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Issue Full File Ethnomuscology Journal Ethnomuscology Yıl/Year: 3 • Sayı/Issue: 2 (2020) Kış/Wnter ISSN 2619-9572 E-ISSN 2687-508X ISSN 2619-9572 ISSN E-ISSN 2687-508X E-ISSN www.etnomuzkoloj.org Etnomüzkoloj Derneğ Etnomüzkoloj [email protected] Etnomüzikoloji Dergisi Ethnomusicology Journal Yıl/Year: 3 • Sayı/Issue: 2 (2020) Etnomüzikoloji Dergisi / Ethnomusicology Journal Yıl/Year: 3 • Sayı/Issue: 2 (2020) ISSN: 2619-9572 E-ISSN: 2687-508X İmtiyaz Sahibi / Holder of a Concession Prof. Dr. Özlem DOĞUŞ VARLI Etnomüzikoloji Derneği (Türkiye) / Ethnomusicology Association (Turkey) Sorumlu Yazı İşleri Müdürü: Doç. Ersen VARLI Editör / Editor: Prof. Dr. Özlem DOĞUŞ VARLI Yayın Kurulu / Editorial Board Sayı Hakemleri /Journal Referees Prof. Dr. Irene MARKOFF Doç.Dr. Cenk GÜRAY Prof. Dr. Martin STOKES Prof. Dr. N. Oya LEVENDOĞLU Prof. Dr. Fırat KUTLUK Doç.Dr. Cenk CELASİN Prof. Dr. Özlem DOĞUŞ VARLI Prof. Dr. Irene MARKOFF Doç. Dr. Onur Güneş AYAS Doç. Dr. Şeyma ERSOY ÇAK Doç. Ersen VARLI Sayfa Tasarım/ Page Design: Gaye Kitabevi Kapak Tasarım/ Cover Design: Namık KÖSEER - Ahmet HERDEM Yayın Türü / Publication Type: Yılda İki Defa, Ulusal, Süreli / Twice a year, National, Periodical Yayın Dili / Publication Language: Türkçe veya İngilizce / Turkish or English Yönetim Merkezi Adresi / Address: Esentepe Mah. Okul Cd. Yılmaz Sit. Kat 5 Daire 9 A Blok Nilüfer/Bursa - TÜRKİYE Tel/Phone: +902242402106 Elektronik Posta/ E-mail: [email protected] [email protected] Web: http://www.etnomuzikoloji.org Baskı / Printed by Star Ajans Matbaacılık ve Ambalaj Sanayi Ltd.Şti. Alaaddin Bey Mh. 634 Sk. Nilüfer Ticaret Merkezi 2. Bölge Ayaz Plaza No:24 Nilüfer / Bursa Tel: 0224 249 33 20 (pbx) - 0224 245 18 09 Sertifika No: 15366 Basım Yeri ve Tarihi / Place and Date of Publication: Bursa - Turkey Eylül/September 2020 Etnomüzikoloji Dergisi’ne gönderilen yazıların sorumlulukları yazarlarına, telif hakları Etnomüzikoloji Derneği’ne (Türkiye) aittir. Articles of responsibility to the authors, copyright belong to Association of Ethnomusicology (Turkey) Dergi Hakkında Etnomüzikoloji Dergisi, Türkiye'de kâr amacı gütmeyen bir kuruluş olan Etnomüzikoloji Derneği tarafından yayınlanan hakemli bilimsel dergidir. Dergi etnomüzikoloji alanında yapılan nitelikli araştırmaları yayınlamayı amaçlamaktadır. Yayınlanan makaleler, etnomüzikoloji ve ilgili alanlarda güncel teorik bakış açılarını ve araştırmaları içerir. Etnomüzikoloji Dergisi yılda iki (2) kez yayınlanmaktadır. Derginin ya- yın dili Türkçe ve İngilizcedir. Dergi içerisinde etnomüzikoloji, müzikoloji ve ilgili diğer disiplinlerde orijinal araştırmalara dayalı teorik makaleler, yük- sek lisans tezlerinden makaleler, röportajlar, yayınlanan kitaplar ve müzik kayıtları hakkındaki makalelerin yer alması hedeflenmektedir. Daha önce ya- yınlanmış makalelerin tercümeleri dikkate alınmamaktadır. Katkıda bulu- nanların derneğin üyesi olması gerekmemektedir. Makale ve röportajlar, der- ginin daha önce ilan edilmiş temasına uygun olmalıdır. Dergiye gönderilecek yazılar, dernek sayfasında yer alan yazı kurallarına uymak zorundadır. Der- giye gönderilen yazılar çift taraflı kör hakem yöntemi ile incelenmektedir. Makalelerin editörlük süreci ise şu şekildedir: Editör ve editör kurulu (genel), teknik editör (yazı kuralları), hakemler (içerik), editör ve yazı kurulu (nihai karar). Yazma kurallarına uymayan yazılar, teknik editör incelemesinden sonra düzeltilmesi için yazara gönderilebilir. Dergide yayınlanan metinlerin telif hakkı Etnomüzikoloji Derneği'ne ait- tir. Yazarlar yazılarını gönderdiklerinde bu kuralı kabul etmiş sayılırlar. Dergimiz, Asos İndex tarafından taranmaktadır. About Journal As the peer-reviewed scientific journal Ethnomusicology Journal (Tur- key) published by Association of Ethnomusicology which is a non-profit or- ganization in Turkey. Journal aims to publish advanced researches in the eth- nomusicology field. Its articles represent current theoretical perspectives and research in ethnomusicology and related fields. Ethnomusicology Journal has been published two times a year. The pub- lication language of the journal is Turkish and English. The journal can inc- lude ethnomusicology and in other branches of musicology are articles on the basis of original research-based or theoretical articles, articles from post- graduate theses, interviews, reviews about published books and music recor- dings. Translations of previously published articles are not considered. Cont- ributors do not have to be members of the association. Articles and interviews should be in accordance with the previously announced theme of the journal. Writings to be submitted to the journal must comply with the following wri- ting rules. Writings sent to the journal will be examined with double-blind peer-reviewing system. The editorial order of the manuscripts is as follows: Editor in Chief and editorial board (general), technical editor (writing rules), referees (content), Editor in Chief and editorial board (final decision). Any manuscript that does not comply with the writing rules can be sent to the author for correction after a technical editor review. Written articles that are found to be corrected can be re-evaluated. The copyright of the texts publis- hed in the journal belongs to the Association of Ethnomusicology. The aut- hors are deemed to have accepted it when they sent their writings. The journal is scanned ASOS Index. Etnomüzikoloji Dergisi Ethnomusicology Journal Yıl/Year: 3 • Sayı/Issue: 2 (2020) İÇİNDEKİLER CONTENTS Editörden ......................................................................................................... 191 From The Editor ............................................................................................. 193 Within Ethnomusicology, Where Is Ecomusicology? Music, Sound, and Environment / Etnomüzikoloji İçinde, Ekomüzikoloji Nerede? Müzik, Ses ve Çevre ........................................................................................................... 195 Jeff Todd Titon Kültür Ürünlerinin Mekânsal Değişimi Sibirya Türklerinde Tarım ve Hayvancılık Kültüründen Müzik Kültürüne Geçen Çalgılar / Spatial Change of Cultural Products The Music Instruments that Passed from Agriculture and Livestock Culture to Musical Culture in Siberian Turks . 205 Feyzan Göher Towards a Re-Approach of Makam Theory Based on Practice and Repertoire:The Case of the Segah Phenomena / Uygulama ve Repertuara Dayalı Makam Teorisine Yeni Yaklaşıma Doğru: Segah Olayı Örneği .... 224 Nikos Andrikos Street-Style Siter Playing and Regional Urban Identity / Sokak Stilinde Siter İcrası ve Bölgesel kent Kimliği ....................................................................... 244 Rohan Iyer An Introduction to Dhrupad Performance Platforms of India / Hindistan’daki Dhrupad Performansı Platformlarına Giriş ....................... 262 Samarpita Chatterjee (Mukherjee) & Sabyasachi Sarkhel ‘Musikide İnkılabı Popüler Müzikle Yapmak’: Barış Manço ve Armonize Edilmiş Türküler / ‘Making the Music Revolution with Popular Music’: Barış Manço and Harmonized Turkish Folk Songs ...................................... 275 Okan Murat Öztürk Covid-19 Pandemisinin Müzik Festivallerine Mekansal Etkisi: “Virtual Festival” / Spatial Effect of COVID-19 Pandemic Over Music Festivals: “Virtual Festival .............................................................................................. 295 Ö. Ayça Boyacıoğlu Editörden Etnomüzikoloji Dergisi üçüncü yılının ikinci sayısını çıkararak yayınla- rında 6. sayıya ulaştı. Altıncı sayı, bir önceki sayıda olduğu gibi etnomüziko- loji disiplinin kendi içindeki tartışmaları, yeni yaklaşımları, alan kavramı ve alan araştırması ile ilgili yeni metot önerilerinin uygulanmaya çalışıldığı eski- yeni alan çalışmalarına çağrıda bulundu. Yalnızca etnomüzikologlara değil, yakın disiplinlerden de makalelerin değerlendirmeye alındığı altıncı sayıda, Etnomüzikoloji Derneğinin “Dünyada ve Türkiye’de Etnomüzikolojinin Dünü, Bugünü, Yarını” temalı, 29-30 Mayıs 2020 tarihleri arasında düzenle- diği çevrimiçi etnomüzikoloji sempozyumu açılış konuşmacısı (keynote) Prof. Dr Jeff Todd TITON’nun “Within Ethnomusicology, Where Is Ecomu- sicology? Music, Sound, and Environment” başlıklı yaklaşımları üzerine kri- tik yaptığı sunum da yer almakta. Öncelikle belirtmek gerekir ki, 2020 yılının büyük global salgınının yan- sımaları birçok alanda olduğu gibi sosyal disiplinlerde fazlasıyla kendini gös- termektedir. Çalışma metodolojileri, veri toplama teknikleri, neden-sonuç ilişkileri sorgulamaları ve değişen yaşam biçimleri tüm sosyal bilimlerde ol- duğu gibi etnomüzikoloji özelinde de çeşitli tartışmalar ve araştırmaları önü- müze sermekte. Dünyada değişim anları ve yansımalarını müzik bağlamları üzerinden okuma refleksini hızlı bir şekilde göstermiş ve göstermekte olan etnomüzikoloji, mevcuda yönelik tespit, yorumlama, kayda geçirme ve uy- gun teorik çerçeve ile açıklamaya yönelik çalışmalara elinizdeki sayıda dikkat çekilmektedir. Feyzan Göher tarafından yapılan “Kültür Ürünlerinin Mekânsal Değişimi Sibirya Türklerinde Tarım ve Hayvancılık Kültüründen Müzik Kültürüne Geçen Çalgılar” isimli çalışma, Titon’un çizdiği kuramsal dünya ve kritiği destekler nitelikte bir içeriğe ve alan verilerine sahip olması ile önem arz eder. Nikos Andrikos, “Towards A Re-Approach of Makam Theory Based on Practice and Repertoire: The Case of The Segah Phenomena” çalışmasında segah perdesi ve makamı tartışmalarında yeni bir yaklaşım ortaya koyarken, Rohan Iyer Kent kimliği içerisinde sokak stili Siter performansını
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