BOTANICAL ART TEXTURES Julia Trickey

Total Page：16

File Type：pdf, Size：1020Kb

BOTANICAL ART TEXTURES Julia Trickey 10, 17, 24, 31 May 2021 On this four session course we will consider techniques and stages for painting a range of leaf portraits, different approaches to depicting veins and how to mix the green you want. Teaching will take place on Zoom with presentations, demonstrations both live and pre-recorded, Q and A sessions together with group and one-to-one tutor advice. GENERAL EQUIPMENT LIST The following are just suggestions. If you already have artist quality drawing and painting equipment, there is no need to buy anything specially. Drawing equipment • HB, 2H pencils • Sharpener and Eraser • A few sheets of cartridge paper • A few sheets of tracing paper • Tracedown transfer paper (optional). Painting equipment • Watercolour paints Any Artist quality paints in a range of colors will do, either half-pans or tubes. My primary colors are Winsor and Newton: Winsor Blue (green shade), Permanent Rose, Winsor Yellow or Transparent Yellow. (Daniel Smith Phthalo Blue (green shade), Quinacridone Red and Hansa Yellow medium). Other colors I favour are: Daniel Smith - Quinacridone Gold, Pyrrol Scarlet, Sap Green, Mayan Dark Blue. • Good quality watercolour brushes A larger brush (size 4,5 or 6) for washes and a fine brush (size 0 or 1) for veins and detail. A large brush with an excellent point can work for both eg Winsor and Newton Series 7 size 6. • Watercolour paper Smooth Hot Pressed paper is the usual choice of botanical artists, though Cold Pressed paper (also known as NOT) is good for practicing certain techniques. I favour Arches or old stock (pre 2016) Fabriano Artistico Extra White - minimum weight 140lb (which I would stretch on a board to minimise buckling). Other good quality papers are available - it’s a personal choice! A4 size or thereabouts will be fine. • Mixing palette or white china plate • Water jar • Cloth or kitchen towel • Masking Fluid (optional) I recommend Pebeo Drawing Gum and a good quality ruling pen or traditional dip pen OR Goya Masking Marker. www.juliatrickey.co.uk • juliatrickeyart 0n Facebook | Instagram | Etsy • online tutorials juliatrickeyart.teachable.com.

Copy Link

Recommended publications

Creative Resources Creative Economyofbrighton Card & Paper 2014
Your local supplier for B art and creative resources creative economyofbrighton Card & Paper 2014 Tissue Circles See page 13 free delivery value buys on new items on all orders a wide range and ranges over £40* of items available 01273 682831 www.economyofbrighton.co.uk Order Form Use this form to put your order together. B Then place your order using the details on creative the back page economyofbrighton Name: Organisation: Address: Post Code: Telephone Product Code Description Qty Price Total Delivery Charge (on orders below £40 (£4.95)) Total Remember we accept Official Purchase Orders All prices are shown exc VAT at the current rate. Free delivery is available to education customers in BN, RH and some PO postcodes, please call to verify if you qualify. All prices are as correct at the times of going to press. Customers are subject to the prices ruling at the time of dispatch. For full terms and conditions please see our website. 2 01273 682831 www.economyofbrighton.co.uk free delivery over £40 1 2 B creative economyofbrighton Sugar Paper 100% recycled 100gsm 1 Black 250 sheets A4 £3.91 Y271 A3 £6.60 Y270 3 A2 £11.25 Y268 A1 £23.00 Y267 2 White 250 sheets A4 £3.91 Y280 A3 £6.60 Y279 A2 £11.25 Y295 A1 £23.00 Y294 3 Bright Mix (Kalideoscope) 10 colours - red, orange, white, lilac, buff, blue, green, grey, pink, yellow. 250 sheets A4 £3.91 Y292 A3 £6.60 Y291 A2 £11.25 Y277 A1 £23.00 Y276 4 5 4 Pastel Mix 10 colours included - yellow, red, purple, orange, lime, emerald, brown, gold, cerise and blue.
[Show full text]
Short Course Provision Materials List
SHORT COURSE PROVISION MATERIALS LIST FOUNDATION DRAWING ------------------------------------------------------------------------------------------------------------------- Please find below a list of recommended materials for the course throughout the year. Any student wishing to discuss materials with their lecturer can wait to purchase these from the Gray’s Art Material Shop at the start of the course. Please note: for the first class students are required to bring the following: A basic roll of lining paper, pencil, charcoal, putty rubber and masking tape. Initial classes thereafter require a sketchbook, cartridge paper, pencils, putty rubber, sharpener & masking tape. Students will then be introduced to some alternative drawing materials. Please review your complete materials list below: Paper ● Roll of lining paper - available from B&Q or use the back of an old roll of wallpaper. ● A2 pad, A1 sheets of good quality cartridge paper (130 mg or heavier) ● Several sheets of Ingres paper or sugar paper A2. Some light (grey, buff, brown) and some high saturation colours (blue, red). ● At least one sheet of watercolour paper 50 x 70cm ● Sketchbook A4 (ring bound). Pencils ● A range of good quality soft pencils, e.g. HB, 2B, 4B. ● Conté pencil or wax pencils (white, sanguine, sepia or black) - these are optional. Drawing Pens ● Fine tip (black or brown) water-soluble (non-permanent/not waterproof) and permanent pen. Charcoal ● Willow charcoal. Assorted pack Crayon ● Conté pack of 4 - white, sanguine, sepia and black. Fixative ● You can purchase ‘fixative’ to fix a drawing (this can be expensive) or use an ordinary hairspray which will work just as well. Brushes ● 1 x medium size watercolour brush.
[Show full text]
ISM WORKSHEET Template
INDIAN SCHOOL MUSCAT SENIOR SECTION DEPARTMENT OF FINE ARTS CLASS: X PAINTING (049) WORKSHEET No. 7 THEORY Unit – II – (a) METHODS AND MATERIALS OF PAINTING – TOOLS Questions and Answers Very short Answer Type Questions Q. 1) What are the categories of materials of painting? Ans: The materials of painting can be broadly classified into 3 categories: (A) Tools (B) Surfaces and (C) Medium. Q. 2) Define the following (1) Tools of Art (2) Surfaces for painting (3) Eraser (4) Hand-held Sharpener (5) Paintbrush (6) Bristles (7) Ferrule (8) Crimp Ans-: (1) Tools of Art - Tools of art are the physical materials used to create the artwork which we see without leaving any mark on the surface. Further no part of the tool is supplied to surface. (2) Surfaces for painting - When we speak of a surface for painting we mean the surface which absorbs the paint or a colour. In other words, a surface is that part of a painting which receives colour on it. (3) Eraser - An eraser is an article of stationery that is used for removing marks from paper. Eraser is used to rub off a mistake made in a pencil drawing. (4) Pencil Sharpener - A pencil sharpener is a mechanical gadget used for sharpening pencils by shaving the casing and the core of the wooden pencil until it shapes the point. (5) Paintbrush- A paintbrush is a brush used to apply paint or sometimes ink to an underlying. ISM/CLASS X/ WORKSHEET NO.7/PAINTING/2020-21 (6) Bristles - Bristles are the hairy part of the brush which transfer paint onto an underlying surface.
[Show full text]
Copier Paper
DESIGN & TECHNOLOGY (PRODUCT & GRAPHICS) REVISION GUIDE Dolor Set Amet Design & Technology Paper & Boards Gowerton School Timbr Papers and Boards Aesthetic and functional properties of common papers, cards and boards Paper and board are widely used by designers for a range of purposes, from the sketching, drawing and planning of ideas through to the modelling and PAPERS AND BOARDS prototyping of design solutions. Sizes and Weights Papers and boards come in a wide range of different thicknesses, sizes and Types of paper and Boards types. They are available in standard-sized sheets ranging from A10, which Common Uses is approximately the size of a postage stamp, through to 4A0, which is larger than a king-size bed sheet. The most Finishes common sizes used by designers are Recycling between A6 and A0. Each sheet size is twice the size of the one before, for example A3 is twice the size of A4. In the same way, if you fold a sheet of paper in half it then becomes the next size below, for example an A1 sheet folded in half becomes A2 size. Remember, paper sizes halve each time, see next sheet for an explanation. The thickness of paper is known as its weight and this is measured in grams per square metre , often abbreviated as g/m2 or gsm. This is the weight in 2 grams of a single sheet of paper measuring 1m x 1m (1m ). A weight greater than 170gsm is classified as a board rather than a paper. ii Standard UK Paper Sizes A5 + = A4 A5 Type to enter text A4 + A4 = A3 iii Boards are usually classified by thickness as well as by weight.
[Show full text]
Investor Presentation – October 2020
INVESTOR PRESENTATION – OCTOBER 2020 Executive Summary • Kuantum Papers Ltd., is one of the largest Agro based paper manufacturers in India and is FY20 FINANCIALS committed to manufacturing wood free, high (INR Mn) quality maplitho, creamwove, copier and specialty paper. Revenues • The company has an Integrated manufacturing INR 7,447 facility of 125,000 MTPA with 4 Paper machines, Agro and Wood based pulping, Co-generation EBITDA Power plant & Chemical Recovery Plant. INR 1,185 • Kuantum’s products are extensively used in the printing of books, notebooks, annual reports, EBITDA Margin directories, envelopes, diaries, calendars, computer ` and office stationery. 15.91% • It has a strong long-lasting pan India dealership PAT network of 90+ dealers from which it undertakes order based manufacturing. INR 718 • The company caters to marquee clients like PAT Margin Navneet Publications, Oxford University Press, Cambridge University Press, Macmillan amongst 9.64% others. EPS • Kuantum maintains a Social Farm forestry INR 82.29 programme, thus contributing to future source of wood chips. 2 COMPANY OVERVIEW 3 About Kuantum Papers • Incorporated in 1980, Kuantum Papers started its commercial operations in an economically Operational Revenue (INR Mn) & backward village of Hoshiarpur, Punjab. EBITDA Margin 25.00% • They started their commercial operations with 30 TPD and are currently operating at 375 6,427 7,143 7,935 7,447 20.00% TPD. 20.65% 19.61% 5,258 18.14% 15.00% • Due to its location in the foothills of the Shivalik range, Kuantum Papers has been 15.91% strategically utilizing agro residues like wheat straw, sarkanda and bagasse in order to make 12.27% 10.00% high quality paper.
[Show full text]
An Overview of Art Paper Supply in Melbourne from 1940-1990
An overview of art paper supply in Melbourne from 1940-1990 Louise Wilson ABSTRACT The history of art paper supply in Melbourne encompasses the collective stories of artists, suppliers and paper mills based in Australia and overseas. In the late 1930’s, when the range of papers available to Melbourne artists was just beginning to expand, World War II abruptly interrupted supplies. The end of the war saw the rebirth of the industry at the hands of returned serviceman, Norman Kaye when he opened Camden Art Centre in 1948. The 1960’s saw a number of new suppliers emerge including N.S. Eckersley’s Pty Ltd, Art Stretchers and Graeme Brown Papers Pty Ltd. These enterprises brought with them new papers including the Arches range from France but as was the case throughout the 19th and early 20th Century, most of the paper available was designed speciﬁcally for watercolourists. Melbourne Etching Supplies was founded in the 1970’s with a vision to service the diverse needs of Melbourne’s printmakers, including providing them with a range of interesting and high quality papers. The choice of printmaking papers available to local artists expanded once again in the 1980’s when printmaker Robert Jones became the Australian agent for Magnani Papers. By the 1990’s a vast array of art paper was available to Melbourne artists in a kaleidoscope of colours and paper choice became more about personal preference than availability. KEYWORDS paper importation, art paper, Australian paper history INTRODUCTION This study documents the availability of art papers in Melbourne from 1940-1990, from the period of Modernism through to the contemporary art of the 1980’s, focussing particularly on the suppliers operating and the type of paper they were stocking.
[Show full text]
Manual of Instruction for the Safe Use of Reproduction Nineteenth Century Percussion Revolvers
National Park Service Manual of Instruction for the Safe Use of Reproduction Nineteenth Century Percussion Revolvers 1 2 TABLE OF CONTENTS Page Part I: Introduction 1 Part II: Nomenclature 2 Part III: Inspection and Maintenance 4 Part IV: Revolver Drill (Dismounted) 9 Part V: Misfi re Procedures 21 Part VI: Laboratory 23 Part VII: Demonstration Checklist 25 Bibliography 26 3 4 PART I - INTRODUCTION This manual sets forth the procedures that must be followed by persons demonstrating 19th century percussion revolvers to the public in areas administered by the National Park Service (NPS). It also provides instruction on proper maintenance, inspection, and repair procedures. This manual must be used in conjunction with the service wide standards for Historic Weapons Firing Demonstrations (NPS-6 Guidelines for Interpretation). The information below largely comes from primary sources of the period during which the weapons described were used. Several generations of NPS historic weapons personnel have modifi ed these original texts in order to improve demonstrator and visitor safety, make the original texts more comprehensible and to incorporate knowledge gained from years of actually using these weapons in the fi eld. The Park’s Certifi ed Historic Weapons Firing Demonstration Supervisor is responsible for the training and safety of the demonstrators, as well as the safety of the visitors. The following criteria will help determine when a demonstrator has been adequately trained. 1 PART II - NOMENCLATURE Exploded View, Colt Revolver Barrel with front sight and loading lever catch. Cylinder with two cones unscrewed. 2 Loading lever screw; Barrel wedge Loading lever assembly with latch and plunger.
[Show full text]
1.9 Papers and Boards
CORE 1.9 How is paper made? Paper is made by chipping up timber, soaking it in water to break it down into fibres and then compressing the fibres together, bleaching them and drying them out and cutting the material up into the universal size needed. What sizes does paper come in? Paper comes in standard sizes that are known across the world (A0, A1, A2, A3, A4 etc. This allows paper to be made anywhere in the world and allows communication across the world. The paper sizes basically half every time you go down a size. Paper is also measured in GSM (Grams per metre squared) this usually determines paper quality, higher weights mean higher quality. Copier paper Description Uses Advantages Disadvantages Thin, lightweight, Writing, painting Takes colour well, Can jam in printers cheap, bright white and drawing good surface for in colour, smooth pencil, cheap, surface, bleached readily available, surface available in a range of colours Cartridge paper Description Uses Advantages Disadvantages Creamy in colour, General drawing Accepts most Expensive heavy thick paper. Painting drawing media, Opaque (non see through) Tracing paper Description Uses Advantages Disadvantages Thin, smooth and Overlays on Strong and Heavier weights translucent drawings, make Transparent expensive, ink takes copies by tracing time to dry. THE SIR JOHN COLFOX ACADEMY DEPT. DESIGN & TECHNOLOGY S.G.2019 CORE 1.9 Boards Boards tend to weigh over 220 GSM as their thickness is much greater and is often made up of multiple plys or layers. Folding box board Description Uses Advantages Disadvantages Stiff layers Cereal boxes, food Excellent scoring Lower strength than consisting of: and health care and bending without solid white board Printable bleached packaging, cartons splitting virgin pulp top Accepts print well surface Inexpensive.
[Show full text]
Papers and Boards
Design and Papers and Technology 8552 boards Unit 3 Materials and their working properties 1 Objectives • Know the primary sources of materials for producing papers and boards • Be able to recognise and characterise different types of papers and boards • Understand how the physical and working properties of a range of paper and board products affect their performance Paper and boards Unit 3 Materials and their working properties Starter • Think of the range of papers and boards you will have encountered today • Make a list of the different types and suggest their characteristics, for instance rigid, opaque, smooth Paper and boards Unit 3 Materials and their working properties What is paper? • Papers and boards are made from natural fibres (cellulose), usually sourced from wood • Other sources of fibre include bamboo, flax, hemp, kenaf, straw and sugarcane • Wood fibres are mostly sourced from faster growing softwoods rather than hardwoods • Rag paper is made using cotton which gives it superior strength and durability Paper and boards Unit 3 Materials and their working properties Pulp • The first stage in the production of paper and board is to make pulp • The natural cellulose fibres are mixed with water • This mixture is cooked which produces a fibrous liquid known as pulp • Pulp is fed onto a mesh conveyor which allows excess water to drain away • This makes its way through a series of rollers which help to press, form and dry the pulp into a continuous sheet which is either rolled or cut to size for commercial processing Paper and
[Show full text]
Investor Presentation – August 2020
SATIA INDUSTRIES LIMITED INVESTOR PRESENTATION August 2020 ~SATIA INDUSTRIES LIMITED ~AN S09Ol), '''''&OHSAS'400'COMPANY 1 Executive Summary Company Overview Key Clientele • Incorporated in 1980, Satia • SIL has long standing Industries Limited (SIL), is one of relationship with State the biggest and completely Text book Corporations integrated Wood and Agro and around 40% of based paper manufacturers. revenue comes from • SIL’s products are extensively these organisations. used in the printing of books, • The remaining revenue directories, envelopes, diaries, attributes to the Public calendars, computer stationery, and Private Sector copy manufacturing, annual Companies. reports, etc. Manufacturing and Distribution Network FY20 Financial Snapshot • Manufacturing plant based out of Muktsar with the capacity to manufacture 1,05,000 Operational EBITDA EBITDA Margin MT per annum. Revenue INR 1,749 Mn 21.63% • Completely integrated manufacturing INR 8,086 Mn operations with 3 paper machines, 100% in- house power generation and effluent treatment facilities. PAT PAT Margin ROE ROCE • Strong Distribution Network: 70 dealers INR 918 Mn 11.36% 23% 21% and 3 branch offices. 2 ~SATIA INDUSTRIES LIMITED ~A.' 1$08001 14olO"OHSAS 1Il001 COt-IPANY Company Overview 3 About The Company Operational Revenue (INR Mn) & EBITDA Margin (%) 7,384 8,086 6,421 5,708 4,336 22% 22% 19% • Incorporated in 1980 by Dr. Ajay Satia, Satia Industries Limited (SIL) started its commercial 16% 12% production of printing and writing paper at Muktsar, Punjab in 1984. • SIL is one of the biggest Wood and Agro based paper plants in India manufacturing paper using wood chips, veneer waste, wheat straw, sarkanda, etc.
[Show full text]
Revision Cards – Card, Paper and Board Materials Revision Cards – Card, Paper and Board Name: Layout Name: Tracing Paper
Materials Revision Cards – Card, Paper and Board Materials Revision Cards – Card, Paper and Board Name: layout Name: tracing paper Category: paper 50gsm Category: paper 60-90gsm Properties/Characteristics: Properties/Characteristics: • very thin/translucent; • almost transparent; • smooth; • very smooth; • off white in colour; • pale grey in colour; • relatively expensive; • expensive, especially when used in heavier weights; • usually bleed proof; • transparency allows tracing and overlaying designs. • ideal for spirit markers. Used to outline sketches, in accurate working drawings and for Used to outline sketches of layout pages and for sketching and sketching and developing ideas. developing ideas. twinkl.com twinkl.com Materials Revision Cards – Card, Paper and Board Materials Revision Cards – Card, Paper and Board Name: cartridge paper Name: grid Category: paper 120-150gsm Category: paper 80gsm Properties/Characteristics: Properties/Characteristics: • available in different weights; • printed with feint grid patterns; • fine textured surface; • available in squared or isometric; • creamy white in colour; • reduces the need for drawing equipment. • completely opaque; Used for constructing graphs, charts and 3D shapes. • versatile. Used for general purpose drawing and as painting paper (heavier weight). twinkl.com twinkl.com Materials Revision Cards – Card, Paper and Board Materials Revision Cards – Card, Paper and Board Name: copier paper Name: corrugated Category: paper 80gsm Category: card/board Properties/Characteristics: Properties/Characteristics: • lightweight; • strong and lightweight; • smooth; • more layers = stronger board; • versatile; • low cost; • bright white or coloured; • impact, puncture and tear resistant; • inexpensive; • excellent strength to weight ratio; • relatively cheap. • can be recycled. Used in copier printing, for general use and sketching and writing. Used in commercial and protective packaging and inners for high quality products, such as perfumes.
[Show full text]
Japanese Bookbinding Supply Info
Japanese Bookbinding Supply List Paper You will need a variety of paper for the bookbinding, you can also use card stock and copy paper if you do not have these particular papers. Adhesive You will need 1 oz of the listed adhesives. You can also use a glue stick or white glue instead. Threads Choose between any of the listed threads, it is your preference. You are looking for thicker thread not thin sewing thread. You will need 1.25 m of each or 2.5 m of one type. Alternative List If you prefer not to buy specific bookbinding tools or materials please refer to alternative options listed and use items from around your house. Other options that are more cost effective if purchasing is to check your local dollar stores' art and craft section as they often have bookbinding items at a fraction of the cost art stores do. Here is a simplified supply list for your shopping and gathering needs! Project Description Purpose Quanity Price Range Where to Purchase Alternative Choices Delta Art & Drafting sells Masa Paper for $3 and upwards, or rolls of washi paper $21 (10 sheets 10" x Washi Paper (Mulberry or any type) Paper (Project $3 for 20 x 30" 52", Paint Spot sells paper and small Book) 4 pieces 8.5 x 11" sheet sample packs Copy Paper or Cartridge Paper Delta Art & Drafting sells Masa Paper for $3 and upwards, or rolls of washi paper $21 (10 sheets 10" x Washi Paper (Mulberry or any type) Paper (Project $3 for 20 x 30" 52", Paint Spot sells paper and small Book) 1 piece 8.5 x 22" sheet sample packs Copy Paper or Cartridge Paper $3-4 (stonehenge or arnhem good Paper (Project cheaper rag Art Stores sell watercolour and rag Watercolour or Rag Paper (thicker paper 200 - 300 g) Book) 1 piece 8.5 x 11" paper) paper approx.
[Show full text]