Chico Freeman Featuring Bobby Mcferrin

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Chico Freeman Tangents mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Tangents Country: US Released: 2008 Style: Contemporary Jazz MP3 version RAR size: 1793 mb FLAC version RAR size: 1165 mb WMA version RAR size: 1966 mb Rating: 4.5 Votes: 373 Other Formats: MP4 MP1 XM DMF VQF ADX FLAC Tracklist Hide Credits Tangents 1 7:59 Written-By – Chico Freeman Sir Tashi And The Yetti 2 5:39 Written-By – Chico Freeman Ballad For Hakima 3 3:20 Written-By – Chico Freeman Fifty Tenth Street 4 5:12 Written-By – Mark Thompson Computerized Indifference 5 5:40 Written-By – Kenny Werner Sangoma And Nelly 6 5:51 Written-By – Bobby McFerrin, Chico Freeman You Are The One 7 7:20 Written-By – Chico Freeman Spook And Fade 8 6:49 Written-By – Mark Thompson Companies, etc. Phonographic Copyright (p) – Elektra Entertainment Group Licensed From – Elektra Entertainment Group Manufactured By – Rhino Entertainment Company Copyright (c) – Wounded Bird Records Credits Alto Saxophone, Soprano Saxophone – Steve Coleman Bass – Cecil McBee, John Koenig Drums – Billy Hart, James Bradley, Jr.* Drums, Percussion – Frederick Waits* Piano – Mark Thompson Piano, Synthesizer – Kenny Werner Producer – Chico Freeman, John Koenig Vibraphone – Jay Hoggard Vocals – Bobby McFerrin Woodwind – John Purcell Woodwind, Percussion – Chico Freeman Notes ℗ 1984 & 2008 Elektra Entertainment Group. Manufactured by Rhino Entertainment Company © 2008 Wounded Bird Records Made in U.S.A. Barcode and Other Identifiers Barcode: 664140636125 Other versions Category Artist Title (Format) Label Category Country Year Chico Freeman Chico Freeman Featuring Bobby 960 361-1 Featuring McFerrin - Elektra Musician 960 361-1 Europe 1984 Bobby McFerrin Tangents (LP, Album) Chico Freeman Chico Freeman Featuring Bobby P-11495 Featuring McFerrin - Elektra Musician P-11495 Japan 1984 Bobby McFerrin Tangents (LP, Album, Promo) Chico Freeman Chico Freeman Featuring Bobby P-11495 Featuring McFerrin - Elektra Musician P-11495 Japan 1984 Bobby McFerrin Tangents (LP, Album) Chico Freeman Chico Freeman Featuring Bobby Elektra/Asylum 60361-4-E, 9 60361-4-E, 9 Featuring McFerrin - Records, Elektra US 1984 60361-4-E 60361-4-E Bobby McFerrin Tangents (Cass, Musician Album) Chico Freeman Chico Freeman Featuring Bobby 9 60361-1-E Featuring McFerrin - Elektra Musician 9 60361-1-E US 1984 Bobby McFerrin Tangents (LP, Album) Related Music albums to Tangents by Chico Freeman Chico Arnez & His Latin American Orchestra - This Is Chico Chico Freeman & Brainstorm - Sweet Explosion Ravy Magnifique Avec Archie Shepp & Chico Freeman & Glenn Ferris - Meeting Chico Buarque - Les Grands Succès De Chico Buarque Chico Freeman With John Purcell, Kenny Kirkland, Mark Thompson , Cecil McBee, Elvin Jones - The Pied Piper Chico Freeman - The Pied Piper Various - Fathers & Sons Chico Freeman - The Outside Within Chico Freeman - Chico Chico Freeman - Spirit Sensitive Lester Bowie - The Complete Remastered Recordings On Black Saint & Soul Note Freeman - Hip Hop For Life Vol.2.

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Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
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Chico Freeman Extended
Chico Freeman Heralded as one of the most important saxophonists of our time, composer and producer, Chico Freeman has perfected an immediately recognizable approach to music and composition, blending what he has experienced from his past and providing fluidity into a future of infinite musical possibilities. In the early 2000s, with dozens of recordings as a leader, Freeman moved from New York to Europe to start a new chapter of his life -- exploration by focusing on his own self-improvement and self-reflection. His thirst to immerse himself in his music, his curiosity to explore working with different musicians and living in different cultures and challenging himself to be better than he was. “As much as I’ve travelled and on the road playing with such masters as McCoy Tyner, Elvin Jones, Jack DeJohnette, Sam Rivers, Sun Ra, Dizzy Gillespie and so many jazz greats, as well as leading my own groups including founding “The Leaders” and the group “Roots,” an inner voice was telling me, you need to go to another level both musically and personally,“ Freeman explains. “You need to work with other musicians from different cultures and create new avenues of expression. As part of the Freeman family legacy of Chicago; his father, legendary NEA Jazz Master saxophonist Von Freeman; his uncles, guitarist George Freeman; and drummer Bruz Freeman, Chico amassed a diverse résumé of performing R&B to blues, hard bop to avant-garde. His collegiate studies in Advanced Composition and Theory at Northwestern University led him to teach composition at the AACM (Association for the Advancement of Creative Musicians) Music School, and while attaining his Masters in Composition and Theory at Governor State University, he studied composition with NEA Jazz Master Muhal Richard Abrams.
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Bird's Bebop Brother Goes Home
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO SEPTEMBER 2020 WWW.JAZZINCHICAGO.ORG BIRD’S BEBOP BROTHER GOES HOME JOE SEGAL, JIC CO-FOUNDER, 2015 NEA JAZZ MASTER, REMEMBERED BY MUSICIANS AND MUSIC LOVERS BY COREY HALL While our current reality resembles Orson Welles’ War of the Worlds on steroids, let us escape and celebrate Joe Segal -- April 24, 1926-August 10, 2020 -- who brought jazz to Chicago for more than seven decades. Imagine… Scene: August 10, 2020. Place: Tadd’s Hot House. Charlie Parker, firm, fit, and poison-free since March 12, 1955, is sheddin’ “Just Friends” when in walks Joe. “Hey, man! It’s about time!” Bird exclaims, embracing his brother in bop. “What were you up to? Reading the list of upcoming cats?” “I was busy saving the youth,” Joe replies, while readjusting his Cubs cap. “Keeping them safe from the ‘Yookey Dukes!’” Both brothers laugh, embrace again, and then cast their sights down at this page, now a stage, where dudes and dudettes carrying voices, horns and guitars gather to take on this thought prompter: “What song sums up your experience with and/or appreciation of Joe Segal?” (The tunes designated with an asterisk are accompanied by a video available by clicking on the link or thumbnail). Solitaire Anna Miles, vocalist: (*) “I did every gig at the Jazz Showcase with Willie Pickens. We always opened with “Exactly Like You," and if Joe was there, he would sing it with me from the audience, so I think he liked the tune…or at least the way Willie and I did it.
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Settimanale Di Migros Ticino La Voce Di Chicago (E Di Chico)
Biglietti a concorso «Azione» offre ai propri lettori la possibilità di aggiudicarsi biglietti gratuiti per il concerto di Chico Freeman and the Voices of Chicago. Per partecipare seguire le istruzioni nella pagina web www.azione.ch/concorsi. Buona Fortuna! La voce di Chicago (e di Chico) Jazz - Da Chiasso, il 16/11, un tributo alla Windy City / 04.11.2019 di AZ La geografia del jazz, negli USA, è molto più che una semplice mappa territoriale. Parlare di New York, di Kansas City, di San Francisco, per non dire di New Orleans, significa richiamare alla mente specifiche e ben definite varianti stilistiche, con una loro tradizione e un loro posto preciso nella storia della musica neroamericana. In questo swingante panorama brilla di luce propria la città di Chicago. Per la storia della comunità nera la capitale del Michigan ha esercitato fin dai tempi passati un’attrazione molto speciale. È stata infatti meta della fuga di molti schiavi del Sud, che cercavano nel Nord degli Stati Uniti la possibilità di emanciparsi, di vedere riconosciuti i propri diritti. Non a caso la Windy City ha costituito l’incubatore di nuove forme di espressione musicale: in qualche modo ha raccolto l’eredità del blues che gli immigrati del sud portavano con sé e ha trasformato un repertorio acustico e rurale, malinconico, nel sanguigno «blues di Chicago», che è elettrico, urbano e graffiante. Anche nell’ambito più propriamente jazz Chicago ha giocato un suo ruolo. Negli anni della contestazione e della presa di coscienza della comunità neroamericana, si è creato proprio qui un movimento culturale d’avanguardia, che esplorava nuove modalità espressive e di collettivizzazione artistica.
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Jazz at Saint Peter's
window. The segments of looser improvisation that evergreen, maintaining its wistful feeling yet enriching come between these are hardly calming. Evans’ “Echo”, it with a judicious April-showers cascade of keyboard a tune he also plays much differently with his Zebulon runs. Bebop standard “Bernie’s Tune” has some Trio, is a series of manic blasts sewn together by the effervescent, melodramatically urgent piano, with ‘jazziest’ improvisations to be found herein. A hilarious plenty of thrusting, bobbing-and-weaving jabs, Garner moment is the opening to Pride’s “Pools”, jackbooted occasionally vocalizing along with his playing. bass and fluttering trumpet coasting above whimsical Disc Two has a heretofore-unissued and incredible glockenspiel before turning into a Deep Purple deep take on the Gershwin gem “S’Wonderful”, Garner cut. While Evans and Pride’s improvisational prowess is judiciously splaying rapid-fire single-note runs, ending well known in a variety of contexts, Dahl’s contributions with a dazzling, unexpected change in tempo, slowing Eponymous are the revelation here. His is such a forceful approach it then blazing to a fare-thee-well conclusion. “Laura” is Pulverize The Sound (Relative Pitch) by Andrey Henkin to the instrument that the higher-pitched trumpet and given a whimsical, Debussy-flavored reading, in the louder drums often genuflect before it. But whatever manner of an Impressionist artist delicately applying For those of a certain age and experience, Pulverize The facet is your focus, don’t forget the band-aids. paint to a canvas. Before sinking his proverbial teeth Sound (PTS) recalls the heady hardcore days of the mid into the classic melody of “Caravan”, Garner plays what ‘80s in its name and the stark white block lettering on a For more information, visit relativepitchrecords.com.
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Norman Hedman's Tropical Jazz to Warm the Heartland
Chucho Valdes and Norman Berman Music Foundation Hedman Norman Hedman's tropical jazz to warm Spring 2001 the Heartland Vol. 6, Number 3 By Tom Ineck . out for concerts, Hedman noted in a orman Hedman's Tropique phone interview from his home in New performs March 24 at the lied York City. Ii> N e Center for Performing Arts, arriving "It gives the band credibility for like a warm, tropical breeze after a long, bookings, and bookings mean sales," In this issue of Jazz .. .. frigid Midwestern winter. Hedman said in his typically straight Hedman to Heartland ........... ,.1 At the time of this writing, the forward manner. New York City-based Recent perfor The Prez Sez ....................... 2 band's current release, mances bear out Jazz in the Venues ............. 2 TakenBySUJprlse, is " ... Taken By Surprise, Hedman's assertion NJO ............ : .............. 3 is riding high on the riding high on the that heavy airplay Tomfoolery .................... .4 Gavin jazz charts, at Gavin jazz charts, at the has an indirect effect the No.6 position. No.6 position." on sales, at least Milt Hinton .......................... .4 Recorded in Au among those who Jazz on Disc. ...................... S gust 1999 at Eastside hear the band in the Discorama ......................... 7 Sound in Manhattan and released last flesh. Hedman said the popular re Blues Corner ....................... 7 November on Palmetto Records, Taken sponse at Tropique concerts is heart By Sutprise is the second Tropique CD ening in the very competitive world Unsung Hero ....................... 8 funded by the Berman Music Foun of music. Blues on Disc. .................... 9 dation. The fIrst, One Step Closer, was "It's been excellent," he said.
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Jazzvenue #5 Playlist
Jazzvenue is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Larry Arthur presents jazz new and old from across the globe, focussing occasionally on other idioms that relate to jazz. Episode: #5 Original Air Date: July 11, 2017 TRACKLIST (Artist/Album/Track) *** incomplete track 01 Hazel Scott/Columbia recording/Nightmare Blues (3:15)(1947) 02 Hadda Brooks Trio/Swingin' The Boogie/Bluesin' The Boogie (2:43)(1945) 03 Mary Lou Williams/Decca recording/Overhand (New Froggy Bottom)(2:49)(1936) 04 Louis Hayes Quintet/Serenade For Horace/Summer In Central Park (5:01)(2017) 05 Gary McFarland Sextet/Point Of Departure/I Love To Say Her Name (5:20)(1963) 06 Freddie Hubbard Septet/Body And Soul/Clarence's Place (3:33)(1963) 07 George Russell Sextet/Jazz Workshop/ Ye Hypocrite, Ye Beelzebub (3:51)(1956) 08 Branford Marsalis Trio/The Dark Keys/Lykeif (6:04)(1996) 09 Cecil Taylor/Victoriaville Festival/CxBxT+T (1:21)(2002) CANCON 10 Anna Webber Trio/Simple/Simplify Simplify (7:17)(2014) CANCON 11 John Coltrane Quartet/Meditations/Serenity (3:30)(1965) 12 Fredrik Ljungkvist &Yun Kan 5/Badaling/Kun Lun (5:30)(2007) BREAK HERE......... 13 George Mraz Trio/Jazz/Foolish Door (4:27)(1995) 14 Sarah Vaughan, Clifford Brown Sextet/Sincerely Sarah/Lullaby Of Birdland (4:00)(1954) 15 Ariel Pocock Trio/Living In Twilight/When You Wish Upon A Star (5:51)(2017) 16 Duke Ellington, Coleman Hawkins/Duke Ellington Meets Coleman Hawkins/The Jeep Is Jumpin' (4:38)(1962) 17 Charles Mingus Septet/Mingus Ah Um/Boogie Stop Shuffle (3:44)(1959) 18 Phil Woods Six/Live From The Showboat/Cheek To Cheek (11:50)(1976) 19 Shellet Manne Quartet/234/Cherokee (3:29)(1962) 20 Jeremy Pelt Quartet/#JIVECULTURE/Akua (7:40)(2016) 21 Judy Niemack, Dan Tepfer/Listening To You/Body And Soul (5:45)(2017) 22 Chico Freeman Quartet/Beyond The Rain/My One And Only Love (7:56)(1977) ***.
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WGLT Program Guide, January, 1982
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 1-1-1982 WGLT Program Guide, January, 1982 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, January, 1982" (1982). WGLT Program Guides. 253. https://ir.library.illinoisstate.edu/wgltpg/253 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University Normal, IL 61761 (309) 438-2255 W~ffi 1s associated with the Corporation for Public Broadcasting, National Public Radio (NPR), Public Radio in Mid-America (PRIMA), National Radio January Broadcasters Association (NRBA), Illinois Broadcas ters Assoc1at1on (IBA), Illinois News Broadcasters Association (INBA). and Illinois News Network (INN) Program ~ffi: 1s a non-commercial radio station operated by Illinois State University in Normal, Guide Illinois. The station is financed by the Illinois State University General Revenue Fund, the Corporation for Public Broadcasting, area business underwriting, and the Friends of WGLT . We provide unique and 1nformat1ve programming which includes classical, jazz, and ethnic music, along with a wide variety of public affairs and general interest educational pro grams. The Professional Staff ... General Manager: G. Ben Paxton News & Public Affairs Director: Nancy DiSanto Assistant News and Public Affairs Director: Carol Carey Development Director: Terry M. Bush Chief Engineer: Mike Flood Operations Director· Charlie Bronson Production Supervisor: Don White Music Fine Arts Director John Burk Producer/ Announcer· Tony Brooks Secretary/ Receptionist: Helen Holzer Reporter / Producer: Gretchen Monti Graphic Artist: Michael Deas COMMUNITY ADVISORY BOARD Dr Andrew Barto lone, Dr William Colvin.
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George Freeman
George Freeman Song Samples: George Freeman Radio Sign-up at http://www.radiosubmit.com to download songs for free. "All In The Family" brings together two members of Chicago's Freeman family that have never been recorded together until now: legendary guitarist George Freeman (who celebrated his 88th birthday on April 10th, 2015) and world-renowned saxophonist Chico Freeman (George's nephew and Von Freeman's son.) Together, they present their musical legacy of Chicago Jazz! Certainly, the late, great leader of the family, tenor saxophonist Von Freeman is smiling somewhere today! All of the tracks are original songs (with the exception of the haunting "Angel Eyes") and feature compositions from George Freeman "My Scenery" and "Vonski"; and from Chico Freeman "Latina Bonita" and "Essence of Silence"; along with several short Improvisations that provide a compelling flow to the recording. "Five Days in May" features Reto Weber on the 'hang' - a track that should have everyone up and dancing with joy! A lifetime of music, from playing with Charlie Parker to Gene Ammons and his many fine recordings, George Freeman was recently selected as Chicagoan of the Year in Jazz by Chicago Tribune Arts Critic Howard Reich! Chico Freeman's career has taken him from his early years with Chicago's AACM to Earth, Wind and Fire to producing, performing and recording with legendary musicians in New York, including Elvin Jones, to today's International Jazz Festivals. Musicians featured on the recording are: George Freeman, guitar; Chico Freeman, tenor and soprano saxophones; Kirk Brown, piano; Harrison Bankhead, bass; Hamid Drake, drums; Mike Allemana, guitar; Joe Jenkins, drums; and special guest Reto Weber, hang and percussion.
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1987 DOWN BEAT 17 Melodic, Blues-Based Invention of Ornette Coleman, Or the Doing, They Weren't Interested in His Enthusiasm
By Stanley Crouch Editor's note: We last interviewed Wynton Marsalis in 1984. Since tha.t time his popularity and notoriety have, if anything, grown and, as can be seen in the following interview, he views his position with the utmost responsibility and seriousness. It is interesting to note that despite-or perhaps because of-his popularity, the trumpeter has become the focal point in a critical controversy waged over questions of innovation vs. imitation. In addressing these questions, and those concerning his success, the importance of knowledge and technical preparation for a career in music, and the role of jazz education, he brings the same carefully considered articulation which identifies his musical creativity. • • • STANLEY CROUCH: Do you hove anything to soy before we humility to one day add to the already noble tradition that first begin, on opening statement? took wing in the Crescent City. It still befuddles me that all the drums Jeff Watts is playing has been overlooked. He's isolating WYNTON MARSALIS: Yes. I want to make clear some things I aspects of time in fluctuating but cohesive parts, each of which think have been misunderstood. Were I playing the level of horn I swings, and his skill at thematic development through his aspire to, I don't think I would be giving interviews; I would be instrument within the form is nasty. But then he is The Tainish making all my statements from the bandstand. But at this point, One. Marcus Roberts is so superior in true country soul to any words allow me more precision and clarity.
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Suggested Listening - Jazz Artists 1
SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
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1984-06 and 07
A S.rvlc• of Continuing Education & Extanslon University of Minnesota Dululh VolurM S Nurnt».r 3 JuM-July 1984 kumd 103.3 Acting Manager • Paul Schmitz Program Director • John Ziegler Public Affairs Director • Paul Schmitz Producer/ Outreach • Jean Johnson Report to the Listener Engineer • Kirk Kersten Volunteer Staff by Paul Schmitz, Acting Station Manager Bill Agnew, Craig Aderson, Kath I wish I had more time to list here the . Anderson, Mark Anderson, Bob It seems appropriate to begin this column University decides how to go about _names of all those who are leaving the Andreson, Leo Babeu, Chris Baker, Kent with a final "farewell" and "thanks for selecting the new permanent manager. station, and in some cases, this area. Many Barnard, Todd Borstad, Dave Brygger, everything" to the man who used to write This decision has not yet been made, and is students and others have contributed a lot Jan Cohen, Melanie Creger, Christopher it, Tom Livingston. Tom is now at his new being held up somewhat because the of energy and enthusiasm to KUMD this Devaney, Bruce Ecklund, Dann Edholm, job in Shreveport, Louisiana, and reports people m Minneapolis who will make it past year. To all of them our sincere Pat Eller, Phil Enke, Doug Fifield, that things are "different but also the are still working on next year's budgets for thanks, and best wishes. Tamar Fox, Susanna Frenkel, Bev same.'' I guess the problems of managing a the various departments they administer. Garberg, Brian Gitar, Stan Goltz, Doug public radio station do not vary that much We will let you know about further It is too early for me to say with certainty Greenwood, Jim Gruba, Bill Hansen, from one location to another.
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