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Islamic Relations, Local Tradition (Nahdlatul Ulama, Muhammadiyah, and the Ethnic Baduy) and Their Effects on Religious Life Patterns in Indonesia
European Journal of Research in Social Sciences Vol. 8 No. 1, 2020 ISSN 2056-5429 ISLAMIC RELATIONS, LOCAL TRADITION (NAHDLATUL ULAMA, MUHAMMADIYAH, AND THE ETHNIC BADUY) AND THEIR EFFECTS ON RELIGIOUS LIFE PATTERNS IN INDONESIA Hasani Ahmad Said Lebba Kadorre Pongsibanne Lina Shobariya Faculty of Usul al-Dini, UIN Faculty of Usul al-Dini, UIN Faculty of Usul al-Dini, UIN Syarif Hidayatullah Jakarta Syarif Hidayatullah Jakarta Syarif Hidayatullah Jakarta INDONESIA INDONESIA INDONESIA [email protected] [email protected] ABSTRACT Islamic Relations, Local Tradition (Nahdlatul Ulama, Muhammadiyah, and the ethnic Baduy) and Their Effects on Religious Life Patterns in Indonesia This writing proves that Islam is in agreement with the values of local culture. Islam is very welcoming to local traditions. This is proven in this writing. Before there was Islam, Hinduism, Buddhism, and other faiths were deeply rooted in Indonesia. However, interestingly, after the arrival of Islam, those old traditions were maintained and were not displaced at all. Throughout history, from the era of the Prophet to the spread of Islam in Indonesia, no evidence has been found of an Islamic history of pillage, monopoly, or blackmail. On the contrary, Islam has protected, nurtured, and enriched the wealth of Indonesian culture. The birth of Nahdlatul Ulama (NU), Muhamaddiyah manifested in an Islam that is hospitable, peaceful, and accepting of ancestral traditions. So it is, too, with the Baduy; tradition and religion must be respective of one another, not hateful. The two can exist in parallel, proving the conclusion of this writing that indeed Islam is in line with tradition, such that one could say the greatest danger to society is not religion, but rather the individual who lacks a sufficient understanding of tradition and religion. -
The Position of Indigenous Peoples in the Management of Tropical Forests
THE POSITION OF INDIGENOUS PEOPLES IN THE MANAGEMENT OF TROPICAL FORESTS Gerard A. Persoon Tessa Minter Barbara Slee Clara van der Hammen Tropenbos International Wageningen, the Netherlands 2004 Gerard A. Persoon, Tessa Minter, Barbara Slee and Clara van der Hammen The Position of Indigenous Peoples in the Management of Tropical Forests (Tropenbos Series 23) Cover: Baduy (West-Java) planting rice ISBN 90-5113-073-2 ISSN 1383-6811 © 2004 Tropenbos International The opinions expressed in this publication are those of the author(s) and do not necessarily reflect the views of Tropenbos International. No part of this publication, apart from bibliographic data and brief quotations in critical reviews, may be reproduced, re-recorded or published in any form including print photocopy, microfilm, and electromagnetic record without prior written permission. Photos: Gerard A. Persoon (cover and Chapters 1, 2, 3, 4 and 7), Carlos Rodríguez and Clara van der Hammen (Chapter 5) and Barbara Slee (Chapter 6) Layout: Blanca Méndez CONTENTS INTRODUCTION 1 1. INDIGENOUS PEOPLES AND NATURAL RESOURCE 3 MANAGEMENT IN INTERNATIONAL POLICY GUIDELINES 1.1 The International Labour Organization 3 1.1.1 Definitions 4 1.1.2 Indigenous peoples’ position in relation to natural resource 5 management 1.1.3 Resettlement 5 1.1.4 Free and prior informed consent 5 1.2 World Bank 6 1.2.1 Definitions 7 1.2.2 Indigenous Peoples’ position in relation to natural resource 7 management 1.2.3 Indigenous Peoples’ Development Plan and resettlement 8 1.3 UN Draft Declaration on the -
The Development of Coffee Cultivation in the Traditional Agroforestry Of
BIODIVERSITAS ISSN: 1412-033X Volume 20, Number 10, October 2019 E-ISSN: 2085-4722 Pages: 2958-2969 DOI: 10.13057/biodiv/d201026 The development of coffee cultivation in the traditional agroforestry of mixed-garden (dukuh lembur) to provide social-economic benefit for the Outer Baduy Community, South Banten, Indonesia BUDIWATI S. ISKANDAR1, JOHAN ISKANDAR2, BUDI IRAWAN2, SUROSO3, RUHYAT PARTASASMITA2,♥ 1Department of Anthropology, Faculty of Social and Political Science, Universitas Padjadjaran. Jl. Raya Bandung-Sumedang Km 21, Kampus Jatinangor, Sumedang 45363, West Java, Indonesia 2Department of Biology, Faculty of Mathematics and Natural Sciences, Universitas Padjadjaran. Jl. Raya Bandung-Sumedang Km 21, Jatinangor, Sumedang 45363, West Java, Indonesia. Tel.: +62-22-7797712. email: [email protected]; [email protected] 3Program of Biology, Faculty of Mathematics and Natural Sciences, Universitas Padjadjaran, Kampus Jatinangor, Sumedang 45363, West Java. Indonesia Manuscript received: 17 August 2019. Revision accepted: 16 September 2019. Abstract. Iskandar BS, Iskandar J, Irawan I, Suroso, Partasasmita R. 2019. The development of coffee cultivation in the traditional agroforestry of mixed-garden (dukuh lembur) to provide social-economic benefit for the Outer Baduy Community, South Banten, Indonesia. Biodiversitas 20: 2958-2969. The Baduy community who resides in the Village of Kanekes, the Sub-district of Leuwidamar, the District of Lebak, South Banten has maintained the Sundanese tradition, particularly in practicing swidden farming (ngahuma). They practice swidden farming based on Traditional Ecological Knowledge (TEK) and belief. According to the Baduy tradition, the commercial plants, including coffee, clove, cacao, teak, and rubber have been prohibited to cultivate in Baduy area. However, because the population has increased rapidly and market economy has intensively penetrated the Baduy area, some commercial plants, including robusta coffee (Coffea canephora Pierre ex A. -
Gamelan Gender Wayang of Bali: Form and Style
..................~~.~.~.. ~------------------ WESLEYAN UNIVERSITY Gamelan Gender Wayang of Bali: Form and Style by Kalafya Brown A thesis submitted to the facuIty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts in Music May, 2000 Middletown, Connecticut My teacher, Kak Luweng, and myself playing gender (above) and just sitting (below), 2 Introduction and Acknowledgements I began studying gamelan music in 1994 while I was an undergraduate at the Massachusetts Institute of Technology. No one tends offhand to associate gamelan with MIT. but there it is. Professor Evan Ziporyn has been directing the gong kebyar ensemble Gamelan Galak Tika at MIT since 1993, and I was an active member from 1994 until 1997. Unfortunately the pressure of my studies at Wesleyan has not allowed me to play with Galak Tika as much as I would like in the past few years. For the three years of my tenure with Galak Tika we were blessed with the artistry of the Balinese husband and wife team of I Nyoman Catra and Desak Made Suarti Laksmi. The magnificent teaching and performance prowess of Evan, Catra and Desak formed the basis of my introduction to gamelan music. In 1997 I came to Wesleyan University to study for the degree of Master of Arts in Music, of which this thesis is a part. Here at Wesleyan I have had the great honor of studying with I. M. Harjito and Sumarsam, two Javanese artists. I sincerely thank them for broadening my awareness of the multifaceted natures of Indonesian music and for sharing with me the great beauty of the central Javanese court gamelan. -
Communication for Empowerment Assessment Report: Indonesia
Communication for Empowerment Assessment Report: Indonesia Content Acronyms ADB Asian Development Bank AJI Aliansi Jurnalis Independen – Alliance of Independence Journalists AMAN Aliansi Masyarakat Adat Nusantara – Indigenous Peoples Alliance of Archipelago ARGP Asia Regional Governance Programme Asteki Asosiasi Televisi Kerakyatan Indonesia – Association of People Centered Television Indonesia ATVKI Asosiasi Televisi Komunitas Indonesia –Association of Community Television Indonesia BCG Boston Consulting Group BPS Biro Pusat Statistik - C4E Communications for Empowerment DPR Dewan Perwakilan Rakyat – Indonesian Legislative Body or Parliament FITRA Forum Indonesia untuk Transparansi Anggaran – Indonesian Forum for Budget Transparency FM Frequency Modulation FOI Freedom of Information GSM SIM card Global System for Mobile Communications Subscriber Identification Module card ICT Information and Communication Technology IDRD Institute of Dayakology for Research and Development ILO International Labour Organization ITE Informasi dan Transaksi Elektronik – Information and Electronic Transaction KPI Komisi Penyiaran Indonesia – Indonesian Broadcasting Commission KR Kalimantan Review MNCTV Media Nusantara Citra Televisi NGO Non-governmental Organization PLN Perusahaan Listrik Negara – State Own Electricity Company PT Perseroan Terbatas – Limited Company PTPN Perseroan Terbatas Perkebunan Nusantara – Indonesian State Own Plantation Company Puskesmas Pusat Kesehatan Masyarakat – Community Health Center RCTI Rajawali Citra Televisi Indonesia REDD -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE JAVANESE WAYANG KULIT PERFORMED IN THE CLASSIC PALACE STYLE: AN ANALYSIS OF RAMA’S CROWN AS TOLD BY KI PURBO ASMORO A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF MUSIC By GUAN YU, LAM Norman, Oklahoma 2016 JAVANESE WAYANG KULIT PERFORMED IN THE CLASSIC PALACE STYLE: AN ANALYSIS OF RAMA’S CROWN AS TOLD BY KI PURBO ASMORO A THESIS APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Paula Conlon, Chair ______________________________ Dr. Eugene Enrico ______________________________ Dr. Marvin Lamb © Copyright by GUAN YU, LAM 2016 All Rights Reserved. Acknowledgements I would like to take this opportunity to thank the members of my committee: Dr. Paula Conlon, Dr. Eugene Enrico, and Dr. Marvin Lamb for their guidance and suggestions in the preparation of this thesis. I would especially like to thank Dr. Paula Conlon, who served as chair of the committee, for the many hours of reading, editing, and encouragement. I would also like to thank Wong Fei Yang, Thow Xin Wei, and Agustinus Handi for selflessly sharing their knowledge and helping to guide me as I prepared this thesis. Finally, I would like to thank my family and friends for their continued support throughout this process. iv Table of Contents Acknowledgements ......................................................................................................... iv List of Figures ............................................................................................................... -
Land- En Volkenkunde
Music of the Baduy People of Western Java Verhandelingen van het Koninklijk Instituut voor Taal- , Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (The University of Sydney) Anna Tsing (University of California Santa Cruz) volume 313 The titles published in this series are listed at brill.com/ vki Music of the Baduy People of Western Java Singing is a Medicine By Wim van Zanten LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: Front: angklung players in Kadujangkung, Kanékés village, 15 October 1992. Back: players of gongs and xylophone in keromong ensemble at circumcision festivities in Cicakal Leuwi Buleud, Kanékés, 5 July 2016. Translations from Indonesian, Sundanese, Dutch, French and German were made by the author, unless stated otherwise. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020045251 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu 2 Introduction 6 A Sketch of the Time Period of these Recordings 11 Emergence of Kebyar 29 The Balinese Gamelan Recordings from Bali, 1928: a track–by–track discussion: 33 Gamelan Gong Kebyar of Belaluan, Denpasar 46 Gamelan Gong Kebyar of Pangkung, Tabanan 50 Gamelan Gong Kebyar of Busungbiu, Northwest Bali 57 List of Silent Archival Films 58 Acknowledgments 61 References Cited and Further Readings * Glossary on Separate PDF File1 1 The spellings in this article follow modernized Balinese orthography of dictionaries such as Kamus Bali Indonesia, by I Nengah Medera et.al. (1990). Although this system was proposed as early as 1972 it has been applied irregularly in writings on the arts, but we have chosen to adhere to it so as to reflect a closer relationship to actual Balinese aksara ‘letters of the alphabet, language’. For instance, many words with prefixes frequently spelled pe or peng are spelled here with the prefixes pa and pang. 1 Introduction These historic recordings were made in 1928 as part of a collection of the first and only commercially–released recordings of music made in Bali prior to World War II. This diverse sampling of new and older Balinese styles appeared on 78 rpm discs in 1929 with subsequent releases for international distribution. The records were sold worldwide (or not sold, as it happened) and quickly went out of print. It was a crucial time in the island’s musical history as Bali was in the midst of an artistic revolution with kebyar as the new dominant style of music. -
Listening for the Suling in the Balinese Gamelan
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2019 Listening for the Suling in the Balinese Gamelan Natalie Ann Gregg University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Ethnomusicology Commons, and the Musicology Commons Recommended Citation Gregg, Natalie Ann, "Listening for the Suling in the Balinese Gamelan" (2019). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/2245 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Listening for the Suling in the Balinese Gamelan Natalie Gregg [email protected] University of Tennessee, Knoxville Gregg 1 Deeply rooted in religion and tradition, Balinese music is a unique art form that contains rich musical variety. Popular in Bali, Indonesia, because of its key role in religious ceremonies and tourism, gamelan music developed into one of the most prominent art forms on the island. While an abundance of research exists concerning many aspects of music in Bali, notably on musical genres, types of instruments and their use, and performance settings, little research has been done concerning the suling, the Balinese flute, and its role in Balinese music. Due to an exceptional lack of information in the subject area, this important member of many Balinese gamelan ensembles is often left unnoticed in research. -
Coping with Religious-Based Segregation and Discrimination: Efforts in an Indonesian Context
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 8 Original Research Coping with religious-based segregation and discrimination: Efforts in an Indonesian context Author: The aim of this article was to describe and analyse religious-based segregation and 1 Rachel Iwamony discrimination in the Moluccas and West Java, two places in Indonesia. Generally, people live Affiliation: peacefully side by side. However, in some places, social conflicts occur. By means of interview 1Faculty of Theology, and focus group discussion, the researcher observed and concluded that the main cause of the Indonesia Christian University conflicts was religious discrimination. In Moluccas, Christians and Muslims live separately. In in the Moluccas, Ambon, coping with that problem, the local leaders keep trying to talk directly with one another and to Indonesia engage in social acts together. Nevertheless, there are still some indigenous people experiencing Corresponding author: religious discrimination. One of them is Sunda Wiwitan. Their access to acquire birth Rachel Iwamony, certificates has been hindered. Consequently, they have limited access to public services, iwamonyrachel07@yahoo. including education and healthcare. However, their religious principles encourage them to be com compassionate towards others and prohibit them from causing danger to others. Dates: Received: 30 Apr. 2020 Contribution: Religious understanding and reconciliation have become important topics in Accepted: 28 Aug. 2020 the midst of religious conflict. This article contributes to promote religious reconciliation Published: 18 Nov. 2020 through some very simple and practical ways that reflect the core of religious teachings. How to cite this article: Keywords: Religion; Segregation; Discrimination; Violence; Non-violence; Indonesian Iwamony, R., 2020, ‘Coping religious life. -
Performing Indonesia a Conference and Festival of Music, Dance, and Drama
Performing Indonesia a conference and festival of music, dance, and drama October 31−November 3, 2013 Freer Gallery of Art, Arthur M. Sackler Gallery, and S. Dillon Ripley Center, Smithsonian Institution A joint presentation of the Embassy of the Republic of Indonesia in Washington, D.C., and the Freer and Sackler Galleries, Smithsonian Institution Embassy of the Republic of Indonesia in Washington, D.C. H.E. Dr. Dino Patti Djalal, Ambassador of the Republic of Indonesia to the United States of America Freer Gallery of Art and Arthur M. Sackler Gallery Smithsonian Institution Julian Raby, The Dame Jillian Sackler Director of the Arthur M. Sackler Gallery and Freer Gallery of Art Performing Indonesia: A Conference and Festival of Music, Dance, and Drama steering committee Sumarsam, University Professor of Music, Wesleyan University Andrew McGraw, Associate Professor of Music, University of Richmond Haryo Winarso, Attaché for National Education, Embassy of the Republic of Indonesia Michael Wilpers, Manager of Public Programs, Freer and Sackler Galleries Ministry of The Embassy of the Education and Culture Republic of Indonesia, Republic of Indonesia Washington, D.C. Performing Indonesia a conference and festival of music, dance, and drama October 31−November 3, 2013 Schedule evening concerts conference International Gallery, S. Dillon Ripley Center Indonesian Music: Past and Present Javanese Shadow-Play: Hanoman on Fire* Keynote Address Thursday, October 31, 7:30 pm Traditional Performing Arts of Indonesia Javanese Dance and Gamelan from Yogyakarta* in a Globalizing World Friday, November 1, 7:30 pm Sumarsam Saturday, November 2, 11 am Musicians and Dancers of Bali* Freer, Meyer Auditorium Saturday, November 2, 7:30 pm Session 1 Traditional Theater and Dance from Sumatra* Perspectives on Traditional Repertoires Sunday, November 3, 7:30 pm Friday, November 1, 2–5:30 pm gamelan marathon S. -
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Advances in Social Science, Education and Humanities Research (ASSEHR), volume 141 International Conference on Public Policy, Social Computing and Development 2017 (ICOPOSDev 2017) Evaluation of Education Policy at Baduy Society, Lebak District – Banten Province Harits Hijrah Wicaksana Asep Sumaryana STISIP Public Administration at FISIP Setia Budhi Rangkasbitung UNPAD Lebak, Indonesia Bandung, Indonesia [email protected] Abstract— The main issue in this research is evaluation of general concept of Indonesian modern education. The suitable education policyin Baduy Society, Lebak District – Banten educational concepts needed by their communities do not Province. The research aimed at explaining empirical facts, conflict with their custom law, and the gap or opportunity understanding the process, and describing the problems and according to the author does exists.In other words, a growing causal factors of unimplemented education policy in Lebak number of schools within this societyare Baduy alternative District.Qualitative approach was used by using purposive schools. These schools run without violating customs in method. Data were collected by in-depth interview, observation, whichthey only teach reading, writing, and numeracy skills. and documentary study. For data analysis,Stake’s(1975) responsive evaluation model was used.The result shows that the From the statement of the problem, the formulation of the evaluation of education policy in Lebak Districtis based on research question which is used as the foundation in this Regional Regulation, Number 2/2010 about Education research is: "How is the evaluation of education policy in Development in Lebak Districtand has not been implemented Baduy people of Lebak District?" because it is not supported by the Regent Regulation as the operational guidance in the evaluation of education policy itself.Furthermore, the stakeholders in this policy has not taken II.