Questo È Il Bif&St

Total Page:16

File Type:pdf, Size:1020Kb

Questo È Il Bif&St Questo è il Bif&st–Bari International Film Festival Il Bif&st-Bari International Film Festival conta ogni anno 75.000 spettatori e, in appena otto edizioni, è divenuto uno dei più importanti eventi cinematografici italiani grazie alla sua vastissima offerta di alto valore culturale (il programma del 2017 ha presentato 320 eventi in 8 giorni). Il Bif&st, posto sotto l’Alto Patronato del Presidente della Repubblica, è promosso dalla Regione Puglia, con la collaborazione del Comune di Bari, e prodotto dalla Fondazione Apulia Film Commission. Margarethe von Trotta è il presidente del festival. Il regista Ettore Scola, che per molti anni lo ha presieduto, è il presidente onorario. Il direttore è Felice Laudadio, presidente del Centro Sperimentale di Cinematografia, ex direttore della Mostra di Venezia e della Casa del Cinema di Roma, e presidente di Cinecittà Holding. Fabio Ferzetti, critico cinematografico de L’Espresso, è il consulente della direzione artistica. La sede principale del Bif&st è uno fra i teatri più belli del mondo, il Teatro Petruzzelli (nella foto durante una Lezione di cinema), cui si aggiungono altre 12 sale occupate dal festival. Tra gli ospiti ai quali nel corso degli anni è stato conferito il Federico Fellini Award for Cinematic Excellence, per aver illuminato il mondo del cinema con il loro contributo artistico, si segnalano: Jean- Jacques Annaud, Fanny Ardant, Luis Bacalov, Costa-Gavras, Stephen Frears, Abbas Kiarostami, Andrej Končalovskij, John Madden, Alan Parker, Jacques Perrin, Michael Radford, Edgar Reitz, Volker Schlöndorff, Barbara Sukowa, Bertrand Tavernier, Max von Sydow, Margarethe von Trotta, Andrzej Wajda; e fra gli italiani: Gianni Amelio, Antonio Albanese, Dario Argento, Pupi Avati, Marco Bellocchio, Bernardo Bertolucci, Andrea Camilleri, Claudia Cardinale, Sergio Castellitto, Liliana Cavani, Cristina Comencini, Pierfrancesco Favino, Sabrina Ferilli, Dante Ferretti e Francesca Lo Schiavo, Giancarlo Giannini, Tonino Guerra, Virna Lisi, Mario Martone, Giuliano Montaldo, Laura Morante, Nanni Moretti, Ennio Morricone, Ornella Muti, Nicola Piovani, Micaela Rammazzotti, Francesco Rosi, Sergio Rubini, Ettore Scola, Toni Servillo, Paolo Sorrentino, Vittorio Storaro, Paolo e Vittorio Taviani, Giuseppe Tornatore, Armando Trovajoli, Carlo Verdone, Paolo Virzì. Ognuno di questi grandi professionisti ha tenuto una Master Class per un pubblico composto ogni volta da circa 1.400 persone che hanno affollato quotidianamente il Teatro Petruzzelli. Le serate di gala del festival, nello storico Teatro Petruzzelli, presentano le Anteprime internazionali di film altamente spettacolari, tra i quali, nel 2010: Nine di Rob Marshall, Amabili resti di Peter Jackson, American Life di Sam Mendes; Bright Star di Jane Campion. Nel 2011: Il discorso del re di Tom Hooper, Il buongiorno del mattino di Roger Michell, London Boulevarddi William Monahan. Nel 2012: Molto forte, incredibilmente vicino di Stephen Daldry, Marigold Hotel di John Madden, Titanic 3D di James Cameron. Nel 2013: Come un tuono di Derek Cianfrance, Una fragile armonia di Yaron Zilberman, Uomini di parola di Fisher Stevens, Stoker di Chan-wook Park. Nel 2014: Noah di Darren Aronofsky, Grand Budapest Hotel di Wes Anderson, The Invisible Woman di Ralph Fiennes, Gigolò per caso di John Turturro. Nel 2015: L’ultimo lupo di Jean-Jacques Annaud, Ex Machina di Alex Garland, Ritorno al Marigold Hotel di John Madden, Miss Julie di Liv Ullmann. Nel 2016: Agnus Dei di Anne Fontaine, Zona d’ombra di Peter Landesman, L’uomo che vide l’infinito di Matt Brown. Nel 2017: La tenerezza di Gianni Amelio, Miss Sloane di John Madden, Get Out di Jordan Peele, Le divan de Staline di Fanny Ardant, Land of the Gods di Goran Paskaljevic, Insospettabili sospetti di Zach Braff, Return to Montauk di Volker Schlöndorff etc. Altri 12 film di tutto il mondo vengono selezionati ogni anno per la sezione competitiva Panorama internazionale, ospitata nel primo e secondo pomeriggio di ogni giorno al Teatro Petruzzelli, con premi al miglior regista, miglior attore protagonista e migliore attrice protagonista. Tra i registi dei film presentati in questa sezione: Lucas Belvaux, Paul Bettany, Marion Hansel, Annemarie Jacir, Lech Majewski, Goran Paskaljevic, Lone Scherfig, Brad Silberling, Liv Ullmann. Oltre a film fuori concorso, eventi speciali, laboratori e incontri con gli autori, il Bif&st presenta 2 concorsi riservati ai film italiani: il primo dedicato ai migliori film di lungometraggio distribuiti in sala o passati nei festival nell’ultimo anno, e un altro alle migliori Opere prime e seconde più recenti. Il Bif&st inoltre ricerca negli archivi filmici e televisivi numerosi documenti inediti e preziosi, relativi a grandi personaggi, molti dei quali sono stati ambasciatori del cinema italiano nel mondo: le Retrospettive su Carmelo Bene, Franco Cristaldi, Vittorio Gassman, Federico Fellini, Marco Ferreri, Fritz Lang, Marcello Mastroianni, Dino Risi, Francesco Rosi, Ettore Scola, Alberto Sordi, Giuseppe Tornatore, Gian Maria Volonté sono tra le più ampie mai dedicate a questi maestri. Il festival è accolto con entusiasmo non solo dal pubblico locale e nazionale, ma anche dalla stampa italiana e dall’International Federation of Film Critics (FIPRESCI), che tiene la sua annuale Assemblea generale a Bari durante il Bif&st. La copertura stampa del festival include, infatti, giornalisti nazionali ed internazionali: 150 professionisti italiani e 50 dal resto del mondo. .
Recommended publications
  • JOY ZAPATA Hair Dept
    JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Food for Soul
    Food for Soul A unique compilation of M ovies and Books to keep you on the edge! Part 1­ MOVIES This is a beginner’s list of movies that will stir your imagination. We recommend that you watch these carefully, over the next few months and try to understand the director’s message. These are interesting, but difficult movies. They will force you to question some of your beliefs, and will help your thought patterns take on new dimensions. Happy viewing! 1. THE UNTOUCHABLES “The Power of Character” Kevin Kostner, Sean Connery, Robert de Niro Kevin Costner became a star as the legendary “G­Man” Eliot Ness in THE UNTOUCHABLES, a slam­bang gangster saga with bravura direction by Brian De Palma, a witty David Mamet script and superb acting, including Robert De Niro as Al Capone and Sean Connery’s Oscar­winning turn as a wily veteran cop. It’s a terrifically entertaining and exciting movie. The story is almost totally fictionalized (Ness never killed Frank Nitti and had nothing to do with Capone’s income­tax rap), but this becomes completely irrelevant in light of the beautifully crafted film’s accomplishments. De Palma, who has often been accused of emphasizing style over content, here has a strong and substantial script to work with, and his flashy direction meshes perfectly with the film’s flamboyantly operatic design. The script may not be true to history, but it’s true to human emotion and very moving, personalizing the battle between good and evil by concentrating on the impact that violence and corruption has on families.
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • Film Reviews
    Journal of Strategic Security Volume 2 Number 2 Volume 2, No. 2: May 2009 Article 6 Film Reviews Bart Bechtel Henley-Putnam University Follow this and additional works at: https://scholarcommons.usf.edu/jss Part of the Defense and Security Studies Commons, National Security Law Commons, and the Portfolio and Security Analysis Commons pp. 104-105 Recommended Citation Bechtel, Bart. "Film Reviews." Journal of Strategic Security 2, no. 2 (2010) : 104-105. DOI: http://dx.doi.org/10.5038/1944-0472.2.2.6 Available at: https://scholarcommons.usf.edu/jss/vol2/iss2/6 This Book Review is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Journal of Strategic Security by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Film Reviews This book review is available in Journal of Strategic Security: https://scholarcommons.usf.edu/jss/ vol2/iss2/6 Bechtel: Film Reviews Film Review Body of Lies, Warner Brothers, 2008, MPAA Rating: R, Runtime: 2 hours, Starring: Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani, Oscar Isaac, Simon McBurney Director: Ridley Scott, Screenwriter: William Monahan, Producer: Donald DeLine, Ridley Scott. Leonardo DiCaprio fights terrorists for the CIA in this rapid-fire thriller from director Ridley Scott (GLADIATOR, BLACK HAWK DOWN). Body of Lies is about a cia officer, roger ferris (Dicaprio), pursuing an elusive terrorist mastermind modeled somewhat after osama bin laden, and the various degrees of ethical or moral struggles with which ferris must deal. the film is infused with the obligatory explosions, pyrotechnics,hi-tech surveillance, gunfights, car chases, blood and gore, and of course the clichéd love interest.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • Putney Swope
    THE FILM FOUNDATION 2019 ANNUAL REPORT OVERVIEW The Film Foundation supports the restoration of films from every genre, era, and region, and shares these treasures with audiences through hundreds of screenings every year at festivals, archives, repertory theatres, and other venues around the world. The foundation educates young people with The Story of Movies, its groundbreaking interdisciplinary curriculum that has taught visual literacy to over 10 million US students. In 2019, The Film Foundation welcomed Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Joanna Hogg, Barry Jenkins, Spike Lee, and Lynne Ramsay to its board of directors. Each has a deep understanding and knowledge of cinema and its history, and is a fierce advocate for its preservation and protection. Preservation and Restoration World Cinema Project Working in partnership with archives and studios, The Film Foundation’s World Cinema Project has The Film Foundation has helped save over 850 films restored 40 films from24 countries to date. to date. Completed projects in 2019 included: Completed projects in 2019 included: THE CLOUD– William Wyler’s beloved classic, DODSWORTH; CAPPED STAR (India, 1960, d. Ritwik Ghatak), EL Herbert Kline’s acclaimed documentary about FANTASMA DEL CONVENTO (Mexico, 1934, d. Czechoslovakia during the Nazi occupation, CRISIS: Fernando de Fuentes), LOS OLVIDADOS (Mexico, A FILM OF “THE NAZI WAY”; Arthur Ripley’s film 1950, d. Luis Buñuel), LA FEMME AU COUTEAU noir about a pianist suffering from amnesia, VOICE (Côte d’Ivoire, 1969, d. Timité Bassori), and MUNA IN THE WIND; and John Huston’s 3–strip Technicolor MOTO (Cameroon, 1975, d. Jean–Pierre Dikongué– biography of Toulouse–Lautrec, MOULIN ROUGE.
    [Show full text]
  • *28-31 Great Idea
    TM THE MAKING OF by Kate McCallum hat happens when Affairs II and the sequel Infernal Affairs III. Both were released in you have the ker- 2003. That same year Brad Pitt’s Plan B Entertainment acquired the Wnel of a “great rights for a Hollywood remake. The film was written by screenwriter idea” born from a highly suc- William Monahan. cessful foreign film, a star’s An acclaimed writer before he turned to film, Monahan has pow- production company, a genius erfully ascended the ranks of Hollywood screenwriters. In just a few veteran director, one of the years writing screenplays professionally, he has already worked with most mythic actors alive, a some of the biggest names in the business. stellar cast of talent, and a brilliant scribe who can spin gold from After attending the University of Massachusetts Amherst, hay? The Departed is more than a “remake”—it’s the synergistic Monahan worked as a journalist, essayist and critic in New York expression of some of the top names in Hollywood and it’s classic City. He was also an editor at Spy magazine. In 1997, Monahan won dramatic entertainment. a Pushcart Prize for short fiction and published his first novel, the The Departed is an American film “adaptation” of the popular and acclaimed Light House: A Trifle. Warner Bros. Pictures optioned Light stylish 2002 Hong Kong crime thriller Wu jian dao, otherwise know House before its publication. Monahan adapted his own book and as Infernal Affairs. The original screenplay was written by Felix Chong developed the project at the studio for director Gore Verbinski.
    [Show full text]
  • Pocket Product Guide 2006
    THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127
    [Show full text]
  • 20Th Anniversary
    TH ANNIVERSARY 20 EDITION LOS ANGELES 7920 Sunset Boulevard, 6th Floor, Los Angeles, CA 90046 / 323-436-5060 NEW YORK 110 West 57th Street, 6th Floor, New York, NY 10019 / 212-258-0860 FILMMAKERS FOR FILM PRESERVATION RICHARD III (1955, d. Laurence Olivier) Image courtesy of Janus Films and The Criterion Collection. Film is living, vital evidence of our existence; our thoughts, our dreams, our emotions. That’s the way FILMMAKERS FOR FILM PRESERVATION we should think about cinema. > MARTIN SCORSESE oundation. During that time, I’m proud It’s now been over 20 years since we began The Film F to say that we’ve helped identify, fund and manage the restoration and preservation of over 555 films. Under the watchful and attentive eye of our board of directors and in collaboration CHAIR IN MEMORIAM EXECUTIVE DIRECTOR ARTISTS RIGHTS ADVISORY COUNCIL with numerous major film archives, pictures of all kinds—features, silents, documentaries, Martin Scorsese Robert Altman Margaret Bodde Elliot Silverstein, Chair Stanley Kubrick Tom Cruise independent, avant-garde—have been protected and preserved for generations to come. BOARD OF DIRECTORS Sydney Pollack MANAGING DIRECTOR Harrison Ford I think you’ll all agree that this is a record in which we can take real and lasting pride. Woody Allen Jennifer Ahn Miloš Forman Paul Thomas Anderson PRESIDENT e felt that it was important to start with young ARCHIVISTS ADVISORY COUNCIL Taylor Hackford e have also developed a unique curriculum, The Story of Movies, which is distributed free Wes Anderson Taylor Hackford Dustin Hoffman W Francis Ford Coppola Robert Rosen, Chair SECRETARY-TREASURER Academy Film Archive Anjelica Huston of charge and is constantly expanding.
    [Show full text]
  • Film Collection
    Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tiss´e, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith.
    [Show full text]