freedman (guitarist), Micheal Margott (bassist), Zachary Abels (guitarist), and Danny Parra. The Neighbourhood are an American rock band that formed in Newbury Park, California, in 2011. They use the British spelling of “neighbourhood” in order to distinguish themselves from a band already using the American spelling of “neighborhood.” Their musical style is described as alternative rock, indie rock/pop, and some elements of electronic, hip hop, and R&B. -
Learnenglish Professionals
LearnEnglish Professionals INDIAN POP MUSIC AUDIOSCRIPT Listen to an interview with Mahesh Gupta, tabla player and DJ about his music. Optional exercise: Decide if these statements are true or false. (Answers below). 1. Mahesh thinks that the two styles of music he plays are completely different. 2. Rhythm is something fundamental to all music. 3. Mahesh thinks that live music doesn’t work in clubs. 4. He thinks that it is too early to try Djing at a classical music concert. 5. Indian audiences are far more lively than Western ones. 6. Mahesh is always looking for new experiences. Interviewer (I): Mahesh, you trained as a classical Indian musician, but now you spend most of your time playing records in nightclubs…they’re two very different things! Mahesh (M): Well, yes, they are…the two worlds are very different, but there is something that connects them… I: …and what’s that? M: Rhythm. An interest in rhythm. Rhythm is fundamental to everything that I do. Whether it’s the rhythmic section of a classical Indian raga, or some “Asian Underground” electronic beats in a club… I: And you mix the two things don’t you? M: Yes…I’ve played live tabla to electronic accompaniment in clubs in Europe. I: How has that gone down? M: Really well…I think people are getting bored of ordinary clubs and faceless DJs. Some live music is a great addition. I: And have you tried djing for a classical Indian audience on the other hand? M: No! I’m not quite sure the world’s ready for that yet…still, it’s an interesting idea! I: How are audiences for your music different in India and in Europe? M: Well, the classical audiences are far more sedate in Europe than in India. -
Cover Next Page > Cover Next Page >
cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Music- a Literary Social Science
International Research Journal of Social Sciences_____________________________________ ISSN 2319–3565 Vol. 2(4), 28-30, April (2013) Int. Res. J. Social Sci. Music- A Literary Social Science Shivadurga and Mehrotra Vivek English Department, Institute of Applied Science and Humanities, GLA University, Mathura, UP, INDIA Available online at: www.isca.in Received 22 nd November 2012, revised 20 th December 2013, accepted 28 th February 2013 Abstract Music is the movement of sound to reach the soul for the education of its virtue.The study of music is a part of biology as the study of living organisms. Music exists because people create it, perform it and listen to it. The human brain is an information processing system. Music is a higher revelation than all wisdom and philosophy. Music is a super-stimulus to express the strong emotions about the internal mental state of the speaker. The musicality of speech is much more subtle than that of music, but it provides important information which the listener's brain processes in order to derive some information. This information is applied to modulate the listener's emotional response to speech, and this accounts for the emotional effect of music. The normal function of the cortical map that responds to consonant relationships between different notes occurring at the same time within harmonies and chords must be the perception of consonant relationships between pitch values occurring at different times within the same speech melody. There are at least five and possibly six symmetries of music like: Pitch translation invariance, Time translation invariance, Time scaling invariance, Amplitude scaling invariance, Octave translation invariance and Pitch reflection invariance. -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
The Wiki Music Dataset: a Tool for Computational Analysis of Popular Music
The Wiki Music dataset: A tool for computational analysis of popular music Fabio Celli Profilio Company s.r.l. via sommarive 18, 38123 Trento, Italy Email: fabio@profilio.co Abstract—Is it possible use algorithms to find trends in monic and timbral properties that brought changes in music the history of popular music? And is it possible to predict sound around 1964, 1983 and 1991 [14]. Beside these research the characteristics of future music genres? In order to answer fields, there is a trend in the psychology of music that studies these questions, we produced a hand-crafted dataset with the how the musical preferences are reflected in the dimensions intent to put together features about style, psychology, sociology of personality [11]. From this kind of research emerged the and typology, annotated by music genre and indexed by time MUSIC model [20], which found that genre preferences can and decade. We collected a list of popular genres by decade from Wikipedia and scored music genres based on Wikipedia be decomposed into five factors: Mellow (relaxed, slow, and ro- descriptions. Using statistical and machine learning techniques, mantic), Unpretentious, (easy, soft, well-known), Sophisticated we find trends in the musical preferences and use time series (complex, intelligent or avant-garde), Intense (loud, aggressive, forecasting to evaluate the prediction of future music genres. and tense) and Contemporary (catchy, rhythmic or danceable). Is it possible to find trends in the characteristics of the genres? Keywords—Popular Music, Computational Music analysis, And is it possible to predict the characteristics of future genres? Wikipedia, Natural Language Processing, dataset To answer these questions, we produced a hand-crafted dataset with the intent to put together MUSIC, style and sonic features, I. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Music Guide Germany at Sxsw 2018 Barracuda 611 E 7Th Street Contents Wunderbar Music Guide 2018
Lali Puna GERMANY AT SXSW 2018 GERMANY AT MUSIC GUIDE Ace Tee Sea Moya BARRACUDA 611 E 7TH STREET CONTENTS WUNDERBAR MUSIC GUIDE 2018 AUSTIN GERMAN PAVI BOOTHLION WELCOME 4 #909 ON THE MOVE 5 WUNDERBAR 8 NEXT GENERATION KRAUTROCK & CONNY PLANK TIMETABLE 15 BRIDGE CONGRESS GERMAN BANDS 20 INITIATIVE MUSIK 31 C O L O R A D O R I V E R GERMANY AT SXSW 2018 — WUNDERBAR 3 ON THE MOVE GERMANY'S MUSIC SCENE CONTINUES TO EMANCIPATE ITSELF Author: NORMAN FLEISCHER IT ALL COMES DOWN TO KRAFTWERK IN THE END, DOESN’T IT? THE FACT THAT THE ICONIC GERMAN ELECTRONIC PIONEERS JUST WON A GRAMMY FOR THEIR COMPILATION '3D KATALOG' ONLY FOUR YEARS AFTER RECEIVING A LIFETIME ACHIEVEMENT AWARD CAN BE SEEN AS A SYNONYM FOR THE GERMAN MUSIC SCENE. The Initiative Musik extends a very warm ing them with their international activities in and enthusiastic welcome to the SXSW 2018 the world’s largest music market. Come hear Music Festival. One of the main goals of Ger- for yourself how exciting and diverse music many’s export office Initiative Musik is to created in Germany can be at the GERMAN promote emerging German talents. Included HAUS and other clubs during the SXSW Music in this brochure are some of the highlights Festival. at the SXSW Music Festival 2018 as well as information about the German music scene. Furthermore, we would especially like to invite you to the WUNDERBAR DAY at the Over six days, the stages at GERMAN HAUS GERMAN HAUS on Wednesday, March 14 for will host a lineup of inspiring keynotes, pitch- exciting showcases by the “Next Generation es, and talks on a wide array of topics in the Krautrock.“ German digital, startup, film, and music in- dustries. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Issue 11, 2020
ISSUE 11, 2020 04 EDITORIAL contents. 05 FROM AUSA 08 News 21 DELIVERY SHOWDOWN 24 CRACCUM SAVOUR LEVEL 2 FREEDOMS 28 HEALTH NITES: HAIR YE,HAIR YE 30 Let’s Battle: Shape’s Edition 35 A GUIDE TO SOCIAL DISTANCING 39 REVIEWS 42 CRACCUM CATCHES UP WITH YUKSEK Who’s That Monstrosity? It’s You! WANT TO CONTRIBUTE? 43 Send your ideas to: NEWS [email protected] 47 TRY POLE DANCING FEATURES [email protected] 49 HOT LOCAL TRACKS ARTS [email protected] 51 EROTICA COMMUNITY AND LIFESTYLE [email protected] ILLUSTRATION Recipes [email protected] 54 NEED FEEDBACK ON WHAT YOU’RE WORKING ON? [email protected] 57 HOROSCOPES HOT TIPS ON STORIES [email protected] Your 1 0 0 % s t u d e n t o w n e d u b i q . c o . n z bookstore on campus! 3 editorial. Give Me a Break Cam says: 1: Athletic’s Day: Remember in High school when you’d have Athletic’s Day and you’d just chill out on the bleach- There’s been a bit of talk recently ers and spend the day having a yarn with your friends and about New Zealand getting a new not actually doing anything. Yeah, pay me to do that. public holiday. I for one, am all fucking for it. In all seriousness, make Matariki a public holiday. It’s a great time of year for a break, it celebrates something The last few public holidays this year actually significant and it’s a public holiday that (most were a bit of a rip off. -
You Tube Music and Cartoon Links for French Learners
You tube music and cartoon links for French learners All videos are appropriate and do not have bad language. Easy French interviews about French pop music https://www.youtube.com/watch? v=xce94Wvytgo LEJ – female group https://www.youtube.com/watch?v=diOZna03YMo https://www.youtube.com/watch?v=B9pF9kqWNJ4 Grand Corps Malade – poetic Parisien slam rap https://www.youtube.com/watch?v=RcxRMikZrbY Indila – female vocalist https://www.youtube.com/watch?v=ZthUo-Z97uw https://www.youtube.com/watch?v=sI8vLseTYs8- bilingual lyrics https://www.youtube.com/watch?v=VvjD-OBtg3U https://www.youtube.com/watch?v=ImI1TghBZNM Angèle – New wave French pop female composer and vocalist https://www.youtube.com/watch?v=W8t1yymfqRI Oui ou non https://www.youtube.com/watch?v=EHxT1JKLYes tout oublier https://www.youtube.com/watch?v=FdkgDZg19jc Duo with Philippe Katerine Roméo Elvis – brother of Angèle- cheeky Belgian rapper! https://www.youtube.com/watch?v=JmIPRfMhzlM soleil Suzane – conscious electropop https://www.youtube.com/channel/UCY0I0w7JbRyn-5p5Ni9Z9_A Zaho – female vocalist https://www.youtube.com/watch?v=89TdUMfYhzQ Stromae – the daddy of Euro Dance music French style! https://www.youtube.com/watch?v=LhddrZJ98SI https://www.youtube.com/watch?v=37StRy0LEbI feat Orelsan Big flo et oli Feat Squeezy https://www.youtube.com/watch?v=0S-0jhWMYMc&list=RDEMC0- ZAoKC21J63CqqVfdcng&index=2 https://www.youtube.com/watch?v=wRFb5M2o6-k Coeur de pirate – Canadien female vocalist https://www.youtube.com/watch?v=012QM1nSImU Louane – star of the film La famille Belier