F i n e P a p e r s

February 2 0 1 3 F i n e A r t P a p e r s

T a b l e o f C o n t e n t s

Paper Applications 2 - 5 DECORATIVE PAPERS Swatch Books 6 Europe / The Americas & Australia 75-91 Metric Conversion Chart 6 China 92-93 Storage Boxes 6 India 94-101 Papers for Storage 7 Japan 100-114 Korea 114 ART PAPERS Nepal 115-124 Europe / The Americas & Australia 8--41 Philippines 124 Thailand 125-131 DIGITAL PAPERS 42-44

PAPERS in ROLLS 132-135 ART PAPERS Africa 45 BOARDS 136-137 Bhutan 46-47 TRACE & GRAPH 138 China 48-49 BOOKS PADS SPIRALS 139-149 Egypt 49 India 50-52 STATIONERY 150-151 Indonesia 52 ORIGAMI 152-153 Japan 53-71 BOOKCLOTH 154-156 Nepal 72-73 Philippines 74 ADHESIVES & MOUNTING 157-159 Thailand 74 GLOSSARY 160-161

P a p e r A s s o r t m e n t p o l i c y 25 Sheet Price - 25 - 99 sheets of one paper, one color, one weight, one size. 100 Sheet Price - 100 - 499 sheets assorted - no less than 10 sheets of each item.* 500 Sheet Price - 500 - 999 sheets assorted - no less than 25 sheets of each item.* *"Item" refers to one paper, one color, one weight, one size. I N T R O d u c t i o n / P A P E R A P P L I C A T I O N S

By definition, "Paper" is a substance composed of macerated cellulose fibers first suspended in a vat of water and then re-structured into sheets by means of a mould. To make paper is a relatively simple process. To make good paper is often the result of a lifetime of labor and learning. What type of cellulose is used, where it is grown, how the fiber is broken down, the type of mould used, the method of getting the mould in and out of the water and the way that the sheet is dried are the elements of the papermakers' art. This is where they begin. This is what determines what they then pass on to us. That is what this catalog is about. This is where you begin. As the next artist, now it is your turn. Now you must paint, draw, print, cut, paste, fold, spindle, mutilate or perform whatever is fueled by your inspiration! For those of you who are able to come into New York Central and actually see and touch the papers, this catalog will help to refresh your memory. For those of you who cannot, this catalog may impress upon you the vast possibilities that are available to you. Unfortunately for some, it may simply overwhelm with too many choices and decisions to make. Such is life! For those of you looking for decorative varieties, scanned images in this catalog are here to act as an introduction to that line. Please note that space does not allow for all the patterns or styles to be illustrated or listed. Swatchbooks are available, and our web site has many of our decorative papers on display. Unprinted papers for drawing, printing & painting now have their own section to make them easier to locate. Of course, what exactly is an "art paper" is a topic of debate! Some items are located in one section rather than the other, only to avoid dividing a line of papers - so the sections act as a guide, but are by no means meant to limit the use of the sheets.

Paper Applications Assigning a specific use to a paper can be misleading and restrict the experimentation which is a likely necessity to determine the best paper for your purposes. To call one paper a "printmaking paper" means very little to the artist who prefers a softer, more absorbent sheet for their watercolor techniques or to another artist who prefers the same paper for pastel. Here are some paper basic ideas and facts for you to consider. Fiber Content The length of the broken-down fibers, their bulk, absorbency, the expansion and contraction that takes place when they are subjected to water are all factors that determine the finished sheet. Longer fibers like cotton, flax and hemp create a stronger network of interlocking fibers. That strength is especially important for sheets that will be folded, erased or stretched. Shorter fibers like wood pulp or wheat straw add bulk and are less likely to stretch or contract, so they are excellent for techniques such as embossing. Blending different fibers in different amounts imparts qualities derived from each of the fibers. "Rag" refers to fibers that were originally spun into fabric before they were broken down into pulp for paper. This style of pulp has the longest fiber length and potentially, the greatest strength. Most papers made today do not use "rag" in their composition but rather use the raw fiber such as seed cotton. Kozo and gampi come from the inner bark of shrubs. Once pounded and separated, they produce exceptionally long fibers and consequently, exceptionally strong sheets, even if they are very thin. Most papers in this catalog do not use fibers without the addition of sizing. To say that a wood pulp paper with it's shorter fibers is more absorbent than a cotton sheet with longer fibers is only accurate if both of those sheets are identical in every other way. In fact, a shorter fiber (which will absorb more water) can absorb more sizing, so it is possible that the wood pulp sheet will result in a harder, less absorbent material. Fibers such as linen and gampi have a natural element that encases the fiber that acts as a type of sizing. Papers made of these will withstand certain techniques without additional sizing. However, as water eventually penetrates this casing these fibers experience extreme expansion and contraction. For example, sheets made by Cave Papers that are made on a 18 x 24" mould measure as much as an inch smaller when we receive them. This style of paper will expand and contract dramatically each time they are subjected to moisture, even the humidity or dryness of the atmosphere. One should never reject a paper because of some belief that one fiber is inferior to another. Modern papermakers have access to many resources and usually select the fiber based on desired results. It is much more important that a paper be neutral pH. Fiber has nothing to do with pH.

2 Paper is fragile! No returns or exchanges are allowed. P A P E R A P P L I C A T I O N S

Sizing Most "Western" papers in this catalog use some sort of sizing. Most "Asian" papers do not. Traditionally, sizing is composed of starch, animal based glues (such as gelatine,) or plastic polymers. Sizing actually repels water, so the amount added to the vat and/or applied after the sheets are formed will determine moisture absorption and the expansion and contraction of the sheet. Watercolor papers are not made to accept water, but to repel it. This allows for longer working time, keeping the integrity of the surface before fibers have time to react to the water in the paint. Lightly sized or unsized papers absorb moisture evenly and quickly, which makes them ideal for printing or techniques like sumi-e painting where the gesture of the stroke and the load of the brush are to be "recorded" by the paper. Wetting lightly sized sheets in one place and not another causes swelling of the fibers in those places, giving the sheet "hills and valleys" that are difficult to work on and require that the sheet be re-flattened by re-wetting the entire sheet and/or apply pressure. Sizing can usually be removed by soaking the sheet in tepid or hot water. Sizing can be added to a sheet either in the form of a surface sizing or by dipping the paper into prepared size solution. Type of materials used for sizing depends on the desired results and ease of application. (See the "Adhesives & Sizing" section in this catalog for some possibilities.) Method of Manufacture Although these descriptions are oversimplifications and there is much variation within each category, generally speaking, sheets comparable in fiber and sizing will have the following characteristics: Handmade Papers have little or no grain direction, the most interlocking fibers - providing greater strength, are softer and have more bulk because they are not subjected to extreme sources of heat or pressure. Mouldmade Papers have a distinct grain direction from the rotation of the cylinder machine. Because these machines run at a slow speed, the sheets will have good strength from interlocking fibers. Mouldmade papers are firmer and flatter than handmade papers because of the pressure used to dry and surface the sheets. Machinemade Papers have a pronounced grain direction with less interlocking fibers than handmade or mouldmade sheets and are very hard and flat because of the use of extreme heat and pressure to dry and surface the sheets. Weight / Surface Texture When considering papers comparable to each other in fiber and sizing, heavier papers are relatively stronger, will withstand more handling and will buckle less. Lighter weight papers are easier to fold and tear and have less "memory" of rolling. Paintings done on light weight sheets are also easier to flatten. Papers with greater texture will dry more evenly without puddling because they have greater surface area that distributes moisture more evenly across the surface. Smooth sheets offer the greatest precision in drawing and painting, but the flatness of the surface is the most vulnerable and unforgiving when it comes to erasure or poor handling. Grams vs. Pounds Many people are confused by the fact that we use gram weights in this catalog instead of pounds. We do this because this system allows you to compare the weights of a given sheet without considering the size of the sheet. A paper 300 Gr/M2 is half the weight of a sheet that is 600 Gr/ M2 or twice as heavy as one that is 150Gr/M2. Look at the gram weight of papers that you are already familiar with and you will be able to compare those sheets to others in this catalog. The pound system that most artists are familiar with is the European system given to artists' watercolor papers. To say that a sheet is 140 pounds actually means that one ream (500 sheets) weighs 140 pounds. However, if the sheet size varies, so will its weight, even though it is the same paper. If the 140 pound sheet is 22 x 30" then that same paper, half that size would weigh 70 pounds. By only considering pound weights, customers are often tricked into buying the wrong sheet. Arches 260 pound is much lighter than Arches 300 pound simply because the 300 pound in this case is 22 x 30" while the 260 pound is 25½ x 40". The commercial paper market uses a pound-based system using the "M weight" (weight of 1000 sheets.) This system is useful to determine weights, but one must know the basis size and the number of sheets in the carton Before you can directly compare one sheet to another. To determine pound weight from the gram weight you can use this formula: Gram Weight x .267 x Square Inches of the Sheet ÷ 374 = Ream Weight. Ream Weight x 2 = M Weight. 3 P A P E R A P P L I C A T I O N S

Watercolor Watercolor papers have more sizing than other papers. That sizing actually repels the watercolor, allowing more manipulation on the surface, more open time and less buckling of the sheet. The more texture, the more dispersion of pigment and the more even the distribution of water. A smooth watercolor paper will buckle more than a rougher sheet; a thicker sheet will buckle less than a lighter weight one. More absorbent sheets "freeze" the stroke, but do not allow for as much wet-into-wet treatments. Arches Aquarelle • Bockingford • Canson Montval • Cave Papers • Fabriano Artistico • Hahnemühle Torchon Hahnemühle Watercolor • Indian Handmades • Lanaquarelle • Magnani Acquarello • Multi-Media Aquarelle • St. Armand T.H. Saunders Waterford • Strathmore Aquarius II • Twinrocker Gelatine Sized • Czech Velke Losiny • Winsor & Newton Watercolor Zerkall Aqua Rag

Printmaking Almost all papers can be used for some type of printmaking. Usually, "printmaking papers" have less sizing, making them more pliable, more absorbent in order that they can take moisture and ink evenly into their fibers. Some printing techniques work better with harder papers, others with softer. In techniques where the paper is soaked, the time in the water bath can remove sizing and make the fibers more receptive. Japanese papers, waterleaf papers can often be simply sprayed with water before printing. Alcantara • Arches Cover • Arches 88 • Arpa Spanish Handmades • Capellades Spanish Handmades • Cave Papers • Coventry Domestic Etching • Fabriano Rosaspina & Tiepolo • Folio • HMP Handmades • Hahnemühle Copperplate Durer & German Etching Japanese Papers • Johannot • Lenox • Magnani Incisione • Magnani Pescia • Magnani Revere • Magnani Velata & Vergata • Mexican Handmades Rives BFK • RivesPapier de Lin • Somerset • St. Armand • Stonehenge • Twinrocker • Zerkall Boolweight & Copperplate Printmaking - Letterpress & Book Arts Lighter weight, lightly sized papers fold more easily and are more suitable for the book format. They are also excellent for all drawing techniques. Arches • Cranes Crest & Cover • Fabriano Elle Erre • Fabriano Ingres • Fabriano Roma • Fabriano Tiziano • Hahnemühle • Johannot Lightweight • Magnani Velata & Vergata • Rives Lightweight &Heavyweight St. Armand Text • Somerset Book • Twinrocker • Van Gelder Zerkall Book & Zerkall Ingres • Zerkall Frankfurt & Nideggen Printmaking - Silkscreen Just about anything can be silkscreened, even very rough papers, but most printers prefer a very flat, smooth surface as it offers direct contact with the screen. Lightly sized or unsized papers draw the ink into the surface and prevent smearing and shorten the drying time between multiple screens. Arches 88 • Coventry • Lenox • Magnani Pescia • Somerset Satin • VanGelder Simili Japon • Zerkall Book Printmaking- Woodblock & Monoprint When a press is used, most absorbent sheets can be adapted for block printing and monoprint. When hand printing is used, lighter weight sheets are easier to burnish and transfer more ink from the block or plate. Using a clear sheet of acetate or mylar over the sheet when burnishing prevents abrasion of the paper while allowing you to see the progress of the transfer. Brazilian Handmades • Bhutan Papers • Chinese Papers • Huun Amate • Indian Sunn Hemp • Japanese Papers • Nepalese Papers Papel de Amate • Rives Lightweight • Somerset Book • Thai Mulberry Printmaking - Digital Art Although there are papers specifically coated for digital printing, other papers can be used sucessfully for less photographic results. Remember that ink jet printers use water-based inks and like all watercolors, these inks will spread on papers with less sizing. Printmaking grades produce a softer image. Watercolor papers with more sizing will have less spread. Whiter papers offer more contrast for the translucent inks. Smoother papers give more precise application of each pixel of color. Machinemade sheets are harder; handmade sheets can have variations from sheet to sheet and even across the surface of one sheet. Arches Watercolor • Fabriano Artistico • T.H. Saunders • Rives BFK • Somerset • Japanese Machinemades

Repair & Conservation Thinner, stronger fibered papers are usually desired for restoration. Matching a similar paper and color to the original is the goal for repairing old or damaged works. Archival quality is a major consideration. The collections listed below offer a good starting point as each line has a variety of weights, tones and fibers. • Japanese Kizukishi • Japanese Silk Tissue • Japanese Roll Papers • Lens Tissue • Twinrocker Handmades • Thailand Mulberry

Platinum & Photo Processes The specific technique, the formulation of emulsion, even atmospheric conditions effect the final results of alternate-photo-processes. The sizing, the pH and the buffering agents in the paper are also factors. Different makings of the same paper can have slight variations, which would not matter to most users, but will yield dramatic differences to the platinum printer. Testing is essential! Arches Aquarelle • Arches Platine • Canson Opalux • Magnani Revere Platinum • Stonehenge • Strathmore 1-ply Bristol • Twinrocker Van Gelder Simili Japon

4 Paper is fragile! No returns or exchanges are allowed. P A P E R A P P L I C A T I O N S

Calligraphy, Pen & Ink Texture and absorbency of a calligraphy paper is a personal choice. Some like a little tooth to prevent smearing; others want an absolutely smooth surface with sufficient sizing to keep the ink high on the surface. Type of pen or brush, style of nib and the scale of the calligraphy are also factors to be considered. Arches Aquarelle Hot Pressed • Arches Text • Cranes Crest & Parchment • Coventry Smooth • Hahnemühle Ingres Hot Pressed Watercolor Papers • Magnani • Parchment Genuine & Imitation • Pergamenata • Schoellarhammer Bristol • Strathmore Bristol Translucent Vellum • Zerkall Book & Ingres

Pastel & Charcoal Although some people like smooth papers, the majority of artists using pastel or charcoal want a paper with enough tooth to hold the pigment and allow layering. The amount of tooth and the hardness of the sheet will determine where the pigment sits, the amount of build-up possible, erasure, blending and the need for fixatives to set the layers. Art Spectrum • Canson • Fabriano Ingres, Murillo, Tiziano & Roma • Hahnemühle Bugra Butten & Ingres • Pastel Cloth • Richeson Unison • Sabertooth • Sennelier Pastel Card • Somerset Textured • Strathmore Charcoal • Twinrocker • Velour • Zerkall Ingres

Silverpoint Clay-coated materials are used for this technique that predates the Rennaissance. Various metals can also be used including gold, brass and copper. The papers listed here work quite well, but are limited in their tone and aesthetic. You can coat your own paper for metal-point. Traditional techniques use animal glue or gelatine mixed with pigment on a smooth surface. Or you can avoid cooking glue by layering Chinese white watercolor or white gouache. These can be tinted with watercolor or pigment. Sand the surface with ultra-fine sandpaper or raw silk to eliminate brush strokes. Legion Art Coated Cover • New York Central Clay Coat • Plike • Mc Coy Clay Coat

Black papers Arches Cover • Black Coverstock • Canford • Canson Mi-Teintes & Ingres • Colorplan • Fabriano Ingres, Tiziano & Murillo • Flint Hahnemühle Bugra, Ingres & German Etching • Khadi Indian Colors • Japanese Kyosei-Shi • Japanese Kozo Moriki & Yatsuo • Magnani Revere Somerset Black • Stonehenge Black • Strathmore Charcoal • Thai Mulberry & Unryu

Colors Canford • Canson Mi-Teintes & Ingres • Fabriano Elle Erre, Ingres, Murillo, Roma & Tiziano • Flint Papers • Hahnemühle Bugra Butten &Ingres • India Cotton Colors • Japanese Kyosei-Shi • Japanese Kozo Moriki • Japanese Mingei-shi • Japanese Yatsuo • Japanese Echizen Kizukishi • Nepal Chautara Lokta • Ruscombe Queen Anne Handmades • Richard de Bas • St. Armand • Spanish Handmades • Speckletone • Thai Papers • Van Gelder Ingres • Velour Papers

Floral Inclusions Indian Floral Text • Indian Sanganeer • Langdell Handmades • Nepalese Handmades • Thailand Garden • Richard de Bas Florales

Metallic Papers Canford Metallic • Chinese - Taiwan Pearlized • Line Embossed • Foil Papers & Textures • Foil Mirri Indian Metallics • Japanese Metallics • Japanese Shimizu • Japanese Eboshi & Urban Metal • Stardream • Thailand Metallics

Large Sheet Format Arches Aquarelle & Cover • Chinese Handmades • Coventry • Folio • Hahnemühle Copperplate • Japanese Handmades • Japanese Iwano Japanese Machine-mades • Lanaquarelle • Lenox • Nepal Lhakpa Handmades • Somerset • Stonehenge • Textile Design Papers

Small Sheet Format Bhutan Cards • Czech Velke Losiny • Indian Khadi • Indian Nujabi • Nepal Lhakpa Handmades • Japan HandmadesJapan Etchu Cards Japan Mitsumata Letter • Japan Mohachi • Japan Shojoshi • Japan Shikishi • Handmade & Mouldmade Stationery • Twinrocker

Non Paper Surfaces Technically, paper is made of mascerated cellulose fibers that have been suspended in water and then re-structured into sheets by means of a mould. This catalog contains several materials that are not real papers, but can be used in similar manners. Chinese Handwoven Silks • Corkskin • Egyptian Papyrus • Genuine Parchment • Huun Amate • Indian Plastic Paper Japanese Cobweb & Waffle Japanese• Wood Veneer • Japanese Woven Grass • Nepalese Transparent Deer Skins • Mexican Papel de Amate TexLibris & Texlifil Bookcloth • Tyvek • Vegetable Papyrus • Worldcloth Bookcloth • Wood Veneer • Yupo 5 s w a t c h b o o k s

African Handmades 3.00 Lanaquarelle 3.00 STORAGE BOXES Arches Aquarelle 2.00 Langdell Handmades 12.00 Arpa, Ca'Oliver & Capellades 10.00 Line Embossed 4.00 LINECO MUSEUM STORAGE Art Spectrum Colorfix 6.00 Magnani 10.00 BOXES Bertini 6.00 Mexican Huun/ Papel de Amate 6.00 Archival boxes made of heavy-duty pressboard Bhutan 10.00 Museum Board 2.00 with metal re-inforced corners. Black outside, Bockingford & Saunders 5.00 Nepal white interior. Brazilian Handmades 5.00 chautara Lokta & Banana 8.00 Size in Inches List sale Brookfield Decoratives 4.00 khadi Himilayan/Lhakpa 7.00 8 x 10 x 1½ 20.45 15.34 Philippine 3.00 Canford Colored Paper & Card 4.00 8 x 10 x 3 19.45 14.59 Canson Mi Teintes / Ingres 5.00 Printmaking / Drawing 25.00 8½ x 11 x 3 24.79 18.59 Cave Papers 10.00 Richeson Pastel 4.00 9 x 12 x 1½ 21.21 15.91 China / Hong Kong / Taiwan 8.00 Rolls (papers available in rolls) 9 x 12 x 3 21.53 16.15 Chinese Silks 8.00 European & American 15.00 11 x 14 x 1½ 21.69 16.27 Chinese Woven & Texture Mats 15.00 Oriental 15.00 11 x 14 x 3 21.64 16.23 11 x 17 x 3 32.21 24.16 Corkskin 2.00 Rossi Decoratives 5.00 13 x 13 x 3 27.58 20.69 Ruscombe Mill Handmades 20.00 Czech Velke Losiny 2.00 13½ x 19½ x 1½ 31.80 23.85 Digital Papers 10.00 Sabertooth Pastel 1.00 13½ x 19½ x 3 31.80 23.85 Durotone/Speckletone 3.00 Saint Armand Mill 20.00 14 x 18 x 1½ 29.60 22.20 Fabriano T.H. Saunders & Bockingford 6.00 14 x 18 x 3 29.73 22.30 artistico 4.00 Sennelier Le Carte Pastel 5.00 16 x 20 x 1½ 36.28 27.21 Elle Erre 3.00 Speckletone/Durotone 3.00 16 x 20 x 3 36.53 27.40 17 x 22 x 1½ 42.12 31.59 Ingres / Roma / Rosaspina / Tiepolo 4.00 Stardream 6.00 20 x 24 x 3 48.58 36.44 Strathmore 4.00 Murillo 1.00 22 x 30 x 3 53.98 40.49 Tiziano 3.00 Tassotti Decoratives 5.00 Flint Paper 1.50 TexLibris & TexLifil Book Cloth 15.00 Foil & Metallic Papers 25.00 Thailand CENTURY CLAMSHELL BOXES French Marbles 10.00 chiri Unryu & Naturals 3.00 Black archival box opens fl at.W hite interior. Marbles 4.00 Glassine 1.50 Size in Inches List Sale Printing & Painting 4.00 Hahnemühle 8.00 4 x 5 x 1 37.95 30.36 India Unryu 10.00 4 x 6 x 1½ 38.95 31.16 khadi Indian Handmades 8.00 Translucent Vellum / Tracing 8.00 5 x 7 x 1½ 39.55 31.64 Plastic Papers 5.00 Twinrocker Handmades 15.00 8 x 10 x 1 42.55 34.04 Sanganeer / Nujabi 5.00 Velour/Velour Premium Pastel 4.00 8 x 10 x 2 44.95 35.96 Ja Ja Metallics 5.00 Wood Grain/Veneer 20.00 8½ x 11 x 1½ 46.55 37.24 9 x 12 x 1 47.95 38.36 Japan World Cloth Book Cloth 30.00 Zerkall 6.00 9 x 12 x 2 50.95 40.76 Japan 11 x 14 x 1 50.55 40.44 art Papers Handmade 30.00 For those of you who do not require 11 x 14 x 2 53.55 42.84 art Papers Gampi & Mitsumata 15.00 12 x 17 x 1½ 73.55 58.84 art Papers Machine-made 15.00 a complete swatch book, we can 12 x 16 x 2 96.55 77.24 bicchu Gampi & Tanai 10.00 provide individual swatches. 13 x 19 x 1½ 94.55 75.64 Gifu Machine-mades 4.00 You may request up to 3 swatches 14 x 18 x 2 92.55 74.04 16 x 20 x 1 94.55 75.64 Itajimi-shi & Shiburi 5.00 at no charge. 16 x 20 x 2 96.55 77.24 Iwano Handmades 20.00 Additional 3 x 5" swatches are then 20 x 24 x 2 149.95 119.96 Izumo Mitsumata-shi 10.00 $1.00 each. kozo Moriki 7.00 Kyosei-shi 6.00 Lace & Tissue 15.00 Metallics see foil papers Metric Conversions Mingei-shi Colors 3.00 ogura/Ogura Lace 3.00 Length Length shikibu Gampi 12.00 1 Inch = 2.54 Centimeters 1 Centimeter = .3937 Inches shikibu Kizukishi 7.00 1 Inch = .0254 Meters 1 Meter = 39.37 Inches Unryu (Japanese only) 5.00 1 Foot = .3048 Meters 1 Meter = 3.2808 Feet woven Grass & Cork 3.00 1 Yard = .9144 Meters 1 Meter = 1.0936 Yards Yatsuo 8.00

6 Paper is fragile ! No returns or exchanges are allowed. P A P E R S F O R S T O R A G E

Papers for Storage In this catalog, we have hundreds of pH neutral sheets that can be used for storage and presentation. The most popular and common are listed on these pages. It is important to note that for museum quality, archival storage it is essential that you monitor the stored items on a regular basis. Neutral pH materials will only remain stable if all factors - including heat and light - are kept at ideal levels that are difficult to maintain outside of museum conditions. Buffered items will cease to absorb or neutralize acids after time. It is highly recommended that you refresh storage materials after several years or if you should notice discoloration of the interleaving material or the items being stored.

GLASSINE - MUSEUM GRADE INTERLEAVING MOHAWK VELLUM 25 pound. - 48 gram. Slick, almost transparent. Neutral pH White. 60 gram. COOL WHITE & SOFT WHITE interleaving. White. Tested by curators of major Sheets 1 25 100 500 Machine-made, sulphite pulp. Neutral pH. museums, this glassine remains neutral pH. for 25 x 38 .70 .63 .56 .50 60 lb. text. a longer duration - even in adverse conditions. Sheets 1 25 100 500 1000 Sheets 1 25 100 500 1000 COATED INTERLEAVING 25 x 38 .65 .59 .55 .50 .46 24 x 36 .50 .45 .42 .38 .35 Neutral pH. Slick coating reduces static 36 x 48 1.00 .90 .84 .75 .70 electricity making it useful for pastel and charcoal MOHAWK VIA SMOOTH Rolls sale drawings - even those that have not been fixed. LIGHT GREY 12 x 20 yards 7.40 Sheets 1 25 100 500 Resembles newsprint. Neutral pH. 70 lb. text. 18 x 20 yards 10.20 25 x 38 .65 .59 .55 .50 18 x 100 yards 41.20 Sheets 1 25 100 500 1000 24 x 20 yards 13.00 25 x 38 .75 .68 .63 .56 .53 24 x 100 yards 51.85 LENS TISSUE - RAYON 36 x 20 yards 17.60 Machine-made in Japan from 100% rayon. STRATHMORE BARRIER 36 x 100 yards 75.00 Neutral pH. 100% buffered cotton. Neutral pH. Natural. 42 x 20 yards 21.50 Sheets 1 25 100 500 Sheetsl 1 25 100 500 42 x 100 yards 85.00 24 x 36 1.30 1.16 1.08 .97 48 x 20 yards 23.50 32 x 40 2.10 1.87 1.73 1.56 48 x 100 yards 95.50 60 x 20 yards 29.00 LENS TISSUE - HEMP TISSUE -ACID FREE 60 x 100 yards 116.00 Machine-made in Japan from 100% Manila Neutral pH. Un-buffered, virgin pulp. No deckles. White. 50 sheet Pads sale hemp. Neutral pH. 8½ x 11 4.50 Sheets 1 25 100 500 Packages of 480 Sheets sale 13 x 19 7.00 24 x 36 2.35 2.09 1.94 1.74 24 x 36 90.00 17 x 22 13.50 JAPANESE INTERLEAVING TYVEK GLASSINE - HEAVYWEIGHT ASA GAMI Machine-made from synthetic fiber. Neutral 37 pound - 68 gram. Off W- hite, 100% Manila Hemp. Thin tissue. pH. Strong, ‘untearable’ - moisture resistant. Sheets 1 25 100 500 1000 HP 14 - 25 Sheets Rolled sale Sheets 1 25 100 500 1000 24 x 36 .90 .81 .75 .68 .63 31 x 43 45.00 24 x 36 3.50 3.15 2.92 2.63 2.45 Rolls sale Rolls Sale 36 x 20 yards 24.50 LINECO TISSUE 36 x 10 yards 59.00 36 x 100 yards 104.00 Neutral pH. White. 16 gram. 36 x 50 yards 164.00 48 x 20 yards 33.00 60 x 10 yards 71.00 48 x 100 yards 133.00 Rolls Sale 60 x 50 yards 272.00 40 x 250 ft. 75.50 YUPO 100% polypropylene. Waterproof, stain resistant BORDEN & RILEY #30 BOND FOLDER STOCK - PERMA-DUR Neutral pH. 20 pound. Smooth, white bond and incredibly strong. White. Neutral pH. Acid-free, lignin-free buff ered cardstock. for wrapping. Manilla color. 2 weights. 26 x 40" 1 25 100 500 Rolls sale 155 gram 6.05 5.42 5.03 4.52 Sheets sale 15 x 25 yards 8.45 197 gram 8.10 7.28 6.76 6.07 .010 – 32 x 40 5.50 18 x 25 yards 9.00 390 gram 11.45 10.30 9.55 8.58 .020 – 30 x 40 8.50 24 x 25 yards 12.00 Rolls Sale 30 x 25 yards 15.00 60 x 10 yards - 197 gram 130.00 36 x 25 yards 17.45 42 x 25 yards 20.90 48 x 25 yards 23.85 60 x 25 yards 29.80

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 7 A R T P A P E R S - E u r o p e / T h e A m e r i c a s & A u s t r a l i a

Arches - France Hand papermaking in the towns of Arches and Archette can be traced back to 1492 where papermakers took advantage of the pure waters of the Rue de Razon. Today, Arches papers are made on cylinder mould machines by The Arjomari Paper Group. The name Arjomari is composed from the first 2 letters of Arches, Johannot, Marais and Rives - signifying that the reputation of their papers is the result of fine traditions derived from these mills, their specific style of papermaking and the people who helped to develop them over the centuries. Co-owned by Wiggins Paper. Arches papers are known for their strength and versatility. All Arjomari papers are made of 100% cotton, have 2 natural deckled edges and 2 torn edges and are neutral pH. Arches Aquarelle Natural White & Bright White also see Rolls Internally and externally sized for watercolor. Watermarked and chop-marked. For watercolor, water media, drawing. Arches Cover also see Rolls Cold Pressed surface. Lightly sized. Off-White and Cream (Buff) Printmaking, drawing. Arches MBM INGRES (MICHALLET) Originally designed by the mill for the artist Jean Auguste Dominique Ingres. White. Drawing in charcoal, pastel, crayon, ink, pencil, book arts. Arches Oil Cold Pressed surface with a clear, archival coating that allows for direct painting in oil without losing the look and feel of paper. Accepts all other painting & drawing techniques. Arches Platine Hot Pressed surface. Specially sized for platinum printing. Lightly sized for platinum and other printing & photo techniques. Arches 88 Silkscreen Hot Pressed. Unsized, it absorbs ink freely, avoiding build-up and glare. Silkscreen, lithography. Arches Text Wove & Laid Lightly textured, Wove surface. Off-White. Uses: drawing, calligraphy, letterpress, book arts. Arches Paper Size Gr/M2 1 25 100 500 Arches Aquarelle Natural White also see Rolls 90 lb. HP, CP, R 22 x 30 185 4.80 4.31 3.99 3.73 70 lb. Cold Pressed 16 x 20 300 4.10 3.68 3.40 3.18 140 lb. HP, CP, R 22 x 30 300 6.75 6.08 5.63 5.25 300 lb. HP, CP, R 22 x 30 640 15.50 13.95 12.91 12.05 400 lb. Cold Pressed or Rough 22 x 30 850 20.25 18.20 16.85 15.72 260 lb. HP, CP, R 25½ x 40 356 13.30 11.95 11.05 10.32 555 lb. Cold Pressed or Rough 29½ x 41 640 32.55 29.30 27.11 25.31 1114 lb. Cold Pressed or Rough 40 x 60 640 71.40 64.24 59.48 55.52 Arches Aquarelle Bright White 140 lb. HP, CP, R 22 x 30 300 6.75 6.08 5.63 5.25 300 lb. HP, CP, R 22 x 30 640 15.50 13.95 12.91 12.05 Arches Cover also see Rolls white 19½ x 25½ 250 3.85 3.43 3.18 2.97 white or Buff 22 x 30 250 4.85 4.34 4.02 3.75 white 24¾ x 35¼ 270 7.60 6.16 6.35 5.70 white 29 x 41 270 9.40 8.44 7.82 7.30 white 31½ x 47 300 12.70 11.42 10.58 9.87 black 30 x 44 250 11.90 10.69 9.90 9.24 Arches MBM Ingres (Michallet) 25½ x 40 105 3.78 - last of stock Arches Oil 22 x 30 300 7.10 6.39 5.93 5.33 Arches Platine 22 x 30 310 7.90 7.11 6.58 6.14 30 x 44 310 15.55 13.98 12.94 12.08 Arches 88 Silkscreen 22 x 30 300 5.70 5.13 4.75 4.44 30 x 42 350 12.75 11.45 10.60 9.90 Arches Text Laid White & Cream 25½ x 40 120 4.98 - last of stock Arches Text Wove White 25½ x 40 120 4.60 4.15 3.46 3.23

8 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S alcantara - Italy limited quantities available. 100% cotton, handmade in Italy by Sicars. Neutral pH. Cold pressed, surface. 4 deckles. Lightly sized. Uses: drawing, printing & some watercolor techniques. Green Grey Yellow Paper Size Gr/M2 1 Alcantara Colors 19½ x 27½ 160 5.00 - last of stock

ARPA Handmades - Spain Handmade from a blend of cotton and linen with substantial interior sizing and light texture. 4 Deckles. Neutral pH. Interior sizing allows for a full range of drawing, printing & some watercolor techniques. The beautifully pigmented sheets show good light-fast properties. Burgundy Chocolate Ivory lavender Light Blue light Grey Medium Blue Medium Green Medium Grey Navy Pale Pink Salmon Sage Terracotta Arpa Size Gr/M2 1 25 100 500 Ivory only 8 x 12 220 1.75 1.57 1.45 All Arpa 19½ x 25½ 200 12.00 10.80 10.02 9.00

Art Spectrum Colorfix - Australia Machine-made in Australia. Acid free watercolor paper screened with a fine-toothed pastel primer. Colorfix can withstand erasure while maintaining the receptive qualities of the surface. Pastel and charcoal need little fixative. The sheet size includes a ½" border of uncoated white paper. No deckles. Aubergine Australian Grey Blue Haze Burgundy Burnt Umber deep Black Deep Ultramarine elephant Grey fresh Grey leaf Green Dark Natural Olive Green Raw Sienna rich Beige rose Grey Sand Soft Umber storm Blue Terra Cotta white Paper Size Gr/M2 1 25 100 500 Art Spectrum Colorfix 19½ x 27½ 340 11.70 10.53 9.77 8.78

Bamboo - USA Machine-made in the U.S. for Legion Paper from 90% bamboo, 10% cotton. Bamboo grows rapidly, requires a fraction of the water needed to grow cotton, needs no fertilizers and produces more oxygen while consuming more carbon dioxide than trees. These eco-friendly, off-white sheets have a unique, scratchy surface and are suitable for offset, letterpress and drawing. Neutral pH. No deckles. Paper Size Gr/M2 1 25 100 500 Bamboo 27½ x 39 105 2.20 1.96 1.82 1.63 Bamboo 27½ x 39 265 4.50 4.03 3.74 3.36

Black Cover - USA Machine-made in the U.S. from sulphite. Smooth, even black. No deckles. Paper Size Gr/M2 1 25 100 500 Black Cover - Lightweight 26 x 40 65 1.65 1.49 1.39 1.22

BLOTTER - USA Machine made in the U.S. from 100% high alpha cellulose. Neutral pH. Paper Size Gr/M2 1 25 100 500 Blotter 24 x 38 360 3.60 3.21 2.98 2.68 Blotter 40 x 60 360 9.35 8.39 7.79 6.99

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Bockingford White & Tints - England Mouldmade in England by the St. Cuthberts Mill. 100% high alpha cellulose. Neutral pH. No deckles. Internally and externally sized for watercolor. Cold Pressed surface. Bright white and colors inspired by tinted English watercolor sheets from the time of Constable and Turner. Blue Cream Eggshell Grey Oatmeal White Bockingford Size Gr/M2 1 25 100 500 Bockingford 90 lb. Cold Pressed White 22 x 30 190 2.90 2.61 2.42 2.18 Bockingford 140 lb. Cold Pressed White 22 x 30 300 4.20 3.78 3.51 3.15 Bockingford Colors 140 lb. Cold Pressed 22 x 30 300 4.20 3.78 3.51 3.15

Boutique - Jeans - Italy Boutique - Wool Machine-made in Italy using a minimum of 15% cotton denim or wool scrap from the garment industry. This gives these unusual papers a light porous surface and interior strength. No deckles. Both varieties are designed for commercial printing, display and packaging, but are certainly durable enough for drawing and painting techniques. Jeans has a faint diagonal embossed texture. Wool has a scratchy, even surface. Jeans Dark Denim Jeans Light Denim wool Blue Jersey wool Green Loden wool Ivory Fleece Wool Red Tartan wool Violet Shetland wool White Merinos Paper Size Gr/M2 1 25 100 500 Boutique Jeans Stonewashed Denim & Blue Denim 28 x 40 220 2.80 2.49 2.31 2.07 Boutique Wool - All colors 28 x 40 120 1.50 1.33 1.23 1.11 28 x 40 220 3.10 2.78 2.58 2.31

Brazilian Handmade Banana Handmade of 100% recycled banana fiber. Crisp sheet with a mottled appearance. 4 Deckles. Neutral pH. For drawing, book arts, collage and printmaking. Translucent, smooth finish: Beige Black Cream Chocolate Dark Green light Blue Light Green Mustard Orange Pink Red Purple Heavy, rough finish: Light Natural Medium Natural dark Natural Paper Size Gr/M2 1 25 100 500 Brazilian Banana 19½ x 27½ 80 12.80 11.52 10.69 9.60

Brazilian Mixed Fiber Handmades - limited quantities available. Casca de Alho with Hematite - Garlic peels and cotton colored with hematite to a lavender natural. Roxo e Casca de Cebola - White cotton with onion peel and multi color, sisal threads. Paper Size Gr/M2 1 Casca de Alho & Roxo e Casca de Cebola 19½ x 25½ 80 9.00 - last of stock

Ca L'Oliver Barcelona Colors - Spain limited quantities available. Vibrant, saturated colors and subtle pastels handmade in Barcelona of 50% cotton. Cold pressed surface. Neutral pH. 4 Deckles. Blue Cream Lilac Pastel Blue Pastel Yellow Pastel Lavender turquoise Ca L'Oliver Size Gr/M2 1 All colors 19 x 24 200 10.00 - last of stock

10 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Canford Colored Paper & Card - England Machine-made smooth finish colored commercial papers in two weights. No deckles. All colors are Neutral pH (as of late 1999.) Used extensively for letterpress, Canford's smooth, hard finish allows these sheets to withstand a multitude of techniques, including drawing and silkscreen. They will also feed through most home computer printers. Be aware that colors have been changing over the past year and some tones have changed dramatically. We have an assortment of older and newer stocks. If you are trying to match older stocks or cover to card weights, please ask for us to inspect our stocks. Amethyst Aqua Azure Blue Barley Blush Bright Red Bubblegum Buttercup Champagne cherry China White coffee Dreadnought Grey dresden Yellow electric Blue emerald Forest Guardsman Red Gunmetal Ice White Ivory Jet Black Jewel Green kingfisher Metallic Gold Metallic Silver Mint Mocha Navy Blue ocean Blue Pale Lilac Plum Royal Blue royal Purple russian Green snow White Tangerine Terra Cotta Canford Size Gr/M2 1 25 100 500 Canford All Colors 20½ x 30½ 150 2.70 2.43 2.22 2.00 Canford All Colors 20½ x 30½ 300 4.35 3.92 3.63 3.26

Canson - France A member of the Arjowiggins Paper Group, Canson dates back to 1557 when the Montgolfier Family established the Vidalon Mill on the banks of the Rhone. Today, Canson is known throught the world for their production of fine quality machinemade papers for fine art and creative purposes. Widely respected for integrity and strength, Canson sheets are suitable for drawing, book arts and craft. Canson Ingres Machine-made of 65% cotton. Neutral pH (except black) Laid surface with a light texture. Lightfast colors. No deckles. 1 white 31 Oyster 33 Pearl 39 Sky Blue 46 Canary 48 Cream 50 Black 52 Moonstone 55 steel Grey 68 light Blue 71 dark Blue 82 red Canson Mi Teintes Machine-made of 65% cotton. Neutral pH (except Black). Slightly textured lightfast colors. No deckles. 100 Lime 101 Pale Yellow 102 Azure 103 Dawn Pink 104 Lilac 105 Wave Green 106 Ochre 107 Anise 110 Lily 111 Ivory 112 Eggshell 113 Parma 114 Raspberry 115 Mystical Orange 116 Bordeaux 117 Plum 118 Icy Blue 119 Southern Seas 120 Pearl Grey 122 Flannel Grey 130 Red Earth 131 Twilight 133 Sepia 140 Indigo Blue 150 Cobalt Blue 335 White 336 Sand 340 Oyster 343 Pearl 345 Dark Grey 350 Honeysuckle 352 Orchid 354 Sky Blue 374 Hemp 384 Buff 400 Canary 407 Cream 425 Stygian Black 426 Moonstone 429 Felt Grey 431 Steel Grey 448 Ivy 453 Orange 470 Champagne 475 Green 480 Light Green 490 Light Blue 495 Blue 500 Dark Blue 501 Tobacco 502 Bisque 503 Burgundy 504 Amber 505 Red 506 Wild Poppy 507 Violet 553 Cadmium Yellow 575 Viridian 590 Royal Blue 595 Turquoise Canson Opalux Machine-made from 100% cotton. Extra-heavy translucent tracing vellum. Neutral pH. No deckles. White. Canson Montval 1059 Machine-made of sulphite. Heavily textured watercolor paper. Neutral pH. White. 2 Deckles. Canson Satin Machine-made of 100% sulphite. Extra heavy weight, translucent vellum. Neutral pH. No deckles. Canson Paper Size Gr/M2 1 25 100 500 Canson Ingres 19½ x 25½ 100 1.30 1.17 1.08 .97 Canson Mi-Tientes 19½ x 25½ 160 1.85 1.65 1.52 1.37 Canson Opalux 19½ x 25½ 180 3.15 2.81 2.61 2.34 Canson Montval 22 x 30 300 2.40 2.15 1.99 1.79 Canson Satin 26 x 40 280 6.50 5.85 5.43 4.88

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Capellades Handmades - Spain Handmade papers produced in the oldest existing mill in Spain. The Capellades is now a paper museum that teaches and promotes traditional papermaking. All styles are neutral pH. 4 Deckles. For drawing, chine colle, printmaking and book arts. Capellades Abaca 100% Abaca. Translucent sheets with a smooth mottled surface. Black lime Magenta Orange Turquoise Violet white Capellades #1 Letter Smooth, wove surface with shield watermark. White. Capellades #4 Book Laid sheets in both a smooth and rough surface. White. Capellades #6 Cover Heavy weight sheets with an even, light texture. Blue Dull Green ochre Terra Cotta White Capellades Garabato Translucent, 100% abaca base sheet with "scribbled" decorative swirls made by applying wet paper pulp from a squeeze bottle to the newly formed sheets before couching. Grey with White Scribbles Lime with Turquoise Scribbles Tan with Pink Luster Scribbles Violet with Red Scribbles White with White Scribbles Capellades Sisal Greyed-cream color sheet made of 100% sisal. Very strong with a slight tooth. Capellades Watermark Laid sheet with large, elaborate paper-press watermark. Capellades Size Gr/M2 1 25 100 Abaca All Colors 12 x 17 30 3.00 2.70 2.51 Abaca White ONLY 20 x 25½ 45 8.75 7.88 7.31 #1 Letter 8 x 10½ 75 2.25 2.02 1.87 #4 Book 12 x 17 125 3.00 2.70 2.51 #6 Cover 12 x 17 250 5.50 4.95 4.60 #6 Cover White 15½ x 19½ 250 9.80 8.82 8.18 Garabato Tan / Lime / Violet 15½ x 19½ 50 7.40 6.62 6.15 Garabato Grey / White 22 x 24 50 12.60 11.34 10.52 Sisal 12 x 17 250 3.00 2.70 2.51 Sisal 15½ x 19½ 250 5.75 5.18 4.80 Watermark 11 x 14¼ 90 3.00 2.70 2.51

12 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Cave Papers - USA Handmade in Minnesota by Bridget O'Malley and Amanda Degener, these are some of the finest and most beautiful handmade papers available today. The sheets are gelatine sized and loft-dried which results in papers that are exceptionally strong and have an amazing crispness. In addition to the natural colorations of the fibers used, some of the sheets have been hand-dyed which results in remarkable warmth and depth of tonality. The size of the papers will vary due to the extreme shrinkage of the flax fibers during loft drying. All papers have four deckles and are archival. The walnut dyed and tow flax sheets may contain matter which does not meet with Library of Congress standards.

Alphabet - Cotton rag with printed letters. White with black letters. Series A Blue Jean - Recycled blue denim. Light blue color. Series A Black Flax - Belgian flax dyed with indigo and walnut. Gelatine sized for added stability. Series B Cloudy Sky - Three pigmented vats of pigmented cotton are randomly poured into the mould resulting in a swirling, cloud-like pattern. Colors range from white to blue to grey. Each sheet is unique and both sides of each sheet will be different. Series B Galaxy - Belgian flax, dyed black. Sized and sprinkled with flecks of silver leaf. Series G Granite - 100% Belgian flax pigmented a greenish-grey. Green Crackle - A web-like crackle is achieved by coating the sheet with gelatine, then crumpling before dyeing (similar to the process and effect found in batik.) Series B Indigo Flax - Belgian flax colored with indigo dye. Gelatine sized for stability. Series B Layered Indigo Flax - Belgian flax sheets are repeatedly dipped into indigo dye, creating overlapping veils of color. Each sheet is one-of-a-kind. Gelatine sized for added stability. Series B Layered Indigo Black - Belgian flax sheets are repeatedly dipped into walnut and indigo dye, creating overlapping veils of color. Each sheet is one-of-a-kind. Gelatine sized for added stability. Lime - Pigmented Belgian flax. Series B Natural Flax - 100% Belgian flax. Natural, pale grey tone. Series A Ochre - Pigmented Belgian flax. Series A O'Malley Crackle Flax - A web-like crackle is achieved by coating the sheet with gelatine, then crumpling before dyeing. Rich brown tonalities. Series B Persimmon - Following the Japanese tradition, green persimmon juice is aged, applied to the sheet and then smoked to set the dye. Warm, pinkish-brown which darkens with age. Series P Tangerine - Pigmented Belgian flax. Series B Terracotta - Pigmented Belgian flax. Series B Turquoise - Pigmented Belgian flax. Series B Walnut Dyed Flax - Belgian flax sheets coated with layers of walnut dye. Gelatine sized for added stability. Rich, deep brown tonalities. Series A Walnut Dyed Red Flax - Red iron oxide pigment is used to color the Belgian flax sheet and then later, hand coated with layers of walnut dye. Gelatine sized for added stability. Red- brown. Series A

Cave Papers Size Gr/M2 1 25 100 500 Price Series A 17 x 22 200 13.00 11.70 10.86 9.75 22 x 30 200 20.00 18.00 16.70 15.00 Price Series B 17 x 22 200 16.00 14.40 13.36 12.00 22 x 30 200 24.00 21.60 20.04 18.00 Galaxy 17 x 22 200 18.00 16.20 15.03 13.50 22 x 30 200 26.00 23.40 21.71 19.50 Persimmon 17 x 22 200 23.00 20.70 19.21 17.25 22 x 30 200 32.00 28.80 26.22 24.00

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Chartham Parchments - See Translucent Vellum

ColorPLAN - Black - USA Machine-made card stock in 3 weights.. Neutral pH. Paper Size Gr/M2 1 25 100 500 Colorplan Black 25 x 38 135 1.50 1.35 1.23 1.10 Colorplan Black 25 x 38 270 2.95 2.64 2.45 2.20 Colorplan Black 25 x 38 350 3.65 3.29 3.05 2.74

COquille Stipple Paper - USA Machine-made in the U.S. Neutral pH. No deckles. White card with embossed stipple pattern to create half-tone efffects when used with soft pencils, lith crayons and pastel. Paper Size Gr/M2 1 25 100 500 Coquille Stipple 22 x 30 250 3.25 2.93 2.72 2.45

Costa rican Handmades These unusual and beautiful handmades utilize waste materials from the farming industry in Costa Rica. The government encourages the use of these materials because without the recycling of these overly abundant, natural wastes, the ecological balance of the forests and the animals that depend on them are threatened. All papers have 4 deckles and are neutral pH. Costa Rican Bambu - Light natural banana fibers with green bamboo leaves Smooth one side. Costa Rican Cafe Crema - Natural banana fibers with flecks of coffee shells give this sheet its rough texture. Costa Rican Mescla Oscura - Deep brown banana fiber with small flecks of black bark. Costa Rican Paz - Light tone mix of cotton and banana with letters and words from flecks of recycled newpapers. Paper Size Gr/M2 1 Costa Rican Handmades 15 x 19 200 8.70 - last of stock

COVENTRY RAG - USA Machine-made in the U.S. from 100% cotton. Neutral pH. No deckles. Available in smooth and vellum surfaces. Versitile, all purpose sheets for mixed media, silk screen, drawing, letterpress and offset. Coventry Size Gr/M2 1 25 100 500 Vellum White 23 x 30 235 2.45 2.21 2.05 1.84 Vellum White 38 x 50 290 7.65 6.87 6.38 5.73 Vellum White 38 x 50 320 8.95 8.05 7.47 6.711 Vellum White 44 x 60 320 12.40 11.14 10.34 9.29 Smooth White 38 x 50 290 7.65 6.87 6.38 5.73 Smooth White 38 x 50 335 9.65 8.66 8.04 7.22

Crane’s Crest Laid / Crane’s Crest Wove - USA Machine-made in the U.S. from 100% cotton. No deckles. White. Crane’s Cover / Artificial Parchment Machine-made from 100% cotton. Smooth surface suitable for delicate detail. No deckles. Its permanence and surface make this paper excellent for printing valuable documents, certificates, diplomas, citations. Azure Blue fluorescent White ivory Moonstone Grey Natural White Pearl White Crane's Size Gr/M2 1 25 100 500 crest Laid & Wove 25 x 38 90 1.45 1.31 1.22 1.16x Crane’s Cover Azure Blue 23 x 29 171 2.50 2.25 - last of stock Crane’s Cover All Other Colors 26 x 40 171 4.00 3.60 3.34 3.00

Cromatica - See Translucent Vellum

14 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S czech republic handmades Velke losiny Founded in 1596 in the small village of Velke Losiny, this mill has survived for centuries not only the ravages of war, but also an infamous witch trial after which the wife of the owner of the mill was burned at the stake! Made of a mixture of cotton and linen rag, these strong, crisp sheets are fully sized and loft-dried making them suitable for most techniques including drawing, painting and printmaking. All sheets are neutral pH. 4 deckles.

Moldau - 60% cotton, 40% linen. White wove. Fabric-like, Cold Pressed surface. Moravia White & Ivory - 85% cotton, 15% linen. Smooth with a fine woven pattern. Prague - 85% cotton, 15% linen. - White laid. Smooth.

Czech Handmade Size Gr/M2 1 25 100 500 Moldau 11½ x 16½ 280 4.60 4.14 3.84 3.45 16½ x 23 280 7.80 7.02 6.51 5.85 22 x 30 280 13.10 11.79 10.94 9.83 Moravia White & Ivory 4 x 6 440 1.60 1.44 1.34 1.20 4 x 8 440 1.80 1.62 1.50 1.35 6 x 8 440 2.40 2.16 2.00 1.80 Moravia White 5 x 5 440 1.70 1.53 1.42 1.28 6 x 6 440 1.90 1.71 1.59 1.43 7 x 7 440 2.25 2.03 1.88 1.69 8 x 8 440 2.60 2.34 2.17 1.95 8 x 11½ 240 3.20 2.88 2.67 2.40 8 x 11½ 440 3.90 3.51 3.26 2.93 11½ x 16½ 240 4.10 3.69 3.42 3.08 16½ x 23 240 7.00 6.30 5.85 5.25 22 x 30 360 11.60 10.44 9.69 8.70 Prague 8 x 11½ 120 1.90 1.71 1.59 1.43 11½ x 16½ 120 2.80 2.52 2.34 2.10 16½ x 23 120 5.50 4.95 4.59 4.13 8 x 11½ 170 2.40 2.16 2.00 1.80 11½ x 16½ 170 3.30 2.97 2.76 2.48 16½ x 23 170 6.20 5.58 5.18 4.65

Domestic Etching - USA Machine-made in U.S. 50% cotton with Cold Pressed surface. Neutral pH. No deckles. Off-white. Designed as a reasonably priced proofing sheet for etching, the cotton content gives this sheet versitility for drawing and other printing techniques. Paper Size Gr/M2 1 25 100 500 Domestic Etching 26 x 40 175 3.15 2.81 2.61 2.35

Drawing 60 lb. Penny Sketch #10 Drawing 90 lb. Sketch Vellum #116 - USA Inexpensive, white drawing paper. Neutral pH. Machine-made in the U.S.A. by Borden & Riley. Paper Size Gr/M2 Drawing 60 lb. Penny Sketch #10 18 x 24 100 115.75 - package of 500 sheets Drawing 60 lb. Penny Sketch #10 24 x 36 100 231.50 - package of 500 sheets Drawing 90 lb. Sketch Vellum #116 18 x 24 180 195.00 - package of 500 sheets Drawing 90 lb. Sketch Vellum #116 24 x 36 180 390.00 - package of 500 sheets

DUROTONE - USA Machine-made in the U.S. from recycled paper by the French Paper Co. Neutral pH versions of the papers they resemble. No deckles. Tough and inexpensive, Durotone and Speckletone papers are suitable for most techniques and do well with erasure and even light watercolor. Durotone Size Gr/M2 1 25 100 500 Butcher Paper - off white with mottled surface. 25 x 38 76 .75 .68 .63 .56 Butcher Orange Cover - orange with mottled surface. 26 x 40 216 1.50 1.35 1.25 1.13 Newsprint Aged - warm tan with tiny fibers. 25 x 38 90 .75 .68 .63 .56 Newsprint Extra White - off-white with tiny fibers 25 x 38 90 .75 .68 .63 .56 Newsprint White - light tan with tiny fibers 25 x 38 90 .75 .68 .63 .56 Packing Kraft - warm, golden kraft. 26 x 40 216 1.50 1.35 1.25 1.13

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 15 A R T P A P E R S - E u r o p e / T h e A m e r i c a s & A u s t r a l i a

Fabriano - Italy Located in Italy along the River Giano, Cartiere Miliani Fabriano is a massive operation comprised of numerous mills, each with their own special grades of paper. Both handmade and mouldmade operations exist today, utilizing traditions that began in the 13th century, continued through the Renaissance when their sheets were used by Michelangelo and Raphael and are evident now, centuries later, in their wide selection of papers. The Fabriano papermakers can be credited with several innovations in papermaking including the use of gelatine instead of starch as a sizing and the invention of the hydraulic hammer for pulp preparation. But the creation of the watermark is perhaps its most significant contribution as it allowed for the first time, the identification of the sheet of paper, its maker, and as in the case of specialty watermarks such as those used in official documents, the user of the sheet. Fabriano is still known for its intricate watermarks including photo-watermarks used in Italian currency. All Fabriano papers are neutral pH. True work-horses of the paper world, Fabriano sheets can be used for a full range of drawing, printing and mixed media techniques. Fabriano Artistico Traditional White also see Rolls Fabriano Artistico Extra White "Uno" also see Rolls Mouldmade from 100% cotton rag. Internally and externally sized. Extra White Artistico introduces the "soft press" surface which is smoother than cold press, but is still lightly textured. 2 deckles, 2 cut edges (as of 2008.) Fabriano Eco White Machine-made from 100% post-consumer waste. Using 50% hydro-power production and respecting the Kyoto protocol, this FSC certified paper is the whitest recycled art paper made without chlorine bleach. No deckles. Fabriano Elle Erre Machinemade from100% high alpha cellulose. Cold Pressed, fabric-like surface one side, smooth on the other. No deckles. 00 White 01 Wheat 02 Pearl Grey 03 Light Brown 04 Purple 06 Brown 07 Yellow 08 Orange 09 Bright Red 10 Pea Green 11 Forest Green 13 Azure Blue 14 Navy Blue 15 Black 16 Rose 17 Cream 18 Light Blue 19 Burnt Umber 20 Sky Blue 22 Graphite Grey 23 Fuschia 25 Lemon Yellow 26 Light Orange 27 Cherry Red 28 Verdonne 29 Felt Light Grey 30 China Fabriano Ingres Cotton & sulphite. Laid surface. Remaining stock of mould-made Ingres (discontinued by the mill) Machine-made variety is double sided with the laid pattern embossed on one side, smooth on the other. Mouldmade: 619 Black 719 Black Machine-made 701 Hazel 702 Ivory 703 White 704 Ash Grey 721 Ice White Fabriano Murillo Mouldmade from 25% cotton and sulphite. Very heavy, roughly textured surface. No deckles. 901 Ivory White 902 Cream 903 Grey 904 Pearl Grey 907 Rust 908 Bright White 911 Forest Green 915 Umber 918 Black 927 Red 928 Blue Fabriano Roma Handmade from 100% cotton. Exaggerated, chain-laid handmade papers with the Romulus and Remus watermark. Lightly sized. 4 deckles. 103 Michaelangelo White 104 rafaello Cream 109 guido Reni Brown 113 tiziano Light Grey Fabriano Rosaspina Mouldmade from 40% cotton. 2 deckles. White and Cream. Printmaking and drawing. Fabriano Studio Watercolor Machinemade of cotton and alpha cellulose. Cold Pressed. No deckles. Fabriano Tiepolo Mould-made of 100% cotton. Cold Pressed with watermark. 2 deckles, 2 torn edges. For printmaking.

16 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Fabriano Tiziano Mouldmade from 40% cotton. Cold Pressed. Sized. Very lightfast. No deckles. "Felted" colors have small dark fleckings. 1 White 2 cream 3 Banana 4 Putty 5 Custard 6 tan 7 raw Sienna 9 coffee 11 Pale Olive 12 kelly Green 13 sage Green 14 dark Moss 15 Pale Blue, felted 16 dust Blue 17 sky Blue 18 turquoise 19 ultramarine 20 lemon 21 Orange 22 red 23 Burgundy 24 Violet 25 Pink 26 grey 27 grey Pink Felted 28 grey Felted 29 fog Grey Felted 30 dark Grey 31 Black 32 light Grey Felted 33 lilac 37 Pool Table Green 39 indigo 40 ivory 41 fire Red 42 Blue Night 43 Pistacchio 44 gold 45 Iris 46 Aquamarine Fabriano Size Gr/M2 1 25 100 500 Fabriano Artistico Traditional White also see Rolls 90 lb. Hot & Cold Press, Rough 22 x 30 200 4.55 4.10 3.77 3.39 140 lb. Hot & Cold Press, Rough 22 x 30 300 6.35 5.70 5.29 4.75 300 lb. Hot & Cold Press, Rough 22 x 30 640 14.30 12.85 11.91 10.70 555 lb. Hot Press, Cold Press 29½ x 41 640 27.30 24.54 22.77 20.45 Fabriano Artistico Extra White "Uno" also see Rolls 140 lb. Hot, Soft & Cold Press, Rough 22 x 30 300 6.35 5.70 5.29 4.75 300 lb. Hot, Soft & Cold Press, Rough 22 x 30 640 14.30 12.85 11.91 10.70 555 lb. Hot Press, Cold Press 29½ x 41 640 27.30 24.54 22.77 20.45

Fabriano Eco White 56 pound 19½ x 25½ 120 .60 .54 .50 .45 94 pound 20 x 25½ 200 1.00 .90 .84 .75

Fabriano Elle Erre 19½ x 27½ 220 1.75 1.57 1.44 1.29

Fabriano Ingres 700 Series Colors 27½ x 39 160 3.00 2.70 2.51 2.25 Ingres 619 Black 27½ x 39 90 1.75 1.54 1.43

Fabriano Murillo 901 902 903 904 905 908 912 913 27½ x 39 360 6.25 5.60 5.18 4.66 910 911 915 928 27½ x 39 360 6.90 6.18 5.73 5.14 907 918 925 927 27½ x 39 360 8.55 7.70 7.14 6.41

Fabriano Roma 19 x 26 130 14.15 12.71 11.79 10.59

Fabriano Rosaspina white and Cream 27½ x 39 220 4.95 4.42 4.10 3.68 white and Cream 27½ x 39 285 6.35 5.67 5.26 4.73

Fabriano Studio Watercolor 29½ x 42 300 4.40 3.92 3.64 3.27

Fabriano Tiepolo 22 x 30 290 5.95 5.32 4.94 4.44 27 x 39 290 8.45 7.61 7.06 6.34

Fabriano Tiziano 27½ x 39 160 3.75 3.36 3.12 2.80

Fairfield Bristol - see Strathmore

FOLIO - USA Machine-made of 100% cotton. Neutral pH. Cold Pressed. 22 x 30 sheets have 2 deckles. 38 x 50 sheets have no deckles. For drawing and printing. Folio Size Gr/M2 1 25 100 500 Folio White & Antique 22 x 30 250 2.50 2.24 2.08 1.87 Folio Antique 38 x 50 250 7.30 6.54 6.07 5.45

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Hahnemühle - Germany On February 27, 1584, Duke Erich of Germany issued a proclamation stating that papermaker Martin Spiess was allowed to establish a paper mill to supply His Highness and His Domain with fine handmade papers.I n 1886, the new owner, Carl Hahne, gave the mill the name Hahnemühle and became the regular supplier of many European houses of nobility. Büttenpapierfabrik Hahnemühle installed their first cylinder machines in 1925 yet continued to make handmade sheets until 1967 when it converted entirely to mouldmade production. The mill has been highly regarded by many of the world's finest printing houses and continues to advance in production for all techniques, including digital reproduction. Mould-made sheets have 2 deckles, 2 torn edges. Machine-mades have no deckles. Hahnemühle is a small and efficiently run mill with paper makers that have had years of experience. Their skills are obvious in their con- sistent results. High alpha cellulose sheets perform with more strength and wear ability than many cotton sheets from other mills, tactile, lightweight sheets can be repeatedly erased with minimal abrasion and the pigmented tones of the Ingres and Burgra lines are subtle, unique and highly light fast. All sheets are neutral pH. Hahnemühle Biblio - Mould-made of 100% high alpha cellulose. Wove surface. Opaque white. Hahnemühle Bugra Bütten Mould-made of 100% high alpha cellulose. Wide-laid surface on one side and mottled smooth side. . 300 Butter 302 Chamois 303 Mango 304 Mocha 305 Blue 306 Gray 307 Fawn 308 Mint 309 White 310 Archive Natural 311 Brick 312 Evergreen 313 Black 314 Antique Rose 315 Bright White 316 Caramel 317 Marble Grey 318 Aquamarine 319 Sapphire 320 Pink 321 Lilac 322 Burgundy Hahnemühle Bugra Bütten Double-weight 305x Blue 312x Evergreen 322x Burgundy Hahnemühle Copperplate also see Rolls - Mould made of 100% high alpha cellulose. Vellum surface. White or Warm White. Hahnemühle Durer Etching - Mould-made from 100% cotton. Vellum surface. White. Hahnemühle German Etching - Mould-made of 75% cotton, 25% high alpha cellulose. Textured surface. Natural White Black. Hahnemühle Goethe - Mould-made of 100% high alpha cellulose. Satin-smooth, wove surface. . Warm White. Hahnemühle Gutenberg Laid - Mould-made of 100% high alpha cellulose. Laid surface. Light tan speckled with brown. Hahnemühle Hamburg - Machine-made of eucalyptus, hemp and high alpha cellulose. Smooth one side, rough the other. White. Hahnemühle Heine - Mould-made of 100% high alpha cellulose. Smooth, chain-laid surface. . Soft white. Hahnemühle Ingres Mould-made from high alpha cellulose pulp. Cold Pressed with slightly textured laid surface. 100 White 102 Antique 103 Custard 105 Green-Grey 107 Rose 108 Camel 109 Light Grey 110 Smoke 112 Blue-Green 113 Sky Blue 114 Black 115 Orange 116 Deep Green 117 Silver Grey 118 Earth

Hahnemühle Merten Spiess - Mould made of high alpha cellulose. Cold Pressed or Rough surface sized for mixed media.. White. Hahnemühle Natur Cover Machine-made of high alpha cellulose pulp. Cold Pressed with slightly textured laid surface. 80 White 82 Cream 84 Light Grey 85 Green-Grey 90 Black Hahnemühle Schiller - Mould-made of 100% high alpha cellulose. Soft, textured. White Hahnemühle Student Prinz - Machine-made of 100% high alpha cellulose. Smooth one side, cold pressed the other. Sized. Hahnemühle Torchon - Machine-made from 100% high alpha cellulose. Rough surface.. Bright White. Hahnemühle Watercolor - Mould-made from 100% cotton. Cold pressed surface. White

18 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Hahneműhle Size Gr/M2 1 25 100 500 Biblio White 30¾ x 41¾ 150 3.90 3.51 3.26 2.93

Bugra Black 33 x 41 130 5.70 5.13 4.76 4.28 Bugra Colors 33 x 41 130 4.10 3.69 3.42 3.08 Bugra Double weight 37 x 48 260 6.60 5.94 5.51

Copperplate Bright White, Warm White 22 x 30 300 3.60 3.24 3.01 2.70 Copperplate Bright White, Warm White 31½ x 47 300 8.10 7.29 6.76 6.08

Durer Etch Bright White 22 x 30 300 5.90 5.31 4.93 4.43 Durer Etch Bright White 31½ x 47 300 10.20 9.18 8.52 7.65

German Etching Natural White 22 x 30 300 5.60 5.04 4.68 4.20 German Etching Bright White 30 x 42 300 10.50 9.45 8.77 7.88 German Etching Natural 30 x 42 300 10.50 9.45 8.77 7.88 German Etch Black 31½ x 47 300 19.50 17.55 16.28 14.63

Goethe White 24 x 35 230 5.04 Guttenberg Laid 31 x 41 130 5.30 4.77 4.43 3.98 Hamburg White 24 x 34 325 4.50 4.05 3.76 3.38 Heine Soft White 15 x 18 150 1.70 1.53 1.42 1.28

Ingres Black 18¾ x 24¾ 95 1.50 1.35 1.25 1.13 Ingres Colors 18¾ x 24¾ 95 1.20 1.08 1.00 0.90

Merten Spiess Cold Pressed or Rough 22 x 30 300 4.60 4.14 3.84 3.45 Natur Black 28 x 39 280 7.10 6.39 5.93 5.33 Natur Colors 28 x 39 300 4.90 4.41 4.09 3.68 Natur Text 28 x 39 120 2.10 1.89 1.75 1.58 Schiller White 24 x 35 150 3.10 2.79 2.59 2.33 Student Prinz Bright White 17 x 24 150 1.00 0.90 0.84 0.75 Torchon Bright White 19 x 24½ 275 2.00 1.80 1.67 1.50

Watercolor 140 lb. Cold Pressed 13 x 19 300 2.70 2.43 2.25 2.03 Watercolor 140 lb. Cold Pressed 22 x 30 300 6.20 5.58 5.18 4.65

HMP Handmade Papers - USA John and Kathy Koller established the HMP Mill in 1973 at their home in Connecticut. The mill’s main production has involved collaborations with artists and print publishers. Made from 100% cotton. All papers are waterleaf (unsized) unless specified otherwise. Neutral pH. 4 deckles. HMP Paper Size Gr/M2 1 Barlow - Tan laid. 20 x 26 200 7.50 - last of stock Belgique - Light grey, linen textured. Sized 17½ x 23 200 8.00 - last of stock Bromley - Pale pink, Rough. 20 x 24 200 6.00 - last of stock Galaxy - Dark grey with pink blotches. Lightly sized. 17 x 23 185 6.00 - last of stock Gemini -Two sheets couched together. Grey on Blue 17½ x 23 200 8.25 - last of stock Graphite - Charcoal grey laid. Lightly sized. 17 x 23 150 6.00 - last of stock Moonstone Dark - Dark, purple-grey wove. 17½ x 23 200 7.00 - last of stock Sierra - Cream with multi-colored fibers. 22 x 30 200 9.00 - last of stock

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HUUN Yucatan handmade - Mexico Not actually a paper, this is the Yucatan's version of Papel de Amate. The sheets are made by shaping sanseveria and cattail fibers onto a flat surface and then placing them in the sun to dry. Examples of Huun can be traced back to the ancient Aztecs. These sheets, made by Mark Callaghan, have one very rough side created by the fork-like instrument that spreads the pulp while the other side is very smooth as they are formed on stone or glass surfaces. Neutral pH with 4 natural edges. Bleached White Natural Mottled Amapola Red Black Dark Blue Dark Brown Dark Green lavender Light Brown light Green Orange Purple turquoise Yellow Huun Size Gr/M2 1 25 100 Bleached, Natural, Mottled 8 x 12 150 1.75 1.57 1.45 12 x 17 150 3.50 3.15 2.92 22 x 34 150 15.00 13.50 12.52 Huun Colors 8 x 12 150 1.75 1.57 1.45

INDEX paper (Scott, franklin) - USA Machine-made in U.S. from sulphite. Smooth index paper, similar to oaktag. No deckles. Paper Size Gr/M2 1 25 100 500 Index (Scott, Franklin) 22½ x 28½ 150 .55 .50 .47 .42

Johannot - France Mouldmade in France by Arjomari & Wiggins. 75% cotton, 25% esparto. Neutral pH. Cold Pressed. White. Esparto pulp adds absorbency and helps to produce this paper's unique surface. 2 natural deckles, 2 torn edges. Paper Size Gr/M2 1 25 100 500 ohannot 19½ x 25½ 125 2.05 1.82 1.69 1.52 22 x 30 240 4.20 3.74 3.47 3.12

Lana - France The Lana Mill was founded in the village of Duxelles in the 15th century and prospered because of its location near monasteries and universities that required large quantities of paper. In 1795 the mill was re-equipped with cylindrical machines that made it possible for the mill to keep up with the ever increasing demand for their sheets. Lana has undergone many changes and owners over the centuries, has closed because of war and economic struggles and yet has managed to reopen each time with renewed force and superior products. Lana Ingres limited quantities available. Machine-made of cotton and sulphite. Fine, laid surface. Neutral pH. No deckles. Black Blue Green Parma Lana Lanaquarelle also see Rolls Mouldmade in France from 100% cotton. Neutral pH. Gelatine sized. 2 deckles, 2 torn edges.White. Lana Size Gr/M2 1 25 100 500 Ingres Green 19 x 25 70 .80 .72 .67 Ingres Black, Blue, Parma 24 x 36 70 1.25 1.13 1.05 Lanaquarelle 140 lb. Hot Press, Cold Press, Rough 22 x 30 300 7.15 6.44 5.97 5.36 300 lb. Hot Press, Cold Press, Rough 22 x 30 640 15.60 14.00 12.99 11.67 1114 lb. Hot Press or Cold Press 40 x 60 640 59.30 53.34 49.49 44.45

20 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Langdell Luster - USA Handmade by Maple Street Paper Company. 100% Cotton with the addition of mica particles to give these sheets a subtle sparkle. 4 deckles. Araucana (dusty green) Atlantic Blue azul Blue Burnt Umber Butter Celedon Chartreuse cream Gold Lavender Pale Blue Pale Green Pale Pink Periwinkle Rose Red Silver Slate Soft White Tangerine White (Bright) Paper Size Gr/M2 1 25 100 500 Luster 19 x 25 140 12.00 10.80 10.02 9.00

Legion art Coated Cover - USA Machine-made in the U.S. of 100% high alpha cellulose with a smooth, matte finish created by a fine clay coating. Neutral pH. No deckles. White. Suitable for silver point and fine drawing techniques. The clay coating produces very rich, dark tones, but allows for little erasure. Paper Size Gr/M2 1 25 100 500 Legion Art Coated Cover 28 x 40 300 3.40 3.03 2.81 2.53

Lenox 100 - USA also see Rolls Machine-made in U.S. from 100% cotton. Neutral pH and buffered. Cold Pressed. No deckles. White. A favorite in the studio for proofing, drawing, screen printing and multi-media. Paper Size Gr/M2 1 25 100 500 Lenox 100 22 x 30 250 2.50 2.24 2.08 1.87 26 x 40 250 3.90 3.51 3.25 2.92 38 x 50 250 7.15 6.43 5.97 5.36 please note: Lenox grain directions may vary. Please inquire regarding specific stock.

Lettra - USa Machine made in the U.S. by Crane's of 100% cotton. Lettra is designed for letterpress printing and offers a softer surface and bulkier sheet to maximize the impression of the press. Also suitable for drawing and other printmaking techniques. No deckles. Ecru White Fluorescent White Pearl White Lettra Size Gr/M2 1 25 100 500 Letra Fluorescent White & Pearl White 25 x 38 120 1.90 1.68 1.56 1.40 Letra Ecru White, Fluorescent White & Pearl White 26 x 40 300 4.55 4.06 3.77 3.39

MCCoy Clay Coated Cover - USA Machine-made in the U.S. with a satin-like smooth finish created by a fine clay coating. Suitable for silver point and fine drawing techniques. The clay coating produces very rich, dark tones, but allows for little erasure. No deckles. White. Paper Size Gr/M2 1 25 100 500 MCCoy Clay Coated Cover 26 x 40 165 2.00 1.80 1.67 1.50

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 21 A R T P A P E R S - E u r o p e / T h e A m e r i c a s & A u s t r a l i a

Magnani - Italy Magnani Papers date back to the 15th century when papermaking was first recorded along the River Pescia near the town of Pescia, Italy. By the 18th century, Magnani was exported throughout Europe with notable customers that included Napoleon Bonaparte, The Crown Family of Italy and most of the other ruling families of Europe, who chose the mill because of their ability to produce special watermarked sheets for official docu- ments. Today, the cylinder mould machines at the mill make the currency for many countries around the globe. In the 19th and 20th centuries the ancient, hand-papermaking mill, Le Carta, worked directly with artists such as De Chirico, Annigoni and Morandi to develop their own special papers with personalized watermarks. Both handmade and mouldmade operations continue today. With Magnani's introduction of their new, extensive line of reasonably priced Revere printing papers, the Mill continues to expand their selection of fine art papers that address specific needs of today's artists. Although focusing on printmaking grades, Magnani papers are able to withstand a wide variety of techniques including drawing and painting. Magnani Acquerello Cold Press / Acquerello Portofino Hot Press Mouldmade from100% cotton, fully sized for watercolor. Neutral pH. 2 deckles, 2 torn edges. Magnani Annigoni Mouldmade from100% cotton. Pigmented, light tan color with fine flecking of black wool fibers. Neutral pH. 2 deckles, 2 torn edges. Lightly textured, Annigoni takes erasure well and can withstand light washes. Magnani Arturo Stationery & Card Mouldmade from100% high alpha cellulose. This is the paper used for the Arturo line of fine stationery. Neutral pH. No Deckles. The toothy surface is also great for drawing, gouache and printmaking techniques. Bright White Buttercream celedon Lavender Pale Blue Pale Pink Soft White stone Grey Magnani Firenze Partially handmade, 100% cotton. Neutral pH. 4 Deckles. Rich, deep colors with a pronounced, wide, laid line pattern. 4 Deckles. Neutral pH. Blue Bordeaux Brown Grey Sage Green Magnani Incisione Mouldmade from 50% cotton, 50% sulphite. Neutral pH. 2 deckles, 2 torn edges. Bright White with a smooth surface. Magnani Pescia Satinato Mouldmade from100% cotton. Neutral pH. 2 deckles, 2 torn edges. Satin, smooth surface. This dense, finely made printmaking paper can be used for many drawing techniques and will also take some warercolor. Blue Bright White cream Grey Soft White Magnani Platinum Revere Mouldmade from100% cotton specially formulated for platinum photograhic processes. Neutral pH. 2 deckles, 2 torn edges. Magnani Revere Mouldmade from100% cotton. Neutral pH. 2 deckles, 2 torn edges. Three surfaces in a range of tones. Revere Book Suede - standard White ivory Revere Felt Textured - Polar White standard White ivory Revere Silk Smooth - Polar White standard White warm White Bisque ivory Revere Suede Vellum - Polar White standard White warm White Bisque ivory Black Magnani Velata & Vergata Mouldmade Mouldmade from100% sulphite. Neutral pH. 2 Deckles, 2 cut edges. Cold pressed surface. "Velata" translates as wove surface. "Vergata" translates as laid surface. Ivory. Magnani Velata & Vergata Handmades Handmade from100% cotton. Neutral pH. 4 Deckles. Cold pressed surface. "Velata"(wove) surface and "Vergata (laid) surface. White or Ivory.

22 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Magnani Size Gr/M2 1 25 100 500 Acquerello 140 lb. Hot Press / Cold Press 22 x 30 250 5.25 4.72 4.38 3.93 Acquerello 275 lb. Hot Press / Cold Press 22 x 30 520 11.20 10.07 9.34 8.39 Annigoni 27½ x 39¼ 250 8.50 7.65 7.10 6.37

Arturo Stationery All Colors 25 x 38 120 2.20 1.98 1.84 1.65 Arturo Card All Colors 25 x 38 260 3.35 3.01 2.80 2.51

Firenze 19 x 26 130 9.10 8.18 Incisione White 27½ x 39¼ 310 5.30 4.75 4.41 3.96 Pescia Satinato All Colors 22 x 30 300 5.45 4.90 4.54 4.08

Platinum Revere 22 x 30 145 3.35 2.98 2.77 2.48 Platinum Revere 22 x 30 300 5.95 5.32 4.94 4.43 Platinum Revere 30 x 44 300 11.85 10.64 9.87 8.87

Revere Book 26 x 40 120 3.10 2.77 2.57 2.31 Revere Book 26 x 40 175 4.20 3.75 3.48 3.13 Revere Felt Polar / Standard / Ivory 22 x 30 250 3.65 3.27 3.03 2.72 Revere Felt Polar / Standard / Ivory 30 x 44 300 8.40 7.56 7.01 6.30 Revere Felt Standard / Ivory 42 x 56½ 330 12.30 11.07 10.27 9.23 Revere Silk All Colors 22 x 30 250 3.65 3.27 3.03 2.72 Revere Silk All Colors 30 x 44 300 8.40 7.56 7.01 6.30 Revere Suede Black 22 x 30 250 4.80 4.32 4.00 3.60 Revere Suede Black 30 x 44 300 11.40 10.26 9.52 8.55 Revere Suede All Colors 22 x 30 250 3.65 3.27 3.03 2.72 Revere Suede All Colors 30 x 44 300 8.40 7.56 7.01 6.30 Revere Suede Standard White 31 x 47 300 8.90 8.01 7.43 6.67

Velata (Wove) 27¾ x 39¾ 120 1.85 1.65 1.53 1.38 27¾ x 39¾ 140 2.15 1.93 1.79 1.61 27¾ x 39¾ 200 3.05 2.74 2.55 2.29

Velata Handmade & Vergata Handmade 19 x 26 130 8.50 7.65 7.10 6.38 Velata Handmade & Vergata Handmade 19 x 26 270 10.00 9.00 8.35 7.50

Mexican De Ponte - Mexico limited quantities available. Hand-made by Pasquale de Ponte from 100% cotton. All neutral pH with 4 deckles. Mexican Handmades Khalo Light background peppered with small flecks of color. Blue & Black Pink salmon & Brown Yellow & Mustard. Mexican Handmades Tamayo Rough surface, solid color sheets. Black Egg Shell Blue seafoam Paper . Size Gr/M2 1 All De Ponte 23½ x 31½ 300 7.75 - last of stock

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 23 A R T P A P E R S - E u r o p e / T h e A m e r i c a s & A u s t r a l i a

Mexican PAPEL DE AMATE - Mexico From the Otomi Indians, Paper de Amate is not actually a paper. For centuries, they have been formed by pounding fig tree bark into sheets and drying them in the sun. 4 natural edges. Neutral pH. Solid Sheets Brown Brown & White tan White Apricot Grape Indigo Moss olive Rose Salmon Sapphire Lace Sheets Brown Brown & White Woven Sheets Brown Brown & White white Multi Color Multi-Patch Sheets - Multi color pulp, pounded together into one sheet. Mexican Paper de Amate. size Gr/M2 1 25 100 500 Amate 16 x 24½ 150 8.00 7.20 6.68 6.00

MOHAWK VELLUM - USA Machine-made in U.S. from 100% high alpha cellulose. Thin, strong 60 lb. text paper. Neutral pH. No deckles. Cool White, Soft White

MOHAWK Via Smooth Light Grey - USA Machine-made in U.S. from 100% high alpha cellulose. 70 lb. text paper. Neutral pH. No deckles. Light Grey is close to the color of newsprint. Paper Size Gr/M2 1 25 100 500 Mohawk Vellum Cool White, Soft White 25 x 38 89 .65 .59 .55 .50 Mohawk Via Smooth Light Grey 25 x 38 104 .75 .68 .63 .57

Moulin de Larroque & Moulin du pombie - France The Larroque Mill, in existence for several centuries, utilizes traditional hand papermaking techniques. Larroque papers are handmade of 100% cotton and have 4 deckled edges. The papers of Pombie are mouldmade by a special process and have 2 deckles and 2 torn edges. All are neutral pH. Moulin de Larroque Bergerac Calcaire - Light Grey with a soft tooth. Bergerac Pale Pink - Pinkish- Grey made of recycled rags. Colombe - Heavily textured surface. Burgundy lilac Moulin du Pombie Mouchetes - Color speckled with white. Brown grey olive Fleur - White with wildflowers. Moutarde - White with brown, seedlike fibers. Salt & Pepper - White peppered with dark fibers. Paper Size Gr/M2 1 Moulin de Larroque 20 x 26 250 7.50 - last of stock Moulin du Pombie 20 x 26 250 5.00 - last of stock

24 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Multi-media / aquarelle - USA Machine-made in the U.S. from100% cotton. Heavy internal sizing makes this economical paper suitable for most painting techniques. Double sided sheets allow for additional versatility. Neutral pH. 2 deckles. Multi-Media Size Gr/M2 1 25 100 500 140 lb. 22 x 30 300 3.55 3.15 2.93 2.63

Newsprint - USA Machinemade in the U.S. of sulphite. Smooth and Rough. For Slipsheeting, proofing, sketching. Paper Size 1 Newsprint Rough or Smooth 18 x 24 46.00 - package of 500 Sheets 24 x 36 92.00 - package of 500 Sheets

Oaktag - USA Machine-made. Hard, smooth surface. Off-White. Paper Size Gr/M2 1 25 100 500 Oaktag Lightweight 24 x 36 150 1.00 .90 .84 .75 Oaktag Heavyweight 24 x 36 300 1.75 1.58 1.48 1.31

Pagra Aluminum Core Dimensionally Stable Paper - Switzerland Neutral pH archival paper is mounted to aluminum, which does not shrink or expand and is therefore dimensionally stable. Used in the restoration of delicate artwork. No deckles. White. Made in Switzerland. Paper Size 1 25 Pagra 0.1 20 x 28 28.00 25.20 Pagra 0.1 28 x 40 56.00 50.40 Pagra 0.6 28 x 40 125.00 112.50 Pagra 1.3 28 x 40 300.00 270.00

PARCHMENT (Genuine) Our selection of skins varies greatly due to availability from our suppliers. Please inquire for current stock. Genuine, traditionally prepared skins for bookbinding, religious documents, certificates, illuminated manuscripts and painting. As the method of preparing skins for artists’ use is now a rare craft, these natural skins are becoming increasingly difficult to obtain. We suppply full skins only. Price is determined by square foot. Prices begin around $70.00 for small skins and can range to several hundred dollars for larger pieces. Genuine Parchment Sheepskin Genuine Parchment Calfskin Genuine Parchment Deerskin Genuine Parchment Goatskin

Parchment Antique Goldtone Machine-made from sulphite. Smooth surface, cloud-like to simulate parchment. No deckles. Golden. Parchment Size Gr/M2 1 25 100 500 Parchment Antique 26 x 38 90 1.30 1.14 1.06 .95

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PERGAMENATA - Italy Machine-made in Italy. 100% high alpha cellulose. Heavy weight, translucent parchment with lightly mottled surface. Neutral pH. No deckles. Pergamenata Size Gr/M2 1 25 100 500 Pergamenata White, Natural 27½ x 39 160 5.65 5.05 4.68 4.20 Pergamenata White, Natural 27½ x 39 230 6.20 5.54 5.14 4.62

PLike - Italy Machinemade in Italy by Gruppo Cordenons of 100% sulphite. The name "Plike" comes from "plastic-like" in that these sheets have an unique touch, evocative of plastic or rubber. The surface is water resistant, yet is porous enough to accept watermedia and other techniques with minimum buckling. The smooth surface accepts silver point beautifully and holds detail even with pastel. However, this specially coated surface does not erase well. Neutral pH. No deckles. Black chocolate Graphite ivory red white PLike Size Gr/M2 1 25 100 500 PLike Black / White / Ivory 28 x 40 140 2.50 2.25 2.09 1.88 PLike - All Colors 28 x 40 330 5.75 5.18 4.80 4.31

Richeson's Unison Premium Pastel Surface - USA Machine-made in the U.S. Designed by the Jack Richeson Company in conjunction with the makers of Unison Pastels, these durable sheets can withstand rubbing, erasure and even watercolor techniques and still maintain their specially designed, toothy surface. Acid free paper screened with a fine-toothed pastel primer. Pastel and charcoal need little fixative. The sheet size includes a ½" border of uncoated white paper. No deckles. Black Marble shale sandstone Terracotta White Paper Size Gr/M2 1 25 100 500 Richeson Pastel 24 x 36 300 13.00 11.70 10.86 9.75

Rising Drawing Bristol - USA Machinemade in the U.S. by Rising of 100% sulphite. Off-white tone is heavily sized to handle many techniques. No deckles. Neutral pH. Rising Bristol Size Gr/M2 1 25 100 500 Rising Bristol 2 Ply Smooth & Vellum 22 x 30 241 2.05 1.82 1.69 1.52 Rising Bristol 3 Ply Smooth & Vellum 22 x 30 362 3.05 2.74 2.55 2.29

Richard de Bas - France Auvergne is the site of the Val de Laga Mill of the Moulin a Richard de Bas, one of the oldest mills in France. Its papers still bear the watermark composed of a heart crossed by waves (to represent the Laga River) and the date of the mill’s inception, 1326. They are handmade from cotton rag and linters beaten by wooden mallets powered by the river. Internally sized. Neutral pH. 4 deckles. Richard de Bas Normal Laid Chain laid, cold pressed, solid colors speckled with white cotton fibers. Chamois Light Blue Maroon Richard de Bas Apta Laid Heavy chain laid (more widely spaced than Normal), Cold Pressed. Brick Red cream Richard de Bas size Gr/M2 1 Apta Laid Colors 20 x 26 240 10.00 - last of stock Normal Laid Colors 20 x 26 240 5.00 - last of stock

26 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Rives - France Mouldmade in France by The Arjomari Paper Group, the same mill that produces Arches and Johannot. These sheets of 100% cotton are without a doubt, some of the papers most often requested by artists. Although known as printing papers, their light sizing and exceptional strength even after soaking, makes these papers versatile for many applications. All Arjomari papers are Neutral pH. 2 Deckles, 2 torn edges (except where noted.) Rives BFK also see Rolls Bright white and toned sheets with a fine, vellum surface. Cream, Grey, and Tan in 22 x 30 size are cut from 30 x 44 sheets and have 1 deckle, 2 torn edges and 1 cut edge. Rives Heavyweight & Lightweight Wove surface, similar to BFK but in 2 lighter weights. Buff (cream) andW hite (an Off-white tone that does not correspond to BFK White.) Rives Papier de Lin also see Rolls 25% linen and 75% cotton rag. Natural deckles are exaggerated. Linen fiber adds strength and gives this paper a surface that is highly textured without a mechanical look. “Moulin du Gue” watermark. Paper Size Gr/M2 1 25 100 500 Rives BFK White 19½ x 25½ 180 3.30 2.97 2.76 2.48 19½ x 25½ 250 3.80 3.42 3.15 2.94 22 x 30 250 4.80 4.31 3.99 3.73 24¾ x 35¼ 270 7.34 6.61 6.12 5.71 29 x 41 270 9.40 8.45 7.82 7.30 30 x 44 280 10.50 9.45 8.72 8.14 31½ x 47 300 12.70 11.45 10.58 9.87

Rives BFK Cream, Grey, Tan 22 x 30 280 5.70 5.15 4.75 4.44 30 x 44 280 10.85 9.75 9.03 8.43

Rives Heavyweight White or Buff 19 x 26 175 3.40 3.06 2.85 2.56 Rives Heavyweight White or Buff 26 x 40 175 6.35 5.61 5.29 4.75

Rives Lightweight White or Buff 19 x 26 115 2.50 2.22 2.07 1.86 Rives Lightweight White or Buff 26 x 40 115 4.50 4.05 3.73 3.35

Rives Papier de Lin 22 x 30 270 6.40 5.77 5.35 4.81 Rives Papier de Lin 31 x 47 300 17.95 16.15 14.98 13.46

P a p e r A s s o r t m e n t p o l i c y 25 Sheet Price - 25 - 99 sheets of one paper, one color, one weight, one size. 100 Sheet Price - 100 - 499 sheets assorted - no less than 10 sheets of each item.* 500 Sheet Price - 500 - 999 sheets assorted - no less than 25 sheets of each item.* *"Item" refers to one paper, one color, one weight, one size.

For orders of 1000 Sheets or more, please call or write for a quotation.

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Ruscombe mill Handmades - France Owned and operated by Chris and Jane Bingham, the mill was established in the Cotswold village of Ruscombe, England in 1990 and relocated to France in 1995. These exquisite sheets are made from cotton rag and flax fibers and recreate the techniques and styles of papers found in the 17th, 18th and 19th centuries. Each step of the papermaking process requires exacting standards to insure quality and consistency. Most of the varieties were inspired by specific antique papers found in museum collections that were once favored by English artists, printers and bookmakers. The mill provides papers to many major libraries and museums around the world, including the Louvre and the French National Library, for the restoration of their works on paper. All are neutral pH. 4 Deckles. Ruscombe Mill Azur de Turner A copy of a paper preferred by J.M.W. Turner that was originally made around 1830. Made of cotton rag and flax with internal sizing. Granite blue tonality has fine flecking of black and blue fibers. Color varies from batch to batch due to natural settling of the different fibers in the vat. Ruscombe Mill Blanc Ancien Made of cotton, linen and flax. Designed for watercolor and drawing techniques where a durable surface is required. Soft white. Ruscombe Mill Blued Hemp & Flax Laid Natural, greyish tan tone with darker flecking. Modeled after antique wrapping papers which were always made on a laid screen and were made of diverse fibers such as rope, colored cotton and old linen clothes. These sheets have tiny flecks of blue fabric felting that cool the tonality of the natural fibers. Fine laid or broad laid with a fine, scratchy surface. Ruscombe Mill Cotton, Flax & Natural Hemp Cotton rag, hemp and linen flax. Pale natural with a lightly textured, crisp finish.W ove. Ruscombe Mill Deep Beige Cotton rag and linen flax.W ove. Ruscombe Mill Hemp & Flax Natural beige with finely textured surface.W ove. Ruscombe Mill Hemp, Linen & Brown Flax Cotton rag, hemp and linen flax. Greenish beige with finely textured surface.W ove. Ruscombe Mill "Machine-age" Compatible Wove Cotton rag and flax. These sheets are colored to resemble aged papers, particularily those used during the industrial revolution . Beige Cold Cream light Bronze rougeatre

Ruscombe Mill Margaux Estampe 100% cotton linter. Heavyweight sheets designed for printmaking techniques where an absorbent surface is needed. White and Cream. Ruscombe Mill Pastelle Color Made of 75% linen rag and 25% cotton rag. Designed for pastel and drawing, yet strong enough for color washes and reworking. Etain Ancien (Antique Pewter) Ruscombe Mill Queen Anne Colors Made of a cotton rag and flax in an assortment of rich, heavily pigmented, saturated colors that are copies of sheets found in antique books. Laid Sheets Strong Granite Blue Pamphlet Blue Wove Sheets Broadside Brown cartridge Green ledger Pink library Green Murky Pink rollbook Rose Ruth's Red Snuff Brown sugar Bag Blue-Green Ruscombe Mill Queen Anne Cotton Wove & Laid Made of a blend of cotton rag, and flax in a variety of weights and shades of white. The 25 gram sheets are a marvel of papermaking skills! Ruscombe Mill Whistler's Olive Cotton and linen rag recreating a popular English paper used throughout the 19th and 20th centuries. Pigmented, greenish kraft color. Wove with a cold pressed surface.

28 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Ruscombe "Classic" Gelatine-sized Watercolor Designed to match papers available in the 18th and 19th centuries, these remarkable sheets are made with flax and hemp fibers as their primary components with a lesser addition of cotton rag. This unique formulation, along with vigorous beating and blending of the fibers is more consistent with the papermaking techniques of the past than to today's tradition of using primarily cotton or cotton rag. All sheets are externally sized in a hot bath of gelatine and then loft dried. Open air, loft drying allows the sheets to dry slowly, hardening the gelatine and insuring durability. All varieties have been fully tested and highly praised by the Royal Watercolor Society in England. Ruscombe Gelatine Sized David Cox Hemp and cotton rag. The hemp fibers give this sheet its warm, natural tan color with light flecking. Inspired by a Scottish paper dating from1836 which was used to wrap sugar that artists found to their liking. Wove with Cold Pressed surface. Ruscombe Mill Oatmeal Cotton, linen and oatmeal husks. A light natural sheet with a rough texture and flecks of oatmeal husk. Ruscombe Gelatine Sized Thomas Girtin Laid Natural, greyish tan tone with darker flecking. Modeled after a wrapping paper that the artist preferred. The sheets were always made on a laid screen and were made of diverse fibers such as rope, colored cotton and old linen clothes. Laid with a Rough surface.

Ruscombe Size Gr/M2 1 Azur de Turner 22 x 30 200 21.50 - All Ruscombe - last of stock. Blanc Ancien 22 x 30 290 21.50 Blued Hemp & Flax Fine Laid 19¾ x 26 80 12.50 Blued Hemp & Flax Fine Laid 22 x 30 200 14.00 Blued Hemp & Flax Broad laid 22 x 30 200 14.00 Cotton, Flax & Natural Hemp 22 x 30 200 15.50 Deep Beige 22 x 30 200 15.50 Hemp & Flax 19¾ x 26 120 15.50 Hemp, Linen & Brown Flax 22 x 30 200 15.50 "Machine-age" Compatible Wove 20 x 27 65 14.40 "Machine-age" Compatible Wove 20 x 27 100 15.50 Margaux Estampe 22 x 30 200 20.00 Pastelle Etain Ancien 15 x 20 240 10.25 Pastelle Etain Ancien 22 x 30 240 15.50 Queen Anne Colors 20 x 27 75 15.50 Queen Anne Pale Wove 20 x 27 65 12.80 20 x 27 90 12.80 20 x 27 120 12.80 Queen Anne Dark Wove (natural white) 20 x 27 65 12.80 20 x 27 90 12.80 20 x 27 120 12.80 Queen Anne Pale Laid 20 x 27 65 12.80 19 x 24¾ 75 12.80 20 x 27 90 12.80 Queen Anne Dark Laid (natural white) 20 x 27 65 12.80 20 x 27 90 12.80 Queen Anne Stone (natural) 20 x 27 65 12.80 20 x 27 90 12.80 Whistler's Olive 22 x 30 200 20.80

Ruscombe "Classic" Gelatine-sized Watercolor David Cox 22 x 30 200 22.40 Oatmeal 18¾ x 23½ 250 17.95 Thomas Girtin Laid 22 x 30 200 21.75

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Saint ARMAND Handmades - Canada The St. Armand Mill of Montreal, Canada is owned and operated by David Carruthers and his wife, Denise Lapointe. Established in 1979 on the shores of the Lachine Canal, the mill re-created the ancient craft of papermaking in a modern context. New York Central and Saint Armand have worked together since those early days - when handmade paper was mainly European and unknown to the American market. Saint Armand's papers have changed radically over the years, but most notably since 1992 when the mill acquired a Holland beater and was able to prepare all their own pulps. Pulping now begins with recycled rags from cotton cut-offs from the textile industry. Basic cotton is usually obtained from white tee shirts; blues from blue denim. Locally grown linen, flax, straw and sisal are also employed. The sheets are air dried, internally sized and exceptionally strong even when wet, making them ideal for printing, bookbinding and drawing techniques. All have 4 deckles and are neutral pH.

St. Armand Dominion Aquarelle Made from 75% cotton rag with 25% linen rag. Internally and externally sized for watercolor. White, medium-rough finish. St. Armand Aquarelle 100% Cotton rag. Internally sized with starch for watercolor and mixed media. Medium-Rough finish.

St. Armand Embossed Turtle St. Armand Embossed Umbrella 100% Cotton rag. Solid color sheets with embossed patterns. "Turtle" is a brick-like pattern of irregular 1" squares and rectangles. "Umbrella" is a pattern of irregular linear furrows that resembles corduroy. Black Ivory Olive Khaki red White

St. Armand Printing & Drawing 100% cotton rag in white and a wide variety of colors. Please note: The colors may vary substantially from making to making. Aquamarine Black Denim Burgundy Caribou Tan charcoal Dark Blue Dark Brown dove Grey elephant Grey fern Green gold Grape Ivory Khaki Lemon Light Blue lilac Lime Mauve Mineral Green Moss Rose Olive Orange Pearl Grey Pink Prune Red Sand Slate Grey Spring Green Tangerine Terracotta Tomato white

St. Armand Specialty Sheets Fantasy Grey with flecks of multi-colored pulp Marsh Grass white, cold pressed surface with marsh grass inclusions. Money White, rough surface with shreaded Canadian Dollar inclusions. Saskatchewan very rough surface and natural color comes from recycled flax straw. Special Etching Blend of cotton and abaca. Soft White. Cold Pressed.

St. Armand Text Weights Linen and cotton rag. Laid finish in the style of 17th century drawing and printing papers. Lightly textured. Text weight. Crowsnest - 100% Black Denim dark Linen - 100% Linen frobisher - White Gaspé - Jade Green Innis - Pale Earth Palliser - Medium Earth Pumpkin Rideau - Ivory Rivière Rouge - Ochre Tangerine Ungava- Light Blue White Linen - 100% Linen

30 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Saint Armand Size Gr/M2 1 25 100 500 Dominion Aquarelle 18 x 24 400 6.00 5.40 4.86 22 x 30 400 10.00 9.00 8.35 30 x 40 400 20.00 18.00 16.70 36 x 48 600 40.00 36.00 33.40 Aquarelle Rectangles 10 x 14 300 3.00 2.70 2.51 2.25 14 x 20 300 4.00 3.60 3.34 3.00 8 x 24 300 4.00 3.60 3.34 3.00 10 x 30 300 5.00 4.50 4.18 3.75 Aquarelle Squares 12 x 12 300 4.00 3.60 3.34 3.00 18 x 18 300 5.00 4.50 4.18 3.75 22 x 22 400 10.00 9.00 8.35 7.50 30 x 30 400 24.00 21.60 20.04 18.00 36 x 36 400 34.00 30.60 28.39 25.50 Aquarelle Oval 12 x 18 Oval 300 6.00 5.40 4.86 4.50 Aquarelle Circles 12" Diameter 300 4.00 3.60 3.34 3.00 18" Diameter 300 6.00 5.40 4.86 4.50 22" Diameter 400 10.00 9.00 8.35 7.50 30" Diameter 400 24.00 21.60 20.04 18.00 36" Diameter 400 34.00 30.60 28.39 25.50

Embossed Turtle & Embossed Umbrella 22 x 30 300 8.00 7.20 6.68 6.00

Printing & Drawing All Colors 22 x 30 200 7.00 6.30 5.85 5.25 Specialty Sheets 22 x 30 250 7.00 6.30 5.85 5.25 Special Etching 22 x 30 250 7.00 6.30 5.85 5.25

Text Weights 18 x 24 85 5.50 4.95 4.59 4.15

Saint ARMAND Canal Mouldmades Made on one of the only Fourdrinier machines that remains in North America, these sheets get their incredible strength from rag clippings recycled from the textile industry, sisal, jute and flax straw from local farmers. This Fourdrinier, is a historical, 1947 machine, made in Scotland that was re-installed at Saint Armand by David Carruthers in 1992. The machine runs very slowly, which most simulates the hand processes and although the sheets have a distinct grain direction, will fold against the grain without cracking - making them ideal for book arts and embossing. 2 deckles, 2 cut edges. Neutral pH. Width of the sheets varies due to shrinkage of the fibers - all are at least 20" - the 30" dimension is accurate. St. Armand Canal Cotton Rag Black Denim Blue Denim Cream Cold Grey with Peat Moss Grey Light Grey with Multi-color Silk Threads White White with Autumn Leaves St. Armand Canal Flax Subdued tones with visible flecks of flax fibers. Grey Flax Mustard Flax ontario Natural Flax R red Flax Turquoise Flax St. Armand Canal Linen Wrapper Crispy, crackly thin sheets with a distinctive, wrinkled and cockled surface, typical of 100% linen papers. White or Natural Brown. St. Armand Canal Mixed Fibers Natural Flax & Cotton Natural Jute & Cotton St. Armand Canal Sisal Coffee Sisal cream Sisal cucumber Sisal currant Sisal

Saint Armand Canal Size Gr/M2 1 25 100 500 Linen Wrapper 20 x 30 60 3.00 2.70 2.51 2.25 All Other Canal Papers 20 x 30 250 3.00 2.70 2.51 2.25

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Sabertooth Pastel II Mould-made in Canada of 100% cotton. Prepared for pastel with silica in a pigmented, latex base. Neutral pH. 2 Deckles. Cream Green grey Light Grey Medium White Paper Size Gr/M2 1 25 100 500 Sabertooth 22 x 30 250 10.00 9.00 8.42 7.50

T.H.Saunders Waterford - England Mouldmade in Wells, England at St. Cuthbert's Mill from 100% cotton. St. Cuthbert's, owned by the Inveresk Group of Papermakers, is one of the world's largest producers of archival papers specifically designed for the fine art market. Wells, in the Somerset area, was once the home of several fine paper mills because of its location near the River Axe. St. Cuthbert's Mill is the last of these to remain in commercial operation, but continues the English traditions of making fine watercolor papers that began with other mills such asW ookey Hole and Whatman. Neutral pH. 2 Deckles, 2 torn edges. Watermarked. White.

T.H. Saunders Waterford Size Gr/M2 1 25 100 500 90 lb. Hot Press, Cold Press, Rough 22 x 30 180 3.80 3.42 3.17 2.85 140 lb. Hot Press, Cold Press, Rough 22 x 30 285 5.90 5.31 4.93 4.43 200 lb. Hot Press, Cold Press ONLY 22 x 30 425 11.65 10.48 9.73 8.74 300 lb. Hot Press, Cold Press, Rough 22 x 30 638 12.90 11.61 10.77 9.68 260 lb. Hot Press, Cold Press, Rough 26 x 40 356 11.20 10.08 9.35 8.40 1090 lb. Hot Press, Cold Press ONLY 40 x 60 638 66.90 60.21 55.86 50.18

Sennelier La Carte Pastel A neutral pH support with a specially prepared fine tooth surface. Lightweight board is coated and colored with very fine vegetable fiber particles to grab and hold pastel. 1 Antique White 2 Sand 3 Sienna 4 Umber 5 Peach 6 Salmon 7 Van Dyck Brown 8 light Green 9 dark Green 10 Light Blue 11 Dark Blue 12 Light Grey 13 Dark Grey 14 Charcoal

Paper Size Gr/M2 1 25 100 500 Sennelier La Carte Pastel 19½ x 25½ 400 14.40 12.92 11.99 10.77

Schoellarshammer Parole Machine made of 100% cotton. An exceptionally hard, durable, smooth surface for pen, ink, pencil and brush. Neutral pH. Paper Size Gr/M2 1 25 100 Schoellarshammer Parole 28¾ x 40 250 16.00 15.03 13.94

32 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Somerset - England Mouldmade in Wells, England at St. Cuthbert's Mill from 100% cotton. St. Cuthbert's, owned by the Inveresk Group of Papermakers, is also the manufacturer of T.H. Saunders Watercolor papers. St. Cuthbert's was one of the first mills to specialize in mouldmade, archival papers specifically designed for the fine art market. The mill has one of the oldest cylinder machines in existence and also has one of the largest machines, manufac- turing papers up to 60" wide. The Somerset line is highly regarded for its durability, consistency and range of products for all printing techniques including digital reproduction. The lightly sized sheets also work well for drawing techniques where minimal erasure is needed. Somerset textured is excellent for soft pastel. All sheets are Neutral pH. 2 Deckles, 2 torn edges. Watermarked. Somerset Book Wove - Smooth wove surface. Radiant White / White /Soft White. Somerset Digital Enhanced Papers see Digital Papers Section. Somerset Satin - Smooth (hot pressed) surface. White / Radiant White / Soft White. Somerset Textured - Rough surface. White / Radiant White / Soft White, and Cream. Somerset Velvet - Lightly textured, cold pressed surface. Antique / Black /Buff /Newsprint Grey /Radiant White / Soft White / White Somerset Size Gr/M2 1 25 100 500 Somerset Book Wove Radiant White, White, Soft White 26 x 40 115 4.20 3.78 3.51 3.15 Somerset Book Wove Radiant White, White, Soft White 26 x 40 175 6.40 5.74 5.32 4.78

Somerset Satin white 22 x 30 250 5.45 4.88 4.53 4.07 white 30 x 44 300 13.70 12.31 11.42 10.26 soft White 22 x 30 300 6.50 5.83 5.41 4.86 Radiant White 35 x 46¾ 500 29.10 26.17 24.28 21.81 Somerset Textured white, Soft White, Cream 22 x 30 250 5.45 4.88 4.53 4.07 white, Soft White, Cream 30 x 44 300 13.70 12.31 11.42 10.26 Radiant White 35 x 46¾ 500 29.10 26.17 24.28 21.81 Somerset Velvet all Colors 22 x 30 250 5.45 4.88 4.53 4.07 white, Soft White 30 x 44 300 13.70 12.31 11.42 10.261 Radiant, Buff, Antique, Newsprint 30 x 44 280 12.75 11.48 10.65 9.57 Radiant White 35 x 46¾ 330 20.25 18.21 16.89 15.17 black 22 x 30 250 7.45 6.69 6.20 5.57 black 30 x 44 280 16.80 15.13 14.04 12.61

Speckletone - USA Unique, recycled machine-made in the U.S. by the French Paper Company from post-consumer waste. Wood shavings and other wood particles are added for character. Neutral pH. Smooth surface flecked with darker fibers. No deckles. Black Brown Chocolate Cream Kraft Natural Oatmeal Old Green Madero (off-white) olive Wine Speckletone Size Gr/M2 1 25 100 500 Black 26 x 40 216 1.75 1.58 1.48 1.31 Chocolate, Olive, Wine 26 x 40 270 1.75 1.58 1.46 1.31 All Other Colors 26 x 40 216 1.50 1.35 1.25 1.13

Starwhite - USA Machine-made in U.S. from sulphite. Neutral pH. Bright white, smooth surface. No deckles. Paper Size Gr/M2 1 25 100 500 Starwhite 35 x 46 200 4.00 3.60 3.34 3.00

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 33 A R T P A P E R S - E u r o p e / T h e A m e r i c a s & A u s t r a l i a

Stonehenge - USA Machine-made in the U.S. from 100% cotton. Neutral pH and buffered.V ellum surface with a slight tooth. 2 Deckles, 2 cut edges. Stonehenge is one of our most popular grades - offering dependability, consistency and range of sizes - all at an economical price. For drawing, silkscreen and most printmaking techniques, book arts and light watercolor. Black Cream Kraft Light Blue Natural Pearl Grey Polar White Steel Grey tan (Fawn) warm White white Stonehenge Size Gr/M2 1 25 100 500 White 22 x 30 250 2.75 2.47 2.29 2.06 White 26 x 40 250 4.40 3.95 3.64 3.27 White 30 x 44 250 5.45 4.90 4.53 4.07 White 30 x 44 320 7.35 6.60 6.11 5.49 White 38 x 50 250 7.95 7.15 6.60 5.93 Warm White 22 x 30 250 2.75 2.47 2.29 2.06 Warm White 30 x 44 250 5.45 4.90 4.53 4.07 Natural / Cream / Polar White 22 x 30 250 2.75 2.47 2.29 2.06 Kraft / Tan (Fawn) / Pearl Grey 22 x 30 250 2.95 2.63 2.44 2.19 Black 22 x 30 250 3.60 3.24 3.00 2.70

STrathmore - USA One of the most well known and respected mills in the United States that specializes in high quality machinemade papers. All sheets neutral pH. Strathmore Alexis Drawing - 100% alpha cellulose. Light texture. Off-White. No deckles. Strathmore Alexis Watercolor - 100% alpha cellulose. Rough. No deckles. Student grade watercolor paper. Strathmore Aquarius II - Cotton and synthetic fibers. Neutral pH. Formulated to remain flat when wet. Strathmore Barrier Paper - Off-White. No deckles. Strathmore Bristol "Fairfield"S eries 300 - Economical, 100% sulphite. 2-ply Plate (smooth) or Vellum (light texture.). White. No deckles. Strathmore Bristol Series 500 - 100% cotton. Plate (Smooth, High) and Kid (Vellum, Medium, Regular) surfaces. No deckles. Strathmore Charcoal - 100% cotton. Laid, textured surface. 2 deckles. Black Blue Grey Bright White cadet Blue fog Blue golden Brown Peachblow Pottery Green rose Grey storm Grey velvet Grey white

Strathmore Size Gr/M2 1 25 100 500 Alexis Drawing 19 x 24 163 .75 .68 .63 .56 Alexis Watercolor 22 x 30 277 2.35 2.08 1.93 1.73 Aquarius II 22 x 30 150 5.30 4.74 4.40 3.95 Barrier Paper 32 x 40 104 2.10 1.87 1.73 1.56

Bristol "Fairfield" Series 300 Plate, Vellum 22½ x 28½ 250 1.85 1.65 1.53 1.37

Bristol Series 500 Plate (Smooth) Finish 1 ply 23 x 29 125 3.35 3.02 2.80 2.51 2 ply 23 x 29 250 6.25 5.61 5.20 4.67 2 ply 30 x 40 250 10.95 9.83 9.12 8.19 3 ply 23 x 29 375 9.60 8.63 8.01 7.19 3 ply 30 x 40 375 16.80 15.11 14.02 12.59 4 ply 23 x 29 500 13.05 11.73 10.88 9.77 4 ply 30 x 40 500 22.80 20.51 19.03 17.09 Bristol Series 500 Kid (Vellum) Finish 1 ply 23 x 29 125 2.70 2.37 2.20 1.97 2 ply 23 x 29 250 5.60 5.03 4.67 4.19 2 ply 30 x 40 250 9.80 8.82 8.18 7.35 3 ply 23 x 29 375 8.55 7.70 7.14 6.41 3 ply 30 x 40 375 14.95 13.46 12.48 11.21 4 ply 23 x 29 500 11.60 10.43 9.68 8.69 4 ply 30 x 40 500 20.30 18.25 16.93 15.21

Charcoal All Colors 19 x 25 100 1.55 1.36 1.26 1.13

34 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Superfine - USA Machine-made in the U.S. by the Mohawk Paper Company from high alpha cellulose. Smooth surface. Neutral pH. No deckles. Paper Size Gr/M2 1 25 100 500 White(80 pound text) 25 x 38 118 1.00 .90 .84 .75 White, Soft White (80 pound cover) 26 x 40 216 2.00 1.80 1.67 1.50

TerraSkin - Stone Paper - Canada Manufactured of 80% calcium carbonate and 20% non-toxic PE-Polyetheylene resin, TerraSkin in not actually a paper - although it performs in much the same way. The mineral base gives this sheet a soft, buttery feeling with a slight tooth that will hold pencil and dry mediums, while the resin gives the sheet incredible strength. TerraSkin will not buckle when wet; it is water-resistant, mould-resistant, flexible and tear-proof. It can be deformed by pulling or pressing objects into the sheet. However, once the sheet has been distorted it cannot return to its original, flat condition. Biodegradable, eco -friendly and neutral pH. TerraSkin does not require priming for direct painting in oils. It accepts most art techniques including watercolor, drawing, silkscreen, lithography and can be sewn and stretched for sculptural applications. TerraSkin Size thickness 1 25 100 500 TerraSkin 4 Point Transluscent 28 x 40 100 microns 3.25 2.93 2.71 2.44 TerraSkin 8 Point White 28 x 40 200 microns 4.50 4.05 3.76 3.38 TerraSkin 10 Point Translucent 28 x 40 250 microns 8.00 7.20 6.68 6.00 TerraSkin 12 Point White 28 x 40 300 microns 9.00 8.10 7.52 6.75 TerraSkin 16 Point White 25 x 35 400 microns 8.50 7.65 7.10 6.38

Textile Cover - USA Machine-made in the U.S. from high alpha cellulose. Fabric-like texture. Neutral pH. No deckles. Paper Size Gr/M2 1 25 100 500 Textile Cover 35 x 46 200 4.00 3.60 3.34 3.00

Translucent Vellum A collection of natural and colored translucent papers from various manufacturers including Chartham, Cromatica and Glama. All are machine- made of 100% sulphite and are neutral pH. For tracing and drawing, letterpress printing and decorative applications. These papers curl and ripple unforgivingly when wet. Not recommended for techniques that involve water. Blush Chartreuse gold Pearlized indigo Ivory Leaf Green Mango Pastel Blue Metal Flecks Platinum Pearlized racing Green red Spring Green spring Ochre shocking Pink turquoise Violet Yellow

Translucent Vellum Size Gr/M2 1 25 100 500 Natural Clear - Chartham 25 x 38 63 .85 .75 .68 .61 Natural Clear - Chartham 25 x 38 90 1.15 1.04 .96 .87 Natural Clear - Chartham 25 x 38 112 1.55 1.40 1.29 1.15 Natural Clear - Chartham 25 x 38 180 2.55 2.30 2.13 1.92

Off-white -W yndstone Vellum 5 point 25 x 38 165 3.85 3.47 3.22 2.90

All Colors 25 x 38 100- 112 2.50 2.24 2.08 1.87

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TWINROCKER HANDMADES - USA Established in 1971 in Indiana by Kathryn and Howard Clark, Twinrocker has been instrumental in the revival of handmade paper in the U.S. The mill is now co-owned and operated byT ravis Becker, a master printmaker who was trained by Kathryn to carry on the tradition and move into the future. All papers are Neutral pH and are made from natural fibers such as cotton rag, linen rag, abaca, and hemp, and colored with lightfast pigments. Internally sized unless specified otherwise.W atercolor grades are additionally gelatin tub-sized. All sheets have 4 deckles. Some are made with an exaggerated, scalloped edge is known as a “feather” deckle. All sheets are 100% Cotton - Wove - Cold Pressed surface unless noted otherwise.

Abaca, Bleached - 100% abaca. Crisp, parchment-like surface. Off-White. Abaca, Unbleached - 100% abaca. Crisp, parchment-like surface. Natural tone. Biscuit - Off-White. B-Buff Wove - Off-White. Buckskin Wove - Greyed Off-White. Calligraphy Cream Laid & Wove - Off-white. Calligraphy Cream with Tear-Wires - Watermarked to rip into smaller sheets. Chapin Laid & Wove - Medium grey-beige. Chestnut Laid & Wove - Light Tan. Cornflower Blue Wove - Blue. Delphi Wove - Natural. Double XX - Light kraft with darker flecking. Dusty Rose Pale - Pale, greyed-pink. Eighteenth Century Laid & Wove - Off-white. Emily Dickinson - Greyed-cream. Fifth Avenue - Light cool grey. Lorraine- Greyed beige. May Linen - Warm Pinkish Cream. Not-Quite-White - Off-White. Oldenberg - Light Grey with black flecks. Patriot - Deep tan with black flecking. Ray’s Grey - Medium Grey. Rotunda Laid & Wove - Greyed Tan. Sagebrush - Medium, dusty green. Sand - Warm Beige. Sherwin Beach - Off white flecked with tan hemp fibers. Simon’s Green - Light grey-green. Walnut - Walnut dyed. Warehouse Brown - Middle brown with flecks. Yale Wove & Antique Laid - OffW hite. Cold Press.

36 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Twinrocker Size Gr/M2 1 25 100 500 Sheets listed below have regular deckled edges, unless the size indicates "feather." Examples of the feather deckles are are reproduced as the borders of these pages. Abaca, Bleached 18 x 24 200 9.60 8.64 8.02 7.20 Abaca, Bleached 22 x 30 120 10.40 9.36 8.68 7.80 Abaca, Bleached CP & Rough 22 x 30 200 11.55 10.40 9.64 8.66 Abaca, Unbleached 22 x 30 150 10.50 9.45 8.77 7.88 Abaca, Unbleached 22 x 30 200 11.55 10.40 9.64 8.66 Biscuit 23 x 30 150 10.40 9.36 8.68 7.80 B-BuffW ove 18 x 24 150 7.90 7.11 6.60 5.93 B-BuffW ove 22 x 30 150 10.40 9.36 8.68 7.80 Buckskin Wove 23 x 32 150 12.90 11.61 10.77 9.68 Calligraphy Cream 9 x 12 200 5.75 5.18 4.80 4.31 Calligraphy Cream 9 x 12 Feather 200 5.75 5.18 4.80 4.31 Calligraphy Cream HP/CP 22 x 30 150 11.55 10.40 9.64 8.66 Calligraphy Cream Tears to 9 x 12" 18 x 24 150 9.60 8.64 8.02 7.20 Calligraphy Cream Laid & Wove 22 x 30 120 10.40 9.36 8.68 7.80 Calligraphy Cream Hot Press Text 22 x 30 150 11.55 10.40 9.64 8.66 Chapin Laid & Wove 22 x 30 150 10.40 9.36 8.68 7.80 Chestnut Laid & Wove 22 x 30 150 10.40 9.36 8.68 7.80 Cornflower Blue Wove 22 x 30 150 10.40 9.36 8.68 7.80 Delphi Laid & Wove 22 x 30 150 10.40 9.36 8.68 7.80 Double XX 19 x 19 200 10.00 9.00 8.35 7.50 Double XX 22 x 30 150 10.40 9.36 8.68 7.80 Dusty Rose Pale 18 x 24 200 9.60 8.64 8.02 7.20 Dusty Rose Pale 22 x 30 200 11.55 10.40 9.64 8.66 Eighteenth Century Laid & Wove 22 x 30 150 10.40 9.36 8.68 7.80 Emily Dickinson 23 x 32 100 & 120 11.90 10.71 9.94 8.93 Fifth Avenue 22 x 30 200 11.40 10.26 9.52 8.55 Lorraine 22 x 30 150 10.40 9.36 8.68 7.80 May Linen 14 x 17 200 7.95 7.16 6.64 5.96 May Linen 16 x 20 200 9.25 8.33 7.72 6.94 May Linen 18 x 24 200 9.60 8.64 8.02 7.20 May Linen 22 x 30 250 11.90 10.71 9.94 8.93 May Linen 9 x 12 200 5.75 5.18 4.80 4.31 May Linen 9 x 12 Feather 200 5.75 5.18 4.80 4.31 May Linen 12" Circle Feather 250 7.40 6.66 6.18 5.55 May Linen 18" Circle Feather 250 9.60 8.64 8.02 7.20 May Linen 16 x 21 Feather 250 9.60 8.64 8.02 7.20 Mica Rose 22 x 30 200 11.55 10.40 9.64 8.66 Not Quite White 22 x 30 150 10.40 9.36 8.68 7.80 Patriot 18 x 24 200 9.60 8.64 8.02 7.20 Patriot 22 x 30 200 11.55 10.40 9.64 8.66 Ray’s Grey 22 x 22 250 11.90 10.71 9.94 8.93 Rotunda Laid & Wove 22 x 30 120 10.40 9.36 8.68 7.80 Sagebrush Text Cold Pressed 22 x 30 150 10.40 9.36 8.68 7.80 Sagebrush Cold Pressed & Rough 22 x 30 200 11.55 10.40 9.64 8.66 Sagebrush Hot Pressed 22 x 30 200 12.65 11.39 10.56 9.49 Sand 22 x 30 200 11.55 10.40 9.64 8.66 Sherwin Beach 20 x 30 175 8.60 7.74 7.18 6.45 Simon’s Green Cold Pressed & Rough 22 x 30 200 11.55 10.40 9.64 8.66 Simon's Green Hot Pressed 22 x 30 200 12.65 11.39 10.56 9.49 Taupe 22 x 30 150 10.40 9.36 8.68 7.80 Tickertape 22 x 30 200 11.55 10.40 9.64 8.66 Walnut - Red Tone 18 x 24 200 9.60 8.64 8.02 7.20 Warehouse Brown 22 x 30 150 10.40 9.36 8.68 7.80 Yale Antique Laid & Wove 22 x 30 120 10.40 9.36 8.68 7.80

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Twinrocker Watercolor White Cotton and cotton rag. Internally and tub sized for watercolor. Exceptionally strong and versitile. Twinrocker Size Gr/M2 1 25 100 500 Sheets listed below have regular deckled edges, unless the size indicates "feather." Examples of the feather deckles are are reproduced as the borders of these pages.

Watercolor White Hot Pressed 9 x 12 Feather 200 7.80 7.02 6.51 5.85 10 x 14 Feather 200 8.70 7.83 7.26 6.53 14 x 14 Feather 200 10.60 9.54 8.85 7.95 16 x 21 Feather 200 12.25 11.03 10.23 9.19 10 x 20 Feather 200 9.35 8.42 7.81 7.01 9 x 12 200 7.80 7.02 6.51 5.85 10 x 14 200 8.70 7.83 7.26 6.53 16 x 20 200 12.25 11.03 10.23 9.19 15 x 22½ 250 11.20 10.08 9.35 8.40 18 x 24 200 12.60 11.34 10.52 9.45 22 x 30 250 15.50 13.95 12.94 11.63 30 x 40 300 43.70 39.33 36.49 32.78 34 x 48 300 60.70 54.63 50.68 45.53 Watercolor White Cold Pressed 9 x 12 Feather 200 7.05 6.35 5.89 5.29 10 x 14 Feather 200 7.90 7.11 6.60 5.93 14 x 14 Feather 200 9.60 8.64 8.02 7.20 16 x 21 Feather 200 11.10 9.99 9.27 8.33 9 x 12 200 7.05 6.35 5.89 5.29 10 x 14 200 7.90 7.11 6.60 5.93 16 x 20 200 11.10 9.99 9.27 8.33 15 x 22½ 250 10.10 9.09 8.43 7.58 18 x 24 200 11.45 10.31 9.56 8.59 22 x 30 250 14.00 12.60 11.69 10.50 30 x 40 300 39.70 35.73 33.15 29.78 34 x 48 300 55.05 49.55 45.97 41.29 Watercolor White Rough 9 x 12 Feather 200 6.40 5.76 5.34 4.80 10 x 14 Feather 200 7.20 6.48 6.01 5.40 14 x 14 Feather 200 8.70 7.83 7.26 6.53 16 x 21 Feather 200 10.10 9.09 8.43 7.58 18 x 24 200 10.10 9.09 8.43 7.58 22 x 30 250 12.70 11.43 10.60 9.53

Twinrocker Watercolor Tints Toned sheets that have been tub sized for additional strength and durability making them ideal for all aqueous techniques. These colors are reminiscent of papers that were favorites of traditional English papermakers and were highly regarded by artists such as Constable, Turner and Homer. Toned sheets are especially useful for painting and drawing when opaque whites are used to "heighten" the forms - a technique that can be seen in many drawings of the Renaissance. Dusty Rose Pale Patriot Tan Willow Creek Green-Grey Twinrocker Watercolor Tones Size Gr/M2 1 25 100 500 Watercolor Tints Hot Pressed 10 x 14 200 8.70 7.83 7.26 6.53 18 x 24 200 12.65 11.39 10.56 9.49 22 x 30 250 15.50 13.95 12.94 11.63 Watercolor Tints Cold Pressed 10 x 14 200 7.90 7.11 6.60 5.93 18 x 24 200 11.45 10.31 9.56 8.59 22 x 30 250 14.00 12.60 11.69 10.50

38 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Twinrocker White - All purpose for drawing printing and some watercolor. Twinrocker White Cotton Rag Text - For drawing, printing and some watercolor. Twinrocker Size Gr/M2 1 25 100 500 Sheets listed below have regular deckled edges, unless the size indicates "feather." Examples of the feather deckles are are reproduced as the borders of these pages.

White Hot Pressed All Purpose 4 x 20 Feather 200 5.95 5.36 4.97 4.46 18 x 24 200 10.60 9.54 8.85 7.95 22 x 30 200 13.10 11.79 10.94 9.83 White Cold Pressed All Purpose 18 x 24 200 9.60 8.64 8.02 7.20 22 x 30 200 11.90 10.71 9.94 8.93 7 x 28 Feather 200 8.00 7.20 6.68 6.00 6" Circle Feather 200 2.80 2.52 2.34 2.10 6" Heart Feather 200 2.80 2.52 2.34 2.10 6 x 8 Feather 200 2.80 2.52 2.34 2.10 9 x 12 Feather 200 5.70 5.13 4.76 4.28 10 x 14 Feather 200 6.60 5.94 5.51 4.95 16 x 21 Feather 200 9.60 8.64 8.02 7.20 12" Circle Feather 200 7.40 6.66 6.18 5.55 18 " Circle Feather 200 9.60 8.64 8.02 7.20

White Cotton Rag Laid 18 x 24 120 9.60 8.64 8.02 7.20 White Cotton Rag Wove 22 x 30 150 10.40 9.36 8.68 7.80

U-ART Premium Sanded Pastel Paper - USA - also see rolls. Made in the style of the German "Ersta" sand papers, UArt machine-made sheets look like the originals, but are now made acid free. The natural sand color coating is available in 4 different degrees. #800 is the finest, #400 is the roughest. All handle pastel, holding the stroke and allowing for multiple layers with little or no fixatives. The durable surface can withstand blending and lifting of color without loss of tooth. The finer grades are perfect for color pencil and other drawing techniques. No deckles. U-Art Size Gr/M2 1 25 100 500 #800 (finest) #600 #500 #400 (roughest) 27 x 40 250 15.25 13.73 12.74 11.45

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Van Gelder - Holland Founded in 1618, the Van Gelder Mill has been in the hands of the Schut Family since 1710. Papierfabriek Schut as it is now known, is the only specialized mill left in Eastern Holland. In 1800, to learn from other cultures and paper traditions, the Van Gelder technicians travelled to Japan and as a result, developed Simili Japon which was their homage to some of the lustrous kozo and gampi sheets that they discovered there. All of the papers that they now produce, their surfaces, watermarks and tonalities, are based on original handmade styles that date back as far as 100 years. Van Gelder Ingres Cotton and high alpha cellulose. Laid surface. Solid colors and "Marbré" (marble) which have fine thread inclusions. Neutral pH. Beige Marbré Bleu Foncé - Deep Blue creme Marbré Van Gelder Simili Japon Cotton and high alpha cellulose. Beautiful, satin smooth wove surface. Off-W hite. Neutral pH. 2 deckles. Van Gelder Size Gr/M2 1 25 100 500 Ingres All Colors 19½ x 25½ 95 1.00 .90 .84 .75 Van Gelder Simili Japon 25 x 37¾ 130 4.00 3.60 3.34 3.00 Van Gelder Simili Japon 25 x 37¾ 225 6.00 5.40 5.01 4.50

Velour Premium Pastel - Germany Machine-made in Germany by Hahnemühle. Flocked surface that provides excellent tooth. No deckles. Neutral pH. 601 White 602 Middle Grey 603 Yellow 604 Green 605 Orange 606 Dark Grey 607 Sand 608 Ochre 609 Light Grey 610 Black Velour - USA Machine-made in U.S. Heavyweight with velvety surface that provides excellent tooth. No deckles. Black Emerald Green grey Light Blue Medallion Gold orange Red Royal Blue Scarlet Tawny Beige white

Paper Size Gr/M2 1 25 100 500 Velour Premium Pastel 19 x 27 190 5.60 5.04 4.68 4.20 Velour 20 x 26 185 4.00 3.60 3.34 3.00

Wallis Pastel & oil Painting Paper - USA Archival papers are coated with white aluminum oxide to create this extremely durable, abrasive surface especially designed for pastel. Wallis pastel can be tinted and reworked without damaging the surface. The special coating also protects the paper allowing for direct painting with oil colors without additional priming. No deckles: Professional Grade uses a non-rag, pH neutral cardstock. Museum Grade uses a 100% virgin cotton rag sheet. Buffered. Paper Size Gr/M2 1 25 100 500 Wallis Professional Grade White 18 x 24 236 10.50 9.45 8.77 7.88 Wallis Professional Grade White 24 x 36 236 18.00 16.20 15.03 13.50 Wallis Professional Grade Sand 24 x 36 236 18.00 16.20 15.03 13.50 Wallis Museum Grade White 18 x 24 300 13.00 11.70 10.86 9.75 Wallis Museum Grade White 24 x 36 300 24.00 21.60 20.04 18.00

Winsor & Newton Watercolor - England Mouldmade in England by Inveresk exclusively for Winsor & Newton. 100% cotton. Internally and externally sized for all aqueous media. Neutral pH. 2 Deckles, 2 torn edges. Winsor & Newton Size Gr/M2 1 25 100 500 90 lb. Hot Press 22 x 30 185 3.80 3.42 last of stock 140 Cold Press 22 x 30 300 5.48 4.93 4.58 4.11 300 lb. Cold Press 22 x 30 640 12.76 11.48 10.65 9.57

40 Paper is fragile ! No returns or exchanges are allowed. E u r o p e / T h e A m e r i c a s & A u s t r a l i a - A R T P A P E R S

Yupo - USA Synthetic "paper" machinemade in the U.S. of 100% polypropylene. Yupo is waterproof, stain resistant and incredibly strong. Accepts most print- ing techniques and offers a unique surface for water media as the paper is dimenensionally stable and will not buckle. No deckles. Neutral pH. Paper Size Gr/M2 1 25 100 500 Yupo 26 x 40 155 6.05 5.42 5.03 4.52 Yupo 26 x 40 197 8.10 7.28 6.76 6.07 Yupo 26 x 40 390 11.45 10.30 9.55 8.58

Zaan - Holland Handmade in Holland at Der Schoolmeister, the last of the wind papermills. Recently restored, the mill is once again in operation, making tradi- tional sheets from the flax grown around the mill (as a source of linseed oil) and textured by pressing onto linen blankets.These line-dried, waterleaf sheets are highly absorbent, yet remarkably strong. 4 deckles. Neutral pH. Paper Size Gr/M2 1 25 100 Zaan Light Grey 8 x 12 200 4.25 3.83 3.55 Zaan Light Grey 25 x 29 200 18.50 16.65 15.45

Zerkall - Germany The Zerkall Mill had its origins in the 16th century and has been owned and operated by the Renker Family for four generations. Mixing exacting amounts of cotton rag and high alpha cellulose, their sheets are strong, yet able to absorb without bleeding. Although the mill only manufactures mouldmade papers, due to the slow running speeds of their machines, Zerkall sheets have a wonderful touch - seeming more like handmade sheets than most mould-made papers. Their sheets mirror papers of the past while incorporating modern technology to insure stability and permanence. All sheets have 2 Deckles, 2 torn edges and are Neutral pH. Zerkall Aquarag - 100% cotton. Rough. Warm White. Zerkall Book Smooth & Vellum - Cotton and high alpha cellulose. White, Warm White & Cream Zerkall Book Laid Smooth & Vellum - Cotton and high alpha cellulose. White. Zerkall Copperplate - 25% cotton. Cold Pressed. Warm White (pinkish.) Zerkall Frankfurt Cotton and high alpha cellulose. Unusual, wavy laid surface replicates sheets that were formed by stretching a cloth across the mould to give the sheet a fine, smooth surface without plating. Zerkall Ingres - 100% high alpha cellulose. Slightly textured, laid surface. 1 White 2 Grey 3 Bluestone 4 Light Green 6 Cream 7 Sand 8 Earth 9 Tan 10 Orange 12 Scarlet 601 Mint 602 Light Blue 606 Ivory

Zerkall Laid Cover - Cotton and high alpha cellulose. Smooth laid. - Cream light Blue light Green white Zerkall Litho Zerkall Nideggen - Cotton and high alpha cellulose. Wavy laid surface similar to Zerkall Frankfurt (above.) Tan with tiny black flecking. Zerkall Satin Wove #902 - Cotton and high alpha cellulose. Smooth finish.W hite. Zerkall Size Gr/M2 1 25 100 500 Aquarag 20 x 25½ 300 5.11 - last of stock Book Smooth & Vellum 20¾ x 30 100 3.20 2.87 2.66 2.39 White Warm White Cream 20¾ x 30 145 3.55 3.19 2.96 2.66 Book Laid 24 x 34 125 4.10 3.65 3.39 3.05 Copperplate 22 x 30 250 4.05 3.62 3.36 3.02 Copperplate 30 x 42 250 7.50 6.73 6.25 5.61 Frankfurt White, Cream Vellum 25 x 38 120 4.65 4.20 3.87 3.47 Frankfurt White, Cream Smooth 21 x 29½ 120 2.90 2.59 2.40 2.16 Ingres All Colors 19 x 25 90 1.55 1.37 1.27 1.14 Laid Cover 19 x 25 225 4.50 4.05 3.76 3.38 Litho 22 x 30 250 4.80 4.32 4.01 3.60 Litho 30 x 42 250 10.00 9.00 8.35 7.50 Nideggen 25 x 38 120 4.70 4.23 3.93 3.53 Satin Wove 902 25 x 30 225 6.00 5.40 5.01 4.50

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Arches / Canson / Rives Digital All 100% cotton with special coating for digital prints. Archival, museum quality. Arches Velin Rag - Mouldmade. White. Cold pressed, textured surface. Aquarelle Rag - Mouldmade. Traditional-white. Cold pressed, textured surface. Canson Edition Rag - Machine made. White. Vellum surface. Canson Photographique Canson Photographique - Duo Sided - Machine made. White. Ultra-smooth surface. Arches Digital BFK Rives - Mould made. White. Vellum surface. Ink-jet papers Size Gr/M2 1 25 100 500 Arches Velin Digital 17 x 22 250 6.36 5.72 5.31 4.77 Arches Aquarelle Digital 17 x 22 240 6.36 5.72 5.31 4.77 Arches / Canson Edition Digital 17 x 22 310 6.36 5.72 5.31 4.77 Arches / Canson Photographique Digital 17 x 22 210 5.20 4.68 4.34 3.90 Arches / Canson Photographique Duo Digital 17 x 22 220 6.28 5.65 5.24 4.71 Arches / BFK Rives Digital 17 x 22 310 7.88 7.09 6.58 5.91

Colorado Digital Gloss & Satin Machine-made of 100% sulphite. Photo style in gloss and satin finishes. Neutral pH. Ink-jet papers Size Gr/M2 1 25 100 500 Colorado Digital Gloss 17 x 22 245 6.75 6.06 5.62 5.05 Colorado Digital Satin 17 x 22 245 6.75 6.06 5.62 5.05

Entrada Digital Bright White Machine-made of 100% cotton. Coated both sides. Neutral pH. Ink-jet papers Size Gr/M2 1 25 100 500 Entrada Digital Bright White 17 x 22 190 6.00 5.39 5.00 4.49 Entrada Digital Bright White 17 x 22 300 6.35 5.71 5.30 4.76

Innova Digital Museum grade, mouldmade papers from England. Compatible with dye and pigment based inks, the special coating creates a surface that is resistant to water, scuffing and abrasion making Innova ideal for portfolio presentations. Neutral pH. Innova Digital Photo FibaPrint Ultra Smooth - Mouldmade of sulphite. Ultra-smooth, bright white surface. Innova Digital Photo Smooth Cotton Innova Digital Photo Smooth Cotton Duo 2-Sided - Mouldmade of 100% cotton. Ultra-smooth, white surface. Ink-jet papers Size Gr/M2 1 25 100 500 Innova Photo FibaPrint 17 x 22 280 5.05 4.52 4.20 3.77 Innova Photo Smooth Cotton 17 x 22 215 5.70 5.63 4.76 4.28 Innova Photo Smooth Cotton 17 x 22 310 6.72 6.04 5.61 5.04 Innova Photo Smooth Duo 17 x 22 255 9.90 8.87 8.23 7.39

42 Paper is fragile ! No returns or exchanges are allowed. d i g i t a l p a p e r s

Hahnemühle Digital Papers Made in Germany. Specially coated stock for home computers. Once printed, these papers stabilize the colors and make the prints less water soluble. All varieties are neutral pH. Allegretto - Mould-made from high alpha cellulose. Off-white. Textured Surface. Albrecht Durer - Mould-made from high alpha cellulose. German Etching - Mould-made from high alpha cellulose. Natural Art Duo - Machine-made from high alpha cellulose. Natural White Smooth surface. Photo Rag - Machine-made from cotton and high alpha cellulose. Photo Rag Duo 2-Sided - Machine-made from cotton and high alpha cellulose. William Turner - Mould-made from high alpha cellulose. Torchon - Machine-made from high alpha cellulose. Rough surface. Hahnemuhle Ink-jet papers Size gr/M2 1 25 100 500 Digital Allegretto 17 x 22 210 6.35 5.73 5.31 4.77 Hahnemühle Digital Albrecht Durer 17 x 22 210 8.00 7.19 6.68 6.00 Digital Paper Pads Digital German Etching 17 x 22 310 8.70 7.83 7.27 6.53 Digital Natural Art Duo 17 x 22 256 9.00 8.10 7.52 6.75 Soft Felt - Allegretto - 160 gram Digital Photo Rag 17 x 22 188 7.35 6.59 6.11 5.49 Coarse Felt - Albrecht Durer - 210 gram Digital Photo Rag 17 x 22 308 9.80 8.79 8.15 7.32 Heavy Parchment - Torchon - 285 gram Digital Photo Rag Duo-Sided 17 x 22 276 11.15 10.00 9.28 8.33 Digital William Turner 17 x 22 190 7.45 6.67 6.19 5.56 Digital William Turner 17 x 22 310 9.80 8.80 8.16 7.33 15 sheet pads 8½ x 11 10.00 Digital Torchon 17 x 22 285 8.25 7.39 6.86 6.16

Lumijet Silk Digital Bookweight Duo Machine-made. Neutral pH. Coated both sides. White. Ink-jet papers Size Gr/M2 1 25 100 500 Lumijet Digital 17 x 24 170 7.25 6.53 6.05 5.44

Museo Digital Machine-made in the U.S. by Crane's of 100% cotton. Neutral pH. White. Ink-jet papers Size Gr/M2 1 25 100 500 Museo Digital 17 x 22 250 4.80 4.32 4.01 3.60

Somerset Enhanced Digital Mould-made in England of 100% cotton. Three surfaces. Neutral pH. Radiant White. Ink-jet papers Size Gr/M2 1 25 100 500 Somerset Satin 8½ x 11 300 2.20 1.98 1.83 1.65 Somerset Satin 11 x 17 300 4.35 3.92 3.63 3.26 Somerset Satin 13 x 19 300 4.95 4.43 4.11 3.69 Somerset Satin 17 x 22 300 8.15 7.32 6.80 6.10

Somerset Textured 8½ x 11 225 1.95 1.74 1.62 1.45 Somerset Textured 13 x 19 225 4.20 3.78 3.51 3.15

Somerset Velvet 8.5 x 11 225 1.95 1.74 1.62 1.45 Somerset Velvet 11 x 17 225 3.60 3.24 3.00 2.70 Somerset Velvet 13 x 19 225 4.20 3.78 3.51 3.15 Somerset Velvet 17 x 22 225 6.77 6.10 5.66 5.08 Somerset Velvet 35 x 46 255 20.17 18.15 16.84 15.13

Somerset Velvet 13 x 11 yard roll 255 129.00 Somerset Velvet 24 x 11 yard roll 255 192.00 Somerset Velvet 36 x 11 yard roll 255 260.75

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Japanese Digital Papers Asuka White & Natural Machinemade of sulphite. Smooth surface coated on both sides for digital printing. Neutral pH. White & Natural No deckles. Ink-jet papers Size Gr/M2 1 25 100 500 Asuka White & Natural 17 x 22 48 1.80 1.62 1.50 1.35 Asuka White & Natural 17 x 22 75 2.00 1.80 1.67 1.50 Asuka White & Natural 17 x 22 150 3.00 2.70 2.51 2.25 Asuka White Natural - special order 44 x 20 meter roll 48 98.00 Asuka White Natural - special order 44 x 20 meter roll 75 132.00 Asuka White Natural - special order 44 x 20 meter roll 150 265.00

Aya Machinemade of hemp and sulphite. Smooth surface coated on both sides for digital printing. Neutral pH. White No deckles. Ink-jet papers Size Gr/M2 1 25 100 500 Aya White 8½ x 11 125 2.40 2.16 2.00 1.80 Aya White A3 13¾ x 16½ 125 7.75 6.95 6.48 5.82 Aya White 23 x 33 125 14.00 12.60 11.69 10.50 Aya White 44 x 15 meter roll 125 326.25

Digital Kozo Machinemade of kozo and sulphite. Translucent sheet coated on both sides for digital printing. Neutral pH. White. No deckles. Ink-jet papers Size Gr/M2 1 25 100 500 Kozo White 8½ x 11 70 2.00 1.80 1.67 1.50 Kozo White 23 x 33 70 19.00 17.10 15.87 14.25 Kozo White 44 x 15 meter roll 70 410.00

Niyodo Kozo Machinemade of kozo and sulphite. Translucent sheets coated on both sides for digital printing. Neutral pH. White. No deckles. Ink-jet papers Size Gr/M2 1 25 100 500 Niyoda Kozo White 8½ x 11 48 1.25 1.12 1.04 .93 Niyoda Kozo White 13 x 19 48 2.90 2.61 2.42 2.18 Niyoda Kozo White 17 x 22 48 4.50 4.05 3.76 3.38 Niyoda Kozo White 43 x 20 meter roll 48 455.00

Niyodo White & Natural Machinemade of kozo and sulphite. Translucent sheets coated on both sides for digital printing. Neutral pH. White. No deckles. Ink-jet papers Size Gr/M2 1 25 100 500 Niyoda White 8½ x 11 63 1.10 .99 .92 .83 Niyoda White 13 x 19 63 2.40 2.16 2.00 1.80 Niyoda White & Natural 17 x 22 63 4.00 3.60 3.34 3.00 Niyoda White 43 x 20 meter roll 63 404.50

44 Paper is fragile ! No returns or exchanges are allowed. A f r i c a - A R T P A P E R S

African Mapepa Papers Handmade in Zimbabwe, South Africa from indigenous fibers. Papermaking has only recently been developed in this area as a means to create new work opportunities for the craftspeople in the communities and villages. These earthy, irregular, textural sheets use local, readily found plants such as river reed, elephant grass, wild fig and hemp. These plants are quickly replenished, maintaining ecological stability, reducing dependance on the forests and thus, protecting wildlife and other natural resources.

The sheets are somewhat inconsistent making it difficult to specify weight, surface, color or tone. A swatchbook is the best way to help make your selection. Please be aware that swatches will give you an indication of the sheet, but there will always be variations. All sheets are lignin free and neutral pH. 4 Deckles. African Mapepa Cotton Colors Cotton rag and natural fibers. 002 Gr/M2 Kadoma Pink Rag Kingfisher Blue Rag Orange Rag Yellow Mushani Rag Yellow River Reed Rag African Mapepa Dung Dung has been used in African art and rituals for centuries with the belief that the spirit of these wild, respected animals is transferred to the object in which it is used. These animals rely primarily on grasses and bark as their diet. The plants that survive the heat and lack of rainfall of Africa are tough, fiberous and low in nutrition requiring the animal to consume massive amounts and consequently passing much of these difficult to digest fibers in a semi-digested state. In other words, the animal acts as a papermaker's beater to help prepare the fibers! The dung is cooked and mixed with other fibers for stability. 200Gr/M2 Giraffe Dung White Spotted Rhino Dung Zambezi Elephant Dung African Mapepa Mulberry Tissue 100% Kozo. Thin, crisp, translucent sheets with exaggerated deckles. 30Gr/M2 African Kozo Natural Tissue Banana Tissue Bvumbe Blue Flecked Marble Tissue Ncube Mushani Tissue Ncube PaleTerracotta Tissue Zambezi Pale GreenTissue African Mapepa Natural Fibers Natural fibers in a range of tones from light beige to deep brown.200 Gr/M2 Chicadze Konse Mashamba Huro Spotted Leopard Vongai Maise Mix

Africa Size Gr/M2 1 25 100 500 African Kozo Tissue 18 x 25 30 4.00 3.60 3.34 3.00 Banana Tissue 18 x 25 30 4.00 3.60 3.34 3.00 Bvumbe Blue Tissue 18 x 25 30 4.00 3.60 3.34 3.00 Chicadze Konse 16 x 22 200 4.00 3.60 3.34 3.00 Giraffe Dung 16 x 22 200 4.00 3.60 3.34 3.00 Kadoma Rag 16 x 22 200 4.00 3.60 3.34 3.00 Kingfisher Rag 17 x 22 200 4.00 3.60 3.34 3.00 Mashamba Huro 16 x 22 200 4.00 3.60 3.34 3.00 Ncube Terracotta Tissue 18 x 25 30 4.00 3.60 3.34 3.00 Orange Rag 16 x 22 200 4.00 3.60 3.34 3.00 Vongai Maize Mix 16 x 22 200 4.00 3.60 3.34 3.00 White Spotted Rhino 16 x 24 200 4.00 3.60 3.34 3.00 Yellow Mushani 16 x 22 200 4.00 3.60 3.34 3.00 Yellow River Reed 16 x 22 200 4.00 3.60 3.34 3.00 Zambezi Tissue 18 x 25 30 4.00 3.60 3.34 3.00 Zambezi Elephant Dung 18 x 25 200 5.00 4.50 4.18 3.75

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 45 A R T P A P E R S - B h u t a n

Bhutan Handmade papers Nestled in the Eastern Himalayas, the beautiful Kingdom of Bhutan has been a center of spirituality for various factions of the Buddhist faith. The papermaking traditions in Bhutan reflect the mingling of these different cultures - with influences from Japan, Nepal and Northern India. The most traditional styles are similar to Nepalese papers made on a screen called a tame suki which is constructed of split bamboo. The tame suki allows for excess water and pulp to run through the screen and produces a soft, thick sheet with a pronounced laid surface.Other varieties are made in the Japanese Nagashizuki style where excess pulp is thrown off the side of the screen and results in finer, thinner sheet formations. Sheets are usually dried by couching them directly to the sunny side of the paper mill's outside walls. All papers are neutral pH and have 4 natural deckles.

Tenzin Bhutan HAndmades Norbu Tenzin was trained in both traditional Bhutanese and Japanese papermaking techniques and is now the owner of The Jungshin Paper Factory in Bhutan. His papers are unsized and totally chemical free. Bhutan Tenzin Daphne Japanese style of 100% Bhutanese daphne with a warm natural tonality. Bhutan Tenzin Dekar Japanese style of 100% Bhutanese daphne with a warm natural tonality. Bhutan Tenzin Denak Traditional Bhutanese style of 100% Bhutanese daphne with a warm natural tonality. Bhutan Tenzin Egeworthia Japanese style of 100% Egeworthia (Bhutanese kozo.) Bhutan Tenzin Jute Traditional Bhutanese style of 100% jute. Dark Natural. Bhutan Tenzin Mitsumata Japanese style from 100% mitsumata, these sheets have a soft touch and a slight luster. Neutral pH. 4 Natural deckles. White or Natural. Bhutan Tenzin Rural Tsarsho Traditional Bhutanese style of 50% mitsumata & 50% daphne. Deep natural tone with a distinctive, laid surface. Bhutan Tenzin Rural Tsarsho Dyed & Bleached Traditional-style, of mitsumata & daphne. These heavy weight sheets have a distinctive, laid surface. Hand dyed with native pigments to beautiful tonalities. As with all hand-dyed sheets, color will vary from batch to batch and even sheet to sheet. Dama Sep - Pale Yellow Ochre Indigo - Medium Blue Earth Green - Natural Vegetable Madder - Medium Rose Earth Khenpa - Pale Beige Tong Fu - Pale Pink Earth Yellow - Bright Acidic Yellow White - Bleached Bhutan Tenzin Shawa Traditional Bhutanese handmade of mitsumata and creeping vines. Dark brown laid paper, flecked with fine, chocolate bark. Dried on metal to give a smooth finish. Back side is lighter color.

46 Paper is fragile ! No returns or exchanges are allowed. B h u t a n - A R T P A P E R S

Khadi Bhutan Handmades Made by a papermaker called Gonpola in the town of Bomdeling which is a 2-3 hour walk from the nearest road, these sheets are made of denar - which is the Bhutanese variety of daphne. Bhutan Khadi Denar JDK Lightweight sheets made in the Japanese tradition from Bhutanese daphne. Bhutan Khadi Jingshi Tsasho Paper made in the Japanese tradition to mimic the traditional Bhutanese laid paper. Bhutan Khadi Resho Traditional Bhutanese handmade. Resho means "cotton" which refers to the use of a cotton cloth over the mould to eliminate the impressions of the bamboo screen. Bhutan Khadi Tsasho Traditional-style, Bhutanese handmade of natural lokta fibers. The word "tsasho" translates as "bamboo" which refers to the use of a split bamboo mould. Deep Natural or Dyed Grey.

Bhutan Egeworthia Laminated limited quantities available. Japanese style of 100% Egeworthia (kozo) with a pronounced laid pattern. Two sheets laminated toghether to make this smooth, heavyweight sheet. Natural.

Bhutan Size Gr/M2 1 25 100 500 Bhutan Khadi Denar JDK 23 x 31 100 4.40 3.96 3.67 3.30 Jingshi Tsasho 23 x 31 100 6.00 5.40 5.01 4.50 Resho 21 x 28 90 5.00 4.50 4.18 3.75 Tsasho Natural 23 x 31 100 7.10 6.39 5.93 5.33

Bhutan Egeworthia Laminated 24 x 39 250 9.00 8.10 7.52 6.75

Bhutan Tenzin Handmades Daphne Thick Natural BHU 113 21 x 34 180 9.60 8.64 8.02 7.20 Dekar #4 Natural Medium Weight 9 x 12 30 2.60 2.34 2.17 1.95 Dekar #5 Natural Thin 9 x 12 10 2.20 1.98 1.84 1.65 Dekar #7 Natural - size A7 6 x 8 60 2.50 2.25 2.09 1.88 Dekar #8 Natural 4 x 6 120 1.80 1.62 1.50 1.35 Dekar #9 Dark Natural 4 x 6 120 1.80 1.62 1.50 1.35 Dekar #4 Natural Medium Weight 9 x 12 30 2.60 2.34 2.17 1.95 Denak Kap Medium Natural 21 x 32 30 7.70 6.93 6.43 5.78 Denak Kap Thin Natural 21 x 32 15 5.90 5.31 4.93 4.43 Denak Trongsa P1 Natural 33½ x 51 120 54.90 49.41 45.84 41.18 Denak Trongsa P2 Natural 33½ x 51 50 40.00 36.00 33.40 30.00 Egeworthia Natural BHU 111 21 x 34 45 7.00 6.30 5.85 5.25 Egeworthia White BHU 112 21 x 34 45 6.50 5.85 5.43 4.88 Jute #6 Dark Natural 9 x 12 60 2.50 2.25 2.09 1.88 Mitsumata Thin Natural BHU 04 21 x 29½ 10 5.40 4.86 4.51 4.05 Mitsumata Natural BHU 05 21 x 34 60 4.00 3.60 3.34 3.00 Mitsumata White BHU 06 21 x 34 60 4.50 4.05 3.76 3.38 Mitsumata Thick White BHU 07 21 x 34 120 9.00 8.10 7.52 6.75 Rural Tsarsho BHU09 21 x 34 200 6.00 5.40 5.01 4.50 Rural Tsarsho Dyed 12 x 18 200 5.00 4.50 4.18 3.75 Shawa BHU03 21 x 29½ 180 11.00 9.90 9.19 8.25

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 47 A R T P A P E R S - C h i n a

Chinese Papers China is credited with the invention of paper. The magical substance was so highly prized by the emperor that the secret of its manufacture was closely guarded - in order that mere mortals would be unable to possess this amazing creation. Fortunately for the rest of the world, the technique eventually spread all over China and was later learned by the Japanese - who in turn, also became great masters. China and Japan were responsible for the spread of papermaking throughout the East - into Korea, Southeast Asia, Nepal, Northern and Southern India and like the spice and silk trades, into the Western World. Although fine papermaking has continued in China since its invention, very little Chinese paper has been exported until recently. As trade with China continues to grow, we are beginning to see the diversity and range of these interesting and beautiful papers.

An-Jing Chinese Handmades These sheets from the Xian County of Anhui Province are made following papermaking traditions that have been handed down for over 1000 years. Highly regarded throughout China as some of the finest papers available, An-Jing papers utilize locally grown bast fibers such as mulberry, blue sandlewood, hemp and dragon whisker grass. All sheets are neutral pH. Sheets arrive folded into bolts which is a traditional method of storing the large sheets. Folds usually come out with use or moisture. An-Jing Clean Bark Made from 100% blue sandlewood (bast) fiber. "Clean Bark" refers to the preparation of the fibers where dark, outer bark has been carefully removed, resulting in unbleached sheets with pure, clean tonalities and sheet formation. Prized for sumi-e painting. Sized sheets will hold a crisper line with less bleeding. Off white. No deckles. An-Jing Pang Pi Made of 100% unbleached mulberry, this giant, strong sheet has a natural tone with small flecks and swirls of darker, mulberry fiber. 4 Deckles.

Yuemei CHINESE HANDMADES Laid papers from Mainland China made from sulphite and native fibers using traditional methods that have been respected for many centuries. All papers are Neutral pH and have no deckles. Native fibers used include the inner branches of Chinese Mulberry which is called Qin-tan by the Chinese and Dao-cao rice straw which is added to increase softness and absorbency. Yumei papers are designed for Oriental painting, but are useful for book arts and Western printmaking techniques as well. Yuemei Chinese Antique - 100% Qin-tan. Thin, pigment dyed sheets: Burnt Umber Pale Blue Pearl Grey Yuemei Chinese Dan - A blend of qin-tan and dao-cao fibers. Soft, smooth surface. Very absorbent. White. Yuemei Chinese Dou Bean - Qin-tan and dao-cao fibers. Smooth surface. Lightly sized to reduce absorbency. Off White. Yuemei Chinese Jing-pi - Qin-tan fiber. Slightly textured. Sized. 2 ply. Natural white. Yuemei Chinese Mao Bian #3 - Bamboo and Qin-tan fiber made on a very fine laid mould. Golden brown with a soft texture. Yuemei Chinese Pao - A blend of qin-tan and dao-cao fibers. Scratchy surface with flecks of fiber. Light natural. Yuemei Chinese Tortoise - 100% sulphite. Made on an unusual mould that has a tortoise shell watermark design. Natural White. Yuemei Chinese Yu-Jade - Qin-tan fiber with some Dao-cao. 2 ply. Sized. Smooth, natural white.

48 Paper is fragile ! No returns or exchanges are allowed. C h i n a / E g y p t - A R T P A P E R S

Yuemei Chinese Handwoven Silks Yuemei Juan Silk This is not paper!! 100% hand woven silk which has been pre-starched making it possible to paint or print on it directly with all waterbased media. Natural White or Golden. Yuemei Juan Silk Mounted - 100% hand woven, starched silk mounted on paper. Almond Blue Ash Desert Bloom Golden Lavender Natural White Roseberry Purple Tender Grey China Size Gr/M2 1 25 100 500 China An-Jing clean Bark Un-sized 26 x 52 20 3.00 2.70 2.51 2.25 clean Bark Sized 26 x 52 20 2.50 2.25 2.09 1.88 clean Bark Sized 26 x 52 30 6.00 5.40 5.01 4.50 Pang Pi 45 x 80 40 19.00 17.10 15.87 14.2

Yuemei Chinese Antique 25 x 25 25 2.25 2.03 Dan 27 x 54 24 6.50 5.85 5.43 4.88 Dou Bean 27 x 54 24 6.50 5.85 5.43 4.88 Jing-pi 33 x 60 48 16.80 15.12 14.03 12.60 Mao Bian #3 27 x 27 48 2.25 2.03 Pao 25 x 25 25 2.25 2.03 Tortoise 27 x 54 22 10.00 9.00 8.35 7.50 Yu-Jade 25 x 52 48 11.00 9.90 9.19 8.25

Yuemei Juan Silk White & Golden un-mounted 32 x 1 yard 19.50 32 x 5 yards 87.75

Yuemei Juan Silk Mounted All Colors 26 x 36 19.50 17.55 16.28 14.63

Egyptian PAPYRUS Genuine papyrus handmade in Egypt. 4 natural edges. Natural Natural with Light Flecking Natural with Heavy Flecking Fermented -"antiqued" into rich earthtones by fermenting in mud. Egypt Size Gr/M2 1 25 100 500 Natural 6 x 9 150 2.00 1.80 1.67 1.50 8 x 12 150 2.50 2.25 2.09 1.88 12 x 16 150 3.60 3.24 3.01 2.70 16 x 24 150 5.50 4.95 4.59 4.13 24 x 31 150 13.00 11.70 10.86 9.75 Flecked Light or Heavy 12 x 16 150 4.30 3.87 3.59 3.23 16 x 24 150 6.30 5.67 5.26 4.73 Fermented 8 x 12 150 2.60 2.34 2.17 1.95 12 x 16 150 4.10 3.69 3.42 3.08 16 x 24 150 5.90 5.31 4.93 4.43 24 x 31 150 13.90 12.51 11.61 10.43

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 49 A R T P A P E R S - I n d i a

india The papers of India are as varied as the culture that produces them, from the wildly vibrant decorative marble papers to the simplicity of the more utilitarian, traditional sheets. India first learned papermaking through their contacts with China, Japan and Nepal but developed its own unique style and technique of papermaking based on different artistic requirements and the use of indigenous fibers such as hemp, jute and cotton. These fibers must be prepared differently from kozo or gampi and necessitated the creation of a different style of moulds and vats for the papermaking process. India also invented the use of starch as a sizing as well as polishing sheets with an agate burnisher to reduce absorption and hold fine detail. Because of its location as a major hub in the spice and silk trade, India is credited with the introduction of papermaking techniques into the Western World. Papermaking in India has grown extensively since the 1940’s, when Gandhi helped to establish the first handmade paper factory in Poona utilizing unwanted rags from the garment industry and providing jobs for many of India's poor.

Khadi Indian Handmades Handmade for Nigel MacFarlane and Barbara Bliss, this collection is a result of their personal interest in the promotion of quality controlled, handmade papers in India, Nepal and Thailand. All have 4 Deckles and are are neutral pH. Khadi Indian Bagasse Smooth & Rough - Bagasse (sugar cane) and cotton. Golden Brown with flecks. Khadi Indian Chapri Colors Made in the Chapri region in the North of India. 100% cotton sheets made on a special laid mould. Smooth surface. 4 deckles. Neutral pH. Blue Green Red Khadi India Cotton Colors - 100% Khadda cotton. Rough. 4 Deckles. Ash Grey Almond Black Indian Pink Indian Red Mango Ochre Orange Parrot Green Powder Blue Stone Violet Khadi Indian Banana Smooth & Rough - 100% cotton with brown flecks of banana bark. Khadi Indian Gunny Sack Smooth & Rough - 100% gunny sack. Smooth or Rough surfaces. Natural.

50 Paper is fragile ! No returns or exchanges are allowed. I n d i a - A R T P A P E R S

Khadi Indian Sunn Hemp Contemporary 100% hemp from grain bags. Smooth. This is a traditionally made sheet in the style of those made for Indian and Persian miniatures. Strong, smooth finish with wheat starch sizing. Natural. Khadi Indian Watercolor Handmade at a mill established in Karnataka, South India. These sheets are made from 100% ‘khadda’ - unbleached, handspun cotton rag derived from tailor’s cuttings, which gives these sheets their exceptional strength. All are tub sized with gelatine. Neutral pH. 4 deckles. Khadi Indian Watercolor Board Weight Smooth - 100% cotton rag. Tub sized. Smooth. Neutral pH. 4 deckles. Indian Red Monsoon Green Powder Blue

Khadi Indian Mould-made Text - 100% cotton rag with a hard, medium smooth surface. Neutral pH.

India Khadda Text Cream - 100% cotton rag with a soft, absorbent, smooth surface. Neutral pH. 4 Deckles India Lime Text & Cover Handmade sheets of 100% cotton rag with a smooth surface. Intense, lime color. Text sheets have no deckles, cover weight has 4 Deckles.

India Size Gr/M2 1 25 100 500 Khadi Bagasse Smooth or Rough 22 x 30 210 4.40 3.96 3.67 3.30 Banana Smooth or Rough 22 x 30 310 4.40 3.96 3.67 3.30 chapri Colors .22 x 30 100 2.25 last of stock cotton Colors - Rough 22 x 30 210 4.40 3.96 3.67 3.30 Gunny Sack Smooth or Rough 22 x 30 210 4.40 3.96 3.67 3.30 Sunn Hemp 22 x 30 100 4.40 3.96 3.67 3.30 Khadi Watercolor Smooth or Rough 22 x 30 210 4.40 3.96 3.67 3.30 Watercolor Smooth or Rough 22 x 30 320 5.50 4.95 4.59 4.13 Watercolor Smooth or Rough 27 x 41 320 9.00 8.12 7.53 6.77 Watercolor Smooth or Rough 22 x 30 640 8.40 7.52 6.98 6.27 Watercolor Rough 13½ x 27½ 320 3.10 2.77 2.57 2.31 Watercolor Rough 27 x 41 640 14.75 13.27 12.31 11.06 Watercolor Rough 39 x 54 400 42.50 38.21 35.45 31.85 Khadi Watercolor Packages White Rough A7 2 x 3 150 3.50 package of 20 sheets White Rough A6 4¼ x 5¾ 150 5.60 package of 20 sheets White Rough A5 5¾ x 8¼ 150 8.25 package of 20 sheets White Rough A4 8¼ x 11½ 150 12.60 package of 20 sheets White Rough A4 8¼ x 11½ 320 18.50 package of 20 sheets White Rough 8¼ x 8¼ 320 14.00 package of 20 sheets White Rough 11¾ x 11¾ 320 24.00 package of 20 sheets White Rough 11¾ x 16 ½ 320 28.00 package of 20 sheets Khadi Watercolor Board Weight 18 x 24 640 3.25 last of stock Khadi White Mould-made 18 x 24 100 2.00 1.80 1.67 1.50

Khadda Text White & Cream 18 x 24 100 2.00 last of stock

Lime Text 22 x 30 120 2.50 2.25 2.09 1.88 Lime Cover 22 x 30 300 5.00 4.50 4.18 3.57

Nujabi Indian Watercolor Papers Handmade of 100% cotton rag. Sized for watercolor techniques, drawing and printing. Lightly textured, soft surface. Neutral pH with 4 deckles. White. India Size Gr/M2 1 25 100 500 Nujabi 5 x 7 400 1.20 1.08 1.00 .90 9 x 12 400 2.00 1.80 1.67 1.50 12 x 16 400 2.75 2.48 2.30 2.07 16" circle 400 4.25 3.83 3.56 3.20

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 51 A R T P A P E R S - I n d i a & I n d o n e s i a

India Saakaar Banana Handmade Handmade sheets of 100% banana that have a wonderful crispness. The lighter weight sheets are translucent while the heavyweight sheets are almost opaque and have a soft, smooth surface. 4 Deckles. Neutral pH. Natural

Sanganer indiaN handmades Handmade in the Sanganeer region of India. Exceptionally strong and multi-purpose. Neutral pH. 4 deckles. Indian Sanganer Allah Bux Jute - 30% Jute, 70% Cotton. Warm grey tone. Cold Pressed surface Indian Sanganer Grass - Jute, Cotton. and wild grass. Light grey speckled with grass. Cold Pressed. Indian Sanganer Kagzi Jute - 70% Jute, 30% Cotton. Warm light grey speckled with fibers. Cold Pressed. Indian Sanganer Salim Sunn Hemp - 70% sunn hemp, 30% cotton. Warm light tan with hemp fibers. Cold Pressed. Indian Sanganer Rajastan Straw - 100% cotton with straw inclusions. Smooth. White Indian Sanganer Wool - 100% cotton. White with fine, multi- colored wool threads.

Shizen indiaN handmades White watercolor made of 100% cotton rag. Rough surface. Professional Grade is internally and externally sized while Student Grade is internally sized only. Neutral pH. 4 deckles. India Size Gr/M2 1 25 100 500 Saakaar Banana Lightweight 25 x 35 70 3.25 2.93 2.72 2.45 Saakaar Banana Heavy 25 x 35 150 5.25 4.73 4.39 3.95 Sanganer All Styles 22 x 30 200 3.00 2.70 2.43 2.18 Shizen Professional Watercolor 140 Rough 22 x 30 300 5.00 4.50 4.18 3.57 Shizen Professional Watercolor Packages White Rough 8 x 8 300 8.50 package of 5 sheets White Rough 9 x 12 300 9.50 package of 5 sheets White Rough 6 x 18 300 13.00 package of 5 sheets White Rough 12 x 18 300 14.00 package of 5 sheets Shizen Student Watercolor White Rough 6" circles 300 16.50 package of 10 sheets White Rough 8" circles 300 18.50 package of 10 sheets

Indonesian handmades Handmade in Indonesia of recycled banana leaves and other native fibers. Indonesia Bamboo Writing Bamboo and mixed fiber. Light tan with fabric-like texture. No Deckles. Indonesia Bamboo Leaf Recycled banana with bamboo leaves. Tan with green flecks of bamboo. 4 Deckles. Indonesia Grass Mat Cover Recycled banana with green flecks of leaf. Light grey. 4 Deckles. Indonesia Petals Rain & Petals Rain Gold Dust Recycled banana. Tan with pink bougainvilla petals. Petals Rain Gold Dust is covered with fine, gold metallic flakes, Petals Rain has none. Both have a rough surface. 4 Deckles.. Indonesia Size Gr/M2 1 25 100 Bamboo Writing 25 x 38 50 - 75 2.25 2.03 1.88 All Other Indonesian Handmades 19 x 25 45 - 60 3.65 3.28 3.04

52 Paper is fragile ! No returns or exchanges are allowed. A R T P A P E R S - J a p a n

Japanese Papers No other culture has used paper for as many different purposes as has the Japanese. Specific papers are made for lanterns, room dividers, screens, clothing, fans, toys, wallets, wrapping, painting and calligraphy, to name just a few. The exceptional respect for nature and harmony, beauty and tradition that the Japanese exhibit toward all things is evident in their skill and attitude toward papermaking. In keeping with the philosophy of Zen, the purest white sheet should reflect the beauty of the natural fiber as well as the inner harmony of the papermaker. The demand for Japanese papers has resulted in the mechanization of many traditional methods. However, hand papermaking techniques which require the fibers to be washed, cooked and formed into sheets are still practiced according to family tradition in many rural areas. Each paper has its own character, like the personal signature of the individual papermaker, and is therefore difficult to duplicate from generation to generation. The natural fibers used in Japanese papermaking – kozo, gampi, and mitsumata, are extremely durable and strong. The papers are usually unsized as papermakers prefer to vary the fiber content to create different weights and levels of absorption. They are excellent for wood block printing, oriental watercolor painting and calligraphy, chine colle and rubbing craft. The variety of surfaces and colors also offer a wide range of possibilities for collage, and decorative and display purposes. Because of their strength and purity, many of the lighter weight sheets are extensively used for paper restoration.

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 53 A R T P A P E R S - J a p a n

Selecting Japanese Papers It can be a daunting task to select Japanese papers when you can see and touch the actual sheets. To select from written descriptions requires that you take the time to look carefully for atributes that are important to your purpose.

If size or weight is a major consideration, the lists on the next page may help to narrow your search. Those looking for large formats should also see the Roll Section of this catalog.

If strength is also a factor, consider sheets with higher percentages of kozo, gampi or mitsumata.

For unusual tones or for an array of colors look at the following: Akatosashi • Bicchu Torinoko Gampi • Ganroyoshi • Gifu Mino • Iwano Shikoshi • Izumo Mitsumata-shi • Kakishibushi • Kihada • Kizuki Grey • Kozo Moriki • Mingei-shi • Nara Fukinishi • Ogura • Sakamoto • Shikibu Gampi & Kizukishi • Shikoku • Taniai • Tengucho • Tosazome Purple • Vegetable Papers • Walnut Dyed • Yame Kozo Hadakura • Yatsuo

Fiber Properties Kozo - Kizukishi Kozo is a variety of mulberry that grows wild in Japan. The word, kizukishi, means that a paper is made from 100% kozo. The kozo fiber is long and very tough, making it versatile for both thick and extremely thin sheets. Kizukishi sheets are remarkably strong and crisp, regardless of their weight. For example, Tengucho, made on a silk covered bamboo mould, is one of the thinnest papers, yet it is used extensively for repair and relining paintings. Variations in climate yield different characteristics in the kozo and, consequently, in the resulting sheets. Papers are often identified with a particular area because of the kozo that has been used to make it as well as for the reputation of its papermakers. Kozo grown in colder climates tends to yield sheets that are more resilliant and crisp, while kozo from warmer areas has more bulk and produces sheets with softness and greater absorbency. The natural tone of 100% kozo sheets results from the preparation of the fiber. The bark is made up of three layers: Kurokawa- the black outer layer, Nazekawa- the green middle layer and Shirokawa - the white inner layer. In most cases the kurokawa is completely stripped off and the nazekawa is carefully scraped away with a knife. If a natural tone is desired, some of the nazekawa will be left behind before the kozo is dried. The dried bark is soaked and cooked in an alkali solution to soften the fibers and then rinsed and cleaned once again. For the whitest sheets possible, the pulp is bleached using natural processes such as sun or snow or chemically treated with sodium hypochlorite. A few papers have the addition of the black kurokawa which deepens the color and produces remarkable, rich tonalities. Gampi A bast fiber plant with long, thin, shiny fibers of uniform thickness. Although gampi grows wild in much of the Far East, it cannot be cultivated - making it difficult to harvest. In order to produce clear, even sheets, all preparation must be done by hand. This has resulted in a sharp decline in its use for paper making. Gampi yields a strong, crisp sheet that is translucent with almost no visible fibers. These papers have a very smooth surface with a satin-like sheen that becomes more apparent as the sheet becomes thinner. Mitsumata For centuries, mitsumata was the preferred material for calligraphy and gold-leaf papers. A bast fiber shrub which mostly grows in Western Japan and other Far Eastern countries, it is flexible and elastic and its fibers are of uniform thickness with blunt ends. It has a shorter fiber length than kozo or gampi which produces a more absorbent, softer sheet with a smooth, lustrous surface similar to gampi. Mitsumata in its natural tone has a distinctive pink cast. Hemp A strong bast fiber similar to linen, but with a tendency to split during the beating process, producing a harder, coarser paper with a scratchy surface. One of the oldest recorded fibers used for making paper.

Sulphite & Sulphite Blends Sulphite is chemical wood-pulp obtained by cutting wood into small pieces and cooking it with calcium bisulphate or sodium sulphite to remove natural resins and break down the cellulose fibers. Sulphite has a short fiber length so Japanese papers with high percentages can be less strong than those of kozo, gampi or mitsumata. However, the sulphite increases bulk, softness and absorbency, - which are important qualities for a variety of techniques. Hosho - one of the sheets preferred by Ukiyo-e printers, usually contains high percentages of sulphite. Dosa Sizing & Un-sized Most Japanese papers are unsized, a few have internal or external sizing. The traditional sizing used is dosa - an animal based gelatine. Handmade, Mould-made & Machine-made papers Regardless of the fibers used or the addition of sizing, the method of formation also affects the resulting paper. Machine processes will produce sheets that are harder than those made by hand even if they have the exact same fiber content. Unlike Western fibers, much of the preparation of kozo, mitsumata and gampi must be done by hand and because the majority of Japanese art papers sheets are thinner than Western, the machines often run at slower speeds, allowing for even, consistent sheet formation.

54 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Japanese Papers size paper size paper Grams paper Grams paper Assorted by Size 21½ x 30½ Mizutama Lace 25 x 38 Yuku-shi 22 Kozoshi M0203 45 Daitoshi Extra-Thick 21½ x 31 Ganryoshi 25 x 38½ Honen 22 Taniai 45 Echizen Hanga Dosa size paper 21½ x 31 Gifu 25 x 38½ Inshu Gampi 01 24 Gampi Toyo MM24 45 Gampi Yuki 4 x 6 Shojoshi 21½ x 33 Shikibu #11 25 x 38½ Sakamoto 24 Kaga Gampi 45 Gifu 21 Moon Peach 5 x 5½ Shikishi Mini 22 x 22 Mohachi 25 x 38½ Senka-Shi 24 Kaji Natural 45 Iwano 12, 13 14 15 5½ x 14½ Matsuo Kuchinashi 22 x 27½ Mitsumata Tissue 25 x 39 Kiraku Kozo 24 Kozoshi MM1 45 Kakishibu-Shi Kozo 5½ x 14½ Matsuo Ocha 22 x 30 Kozo Gampi HK 25½ x 38 Tosa Hanga 24 Mino-Gami HM3 45 Kozo 547 6 x 8 Etchu Card 22 x 30 Mohachi 25½ x 34½ Kozoshi Uwazen 24 Mitsumata & Salago 45 Mingei-shi Natural SH35 7 x 10 Mura Binsen 22½ x 35¼ Hosokawa Ohban 25½ x 38 Kozoshi Misumi 24 Mitsumata Fuji 45 Mulberry 7 x 10 Yukyu Natural 23½ x 35 Rayon M0321 25½ x 38½ Hon-Mino-Gami 24 Mura Binsen 45 Shoji 7½ x 7½ Kakishibu-Shi Kozo 23½ x 35½ Yamada Hanga 26 x 38 Echizen Hanga Dosa 24 Sansui SH8 46 Okawara Student Grade 7¼ x 18½ Jougami 24 x 33½ Gampi Yuki 26 x 39 Kawashi 25 Akatosashi 49 Seichoshi-Homare 8 x 11½ Mitsumata Letter 24 x 33½ Mulberry 26½ x 38 Inshu Rydudou 25 Gifu 08 49 Uda-Gami Medium HM41 8½ x 11 Mohachi Handmade 24 x 35½ Shikibu #27 27½ x 39 Hosho Iyo 25 Hosho-Shi SH7 50 Gampi F1 8½ x 11 Torinoko Kozo Gampi 24 x 36 Hosho Professional 27½ x 53½ Kihosen Kana 25 Iwahara-Shi Kasa 50 Gampi Layered 8½ x 11¾ Shojoshi 24 x 36 Kizuki 28 x 53½ Iwano #17 25 Mizutama Lace 50 Gampi Udaban 8½ x 8½ Mohachi Handmade 24 x 36 Kizukishi 28½ x 41 Nishinouchi Ohban 25 Nishinouchi 50 Goyu 9 x 12 Hanshi 24 x 36 Kochi Natural 29 x 56 Nishinouchi N0004 25 Nara Fukinushi 50 Iwano Echizen Gasen #17 9¾ x 13¾ Sekishu-Hanshi 24 x 36 Kozo 547 29½ x 55 Seichosen HM22 25 Rayon Gauzel 50 Katazome Genshi 9½ x 10½ Shikishi 24 x 36 Nishinouchi N0001 29½ x 40 Seichoshi-Homare 25 Shigure SH15 50 Rayon M0321 9½ x 10¾ Nishinouchi 24 x 37 Sugikawashi 29½ x 55 Seiko-Sen HM23 26 Shikibu Gampi-shi 50 Tosa Kozo #8 9½ x 11½ Izumo Mingei 24 x 37 Lens Tissue 29½ x 56 Otoshi Medium 26 Shikibu Kozo-shi 27 55 Inshu Rydudou Kozo 55 9½ x 11½ Shikishi Mitsumata 24 x 39 Kizuki Kozo 30 x 56 Daitoshi Extra 26 Uda-Gami Thin 55 Kozo Koban 9½ x 9½ Suzuki Square 24 x 39 Sekishu 31 x 43 Torinoko Brushstrokes 27 Yuku-shi Snow Bleached 55 Kozoshi HK0027 Natural 10 x 13 Taniai 24.8 x 37 Gampi Unryu-shi 31 x 47 Mohachi Handmade 28 Gampi Yamaguchi 55 Uwa Senka 10 x 13¾ Mohachi 24½ x 39 Kaji Natural 36 x 72 Torinoko MMN 28 Kihosen Kana Writing 56 Kozoshi M0206 207 10 x 14 Shojoshi 24½ x 36 Zairai 38 x 74 Okawara MM 30 Gampi Yamaguchi 56 Nishinouchi Shikishi Ban 11 x 15 Kakishibu-Shi Kozo 24½ x 37 Kozoshi M 42½ x 77½ Iwano 30 Gifu 02 l 60 Gifu Mino Colors 11 x 15¼ Ogunigami 24½ x 38½ Kankoshi 60 x 84 Mashi Thick 30 Gifu Green Tea 60 Iwano #30 11¼ x 15 Oguni Chiri 24½ x 38½ Kozoshi HK 30 Hon-Mino-Gami HP01 60 Nishinouchi N0003 11¾ x 16½ Gampi Tissue A3 24½ x 38½ Shoji 30 Jougami 60 Oguni Chiri 12 x 16 Kikuchi 24½ x 38½ Usuyou Gampishi 30 Kihada Kozo 60 Okawara Handmade 12 x 16 Okawara Handmade 24¾ x 35¼ Kozo Gampi 30 Kitakata 60 Okawara Machine Made 12 x 16 Uwa Senka Small 24¾ x 37 Akatosashi 30 Kozoshi HK0022 l 60 Torinoko Brushstrokes 12 x 24 Mizota Hanban 24¾ x 37 Gampi F1 30 Nishinouchi N0002 60 Toyama 12½ x 18 Nara Fukinushi 24¾ x 39 Inshu Kozo 30 Sekishu 63 Suzuki Square 12½ x 18 Shojoshi 25 ¼ x 36¼ Hon-Mino-Gami Japanese Papers 30 Senka-Shi HM35 64 Mura Udaban 12½ x 19½ Izumo Mingei 25 x 33 Tosazome Purple Assorted by Weight 30 Tamura Koban 65 Hosho Iyo 12½ x 57 Mizota Udaban 65 Kikura Kozo 25 x 34½ Gifu Washi Grams paper 30 Walnut Dyed Kururu 12½ x 58 Uda-Gami 25 x 35 Harukaze SH4 31 Gampi HM 5 70 Izumo Mingei Mitsumata 13 x 15 Tamura Koban 25 x 35 Hiryu SH12 5 Tengucho W1 -Thin 31 Kozoshi M0207-2 70 Kawashi 13½ x 16 Kozo Koban 25 x 35 Yayoi SH3 9 Tengucho 32 Gampi Smooth #43 70 Masa 13½ x 16 Mura Rokubu 25 x 36¼ Hon-Mino-Gami4 10 Gampi PP19 32 Matsuo Kuchinashi 75 Gampi Double-Sided 14 x 38 Okawara Handmade 25 x 37 Gampi F2 10 Silk Tissue 32 Matsuo Ocha 79 Kozoshi Uwazen DHM9 14 x 38½ Uwa Senka Long 25 x 37 Gampi Layered 10 Silk Tissue 32 Seichosen HM22 80 Kozoshi M0207-3 White 15½ x 17¾ Kozoshi DHM14 25 x 37 Gampi Smooth #43 10 Usuyou Gampishi Colors 32 Seiko-Sen HM23 80 Sakamoto 15½ x 19 Tosa Kasagami 25 x 37 Gampi Toyo MM24 10 Usuyou Gampishi Natural 33 Gampi Dyed 80 Shikoku 16 x 19 Iwahara-Shi Kasa 25 x 37 Gozen Sized 10 Usuyou Gampishi White 33 Inshu Rydudou Kozo 33 80 Sugikawashi 16 x 20 Kitakata 25 x 37 Inshu Kozo 016 11 Gampi Natural MM18 33 Mizota Hanban 83 Kankoshi HK0062 16 x 21 Gampi Dyed 25 x 37 Inshu Mitsumata 11 Gampi White MM19 33 Mizota Udaban 85 Hosho 16 x 22 Hosho Student 25 x 37 Izumo Mingei 11 Hon-Mino-Gami HP04 33 Otoshi Medium 85 Iwano 24 32 34 16 x 25 Mohachi 25 x 37 Kikura Kozo 11 Tengucho 35 Gasenchi Echizen 85 Iyo Glazed 16 x 56 Gampi Udaban 25 x 37 Kozo Moriki 12 Gampi Tissue A3 35 Honen 87 Ganryoshi 16 x 56 Mura Udaban 25 x 37 Kozuke White 13 Gampi C - HM33 35 Inshu Kozo 016 90 Gampi Unryu-shi 1 2 3 16½ x 22 Hosho Kozo 25 x 37 Manila Hemp 13 Shikibu Gampi-shi 35 Izumo Mingei Mitsumata 90 Tosa Hanga 16½ x 22 Hosho Natural 25 x 37 Mitsumata & Salago 13 Yuku-shi 35 Kiraku Kozo 95 Hosho Student Grade 16½ x 22½ Bicchu Gampi 25 x 37 Mitsumata Fuji 14 Kizukishi 35 Kozo 436 95 Torinoko Kozo Gampi 17 x 22 Iyo Glazed 25 x 37 Rayon Gauze 14 Kochi Natural 35 Kozoshi HK0023 98 Tanbo SH5 17 x 23 Gampi Yamaguchi 25 x 37 Shikibu Gampi-shi 15 Bicchu Torinoko Gampi 35 Mura Rokubu 100 Kikuchi 17½ x 26 Kaga Gampi 25 x 37 Tengucho CT Colors 15 Hon-Mino-Gami HP02 35 Yayoi SH3 100 Yamada Hanga 17½ x 22 Gampi Yamaguchi 25 x 37 Yatsuo 16 Manila Hemp 36 Gampi Yamaguchi 109 Kochi 17½ x 25½ Gasenchi Echizen 25 x 38 Gampi HM 16 Yame Kozo Hadakura 36 Kozoshi MM2 110 Mashi Thick 18 x 21½ Iwano #30 25 x 38 Gampi MM 16 Yuku-shi Snow Bleached 36 Ogunigami 110 Sakamoto Heavy 18 x 24 Gampi Yamaguchi 25 x 38 Gifu Kozo 17 Inshu Kozo 003 36 Zairai 110 Shiramine MM5 18 x 24 Silk Tissue 25 x 38 Katazome Genshi 17 Sekishu Torinoko Gampi 38 Harukaze SH4 116 Kozoshi Misumi DHM11 18 x 25 Okawara Student 25 x 38 Kihada Kozo Dyed 18 Shikibu Kizukishi 38 Hiryu SH12 118 Kozo Gampi 19 x 24 Hosho Professional 25 x 38 Kozoshi HM 19 Hon-Mino-Gami Chochin 38 Senka-Shi HM36 120 Shikoku Surface Gampi 20 x 25 Iwano #35 25 x 38 Mingei-shi 20 Gampi F2 39 Yukyu Natural 120 Tosazome Purple 20 x 26 Kochi 25 x 38 Mino-Gami HM3 20 Gampi Natural MM20 40 Gozen Sized 125 Torinoko Handmade 20 x 26 Toyama 25 x 38 Misu with Clay 20 Gifu 40 Hosokawa Ohban 132 Kozoshi Kochi-Shi 20 x 26 Kozoshi Kochi- 25 x 38 Mulberry 20 Hanshi 40 Iwano 5 & 19 176 Kozo Gampi Torinokoshi 20 x 30 Shikibu Gampi-shi 25 x 38 Sansui SH8 20 Inshu Gampi 01 40 Kizuki 180 Yamada Hanga 20 x 31¾ Gampi PP19 25 x 38 Shigure SH15 20 Inshu Kozo 005 40 Kozo Moriki 185 Mohachi Handmade 20½ x 28 Sekishu-Hanshi 25 x 38 Shikoku 20 Inshu Mitsumata 40 Mingei-shi 194 Kozoshi DHM14 21 x 27 Hosho-Shi SH7 25 x 38 Shikoku Gampi 20 Izumo Mingei 40 Tosa Kasagami 200 IwanoHanga-shi 35 21 x 28½ Sekishu Gampi 25 x 38 Shiramine MM5 20 Misu with Clay 40 Vegetable Papers 200 Shojoshi 21 x 29 Goyu 25 x 38 Silk Tissue 20 Mitsumata Letter 40 Yatsuo 210 Yamada Hanga #1 21 x 29½ Kozo 436 25 x 38 Tanbo SH5 20 Mitsumata Tissue 41 Yuku-shi Snow Bleached Ha 240 Torinoko MMN105 21 x 30½ Tengucho 25 x 38 Tengucho 20 Shikibu Mitsumata-shi 43 Kizuki Kozo 300 Etchu Card 21 x 31 Gampi Double-Sided 25 x 38 Tosa Kozo #8 21 Gampi Yamaguchi 44 Kikura Kozo 300 Mohachi 21 x 31 Izumo Mingei 25 x 38 Vegetable Papers 21 Kikura Kozo 44 Kozoshi M0202 300 Shikishi 21 x 31 Masa 25 x 38 Walnut Dyed 21 Kozoshi HM2 44 Kozuke White 500 Mohachi 21 x 31 Torinoko Handmade 25 x 38 Yame Kozo Hadakura 21 Sekishu-Hanshi 44 Senka-Shi HM37

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 55 A R T P A P E R S - J a p a n

Japan Akatosashi Handmade. 100% kozo. Deep natural dyed sheet made with a large laid mould. Neutral pH. 4 Deckles. Japan Bicchu Torinoko Gampi Handmade Handmade. 100% gampi and hand-dyed with natural, vegetable dyes. These stunning, small sheets are remarkable for their beautiful tones and lustrous surface. Dried on antique wooden planks, their surface is embossed with a subtle "ghost" of the woodgrain. Neutral pH. 4 Deckles. 71 Natural (undyed) 01 Tan 02 Dark Tan 03 Umber 04 Walnut 05 Grey 06 Rose 08 Pink 09 Plum 10 Carnelian 12 Beige 13 Deep Ochre 14 Light Ochre Japan Daitoshi Extra-Thick Handmade. Kozo mix. Made by Yasushi Ozaki in the Kochi Prefecture. 4 Deckles. Neutral pH.White. As is traditional in Japan, Daitoshi arrives from Japan lightly folded into a bolt. Japan Dry Tear Hinging Tissue Machine-made. Japanese Kozo. Acid free, archival paper with assorted sizes of tear lines to use for hinging and repair. No Deckles. White. The hinging tissue can also be used for more decorative effects in chine colle and collage. Japan Echizen Hanga Dosa Handmade. Kozo and wood pulp. Dosa sizing makes this sheet crisp and durable. 4 Deckles. Neutral pH. Natural. This is a sturdy and beautiful sheet. The dosa sizing allows this paper to work for more Western techniques and digital prints. Japan Etchu Card Handmade. 100% kozo. Small, heavy-weight card has distinctive laid lines from the papermaking screen. Neutral pH. 4 deckles. White . Japan Gampi HM5 Off-White - Hiromi Collection Handmade. 90% Gampi, 10% Kozo. Neutral pH. 4 Deckles. Off-white. Japan Gampi-C HM33 Natural - Hiromi Collection

Japan Gampi MM18 Natural & MM19 White - Hiromi Collection Japan Gampi MM20 Natural & White Machine- made of 100% Japanese gampi. Extra fine quality. Neutral pH. 2 Deckles, 2 cut edges.

Japan Gampi Double-Sided Two sheets of machine-made, 100% Philippine gampi are laminated together. Neutral pH. No deckles. Natural. Japan Gampi Dyed "G Series" - Hiromi Collection Machine-made. 100% gampi. The colors are replicas of natural vegetable dyes of the Heian Period (794-1192). No deckles. G36 Taupe G40 Green G41 Old Rose G42 Amber

Japan Size Gr/M2 1 25 100 500 Akatosashi 24¾ x 37 25 7.20 6.48 6.01 5.40 Bicchu Torinoko Gampi natural 71 16½ x 22½ 15 14.50 13.05 12.11 10.88 All Other Colors 16½ x 22½ 15 15.50 13.95 12.94 11.63 Daitoshi Extra-Thick 30 x 56 45 14.70 13.23 12.27 11.03 Dry Tear Hinging Tissue 17 x 23½ 12 8.74 7.87 7.30 6.56 17 x 23½ 20 9.34 8.41 7.80 7.01 Echizen Hanga Dosa 26 x 38 45 31.50 28.35 26.30 23.63 Etchu Card 6 x 8 300 2.50 2.25 2.09 1.88 Gampi - Hiromi Collection Gampi C - HM33 25 x 38 13 22.50 20.25 18.79 16.88 Gampi HM 5 25 x 38 31 20.50 18.45 17.12 15.38 Gampi Natural MM18 25 x 38 11 14.70 13.23 12.27 11.03 Gampi White MM19 25 x 38 11 8.00 7.20 6.68 6.00 Gampi Natural MM20N 25 x 38 20 17.80 16.02 14.86 13.35 Gampi White MM20W 25 x 38 20 12.80 11.52 10.69 9.60

Gampi Double-Sided 21 x 31 75 9.50 8.55 7.93 7.13 Gampi Dyed "G Series" 16 x 21 33 10.50 - Last of stock

56 Paper is fragile ! No returns or exchanges are allowed. Japan Gampi F1 & F2 Machine-made. 100% gampi. Neutral pH. 2 Deckles. Natural. Japan Gampi PP19 Handmade. 100% gampi. Crisp, satin-smooth surface. Neutral pH. 4 Deckles. Natural. Japan Gampi Layered Machine-made. 100% gampi tissue mounted onto sulphite base. Neutral pH. 2 Deckles. White Japan Gampi Smooth #43 Machinemade. 100% gampi. Satin-smooth surface. Neutral pH. 2 Deckles. Natural. Japan Gampi Tissue A3 Handmade of 100% Japanese gampi. Small, A3 format sheets. Neutral pH. 4 deckles. Natural. Japan Gampi Toyo Natural MM24 Machine-made. 95% Philippine gampi 5% straw. Neutral pH. 2 Deckles. Natural. Japan Gampi Udaban Handmade. 100% gampi. Smooth, opaque sheet in a long scroll format. Pronounced laid pattern. Neutral pH. 4 Deckles. Deep Natural. Japan Gampi Unryu-shi #1 Machinemade of gampi. Smooth, lustrous natural background with small inclusions of gampi bark. 2 Deckles. Japan Gampi Yamaguchi Handmade from 100% Japanese gampi. Exceptional conservation quality, smooth, lustrous surface. Neutral pH. 4 deckles. Pale natural. Japan Gampi Yuki Handmade from 100% Philippine gampi. Neutral pH. 4 deckles. Pale natural.

Japan Ganryoshi Machine-made sheets coated on one side with pigment saturated color. Traditionally used to wrap presents and incense, the scratchy surface is also an interesting choice for pastel. No deckles. Dark Olive Maroon Olive Orange-Red Red Royal Blue Yellow Japan Gasenchi Echizen Handmade from mitsumata and sulphite. Neutral pH. Laid tissue weight. No deckles. White.

Japan Size Gr/M2 1 25 100 500 Gampi F1 24¾ x 37 50 9.50 8.55 7.93 7.13 Gampi F2 25 x 37 20 11.20 10.08 9.35 8.40 Gampi PP19 20 x 31¾ 10 19.60 17.64 16.37 14.70 Gampi Layered 25 x 37 50 8.00 7.20 6.68 6.00 Gampi Smooth #43 25 x 37 32 6.00 5.40 5.01 4.50 Gampi Toyo Natural MM24 25 x 37 24 5.50 4.95 4.59 4.13 Gampi Tissue A3 11¾ x 16½ 12 8.00 7.20 6.68 6.00 Gampi Udaban 16 x 56 50 18.00 16.20 15.03 13.50 Gampi Unryu-shi #1 Light Speckle 24.8 x 37 90 10.30 9.27 8.60 7.73

Gampi Yamaguchi 18 x 24 21 16.00 14.40 13.36 12.00 17½ x 22 28 19.00 17.10 15.87 14.25 17 x 23 30 19.50 17.55 16.28 14.63 17 x 23 36 20.00 18.00 16.70 15.00

Gampi Yuki 24 x 33½ 45 14.00 12.60 11.69 10.50

Ganryoshi 21½ x 31 87 6.20 5.58 5.18 4.65 Gasenchi Echizen 17½ x 25½ 35 2.96 2.67 2.47 2.22

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 57 A R T P A P E R S - J a p a n

Japan Gifu Machine-mades Machine-made in the Mino Prefecture, these economical sheets are internally sized making them useful for many techniques including ink jet and laser printing. All are blends of kozo and sulphite and are double sided - with one smooth and one lightly textured. Neutral pH. No deckles. Gifu Green Tea - Green tea tinted sheets with darker flecks. Gifu Kozo White & Natural - Watermarked with brushstrokes to simulate handmade papers. Gifu Mino Colors 23 Silver Grey 24 Taupe 25 Lavender 26 Plum 27 Curry 28 Roasted Tea 29 Mountain Apple 30 Clay 300 Pure White 301 Teal 302 Fire 326 Wild Grape Gifu Moon Peach - Light natural tone peppered with tiny flecks of natural fiber. Gifu Washi Sized - Light natural tone. Japan Hanshi Machinemade from sulphite. Lightweight, student grade sumie paper. Japan Goyu Package of 100 Sheets 9 x 12 10.60 Handmade from kozo and sulphite pulp. Neutral pH. Soft surface. 4 deckles. White. Japan Gozen Sized Handmade from 100% Japanese kozo. Internal sizing allows for absorbency without excessive bleeding. Neutral pH. 4 deckles. Natural. Japan Harukaze SH4 - Hiromi Collection Mould- made of 20% Bleached Kozo, 80% Sulphite. Lightweight sheets intended for sumi-e painting and bookarts. Neutral pH. 2 Deckles, 2 torn edges.. Bright White. Japan Hiryu SH12 - Hiromi Collection Mould-made of 20% Bleached Kozo, 10% Black Kozo, 50% Sulphite, 20% Recycled paper. Soft and absorbent. Neutral pH. 2 Deckles, 2 torn edges. Unusual greenish natural tone.

Japan Hon-Mino-Gami - Hiromi Collection HP01-5 Mino-Gami papers have been highly praised since the year 702 when their quality won them the honor of being used for official documents. In 1969, the techniques of Hon-Mino-Gami were designated as Important Cultural Properties and five members of this community were selected as National Living Treasures of Japan. The papers listed below are made by students of these five papermaking masters, including Mr. and Mrs. Furuta - who continued to make these grades well into their 80's. They are of 100% Nasu Kozo which is grown in the Ibaragi Prefecture and has a shorter fiber than other kozo. This kozo gives these sheets their special texture and warmth. Sheets are formed in the winter months only as the cool temperatures result in a much finer, crisper sheet. New York Central and Hiromi International are honored to be exclusive distributors of these rare, beautiful papers in the United States. All are off-white and have 4 Deckles. Neutral pH. Traditional names have been given to each grade, however, the only difference between these sheets is the weight of the paper. Mino Gami is one of three groups of papers designated as an Important Intangible Cultural Treasure by the Japanese Government.

Japan Size Gr/M2 1 25 100 500 Gifu Machine-mades 02 Kozo Natural 25 x 38 30 4.50 4.05 3.76 3.38 08 Kozo White 25 x 38 25 3.50 3.15 2.92 2.63 Green Tea Medium Tone 21½ x 31 20 2.50 2.25 2.09 1.88 Green Tea Light Tone 21½ x 31 20 2.00 1.80 1.67 1.50 Mino Colors 21½ x 31 60 2.00 1.80 1.67 1.50 14 Moon Peach Medium 21½ x 31 20 2.50 2.25 2.09 1.88 21 Moon Peach Heavy 25 x 34½ 45 6.80 6.12 5.68 5.10 18 Washi Sized 25 x 34½ 20 4.50 4.05 3.76 3.38 Goyu 21 x 29 50 6.10 5.49 5.09 4.58 Gozen Sized 25 x 37 40 15.50

Hanshi 9 x 12 20 10.60 - package of 100 sheets Harukaze SH4 - Hiromi Collection 25 x 35 38 4.76 4.28 3.97 3.57 Haruki Unryu 25 x 38 73 9.90 8.91 8.27 7.43 Hiryu SH12 - Hiromi Collection 25 x 35 38 5.26 4.73 4.39 3.95 Hon-Mino-Gami - Hiromi Collection hon-Mino-Gami HP01 25½ x 38½ 30 39.20 35.28 32.73 29.40 uso-Mino-Gami HP02 25 ¼ x 36¼ 15 21.00 18.90 17.54 15.75 uso-Mino Thin HP04 25 x 36¼ 11 21.00 18.90 17.54 15.75 chochin HP05 25¼ x 36½ 19 23.90 21.51 19.96 17.93

58 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Japan Honen Machine-made from Kozo and sulphite. Neutral pH. Smooth surface.2 deckles. Natural. Honen was a favorite at Aiko's in Chicago.

HOSHO Hosho translates as "document paper" which reflects the tradition of its use. Originally made during the 14th century of 100% kozo, hosho was considered a luxury item reserved for the aristocracy. Over the years, many varieties of hosho have been made, adding sulphite pulp for softness and absorbency. Hosho was the preferred paper for Ukiyo-e printmaking. Japan Hosho Professional - Handmade of sulphite. Neutral pH. One side smooth, one cold pressed. 4 Deckles. White. Japan Hosho Kozo - Handmade of 100% Japanese kozo. Neutral pH. Unsized. 4 deckles. Off-white. Japan Hosho Natural - Handmade of sulphite pulp. Neutral pH. Soft white. 4 Deckles. Japan Hosho Student Grade - Slightly heavier and coarser than other Hosho grades. Neutral pH. White. 2 Deckles. Japan Hosho-Shi SH7 - Mould-made of 90% sulphite, 10% Manila hemp. Bright white. Neutral pH. No deckles. Japan Hosho Iyo - Handmade from kozo and sulphite. Neutral pH. 4 deckles.. White.

Japan Hosokawa Ohban Handmade from 100% Hosokawa kozo. Neutral pH. Smooth surface. 4 deckles. Dark natural with fine visible fibers and flecks. 4 deckles. Hosokawa is known for its kozo. This sheet is remarkably strong! It also has a beautiful sheet formation, with fine lustrous fibers. Ho- sokawa washi is one of three groups of papers designated as an Important Intangible Cultural Treasure by the Japanese Government.

Inshu Prefecture Known primarily for industrial papers, the Inshu Prefecture also has papermakers with exceptional skills using the finest quality materials. Japan Inshu Gampi 01 Handmade of 100% Japanese gampi. The papermaker imploys few modern techniques and prepares his gampi using a handmade mallet. Thin, sheer tissue. Neutral pH. 4 Deckles. Natural. Japan Inshu Kozo 003 & 005 Handmade of 100% Japanese kozo. Conservation quality with an almost lustrous surface. Neutral pH. 4 Deckles. Natural. Japan Inshu Kozo 016 Machine-made. Smooth finish with excellent sheet formation. Neutral pH. 2 Deckles. Off-White. Japan Inshu Mitsumata Natural & White Handmade. 100% Mitsumata. Smooth, crisp tissue. Neutral pH. 4 Deckles. White and Natural. Japan Inshu Rydudou Kozo Mould-made of 100% Thai kozo. Conservation quality with an almost lustrous surface. Neutral pH. 4 Deckles. White.

Japan Size Gr/M2 1 25 100 500 Honen 25 x 38½ 35 3.60 3.24 3.01 2.70 Hosho - Hiromi Collection hosho Professional 19 x 24 85 3.80 3.42 3.17 2.85 hosho Professional 24 x 36 85 8.50 7.65 7.10 6.38 hosho Kozo 16½ x 22 85 8.00 7.20 6.68 6.00 hosho Natural 16½ x 22 85 3.20 2.88 2.67 2.40 hosho Student Grade 16 x 22 95 3.10 2.79 2.59 2.33 hosho-Shi SH7 21 x 27 65 4.00 - Last of stock Hosho Iyo 27½ x 39 65 10.00 9.00 8.35 7.50 Hosokawa Ohban 22½ x 35¼ 40 18.85 16.96 15.73 14.13 Inshu Gampi 01 25 x 38½ 20 24.00 21.60 20.04 18.00 Kozo 003 24¾ x 39 17 15.50 13.95 12.94 11.63 Kozo 005 24¾ x 39 20 17.00 15.30 14.20 12.75 Kozo 016 25 x 37 35 8.00 7.20 6.68 6.00 Mitsumata Natural 25 x 37 20 22.00 19.80 18.37 16.50 Mitsumata White 25 x 37 20 16.00 14.40 13.36 12.00 Rydudou Kozo 33 26½ x 38 33 10.00 9.00 8.35 7.50 Rydudou Kozo 55 26½ x 38 55 16.00 14.40 13.36 12.00

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Japan Iwahara-Shi Kasa - Hiromi Collection DHM12K Natural tone from the addition of black bark. Made by Hiroyuki Fukunishi in the Nara Prefecture. These sheets are dosa sized, making them ideal for Western printmaking and painting techniques. "Kasa" refers to the traditional format of the screens. Neutral pH. 4 deckles.

Iwano Handmades National Living Treasure Mr. Heizburo Iwano is known throughout Japan as one of the last papermakers to specialize in thick, large scale sheets for printing, calligraphy and conservation. Of the few papermakers who have supplied us with large format sheets in the past, some have now died, while others are too old to continue to make them. Iwano Handmades are exceptional not only in their scale, but in their quality and consistency -attributes that result from generations of papermaking skills that have been handed down within the Iwano family. Truly some of the finest papers available in the world today! All sheets are neutral pH and have 4 natural deckles.

Japan Iwano Handmades Akamashi Natural - Made of kozo and hemp. Natural tonality in a scratchy, absorbent sheet. Japan Iwano Handmades Echizen Gasen Nisoh Made of wood pulp and kozo. The sheets are made by layering thin sheets together to create a thicker, more opaque sheet that is highly absorbent. For sumi-e painting and block printing. White. Japan Iwano Handmades Echizen Kizuki Hosho This paper is known throughout Japan as the finest Hosho paper available today that rivals those used by Ukiyo-e printers. Most Hosho sheets are made of wood pulp while this is made of the finest, 100% Japanese kozo. Off-white. Japan Iwano Handmades Hanga-shi Gampi - Gampi and wood pulp. Opaque with a smooth surface and slight luster. White. Japan Iwano Handmades Hanga-shi Kozo - Kozo and wood pulp. Heavyweight, smooth surface. White and Natural. Japan Iwano Handmades Hanga-shi Mitsumata 100% Mitsumata. Luxurious and thick with a mottled sheet formation, but a satin smooth surface. The mitsumata fiber imparts a very faint sheen. Remarkably beautiful! White. Japan Iwano Handmades Kumo Hadamashi 100% Kozo with a fine tooth and dosa sizing. Prized thoughout Japan as one of the finest printmaking papers. Off-white. Japan Iwano Handmades Shikoshi Colors Dyed sheets made of kozo and gampi. The papers have a subtle sheen and deep rich tonalities. Aishi Indigo Blue #12 Brown Black #15 Purple #13 Red #14 Japan Iwano Handmades Shiromashi Dosa 100% hemp with dosa sizing to add strength and durability. These sheets have a wonderful, scratchy surface. Natural tone.

Japan Iyo Glazed Handmade from 100% sulphite. Rough one side, smooth one side. Dried on metal panels, the smooth side has a slightly harder surface that acts as a type of sizing. 4 deckles. White.

Japan Size Gr/M2 1 25 100 500 Iwahara-Shi Kasa DHM12K - Hiromi Collection 16 x 19 25 9.50 - Last of stock

Iwano Handmades Akamashi Natural #19 42½ x 77½ 40 75.00 Echizen Gasen Nisoh #17 28 x 53½ 50 17.50 Echizen Kizuki Hosho #30 18 x 21½ 60 27.30 hanga-shi Gampi #34 42½ x 77½ 85 150.00 hanga-shi Kozo #32 & #33 42½ x 77½ 85 90.00 hanga-shi Mitsumata #35 20 x 25 200 37.80 Kumo Hadamashi #24 42½ x 77½ 85 130.50 Shikoshi Colors #12, 13 14 15 42½ x 77½ 45 100.00 Shiromashi Dosa #5 42½ x 77½ 40 80.00 Iyo Glazed 17 x 22 85 3.70 3.33 3.09 2.78

60 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Izumo Mingei Mitsumata-shi Following family traditions, these beautiful sheets are handmade of 100% mitsumata by the grandsons of the late Mr. Eishiro Abe - the very first papermaker to be designated as a National Living Treasure by the Japanese Government. Mitsumata yields a sheet that has a smooth, lustrous quality similar to gampi, but with a warmer, softer touch. The web of fine fibers absorbs the colorants with a slight irregularity, giving the sheets especially rich, shimmering tonalities. 4 Deckles. Neutral pH. 9 White 36 Brick 116 Lilac 121 Dark Blue 123 Silver Grey 124 Natural 132 Burgundy 151 Pale Rose Grey 160 Amber 163 Black 177 Raw Umber 195 Pale Pink 199 Blue Grey

Japan Jougami Handmade of 70% kozo 30% sulphite. Small sheets. Neutral pH. 4 deckles. White. Japan Kaga Gampi Handmade from 100% gampi. Clay is added to give this sheet its unusually tactile, matte surface. Neutral pH. 4 deckles. Deep natural. Japan Kaji Natural Handmade from 100% kozo. Neutral pH. Lightweight. 4 deckles. Natural. Japan Kakishibu-Shi Kozo Handmade of 70% Kozo, 30% sulphite. Colored with fermented persimmon juice to a rich mahogany brown that darkens with age. Persimmon acts as a natural bug repellent and reduces the absorbency of the sheet. 4 Deckles. Japan Kankoshi Handmade of kozo and sulphite. Deep natural with small flecks. Scratchy surface. 4 Deckles. Japan Katazome Genshi Mould-made of Chinese kozo and abaca. Natural. The base paper used extensively for katazome stencil techniques. Neutral pH. 4 Deckles. Japan Kawashi Machine-made of 70% sulphite, Thai kozo and abaca. Thin and crisp, this uncoated paper paper works well with digital printers.Neutral pH. Natural. Japan Kihada Kozo Dyed Made in the Toyama Prefecture of kozo & kozo black bark and hand-dyed with kihada - a natural vegetable dye that produces an unusual dull mustard color. Because kihada is a natural insect repellant, this paper was traditionally used for sacred and valuable texts. Yellow. Japan Kihosen Kana Writing Handmade from a mixture of kozo and sulphite. Chinese style sumi-e painting paper made in Japan using Japanese fibers. These "gasenchi" papers with their distinctive, tightly laid surface are becoming exceptionally rare. Large, lightly folded sheets. No deckles. Japan Kikuchi - Handmade from kozo & sulphite. Neutral pH. A small, heavyweight version of Okawara. Natural.

Japan Size Gr/M2 1 25 100 500 Izumo Mingei Mitsumata-shi Colors 25 x 37 35 17.00 15.30 14.20 12.75 Izumo Mingei Mitsumata-shi White Thin 21 x 31 20 12.00 10.80 Izumo Mingei Mitsumata-shi White or Natural 9½ x 11½ 70 9.50 8.55 Izumo Mingei Mitsumata-shi White or Natural 12½ x 19½ 70 20.00 18.00

Jougami 7¼ x 18½ 30 4.00 3.60 3.34 3.00

Kaga Gampi 17½ x 26 24 25.00 22.50 Kaji Natural 24½ x 39 24 6.90 6.21 5.76 5.18

Kakishibu-Shi Kozo 25 x 38 50 inquire Kakishibu-Shi Kozo 7½ x 7½ 45 5.50 4.95 4.59 4.13 Kakishibu-Shi Kozo 11 x 15 45 12.00 10.80 10.02 9.00 Kankoshi HK0062 24½ x 38½ 83 10.00 9.00 8.35 7.50 Katazome Genshi 25 x 38 50 5.30 4.77 4.43 3.98 Kawashi 26 x 39 70 4.40 3.96 3.67 3.30 Kihada Kozo Dyed 25 x 38 30 18.00 16.20 15.03 13.50 Kihosen Kana Writing HK0001 27½ x 53½ 28 10.00 9.00 8.35 7.50 Kikuchi 12 x 16 100 5.50 4.95 4.59 4.13

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Japan Kikura Kozo Machine-made of kozo & sulphite. Neutral pH. Strong sheet with cloudy formation. 3 Weights. Natural. Japan Kiraku Kozo Handmade of kozo. Neutral pH. Strong, well made sheet by a young paper maker. Neutral pH. 4 deckles. White. Japan Kitakata Handmade from 90% Philippine gampi and sulphite. Neutral pH. Smooth opaque surface. 4 deckles. Natural or Greenish-buff. A favorite for many years, Kitakata's smooth surface and gampi content make it responsive for printing, painting and digital work. Japan Kizuki Handmade from 100% kozo fiber. 4 deckles. Hand-dyed with a mottled surface of medium-dark grey. Japan Kizuki Kozo Handmade from 100% Thai kozo fiber. Smooth, fine surface with an even sheet formation. One of the whitest sheets available that uses no chemical whiteners. Neutral pH. 4 deckles. Natural & White Japan Kizukishi Handmade from 100% Japanese kozo. Neutral pH. Conservation grade. Very strong tissue weight. 4 deckles. Off-white. Japan Kochi Handmade from kozo and sulphite pulp. Neutral pH. 4 deckles. White and Natural. Japan Kozo Gampi Torinokoshi Handmade of kozo and gampi. Smooth surface of satin-like, lustrous fibers. Off-white. 4 Deckles. These beautiful, heavyweight sheets have a shimmering, mottled "mother of pearl" surface. Japan Kozo Koban Natural Handmade of 100% kozo. Small sheets with substance and weight. Neutral pH. 4 deckles. Natural. Japan Kozo Moriki Handmade of kozo and sulphite. Neutral pH. Strong somewhat crisp surface. 4 deckles. Beautiful colors dyed in the style of the Moriki Family. Avocado Azuki Wine Black Blood Orange Bright Yellow Brown Buff Burnt Orange Dark Grey Forest Green Fuchsia Goldenrod Hot Orange Kincha Ochre Kogecha Walnut Light Grey Lime Natural White Orange Pale Yellow Purple Plum Raspberry Red Royal Blue Sea Green Sky Blue Tan Tetsu Dark Green Turquoise Wisteria

Japan Kozo 436 White Japan Kozo 547 Natural Handmade from kozo fiber. Cloudy sheet formation. 4 deckles.

Japan Size Gr/M2 1 25 100 500 Kikura Kozo 25 x 37 21 3.80 3.42 3.17 2.85 Kikura Kozo 25 x 37 44 5.64 5.08 4.71 4.23 Kikura Kozo 25 x 37 65 7.10 6.39 5.93 5.33

Kiraku Kozo 25 x 39 35 7.20 6.48 6.01 5.40 Kitakata Natural, Greenish 16 x 20 30 2.90 2.61 2.42 2.18 Kizuki Kozo White & Natural 24 x 39 43 12.00 10.80 10.02 9.00 Kizukishi 24 x 36 14 18.15 16.34 15.16 13.61 Kochi White 20 x 26 109 8.25 7.43 6.88 6.18 Kochi Natural 24 x 36 14 8.55 7.69 7.14 6.41

Kozo Gampi Torinokoshi - Tosa Washi Collection hK0013 22 x 30 118 18.68 16.81 15.60 14.01 hK0016 24¾ x 35¼ 176 43.94 39.55 36.69 32.96

Kozo Koban 13½ x 16 55 4.00 3.60 3.34 3.00 Kozo Moriki 25 x 37 40 13.00 11.70 10.86 9.75 Kozo 436 24 x 29½ 25 2.70 2.43 2.25 2.03 Kozo 547 24 x 36 25 3.20 2.88 2.67 2.40

62 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Kozoshi Handmades - Hiromi Collection Japan Kozoshi HM2 White- 90% Kozo, 10% sulphite. A very clear, even lightweight sheet. Neutral pH. 4 Deckles. Japan Kozoshi Kozo Uwazen Natural DHM9 40% Kozo, 60% sulphite. Thick with strong dosa sizing. Excellent for printmaking and Western techniques. Japan Kozoshi Misumi DHM11 - Natural. 30% Kozo, 70% sulphite. Heavyweight, dosa sized sheet. Japan Kozoshi Kochi-Shi DHM13 - Natural. 30% Kozo, 70% sulphite. Thick with strong dosa sizing.. Japan Kozoshi DHM14 Natural - 30% Kozo, 70% sulphite. Thick with strong dosa sizing.. Neutral pH. 4 Deckles.

Kozoshi Machine-mades - Hiromi Collection Japan Kozo-Shi MM1 Natural - 30% Kozo, 70% Sulphite Thin and strong. Neutral pH. 2 Deckles. Japan Kozo-Shi MM2 White - 70% Bleached Kozo, 30% Sulphite. . Neutral pH. 2 Deckles.

Kozoshi - Tosa Washi Collection Japan Kozo-shi HK Series - Handmade of kozo & sulphite. Crisp sheets in various weights and tones. Neutral pH. 4 Deckles. Japan Kozo-shi M0200 Series - Machine-made of kozo mix. Crisp sheets in various weights and tones. Neutral pH. 2 Deckles.

Japan Kozuke White & Ivory Machine-made of 70% kozo. Fine, even sheet formation internally sized for strength & durability. Neutral pH. 4 deckles. Internal sizing and modest price makes this paper perfect for both students and professionals.

Japan Lens Tissue Manilla Hemp - Machinemade of Manilla hemp. Neutral pH. Sheer tissue. No deckles. White. Japan Lens Tissue Rayon - Machinemade of 100% rayon. Neutral pH. Sheer tissue. No deckles. White.

Japan Size Gr/M2 1 25 100 500 Kozoshi Handmades - Hiromi Collection Kozoshi HM2 25 x 38 21 9.00 8.10 7.52 6.75 Kozoshi Uwazen DHM9 25½ x 34½ 79 15.00 13.50 12.53 11.25 Kozoshi Misumi DHM11 25½ x 38 116 19.50 17.55 16.28 14.63 Kozoshi Kochi-Shi DHM13 20 x 26 132 12.00 10.80 10.02 9.00 Kozoshi DHM14 15½ x 17¾ 194 15.00 13.50 12.53 11.25 Kozoshi Machine-mades - Hiromi Collection Kozoshi MM1 25 x 38 24 5.60 5.04 4.68 4.20 Kozoshi MM2 25 x 38 36 5.30 4.77 4.43 3.98 Kozoshi Handmades - Tosa Washi Collection hK0022 Natural 24½ x 38½ 30 8.40 7.56 7.01 6.30 hK0023 Natural 24½ x 38½ 35 8.40 7.56 7.01 6.30 hK0023W White 24½ x 38½ 35 8.40 7.56 7.01 6.30 hK0027 Natural 24½ x 38½ 55 8.50 7.65 7.10 6.38 Kozoshi Machine-mades - Tosa Washi Collection M0202 Natural 24½ x 37 44 6.00 5.40 5.01 4.50 M0203 Natural 24½ x 37 22 4.00 3.60 3.34 3.00 M0206 Natural Sized 24½ x 37 56 3.60 3.24 3.01 2.70 M0207 White Sized 24½ x 37 56 4.00 3.60 3.34 3.00 M0207-2 White 24½ x 37 31 2.80 2.52 2.34 2.10 M0207-3 White 24½ x 37 80 8.20 7.38 6.85 6.15

Kozuke White & Ivory 25 x 37 44 4.20 3.78 3.51 3.15 Lens Tissue Manilla Hemp 24 x 37 9 2.34 2.11 1.95 1.76 Lens Tissue Rayon 24 x 37 9 1.29 1.16 1.08 0.97

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Japan Manila Hemp Natural & Ice Blue Machinemade of 100% Manila hemp. Neutral pH. Crisp sheet with a satin-like sheen. No deckles. Natural or pale blue. Japan Masa also see rolls Machinemade of sulphite. Neutral pH. One side smooth, one textured. No deckles. Cold White or Soft White. Japan Mashi Thick Handmade Handmade by Kanetoshi Ozaki in the Kochi Prefecture of 50% kozo & 50% hemp. The addition of the hemp fibers gives these sheets their strength, color and scratchy surface. The Dosa sizing adds additional surface resiliency. Natural off-white tone. 4 Deckles. Neutral pH. Japan Matsuo Kuchinashi Handmade of kozo. Small lightweight sheets with a delicate laid pattern. Neutral pH. 4 deckles. Yellowish-Natural. Japan Matsuo Ocha Handmade of kozo. Small lightweight sheets with a delicate laid pattern. Neutral pH. 4 deckles. Natural finely flecked with brown tea leaves. Japan Mingei-shi Natural SH35 Mould-made of 40% Kozo, 60% Sulphite. Mingei-Shi translates as"folk craft paper." Used for making decorative sheets. Neutral pH. Japan Mingei-shi Colors Handmade from a blend of kozo and sulphite. Neutral pH. Dyed sheets. 4 deckles. Beige Green Grey Grey Lavender Lemon Magenta Orange Yellow Yellow Orange Japan Mino-Gami HM3 - Off-white Mino tissue. Thin yet strong, this paper is ideal for conservation, mounting and repair. 100% Nasu Kozo. Neutral pH. 4 Deckles. Mino Gami is one of three groups of papers designated as an Important Intangible Cultural Treasure by the Japanese Government. Japan Misu with Clay Pigment HP55 Handmade from 100% kozo. Neutral pH. Distinctive, laid surface from the unusual sou made of split bamboo. 4 deckles. Natural. Japan Mitsumata Fuji - Handmade from 100% Chinese mitsumata. Neutral pH. 4 deckles. White. Japan Mitsumata Letter - Handmade from 100% mitsumata. Neutral pH. 4 deckles. White. Japan Mitsumata & Salago - Machine-made from mitsumata and Philippine gampi (salago). Neutral pH. 4 deckles. White. Japan Mitsumata Tissue - Handmade from 100% mitsumata. Neutral pH. 4 deckles. Natural. Japan Mizota Hanban & Mizota Udaban - Handmade of 100% kozo. Hanban and Udaban refers to the traditional sheet size. Neutral pH. 4 Deckles. Natural.

Japan Size Gr/M2 1 25 100 500 Manila Hemp Natural & Ice Blue 25 x 37 16 2.34 2.11 1.95 1.76

Masa Cold White & Soft White 21 x 31 70 1.10 0.99 0.92 0.83

Mashi Thick Nama 60 x 84 110 250.00 Mashi Thick Dosa Sized 60 x 84 110 300.00

Matsuo Kuchinashi 5½ x 14½ 32 3.50 3.15 2.92 2.63 Matsuo Ocha 5½ x 14½ 32 3.50 3.15 2.92 2.6 Mingei-shi Natural SH35 25 x 38 45 6.00 5.40 5.01 4.50 Mingei-shi Colors 25 x 38 40 6.80 6.12 5.68 5.10 Mino-Gami HM3 25 x 38 24 10.60 9.54 8.85 7.95 Misu with Clay Pigment - Hiromi Collection 25 x 38 20 8.50 7.65 7.10 6.38 Mitsumata Fuji 25 x 37 24 6.70 6.03 5.59 4.69 Mitsumata Letter 8 x 11½ 20 3.00 2.70 2.51 2.25 Mitsumata & Salago 25 x 37 24 5.00 4.50 4.18 3.75 Mitsumata Tissue 22 x 27½ 20 7.50 6.75 6.26 5.63 Mizota Hanban 12 x 24 33 8.00 7.20 6.68 6.00 Mizota Udaban 12½ x 57 33 12.00 10.80 10.02 9.00

64 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Mohachi Handmade Developed by master papermaker Mohachi Oki, these exceptionally heavyweight sheets are made of kozo and sulphite. They are also internally sized to give remarkable strength and allow them to perform not only for traditional Japanese, but Western printmaking techniques as well. White with a soft, smooth surface. 4 Deckles. Neutral pH.

Japan Mulberry Handmade of kozo and sulphite. 4 deckles. Neutral pH. White. One of the first Japanese papers widely distributed in the U.S., our version is closely matched to the original. Soft, strong and versatile .

Japan Mura Rokubu - Handmade of 100% kozo. Off-white with a lightly sratchy surface. Neutral pH. 4 Deckles. Japan Mura Udaban Handmade of 100% kozo. Scroll format. Dried on wooden boards, these distinctive sheets have subtle embossed markings form the boards and a beautiful, deep natural tone. Neutral pH. 4 Deckles.

Nara Fukinushi Natural Dyed Uda Handmade of 100% kozo grown in the Nara Prefecture and made and dyed by National Living Treasure Mr. Hiroyuki Fukinushi. The sheets are colored by soaking the sheets for a full day in traditional, fade resistant, natural dyes. The resulting color depends on the growing season, humidity, temperature and therefore will vary from batch to batch and sometimes from sheet to sheet. 4 Deckles. Neutral pH. Akebi - Silver Grey Cherry - Light Pink Indigo - Baby Blue Mimosa - Pale Yellow Mugwort - Pale Green Sakaki - Lavender

Nishinouchi Handmade of Hosokawa kozo which is considered some of the finest grown in Japan. Exceptionally strong and beautiful. 4 Deckles. The udaban sheets are available in one weight (1 sou) and in a double weight where two sheets are couched together (2 sou.) Hosokawa washi is one of three groups of papers designated as an Important Intangible Cultural Treasure by the Japanese Government. Japan Nishinouchi Shikishi Ban Handmade of 100% Japanese Nishinouchi kozo considered to be the finest grown in Japan. Small format sheets with substance and a light, scratchy surface. Neutral pH.4 deckles. Natural.

Japan Size Gr/M2 1 25 100 500 Mohachi Handmade 8½ x 8½ 300 8.00 7.20 6.68 6.00 8½ x 11 300 8.00 7.20 6.68 6.00 10 x 13¾ 300 10.00 9.00 8.35 7.50 16 x 25 185 12.00 10.80 10.02 9.00 22 x 22 300 18.00 16.20 15.03 13.50 22 x 30 300 18.20 16.38 15.20 13.65 31 x 47 500 169.20 152.28 141.28 126.90

Mulberry 24 x 33½ 45 4.80 4.32 4.01 3.60 Mulberry 25 x 38 45 5.00 4.50 4.18 3.75

Mulberry Bark 24 x 36 30 3.50 3.15 2.92 2.63 Mura Binsen 7 x 10 24 2.00 1.80 1.67 1.50 Mura Rokubu 13½ x 16 35 5.00 4.50 4.18 3.75 Mura Udaban 16 x 56 64 18.00 16.20 15.03 13.50 Nara Fukinushi Natural Dyed Uda 12½ x 18 25 12.00 10.80 10.02 9.00 Natsume 4007 24 x 36 75 10.00 9.00 - Last of stock Nowaki M70 21 x 31 85 3.56 3.20 2.97 2.67

Nishinouchi n0001 Natural 24 x 36 45 18.00 - Last of stock n0002 Ohban White1 Sou 28½ x 41 30 24.00 - Last of stock n0003 Ohban White 2 Sou 28½ x 41 60 48.50 - Last of stock n0004 Gaseban White 29 x 56 25 30.00 - Last of stock

Nishinouchi Shikishi Ban 9½ x 10¾ 56 3.50 3.15 2.92 2.63

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Japan Oguni Chiri - Handmade from 100% kozo. Small format. Neutral pH. 4 deckles. Deep Natural with bark flecks. Japan Ogunigami - Handmade from 100% kozo. Small format. Neutral pH. 4 deckles. Natural.

Japan Ogura Handmade from Manila hemp, kozo & sulphite. Neutral pH (Natural only). 4 deckles. Coarse, heavily textured surface with swirls of fiber. 1 Natural 2 Brown 4 Jade Green 11 Light Brown 19 Grey 20 Violet 21 Rose 22 Light Blue

Japan Okawara Handmade - 100% kozo. Neutral pH. Smooth with fine laid texture. 4 deckles. Off-White. Japan Okawara Machine Made Kozo and sulphite. Neutral pH. Double sided, one smooth, one lightly textured.Very large. 2 deckles. Natural & Pinkish Natural. Japan Okawara Student Grade - Handmade from kozo and sulphite. Neutral pH. 2 deckles. Off-White. All varieties of Okawara are well known for their scale, value and performance.

Japan Otoshi Medium Weight - Handmade of kozo and sulphite by Mr. Masahige Tomokusa. Neutral pH. 4 Deckles. White. Japan Rayon - Machine-made on Shikoku Island of 100% rayon. The sheets have a fabric-like touch and strength. Neutral pH. No deckles. Japan Rayon Gauze - Machine-made of 100% rayon, these translucent sheets have a distinct, mesh-like structure. Neutral pH. No deckles. Japan Sakamoto Machine--made of Kozo & Sulphite. Double sided, (smooth/textured) opaque sheet. Neutral pH. 2 deckles. Deep natural. Another favorite paper originally carried by Aiko's in Chicago. Japan Sansui SH8 - Hiromi Collection Off-White. Mould-made of 10% Kozo, 70% Sulphite, 15% recycled paper, 5% Rayon. Thin, yet strong. Works well for letterpress.

Japan Seichoshi-Homare Kozo Japan Seichosen Kozo Japan Seiko-Sen Mitsumata Handmade by Mr. Shigeru Osaki a National Living Treasure. His papers are designated as a Cultural Asset by the Japanese Government. Made in the winter when the cold temperature assures the crispness and purity of the sheet on a mould with a pronounced laid pattern and dried on ginko tree boards in the sunlight. The grain of those old wood panels is often visible in these stunning sheets. All fibers are harvested from the local mountains that surround the Ozaki home. Neutral pH.4 Deckles.

Japan Size Gr/M2 1 25 100 500 Ogura Natural 24 x 36 108 10.65 9.59 8.89 7.99 Ogura Colors 24 x 36 108 7.00 6.30 - Last of stock

Okawara Handmade 12 x 16 60 3.90 3.51 3.26 2.93 Okawara Handmade 14 x 38 60 6.20 5.58 5.18 4.65

Okawara Machine Made Pinkish Natural 38 x 74 60 19.30 17.37 16.11 14.47 Greenish Natural 38 x 74 60 14.10 12.69 11.77 10.58 Okawara Student Grade 18 x 25 46 4.10 3.68 3.39 3.05

Otoshi Medium HK0024 29½ x 56 33 11.60 10.44 9.69 8.70 Rayon M0321 23½ x 35 50 4.40 3.96 3.67 3.30 Rayon Gauze 25 x 37 25 3.00 2.70 2.51 2.25 Sakamoto 25 x 38½ 80 4.20 3.78 3.51 3.15 Sakamoto Heavy 25 x 38½ 110 4.50 4.05 3.76 3.38 Sansui SH8 - Hiromi Collection 25 x 38 24 5.02 - Last of stock Seichoshi-Homare HK0009 29½ x 40 49 31.00 27.90 25.89 23.25 Seichosen HM22 - Hiromi Collection 29½ x 55 32 32.80 29.52 27.39 24.60 Seiko-Sen HM23 - Hiromi Collection 29½ x 55 32 34.50 31.05 28.81 25.88

66 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Japan Sekishu - Handmade, 80% kozo and 20% sulphite. Neutral pH. 4 deckles. White and Natural. Thin, strong, affordable and versatile, sekishu is used extensively for repair, hinging and lining fabrics for book binding . Japan Sekishu-Hanshi Tsuru HP06 - Hiromi Collection Japan Sekishu-Hanshi Mare HP07 - Hiromi Collection Handmade of 100% Japanese Sekishu kozo by Mr. Akira Kubota in the Shimane Prefecture, all of the green bark is left intact, resulting in a much stronger sheet and a unique, darker tone. Highly praised for restoration and for printing techniques. Tsuru is beaten and dried by machine while Mare is beaten by hand and dried on boards, resulting in a softer, finer sheet. Japan Sekishu Torinoko Gampi HP60 - Hiromi Collection Handmade of 100% Japanese gampi by Akira Kubota in the Shimane Prefecture. Dark natural tone gampi with a beautiful luster. Very strong. Sekishu Hanshi is one of three groups of papers designated as an Important Intangible Cultural Treasure by the Japanese Government.

Japan Senka-Shi HM35-37 - Hiromi Collection Handmade of 100% Japanese kozo. These conservation grade papers are made by Yoshifumi Okatsu in the Kochi Prefecture. The differing weights are made by combining two thinner sheets into one during the papermaking process. Neutral pH. 4 Deckles. Japan Shigure SH15 - Hiromi Collection Off-White. Mould-made of 50% Kozo, 50% Sulphite. A thin, crisp sheet with subtle, cloud-like swirls of fibers.

Shikishi "Shikishi" refers to the very specific size of these sheets - which is small and not quite square. Traditionally used for calligraphy and the mounting of small paintings, these sheets would handle most other techniques as well. 4 Deckles. Neutral pH. Japan Shikishi Kochi - Handmade of kozo & sulphite. Smooth surface. Neutral pH. 4 Deckles. White or Natural. Japan Shikishi Mitsumata Kumohada - Handmade of mitsumata layered on top of a kozo base. Lustrous surface. Natural. Japan Shikishi Mini - Handmade of kozo & Sulphite Japan Shikishi Sujikawa - Handmade of kozo and cedar bark. Natural with flecks and swirls of cedar bark.

Japan Shikoku Machinemade of kozo, hemp and wood pulp. Strong, resilliant sheet with a smooth surface. 2 Deckles. Neutral pH. White or Deep Natural. Japan Shikoku Surface Gampi A two layer, machinemade sheet. A thin sheet of lustrous, smooth gampi is fused together with an opaque base sheet of kozo, hemp and wood pulp. 2 Deckles. Neutral pH. White or Natural. Excellent for printing techniques including digital ink jet.

Japan Size Gr/M2 1 25 100 500 Sekishu White 24 x 39 30 5.80 5.19 4.81 4.32 Sekishu Natural 24 x 39 30 6.05 5.45 5.03 4.52

Sekishu-Hanshi Tsuru HP06 - Hiromi Collection 20½ x 28 21 13.35 12.01 11.14 10.01 Sekishu-Hanshi Mare HP07 - Hiromi Collection 20½ x 28 21 17.60 15.84 14.70 13.20 Sekishu-Hanshi Mare Small - (cut edges) 9¾ x 13¾ 25 5.00 4.50 4.18 3.75

Sekishu Torinoko Gampi HP60 - Hiromi Collection 21 x 28½ 17 19.20 17.28 16.02 14.39

Senka-Shi HM35 - Hiromi Collection 25 x 38½ 30 14.45 13.00 12.06 10.83 hM36 25 x 38½ 38 16.90 15.21 14.11 12.68 hM37 25 x 38½ 44 18.80 16.92 15.70 14.10

Shigure SH15 - Hiromi Collection 25 x 38 25 9.90 8.91 8.27 7.43 Shikishi Kochi White & Natural 9½ x 10½ 300 10.00 6.30 5.85 5.25 Shikishi Mitsumata Kumohada 9½ x 11½ 300 9.50 8.55 7.93 7.13 Shikishi Mini White or Natural 5 x 5½ 300 3.00 2.70 2.51 2.25 Shikishi Sujikawa 9½ x 10½ 300 7.00 6.30 5.85 5.25 Shikoku Deep Natural 25 x 38 80 6.00 5.40 5.01 4.50 Shikoku White 25 x 38 80 6.95 6.25 5.79 5.21 Shikoku Surface Gampi Deep Natural 25 x 38 120 14.90 13.41 12.44 11.18 Shikoku Surface Gampi White 25 x 38 120 10.95 9.85 9.13 8.21

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Shikibu Japanese Handmades The Echizen prefecture is best known today for their extensive varieties of decorative, machinemade sheets, but for hundreds of years, the region has produced many of the finest handmade sheets found in Japan. Unlike other areas of Japan,where we see a decline in the tradition of papermaking, the Echizen Prefecture is experiencing a renaissance - with a new generation of papermakers learning and continuing the old and revered techniques of their masters. These sheets of exceptional quality and beauty were made by master papermaker Futoshi Umedo who specializes in papers made of gampi and mitsumata. All sheets are neutral pH. Japan Shikibu Gampi-shi White & Colors. 100% Japanese Gampi. Magnificent, lustrous sheets in white, natural and hand-dyed in an array of colors. Neutral pH. 4 Deckles. 36 White 37 Off-white 38 Light Yellow 39 Yellow 40 Light Blue 41 Ice Blue 42 Leaf Green 43 Green 44 Olive Green 45 Light Tan 46 Deep Tan 47 Beige 48 Pink 49 Red 50 Orange 51 Plum 52 Purple 53 Royal Blue 54 Navy Blue 55 Black 56 Grey Japan Shikibu Kizukishi Kozo Dyed 100% Japanese kozo. These strong, sheer sheets are dyed in a subtle range of colors. The sheets are translucent even in the darker colors. The natural tones mimic those found in aged papers, making them particularly useful for restoration of aged documents, books and fabrics. Exceptional quality! 0 White 1 Deep Natural 2 Light Tan 3 Tan 4 Brown 5 Sienna 6 Silver 7 Smoke 8 Beige 9 Amber 10 Deep Red 11 Teal 12 Green 13 Blue 14 Navy 15 Black 16 Light Blue Japan Shikibu Kozo-shi 100% Japanese kozo. Off-white tonality with an exaggerated laid pattern. Neutral pH. 4 Deckles. Japan Shikibu Mitsumata-shi 100% Japanese Mitsumata. Off-white tonality with a warm, lustrous sheen. Although the sheets are ultra-smooth, they have a remarkable, fabric- like visual texture because of the unusual sou. Neutral pH. 4 Deckles.

Japan Shiramine MM5- Hiromi Collection Mould-made of 40% Kozo, 60% Sulphite. Heavy sheet excellent for printing and painting. Neutral pH. 2 deckles. White. Japan Shoji- Handmade of kozo & sulphite. Neutral pH. 4 Deckles. White. A middle weight, moderately priced, Aiko favorite. Japan Shojoshi Mouldmade of 100 % sulphite. These small, thick, sheets have one ultra-smooth surface and one scratchy surface. Excellent for Western printmaking and some drawing techniques. 4 Deckles. Neutral pH. Off-White. Japan Silk Tissue - Machine-made from gampi and sulphite. Neutral pH. No deckles. Natural. Japan Sugikawashi Handmade in the style of traditional bark papers of ancient Japan from pulverized cedar bark and hemp fibers. Brown Neutral pH. 4 deckles.

Japan Size Gr/M2 1 25 100 500 Shikibu Echizen Washi Handmades Gampi-shi 01 White 25 x 37 13 26.60 23.94 22.21 19.95 Gampi-shi 03 White 25 x 37 26 43.80 39.42 36.57 32.85 Gampi-shi 06 Natural 25 x 37 13 34.70 31.23 28.97 26.03 Gampi-shi 08 Natural 25 x 37 26 50.00 45.00 41.75 37.50 Gampi-shi 36 White & Colors 20 x 30 13 16.76 15.08 13.99 12.57 Kizukishi Kozo Dyed 25 x 37 18 16.76 15.08 13.99 12.57 Kozo-shi 27 24 x 35½ 26 16.76 15.08 13.99 12.57 Mitsumata-shi 11 21½ x 33 20 16.76 15.08 13.99 12.57 Shiramine MM5 - Hiromi Collection 25 x 38 110 7.30 6.57 6.10 5.48 Shoji 24½ x 38½ 45 8.50 7.65 7.10 6.38 Shojoshi 4 x 6 200 1.40 1.26 1.17 1.05 8½ x 11¾ 200 4.65 4.18 3.86 3.47 10 x 14 200 6.55 5.89 5.46 4.91 12½ x 18 200 8.90 7.99 7.40 6.65

Silk Tissue 18 x 24 10 2.80 2.52 2.34 2.10 25 x 38 10 5.20 4.68 4.34 3.90 Sugikawashi 24 x 37 80 12.00 10.80 10.02 9.00

68 Paper is fragile ! No returns or exchanges are allowed. J a p a n - A R T P A P E R S

Japan Suzuki Square - Handmade of kozo. Neutral pH. No deckles. Natural. Japan Tamura Koban - Handmade of 100% kozo. Crisp, sized sheet with a natural tone and delicate, laid lines. Neutral pH. 4 Deckles.

Taniai Handmade Handmade by the Yoshioka Family on a mountain top in the Kochi Prefecture, these lovely, small sheets are made of 100% kozo. All materials and tools are prepared by hand including the dyes that are derived from local clays, barks and plants. Dried on gingko wood, the sheets have the impressions of the grain. Colors will vary from batch to batch. 4 Deckles. Neutral pH. 4 Benigara-zome Dark (Pink) 6 Yamazakura-zome Light (Pale Tan) 7 Yamazakura-zome Dark (Tan) 9 Aizome (Pale Indigo) 12 Yabumao-zome (Beige) 13 Akatsuchi-zome (Palest Rust) Japan Tengucho HM1 Handmade- Hiromi Collection Only one family remains that can master the skill of making this incredibly thin paper. The extreme agitation of the pulp when the sheets are formed, interlocks the kozo fibersto produce this ultra-fine, ultra-strong, sheer tissue. Made in the Kochi Prefecture by Hironao Hamada, a 4th generation paper maker who was trained and is the grandson of the National Living Treasure Mr. Sachio Hamada. The fibers are formed on a silk covered sou and are prepared by cooking in wood ash, making this variety especially stable and preferred for conservation. Neutral pH. 4 deckles. White. Japan Tengucho CS Handmade Made as above of 100% kozo prepared by cooking in caustic soda making this paper less expensive. Japan Tengujoushi Handmade Dyed Handmade of 100% Kozo and hand-dyed. Colors will vary from batch to batch. 4 Deckles. Brown Green Light Blue Light Grey Light Purple Pink Red Rose Yellow-green Japan Tengucho Machine-made White. 100% Thai Kozo cooked in caustic soda. Made in Kochi Prefecture on a machine designed only to make this sheer paper. Used for restoration and many collage techniques. Neutral pH. Japan Tengucho CT Colors Machine-made 100% Thai Kozo. Thin and strong. For chine colle and many collage techniques. Neutral pH. CT02 Pink CT03 Red CT07 Light Green CT08 Tea Green CT10 Black CT11 Royal Blue CT12 Purple CT15 Pale Blue CT18 Beige CT19 Chocolate

Japan Torinoko Handmade - Handmade from kozo and sulphite. Neutral pH. Soft, strong. 4 Deckles. Opaque White. Japan Torinoko Machine-made 100% Sulphite. Used in Japan for Fusuma sliding doors, this paper is also well suited for drawing and printmaking. White, Black & Natural. Japan Torinoko Brushstrokes Machinemade of 100% sulphite. Thick, absorbant sheet that has been embossed with brushstrokes usually found only on handmade sheets.

Japan Size Gr/M2 1 25 100 500 Suzuki Square 9½ x 9½ 63 2.30 2.07 1.92 1.73 Tamura Koban 13 x 15 30 4.00 3.60 3.34 3.00

Tengucho Handmade - Hiromi Collection hM1 Tengucho White 21 x 30½ 9 12.80 11.52 10.69 9.60 hM1B Tengucho Black 21 x 30½ 9 12.40 11.16 10.35 9.30 Tengucho Handmade (Caustic Soda) 21 x 30½ 11 6.98 6.28 5.83 5.24 Tengujoushi Dyed 21 x 30½ 9 9.50 8.55 7.93 7.13 Tengucho Machine-made Tengucho CT Colors 25 x 37 9 6.00 5.40 5.01 4.50 W1 Tengucho 25 x 38 9 2.10 1.89 1.75 1.58 W1T Tengucho Thin 25 x 38 5 4.60 4.14 3.84 3.45

Taniai 10 x 13 22 4.50 4.10

Torinoko Handmade 21 x 31 125 8.00 Torinoko MMN105 White or Natural 36 x 72 240 13.20 11.88 11.02 9.90 Torinoko MMN105B Black 36 x 72 240 17.20 15.48 14.36 12.90 Torinoko Brushstrokes 31 x 43 60 6.50 5.85 5.43 4.88

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Japan Torinoko Kozo Gampi - Handmade of kozo and gampi, this small sheet has a smooth, satin-like luster with fine, swirls of fiber. Japan Tosa Hanga Handmade in the Kochi Prefecture from kozo and sulphite. Thick, sturdy, absorbent sheet used extensively for printmaking. Neutral pH. 4 deckles. Natural. Japan Tosa Kasagami Handmade of 100% kozo. Lovely sheet formation with visible fine fibers and a soft, scratchy surface. 4 Deckles. Neutral pH. Natural. Japan Tosa Kozo #8 Natural & White Handmade of kozo and wood pulp. Internally sized. Dense, even sheet formation in a medium weight. Excellent for printing techniques. 4 Deckles. Neutral pH. White & Natural. Japan Tosazome Purple Handmade of 100% Kozo and hand painted with dosa that has been colored with a natural plant dye. Uneven, purple tone that shows the brushstrokes. Very unusual and beautiful. 4 Deckles. Japan Toyama - Handmade from 100% kozo. Smooth surface embedded with visible light fibers. 4 deckles. Off-White.

Japan Uda-Gami HM40 & HM41 - Hiromi Collection Off-white. Uda clay is added to soften the paper, minimize stretching and shrinkage and to prevent worm damage. These sheets are made by Hiroyuki Fukinushi in the Nara Prefecture. Traditional scroll format. Japan Usuyou Gampishi Machinemade of 100% Gampi. 2 Deckles. White & Natural. Neutral pH. Japan Uwa Senka Small & Long Handmade of 100% kozo. Slightly greenish, off-white sheet with a soft surface, visible fibers and laid marks. Neutral pH. 4 Deckles. Japan Vegetable Papers Handmade from a mixture of kozo and vegetable fibers. 4 Deckles: Corn Grey with dark flecking. Horse Radish Muted green background with light fibers. Melon Muted green with green flecks and light fibers. Onion Beige with kozo fibers and red onion peels. Rush Natural with fine fibers Sweet Potato Natural with sweet potato skin flecks and fibers. Turnip Muted green with dark green flecks and fibers.

Japan Size Gr/M2 1 25 100 500 Torinoko Kozo Gampi 8½ x 11 95 5.30 4.77 4.43 3.98

Tosa Hanga 25½ x 38 90 17.30 15.57 14.45 12.98 Tosa Kasagami 15½ x 19 46 8.50 7.65 7.10 6.38 Tosa Kozo #8 Natural & White 25 x 38 50 8.65 7.80 7.21 6.48 Tosazome Purple 25 x 33 120 30.00 27.00 25.05 22.50 Toyama 20 x 26 60 9.00 8.10 7.52 6.75

Uda-Gami Thin HM40 12½ x 58 26 18.00 16.20 15.03 13.50 Uda-Gami Medium HM41 12½ x 58 49 22.00 19.80 18.37 16.50 Usuyou Gampishi Natural 24½ x 38½ 10 15.50 13.95 12.94 11.63 Usuyou Gampishi White 24½ x 38½ 10 10.60 9.54 8.85 7.95 Uwa Senka Small 12 x 16 55 3.00 2.70 2.51 2.25 Uwa Senka Long 14 x 38½ 55 7.50 6.75 6.26 5.63 Vegetable Papers 25 x 38 40 10.00 9.00 8.35 7.50

70 Paper is fragile ! No returns or exchanges are allowed. Japan Walnut Dyed Kururu Kozo Handmade of 100% kozo and hand dyed with natural walnut stain to a beautiful, pale brown tone. Color varies from batch to batch. 4 Deckles. Japan Yamada Hanga #1 Natural & #2 White Handmade sheets specifically designed for oil-based printing techniques. Internally sized. Neutral pH. 4 Deckles. 1 Natural - 100% sulphite. 2 White - Hemp & sulphite Japan Yatsuo Handmade from kozo and sulphite pulp. Neutral pH. Strong, soft surface. 4 deckles. Colors will vary somewhat from batch to batch. A1 White A13 Natural B2 Beige B4 Grey B6 Cloud Blue B7 Grey Blue B8 Green Grey B11 Yellow B12 Dark Yellow B14 Mustard B18 Lime B22 Blue Green B27 Tan B28 Lavender B30 Graize B31 Rose B32 Peach B33 Pink B35 Light Orange C2 Antique Rose C3 Blue Black C4 Brown C5 Wine C6 Purple C7 Taupe C8 Coral C10 Green C11 Orange C12 Dark Blue C16 Maroon C19 Aquamarine D1 Bright Red D3 Dark Red D4 Dull Red D8 Black E1 Electric Blue E3 Apple Green E4 Tomato

Japan Yame Kozo Hadakura Handmade from 100% kozo, these conservation grade tissues are dyed in 4 tones of natural. Neutral pH. 4 Deckles. S1 Lightest S2 Light S3 Middle S4 Darkest

Japan Yuku-shi Snow Bleached Handmades Handmade in Gokayama in northeast Japan near the Sea of Japan by Mr. Miyamoto. These sheets of 100% kozo are made following 1200 year old traditions that originated in this area because of its cold, snowy climate. Locally grown kozo is harvested, cleaned of the outer bark and impurities and then bleached in the snow for 7 - 10 days before the fiber is cooked, beaten by hand with a wooden mallet and formed into sheets. No machines or chemicals of any type are used in these processes, resulting in papers that are exceptionally pure. The sheets have a unique warm, natural tone. Neutral pH. 4 Deckles. Japan Yukyu Natural Handmade from kozo. Small, lightweight sheets. Neutral pH. 4 Deckles. Japan Zairei Machine-made of 50% sulphite, Thai kozo, abaca and straw. Thins, crisp sheet works well in digital applications. Neutral pH. White. Japan Size Gr/M2 1 25 100 500 Walnut Dyed Kururu Kozo 25 x 38 30 20.00 18.00 Yamada Hanga #1 - Deep Natural 23½ x 35½ 210 16.35 - Last of stock Yamada Hanga #2 - White 23½ x 35½ 100 14.00 12.60 11.69 10.50 Yamada Hanga #3 - Cream 23½ x 35½ 180 19.30 - Last of stock

Yame Kozo Hadakura S1 - S4 25 x 38 16 10.50 9.45 8.77 7.88

Yatsuo A Yatsuo 25 x 37 40 6.80 6.12 5.68 5.10 B & C Yatsuo 25 x 36 40 7.30 6.57 6.10 5.48 D & E Yatsuo 25 x 37 40 8.00 7.20 6.68 6.00

Yuzen Series JY 25 x 38 50 35.00 31.50 29.23 26.25 Yuzen All Others 25 x 38 50 18.00 16.20 15.03 13.50

Yuku-shi Snow Bleached Handmades 25 x 38 13 16.98 15.28 14.18 12.74 25 x 38 16 16.98 15.28 14.18 12.74 25 x 38 27 20.70 18.63 17.28 15.53 25 x 38 41 29.34 26.41 24.50 22.01 Yukyu Natural 7 x 10 39 2.50 2.25 2.09 1.88

Zairai 24½ x 36 36 4.10 3.69 3.42 3.08

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Nepal Nepalese paper making is an unusual hybrid of techniques that were influenced by both Japan and India. Because of the climate, the herding culture and the isolation of the area, paper making was usually performed by shepherds during the months that they attended their flocks near the forest edge. Because they travelled considerable distances from their villages, it was essential that most of the supplies needed could be found readily along the way. Daphne (Nepalese gampi) grows abundantly in high altitudes and is easily harvested. In their traditional manner of paper making, the fiber was pounded with stones to prepare the pulp before cooking in wood ash. A stream or even a ditch filled with water served as the vat. The moulds which were made of bamboo, were lightweight and portable. The sheet formation as then performed by placing the mould into the vat and floating the beaten pulp on top of the mould. When the fibers were distributed to the paper maker's satisfaction, the mould was then lifted from the vat and turned out onto wooden planks to dry in the sun. This technique produces delightfully inconsistent sheets, each with its own individual character, a smooth surface that faced the wood and a rough outer side. Sheet formation is cloudy with somewhat uneven clumps of pulp. But, paper makers and artists in Nepal are also aware of the more refined characteristics of Japanese papers and therefore, also construct sheets using Japanese methods. This includes controlled cleaning and cooking of the fiber and forming the sheets by lowering the mould into the vat of prepared pulp and vigorously agitating to distribute the fibers evenly before couching. As demand has grown for Nepalese goods, we see many more influences on the methods of the manufacturers. Some use one particular style, many use their own unique combination of techniques to produce these wonderful, useful papers. Because of presentation, it is often easy to forget that almost all Nepalese sheets are made of 100% gampi fiber (daphne or lokta) and therefore can perform in similar ways to their much more expensive, Japanese counterparts. Nepalese sheets are great for printing by hand, chine colle, sumi-e painting and drawing techniques where minimum erasure is required. Nepal Banana Tissue Handmade from recycled banana bark. Crisp tissue in a natural earth tone with swirls of fine fibers and bark flecks. 4 Deckles. Nepal Chautara Lokta Handmade of 100% daphne in Traditional Nepalese fashion. However the pulp is cleaned of imperfections, cooked and beaten using modern techniques to yield sheets that are consistent and even. Smooth surface (on both sides) with a light sheen. Hand-dyed. 4 deckles. Neutral pH. Because the dye crawls, sheets are darker on one side than the other and colors will vary from batch to batch. Almond Amber Banana Black Brick Burgundy Cerise Cranberry Deep Orange Denim Eggplant Espresso Forest Fuchsia Gold Grass Green Jade Deep Kiwi Latte Light Blue Lime Mint Moss Natural Navy Blue Olive Brown Olive Green Oyster Parrot Green Pebble Pink Pumpkin Purple Red Red Earth Robin's Egg Blue Sage Sapphire Blue Sea Green Shrimp Sky Blue Terracotta Turquoise Violet Yellow

Nepal Hand Dyed Pinto - Handmade and dyed in tones of natural vegetable dyes resembling pony or cow hides. Nepal Jazz Translucent handmade paper laminated onto gauze-like fabric, lightly creped and dyed. Very strong. Neutral pH. No deckles. Aubergine Claret Granite Grey Olive Green Saddle Brown

Nepal Size Gr/M2 1 25 100 500 Banana Tissue 20 x 28 40 3.75 3.37 3.12 Chautara Lokta Natural 20 x 26 20 2.50 2.25 2.09 1.88 Chautara Lokta Natural & Colors 20 x 26 65 4.25 3.83 3.56 3.20 Hand Dyed Pinto 20 x 30 65 3.60 3.24 3.01 2.70 Jazz 22 x 30 60 5.20 4.68 4.34 3.90

72 Paper is fragile ! No returns or exchanges are allowed. N e p a l - A R T P A P E R S

Khadi Himalayan Handmades Khadi Himalayan Handmades present some of the finest papers from Nepal in both Traditional and Japanese "washi" styles of paper making. Newly revised in 2010, Khadi Himalayan papers have abandoned modern influences and are now preparing all their fiber by hand, closely following centuries old techniques such as cooking in lye of wood ash to insure that these sheets maintain the integrity, resilience and strength of true Nepalese paper traditions. Neutral pH. 4 deckles. For printing and direct painting techniques, these daphne and mitsumata sheets have a crisp finish that allows for some drawing techniques including pen and pencil with light erasure. Nepal Khadi Himalayan Mitsumata Washi 100% mitsumata cooked in lye from wood ash. Smooth surface. Natural. Nepal Khadi Himalayan Traditional L 100% Daphne cooked in lye from wood ash. Cloudy sheet formation. One smooth side, one rough. Deep greyish natural. Nepal Khadi Himalayan Traditional N1 100% Daphne. Cooked in caustic soda and bleached. Cloudy sheet formation with visible fibers and flecks. Tissue weight. Natural. Nepal Khadi Himalayan Traditional N1 Dyed Blue Fuchsia Green Lime Olive Purple Rose Rust (Coral) Saffron Yellow Turquoise Nepal Khadi Himalayan Washi L 100% Daphne cooked in lye from wood ash. Smooth surface. Deep greyish natural. Nepal Size Gr/M2 1 25 100 500 Khadi Himalayan Mitsumata JM3 20 x 32 30 4.40 3.96 3.67 3.30 Mitsumata JM4 20 x 32 60 5.00 4.50 4.18 3.75 Traditional L5 N 19 x 26 10 1.80 1.56 1.47 1.32 Traditional L10 N 19 x 26 30 1.80 1.56 1.47 1.32 Traditional L20 N 19 x 26 90 3.00 2.70 2.51 2.25 Traditional L40 N 19 x 26 140 4.40 3.96 3.67 3.30 Traditional N1 Natural 19 x 26 30 1.80 1.56 1.47 1.32 Traditional N1 Dyed 19 x 26 30 1.80 1.56 1.47 1.32 Washi L - JL 3. 20 x 32 30 4.40 3.96 3.67 3.30 Washi L - JL4 Smooth, medium weight. 20 x 32 60 4.40 3.96 3.67 3.30

Lhakpa Handmades These sheets are made in the Himalayas at the highest elevation that supports life using traditional Nepalese papermaking techniques. To insure the finer, cleaner sheets, Lhakpa has constructed their vats from concrete rather than utilizing a ditch or a pond. These are some of the largest handmade papers in the world and are exceptional examples of Nepalese papers. One rough side, one smooth. Neutral pH. 4 Deckles. Nepal Size Gr/M2 1 25 100 natural 8½ x 11 30 1.50 1.35 1.25 1.13 natural 12½ x 18½ 50 3.00 2.70 2.51 2.25 natural 27½ x 39 60 16.00 14.40 13.36 12.00 natural 39 x 68 20 30.00 27.00 25.05 22.50 natural 39 x 68 40 40.00 36.00 33.40 30.00 natural 39 x 68 60 60.00 54.00 50.10 45.00 natural 58 x 118 60 140.00 126.00 116.90 105.00 Black 27½ x 39 150 20.00 18.00 16.70 15.00

Nepal Transparent Deerskin Deerskins that have been pared down to a transparent membrane. Skins have irregular edges and imperfections. Traditionally used as interleaving in sacred texts. or pounding gold. Very unusual. Transparent Deerskin 16 x 20 (approximate) 50.00

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Philippine Handmades Philippine paper making has been greatly influenced by Japan who favor Philippine gampi in some of their papers. The Philippines extend through different climates that yield a range of materials including gampi, kozo, abaca and salago palm. Philippine Abaca Crater - 100% abaca. Very rough, broadly textured on one side, smooth on the other. 4 Deckles. White or Buff. Philippine Gan - 100% kozo. Natural with lightly textured surface. 4 deckles. Neutral pH. Philippine Ning - 100% Philippine gampi. Natural with a smooth, satin-like surface. 4 deckles. Neutral pH. Philippine Salago - 100% Salago palm fiber (bast fiber). 4 deckles. Lightly textured. Kiwi Mediterranean Blue Orange Marmalade Pomegranate Philippine Woven Abaca Handmade of 100% abaca. Translucent, gauze-like structure of abaca fibers. Rough surface. 4 deckles. Lime Natural Purple Philippines Size Gr/M2 1 25 100 500 Abaca Crater 24 x 36 100 7.60 6.84 6.35 5.70 Gan 27½ x 53 18 7.70 6.85 6.34 5.69 Ning 27½ x 53 18 5.80 5.25 4.82 4.33 Salago 26 x 37 85 7.00 6.30 5.85 5.25 Woven Abaca 24 x 36 50 6.00 5.40 5.01 4.50

Thailand Papermaking in Thailand has been practiced for many centuries. Their influences came from the north, having learned the papermaking processes from both Japan and Korea. Most Thai papers use kozo fiber which is plentiful and grows quickly in Thailand. Because of the warm climate, the kozo that is harvested produces sheet that are highly absorbent and have a soft and spongy touch. As in other Asian Cultures, Thai papers were primarily made by small clans of isolated people that lived in rural areas near to the necessary raw materials. Because of political unrest, during the years 1930 - 1970, papermaking neared extinction as the numbers of households fled from these areas. Fortunately, over the past decade, papermaking has once again emerged. Today, Thailand manufactures a vast array of traditional and inventive decorative sheets. The industry has now relocated within the major cities where it provides employment for many skilled crafts people and consolidates the work forces for both machine-made and handmade practices.

Thailand Garden Plain - Handmade of 100% Thai kozo. Soft, absorbent surface. Neutral pH. Off-white. 4 Deckles. Thailand Mulberry Machine-made Bleached - 100% Thai kozo. White. Neutral pH. 2 deckles. Thailand Mulberry Machine-made Colors - 100% Thai kozo. Neutral pH. 2 deckles. Black Mustard Pear Purple Red Sky Tea Thailand Mulberry Machine-made Un-bleached - 90% Thai kozo, 10% bamboo. Off-white. Neutral pH. 2 deckles. Thailand Tissue Handmade from 100% mulberry. Neutral pH. Traditional style, very light, gauze-like tissue made on moulds of woven cloth. 4 deckles. Natural. These charming sheets are uneven and may have small holes and imperfections. They also arrive lightly folded. Thailand Size Gr/M2 1 25 100 500 Garden Plain Smooth 22 x 30 100 3.30 2.97 2.76 2.48 Garden Plain Rough 22 x 30 100 2.90 2.61 2.42 2.18 Mulberry Machinemade Bleached 25 x 37 45 3.90 3.51 3.26 2.93 Machinemade Colors 25 x 37 45 4.40 3.96 3.67 3.30 Machinemade Unbleached 25 x 37 15 1.60 1.44 1.34 1.20 Machinemade Unbleached 25 x 37 45 3.80 3.42 3.17 2.85

Tissue 19 x 21½ 10 1.30 1.17 1.09 0.98 Tissue 19 x 21½ 25 1.30 1.17 1.09 0.98 Tissue 31½ x 39 30 4.00 3.60 3.34 3.00

74 Paper is fragile ! No returns or exchanges are allowed. D e c o r a t i v e P a p e r s Printed & Painted

Floral & Decorative Inclusions

Woven & Textured

Metallic & iridescent Book binding, box making, collage, invitations & stationery, wall coverings, matting, framing, presentation - or solely as a piece of art or inspiration, decorative papers have been part of the cultures of the world for centuries! In this section, the term Decorative is loosely defined as any paper that has predominant characteristics that visually identify - so not only those with patterns, but those with inclusions or textures - that are integral to the sheet and therefore, to your end result. By no means are we trying to limit the use of these sheets! The papers in this section include handmade, mould-made and machine-made varieties that are of excellent quality and can be utilized for many techniques including printing, painting and drawing.

Please Note: Metallic and iridescent papers are difficult for you to locate without searching this entire section. Here is a list: Flint / Foil / Foil Mirri / Foil Textures / Ja Ja / Kromekote / Line Embossed / Metallic 10 pt. Patina / Stardream / Taiwan Pearlized / India Mars / India Metallics Japan Eboshi / Japan Isago / Japan Metallics / Japan Momi Pearlized / Nepal Lokta Metallic Philippine Non Woven / Thailand Metallics

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Bertini 017 Bertini 31 & 80 Bertini 917 Bertini 48

Bertini 65 Bertini 176 Bertini 165-166 Bertini 184

Bertini 196 Bertini 186-189 Bertini 213 Bertini 275

Bertini 304 Bertini 305-308 Bertini 745 Bertini 742-743

Bertini 309-310 Bertini 703 Bertini 904 Bertini 748

Bertini 0901 & 901 Bertini 920 Bertini 925 Bertini 715

76 Paper is fragile ! No returns or exchanges are allowed. E u r o p e & T h e A m e r i c a s D E C O R A T I V E P A P E R S

Brookfield Friends Brookfield Ginko Brookfield Unity

Brookfield Red Diamond Brookfield Lilac Spray Brookfield Eastern Bridges

Brookfield Indigo Blossom Brookfield Solaris Brookfield Blue Daisy

Brookfield Spring Brookfield Lichen Brookfield Terra

Australian Marbles Stone and combed patterns printed in Australia on machine-made paper. No deckles. Brookfield Decoratives Letterpress printed in the U.S. with patterns that resemble old blockprints. Copyrighted.

Bertini - Printed in Italy on a special offset press that prints a ten color process plus gold.

2 Paper Size Gr/M 1 25 A100ustralian Marble500 Antique Foil Gold or Silver 26 x 40 110 1.95 1.76 1.64 1.47 Australian Marbles 19¾ x 25½ 120 3.85 - last of stock

Bertini Series 100 , 200, 300 19 x 27 65 1.70 1.53 1.42 1.28 Bertini Series 700, 800 19 x 27 65 3.05 2.72 2.52 2.27 Bertini Series 900 19 x 27 65 4.00 3.60 3.31 2.98

Brookfield Decoratives 20 x 26 140 5.00 4.50 4.17 3.75

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ABC Cavallini Alphabet Cavallini Bon Voyage Cavallini Italian Postcards Cavallini

Fish Cavallini Vintage Posters Cavallini Blue Bird Cavallini Sweet Treats Cavallini

Blue Bird 2 Cavallini NYC Subway Cavallini NYC Map Cavallini FF Butterfly Cavallini

Rome Map Cavallini Paris Map3 Cavallini Paris Map Cavallini

78 Paper is fragile ! No returns or exchanges are allowed. E u r o p e & T h e A m e r i c a s D E C O R A T I V E P A P E R S

Italy Map Cavallini Paris Postcards Cavallini

Skeleton Cavallini Natural History Butterflies Cavallini Butterflies Cavallini

World Map 2 Cavallini World Map 3 Cavallini

World Map Cavallini Elephant Cavallini Mushrooms Cavallini

Cavallini Decorative Prints - Ivory laid, machine-made paper. Fine quality printing from Italy. Paper Size Gr/M2 1 25 100 500 Cavallini Decorative Prints 20 x 28 120 3.50 3.15 2.92 2.63

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Corkskin Crest Marble Corkskin - Portugal Natural cork laminated to a colored base paper. Made in Portugal. Acid-free. No deckles. 3A Green 4a dark Blue 5BR Dark Brown 5K Brown 9A Copper 29A Gold

Corrugated E Flute - USA Single-faced, small "E" fluted corrugated machine-made in the U.S. Kraft white Black Red Blue

Foil Texture Moire Crest Marble - Australia Machine-made paper with multi-color marbled print. FLINT PAPER - USA Machine-made in U.S. Smooth, glossy, lightweight stock. No deckles. Aztec Green Black Black on Black Canary Charcoal Chocolate dark Green Gold Sheen ivory Lavender Magenta orange Purple Red Robbin's Egg Royal Purple sapphire Blue Silver Sheen Turquoise white

FLUORESCENT PAPER & Card - USA Foil Texture Stars & Clouds Machine-made in U.S. White paper printed with fluorescent ink on one side. No deckles. Raspberry strawberry Red orange Peach FOIL "Mirri" Card & Wrap - England Machine-made. Mylar foils mounted on 12 pt. white card stock or paper. No deckles. Black Blue Copper Gold Green Pink Purple red silver FOIL PAPER - USA Machine-made in U.S. Metallic foil mounted on lightweight paper. No deckles. Foil Texture Pony Blue Dark Copper Dull Gold Dull Silver Green Gold red silver FOIL PAPER texture - USA Machine-made in U.S. Embossed metallic foils mounted on heavyweight paper. No deckles. Hammered Copper pony Skin Gold moire Gold Moire Silver sasheen Stripe stars & Clouds Silver

Paper Size Gr/M2 1 25 100 500 Corkskin 19½ x 30 117 17.05 15.35 14.24 12.79 Corrugated E Flute Kraft 29½ x 40 410 4.00 3.60 3.34 3.00 Corrugated E Flute White & Black 29½ x 40 410 5.00 4.50 4.18 3.75 Corrugated E Flute Red & Blue 29½ x 40 410 5.30 4.77 4.43 3.98 Flint Paper 20 x 25 100 1.30 1.17 1.09 .98 Fluorescent Text Weight 25 x 38 116 1.50 1.35 1.21 1.08 Fluorescent Cover Weight 26 x 40 216 2.00 1.80 1.62 1.45 Foil "Mirri" Card Silver 27 x 39 400 8.24 7.41 6.88 6.18 Foil "Mirri" Card All Other Colors 27 x 39 400 11.75 10.58 9.82 8.82 Foil"Mirri" Wrap Silver 19½ x 27½ 100 2.25 2.00 1.85 1.66 Foil"Mirri" Wrap All Other Colors 19½ x 27½ 100 3.25 2.90 2.70 2.40 Foil Paper 20 x 26 90 1.30 1.17 1.09 .98 Foil Paper Textures 20 x 26 90 1.30 1.17 1.09 .98

80 Paper is fragile ! No returns or exchanges are allowed. E u r o p e & T h e A m e r i c a s D E C O R A T I V E P A P E R S

French Marble - France Machine-marbled in Paris on a special machine specifically designed for printing these well known styles. No deckles. Paper Size Gr/M2 1 25 100 500 French Marbles Series 200 600 & 900 19½ x 25½ 170 6.25 5.63 5.22 4.69 French Marbles All other series 19½ x 25½ 170 8.50 7.65 7.10 6.38 please note: French Marble grain direction can vary. Please call for specific paper.

Gator Print - USA Coated sheets printed and embossed with alligator pattern. Red or Tan. Paper Size Gr/M2 1 25 100 500 Gator Print 20 x 30 120 4.00 3.60 3.34 2.80

Gilclear Oxford - USA Machine made in the U.S. from 100% sulphite. Smooth, translucent parchment with a fine cross-hatch pattern. Paper Size Gr/M2 1 25 100 500 Gilclear Oxford 23 x 35 105 1.50 1.35 1.21 1.08

Gator Print

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Glassine Cobweb Glassine Linen Glassine Silk Worm

Glassine Colors - Germany Machinemade. Crisp, translucent sheet. No deckles. Black Canary Chocolate Brown dark Blue Green Pink purple Red

Glassine Decorative - Germany Machinemade of sulphite. No deckles. Translucent white. Cobweb Linen Silk Worm Hide Hide Embossed - USA Machine-made of 100% sulphite. Color sheets with a fine, bonded leather texture. No deckles. Antique White Black Caramel Tan Cardinal Red Dark Chocolate Grass Green

Ja Ja Metallics - France Metal leaf and metallic flecks are hand mounted onto a web-like woven mesh. No deckles. Copper Dust Gold Dust Gold Mosaic Gold & Pewter Red Earth Silver & Copper silver Dust Silver Mosaic

KromeKote - USA Machine-made in U.S. Gloss coated 12 pt. card stock. No deckles. Black Brushed Gold Foil Brushed Silver Foil Buff Red Gold Metallic pearl Metallic silver Metallic White Ultramarine

Line Embossed - USA Machine-made. Kraft sheets with an embossed linear pattern. Coated on one side with color. Matte Finish Colors: Ja Ja Black Chartreuse Kraft peapod Sunshine Yellow Teal White Metallic Colors: Amethyst Anthracite Aquamarine Baby Blue Ice Black Metal Bronze Burgundy Ice Citrine Copper Ice Coral Pink Fire Ice Garnet Gold Metallic Gunmetal Metallic iolite Mint Green Ice Orange Metallic pink Metallic Platinum Ice Sapphire Seafoam

Paper Size Gr/M2 1 25 100 500 Glassine Colors 24 x 36 50 .80 .72 .67 .60 Glassine Decorative 24 x 36 50 .80 .72 .67 .60

Hide Embossed 20 x 30 60 4.00 3.60 3.34 3.00 Ja Ja Metallics 14 x 20 9 23.96 21.56 20.01 17.97 Kromekote Colors 26 x 40 360 4.20 3.75 3.47 3.12 Kromecote Foil 26 x 40 360 4.60 4.10 3.81 3.42 Kromecote Metallic 26 x 40 360 4.60 4.10 3.81 3.42 Line Embossed All Colors 20 x 30 80 4.00 3.60 3.34 3.00

Line Embossed

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Langdell Baby's Breath Langdell Stripe with Calendula Langdell Handmades - USA Langdell Baby's Breath Floral - Dried baby's breath inclusions in solid cotton sheets. Blush with Natural Flowers Burnt Umber with Natural Flowers Cream with Natural Flowers Dust Blue with Natural & Green Flowers Gold Luster with Natural Flowers Mauve Light with Natural Flowers Pale Green with Natural Flowers Periwinkle with Natural Flowers Robin's Egg Blue with Natural Flowers Sage with Natural Flowers Silver Luster with Natural Flowers White with Peach Flowers White with White Flowers White with White Flowers & Sparkles Langdell Embossed Stripe - White embossed with a stripe pattern. Langdell Fern - White sheet with green asparagus fern inclusions. Langdell Flower Petal Inclusions Flora White with grass and red, blue & yellow petals. Garden White Cream sheet with red, blue & yellow petals. Larkspur White with blue violet flowers. spring Medley White with fern, pink yellowblossoms & fern. Langdell Kaleidoscope - Grey sheet with junk mail clippings. Langdell Leaf autumn Leaf - Cream with orange leaves. spring Leaf - Off white with green leaf inclusions. Wedding Leaf - White with natural leaves & irridescent sparkles. Langdell Luster Addition of mica particles gives these sheets a subtle sparkle. Araucana (dusty green) atlantic Blue Azul Blue Burnt Umber Butter Celedon Chartreuse Cream Gold Lavender pale Blue Pale Green Pale Pink Periwinkle Rose Red Silver Slate Soft White Tangerine White (Bright) Langdell Leaf Langdell Pistachio Off white with pistachio skins and gold & silver metallic flakes. Langdell Rose & Fern White sheets with red rose petals green fern and irridescent sparkles. Langdell Stripes Deckled strips of colored pulp couched together with a solid color base sheet. Calendula Light Blue Calendula Pink Calendula Yellow Cream on White with Silver Sparkle Green Stripes on Purple Luster Gold on White Luster Silver on White Langdell White Christmas White with green fern, natural baby's breath & irridescent sparkles.

Paper Size Gr/M2 1 25 100 500 All Langdell 19 x 25 140 12.00 10.80 10.02 9.00

Langdell Kaleidoscope

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Lizard - Machine-made paper embossed with a lizard pattern. No deckles. Green. Marble Print - USA High-gloss, smooth sheets printed with images of stone. - Black Veined Paper Size Gr/M2 1 25 100 500 Lizard 25 x 39 162 5.00 - last of stock Marble Prints 20 x 30 150 3.20 - last of stock

Marble Black Veined

Lizard

Maziarczyk Paste Papers - USA Hand-decorated with acrylic paints on neutral pH text paper by Claire Maziarczyk of New York using the traditional method of applying color over starch and combing patterns into it. Durable, stain-resistant, and lightfast. Copyrighted. Swatchbook. Paper Size Gr/M2 1 25 100 Maziarczyk Paste Papers 18½ x 25 150 13.00 11.70 10.86

84 Paper is fragile ! No returns or exchanges are allowed. D E C O R A T I V E P A P E R S E u r o p e & T h e A m e r i c a s

Metallic 10 Point - USA Machine-made. Sturdy 10 point cardstock mounted to gold or silver foil paper.. Patina - USA Thin, metallic foil printed with a darker, mottled pattern. Gold or Silver. Paper Size Gr/M2 1 25 100 500 Metallic 10 Point Gold or Silver 20 x 26 360 1.75 1.58 1.46 1.31 Patina Gold, Silver 20 x 30 60 3.20 2.88 2.67 2.40 Patina

Radcliffe Marbled Minerals & Patinas - USA Specially designed by Katherine Radcliffe of New York City to suggest marble and minerals. Marbled Minerals are hand-marbled with oil based ink. Patinas are hand painted with acrylic. All on colored papers. Copyrighted. Swatchbook. Paper Size Gr/M2 1 Radcliffe Marbled Minerals & Patinas 19½ x 25½ 175 17.00 - last of stock

Richard de Bas - France Auvergne is the site of the Val de Laga Mill of the Moulin a Richard de Bas, one of the oldest mills in France. Its papers still bear the watermark composed of a heart crossed by waves (to represent the Laga River) and the date of the mill’s inception, 1326. They are handmade from cotton rag and linters beaten by wooden mallets powered by the river. Internally sized. Neutral pH. 4 deckles. Richard de Bas Floral Richard de Bas Ferns Chain laid, Cold Pressed. Solid color sheets embedded with flower petals and ferns. Fern White Floral White Floral Powder Blue Floral Tan Richard de Bas Fern Richard de Bas Patchwork White Irregular patchwork of heavily textured fabrics. Each sheet slightly different. Paper Size Gr/M2 1 Floral White 22 x 30 180 10.00 Floral Powder Blue, Tan 20 x 26 180 3.50 Floral Powder Blue, Tan 22 x 30 180 5.00 Fern Inclusions 22 x 30 180 10.00 Patchwork White 20 x 26 240 7.50

Richard de Bas Floral

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Rossi FRT 011

Rossi VRD 001 Rossi CRT 508

Rossi TSC 016 - 017 Rossi TSC 003

Rossi TSC 019 Rossi TSC 011 Rossi TSC 002 Rossi CRT 556

Rossi TSC 010

Rossi CRT 505 Rossi CRT 582

86 Paper is fragile ! No returns or exchanges are allowed. D E C O R A T I V E P A P E R S E u r o p e & T h e A m e r i c a s

Rossi CRT 010 Rossi CRT 006 Rossi CRT 001

Rossi CRT 013 - 016 Rossi CRT 003 Rossi CRT 012

Rossi CRT 002 Rossi FRT 006 Rossi FRT 001 Rossi FRT 009

Rossi CRT 011 Rossi CRT 657

Rossi CRT 647 Rossi VRD 005

Rossi Decoratives - Italy High quality, finely printed designs from Florence, Italy. Founded in 1931, Cartotecnia Rossi also owns La Dordoni, a museum that houses thousands of examples of decorative designs dating back to the Renaissance. Rossi Decoratives include designs based on these traditional Florentine patterns as well as those of fruit, vegetables and other modern interpretations. 100% sulphite. No deckles. Swatchbook. Paper Size Gr/M2 1 25 100 500 Rossi All Styles 19½ x 27½ 90 4.95 4.45 4.13 3.71 Rossi CRT 652

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Sage Paste Papers - USA Durable, lightfast paste papers made by Sage Reynolds on Arches Text Laid paper. All designs can be made in every color and with the options of 22 carat gold, metallic leafs, and glitters. Copyrighted. Swatchbook can be found on line at: sagereynolds.com. Paper .Size Gr/M2 1 Series 3 25½ x 40 120 27.00 - call for quantity pricing. Series 4 25½ x 40 120 36.00 Series 5 25½ x 40 120 45.00 Series 6 25½ x 40 120 54.00 Series 7 25½ x 40 120 63.00 Series 8 25½ x 40 120 72.00

Rossi waffle - USA Machine-made from recycled paper products. Kraft with waffle embossing. No deckles. Paper Size Gr/M2 1 25 100 500 Rossi Waffle 24 x 36 110 2.25 2.02 1.81 1.62

SAfari Prints - USA - High-gloss, smooth sheets printed with animal skin patters. Giraffe Leopard Zebra sharkskin - France - Machine-made embossed with a dotted sharkskin pattern. Black Cobalt Blue Emerald Green

Paper Size Gr/M2 1 25 100 500 Safari Prints 20 x 30 150 3.00 2.70 2.51 2.25 Sharkskin 25 x 39 162 5.00 - last of stock Sharkskin

Safari Giraffe Safari Zebra Safari Leopard

88 Paper is fragile ! No returns or exchanges are allowed. D E C O R A T I V E P A P E R S E u r o p e & T h e A m e r i c a s

Tassotti 1724 Tassotti 1646 Tassotti 240

Tassotti 1617 Tassotti 1614 Tassotti 1660

Tassotti 401 Tassotti 560 Tassotti 559

Tassotti 7113 Tassotti 255 Tassotti 113 Tassotti Prints - Italy Grafiche Tassotti in collaboration with Museum Bassano del Grappa, reproduces classic patterns including those of the famous Remondini Publishers. Paper Size Gr/M2 1 25 100 500 Tassotti 19½ x 27½ 90 3.05 2.72 2.52 2.27

Stardream - Italy Machinemade in Italy of 100% sulphite. Lustrous metallic and pearlized colors coated on both sides of the sheets. No deckles. Neutral pH. Amber amethyst anthracite antique Gold aquamarine azalea Pink Bronze Citrine Copper Coral emerald Fairway Green Flame Orange Gold Jupiter Kunzite Lagoon Teal Lapis malachite mars Onyx Opal Punch Purple Quartz Rose Quartz ruby sapphire Serpentine Green Silver Vista Blue Paper Size Gr/M2 1 25 100 500 Stardream Text 20 x 28¼ 120 1.25 1.13 1.04 .94 Stardream Cover 20 x 28¼ 285 2.25 2.03 1.88 1.69

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U.S. Silkscreens - USA The same floral design is silkscreened on various differnt papers with different color inks. Chestnut with Black Chestnut with Gold Mustard with Black Translucent Vellum with White Paper Size Gr/M2 1 25 100 500

U.S. Silkscreen

Cucumber Long Cut Carrots Round Cut Cucumber Round Cut

Vegetable "Papyrus" - Germany Handmade in Germany, these whimsical and delicate sheets utilize the same technique that the Egyptians created thousands of years ago. Thin layers of vegetables and fruits are pressed together and allowed to dry. Hydrogen bonding fuses the molecules together without glue or additives. They are beautiful with light coming through them, but can also withstand some drawing and printing techniques. Don't use too much water or the added

hydrogen in H2O will cause them to fall apart. And yes, we suppose you could eat them if you get hungry enough and you don't mind your veggies on the dry, crunchy side....

Some vegetables are available long-cut or round-cut and with the skins intact or removed. For example, unpeeled cucumber accentuates the green edges; when peeled, the sheets are subtle, less decorative and more paper-like.

Varieties include: Apple, Beets, Carrot, Celery Root, Cucumber, Kohlrabi, Lemon, Melon, Orange, Pineapple, Persimmon, Quince, Radish, Strawberry, Tomato.

Supplies vary due to season, so call for current stock. Paper Size Price Range Vegetable Papyrus 6 x 8 approximate 8.00 - 15.00 Vegetable Papyrus 12 x 16 approximate 40.00 - 70.00

Apples

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Wood Grain Pickled Maple - Photographically printed paper. Wood prints High-gloss sheets printed with wood patterns. - Burled Walnut "Electric Guitar" Red Cherry

Wood Print Electric Guitar Cherry

Wood Veneer - USA Actual micro-thin wood veneers mounted with archival adhesive onto an archival backing. Because the woods are unstained and unfinished, they can be tinted, printed and finished easily. Aspen Basswood Birch Bird's Eye Maple Cherry Curly Maple Eastern Red Cedar hicory Koa Maple Oak Poplar Sycamore Walnut Western Cedar white Pine White Wood

Wood Veneer Composite - USA Real, micro-thin woods seamed together and mounted with archival adhesive. Seams are practically invisible, allowing for much larger expanses than traditional veneer. We are stocking 24 x 24" sheets of all varieties and have 24" wide rolls of some of the grades. Bamboo Bubinga Cherry ebony Fir mahogany Maple oak Teak walnut wenge Zebra

Paper Size Gr/M2 1 25 100 500 Wood Grain 20 x 26 115 1.25 1.13 1.05 .95 Wood Prints 20 x 30 150 4.00 3.60 3.34 3.00 Wood Veneer Bird's Eye Maple, Koa 17 x 22 200 16.25 14.63 13.58 eastern Red Cedar & Western Cedar 17 x 22 200 13.15 11.84 10.99 all Other Wood Veneer 17 x 22 200 10.85 9.77 9.07 Wood Veneer Composite Bamboo Composite 17 x 24 200 7.00 6.30 all Other Composite Wood Veneer 24 x 24 200 12.50 11.25 roll Stock - Call for availability 24 x 1 yard 15.00

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Meteor Shower Lucy Rainfall or Bing Ice An-Jing Chinese DEcorative Handmades China An-Jing Glaze - Lucy - Meteor Shower - Rainfall These sheets from the Xian County of Anhui Province are made by putting small pieces of ice on freshly dyed sheets, dispersing the color as it melts. No deckles. Glaze Pale Mauve Glaze Sky Blue Lucy Bright Green Lucy Raspberry Lucy Red Lucy Violet Meteor Blue Meteor Brown Meteor Grey Meteor Moss Meteor Mustard meteor Orange Meteor Purple meteor Sage Rainfall Gold rainfall Ivory Flower Mi Rainfall Teal An-Jing Flower Mi Cream color sheet with random splotches of pink, red, green and yellow created by crushing fresh flowers between newly formed sheets. Each sheet, each side is unique. No deckles. Yuemei CHINESE Decoratives Yuemei Chinese Bing-Ice & Hu-pi Mustard Seed Crushed ice is thrown on the freshly dyed sheet, leaving trails of color as it melts. Yuemei Chinese Ging Leaf & Silver Ying - Handmade sheets with flecks of metal leaf. Cream with Gold Blue with Silver Yuemei Chinese Prints - Machine-made sheets printed with Chinese designs. Yuemei Chinese Symphony - Double sided card stock. S1 silver-ying Light Blue / Navy S2 silver-Ying Pink / Cream S3 silver-ying Purple/Grey

Taiwan Chinese Machinemades Taiwan Pearlized - Solid color coated on one side with a pearlized finish. No deckles. Hibiscus Latte white Taiwan Ridge - Color sheets embossed with corrugated flutes. No deckles. Apple Green Lavender Pink Taiwan Shiny Reptile - High gloss, ruberized finish with snakeskin embossment. Black Red

China Size Gr/M2 1 25 100 500 An-Jing Chinese Handmades Glaze, Lucy, Rainfall 25½ x 26 20 1.80 1.62 1.50 1.35 Meteor Shower 26 x 51 20 3.90 3.51 3.26 2.93 Taiwan Ridge Flower Mi 23 x 36 35 9.00 8.10 7.52 Yuemei Chinese Decorativess Bing Ice Light Green 25 x 25 25 2.25 2.03 1.88 1.69 Ging Leaf Cream with Gold 25 x 25 25 2.25 2.03 1.88 1.69 hu-pi Mustard Seed Red 25 x 25 25 2.25 2.03 1.88 1.69 Decorative Prints 21 x 30 60 1.70 1.53 1.42 1.28 symphony Colors 24 x 24 72 4.50 Taiwan Chinese Machine-mades Pearlized 21½ x 30 50 2.60 2.34 2.17 1.95 ridge 21½ x 30 70 1.00 .90 .73 .67 shiny Reptile 21½ x 30 85 4.70 4.23 3.92 3.53 Taiwan Shiny Reptile

92 Paper is fragile ! No returns or exchanges are allowed. D E C O R A T I V E P A P E R S C h i n a

Yumei Chinese Woven & Texture Mats Woven or random fibers of paper, bamboo and ratan mounted on paper. price series A: Airy Weave Light Natural PW02 Airy Weave Natural PW03 Diamond Weave PW05 Fiber Blue 30175C Fiber Brown 30175B Fiber Natural 30175A Harvest Black 30359 Harvest Brown 30360 Harvest Gold 30358 Harvest Green 30356 Harvest Pale Green 30355 Harvest Red 30351 Tight Weave Light Green PW04 Tight Weave Natural PW01 price series B: Bamboo Black 52 Bamboo Light Brown 56 Bamboo Natural 54 Bamboo Red 55 Jute Light Green PW08 Open Weave GLC3007 price series C: Linen & Bamboo Dark Brown 201 Linen & Bamboo Green & Natural 2057 Textured Grass Beige 13 Textured Grass Black 12 Textured Grass Ivory with Gold 8 Textured Grass Natural 11 price series D Cross Weave Cream & Grey SK2085 Cross Weave Cream & White SK2089 Cross Weave Light Brown SK2126 Cross Weave Natural SK2078 Cross Weave White & Light Brown SK2092 herringbone Grey SK2086 Metallic Weave Blue & Gold GRA504 Metallic Weave Red & Gold GRA503 Metallic Weave Silver GRA505 Wheat Golden 967715 Wheat Light Olive 20 Wide Weave Natural Brown SK2081 Woven Cream 23 China Size Gr/M2 1 25 100 500 Yuemei Woven Mats Series A 18 x 24 60 6.00 5.40 5.01 4.50 Yuemei Woven Mats Series B 18 x 24 60 7.00 6.30 5.85 5.25 Yuemei Woven Mats Series C 18 x 24 60 9.00 8.10 7.52 6.75 Yuemei Woven Mats Series D 18 x 24 60 11.00 9.90 9.19 8.25

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Allegro Embossed Aztec Batik Solid

India Allegro Embossed - Handmade sheets with embossed design. White. No deckles. India Aztec Block Print - Handmade sheets with blockprinted design. No deckles. Gold Ink on Brown Wool Gold Ink on Cream

India Batik Solids - Handmade and hand dyed sheets. No deckles. Amethyst Camel Grey Jade Lime Magenta Papaya periwinkle violet India Batik Spirals - Solid color sheets printed from an original batiked pattern. Batik Spirals Aubregine Bright Green Terracotta India Bubbles Embossed - Handmade white sheets embossed and stained. Blue Multi-color Pink Yellow

India Crystallized Mica - Handmade creped sheets with small particles of sparkling mica. Black Celery Green Lavender Midnight Blue Natural White

India Cutwork - Handmade white sheets pierced with tiny holes to create decorative patterns. Brocade Daisy sunflower Bubbles Embossed India Dew Drop Handmade paper screen printed with a pattern of tiny, 3-dimensional, metallic "beads." No deckles. Teal Blue with Gold Dots White with Silver Dots India Dew Drop Swiss Dots - Pastel colors printed with white, 3-dimensional "beads." Brown Lavender Light Blue Light Green orange Pink red Turquoise Yellow

India Dots Embossed - Handmade sheets embossed with a ¼" dot pattern. Blue Light Blue Metallic Gold metallic Turquoise Red Yellow Cutwork Brocade India Size Gr/M2 1 25 100 500 Allegro 22 x 30 140 4.70 4.23 3.92 3.53 Aztec Block Print 22 x 30 140 2.60 2.34 2.17 Batik Solids 22 x 30 140 3.00 2.70 2.51 Batik Spirals 22 x 30 140 3.40 3.06 2.84 Bubbles Embossed 22 x 30 200 5.50 4.95 4.59 Crystallized Mica 22 x 30 200 4.00 3.60 3.34 3.00 Cutwork 22 x 30 200 4.60 4.14 3.84 3.45 Dew Drop 20 x 30 200 5.00 4.50 4.18 3.57 Dew Drop Swiss Dots 20 x 30 200 5.00 4.50 4.18 3.57 Dots Embossed 22 x 30 200 5.00 4.50 4.18 3.57 Cutwork Daisy

Cutwork Sunflower Dew Drop Dots Embossed

94 Paper is fragile ! No returns or exchanges are allowed. I n d i a D E C O R A T I V E P A P E R S

India Decorative Block Prints & Silksceens - Black Ink Colored papers hand printed with a wide range of patterns. India Size Gr/M2 1 25 100 500 Decorative Prints Series A Size varies from 19 x 27 to 22 x 30 140 4.75 4.27 3.97 3.57 Decorative Prints Series B Size varies from 19 x 27 to 22 x 30 140 5.75 5.18 4.81 4.32 Decorative Prints Series C Size varies from 19 x 27 to 22 x 30 140 6.25 5.63 5.23 4.70 Decorative Prints Series D Size varies from 19 x 27 to 22 x 30 140 7.50 6.75 6.26 5.63 Decorative Prints Series E Size varies from 19 x 27 to 22 x 30 140 8.50 7.65 7.10 6.38 Decorative Prints Series F Size varies from 19 x 27 to 22 x 30 140 9.40 8.46 7.85 7.05

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Embossed Asian Shell Embossed Crosshatch Embossed Egg Crate

Indian Embossed Handmades India Embossed - Asian Shell Antique Pewter Gold Orange Pearl Red Metal India Embossed - Crosshatch Brown Batik ochre India Embossed - Egg Crate Embossed Leaves Antique Pewter Gold Metallic Turquoise

India Embossed - Leaf Burgundy Butternut Copper Dark Green Frost Sage Midnight Blue Lime Orange Pearl Red Metallic Red Silver India Embossed - Styrofoam Blue Midnight Blue Gold Lime Pearl Red silver White

Embossed Styrofoam India Embossed - Tin Ceiling Gold Metallic Blue ochre Red Metal

India Embroidered Solid color, handmade sheets stiched with a "maze" pattern of similar color embroidery thread. Beige Light Blue Jade Moss Peach Terracotta India Embroidery Floral Vines Handmade, pale green flecked sheets with rose & pink flowers and pale green vining stems. Embroidered India Embroidery Tassels Light yellow, handmade sheets with multi-colored embroidery thread tassels. No deckles.

India Size Gr/M2 1 25 100 500 Embossed Foil Octagons 22 x 30 100 6.00 5.40 5.01 4.50 Embossed Foil Peacock 22 x 30 100 6.50 5.85 5.43 4.88 Embossed Jute 20 x 30 250 5.00 4.50 4.18 3.57

Embroidered 20 x 28 140 4.00 3.60 3.34 3.00 Embroidery Floral Vines 22 x 30 200 7.50 6.75 6.26 5.63 Embroidery Tassels tassels on Light Yellow 20 x 28 140 9.00 8.10 7.52 6.75

Embroidery Floral Vines

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Embossed Foil Octagon Embossed Foil Peacock Embossed Jute India Embossed Foils Wonderfully gaudy matte color sheets foil stamped and embossed with pattern. No Deckles. Octagons - Purple & Red octagons - Purple & Plum peacock - Brown & Burgundy Peacock - Lime & Blue peacock - Pink & Purple India Embossed Jute Black Brown ochre olive white

Gingham Embossed

Flocked Vines Flocked Ginko

India Flocked Gingko Leaves Floral Text Aster Printed ginko leaves in light green, violet & metallic gold with black flocked outlines.

India Flocked Vines - Machinemade sheets with a flocked design of vines and leaves. India Floral Text Handmade sheets of 100% cotton rag have floral and herbaceous inclusions. No deckles. Aster & Banana Blue aster petals in a crisp, natural tone sheet made of banana fiber. Aster on Black Blue aster petals in a black sheet made of cotton. Potpourri Tiny multi-color petals in a cream cotton sheet. India Gingham Embossed Floral Text Potpourri Handmade of 100% cotton with an embossed gingham print. No Deckles. Blue & White rainbow & White

India Hindu Momi Handmadeand hand creped. Coated with color stain that accentuates the texture. 4 Deckles. Blue Burgundy hunter Green purple Tangerine yellow

India Leatherite Krinkle Handmade and hand creped coated with a rich, tobacco stain. 4 Deckles.

India Size Gr/M2 1 25 100 500 Flocked Gingko Leaves 20 x 28 140 6.80 6.12 5.68 5.10 Flocked Vines 20 x 28 140 8.40 7.56 7.01 6.30 Floral Text 22 x 30 100 2.25 2.02 1.81 1.62 Gingham Embossed 22 x 30 185 6.50 5.85 5.43 4.88 Hindu Momi 22 x 30 185 6.00 5.40 5.01 4.50 Leatherite Krinkle 22 x 30 185 6.00 5.40 5.01 4.50 Lizard Skin 22 x 30 185 6.00 5.40 5.01 4.50

Hindu Momi & Leatherite

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India Lizard Skin Batik or marbled sheets embossed with a lizard pattern and coated with a rubbery, high gloss, water-resistant finish. No deckles. Blue Batik Clay Batik Green Solid Lime Batik Magenta Batik orange & White pink & White purple Solid Tangerine Batik

Lizard Skin

Laurelai Bubbles Laurelai Floral Laurelai Orbits

Laurelai Spokes Laurelai Vines Laurelai Wavy Lines India Laurelai Decoratives Fresh, contemporary designs by Lauren Perlman hand printed in India by Xylem on handmade sheets of 100% cotton rag. No deckles. Bubbles on Periwinkle Bubbles on Pink Bubbles on Cobalt Floral - Bone & Pink Floral - Lilac & Purple Floral - Pink & Orange Orbits - Brown Orbits - Lime Orbits - Seagreen spokes on Turquiose Spokes on Aqua spokes on Tangerine Vines on Brown Vines on Teal Vines on Olive Wavy Lines on Aqua Wavy Lines on Green Wavy Lines on Orange

India Marbles - Handmade sheets handmarbled with oil base, metallic inks. Black with Gold & Silver Blue with Gold & Silver white with Gold India Maple Leaf Laminated Two layers couched together. Pierced, maple leaf design reveals the solid color below. Algae on Green Butter on Green honey on Green mint on Green steel Blue on White India "Mars" Embossed - Handmade sheets embossed with a patchwork design. Blue Brown Green Maroon Metallic Green metallic Gold metallic Purple India Size Gr/M2 1 25 100 500 Laurelai Decoratives 19½ x 27½ 140 4.75 4.27 3.97 3.57 Marbles 22 x 30 185 2.80 2.52 2.34 2.10 Maple Leaf Laminated 22 x 30 185 3.50 3.15 2.92 2.63 Mars Embossed 22 x 30 200 4.25 3.83 3.56 Marble

Maple Leaf Laminated Mars Embossed

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India Metallic Antique Cover - Rough textured sheets with metallic stain. Corroded Copper Corroded Silver Golden Granite Green Moss India Metallic Batik - Decorated on both sides with irridescent batik pattern. Blue Copper mauve Yellow India Metallic Brushstroke Handmade paper decorated on both sides with metallic brushstrokes. Blue Burgundy

India Metallic Cover - Sheets coated on both sides with a pearlescent color. Blue Copper Green Gold Gun Metal Metallic Batik Magenta Pearl rust silver Turquoise India Metallic Krinkle Handmade sheets hand creped and coated on both sides with a pearlescent stain. Gold Green Pearl Silver India Metallic Stripes Painted on one side with alternating and blending brushstrokes of two metallic colors. Gold & Silver on Black red & Orange red & Purple on Black Teal & Purple

Metallic Stripe

Nature's Impressions Indian Handmades Leaves are laid on newly formed handmade sheets and then pressed to transfer the chlorophyl. Each piece is unique. Indian Nature's Impressions Text Weight Large Green Leaf on White Text mixed Leaf on Khaki Text Mixed Leaf on White Text Mulberry Leaf on White Text Neem Leaf on White Text Indian Nature's Impressions Cover Weight Large Leaf on White Cover Leaf Stalks On White Cover Mixed Leaf on Celedon Cover Mixed Leaf on Clay Cover Mixed Leaf on Khaki Cover mixed Leaf on White Cover neem Leaf on White Cover India Size Gr/M2 1 25 100 500 Metallic Antique Cover 22 x 30 200 5.00 4.50 4.18 Metallic Batik 22 x 30 150 3.95 3.56 3.31 Metallic Brushstroke 22 x 30 150 4.80 4.28 3.97 3.57 Metallic Cover 22 x 30 200 4.80 4.28 3.97 3.57 Metallic Krinkle 22 x 30 200 4.80 4.28 3.97 3.57 Metallic Stripes 22 x 30 150 6.10 5.49 5.09 4.58 Multi-colored Pulp Marble 22 x 30 200 3.50 3.15 Nature's Impressions Text Weights 22 x 30 100 3.25 2.93 2.72 2.45 Nature's Impressions Cover Weights 22 x 30 200 4.50 4.05 3.76 3.38

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Plastic Paper Plastic Paper is made of 100% discarded plastic bags that have been fused together into specific patterns and color schemes.W hile not actual paper, they do have many paper-like applications. Plastic Paper can be glued, die cut, painted on and sewn. Acid free and waterproof! India Size Gr/M2 1 25 100 Plastic Paper 24 x 27 90 7.50 6.75 6.26

SAakaar Indian Thread Spray & Web Spray Threads are arranged on handmade sheets and then sprayed with dye, resulting in "ghost prints" of the threads. Thread Spray sheets have a linear design while Web Spray are multi-directional. Thread Spray Blue Thread Spray Red Web Spray Coral & Yellow Web Spray Rust & Green

India Size Gr/M2 1 25 Saakaar Thread & Web Spray 19¾ x 27½ 200 3.75 3.38

Saakaar Web Spray SAakaar Indian Handmade Marbles Handmade sheets of 100% cotton rag are hand marbled using oil based inks and metallic pow- ders. No deckles. 02 pink & Green 06 orange & Red 16 Blue & Green Gunny 19 Blue, Violet & Silver 20 Green & Silver 23 violet & Silver

India Size Gr/M2 1 Saakaar Marbles 19¾ x 27½ 150 2.75

Saakaar Marble

Sanganer indiaN handmades Handmade in the Sanganeer region of India. Neutral pH. 4 deckles. Indian Sanganer Garden 100% cotton with orange flower petals and green grass.W hite Apricot & Yellow

India Size Gr/M2 1 25 100 500 Garden Apricot, Yellow 18 x 24 100 1.25 1.12 1.00 .75 Garden Apricot, White, Yellow 22 x 30 200 2.00 1.80 1.62 1.44

Sanganeer Garden

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Seventies "Mod" Indian Silkscreens Handmade sheets of cotton rag with silkscreened patterns. No deckles. Big Bloom Green Big Bloom Purple earth Flower Natural earth Flower Rust Paisley Lime Paisley Pink Paisley Rust Swirl Cream Swirl Natural

India Size Gr/M2 1 25 100 500 Seventies "Mod" Silkscreens 22 x 30 200 4.25 3.83 3.56 3.20 70's Swirl

70's Big Bloom 70's Earth Flower Starburst India Starburst Print Handmade, solid color sheets printed with an overall pattern of 3" starbursts. - Aqua Ink on Aqua. India Tribal Elipse Lace-like layer of decorative paper couched together with a solid base sheet. The sheets are then coated with a layer of translucent irridescent glaze - giving them a subtle sheen. Copper Honey sage

India Velour Damask Hand-made sheets flocked in a rich,V ictorian brocade pattern. Tribal Elipse Black Burgundy Chocolate

India Velour Decoratives Flocked designs of geometric patterns on solid color sheets. Wild and psychedelic! India Vine Blockprints Spiral vine motif on solid or batiked color handmade sheets. Silver Ink on Blue Batik Silver Ink on Pink Batik

India Size Gr/M2 1 25 100 Starburst Print 22 x 30 185 3.50 3.15 2.92 Tribal Elipse 20 x 30 140 3.50 3.15 2.92 Velour Damask 22 x 30 100 6.60 5.94 5.51 Velour Decoratives 22 x 30 140 3.00 2.70 2.43 Vine Blockprints 22 x 30 200 3.50 3.15

Velour Damask

Velour Decorative Velour Decorative Vine

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Ajisai Akaunryushi Bachelor's Buttons Japan Ajisai Machinemade of rayon and sulphite pulp. Solid toned background with a subtle, over-all pattern of tiny, shimmering multi-colored threads. No deckles. Bright Green Chai Gold Mauve Pink Sapphire Seafoam Sapphire Blue

Japan Akaunryushi Handmade of 100% kozo. Natural with dark inclusions of kozo bark and long swirls of fibers.

Bamboo Leaves Japan Asagiri - Echizen Washi M9 - White with white lines and iridescent flecks.

Japan Asairi - Machinemade. Natural with multi-colored threads.

Japan Asamashi - Machine-made. Natural flecked with straw. Japan Bachelor's Buttons Machine-made from kozo, rayon and sulphite. Shiny rayon fibers on a solid background. Lavender Mint Green Pale Yellow White

Japan Bamboo Leaves - Echizen Washi M5524 Cobweb White, cutwork design of bamboo leaves on one side, solid color on the back - allowing the color to show through. M5524B Brown leaf pattern M5524G Green leaf pattern

Japan Benibana - Echizen Washi M8 - White with tiny bits of flowers.

Japan Chirimen Crepe - Brilliant purple screen printed onto creped, fabric-like sheets. Japan Chiri Lightly Speckled & Heavily Speckled Handmade of kozo and sulphite. Neutral pH. Tan, flecked with fibers and dark brown flakes.

Japan Cobweb - Machinemade. Translucent skin with warp and weft threads. Cork 5 Grey 40 Rose 49 Light Brown 56 Moss Green

Japan Cork - Natural cork laminated to brown kraft paper. Machine-made. Japan Crepe - White machine-made embossed with a fine crepe texture. Japan Danshi - White handmade. hand - creped with a strong linear pattern.

Japan Double Fan Pearlized - Machinemade with a pattern of white pearlized ink. Ivory Grey Kon Blue Grey mint Pink red white Yellow Double Fan Japan Eboshi Metallics - Machine-made. Metallic sheets embossed with a rough texture. Blue Copper Green Pink Purple

Japan Edo Kosome Solid color sheets with a tiny pattern of starbursts. No deckles. Aqua Blue Green Grey Yellow

Japan Fantasy Fern & Gold Japan Fantasy Maple Leaves & Fern Edo Kosome Translucent layers of handmade white lace with inclusions and flecks of gold and silver.

102 Paper is fragile ! No returns or exchanges are allowed. J a p a n D E C O R A T I V E P A P E R S

Japan Size Gr/M2 1 25 100 500 Ajisai 21 x 31 100 4.60 4.14 3.84 3.45 Akaunryushi 24¾ x 38½ 50 19.20 17.28 16.03 Asagiri - Echizen Washi M9 21 x 31 100 3.55 3.20 2.97 2.67 Asairi 25 x 37 90 8.68 7.81 7.25 6.51 Asamashi 21 x 31 90 2.25 - last of stock Bachelor's Buttons 21½ x 31 90 5.20 4.68 4.34 3.90 Bamboo Leaves - M5524 21 x 31 85 2.80 2.52 2.34 2.10 Benibana - Echizen Washi M8 21 x 31 100 3.55 3.20 2.97 2.67 Chiri Lightly Speckled 23 x 35½ 36 6.50 5.85 5.43 4.88 Chiri Heavily Speckled 25 x 38 36 6.50 5.85 5.43 4.88 Chirimen Crepe 14½ x 22 90 8.05 7.24 6.72 6.03 Cobweb 21½ x 31½ 40 7.90 7.08 Cork 25½ x 37 150 37.00 33.30 30.90 27.75 Crepe White 25½ x 31" 70 3.90 3.51 3.26 2.93 Danshi 17 x 22 70 4.00 3.60 3.34 3.00 Double Fan Pearlized 21 x 31 30 3.80 3.42 3.17 2.85 Eboshi Metallics 31 x 43 80 3.00 2.70 Edo Kosome 21 x 31 81 2.50 2.25 2.09 1.88 Fantasy Maple Leaves & Ferns 24 x 36 30 10.00 - Last of stock Fantasy Maple Leaf

Festival 45 Festival 43 Festival 39

Festival 35 Festival 40 Festival 38

Festival 42 Festival 36 Festival 37

Japan Festival Celebration Silk Screen Prints Modern takes of calligraphy and images associated with celebrations on machinemade paper Black & red on white paper, unless noted below. 35 Celebrate- Present 36 pink Hearts (outlined in black) 37 kotobuki Linear 38 kotobuki Graphic 39 "All Heart" 40 Bunnies 41 pink Blossoms on White 42 doves in Blue & Red 43 neko (Cat) 44 kotobuki in Gold on Red 45 koi Fish Japan Size Gr/M2 1 25 100 500 Festival Celebration Screen Prints 25 x 38 35 8.00 7.20 6.68 6.00

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Foil Isago Confetti Foil Isago Checkerboard Foil Isago Spatter

Japan Foil Isago - Handmade sheets screenprinted with multicolor foil.

Japan Gampi Unryu-shi - Machinemade. Natural with inclusions of gampi bark. Japan Gira-Koshido Solid background with traditional latice design made of the same color of shiny, rayon fibers. M5547 Fire Orange M5548 Burgundy M5549 Green Japan Gira Nagashi - Echizen Washi M23 & M24 Gampi Unryushi Shiny moire pattern on flat background of same color. W hite or Yellow Japan Gira-Ume - Echizen Washi M32 - White shiny floral pattern onW hite. Japan Grain Delicate and unusual woodgrain pattern hand-printed from the actual grain of a block of wood onto handmade, 100% kozo paper. Brown or Indigo. 4 Deckles. Japan Hagakuri Brown Machinemade from sulphite and rayon. Light olive green background is covered with subtle leaf pattern made of shimmery light brown rayon fibers. No deckles. Gira Koshido Japan Hakusen Decorative Tissues Machinemade of sulphite & rayon. Translucent with white on white printed patterns. No deckles. 2 Waves 4 Chyogami Dots 6 Clouds 7 Floral Mosaic 8 Grass 10 Chrysanthemum 11 Cranes 12 Linen Weave

Japan Hana Gatami - Echizen Washi M3-5 Solid colors with silver flexks and white and black threads. M3 Green M4 Navy M5 Brick Red

Hakusen 8 Hakusen 2

Grain Hakusen 11 Hakusen 6

104 Paper is fragile ! No returns or exchanges are allowed. J a p a n D E C O R A T I V E P A P E R S

Haruki Hogodaiyou Hogodaiyou Japan Haruki Unryu Mould-made of 100% kozo. White with bold swirls of kozo fibers. 4 Deckles. Japan Hogodaiyou Japanese Calligraphy Prints Machinemade of kozo and sulphite pulp. Printed with Japanese calligrapy. No deckles. HD 1 - Book Pages Black on Natural hd2 - Ghost Print Black on Natural HD3 - Outlined Pages Black on Natural hd4 - Black Calligraphy on Red HD5 - Black Calligraphy on Teal HD6 - Bold Hand Black on Natural HD7 - Chops Black on Natural Hogodaiyou Japan Ichimatsu - Machine-made, rayon and sulphite. Checkerboard pattern. White, Japan Indigo Splatter Handmade and hand-dyed by Mr. Futoshi Umedo, National Living Treasure. 100% kozo with genuine indigo splatters. Neutral pH. 4 Deckles Japan Itajimi-shi Handmade 100% kozo paper folded and tie-dyed in various colors. Swatchbook available. Japan Ito-Iri Machine-made of sulphite. Thin white sheets embossed linear pattern. No deckles. White Ripple White Stripe

Japan Karakusa Machinemade of kozo and sulphite. Solid with tendril pattern of shiny white rayon fibers. Cream Green purple white Japan Kasugami Handmade of kozo, hemp &sulphite. Neutral pH. Color with mulberry bark chips. 4 deckles. Emerald indigo Jade Lemon Pale Peach sand Itajimi-shi Japan Size Gr/M2 1 25 100 500 Foil Isago confetti 25 x 38 50 7.00 6.30 checkerboard & Spatter 25 x 38 50 10.00 9.00 Gampi Unryu-shi #1 Light Speckle 24.8 x 37 90 10.30 9.26 8.59 #2 Medium Inclusions 24.8 x 37 90 18.20 16.34 15.16 #3 Bold Inclusions 24.8 x 37 90 16.40 14.72 13.66 Gira-Koshido 21 x 31 85 3.50 3.15 2.92 2.63 Gira Nagashi 21 x 31 100 3.55 3.20 2.97 2.67 Gira-Ume 21 x 31 80 2.80 2.52 2.34 2.10 Karakusa Grain Brown or Indigo 25 x 38 70 19.00 17.10 15.87 14.25 Hagakuri Brown 25 x 37 50 6.50 5.88 5.43 4.88 Hakusen Decorative Tissues 21 x 30½ 25 3.00 2.70 2.51 2.25 Hana Gatami 21 x 31 85 4.00 3.60 3.34 3.00 Haruki Unryu 25 x 38 73 9.90 8.91 8.27 7.43 Hogodaiyou 23½ x 37½ 20 8.50 7.65 7.10 6.38 Ichimatsu 25 x 37½ 18 1.15 1.01 .94 .84 Indigo Splatter 25 x 38 75 25.00 22.50 Itajimi-shi 25½ x 38 75 11.00 9.90 Ito-Iri 25 x 37 25 6.50 5.85 5.43 4.88 Karakusa 21 x 31 90 2.95 2.66 2.47 2.22 Kasugami 25 x 38 32 5.75 5.17 4.79 4.31 Kasugami

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Japan Katazome Hand Katazome stencil-dyed papers using a starch-resist method. Katazome began in 15th century Japan. With modern printing techniques replacing this time consuming method, these sheets that are completely made by hand are exceedingly rare. Japan Size Gr/M2 1 25 100 500 Katazome 25 x 38 50 19.00 17.10 15.87 14.25

106 Paper is fragile ! No returns or exchanges are allowed. J a p a n D E C O R A T I V E P A P E R S

Kichi Prints Kichi Prints

Japan Kasuri - Handmade of 100% kozo. 2 Deckles. Light tan with tan fibers. Japan Kawairi Rakushi Mouldmade. Pierced lace paper made by forcing water through the newly formed sheet of paper. Deep natural with dark threads and flecks of kozo bark. Random pattern. 2 Deckles.

Japan Kichi Decorative Prints - Modern Japanese decorative prints. Japan Kimono - Solid background with traditional, geometric fabric designs M5518 Black with white, staggered stripes. M5521 Blue with white checked pattern. Kawairi Rakushi

Japan Kingin Furi - Flecked with Gold and Silver and white threads. M20 White M21 Cream M22 Tan

Japan Kinkami - Handmade white paper hand-painted black with silver flecks. 4 deckles. Japan Kinwashi also see Rolls Machinemade from 100% manila hemp. No deckles. White and Cream with fine, straw-like fibers.

Japan Koshiji - Solid color with white and colored fibers. M6 Grey M92 Burgundy M96 Navy Kimono M5518

Japan Kozo with Black Bark - Handmade. Natural with black bark inclusions. 4 deckles. Japan Kyosei-shi Hand-formed and dyed crepe papers of kozo and sulphite. 4 deckles.: 001 Rose Violet 04 Plum 05 Crimson 08 Coral 09 Rust 10 Dark Brown 11 Mustard 14 Bark 15 Light Green 18 26 dark Green 27 silver Fern 29 Jade 30 sapphire 31 indigo 32 Light Blue 34 Clear Blue 42 purple 45 mauve Rose 49 eggplant 50 Tangerine 52 Yellow 54 yellow Orange 73 Bayleaf 85 Blue Smoke 92 93 Lavender 98 Peach 102 Wood Rose 105 Salmon Kimono M5521 108 Yellow orange 109 Black 200 white 203 Natural 205 Red

Japan Kyoto - Solid background with large multicolored flecks. M25 Grey/White & Pale Blue M26 Beige/White & Pale Orange M27 pale Green/Yellow &Grey M28 Grey/White & Charcoal M30 Black/Black & Warm Grey

Japan Size Gr/M2 1 25 100 500 Kasuri 24½ x 36½ 108 10.00 9.00 8.35 7.50 Kawairi Rakushi M0521 24 x 39 20 11.00 9.90 9.19 8.25 Kinwashi Kichi Decorative Prints stripe Red & Black 24½ x 36¾ 75 4.50 4.05 - last of stock all Other Kichi 21 x 31 75 4.50 4.05 - last of stock Kimono - Echizen Washi 21 x 31 85 2.25 2.02 1.87 1.68 Kingin Furi 21 x 31 85 2.50 2.25 2.09 1.88 Kinkami 19 x 26¾ 125 6.00 5.40 4.86 Kinwashi also see Rolls 24 x 36 30 5.00 4.50 4.18 3.75 Koshiji - Echizen Washi 21 x 31 165 5.95 5.36 4.98 4.47 Kozo with Black Bark 25 x 38 55 10.00 9.00 8.10 Kyosei-shi 25 x 37 45 11.00 9.90 9.19 8.25 Kyoto - Echizen Washi 25 x 37 100 8.95 8.05 7.47 6.71 Kyoto

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Lace Sazanami Lace Amine Lace Sudare Japan Lace Machinemades Machinemade of rayon, sulphite and kozo. White sheets with pierced designs Amime - Grid Pattern Mizutama - Raindrop Pattern Sasameyuki - Sprinkle Sazanami - Wave Pattern Sudare - Striped Pattern Ukigumo - Strings Uminami - Arches Japan Lace Paper Handmades Japan Lace Paper Maple Leaves Handmade Handmade from kozo and sulphite. A pattern is created by subjecting the newly formed wet sheet Lace 55 to a jet stream of water. Neutral pH. White. 55 Checkerboard 59 Fans Maple Leaves Japan Lacquer Textures Machine-made. Gloss coated and embossed to resemble Japanese lacquer patterns (urushi.) Brown Crackled Leather Black Woodgrain Japan Lacquered Yuzen. Glossy embossed image in cinnabar red on matte black that simulate Japanese lacquer. Basket Weave Camellia Dragon Fly Hydrangea Konami Wave sakura Cherry Blossom seikaiha Fans Lace 59

Lace Maple Leaves Lacquered Yuzen Sakura Lacquered Yuzen Camelliai Japan Leather Flecked Tissue Machine-made from synthetic fibers, sulphite pulp and colored leather shavings: Dark Blue Pink

Japan Linen Card - Machine-made with embossed linear fabric texture.: Aqua Black Cha (Tea) Chili Chocolate Curry Ivory Moss Periwinkle Pewter red rose Sea Blue Sea Green Turquiose Lacquered Yuzen Konami

Lacquer Texture Leather Leather Flecked Tissue Linen Card

108 Paper is fragile ! No returns or exchanges are allowed. J a p a n D E C O R A T I V E P A P E R S

Japan Manila-shi Machinemade from manila hemp and sulphite. Natural background with darker fibers. Blue Lemon Olive raspberry Japan Metallic Katsura Machinemade. Coated one side with foil and embossed with a random wrinkled texture. Pewter Red Gold Silver Yellow Gold Japan Metallic Kikkou - Metallic foil with a honeycomb pattern. Gold Silver Taupe Manila-shi Japan Metallic Midare - Metallic foil with fine membrane of fibers. Antique Gold Brass Copper Gold Silver Taupe Japan Mica Embossed, shale-like pattern on solid color, cover-weight sheets. Ash Grey Charcoal Clay Red Grey Shale Slate Tan

Japan Mizutama Lace Metallic Katsura Machinemade from sulphite and kozo. Thin, translucent sheets with a random pattern created by throwing drops of water on the newly made sheets. No deckles. Lavender Light Blue Mandarin Orange sage Tan White Japan Mokume Wood Handmade of kozo and sulphite. Neutral pH. Watermarked with a wood grain pattern. White. Japan Momigami Machinemade 100% sulphite. White sheets with color on one side embossed with a crepe texture. No deckles. Metallic Kikkou Light Green purple rust Teal Blue yellow

Japan Momi with Mica Flakes Handmade from 90% sulphite and 10% manila hemp. Coated with mica particles and hand- creped to a soft, fabric-like finish. Gold Cream Pearl pale Silver Pearl Silver Japan Size Gr/M2 1 25 100 500 Lace Machinemades 21½ x 31½ 17 2.20 1.98 1.84 1.65 Lace Handmades 55 & 59 24 x 36 10 5.00 - last of stock Lace Paper Maple Leaves 24 x 35 10 8.80 7.92 7.35 6.60 Lacquer Textures 21½ x 31 60 9.60 8.64 8.02 7.20 Metallic Midare Lacquered Yuzen 24 x 36 100 22.00 19.80 18.37 16.50 Leather Flecked Tissue 21½ x 31 28 2.20 1.95 1.81 1.62 Linen Cover 21½ x 31 250 6.00 5.40 5.01 4.50 Manila-shi Olive 23½ x 30¼ 30 6.90 6.21 5.76 5.18 Metallics All 31 x 43 90 20.00 18.00 16.70 15.00 Mica 21 x 31 200 5.30 4.77 4.43 3.98 Mizutama Lace 21½ x 30½ 25 2.25 2.02 1.87 1.68 Mokume Wood 24 x 36 20 10.00 9.00 8.35 7.50 Momigami Machinemade 21 x 31 45 1.50 1.35 Momi with Mica Flakes 24 x 36 45 24.00 21.60 20.04

Mokume Wood Mizutama Lace

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Morishita Morishita

Japan Morishita Tissues - Machinemade from sulphite and rayon. Gauze-like tissues. Japan Moyoushi - Machinemade. Color with blotches of darker fibers. Blue deep Blue plum Purple Red Japan Natsume 4007 Handmade of 80% kozo & 20% sulphite. Neutral pH. White with swirls of short fibers. 4 deckles.

Japan Nowaki M70 - White with assorted, random strips of pastel colored papers. Ogura Lace (on black) Japan Obonai Feather - Shiny rayon fibers on translucent color sheets. Blue Bright Orange Grey indigo purple Sand Turquoise White

Japan Ogura Lace - Machine-made of Manila hemp. The fibers form a loose, open mesh. Brown Lavender Light Green moss Green natural. Navy Blue pink Red Sky Blue wine

Japan Ribbed Abaca & Ribbed Kozo Handmade of abaca or kozo. Translucent white sheets formed over ribs of natural kozo. Ribbed Abaca Japan Ring Lace Handmade from kozo and sulphite. Two separate sheets with pierced, ring pattern are couched together during the papermaking process. 4 Deckles.

Japan Riviere - Machine-made. Solid color with a pattern of shiny rayon fibers. Carnelian Olive pearl sand

Japan Saiko - Machine-made. Solid colors with shiny, fine rayon fibers. M10 Green M12 Red/Orange M13 Blue M38 Burgundy M39 White Riviere Japan Sanwa Tissues - Machinemade of rayon. Extremely fine tissue. C401 white Fibers on White 847-7 white Fibers with Gold & Silver Flecks Japan Shadow Stripes Machine-made from 100% sulphite. Translucent bands of watermarked stripes. No deckles. Dark Blue Black Light Blue Olive Red White Yellow

Saiko

Ring Lace (on black) Shadow Stripe

110 Paper is fragile ! No returns or exchanges are allowed. J a p a n D E C O R A T I V E P A P E R S

Japan Shiburi Tie-dyed and creped pattern papers in rich colors on white, handmade 100% kozo paper. Japan Shimizu Laminated Tissue weight white unryu laminated to Gold (Kin) or Silver (Gin) foil papers machine-made from sulphite and aluminum. No deckles.

Japan Shin-Momi - Crinkle-textured crepe papers. - M1 White M2 Red

Japan Size Gr/M2 1 25 100 500 Morishita Tissues 21½ x 31 20 3.50 3.15 2.92 Moyoushi M0241 24½ x 37 80 7.90 7.08 6.57 Natsume 4007 24 x 36 75 10.00 9.00 8.32 Nowaki M70 21 x 31 85 3.55 3.20 2.97 2.67 Obonai Feather 21 x 31 30 4.00 3.60 3.34 3.00 Ogura Lace 21 x 31 27 4.10 3.69 3.42 3.08 Ribbed Abaca 26 x 38 100 20.00 Ribbed Kozo 26 x 38 100 19.00 Ring Lace 28 x 28 90 10.00 9.00 8.35 7.50 Riviere 18 x 25 100 5.00 - Last of stock Saiko 21 x 31 85 3.00 2.70 2.51 2.25 Saiun 21 x 31 85 2.10 - Last of stock Sanwa Tissues 24 x 37 18 1.20 1.08 1.00 0.90 Shadow Stripes 25 x 37 40 3.50 3.15 2.92 2.63 Shiburi 25 x 38 90 10.20 9.18 8.52 7.65 Shimizu Laminated 25 x 37 185 9.00 8.10 7.52 6.75 Shin-Momi M1 - M2 21 x 31 105 3.00 2.70 2.51 2.25 Shiburi

Japan Tairei Machine-made from kozo and sulphite pulp interspersed with colored rayon fibers. No deckles. Japan Size Gr/M2 1 25 100 500 Black with Gold Threads 99 21 x 31 75 4.00 3.60 3.34 3.00 Black with Silver Threads100 21 x 31 75 4.00 3.60 3.34 3.00 Buff with White Fibers 25 x 37 90 3.50 3.15 2.92 2.63 Cream with Multi-colored Confetti 53 25 x 37 90 3.85 3.47 3.22 2.89 Grey with White Fibers 21 x 31 90 2.00 1.80 1.67 1.50 Lavender with White Fibers 18 25 x 37 90 2.70 2.43 2.25 2.02 Pink with White Fibers 22 25 x 37 90 2.70 2.43 2.25 2.02 Powder Blue with White Fibers 25 x 37 90 3.50 3.15 2.92 2.63 Red with White Threads 1076 21 x 31 90 3.50 3.15 2.92 2.63 White with Gold and Silver Threads 54 25 x 37 90 3.85 3.47 3.22 2.89 White with Multi-colored Confetti 52 25 x 37 90 3.85 3.47 3.22 2.89 White with Silver Fibers 25 25 x 37 90 2.70 2.43 2.25 2.02 White with Silver Flecks 51 25 x 37 90 2.70 2.43 2.25 2.02 White with White Fibers 21 x 31 90 2.00 1.80 1.67 1.50 White with White Fibers, 2-sided, Heavyweight 44 25 x 37 150 7.77 7.00 6.49 5.83

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Japan Takachiho Machine-made from sulphite. Silky white fibers on white. No deckles. Japan Tamashiki Machine-made from 100% sulphite. Solid color sheets with a polka-dot pattern. Blue-Green Green red-Orange violet white Japan Tanabata Machine-made. Solid colors with long, white threads, sprinkled with gold and silver. Tamashiki Black Hunter Green pink purple Red Royal Blue white

Japan Unka - Machine-made. Solid color with silver threads. Blue Burgundy Green Japan Unryu Handmade from kozo and sulphite pulp. Neutral pH. "Unryu" translates as "dragon paper" which refers to the long, cloud-like swirls that dragons are said to emerge from. White with long, silky fibers. 4 deckles.W hite. Tanabata Japan Unryu Rainbow Machinemade of 100% kozo.Tissue-weight with swirls of long kozo fibers. Each sheet is dyed with multiple colors that meet and blend into each other. 1 Blue - Yellow - Orange 2 Green - Blue - Violet 3 violet - Blue - Magenta 4 red - Yellow - Orange 5 orange - Pink - Yellow - Green Japan Unryu Machine-made Gold & Silver Handmade of kozo. Neutral pH. Tissue with fibers and flecks of gold and silver. 4 deckles.W hite. Japan Unryu Inaba Thin Machinemade of 100% kozo. White with swirls of long white kozo fibers. Japan Unryu Natural Mouldmade of 100% kozo. Natural with swirls of long natural kozo fibers. 4 Deckles. Japan Unryushi Benibana Machinemade of 100% gampi. Sheer, translucent pastel color sheets embedded with small, red saffron flowers and kozo threads. No deckles. Lavender Light Blue Pale Green

Japan Unryu T Handmade from kozo and manilla hemp. Neutral pH. Multicolored kozo fibers. 4 deckles. T 1 pink T14 Lavender T15 Purple

Japan Urban Metal Machinemade from 100% sulphite. Gravure printed in two colors. Subtle clouds of color have the look of patinated metals: Black / Silver Gold / Black Gold / Grey Gold / Olive Gold / Purple Gold / Yellow Japan Size Gr/M2 1 25 100 500 Takachiho 31 x 43 183 7.70 6.93 6.40 5.75 Tamashiki 31 x 47 105 5.50 4.95 4.59 4.13 Tanabata 21 x 31 80 4.65 4.17 3.87 3.48 Unka 21 x 31 80 3.30 - Last of stock Unryu 24 x 36 32 3.00 2.70 2.51 2.25 Unryu Rainbow 25 x 38 25 3.00- Last of stock Unryu with Gold & Silver 24 x 36 10 2.50 2.25 2.09 1.88 Unryu Inaba Thin 25 x 38 30 4.10 3.69 3.42 3.08 Unryu Natural 25 x 38 42 9.90 8.91 8.27 7.43 Unryushi Benibana 24¾ x 37 10 9.40 8.46 7.85 7.05 Unryu T 25 x 38 40 7.50 - Last of sto Urban Metal 31 x 44 110 9.30 8.37 7.77 6.98 Unryu Benibana

112 Paper is fragile ! No returns or exchanges are allowed. J a p a n D E C O R A T I V E P A P E R S

Wood Grain Japan Waffleweave Machinemade by Mokuba of sulphite, and polypropylene. Translucent sheets are embossed with a waffle pattern. No deckles. 3 Black 11 Natural

Japan Wood Embossed Mokume Machinemade of sulphite. Off-white, embossed with a wood grain. No deckles.

Japan Wood Grain Kiri-ita Waffleweave Printed and embossed to resemble paloma palm veneer. Light tan. No deckles. Japan Wood Grain Paper Printed and embossed papers in a variety of colors and styles that simulate traditional Japanese woods. No deckles. Japan Wood Veneer Double-Sided Thin strips of paloma palm wood are hand cut and laminated together. The process of making these traditional papers is now a lost art. The sheets have a subtle shimmer. Natural. No deckles. Japan Woven Grass Wood Grain Machine-woven of hemp, rope, straw and bamboo laminated to paper. Basho (Herringbone) natural fibers in a herringbone weave. Cagome (Bamboo) Fibers in an open mesh weave. Darkweave Fabric texture in a natural tone. Lightweave Fabric texture in pale, natural tones. Whiteweave Fabric texture in off-white tones.

Japan Size Gr/M2 1 25 100 500 Waffleweave 21½ x 31½ 45 8.95 - Last of stock Woven Grass Darkweave Wood Embossed Mokume 31 x 43 85 6.00 5.40 5.01 4.50 Wood Grain Kiri-ita 25 x 37 140 7.50 6.75 6.26 5.63 Wood Grain Paper 31½ x 39¾ 140 8.50 7.65 7.10 6.38 Wood Veneer Double Sided 22 x 30 150 22.00 - Last of stock

Woven Grass Basho (Herringbone) 25½ x 37½ 80 24.80 22.32 20.71 18.60 cagome (Bamboo) 25½ x 37½ 80 21.00 18.90 17.54 15.75 Darkweave, Lightweave 25½ x 37½ 80 29.00 26.10 24.22 21.75 Whiteweave 25½ x 37½ 80 29.00 26.10 24.22 21.75

Woven Grass Basho Woven Grass Cagome

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Japanese Yuzen DEcorative Prints Screen printed papers based on traditional katazome stencil-dyed patterns. Japan Size Gr/M2 1 25 100 500 Yuzen Series JY 25 x 38 50 35.00 31.50 29.23 26.25 Yuzen All Others 25 x 38 50 18.00 16.20 15.03 13.50

Korea Hanja Script Korea Pictograph Korea Hangul Ancient Text Korea Korea Lace - Handmade sheets with pierced designs. Stripe Black Stripe White Tiles White

Korea Screenprints Handmade sheets screenprinted with ancient Chinese texts in Korean characters. Hangul Ancient Text - Black on White Hanja Script - Black on Grey Hanja Script - Black on Mustard Hanja Script - Black on Olive Korea Lace Linear (on black) Hanja Script - Gold on Red Hanja Script - Gold on Violet Hanja Script - Silver on Blue Pictograph - Black on Natural

Korea Size Gr/M2 1 25 100 500 Hanji Lace 25 x 37 40 13.00 - Last of stock

Screenprints hangul Text & Pictograph 25 x 37 40 8.30 7.47 6.93 6.23 hanja Script 25 x 37 40 12.50 11.25 10.44 9.38

Korea Lace Tiles (on black)

114 Paper is fragile ! No returns or exchanges are allowed. N e p a l D E C O R A T I V E P A P E R S

Nepal Bamboo Nepal Batik Bubbles Nepal Batik Dots Nepal Batik Flower Nepal Nepal Bamboo Silkscreen Green nutmeg orange Red Turquoise yellow Nepal Banana Bark - Swirls of natural or dyed banana fiber on natural lokta sheets. Natural Blackberry Raspberry Nepal Batik Prints - Patterned and dyed using traditional batik processes. Batik Bubbles Orange on Red pink on Chocolate Batik Dots White on Red Nepal Batik Geometric Batik Flowers Magenta on Green pink on Purple red on Pink Batik Geometric Violet & Sea Green magenta & Orange Batik Moons & Stars Blue Batik Suns Yellow Batik Plaid Blue & Purple red & Orange Batik Marble Black & Red Green & Blue orange & Red

Nepal Bodhi Leaves Silkscreen - Color sheets with metallic gold bodhi leaves. Blue Green Purple red Nepal Branches Grey with White Nepal Batik Marble Nepal Batik Plaid Nepal Bubbles Lama-Li - S heets painted with brilliant colors in a bold graphic design. Black & Brown Black & Pink Black & Grey Green pink primary Colors Nepal Butterflies- Blue & Gold on Light Green pink & Gold on Dark Blue Nepal Cheetah Black on Brown Nepal Cloud Printed Lama-Li Black dark Blue eggplant Forest Green key Lime Light Blue peony sage seabright Sunflower

2 Nepal Size Gr/M 1 25 100 500 Nepal Batik Suns Bhodi Leaf Bamboo Silkscreen 20 x 30 40 5.20 4.68 4.34 3.90 Banana Bark 21 x 32 85 5.18 4.66 4.33 Batiks 20 x 30 40 4.50 4.05 3.76 3.38 Bodhi Leaves Silkscreen 20 x 30 40 4.80 4.32 4.01 3.60 Branches 20 x 30 40 4.50 4.05 3.76 3.38 Brushstroke Silver 20 x 30 40 4.75 4.28 3.97 3.56 Bubbles Lama-Li 20 x 30 68 8.00 7.20 last of stock Butterflies 20 x 30 40 4.25 3.83 3.56 3.20 Calavera 20 x 30 65 5.40 4.86 4.51 4.05 Cheetah 20 x 30 40 4.50 4.05 3.76 3.38 Cloud Printed Lama-Li 20 x 30 65 5.20 4.68 4.34 3.90 Nepal Batik Moon & Stars

Clouds Lama-Li Cheetah Butterfly Branches

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Deco Lama-Li Electric Zig Zag Fandango Nepal Deco Silkscreen Lama-Li Black on Tan Black on White Green on Sage red on Tan

Nepal Electric ZigZag Lama-Li Dark Bark Lime Green orange perrier Green raspberry True Blue Turquoise ultramarine violet

Nepal Embossed Squares - Natural sheets embossed with a grid of 1" squares.

Fish Scale Lama-Lie Nepal Fandango Blue with Green & Orange Chocolate with Mint & Pink purple with Blue & Green

Nepal Fish Scale Silkscreen Lama-Li Mint with Red pumpkin with Red putty with Red rose with Red Sage with Red white with Blue

Nepal Floral Black Ink Silkscreen Maize Purple red white

Nepal Floral White on Turquoise & Floral White on Grey Floral Black Ink Nepal Flower Pink on Blue

Nepal Flower Silkscreen - White flowers on solid colors. Blue Lavender Lime natural pink Red

Nepal “Fortuny” Crepe - Irregular pleats vertically and horizontally. Chartreuse moss Green natural

Nepal Gold Brushstroke Black Blue Natural red Yellow Floral White on Turquoise Nepal Han Blossom Lama-Li - Metallic gold pattern on solid colors. Black Brown Natural navy Blue red

Nepal Jali Lattice Lama-Li Grey on Natural pink on Brown robbin's Egg on Tan white on Natural

Nepal Khadi with Inclusions - Natural lotka with inclusions. Amla (Tamarind) Leaves Bamboo Leaves Banana Fiber Swirls Bark Flecks Leaf flecks Flower Pink on Blue

Flower Silkscreen Han Blossom Lma-Li Fortuny Crepe

116 Paper is fragile ! No returns or exchanges are allowed. N e p a l D E C O R A T I V E P A P E R S

Lhakpa Zig Zag Lhakpa Armored Fish Lhakpa Vines

Lhakpa Diagonal Stripe Lhakpa Feet Lhakpa Suns Nepal Leaf Pod Block Print Chocolate on Sand Camel on Natural

Nepal Lhakpa Block Prints. Hand printed with traditional animal and decorative patterns. Red and black ink on natural. Nepal Lokta Metallic Handmade lokta painted on one side with metallic color. Copper, Gold or Silver.

Nepal Lokta Momi - Handmade, hand-creped and dyed. Lhakpa Elephants Espresso Forest olive royal Blue Tan wine

Nepal Size Gr/M2 1 25 100 500 Deco Silkscreen 20 x 30 90 5.20 4.68 4.34 3.90 Electric Zig Zag 20 x 30 40 5.20 4.68 4.34 3.90 Embossed Squares 20 x 30 40 4.50 4.05 3.76 3.38 Fandango 19¾ x 30 65 6.50 5.85 5.43 4.88 Fish Print 20 x 30 60 4.50 4.05 3.76 3.38 Fish Scale 20 x 30 65 4.95 4.43 last of stock Floral Black Ink 20 x 30 40 5.80 5.22 4.84 4.35 Floral White 20 x 30 40 3.50 3.15 2.92 2.63 Flower Pink & Blue 20 x 30 40 3.50 3.15 2.92 2.63 Jali Lama-Li Flower Silkscreen 20 x 30 40 4.00 3.60 3.34 3.00 Fortuny Crepe 16 x 28 35 2.25 2.03 1.89 Gold Brushstroke 20 x 30 40 5.40 4.86 4.51 4.05 Han Blossom Lama-Li 20 x 30 65 5.60 5.04 4.68 4.20 Hand Dyed Pinto 20 x 30 65 3.60 3.24 3.01 2.70 Hand Print 20 x 30 60 4.50 4.05 3.76 3.38 Leaf Pod Block Print 20 x 30 40 6.70 6.03 5.59 5.03 Lhakpa Block Prints 20 x 30 30 4.50 4.05 3.76 3.38 Lokta Metallics 20 x 30 25 5.00 4.50 4.18 3.75 Lokta Momi 18 x 25½ 40 5.20 4.68 4.34 3.90

Lokta Momi Leaf Pod

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Lokta & Corn Silk Mash Lokta & Bougainvilla Lokta & Fern Nepal Lokta & Corn Silk Mash A handmade, spongy web of corn silk applied to a lokta base.

Nepal Lokta with Inclusions - Handmade lotka base sheets with various inclusions. Bougainvilla Fern Grass Blades Long-Life Seedflower Multicolor Threads nettles Petals Pineapple Pine Needles sawdust Natural sawdust Green Three Silks Black Three Silks Yellow

Lokta & Inlaid Jute Grid

Lokta Tie-Dye Lokta Fold-Dye Nepal Lokta & Inlaid Jute Grid Two thin layers of handmade lotka couched together with a 1" grid of natural jute cords. Nepal Lokta Tie-Dyed & Fold-dyed Tie-Dyed Blue Tie-Dyed Green Tie-Dyed Yellow Green Tie-Dyed Rust Tie-Dyed Yellow Fold-Dyed Red & Blue Fold-Dyed Yellow & Green

Nepal Long Stripe Dyed - Fold-dyed with bold, parallel ¾" stripes. Blue Chocolate Green Long Stripe Nepal Lotsa Dots Batik - Translucent ¼" dots with splashes of brilliant color. Citrus Green & Burgundy Turquoise Blue & Green Nepal Lychee & Lychee Mini

Nepal Mandchou Lama-Li - Gold metallic brocade on solid colors. Burgundy Lime red Turquoise white Nepal Marble Blue on Natural Gold on Taupe Gold on Cream red & Yellow Lotsa Dots Batik

Lychee Mandchou Lama-Li Marble Gold on Taupe

118 Paper is fragile ! No returns or exchanges are allowed. N e p a l D E C O R A T I V E P A P E R S

Marigold Metal Stripe Lama-Li Metro

Nepal Marigold Black on Cream Gold on Aqua Gold on Black Gold on Brown Gold on Natural Gold on Turquoise Gold on Yellow Red on Cream Silver on Cream

Nepal Metal Stripe Lama-Li - Gold metallic ¼"stripe on solid colors. Lime Natural Red Turquoise

Nepal Metro Gold on Red Silver on Natural Mice Nepal Mice Black on Red red on Natural

Nepal Mini Dots Black on Natural Gold on Red Silver on Natural

Nepal Mini Stripes Gold on Red Silver on Natural white on Black

Nepal Modern Tiles Lama-Li Blue Brown khaki Orange

Nepal Multi-Patch Marble - Random patches of plum, purple and aqua pulp.

Nepal Ohm - Red on orange. Mini Dots

Nepal Size Gr/M2 1 25 100 500 Lotka & Corn Silk Mash 20 x 30 100 5.10 4.59 4.26 3.83 Lokta with Inclusions Petal inclusions 20 x 30 40 5.10 4.59 4.26 3.83 all Other Inclusions 20 x 30 65 5.10 4.59 4.26 3.83 Lotka & Inlaid Jute Grid 20 x 30 100 5.10 4.59 4.26 3.83 Lokta Tie-dyed & Fold Dye 22 x 30 25 5.10 4.59 4.26 3.83 Long Stripe Dyed 20 x 30 40 7.30 6.57 6.10 5.48 Lotsa Dots Batik 20 x 30 90 7.00 6.30 5.85 5.25 Lychee 20 x 30 40 4.50 4.05 3.76 3.38 Mini Stripee Mandchou Lama-Li 20 x 30 75 5.30 4.77 4.43 3.98 Marbles 20 x 30 40 4.75 4.28 3.97 3.56 Marigold Prints 20 x 30 40 4.50 4.05 3.76 3.38 Metal Stripe Lama-Li 20 x 30 75 6.40 5.73 5.31 4.77 Metro 20 x 30 40 4.50 4.05 3.76 3.38 Mice 20 x 30 40 3.50 3.15 2.92 2.63 Mini Dots & Stripes 20 x 30 40 4.50 4.05 3.76 3.38 Modern Tiles Lama-Li 18½ x 28½ 60 5.40 4.86 last of stock Multi Patch Marble 20 x 30 40 4.50 4.05 3.76 3.38 Ohm 20 x 30 40 4.50 4.05 3.76 3.38

Modern Tiles Lama-Li Ohm Multi-Patch Marble

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Oil Amala Leaves Oil Multi Marble Oil Square Strings Nepal Oil Paper - Translucent by the application of natural oil. Amala Leaves Multi Marble square Strings Natural Square Strings Colors sticks

Nepal Panneaux Lama-Li Beige Blue Grey olive vienna Rose Nepal Paradise Silkscreen Lama-Li "Jazz" (laminated paper & fabric) with an elaborate garden pattern. Brown with Black orange with Sepia Grey with Dark Grey

Panneaux Lama-Li

Nepal Paradise Metallics Lama-Li - Lokta printed with metallic inks. Copper on Chocolate Copper on Olive Gold on Garnet Gold on Natural Plum Blossoms Gold on Plum silver on Royal Blue Nepal Plum Blossoms Black on Tan orange pink Sea Green silver on Cream

Nepal Pluto Silkscreen Blue with Black Green with Black White with Black white with Blue White with Red yellow with Black

Nepal Polka Batik Lama-Li - Handmade lokta sheets waxed & dyed with ¼"dots. Aqua with White Green with Yellow magenta with Pink Pluto Lama-Li Orange with Yellow red with Yellow

Nepal Size Gr/M2 1 25 100 500 Oil Paper square Strings Multi-color 19 x 28 40 8.50 7.65 7.10 6.38 all Other Oil Papers 19 x 28 40 7.90 7.11 6.60 5.93 Panneaux 20 x 30 65 5.30 4.77 4.43 3.98 Paradise Silkscreen 19 x 28 120 5.50 4.95 4.59 4.13 Paradise Metallics 18½ x 28½ 60 5.80 5.22 4.84 4.35 Plum Blossom 20 x 30 40 4.50 4.05 3.76 3.38 Pluto Silkscreen 20 x 30 65 5.20 4.68 4.34 3.90 Polka Batik Lama-Li Polka Batik Lama-Li 20 x 30 120 5.10 4.59 4.24 3.81

120 Paper is fragile ! No returns or exchanges are allowed. N e p a l D E C O R A T I V E P A P E R S

Pom Poms Prairie Lama-Li Printed Metal Coins Lama-Li Nepal Prairie Prints Lama-Li Blue Flax Daffodil Grass Natural Rose

Nepal Pom Poms Milky, opaque color printed on darker background - Magenta Nepal Printed Metal Coins Lama-Li Black with Gold Coins Bordeaux with Gold Coins orange with Gold Coins Purple with Copper Coins storm Blue with Copper Coins yellow with Gold Coins White with Silver Coins Printed Metal Squares Lama-Li

Nepal Printed Metal Squares Lama-Li Black with Silver Mini Black with White Chocolate with Copper Green with Silver Jade with Copper Mini magenta with Red natural with Gold Mini purple with Silver Raspberry with Gold sandalwood with Copper

Nepal Quilt Black on Cream red on Cream Gold on Cream Gold on Red

Nepal Rhododendron Lama-Li Black Grey olive red yellow

Nepal Rustic Curry Hand-creped sheet rubbed with a dark brown stain and laminated onto a natural base sheet.

Nepal Sanskrit - Red on Natural Nepal Scarabs Pumpkin with Black Scarabs Turquiose with Black Scarabs

Nepal Size Gr/M2 1 25 100 500 Quilt Pom Poms 20 x 30 40 4.50 4.05 3.76 3.38 Prairie Prints Lama-Li 20 x 30 60 5.10 4.59 4.24 3.81 Printed Metal Coins & Squares 19 x 29 40 4.95 4.43 4.11 3.69 Quilt Print 20 x 30 40 4.50 4.05 3.76 3.38 Rhododendron Lama-Li 20 x 30 70 5.60 5.04 4.68 4.20 Rustic Curry 19 x 29 40 6.50 5.85 5.43 4.88 Sanskrit 20 x 30 40 4.50 4.05 3.76 3.38 Scarabs 20 x 30 40 3.50 3.15 2.92 2.63

Rhododendron Lama -Li

Rustic Curry Sanskrit Scarabs

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Spirals Spray & Splatter Nepal Soft Crinkle - Lightly Creped pale tan handmade. Nepal Spirals Gold on Black Gold on Orange Gold on Lavender

Nepal Spray & Splatter - Natural sheets spattered with dye. Brown & Black purple Turqouise Nepal Spring Branches Blue Grey natural Pink yellow Spring Branches Nepal Squares Black with Gold Golden Brown with Black

Nepal Size Gr/M2 1 25 100 500 Soft Crinkle 20 x 30 40 4.50 4.05 3.76 3.38 Spirals Gold on Black 20 x 30 40 6.00 5.40 5.01 4.50 Spirals Gold on Lavender 20 x 30 40 3.50 3.15 2.92 2.63 Spirals Gold on Orange 20 x 30 40 3.50 3.15 2.92 2.63 Printed Metal Coins Lama-L 19 x 29 40 4.95 4.43 4.11 3.69i Spray & Spatter 20 x 30 40 4.50 4.05 3.76 3.38 Spring Branches 20 x 30 40 4.50 4.05 3.76 3.38 Squares Squares 20 x 30 40 6.00 5.40 5.01 4.50

4 Stripe Stripe L Stripe Pyramid Nepal Stripes Handmade lokta sheets made of color pulp fused together during the couching proceedure. The images above represent full sheets. 4 Deckles. 4 Stripe - Navy to Emerald 4 Stripe - Yellow to Green Stripe "L" - Black & Natural Stripe "L" - Navy to Emerald Stripe "L" - Yellow to Green stripe Pyramid - Black & Natural stripe Pyramid - Navy to Emerald stripe Pyramid - Yellow to Green Nepal Size Gr/M2 1 25 Stripes 19 x 28 60 6.50 5.85

122 Paper is fragile ! No returns or exchanges are allowed. N e p a l D E C O R A T I V E P A P E R S

Starfish Sun Washed Bricks Sun Washed Fern

Nepal Starfish Grey & Blue on Grey Gold & Silver on Black

Nepal Stripe Batik Lama-Li Bold stripes of assorted colors created by the batik process. Forest Sea Sky Sunset

Nepal Sun Washed Dyed Handmade lokta sheets decorated by blocking off parts of the freshly dyed sheets and then exposing Sun Washed Mosaic it to sunlight which bleaches the design onto the sheet. Brick Pattern - Ash Brown & Light Taupe Brick Pattern - Brown & Gold Brick Pattern - Burnt Sienna & Terracotta Brick Pattern - Forest & Palm Green Fern Pattern - Gold & Brown Fern Pattern - Light Taupe & Ash Brown Fern Pattern - Palm & Forest Green Fern Pattern - Terracotta & Burnt Sienna

Nepal Sun Washed Mosaic Mosaic Brown mosaic Curry mosaic Maize mosaic Olive

Nepal Tibetan Scroll - Chocolate on Light Brown white on Brown

Nepal Totalo Inclusions - Solid color sheets with natural tone totalo stems. Black Natural Raspberry True Blue Nepal Unryu Brown / Orange / Magenta Natural / Gold / Blue Natural on Natural

Nepal Size Gr/M2 1 25 100 500 Spirals Gold on Black 20 x 30 40 6.00 5.40 5.01 4.50 Spirals Gold on Lavender 20 x 30 40 3.50 3.15 2.92 2.63 Spirals Gold on Orange 20 x 30 40 3.50 3.15 2.92 2.63 Stripe Batik Lama-Li Printed Metal Coins & Squares Lama-L 19 x 29 40 4.95 4.43 last of stock Starfish 20 x 30 40 4.50 4.05 3.76 3.38 Stripes 19 x 28 60 6.50 5.85 5.43 4.88 Stripe Batik 20 x 30 60 5.30 4.77 4.43 3.98 Sun Washed Brick & Fern 20 x 30 40 5.20 4.68 4.34 3.90 Sun Washed Mosaic 19½ x 29½ 40 5.20 4.68 4.34 3.90 Tibetan Scroll 20 x 30 40 4.50 4.05 3.76 3.38 Trees 20 x 30 40 4.75 4.28 3.97 3.56 Totalo Inclusions 20 x 30 110 5.75 5.18 last of stock Unryu 20 x 30 40 4.50 4.05 3.76 3.38 Tibetan Scroll

Totalo Unryu Natural / Gold / Blue Unryu Brown / Orange / Magenta

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Urban Lama-Li Wave Lama-Li Waxed Leaf Batik Nepal Urban Lama-Li Decoratives Downtown Black eastside Green uptown Pink west Side Blue amethyst Metallic Cinnabar Metallic Copper Metallic Gold Metallic serpentine Metallic silver Metallic

Nepal Wave Lama-Li - Black Fuchsia Light Brown purple violet Nepal Waxed Leaf Batik - Deep green lokta with waxed batik pattern of natural leaves. Nepal Size Gr/M2 1 25 100 500 Urban 20 x 30 85 5.50 4.95 4.59 4.13 Urban Metallics 20 x 30 85 5.50 4.95 4.59 4.13 Vibrating Lines 20 x 30 40 4.75 4.28 3.97 3.56 Wave Lama-Li 20 x 30 60 5.60 5.04 4.68 4.20 Waxed Leaf Batik 20 x 30 60 6.70 6.03 5.59 5.03

Philippine Banana Philippine Non Woven The Philippines Philippine Banana Bark - Handmade banana with large pieces of bark. Roughly textured. Brick Red Natural (Alabaster)

Philippine Leaves & Strings Handmade 100% abaca. Natural tan embedded with threads and skeletal leaves. 4 Deckles. Philippine Lupa with Abacaa Strings Philippine Lupa with Abaca Strings Handmade of lupa fiber. Dark natural embedded with parallel abaca strings. Very rough. Philippine Non Woven Machine-made mesh of fine, shiny fibers. Translucent and exceptionally strong. Blue Green Gold Silver

Philippine Size Gr/M2 1 25 100 500 Banana Bark 26 x 37 85 6.40 5.76 5.34 4.80 Leaves & Strings 24 x 36 100 7.60 6.84 6.35 5.70 Lupa with Abaca Strings 26 x 37 90 8.00 7.20 6.68 6.00 Non Woven 20 x 27 30 1.50 1.35 1.25 1.13

Philippine Leaves & Strings

124 Paper is fragile ! No returns or exchanges are allowed. T h a i l a n d D E C O R A T I V E P A P E R S

Banana Bark Banana Mash Banana Plank Thailand Banana Bark - Machine-made kozo with chunks of banana bark. Natural Blue Black Brown Burgundy Gray Green mesquite Purple red sienna Taupe Teal Yellow

Thailand Banana Mash - Machine-made with inclusions of chopped banana. Natural. Thailand Banana Plank - Hand assembled veneer from composite strips of banana bark .

Thailand Bangkok Daily News- Machine-made. White with pieces of newspaper. Bangkok Daily News Thailand Batik - Handmade abaca with colored batiked designs. 4 Deckles. Butterfly Dragonfly Fish Lizard

Thailand Batik Raindrops - Handmade, dyed abaca. with wax polka dots. 4 Deckles. Blue Tangerine

Thailand Bee Hive - Kozo pulp in honey comb pattern on kozo tissue. Thailand Besem - Machine-made. Kozo blend with broom inclusions. Golden brown.

Thailand Cal Ling Autumn Batik Raindrops Machine-made with threads and clippings of cloth. Natural with orange, rust and forest green.

Thailand Chess Squares - Kozo pulp in large chess board pattern on kozo tissue.

Thailand C hinese Calligraphy Screenprinted - Machine-made, printed with gold ink. Gold on Black Gold on Red

Thailand Size Gr/M2 1 25 100 500 Banana Bark 25 x 37 45 2.60 2.34 2.17 1.95 Banana Mash 25 x 37 45 2.60 2.34 2.17 1.95 Banana Plank 22 x 30 150 7.50 6.75 6.26 5.63 Bee Hive Bangkok Daily News 25 x 37 45 2.60 2.34 2.17 1.95 Batik Blue Leaves 22 x 30 125 6.40 last of stock Raindrops 21 x 31 125 6.80 6.12 5.68 5.10 Fish/ Butterfly 22 x 35 125 13.00 11.70 10.86 9.75 Beehive 25 x 37 40 5.50 4.95 4.59 4.13 Besem 25 x 37 30 3.30 2.97 2.76 2.48 Cal Ling Design 25 x 37 10 5.90 5.31 4.93 4.43 Chess Squares 25 x 37 30 4.90 4.41 4.09 3.68 Chinese Calligraphy 25 x 37 30 3.80 3.42 3.17 2.85 Besem

Chinese Calligraphy Chess Squares Cal Ling

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Chiri Unryu Climbing Vines Crinkled with Gold

Thailand Chiri Unryu Heavily Speckled - Machine-made kozo peppered with bark. Blue Green (Teal) Fuchsia Khaki (Amber) mustard Mauve Natural Thailand Chiri Unryu Lightly Speckled - Natural Thailand Chiri Unryu Momi Heavyweight - Natural or Moss Green. Thailand Climbing Vines Screenprinted Unryu Amber Blue Green rose Crumpled 3D Thailand Crinkled with Gold - Hand creped and dry-brushed with metallic gold. Black maroon Teal

Thailand Crumpled 3 Dimensional Patterns created by spraying color on crumpled sheets. Black/Silver or Indigo

Thailand Embossed Leaves & Branches - Handmade, white on white. Thailand Embossed Crocodile Kozo sheets coated with leather-like, semi-gloss color and embossed with a bold, crocodile pattern. Antique Green Black Brown Red

Thailand Embossed Flowers - Handmade kozo embossed and stained Pink.

Thailand Embossed Whirls - White kozo embossed with a swirling design.

Thailand Size Gr/M2 1 25 100 500 Chiri Unryu Heavily Speckled 25 x 37 30 2.60 2.34 2.17 1.95 Chiri Unryu Lightly Speckled 25 x 37 30 2.60 2.34 2.17 1.95 Embossed Leaves & Branches Chiri Unryu Momi Heavyweight 25 x 35 80 6.80 6.12 5.68 5.10 Climbing Vines 25 x 37 25 3.20 last of stock Crinkled with Gold 25 x 37 40 2.65 last of stock Crumpled 3 Dimensional 25 x 37 30 3.85 last of stock Dancing Strips 25 x 37 30 2.60 last of stock Embossed Leaves & Branches 22 x 30 80 5.50 4.95 4.59 4.13 Embossed Crocodile 24 x 36 50 5.50 4.95 4.59 4.13 Embossed Flowers 24 x 36 60 0.00 0.00 0.00 0.00 Embossed Whirls 22 x 30 60 3.30 2.97 2.76 2.48

Embossed Crocodile Embossed Flowers Embossed Whirls

126 Paper is fragile ! No returns or exchanges are allowed. T h a i l a n d D E C O R A T I V E P A P E R S

Fabric-Backed Diagonal Stripe Fabric-Backed Spheres Fabric-Backed Squares

Thailand Fabric-Backed Pulp Handmade white kozo pulp is formed into decorative patterns on a white cotton gauze. Diagonal Stripe diagonal Waves spheres Squares Wavy Lines

Thailand Size Gr/M2 1 25 100 500 Fabric-Backed Spheres / Squares 21 x 31 60 5.00 4.50 4.18 3.75 Fabric-Backed Waves / Lines 21 x 31 60 7.00 6.30 5.85 5.25 Fabric-Backed Diagonal Waves

Garden - Ferns / Bougainvilla & Marigolds Garden Raintree Leaves Thailand Garden - Handmade kozo with plant inclusions. Bamboo Leaves Banana Leaf Stripes Bougainvilla Petals Bougainvilla & Bamboo Bougainvilla & Cedar Chaotic Abaca Strings Floating Blocks Fallen Leaves Ferns / Bougainvilla & Marigolds Forest Fern Iris Petals Iris / Marigold & Bougainvilla iris & Prairie Grass Long Prairie Grass Meadow Grass & Flowers orange Flowers Raintree Leaves Rubber Tree Leaves Tall Grass & Bougainvilla

Thailand Garden Layered - 2 Layer handmade tissue with Iris and Marigold Petals

Thailand Golden Leaves - Machine-made, solid colors with metallic gold leaves. Cream emerald Scarlet

Thailand Jute - Machinemade with small jute fiber inclusions. Blue with Blue Fibers Peach with Orange Fibers

Thailand Kiranami Hand decorated sheets with brush strokes of metallic paint on solid color, creped paper. Silver & Gold on Black Silver & Gold on Purple Golden Leaves Thailand Size Gr/M2 1 25 100 500 Garden rubber Tree or Boda Leaves 22 x 30 100 5.80 5.22 4.84 4.35 Meadow Grass 22 x 35 100 4.60 4.14 3.84 3.45 all Other Styles 22 x 30 100 4.60 4.14 3.84 3.45 Garden Layered 22 x 30 50 4.60 4.14 3.84 3.45 Golden Leaves 25 x 37 35 3.50 3.15 2.92 2.63 Gossimer 21 x 30 35 8.00 7.20 6.68 6.00 Jute 25 x 37 35 2.60 last of stock. Kiranami 26 x 38 60 5.40 4.86 4.51 4.05

Kiranami

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Lace Stonehenge Lace Circles Lace Rainfall

Thailand Kozo with Inclusions - Handmade kozo. with inclusions. Banana Bark Triplet Florale White Florale Cream Mango Leaves White Mango LeavesNatural Patchwork Chiri Patchwork Granite

Thailand Kozo and Chiri - Machine-made. Swirls of white fibers and flecks of bark. Thailand Lace Lace Grid 100% kozo. Tissue with pierced, over-all designs. White, except Stonehenge which is cream. Circles Floating Hearts Grid Rainfall Seashell Scroll spirals stonehenge

Thailand Size Gr/M2 1 25 100 500 Kozo with Inclusions 22 x 30 68 4.60 4.14 3.84 3.45 Kozo and Chiri 25 x 37 30 2.60 2.34 2.17 1.95 Lace rainfall 25 x 37 25 2.20 1.98 1.84 1.65 scrolls & Seashell 25 x 37 25 5.10 4.59 4.26 3.83 all Other Laces 25 x 37 25 4.10 3.69 3.42 3.08 Lace Spirals

Lotus Leaves Marble Momi Thailand Lotus Leaves Watermark - Machine-made. White on white leaf design.

Thailand Mango - Machine-made. Color sheets embedded with natural tone mango leaves. Aubergine Black Blue Brick Mustard Natural olive

Thailand Mango Stained - Machine-made. Tinted background with dyed mango leaves. Natural with Green Mango Leaves Light Green with Black Mango Leaves Mango Thailand Marbled - Bold swirls hand applied to machine-made paper. Thailand Marbled Momi - Marbled and hand-creped to give additional texture. Thailand Size Gr/M2 1 25 100 500 Lotus Leaf Watermark 25 x 37 20 3.50 3.15 2.92 2.63 Mango 25 x 37 25 2.60 2.34 2.17 1.95 Mango Stained 25 x 37 25 2.60 2.34 2.17 1.95 Marbled 25 x 37 30 4.60 4.14 3.84 3.45 Marbled Momi 25 x 37 30 4.60 4.14 3.84 3.45

Marble

128 Paper is fragile ! No returns or exchanges are allowed. T h a i l a n d D E C O R A T I V E P A P E R S

Thailand Melook Bold, pierced design of paper pulp formed over a structure of crisscrossed cords and threads.

Thailand Metallic - Machinemade, metallic coated paper. Copper Gold Silver

Thailand Metallic Momi - Metallic coated paper creped to a soft, pliable surface. Bronze Gold pewter silver

Thailand Mulberry Lettering - Handmade, kozo paper with calligraphic print. 4 Deckles. Thailand Multi-Fiber Unryu Handmade from 100% kozo. Layers of multi-colored threads and fibers. 4 Deckles. Blue Green Cranberry Slate Purple violet

Thailand Napa - Machine-made silkscreened with metallic design. Amber with Gold Black with Copper Cream with Copper purple with Gold Rose with Gold Turkish Red with Copper

Thailand News - Machine-made with small pieces of the Bangkok newspaper. Melook (on black) Black Red

Thailand Raintree Leaves - Machine-made, translucent sheet with leaves and fibers. Green & Gold Leaves on Natural Green & Brown Leaves on Camel

Thailand Seismic - White on white watermarked wave pattern.

Thailand Size Gr/M2 1 25 100 500 Melook 27 x 35 90 10.50 9.45 8.77 7.88 Mulberry Lettering Metallic 25 x 37 30 5.20 4.68 4.34 3.90 Metallic Momi 21 x 30 30 5.40 4.86 4.51 4.05 Mulberry Lettering 22 x 30 45 6.00 5.40 5.01 4.50 Multi-Fiber Unryu 25 x 35 120 3.15 last of stock Napa Decorative Silkscreens 25 x 37 25 3.80 3.42 3.17 2.85 News 25 x 37 45 2.60 2.34 2.17 1.95 Paisley Screenprinted Unryu 25 x 37 25 3.90 last of stock0 Raintree Leaves 25 x 37 35 2.80 2.52 2.34 2.10 Rock Art Screenprinted Unryu 25 x 37 25 3.90 last of stock Seismic 25 x 37 40 5.00 4.50 4.18 3.75

Multi-Fiber Unryu

Napa

Seismic Raintree Leaves News

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 129 D E C O R A T I V E P A P E R S T h a i l a n d

Spatter Stars

Thailand Shiborizome - Handmade sheet with tie-dyed design. Brown Grey pink purple sienna

Thailand Splatter - Machine-made translucent printed with a fine pattern: Green Orange

Thailand Stars - Machine made. Two sheets with cut out stars laminated together. Blue Green Purple Black & Blue Green & Blue Green & Red Pink & Black Shiborizome Thailand Tamarind - White sheets with dyed tamarind leaves and grass. Blue on White Green on White plum on White yellow on White

Thailand Tamarind Dyed - Pastel tinted sheets with dyed tamarind leaves and grass. Blue on Blue Pink on Pink

Thailand Tribal - Multi-colored base sheet with a floral pattern. Blue Green Orange Pink

Tamarind Thailand Two Layer Lace - Machine-made. Color lace on color sheet. Red/Orange Sky Blue/Green sky Blue/Purple

Thailand Two Layer Stripes - Machine-made. ½" stripes of pulp on color sheets. Amber & Black Blue & Pale Blue Lavender & Purple Lime & Forest Sienna & Cherry sienna & Red

Thailand Size Gr/M2 1 25 100 500 Shiborizome 19 x 26 100 3.80 3.42 3.17 2.85 Splatter 25 x 37 25 2.60 2.34 2.17 1.95 Stars 25 x 37 50 4.40 last of stock Tamarind 25 x 37 25 2.60 2.34 2.17 1.95 Tamarind 25 x 37 80 4.00 3.60 3.34 3.00 Tamarind Dyed 25 x 37 25 2.40 2.16 2.00 1.80 Tribal 25 x 37 30 3.30 2.97 2.76 2.48 Two Layer Lace 25 x 37 25 4.20 3.78 3.51 3.15 Two Layer Stripes 25 x 37 25 2.70 2.43 2.25 2.03

Tribal

Two Layer Lace Two Layer Stripe

130 Paper is fragile ! No returns or exchanges are allowed. D E C O R A T I V E P A P E R S T h a i l a n d

Unryu

Thailand Unryu Machine-made of 100% kozo. Neutral pH. Lightweight with swirls of long, silky fibers. Aegean Apple Green apricot Aubergine Baby Blue Beige Black Blue Burgundy Cherry Chocolate Copper Cream Forest Green Fuchsia Golden Lavender Lime Mauve Med. Blue Midnight Blue mint Natural Olive Pale Blue Pale Green pale Pink Pale Yellow peach Pink Purple Red Salmon Sienna Spring Green Taupe Teal White Water Drops Multi-Colors - Beige Carnival purple Confetti Colors with Gold Metallic Threads - Black Blue Burgundy Purple Red Teal White

Thailand Unryu Momi - Machine made kozo hand-creped into a soft, fabric-like sheet. Black Burgundy Chiri espresso Sienna Slate Blue slate Green white

Thailand Unryu Reversible Two colors of Thai Unryu glued together. Neutral pH. Vista Blue/Lime Black/Red Brown/Chiri Olive/Chiri purple/Aegean Purple/Olive purple/Red red/Teal sienna/Cherry Teal/Chiri White/Cream

Thailand Water Drops - Screenprinted machine-made. Ochre on ochre.

Thailand Whimsy - Handmade. Thin tissue with concentric spirals of kozo fiber. Green & Yellow on White Pink & White on White White on White Thailand V ista Handmade. Creped, sprayed with vibrant colors and then flattened. Olive/Purple Purple/Pink

Thailand Size Gr/M2 1 25 100 500 Unryu Momi 25 x 37 35 3.50 3.15 2.92 2.63 Unryu Reversible 25 x 37 80 5.50 4.95 4.59 4.13

Unryu White 25 x 37 10 1.40 1.26 1.17 1.05 25 x 37 25 2.60 2.34 2.17 1.95 25 x 37 40 3.30 2.97 2.76 2.48 25 x 37 80 6.30 5.67 5.26 4.73

Unryu Colors 25 x 37 25 2.60 2.34 2.17 1.95

Water Drops 25 x 37 37 4.20 3.78 3.51 3.15 Whimsy 25 x 37 40 5.50 4.95 4.59 4.13 Vista 20 x 30 80 7.40 - last of stock.

Whimsy

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 131 r o l l s - E u r o p e a n & A m e r i c a n

Aquabee #892 Bogus Roll Size G/m2 1 100% Post consumer waste. Grey with light texture. Aquabee 892 36 x 10 yards 140 23.95 Arches Aquarelle Arches Aquarelle 100% cotton. Sized for watercolor. Neutral pH. 140 Hot Pressed 43½ x 10 yards 300 190.00 140 Cold Pressed 43½ x 10 yards 300 190.00 Arches Cover 140 Rough 43½ x 10 yards 300 190.00 100% cotton. For printmaking and drawing. Neutral pH. 260 Hot Pressed 51½ x 10 yards 356 226.00 Arches En Tout Cas 260 Cold Pressed 51½ x 10 yards 356 200.00 25% Cotton. One smooth side, one cold pressed. Sized for watercolor. 260 Rough 51½ x 10 yards 356 200.00 Neutral pH. Arches Cover White 42 x 10 yards 300 135.00 42 x 20 yards 300 270.00 Arches Oil 140 Cold Press 42 x 100 yards 300 1120.00 100% Cotton. Pre-coated for direct painting with oil. Arches En Tout Cas 51½ x 10 yards 280 135.00 Bockingford 140 Cold Pressed Watercolor Arches Oil 51 x 10 yards 300 210.00 100% High alpha cellulose. Fully sized cold press. Neutral pH. Bockingford 60 x 10 yards 300 168.00 Borden & Riley #10 Penny Sketch 60 pound, white drawing paper with a light tooth. Neutral pH. Borden & Riley 10 Penny 36 x 20 yards 150 16.10 Borden & Riley #30 Signwriter's Bond 30 Bond 15 x 25 yards 65 8.45 20 pound, smooth, white bond. Neutral pH. 18 x 25 yards 65 9.00 Borden & Riley #116 Sketch Vellum 24 x 25 yards 65 12.00 90 pound, smooth white multi-purpose paper. Neutral pH. 30 x 25 yards 65 15.00 36 x 25 yards 65 17.85 Borden & Riley #214 Normandy Sketch 42 x 25 yards 65 20.90 Vellum surface, soft white paper for drawing. Neutral pH. 48 x 25 yards 65 23.85 Borden & Riley #234 Paper for Pens 60 x 25 yards 65 29.80 Ultra-smooth, brilliant white paper for drawing. Neutral pH. 116 Sketch Vellum 36 x 10 yards 185 15.05 48 x 10 yards 185 20.05 Borden & Riley #400 Laid Charcoal White 60 x 10 yards 185 24.90 Borden & Riley #410 Laid Charcoal Grey 214 Normandy 36 x 10 yards 150 17.40 Borden & Riley #420 Laid Charcoal Black 234 Paper for Pens 36 x 10 yards 190 29.35 Laid papers with light texture for drawing and book arts. The white 400 White Charcoal 36 x 10 yards 170 40.95 and grey have fine felt flecks. Neutral pH. 410 Grey Charcoal 36 x 10 yards 170 39.90 420 Black Charcoal 36 x 10 yards 170 44.25 Borden & Riley #627 100% Rag Drawing 627 Rag Drawing 36 x 10 yards 175 39.25 Textured, 100% cotton for most medium. Neutral pH. 880 Royal Sketch 36 x 10 yards 185 31.10 Borden & Riley #880 Royal Sketch Canson 335 White 59 x 11 yards 160 92.00 Lightly textured, for most medium. Neutral pH. Canson 425 Black 59 x 11 yards 160 92.00 Canson Mi-Teintes Drawing & Framing 60 x 20 yards 250 292.00 65% cotton. Textured for pastel. Neutral pH. Drawing & Framing 72 x 20 yards 250 345.00 Drawing & Framing Drop Screen roll 47 x 110 yards 60 1000.00 100% cotton. Neutral pH. Smooth surface. No deckles. White. Price per yard 15.00 Drop Screen Fire-proof, non-woven material composed of paper, fiberglass and Fabriano Accademia 55 x 11 yards 120 34.00 polyester that is lightweight yet, remarkably strong. It can be painted, 55 x 11 yards 160 43.00 printed on in a variety of techniques and can even be sewn. It has many 55 x 11 yards 200 50.00 applications where scale and strength are necessary in a lightweight Fabriano Artistico Traditional White material. Drop Screen is translucent and has visible swirls of fibers, 140 Hot Pressed 55 x 11 yards 300 214.00 somewhat similar to a Japanese paper. White. 140 Cold Pressed 55 x 11 yards 300 214.00 140 Rough 55 x 11 yards 300 214.00 Fabriano Accademia Fabriano Artistico Extra White 100% sulphite with a fine tooth. White. Neutral pH. 140 Hot Pressed 55 x 11 yards 300 214.00 Fabriano Artistico 140 Soft Pressed 55 x 11 yards 300 214.00 Mouldmade of 100% cotton. Sized fror watercolor. Neutral pH. 140 Cold Pressed 55 x 11 yards 300 214.00 140 Rough 55 x 11 yards 300 214.00 Fabriano Studio Watercolor Fabriano Studio 59 x 11 yards 300 139.00 Cotton & sulphite. Sized. Cold Pressed.Neutral pH. Fabriano Tiziano Fabriano Tiziano White, Black 59 x 11 yards 160 100.00 100% sulphite. Textured for pastel.White & Black. Neutral pH.

132 E u r o p e a n & A m e r i c a n - r o l l s

Hahneműhle Copperplate Bright & Warm White Roll Size G/m2 1 100% Sulphite. Printmaking with a light texture. Neutral pH. Hahnemuhle Copperplate 49 x 22 yards 350 357.00 Hahneműhle German Etching Black German Etch Black 49 x 11 yards 350 340.00 75% Cotton. Dense black with a light texture. Neutral pH. German Etch Black 49 x 25 yards 350 675.00 Kraft - Brown wrap. Kraft 36 x 25 yards 100 31.20 48 x 25 yards 100 41.85 Lanaquarelle 60 x 25 yards 100 54.90 36 x 9" Diameter 80 82.50 Mould-made. 100% cotton fully sized for watercolor. Neutral pH. 36 x 9" Diameter 100 82.50 Lenox 48 x 9" Diameter 100 110.75 Machine-made of 100% cotton. Light texture. Neutral pH. Lanaquarelle 140 Hot Pressed. 51 x 11 yards 300 254.00 Magnani Revere Suede Standard White 140 Cold Pressed 51 x 11 yards 300 254.00 Mould-made of 100 % cotton. Lightly sized. Neutral pH. 300 Hot Pressed 51 x 11 yards 640 521.00 300 Cold Pressed 51 x 11 yards 640 521.00 Newsprint Rough & Smooth Lenox 60 x 20 yards 250 304.00 72 x 20 yards 250 359.00 No-Seam Back Drop Magnani Revere 42 x 20 yards 300 228.00 Machine-made of sulphite. White Black Grey. Newsprint 36 x 50 yards 60 15.00 Pastel Cloth II No-Seam Backdrop Fine-tooth spun-fabric surface with a textured coating to hold White 107 x 12 yards 185 61.25 pastel. Neutral pH. Stretches easily onto stretcher bars before or Black or Grey 107 x 12 yards 185 74.50 after completion of work. For pastel, charcoal, and pencil. White. Pastel Cloth II - 53½" wide Price per yard 1 - 9 yards 165 16.80 Rives BFK Price per yard 10 - 24 yard 15.12 Mould-made of 100 % cotton. Lightly sized. Neutral pH. Price per yard 25 or more yards 13.69 Rives De Lin Rives BFK 42 x 10 yards 300 135.00 Mould-made of cotton & linen. Rough surface. Neutral pH. 42 x 20 yards 300 270.00 42 x 100 yards 300 1130.00 Rossi Recycled Rives De Lin 52 x 20 yards 350 520.00 100% post consumer waste. Grey-brown. Neutral pH. Rossi Recycled 27 x 20 yards 110 20.00 Saint Armand Canal Rag Saint Armand 21 x 8 yards 250 35.00 Mouldmade in Canada of 100% cotton rag. Lightly sized and T.H. Saunders exceptionally strong. Cold Pressed, White. Neutral pH. 140 Hot Pressed 60 x 10 yards 280 220.00 140 Cold Pressed 60 x 10 yards 280 220.00 T.H. Saunders Waterford 200 Hot Pressed 60 x 20 yards 410 520.00 Mouldmade of 100% cotton. Sized for watercolor. Neutral pH. 60 x 100 yards 410 2000.00 300 Cold Pressed 60 x 43 yards 638 2000.00 Stonehenge Stonehenge Machine-made of 100% cotton. Smooth. Neutral pH. White 50 x 10 yards 250 154.00 White 50 x 140 yards 250 1330.00 Strathmore White 50 x 140 yards 320 1475.00 Machine-made of sulphite. Neutral pH. Cream 50 x 10 yards 250 162.00 Natural 50 x 10 yards 250 162.00 Sunray Smooth & Texture Warm White 50 x 10 yards 250 162.00 Mouldmade in England of 100% cotton. Lightly sized for printmaking Grey 50 x 10 yards 250 173.00 techniques, yet strong enough for drawing and painting Fawn (Tan) 50 x 10 yards 250 173.00 Black 50 x 10 yards 250 225.00 UArt Premium Pastel Strathmore Machine-made base coated for pastel, painting and drawing. Alexis Drawing 36 x 10 yards 185 22.25 #800 (finest), #600, #500, #400 (roughest) Sand color. 42 x 10 yards 185 25.50 #400 Watercolor 42 x 10 yards 300 48.95 Wallis Professional Sunray Smooth &Texture 60 x 10 yards 300 220.00 Machine-made base coated for pastel and oil painting. UArt Premium Pastel 56 x 10 yards 250 166.50 Yupo Wallis Professional 46 x 10 yards 236 280.00 Synthetic, 100% polypropylene. Waterproof, stain resistant and Yupo 60 x 10 yards 197 140.00 incredibly strong. White. Neutral pH. 133 r o l l s - A s i a n

Japan Chiri Natural Japan Masa Cool White & Soft White 100% kozo fiber. Neutral pH. Tan, with fibers and dark brown flakes. 100 % sulphite. One side smooth, one side Cold Pressed. No deckles. Japan Color Kozo HPCR-CO Japan Misu White 100% Japanese kozo made by direct dye process into a warm, natural Exceptionally fine, 100% Japanese kozo. Neutral pH. color that is especially suited for the repair of faded or yellowed documents. Commissioned by the Tokyo Restoration Conservation Japan Mulberry& Mulberry Heavyweight Center. Neutral pH. (7.3) A blend of sulphite and kozo. Neutral pH. White Japan Daitoku White Japan Ogura Lace - Asarakusui Natural Kozo and sulphite blend. Wide, heavyweight paper. Neutral pH. 100% manila hemp. Pierced, lace-like surface. Natural tone. Japan Gampi MM 18-19 Natural & White Japan Okawara Natural Japan Gampi MM 20 Natural & White Machine-made of Kozo and Sulphite. Smooth one side, light texture 100% gampi prepared by hand to insure quality and to avoid the use on the other. Natural. Neutral pH. of chemicals that could effect the archival standards. Neutral pH. Japan Sekishu Off-White Japan Gampi Kashiki Natural 100% Tosa kozo from the Kochi Prefecture. Special care is taken in 100% Japanese gampi. Neutral pH. the preparation of these fibers to insure the finest quality product. Japan Gampi Toyo MM 24 Natural Japan Shikoku Natural & White 95% Philippine gampi, 5% straw. Neutral pH. Machinemade of kozo, hemp and wood pulp. Strong, resilliant sheet with a smooth surface. Neutral pH. Japan Haruki White Japan Shikoku Surface Gampi Natural & White Machine-made in Japan from 100% Kozo. "Cloud Dragon Paper." White with long swirls of white kozo fibers. Neutral pH. A two layer, machinemade sheet. A thin sheet of lustrous, smooth gampi is fused together with an opaque base sheet of kozo, hemp Japan Haini White and wood pulp. Neutral pH. 100% Tosa kozo. Exceptionally fine quality. White. Neutral pH. Japan Shiramine White Japan Hosho Thick White 40% Japanese kozo, 60% sulphite. Heavy weight. Neutral pH. 100% sulphite. Thick, opaque and soft. White. Neutral pH. Japan Sumi-e White Machine-made in Japan. Cold Pressed. No deckles. White. Japan Kikura Kozo Natural Kozo and sulphite. Strong, cloudy formation. Neutral pH. Japan Tengucho White Very sheer tissues prepared by cooking in caustic soda Neutral pH. Japan Kinwashi White & Cream Tengucho W1 - 100% Thai Kozo, made in Tokushima Prefecture. Manila hemp and sulphite pulp. Smooth with fine, straw-like fibers. Tengucho Thin - 100% Thai Kozo, made in Kochi Prefecture. Tengucho 3 gram Japan Kitakata Natural - 100% Japanese Kozo, made in Kochi Prefecture. 90% Philippine gampi. Neutral pH. Japan Torinoko White & Natural Japan Kozo-shi MM1 Natural 100% sulphite. Heavy weight with a durable surface. Neutral pH. 30% kozo & sulphite. Natural. Neutral pH. Japan Usuyu Gampi White HPCR26 Japan Kozo 206 Natural Sized 100% gampi prepared by hand to insure quality. Neutral pH. Japan Kozo 207 White Kozo & sulphite blend. Neutral pH. Japan Kozuke White & Ivory 70% kozo. Neutral pH.

134 A s i a n - r o l l s

Japanese Roll Size G/m2 1 Chiri 36 x 10 yards 36 80.00 The following Japanese papers are also sold by the yard. Color Kozo 38 x 66 yards 5 685.00 Due to the fragility of the material, we cannot roll Daitoku 75½ x 22 yards 105 300.00 down more than 10 continuous yards of any paper. Gampi Roll width G/m2 Yard MM 18 Natural 38 x 10 yards 15 220.00 Color Kozo 38 5 19.00 MM 19 White 38 x 10 yards 15 142.00 Gampi Kashiki 39 8 18.55 MM 20 Natural 38 x 10 yards 20 315.00 Gampi Kashiki 39 19 26.90 MM 20 White 38 x 10 yards 20 210.00 Gampi Kashiki 39 25 38.63 Gampi Kashiki 39 x 10 yards 8 162.50 Haini 38 5 17.40 Gampi Kashiki 39 x 10 yards 19 235.50 Kozo-shi 47 38 10.85 Gampi Kashiki 39 x 10 yards 25 338.00 Misu 39 35 17.80 Gampi Toyo MM24 43 x 11 yards 24 79.00 Sekishu 38 10 12.55 Haini 38 x 60 yards 5 626.00 38 15 13.70 38 20 14.40 Haruki 38 x 10 yards 73 142.50 38 25 15.10 Hosho Thick 45 x 22 yards 140 240.00 38 30 16.10 Hosho Thick 45 x 10 yards 140 162.50 Usuyu Gampi #26 38 13 20.00 Kikura Kozo 38 x 10 yards 21 60.00 Kikura Kozo 38 x 10 yards 44 82.50 Kikura Kozo 38 x 10 yards 65 123.00 Kinwashi Cream 36 x 10 yards 55 69.00 Kinwashi White 36 x 10 yards 55 69.00 Japanese Conservation Tissues Kitakata 38 x 10 yards 30 97.50 Machine-made in Japan, these synthetic based materials are Kitakata 16 x 10 yards 35 42.00 exceptionally strong even when wet, making them ideal for Kozo-shi MM1 47 x 65 yards 38 475.00 conservation, bookbinding and mounting. These products are paste Kozo 206 Natural Sized 38 x 10 yards 56 59.00 resistant so it is possible to lay directly on freshly pasted areas before Kozo 207 White 38 x 10 yards 56 67.00 weighting them without worry of adhesion. Kozuke White or Ivory 38 x 10 yards 44 52.00 Kozuke White or Ivory 38 x 65 yards 44 277.00 Japan Atsukuchi Rayon Paper Thick HPCR50 Masa Cool or Soft White 42 x 30 yards 77 80.00 Used as a blotting material since the rayon draws moisture away Misu 39 x 10 yards 24 178.00 due to capillary action. Very strong. Rayon will expand when wet. Misu 39 x 60 yards 24 625.00 Japan Usukuchi Rayon Paper Thin HPCR51 Mulberry 27 x 10 yards 26 35.00 Almost transparent gauze similar to Atsukuchi Rayon Paper. Mulberry 38 x 10 yards 26 40.00 Mulberry Heavy Weight 27 x 10 yards 52 55.00 Japan Polypropylene HPCR52 Mulberry Heavy Weight 38 x 10 yards 52 75.00 Polypropylene does not expand as much as rayon when wet. Ogura Lace 47 x 10 yards 27 65.00 Japan Mesh Paper HPCR53 Okawara 38 x 10 yards 60 88.00 For blotting, covering work areas and wrapping for storage. Sekishu 38 x 66 yards 10 452.00 2 Sekishu 38 x 66 yards 15 495.00 Roll size G/m Roll Yard Sekishu 38 x 66 yards 20 520.00 HPCR 50 37 x 60 meters 52 145.00 3.25 Sekishu 38 x 66 yards 25 545.00 HPCR 51 39 x 100 meters 12 192.00 2.70 Sekishu 38 x 66 yards 30 580.00 HPCR 51 39 x 100 meters 18 225.00 3.00 HPCR 52 39 x 60 meters 20 229.00 4.60 Shikoku Natural 38 x 11 yards 80 90.00 HPCR 53 39 x 50 meters 15 Limited supply 6.00 Shikoku White 38 x 11 yards 80 98.00 Shikoku Gampi White 38 x 11 yards 110 155.00 Shikoku Gampi Natural 38 x 11 yards 110 240.00 Shiramine 40 x 10 yards 107 150.00 Thailand Mulberry Shiramine 40 x 54 yards 107 580.00 Machine-made in Thailand. 100% kozo. Neutral pH. Sumi-e 8 x 20 feet 30 8.90 Sumi-e 11 x 20 yards 30 16.50 Thailand Unryu Sumi-e 18 x 10 yards 30 13.50 Machine-made in Thailand. 100% kozo. Neutral pH. Tengucho W1 38 x 20 yards 9 60.00 Tengucho 5 gram 38 x 20 yards 5 93.00 Thai Roll Size G/m2 1 Tengucho 3 gram 38 x 11 yards 3 71.00 Mulberry Bleached 37 x 11 yards 45 50.00 Torinoko White & Natural 79 x 22 yards 235 385.00 Mulberry Unbleached 37 x 11 yards 45 50.00 Usuyu Gampi 38 x 25 yards 13 yards only Unryu Black 39 x 11 yards 25 53.00 Unryu White 39 x 11 yards 25 53.00

135 b o a r d s

Arches Watercolor Boards Board Size 1 25 100 100% cotton, mould-made Arches mounted onto archival board. Arches Watercolor HP, CP, Rough Hot Press Cold Press Rough 20 x 30 8.00 7.20 6.00 32 x 40 15.50 13.95 11.63 Archival Corrugated Archival Corrugated Single Wall Exceptionally strong, neutral pH board. Blue-Grey. Ideal for backing, 32 x 48 10.35 9.31 8.64 framing, display, bookbinding, archival boxes. 40 x 60 17.97 16.17 15.00 48 x 96 41.50 37.35 34.65 Binder’s Board – Acid-free Archival Corrugated Double Wall Neutral pH grey board. 32 x 48 18.15 16.34 15.16 40 x 60 28.38 25.54 23.69 Chipboard 48 x 96 52.33 47.10 43.70 Grey industrial pulpboard. Binder's Board .067 20 x 30¼ 3.55 3.20 2.69 CORRUGATED .067 30¼ x 40¼ 6.50 5.81 5.39 Industrial kraft paper with 1/8" corrugated core. .082 20 x 30¼ 4.55 4.08 3.43 .082 30¼ x 40¼ 8.25 7.40 6.87 FOMECORE FIREPROOF .098 20 x 30¼ 5.50 4.90 4.12 FOMECORE .098 30¼ x 40¼ 9.90 8.88 8.24 FOMECORE ARCHIVAL Chipboard Two sheets of smooth, white paper with a foam core. 1/32" (#53) 29 x 45 1.35 1.22 1.13 1/16" (#27) 34 x 45 2.50 2.25 2.09 FOMECORE Black 1/8" (#17) 30 x 40 4.60 4.14 3.84 Black foam with a black paper front and back. 3/16" (#10) 30 x 40 7.30 6.57 6.10 Corrugated 24 x 36 1.45 1.31 1.22 GATORBOARD 30 x 40 1.95 1.76 1.64 Very strong, rigid fomecore board with industrial paper backing. 36 x 48 2.80 2.52 2.34 40 x 60 3.65 3.29 3.05 MULTIMEDIA ARTBOARD 48 x 96 8.50 7.65 7.10 A neutral pH, non-buckling painting board made of resin-saturated, Fomecore Fireproof cellulose fibers for use with a wide range of media. The vellum surface 3/16" 48 x 96 34.00 30.60 28.39 is usable on both sides and requires no surface preparation. Fomecore 3/16" Thick 8 x 10 1.20 1.08 1.00 POSTER BOARD 9 x 12 1.50 1.35 1.25 Inexpensive tagboard in 6, 14, and 28-ply. Used extensively for mock- 11 x 14 2.40 2.16 2.00 ups, mounting, model building as well as for posters. 16 x 20 2.75 2.48 2.30 Brown, Canary, Coral, Dark Blue, Green, Grey, Light Blue, Olive, 20 x 30 3.05 2.75 2.55 Orange, Red, White. 30 x 40 4.75 4.28 3.97 40 x 60 9.60 8.64 8.02 Taskboard 48 x 96 16.85 15.17 14.07 Architectural model-making board that is very easy to cut, sand, bend 1/2" Thick 48 x 96 37.50 33.75 31.31 and glue. 1/16" Thick. Fomecore Archival 3/16" Thick 32 x 40 10.60 9.54 8.85 40 x 60 16.40 14.76 13.69 Fomecore Black Scratch BoardS 3/16" Thick 20 x 30 3.95 3.56 3.30 32 x 40 7.80 7.02 6.51 ESDEE Commercial Grade Gatorboard Made in England. Clay-coated cardstock in inked (Black) or 1/2" Thick 48 x 96 110.00 99.00 91.85 uninked (White). For illustration and reverse drawing. Multimedia .025" thick. 8 x 10 7.56 Package of 5 Color Size List Sale 11 x 14 12.02 Package of 5 White 9 x 12 8.25 6.60 16 x 20 5.00 4.50 12 x 19 16.50 13.20 18 x 24 7.00 6.30 19 x 24 32.50 26.00 20 x 24 7.50 6.25 Black 9 x 12 8.65 6.92 22 x 30 10.00 9.00 12 x 19 16.85 13.48 Poster Board 19 x 24 33.95 27.16 White 6 ply 22 x 28 1.03 .93 .87 SCRATCHART Student Grade White 14 Ply 28 x 44 4.50 4.05 3.76 Inexpensive scratchboard for school and studio. 30 x 40 4.50 4.05 3.76 colors 6 Ply 22 x 28 1.55 1.40 1.29 Color Size Sale Taskboard 20 x 30 6.00 5.40 5.01 White 11 x 14 1.25 22 x 28 2.95 Black 11 x 14 1.50 22 x 28 3.50

136 b o a r d s

RISING MUSEUM BOARDS BAINBRIDGE ILLUSTRATION BOARDS 100% rag, neutral pH board used by conservators, artists & picture These popular illustration boards are respected by designers, artists, framers for mounting and matting of art work. Swatchbook $5.00. craftspeople and students for their reliability and consistency. Museum Board Size 1 25 100 500 #80 Cold Pressed Black 2 Ply 32 x 40 11.05 9.92 9.20 8.27 #172 Hot Pressed 4 Ply 32 x 40 22.10 19.85 18.42 16.54 White. Professional grade. A standard to designers & artists. 4 Ply 40 x 60 41.40 37.26 34.57 31.05 Cream, Ivory, Olde White, Polar White #89 Ebony 4 Ply 32 x 40 16.75 15.04 13.95 12.53 Smooth, black paper face with white paper backing. Fawn, Light Grey, Neutral Grey, Grey, Zinc #99 Premium Black on Black 4 Ply 32 x 40 17.70 15.93 14.78 13.28 Extra quality Cold Pressed: solid black on front, back & core. White, Warm White, Antique, Natural, Polar White 2 ply 32 x 40 8.40 7.53 6.98 6.27 4 Ply 32 x 40 16.75 15.04 13.95 12.53 4 Ply 40 x 60 31.35 28.21 26.17 23.51 Bainbridge - LETRAMAX ILLUSTRATION 8 Ply 32 x 40 42.10 37.88 35.14 31.57 #2000 Studio 8 Ply 40 x 60 79.10 71.19 66.05 59.33 Bright white, hot pressed surface made by Letraset. Cream 4 Ply 40 x 60 31.35 28.21 26.17 23.51 #4000 Premium Warm White Similiar to #2000 with clay-coated surface designed for inking. 4 Ply 48 x 96 85.05 76.54 71.01 63.78 4 Ply 60 x 104 114.75 103.27 95.81 86.052 Bainbridge - Letramax List Sale Conservation Board Size List Sale carton carton An economical, non-rag, neutral pH archival board. Bainbridge 80 Single Thick 15 x 20 3.71 2.97 185.50 (50) 139.13 Conservation Board Size 1 25 100 500 20 x 30 6.99 5.59 174.75 (25) 131.06 Sno-White, White 22 x 30 7.18 5.74 179.50 (25) 134.63 4 Ply 32 x 40 11.05 9.94 9.22 8.28 30 x 40 13.88 11.10 347.00 (25) 260.25 rising Photomount Board 80 Double Thick A 100% cotton, neutral pH board. Not buffered. 20 x 30 9.57 7.66 239.25 (25) 179.44 Photomount Board Size 1 25 100 500 Brite White Bainbridge 172 Single Thick 4 Ply 32 x 40 16.75 15.04 13.95 12.53 15 x 20 3.70 2.96 185.00 (50) 138.75 20 x 30 6.94 5.55 173.50 (25) 130.13 30 x 40 13.84 11.07 346.00 (25) 259.50

Bainbridge 89 Single Thick STRATHMORE ILLUSTRATION 15 x 20 2.75 2.20 137.50 (50) 103.13 100% cotton, white on white illustration board available in Regular 20 x 30 4.67 3.74 116.75 (25) 87.56 30 x 40 6.93 (25) 162.38 (Kid) and High (Hot Pressed) surfaces. 8.66 216.50 Bainbridge 99 Single Thick Strathmore Illustration List Sale 15 x 20 3.49 2.79 174.50 (50) 130.88 Size Sale carton carton 20 x 30 6.23 4.98 155.75 (25) 116.81 32 x 40 10.75 8.60 268.75 (25) 201.56 Lightweight Vellum 22 x 30 9.49 142.35 (15) 113.88 Letramax 2000 Studio Vellum Heavyweight 15 x 20 3.71 2.97 185.50 (50) 139.13 20 x 30 11.49 114.90 (10) 91.92 20 x 30 6.62 5.30 165.50 (25) 124.13 30 x 40 22.99 229.90 (10) 183.92 30 x 40 11.74 9.39 293.50 (25) 220.13 High Heavyweight 20 x 30 13.49 134.90 (10) 107.92 Letramax 4000 Premium 30 x 40 26.99 269.90 (10) 215.92 15 x 20 4.52 3.62 226.00 (50) 169.50 30 x 40 14.34 11.47 358.50 (25) 268.88

Polypropylene Corrugated Boards Archival corrugated made of polypropylene. Black Translucent Silver Grey White 2 mil - All Colors 32 x 40 18.75 4 mil - All Colors 32 x 40 18.75

137 T r a c e & G R A P H P A P E R S

Tracing Papers Clearprint #1000H Sulphite papers that have been made translucent by controlled drying 100% cotton drafting, tracing and layout paper. Made to appear as white processes and the addition of special sizings. as possible while retaining translucency without the use of chemical also see: Canson Opalux, Chartham Translucents, Cromatica, additives. Neutral pH. Gilclear, Wyndstone Vellum. Size 1 25 100 Borden & Riley 35 White / 35 Canary / 35 Autumn Sheets 24 x 36 2.30 2.07 1.92 Very thin tissue also known as flimsy or thumbnail sketch. Size List Sale Borden & Riley 51 - Extra clear transparent paper. Pads 8½ x 11 17.65 15.89 Borden & Riley 51H - Similar to 51, but slightly heavier. 11 x 17 34.85 31.37 Borden & Riley 90 17 x 22 65.40 58.86 90 gram. Withstands erasure and re-working. Neutral pH. Rolls 18 x 5 yards 12.10 10.89 Canson 90 Vidalon Tracing 24 x 5 yards 15.85 14.27 90gram.Very clear sheet formation. Neutral pH. 24 x 20 yards 50.15 45.14 Sheets Size 1 25 100 24 x 50 yards 120.15 108.14 Trace 51 18 x 24 .35 .32 .29 30 x 20 yards 57.90 52.11 Trace 90 19 x 24 1.00 .90 .84 30 x 50 yards 134.65 121.19 Canson 90 19½ x 25½ 1.90 1.67 1.55 36 x 5 yards 24.80 22.32 36 x 20 yards 66.40 59.76 Pads Size List Sale 36 x 50 yards 149.05 134.15 Trace 51 9 x 12 50 sheets 7.30 5.84 42 x 20 yards 80.60 72.54 11 x 14 9.92 7.94 42 x 50 yards 180.85 162.77 14 x 17 13.76 11.01 48 x 20 yards 92.65 83.39 19 x 24 24.55 19.64 48 x 50 yards 206.25 185.63 Trace 90 9 x 12 50 sheets 17.46 13.92 54 x 20 yards 104.30 93.87 11 x 14 23.75 19.00 60 x 20 yards 115.40 103.86 14 x 17 35.11 28.09 72 x 20 yards 138.50 124.65 19 x 24 65.29 52.23 Canson 90 9 x 12 50 sheets 23.60 18.88 11 x 14 31.10 24.88 14 x 17 47.10 37.68 19 x 24 81.05 64.84 Graph Papers Rolls Size List Sale Clearprint Gridded #1000H - 4, 8, 10 Trace 35A & C 12 x 50 yards 12.48 9.98 Non- repro pale blue grid on Clearprint Trace. 18 x 50 17.30 13.84 Please specify 4, 8, or 10 squares to the inch. 24 x 50 22.02 17.62 Sheets Size 1 25 100 Trace 35 White 12 x 50 yards 12.48 9.98 24 x 36 3.20 2.88 2.67 18 x 50 17.30 13.84 24 x 50 22.02 17.62 Size List Sale 30 x 50 27.59 22.07 Pad 8½ x 11 22.95 20.66 36 x 50 33.01 26.41 11 x 17 43.45 39.11 42 x 50 38.55 30.84 17 x 22 88.60 79.74 48 x 50 42.47 33.98 Rolls 36 x 20 yards 91.30 82.17 Trace 51 18 x 20 yards 10.26 8.21 42 x 20 yards 106.75 96.08 24 x 20 13.73 10.98 36 x 20 20.47 16.38 Cross Section and Quadrille 42 x 20 23.94 19.15 Ruled lines printed in blue on white paper. Trace 51H 18 x 20 yards 12.66 10.13 Specify Cross Section or Quadrille 4, 8 or 10 squares per inch. 24 x 20 16.98 13.58 36 x 20 25.49 20.39 Sheets Size 1 25 100 42 x 20 29.73 23.78 17 x 22 .60 54 48 x 20 29.73 23.78 Pad Sale 90 Trace 36 x 10 28.64 35.80 8½ x 11 30 sheets 7.25 36 x 20 69.45 55.56 11 x 17 30 sheets 11.90 36 x 50 168.44 134.75 42 x 10 41.91 33.53 Isometric Grid 11 x 17 30 sheet 13.25 42 x 20 80.83 64.66 42 x 50 196.54 157.23 Canson 90 36 x 10 yards 55.85 44.68 43 x 11 yards 62.25 49.80 VINTAGE TRACING LINEN Machine-made in U.S. in the 1940's. Transparentized architectural linen. Blue tint. 27 x 20 yards 25.00

138 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

AquaBee Bienfang GRAPHICS RAG #360 #808 Super Deluxe Sketch Spiral 100% cotton, visualizing tissue. Will not Heavyweight, neutral pH. paper with toothy bleed with pen or marker. Also used for finish. For drawing and watercolor. Spiral bound. platinum printing and other photo techniques. 60 sheets Sale Neutral pH. Tape bound. 6 x 9 14.75 50 sheets List Sale 9 x 12 21.50 9 x 12 12.78 10.22 11 x 14 29.95 11 x 14 17.56 14.05 14 x 17 43.95 14 x 17 24.89 19.91 19 x 24 48.22 38.58 AquaBee #892 Bogus Rough Sketch Pad Bienfang Note sketch Made of 100% post consumer waste, this rough Lined & Blank Combo finish, 70 pound paper is chemical free and Blank and lined sections on each page for biodegradable. Medium brown tone works well sketching and notation. Spiral bound. for charcoal and chalks and is used extensively 64 sheets List Sale for fashion design. Arches Watercolor Blocks 5½ x 8½ horizontal division 7.72 6.18 50 sheets Sale 100% cotton. Neutral pH. Bound on 4 sides 8½ x 11 - verticle division 11.17 8.94 9 x 12 8.95 Easily removed with a palette knife. 8½ x 11 - horizontal division 11.17 8.94 18 x 24 22.95 140lb. Hot Pressed 140lb. Cold Pressed 140 lb. Rough Borden & Riley 20 sheets List Sale #10 Penny Sketch Pads 7 x 10 38.85 29.14 60 pound, neutral pH. sketching paper with 9 x 12 47.30 35.48 light tooth. Tape bound. 10 x 14 57.50 43.13 100 sheets List Sale 12 x 16 69.05 51.79 9 x 12 11.42 9.14 14 x 20 89.25 66.94 11 x 14 16.16 12.93 18 x 24 126.75 95.06 14 x 17 22.50 18.00 18 x 24 38.71 30.97 Arches Drawing Borden & Riley White & Cream #15 "Tuppence" Drawing Spirals 100% cotton with a light texture. Neutral pH 70 pound lightly textured paper. Spiral bound. White is 180 gram, Cream - 200 gram. 30 sheets List Sale 16 sheets List Sale 9 x 12 7.17 5.74 9 x 12 21.95 17.56 11 x 14 10.88 8.70 10 x 14 29.95 23.96 14 x 17 15.33 12.26 18 x 24 23.97 19.18 Arches Sketch Laid 100% cotton with a light texture. Neutral pH Borden & Riley 105 gram. Laid finish. #20 Recycled Pads 20 sheets List Sale 60 pound, neutral pH. sketching paper 9 x 12 21.95 17.56 containing recycled fiber. Tape bound. 10 x 14 27.35 21.88 50 sheets List Sale 9 x 12 8.05 6.44 Arches OIl 11 x 14 11.30 9.04 100% cotton 140 Cold Press, pre-primed with 14 x 17 15.20 12.16 a clear coating for direct painting in oil without 18 x 24 27.17 21.74 losing the look and feel of the paper. Neutral pH. Borden & Riley 12 sheets List Sale #51 trace 9 x 12 19.95 15.96 50 sheets List Sale 12 x 16 34.95 27.96 9 x 12 7.30 5.84 11 x 14 9.92 7.94 14 x 17 13.76 11.01 Arches Watercolor 19 x 24 24.55 19.64 100% cotton 140 Hot Press 140 Cold Press, pre- primed with a clear coating for direct painting in Borden & Riley oil without losing the look and feel of the paper. #90 trace Neutral pH. 50 sheets List Sale 9 x 12 17.46 13.97 12 sheets List Sale 11 x 14 23.75 19.00 9 x 12 21.95 17.56 14 x 17 35.11 28.09 10 x 14 27.35 21.88 19 x 24 65.29 52.23

139 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Borden & Riley Borden & Riley #32 Hammermill Bond Pad #627 Rag Drawing Pad 32 pound, neutral pH. bond. Tape bound. Heavyweight, neutral pH. drawing paper with 50 sheets List Sale high rag content. Tape bound. 9 x 12 11.22 8.98 25 sheets List Sale 11 x 14 15.49 12.39 9 x 12 10.88 8.70 14 x 17 21.27 17.02 11 x 14 15.46 12.37 19 x 24 38.55 30.84 14 x 17 21.83 17.46 18 x 24 39.80 31.84 Borden & Riley #37 Boris Marker Pad Borden & Riley Kraft Pad Translucent, bleedproof paper. Tape bound. 60 pound, brown kraft. Tape bound. 50 sheets List Sale 50 sheets List Sale 9 x 12 9.12 7.30 9 x 12 9.22 7.38 11 x 14 12.72 10.18 12 x 18 16.21 12.97 14 x 17 17.28 13.82 18 x 24 31.22 24.98 19 x 24 30.50 24.40 Cachet CLASSIC Graph Spiral Borden & Riley Light weight pages with 4 x 4 grid pages. #39 Chalk White Bond Pad 80 pages List Sale 16 pound bond. Neutral pH. Tape bound. 5 x 7 18.85 15.08 50 sheets List Sale 7 x 10 24.25 19.80 9 x 12 6.96 5.57 11 x 14 9.25 7.40 Borden & Riley Cachet CLASSIC spiral 14 x 17 12.48 9.98 #280 artist Sketch Spirals Black pages Acid-free, spiral bound with 60lb., white pages. 19 x 24 21.91 17.53 60 pages List Sale 80 sheets List Sale 7 x 10 27.15 21.72 Borden & Riley 3½ x 4¾ 3.81 3.05 9 x 12 35.35 28.28 #100 Rough Cotton-Comp Pad 5½ x 8½ 8.74 6.99 #100 Smooth Cotton-Comp Pad 8½ x 11 13.84 11.07 Cachet CLASSIC spiral 100% cotton visualizing paper. Tape bound. 11 x 14 17.09 13.67 Ecru pages 14 x 17 23.62 18.90 50 sheets List Sale 60 pages List Sale 9 x 12 10.88 8.70 16.92 Borden & Riley 5 x 7 21.15 11 x 14 14.85 11.88 7 x 10 27.15 21.72 #400 White Speckle 14 x 17 20.10 16.08 9 x 12 35.35 28.28 19 x 25 37.08 29.66 Neutral pH. White flecked sketching paper. Tape bound. Cachet CLASSIC spiral Borden & Riley 25 sheets List Sale Grey pages 9 x 12 12.50 10.00 #116 Sketch Vellum Pad 60 pages List Sale Smooth 90 pound, neutral pH. Tape bound. 12 x 18 24.13 19.30 18 x 24 46.44 37.15 5 x 7 21.15 16.92 40 sheets List Sale 7 x 10 27.15 21.72 9 x 12 9.89 7.91 9 x 12 35.35 28.28 11 x 14 12.69 10.15 Borden & Riley #410 Grey Pastel Pad 14 x 17 17.25 13.80 Cachet Canvas Covered 18 x 24 30.31 24.25 Neutral pH. Grey sketching paper. Tape bound. Hard Bound Sketch 24 x 36 60.01 48.01 Cotton canvas “paintable” cover, White, acid- 25 sheets List Sale free paper. 9 x 12 12.72 10.18 Borden & Riley 110 pages List Sale #120 Bristol Plate & Vellum 12 x 18 24.66 19.73 18 x 24 45.99 36.79 5½ x 8½ 23.09 18.47 2-Ply Plate (smooth) or Vellum). Neutral pH. 8½ x 11 29.69 23.75 20 sheets List Sale Borden & Riley 9 x 12 11.41 9.13 Cachet Earthbound 11 x 14 15.70 12.56 #420 Black Pastel Pad Neutral pH. black sketching paper. Hard Bound Sketch 14 x 17 22.26 17.81 Kraft interior and cover. Acid-free paper. 19 x 24 41.16 32.93 Tape bound. 25 sheets List Sale 78 pages List Sale 9 x 12 13.97 11.18 5½ x 8½ 18.49 14.79 Borden & Riley 8½ x 11 25.45 20.36 #234 Paris Pad 12 x 18 27.03 21.62 Ultra-white, smooth bond paper that will not 18 x 24 52.44 41.95 bleed with markers. Neutral pH. Tape bound. 40 sheets List Sale 9 x 12 13.92 11.14 11 x 14 19.12 15.30 14 x 17 26.85 21.48 19 x 24 49.75 39.80 140 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Canson Central Clay Coat Pad Recycled Drawing Spiral Made exclusively for New York Central. White, acid-free 70 lb. drawing with recycled Neutral pH, 80 lb. clay coated paper for paper content. Perforated pages. Spiral bound. silverpoint, pencil and ink. 24 sheets List Sale 20 sheets Sale 9 x 12 7.70 6.16 4 x 6 4.75 11 x 14 10.35 8.28 6 x 9 8.00 14 x 17 13.65 10.92 9 x 12 15.00 18 x 24 21.05 16.84 11 x 14 20.00 14 x 18 27.00 Canson Mi-Teintes Pastel Pad 6 Assorted colors of rough pastel. Tape bound. CLEARprint Plain 24 sheets List Sale size List Sale 9 x 12 11.10 8.88 8½ x 11 17.65 15.89 12 x 16 17.85 14.28 11 x 17 34.85 31.37 Canson 17 x 22 65.40 58.86 Marker Pro Layout Pad Canson Bleedproof, transluscent marker. Tape bound. Mi-Teintes Clearprint GRIDDED 50 sheets List Sale Pad & Spiral size List Sale 9 x 12 13.10 10.48 Sheets with glassine interleaving to prevent 8½ x 11 22.95 20.66 11 x 14 17.95 14.36 smearing. Spiral bound. 11 x 17 43.45 39.11 14 x 17 24.90 19.92 24 sheet Pad List Sale 17 x 22 88.60 79.74 33.28 19 x 24 41.60 Black 9 x 12 11.10 8.88 16 sheet Spiral List Sale Canson White 9 x 12 with Glassine 17.50 14.00 Universal Sketch Spiral White, acid-free drawing. Spiral bound. COVENTRY RAG VELLUM Spiral Canson Made exclusively for New York Central. 100 sheets List Sale 90 Vidalon 5½ x 8½ 7.75 6.20 100% cotton, Neutral pH. Spiral bound. 50 sheets List Sale 9 x 12 12.95 10.36 25 sheets Sale 19.44 11 x 14 18.00 14.40 9 x 12 24.30 6 x 9 8.00 24.76 14 x 17 26.15 20.92 11 x 14 30.95 9 x 12 14.20 14 x 17 48.45 38.76 11 x 14 24.00 19 x 24 83.40 66.72 14 x 18 40.00 18 x 24 55.00

Claire Fontaine All Claire Fontaine notebooks use an acid free, 24 pound, extra white bond for the interior and are either ruled or gridded with pale violet. Heavyweight, laminated covers are moisture resistant and have multi-color, plaid designs. Ruled Wire bound Graph Wire Bound Side Spiral Sale 80 sheets Sale 3 x 4 - 50 sheets 8586 3.50 3½ x 5½ Top Spiral 8622 6.50 3½ x 5½ - 90 sheets 8506 3.75 4¾ x 6¾ - Side Spiral 8542 8.25 4¾ x 6¾ - 90 sheets 8606 5.50 6 x 8¼ - 90 sheets 8546 8.25 Cloth Spined Hard bound 8¼ x 11 - 50 sheets 68145 5.25 96 sheets Sale Top Spiral Sale 3¾ x 5½ - Ruled 9596 5.75 3 x 4 - 60 sheets 8556 5.00 6 x 8¼ - Ruled 69546 9.50 4¾ x 6¾ - 90 sheets 8646 7.00 6 x 8¼ - Graph 9542 9.50

Ruled Staple-bound Pamphlet 48 sheets Sale 3½ x 5½ 63596 2.25 4¾ x 6¾ 3606 3.50 6 x 8¼ 63686 4.50

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Daler Rowney Daler Rowney Canford Color Pad Simply Hardbound 3 sheets each of 10 different colors, 150 gram,. Bright White & Soft White Daler Rowney Raven Black 110 pages List Sale Black 150 gram, acid-free paper. Tape bound. 4 x 6 4.69 3.75 30 sheets List Sale 5½ x 8½ 7.15 5.72 8½ x 11 16.29 14.66 8½ x 11 11.85 9.48 11¾ x 16½ 29.79 26.81 11 x 14 18.75 15.00

Daler Rowney Cartridge Daler Rowney Drawing Pad Simply Spiral Smooth finish, white "cartridge"paper. For pen Bright White & Soft White and ink. Neutral pH. 80 pages List Sale 25 sheets List Sale 4 x 6 4.69 3.75 5¾ x 8¼ 7.69 6.92 5½ x 8½ 7.15 5.72 8¼ x 11½ 11.09 9.98 8½ x 11 11.85 9.48 11½ x 16½ 17.69 15.92 11 x 14 18.75 15.00

Daler Rowney Ivory Hard Bound Black Sketch Acid-free, smooth cream paper. 74 pages List Sale Fabriano 4 x 5 11.15 8.92 6 x 8 12.59 10.07 Artist's Soft Bound Journal II 8 x 12 17.89 14.31 Alternating signatures of white and ivory Fabriano Ingres. Neutral pH. Daler Rowney Ivory 192 pages List Sale Soft Bound Black Sketch 5 x 7 22.75 20.48 Acid-free, smooth cream paper. 7 x 9 29.95 26.96 74 pages List Sale Fabriano 3½ x 5½ 10.45 8.36 4 x 5 11.15 8.92 Drawing Spiral - 160 gram 6 x 8 12.59 10.07 60 sheets List Sale 8 x 12 17.89 14.31 5.9 x 5.9 17.15 15.44 5.8 x 8.25 13.00 11.70 8.25 x 5.8 13.00 11.70 8.25 x 11.7 24.45 22.01 Fabriano Artistico Extra White 11.7 x 8.25 24.45 22.01 Watercolor Blocks 11.8 x 11.8 31.75 28.58 100% cotton. Neutral pH. Bound on 4 sides. Easily removed with a palette knife. 140lb. Hot Pressed 140lb. Cold Pressed bound 4 sides List Sale 5 x 7 - 25 sheets 27.65 24.89 9 x 12 - 20 sheets 51.95 46.76 12 x 18 - 20 sheets 72.95 65.66 14 x 20 - 15 sheets 72.95 65.66

Fabriano Black Drawing Spiral 190 gram 40 sheets List Sale 5.9 x 5.9 17.15 15.44 5.8 x 8.25 20.30 18.27 Daler Rowney 8.25 x 11.7 29.65 26.69 Langton Watercolor 11.8 x 11.8 33.80 30.42 Neutral pH. Mouldmade, Bockingford watercolor paper. Spiral bound. Fabriano Bouquet Fabriano Quadrato Soft Bound 12 sheets List Sale Soft Bound Booklet Set Alternating signatures of white and ivory 5 x 7 9.99 7.99 7 books with a different paper in each. Fabriano Ingres. Neutral pH. 7 x 10 14.49 11.59 40 pages each List Sale 96 pages List Sale 9 x 12 16.79 13.43 Set of 7 - 4 x 5½ 36.35 32.72 6 x 6 16.75 15.08 10 x 14 20.99 16.79 9 x 9 20.75 18.68 12 x 16 27.85 22.28

142 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Fluid Watercolor Blocks 140 pound cold press watercolor, bound on 2 sides to help prevent buckling. Neutral pH. Fabriano Eco - Qua 15 sheets Sale Gridded Staple Bound 4 x 6 5.49 6.49 38 pages List Sale 4 x 8 Hand-Book Journal 6 x 6 7.49 8¼ x 11¾ 4.99 4.49 Hardbound with black, blue or green fabric 6 x 8 8.49 covers and cream, neutral pH pages , clear plastic 8 x 8 9.99 Fabriano Eco - Qua envelope inside and elastic closure. 6 x 12 10.99 Gridded Spiral Bound 9 x 12 13.99 128 pages Sale 70 pages List Sale 3½ x 5½ 12.99 5¾ x 8¼ 4.99 4.49 HahnemÜhle 5½ x 3½ - landscape 12.99 15.99 Bugra Butten Colors Pad 5½ x 5½ 5½ x 8¼ 17.99 Fabriano Eco - Qua Neutral pH paper 7 colors. Laid one side, wove 8¼ x 5½ - landscape 17.99 Dot Matrix - Glued the other. Interleaving between sheets. 90 pages List Sale 14 sheets List Sale 5¾ x 8¼ 4.99 4.49 Hand-Book Watercolor 9½ x 12½ 22.93 18.34 Journal 8¼ x 11¾ 8.99 8.09 26.62 12 x 16 33.28 Hardbound linen cover with elastic closure. Neutral pH lightly textured sheets. Fabriano Schizzi Spirals HahnemÜhle Ingres Pad 60 pages Sale Cream color 90 gram sheet with a fine texture. Neutral pH, fine laid paper in assorted tones. 8¼ x 3½ - landscape 12.99 Neutral pH, Spiral bound. 14 sheets List Sale 8¼ x 5¼ - landscape 16.99 100 sheets Sale 9½ x 12½ 19.31 15.45 8¼ x 8¼ - landscape 26.99 8 x 10 7.50 12 x 16 31.41 25.13 8¼ x 10½ 29.99 9 x 12 9.90 11 x 14 11.50 HahnemÜhle Nostalgie Pad 14 x 17 16.50 Neutral pH, Heavyweight, smooth finish. 50 sheets List Sale Fabriano 8½ x 11½ 12.71 10.17 Studio Watercolor Pad 11½ x 16½ 24.14 19.31 Hot Press & Cold Press 200 gram 16½ x 23 50.76 40.61 20 sheets List Sale 8 x 10 8.95 8.06 9 x 12 10.75 9.68 Hahnumuhle Postcards 11 x 14 14.65 13.19 Pre-cut & printed. Neutral pH. Cold Press. 30 sheets/metal tin list Sale Fabriano 4 x 6 20.45 16.36 Studio Watercolor Pad Hot Press old Press 300 gram HahnemÜhle Sumi-e Pad 12 sheets List Sale Absorbent, machinemade, neutral pH paper for 8 x 10 8.95 8.06 sumie techniques. 80 grams. White. 9 x 12 10.75 9.68 20 sheets List Sale 11 x 14 14.65 13.19 9 x 12¼ 23.41 18.73 12 x 16 36.30 29.04

HahnemÜhle Velour Pastel Pad Neutral pH velour paper - 10 colors. 10 sheets List Sale 9½ x 12½ 27.23 21.78 12 x 16 41.08 32.86 143 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Khadi Indian Soft Bound Sketch Handmade, 100% cotton rag pages and covers with 3 natural deckles and red end papers. Glued binding. Light texture, 150 gram. Neutral pH. 30 pages Sale 6 x 6 7.00 7½ x 7½ 10.00

Khadi Indian Hard bound Sketch Handmade, 100% cotton rag pages with 3 natural deckles. Hard covers wrapped with Bhutanese paper. Smooth surface, 210 gram. Neutral pH. Holbein Watercolor 32 pages Sale Hard Bound Books 6¼ x 5 - landscape 16.50 Heavy-weight pages, sized for watercolor. Tie 9¾ x 8¼ - landscape 28.00 closure. Neutral pH. 12½ x 5 - landscape 25.00 45.00 Albireo - Soft white with a rough surface. 13¾ x 11 - landscape Holbein Clester - Soft white cold pressed surface. Multi-Drawing Book #33 Strathmore - White cold pressed surface. Medium-weight, soft white sheet with slight tooth. Spiral bound with tie closures. 20 sheets List Sale Albireo #33 Landscape Multi-Drawing Books 6¼ x 8⅞ AP-SM 28.95 23.16 Golden-brown kraft, hard cover with tie closures. Clester 6¼ x 8⅞ CP-SM 33.00 26.40 28 sheets List Sale 9½ x 13 CP-4F 47.00 37.60 15.60 7 x 5 33YT 19.50 12½ x 16¼ CP-6F 53.00 42.40 9 x 6½ 33YK 22.60 18.08 11 x 8 33YC 28.00 22.40 Strathmore 6½ x 9⅜ IP-SM 46.00 36.80 #33 Verticle Multi-Drawing Books 9¾ x 13½ IP-F4 71.00 56.80 Kraft, burgundy or grey hard cover (all colors not available in all sizes.) 28 sheets List Sale 5 x 7 33T 19.50 15.60 6 x 9 33K 22.60 18.08 8 x 10 33C 26.75 21.40 9 x 13½ 33B 32.00 25.60 11 x 14 33A 35.00 28.00 13 x 16 33L 45.00 36.00 14¾ x 18 33S 52.95 42.36 15 x 21½ 33P 69.00 55.20 18 x 21½ 33H 90.00 72.00

#33 Square Multi-Drawing Books Indian red, hard covers. 28 sheets List Sale 8 x 8 33SQS 22.00 17.60 10 x 10 33SQM 29.00 23.20 Indian Handmade 12 x 12 33SQL 40.00 32.00 Eco-Friendly Pad 100% cotton, Indian handmade sheets. 3 #33 Mini Multi-Drawing Book Deckled edges, bound at top. Smooth surface. Indian red, hard cover without the tie closure. White or Cream. Japanese Accordion 28 sheets List Sale 50 sheets Sale Hard Bound Books 4 x 5 33Mini 15.95 12.76 5¾ x 8¼ 16.90 Double-fold, mouldmade paper. Cover wrapped 8½ x 11¾ - 23.60 with assorted colors of momigami or striped Traveler Multi-Drawing Book tie-dyed Japanese papers. Indian red, hard cover with tie closures. Same 20 faces Sale paper as above except that the botton half of the 3½ x 5 17.00 back of each sheet is lined to make notations. 3½ x 5 - with hand-dyed indigo cover 19.00 28 sheets List Sale 4 x 6½ 23.00 8¾ x 10½ 33STRVL 41.95 33.56 4 x 6½ - with hand-dyed indigo cover 25.00

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Kunst & Papier Middle weight, acid free, off-white paper made of high alpha cellulose is sturdy enough for all drawing techniques and light washes. Books have tab re-enforced spines that allow them to open flat without damage.

Hard bound Sketch Soft cover sketch Scuff resistant, synthetic linen cover. Corrugated embossed. cardstock covers with size Sale staple binding. 4 x 6 - 160 pages 14.99 36 pages Sale 5 x 8 - 176 pages 19.95 5¼ x 6¼ 3.99 8 x 5 - 176 pages 21.95 7¾ x 9¼ 6.99 8 x 11¾ - 112 pages 24.95 11¾ x 16½ - 112 pages 79.95 Jumbo Soft cover sketch 72 pages Sale Hard bound Pocket Book 6½ x 7¾ 9.95 Lama li Assorted color, synthetic linen covers. 8¼ x 5¾ 9.75 Thick Hard Bound journal 96 pages Sale 8¼ x 7¾ 10.95 Handmade Indian paper inside with torn edges. 3½ x 6 9.95 8¼ x 11½ 14.85 Neutral pH. Red or Midnight Blue cover. 120 pages List Sale Grey Binder board Sketch Economy Grey Soft cover 4 x 6½ 25.15 22.64 Binder's board cover with linen fabric re- 36 pages Sale enforced spine. Landscape formats. 6½ x 7¾ 3.75 144 pages Sale 7¾ x 8¼ 3.95 Lama li leather 5¾ x 4½ 11.99 8¼ x 5¾ 3.95 Soft Bound journal 8¼ x 5¾ 13.95 8¼ x 11¾ 4.95 Soft bound leather with tie closure. Nepalese 8¼ x 8¼ 17.99 paper inside with deckle edges. Neutral pH. 11¾ x 8¼ 20.99 100 pages List Sale 11 x 11 24.95 3 x 4 15.05 13.55 4 x 5 20.10 18.09 5 x 7 35.20 31.68 10 x 11 49.65 44.69

Lama li Hemp Soft Bound journal Soft bound, tri-fold jute cover with ribbon closure. Handmade, off-white paper inside with torn edges. Neutral pH. 150 pages List Sale 4½ x 6¼ 24.15 21.74 11 x 6¼ 40.25 36.23 Lama li Silk Sari Soft Bound journal Tri-fold book covered with multi-color, woven Lanaquerelle Blocks cords from vintage silk saris. Machine-made, 100% cotton. Neutral pH. Bound on 4 sides white laid paper. Neutral pH. 140lb. Hot Pressed 140lb. Cold Pressed 80 pages List Sale 20 sheets Sale 19.26 4 x 6 21.40 4 x 6 10.00 6 x 8¼ 32.00 28.80 145 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Newsprint Pads Rough finish newsprint. Tape bound. 100 sheets Sale 9 x 12 3.32 12 x 18 5.75 11 x 14 4.26 14 x 17 5.60 18 x 24 6.95 24 x 36 13.90

Magnani Italia COLD PRESS Magnani Annigoni Magnani Portofino Hot Press Heavyweight, 100% cotton light tan colored Watercolor Pads sheet with tiny flecks of black wool felting. Ideal 100% cotton. Neutral pH. Bound on 4 sides. for all drawing techniques and the cotton content 20 sheets Sale makes this paper strong enough for erasure and 4½ x 9 19.19 watercolor washes. Neutral pH. 6 x 6 16.93 20 pages Sale 6 x 15 40.24 7 x 10 26.49 8 x 20 55.74 9 x 11 30.13 8 x 8 35.51 13 x 17 57.39 12 x 12 51.96 17 x 22 85.74 Magnani Italia COLD PRESS Magnani Velata - 140 gram Magnani Portofino Hot Press Mouldmade in Italy of 100% sulphite. Cream Watercolor Blocks color sheet with a laid surface and a fine texture 100% cotton. Neutral pH. Bound on 4 sides. that accepts all drawing techniques and light 20 sheets Sale washes. Available in two weights. Neutral pH. 7 x 10 25.05 Michael Roger Decomposition 25 pages Sale 9 x 12 33.63 Lined Hard Bound 9¼ x 11½ 140 gram 11.90 12 x 16 51.15 Lined, white pages. Assorted cover designs: 13¾ x 17¾ 140 gram 19.60 14 x 20 72.66 80 pages Sale 3 x 4 Wood Grain 2.70 Magnani Velata- 200 gram 5 x 7 Wood Grain 4.75 25 pages Sale Maruman Croquis Spiral 7½ x 9¾ Assorted 6.50 9¼ x 11½ 200 gram 14.10 Kraft cardstock cover with text paper inside 13¾ x 17¾ 200 gram 23.60 80 sheets Sale Michael Roger Press 17¾ x 22 200 gram 33.20 6 x 4 S161 white pages 4.50 Jumbo Black Wrapped Spirals 6 x 4 S162 cream pages 4.50 Acid free white bond pages. 3" spiral binding. Magnani Pescia Block 10 x 8 SS white pages 9.95 500 sheets Sale 00% cotton, mouldmade sheet from Italy 12 x 10 SM white pages 10.98 7 x 10 Plain 20.00 with a smooth surface. Not actually made for 11 x 14 SL white pages 12.98 7 x 10 Lined 26.00 watercolor, Pescia is lightly sized providing an absorbent surface for drawing and printing. Maruman croquis GRidded Michael Roger Because this sheet has been bound on all four Cardstock cover. 3/8" square gridded pages. Cork Journals sides like a watercolor block, it is also ideal for 58 Sheets Sale 50 pages Sale direct watercolor techniques where one wishes 8 x 11½ S237 14.50 3½ x 5½ - Lined to hold the brush stroke. Easily removed with a 9.00 palette knife, the block format keeps the paper 5 x 8 - Lined 16.00 from buckling. Neutral pH. 5 x 8 - Plain 15.00 20 pages Sale Masters Hard Bound 7 x 10 18.70 BLACK book Michael Roger 9 x 12 24.75 Hardbound, black leatherette cover. Smooth Dispatches Journals 12 x 16 38.65 white bond interior. Neutral pH. 50 pages Sale 14 x 20 52.60 110 pages Sale 3½ x 5½ - Lined 9.00 7 x 7 9.00 3½ x 5½ - Plain 8.00 10 x 10 15.60 5 x 8 - Lined 14.00 18 x 24 72.50 5 x 8 - Plain 13.00 146 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Quattro GRidded Perforated bond-weight paper printed with cross section grid. 100 sheets Sale 2½ x 3½ 35529 2.69 3½ x 5½ 35530 3.29 4½ x 5½ 35531 3.89 3½ x 8¼ 35532 4.29 5½ x 8½ 35533 6.49 8½ x 12 35534 10.99

Rhodia Gridded Pads Gridded, white pages, 5 squares per inch. perforated for easy removal. Tape bound. 80 sheets Sale 2 x 3 1.65 3 x 4 2.00 3¼ x 4¾ 2.75 3 x 8½ 3.25 Moleskine 4 x 6 3.25 Made in Italy following designs created two centuries ago, Moleskine notebooks and sketchpads have 4¼ x 6¼ 4.00 been used by artistssuch as Van Gogh, Matisse and Hemmingway. Hardbound books are made with 5¾ x 5¾ 5.00 a sturdy, water-resistant black cover that has an elastic strap to keep it securely closed. The back cover 6 x 8¼ 5.50 also holds an inside pocket to put loose cards and papers. Cardstock is used for the soft cover booklets. 8¼ x 8¼ 8.00 Plain Journal Sketchbook 8¼ x11¾ 9.00 Lined Journal Smooth, heavyweight pages. Hard, Black cover. 8¼ x 12¼ 10.00 Gridded Journal 40 heavyweight pages Sale Off-white lightweight pages. 3½ x 5½ 13.00 Rhodia Dotted Please specify Plain, Line or Grid. 5¼ x 8¼ 19.00 80 sheets Sale 96 pages Sale 8¼ x 11½ - A4 29.95 3¼ x 4¾ 2.75 3½ x 5½ 13.00 11¾ x 16½ - A3 40.00 6 x 8¼ 5.50 5¼ x 8¼ 18.20 8¼ x11¾ 9.00 8¼ x 11½ - A4 24.95 Watercolor Sketchbook 12½ x 16½ 16.00 Heavyweight medium tooth pages sized for Cahiers Plain 3 Booklet Set watercolor. Landscape format. Black or Kraft Cardweight Cover 40 heavyweight pages Sale 80 lightweight pages each booklet Sale 5½ x 3½ 13.00 3½ x 5½ 9.00 8¼ x 5¼ 19.00 5¼ x 8¼ 13.00 8¼ x 11½ - A4 29.95 7½ x 9¾ 19.00 11¾ x 16½ - A3 40.00

Cahiers Lined & Gridded Storyboard Journal 3 Booklet Set - Black Cardweight Cover Sheets divided into two and four frames for 30 pages each booklet Sale sketch and notes. 3½ x 5½ 9.00 80 heavyweight pages Sale 5¼ x 8¼ 13.00 3½ x 5½ 13.00 8¼ x 5¼ 19.00 Plain Reporter's Journal Bound on the short side. Hard cover. Music Book Lightweight sheets with 5 line music staves. 96 pages Sale 5½ x 3½ 13.00 192 pages Sale 8¼ x 5¼ 18.20 3½ x 5½ 13.00 8¼ x 5¼ 19.00 Japanese Accordion Heavyweight paper with 30 folded pleats. Memo - Pockets Six pocket expandable folder to hold clippings, 60 sides Sale Saint Armand cards and other flat objects. 3½ x 5½ 13.00 Canal Pads 8¼ x 5¼ 19.00 6 pockets Sale 100% cotton, cold pressed, mouldmade paper 3½ x 5½ 13.00 with remarkable strength. Neutral pH. White. Address Book 5¼ x 8¼ 18.20 Both pads bound on 9" side. Pages with A-Z labeled finger tabs. size Sale 96 pages Sale 4½ x 4½ - 60 sheets 16.00 3½ x 5½ 13.00 9 x 9 - 60 sheets 35.00 5¼ x 8¼ 19.00 9 x 20 - 30 sheets 35.00 147 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Stillman & Birn Alpha & Gamma Hardbound Heavyweight, neutral pH pages with a light tooth for a wide range of techniques. Alpha - white paper. Gamma - ivory paper. 62 sheets - 150 gram Sale 4 x 6 12.99 5½ x 8½ 18.99 9 x 6 21.99 T.H.Saunders Watercolor Pads 8½ x 11 24.99 90lb. Hot Pressed 11 x 14 37.99 90lb. Cold Pressed Made exclusively for New York Central. Stillman & Birn 100% cotton sized for watercolor.Neutral pH. Beta & Delta Hardbound 20 sheets Sale Extra-heavy, neutral pH pages with a light tooth. 3 x 5 4.20 Beta - white paper. 4 x 6 4.70 Delta - ivory paper. 5 x 7 5.90 26 sheets - 270 gram Sale 6 x 9 13.50 5½ x 8½ 20.99 8 x 8 15.75 8½ x 11 27.99 8 x 10 17.70 8½ x 11 17.70 Stillman & Birn 11 x 14 23.25 Epsilon Hardbound Heavyweight, neutral pH pages with a smooth T.H.Saunders Watercolor Pads finish. White paper. 140lb. Hot Pressed 62 sheets - 150 gram Sale 140lb. Cold Pressed 5½ x 8½ 18.99 Made exclusively for New York Central. 8½ x 11 24.99 100% cotton sized for watercolor.Neutral pH. sennelier Calligraphy 20 sheets Sale Acid-free, ivory pages with a soft vellum surface Stillman & Birn 5.95 4 x 6 designed for all calligraphy inks.Tape bound. Zeta Hardbound 5 x 7 7.50 35 sheets List Sale Extra-heavy, neutral pH pages with a smooth 6 x 9 12.40 finish. White paper. 20.15 8¼ x 11½ 20.65 18.59 8 x 8 26 sheets - 270 gram Sale 8 x 10 22.65 5½ x 8½ 20.99 9 x 12 23.00 sennelier D1 Esquisse Sketch 8½ x 11 27.99 11 x 14 29.85 Acid-free, white pages bound with hard, kraft 12 x 12 45.40 colored covers. Unique, ring binding. 47.75 12 x 16 50 sheets List Sale 4 x 6 10.85 9.77 Stonehenge White 6 x 9½ 18.15 16.34 Stonehenge Cream Spirals 9½ x 13½ 29.15 26.24 100% cotton, heavyweight. Neutral pH. Double wire, spiral bound with plain, heavy book board sennelier C4 Esprit du Pastel cover and back. Acid-free, felt grey pages with glassine 32 sheets Sale interleaving to protect from smearing. Spiral. 7 x 7 15.60 25 sheets List Sale 9 x 12 23.60 6 x 9½ 30.90 27.81 11 x 14 30.80 9 x 13½ 53.50 48.15 14 x 18 52.40 6 x 15 22.00

Stonehenge Multi Pads 100% cotton, neutral pH. 3 sheets each warm Square pads white, natural, cream, fawn and grey Stonehenge. Made exclusively for New York Central. Tape bound. Neutral pH, white 60 lb. paper 15 sheets Sale Sennelier Aquarelle Blocks 125 sheets Sale 5 x 7 7.95 100% cotton. Neutral pH. Bound on 4 sides, 4 x 4 2.70 9 x 12 14.40 easily removed with a palette knife. 6 x 6 4.70 10¾ x 14 19.95 20 sheets List Sale 8 x 8 6.30 4¼ x 5¾ CP 16.95 15.26 10 x 10 9.50 Stonehenge Kraft Pads 5¼ x 8¼ CP 30.35 27.32 12 x 12 12.90 4¼ x 9½ CP 23.00 20.70 15 sheets Sale 4¼ x 5¾ HP 16.95 15.26 9 x 12 21.00 4¼ x 9½ HP 23.00 20.70 11 x 14 30.00 148 B o u n d B o o k s / B L o c k s / P A D S / S P I R A L S

Strathmore 400 series DRAWING Spiral Neutral pH, off-white with an light tooth. 24 sheets List Sale 4 x 6 3.19 2.55 6 x 8 4.35 3.48 8 x 10 5.99 4.79 9 x 12 7.29 5.83 11 x 14 9.95 7.96 12 x 18 11.09 8.87 14 x 17 13.25 10.60 18 x 24 19.99 15.99

Strathmore 500 series Bristol Sumi-e Pads Vellum & Plate Spiral Machinemade, student-grade Japanese paper 100% cotton, neutral pH., 2ply bristol. for sumi-e painting and block printing. White. 15 sheets List Sale 48 sheets Sale 11 x 14 - Vellum 23.99 19.19 9 x 12 9.35 14 x 17 - Vellum 33.89 27.11 12 x 18 14.90 11 x 14 - Plate 25.99 20.79 14 x 17 - Plate 36.49 29.19 WOLF KAHN PASTEL Somerset Strathmore Made exclusively for New York Central. Venezia art 500 series CHARCOAL White 100% cotton, mouldmade Somerset Textured. Hard Bound Journal 100% cotton, white laid paper with raised tooth. Recommended by Wolf Kahn for pastel. Neutral Neutral pH. Spiral bound. pH. Spiral bound. Hardbound covered with red and cream 24 sheets List Sale decorative paper wrap and burgundy linen spine. 25 sheets Sale 200 gram, Fabriano Accademia pages with cold 9 x 12 9.29 7.43 4 x 6 6.00 pressed surface. Neutral pH. 12 x 18 15.69 12.55 6 x 9 9.00 48 pages List Sale 18 x 24 26.49 21.19 9 x 12 20.00 14.18 11 x 14 28.00 4 x 6 15.75 20.48 Strathmore 14 x 18 50.00 6 x 9 22.75 30.38 500 series CHARCOAL Tints 14½ x 22 55.00 9 x 12 33.75 100% cotton, assorted colors of laid paper with raised tooth. Neutral pH. Spiral bound. 24 sheets List Sale 9 x 12 10.29 8.23 12 x 18 16.99 13.59 18 x 24 27.79 22.23

Strathmore Postcards Pre-cut postcards with printed lines for address. 140lb. Cold Pressed. Neutral pH. 15 sheets List Sale 4 x 6 5.89 4.71

Strathmore 400 series WATERCOLOR Neutral pH., off-white watercolor paper with a Yupo rough surface. Spiral bound. 100 % Synthetic paper with a smooth surface. 12 sheets List Sale Will not absorb water - will not buckle! Yuemei Chinese Hard Bound 9 x 12 9.99 7.99 Yupo allows for unusual techniques. Color can Che-leaf Accordion Books 11 x 15 13.29 10.63 be washed away completely when dry. Use a wet Double-fold, handmade paper. Assorted covers. 12 x 18 17.69 14.15 swab to "draw back into" colors. Fixatives can 20 faces Sale 15 x 22 23.59 18.87 be used to prevent solubility. 4 x 5 11.50 18 x 24 29.99 23.99 Yupo Opaque 5 x 7 17.00 12 sheets Sale 8 x 8 27.00 Strathmore Art Papers 5 x 7 5.35 40 sheets List Sale 9 x 12 14.05 Yuemei Chinese Hard Bound 9 x 12 6.49 5.19 11 x 14 20.10 Che-leaf accordion albums 12 x 18 11.59 9.27 Yupo Translucent White, Black or Red silk brocade covers with a 12 sheets Sale bone clasp closure. 9 x 12 15.40 20 faces Sale 11 x 14 24.35 7 x 7 20.50 8 x 8 27.50 149 s t a t i o n e r y

Magnani Arturo - Whites & Colors Mouldmade in Italy from 100% high alpha cellulose. Neutral pH. 260 gram cards /120 gram envelopes. Lavender light Blue pale Green pink soft White stone Grey yellow White Note: Master sheets of Arturo are also available - see Magnani Arturo in the European & Americas section of this catalog. Item description Size 1 100 500 1000 800 e euro- style Wedding Envelope to hold envelope 700EWG 6½ x 8½ 1.08 .77 .72 .65 700 EWg euro- style Wedding Envelope with unglued flap. 6¼ x 8¼ .98 .71 .66 .59 700 E euro- style Wedding Envelope 6¼ x 8¼ 1.11 .80 .74 .66 700 s single "Euro- style" Wedding Card 6 x 8 .52 .38 .35 .31 700 lc folded "Euro- style" Wedding Card 7¾ x 11¾ .82 .59 .55 .49 600 e invitation Envelope 4¾ x 7 .66 .47 .44 .39 600 s single Invitation Card 4½ x 6¾ .31 .22 .20 .18 600 lc folded Invitation Card 6¾ x 9 .48 .35 .32 .29 600 ac long Folded Invitation Card 4½ x 13½ .48 .35 .32 .29 500 e r.S.V.P. Envelope 3½ x 5½ .48 .35 .32 .29 500 sc single R.S.V.P. Card 3¼ x 5¼ .22 .16 .15 .13 500 lc folded R.S.V.P. Card 5¼ x 6¾ .46 .33 .31 .28 400 e calling Card Envelope 2¾ x 4 .45 .32 .30 .27 400 sc calling Card 2½ x 3¾ .28 .20 .19 .17

Magnani Arturo - White & Soft White Specialty Cards & Envelopes Item description Size 1 100 500 1000 7 SQE Wedding Envelope 7½ x 7½ 1.40 1.01 .94 .84 7 SQEWG Wedding Envelope with unglued flap 7¼ x 7¼ 1.40 1.01 .93 .84 7 SQS Wedding Card 7 x 7 0.70 .50 .46 .42 6 SQe invitation Envelope 6½ x 6½ .89 .64 .59 .53 6 SQs single Invitation Card 6¼ x 6¼ .56 .40 .37 .34 6 SQlc double Invitation Card 6¼ x 12½ .48 .35 .32 .29 5 SQe r.S.V.P. Envelope 5½ x 5½ .88 .63 .59 .53 5 SQsc single R.S.V.P. Card 5¼ x 5¼ .40 .29 .27 .24 5 SQlc double R.S.V.P. Card 5¼ x 10½ .78 .56 .52 .47 750 gc gate Fold Heavyweight Folded Card (fits 700E Envelope) 7½ x 12 1.80 1.30 1.20 1.08 650 tc tea Invitation Heavyweight Single Card 4 x 9 .75 .54 .50 .45 650 e tea Invitation Envelope 4.25 x 9 1.54 1.11 1.03 .93 550 MC Monarch Heavyweight Card 3 x 7 .57 .41 .38 .34 550 E Monarch Envelope 4 x 7.5 1.24 .89 .83 .74 450 pc heavyweight Place Card 4 x 4 .33 .24 .22 .20 900 ah letter - Soft White Only 8¼ x 11½ .61 .44 .41 .37 900e letter Envelope - Soft White Only 4½ x 8½ .78 .56 .52 .47

Fabriano Medioevalis Mouldmade in Italy from 100% high alpha cellulose with an off-white, cold pressed surface and torn edges. Neutral pH. Description Size 1 100 500 1000 206 e invitation Envelope 4½ x 7 .80 .57 .53 .48 206 s single Invitation Card 4½ x 6¾ .37 .27 .25 .22 206 L folded Invitation Card 6¾ x 9 .59 .42 .39 .35 206 A long Folded Invitation Card 4½ x 13½ .59 .42 .39 .35 207 E euro- style Wedding Envelope 6¼ x 8¼ 1.20 .86 .80 .72 207 s single "Euro- style" Wedding Card 6 x 8 .63 .46 .42 .38 207 l folded "Euro- style" Wedding Card 8 x 12 1.00 .72 .67 .60 208 e r.S.V.P. Envelope 3½ x 5½ .57 .41 .38 .34 208 S single R.S.V.P. Card 3¼ x 5¼ .27 .20 .18 .16 208 L folded R.S.V.P. Card 5¼ x 7 .56 .40 .38 .34 209 E calling Card Envelope 2¾ x 4 .55 .39 .37 .33 209 S calling Card 2½ x 3¾ .34 .24 .23 .20

150 Paper is fragile ! No returns or exchanges are allowed. TWINROCKER Stationery The finest handmade stationeries made in the style of 18th Century Europe, from 100% cotton. Each note and envelope is hand formed with natural deckle edges. This versatile stationery may be used for correspondence, announcements, invitations, hand painted cards. The paper is lightly sized with a fine tooth for calligraphy, printing and for small works of art.

Handmade Sheets & Envelopes Large Deckle Notes and Envelopes Elegant sheets and envelopes designed to be used Notes in different sizes and styles with feather deckles. individually or as a wedding set. Available in Sweet Cream and White. Sweet Cream White. Description Size /Inches 1 100 Description Size /Inches 1 100 Circle Note 6" diameter 2.80 2.34 RSVP Note 4½ x 6¼ 1.30 1.07 Square Note 6 x 6 2.80 2.34 RSVP Envelope 3½ x 5 1.65 1.39 Heart Note 6" high 2.80 2.34 Invitation Note 6 x 8¾ 1.95 1.62 Square Envelope 7 x 7 3.50 2.92 Invitation Envelope 4¼ x 6¼ 2.10 1.75 Note 6 x 8 2.80 2.34 Large Outer Envelope 4¾ x 6¾ 2.85 2.39 Envelope 7 x 9 3.50 2.92 Letter Sheet 7 x 10 2.00 1.65 Letter Envelope 4 x 7¾ 2.40 1.99

AMALFI Stationery Handmade from 100% cotton in Amalfi, Italy in a mill that has been producing papers since the 14th Century. The mill uses traditional methods and craftsmanship of papermaking that have been employed since the Middle Ages. Amalfi paper is a light cream with a soft feel and a cold pressed texture. All sheets and envelopes have deckle edges. Neutral pH. Item S size 1 100 500 1000 Flat Cards (Invitation) 4½ x 6½ 1.05 .63 .58 .53 Double Flat Cards (Invitation) Folds to 4½ x 6½ 1.35 .81 .75 .68 Envelope 4¾ x 6¾ 1.35 .81 .75 .68

Long Flat Card 4¼ x 8 1.20 .72 .67 .60 Double Long Flat Card Folds to 4¼ x 8 1.50 .90 .84 .75 Envelope 4½ x 8¼ 1.50 .90 .84 .75

Informal Note (Double RSVP) Folds to 3¼ x 5 1.05 .63 .58 .53 RSVP Card 3¼ x 5 .90 .54 .50 .45 RSVP Envelope 3½ x 5¼ 1.05 .63 .58 .53

Amalfi Watermark Stationery Light 8¼ x 12¼ 1.35 .81 .75 .68 Amalfi Watermark Stationery Heavy 8¼ x 12¼ 1.65 .99 .92 .83 Envelope (Fold sheets in thirds) 4¼ x 8½ 1.50 .90 .84 .75 Envelope (Fold sheets in half) 6½ x 9 1.80 1.08 1.00 .90

Angel Watermark Stationery (Lightweight sheets) 8¾ x 12¼ 1.35 .81 .75 .68 Angel Watermark Wedding (Heavyweight sheets) 8¾ x 12¼ 1.65 .99 .92 .83 Envelope (Fold sheets in quarters) 4¾ x 7 1.35 .81 .75 .68 Envelope (Fold sheets in half) 6½ x 9 1.80 1.08 1.00 .90

Wedding Cards (Heavyweight - two deckles) 6¼ x 8¾ 1.50 .90 .84 .75 Envelope 6½ x 9 1.80 1.08 1.00 .90

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 151 o r i g a m i p a p e r s

Kotobuki Origami Name Description Item# shts/Pkg. Size/Inches price Traditional Japanese Prints Wazome & Unryu Light colored, hand-printed Japanese patterns. #080 20 6 x 6 9.00 Washi Chiyogami Machine printed. Small, traditional Japanese designs. #091 48 6 x 6 6.00 Yuzen & Mingei Rich, hand-printed traditional Japanese designs. #104 20 6 x 6 6.00 Aizome Washi Hand-printed indigo and white patterns. #107 20 6 x 6 7.50 KTC Yuzen Assortments hand-printed patterns of flowers, birds & geometric shapes. #226 20 6 x 6 12.00 KTC Yuzen Assortments hand-printed patterns of flowers & geometric shapes #237 20 6 x 6 12.00 KTC Yuzen Assortments hand-printed Katazome floral motifs. #238 10 6 x 6 8.00 Washi Chiyo Assorted small patterns. #512 360 3 x 3 12.00 Te-Aizome Hana Assorted silkscreened patterns in blues, whites and gold. #532 10 6 x 6 8.00 Sekka Sukashi Translucent white on white patterns. #530 45 6 x 6 10.00 Embossed Cloud Pastel color blends with embossed floral texture. #533 21 6 x 6 8.00 Mingei Haru Usagi Assorted dark colors with silver flowers and gold rabbits. #535 36 6 x 6 4.00 Warabe Children Bright colors printed with children in kimonos. #597 10 6 x 6 8.00 Kamakura Sakura Lacquer-like, glossy red & black embossed with cherry blossoms. #701 36 6 x 6 4.00 Kamakura Dragonfly lacquer-like, glossy red & black embossed with dragonflies. #702 36 6 x 6 4.00 Kamakura Maple Lacquer-like, glossy red & black embossed with maple leaves. #703 36 6 x 6 4.00

Geometric & Modern Designs Corona Harmony Blurry, multi-color radiating suns. #162 25 6 x 6 2.00 Clean Harmony Blurry, multi-color radiating diamonds #165 55 6 x 6 4.50 Rainbow Stripes Thin stripes of red changing to orange, yellow, green, blue, violet #287 40 6 x 6 4.00 Kyo Yuzen Assorted shimmering, irridescent diagonal stripes. #541 10 6 x 6 10.00 Shima Yuzen Assorted color hand printed yuzen with stripe pattern. #542 10 6 x 6 10.00 Ori Cube Printed geometric optical patterns. #548 36 6 x 6 4.00 Shima Hosogake Fine, linear pattern with subtle color palette. #553 28 6 x 6 4.00 Shima Futogake Linear pattern with bold color palette. #554 28 6 x 6 4.00 Suisai Shima Assorted colors in hazy, linear pattern. #555 36 6 x 6 4.00 Hana Bokashi Assorted colors, fold-dyed pattern. #559 40 6 x 6 4.50 Yosumi Bokashi Chiyo assorted color, tie-dyed patterns #560 40 6 x 6 4.00 Irowaki Maru Maru Bold, dark color concentric circles on lighter color sheet. #561 32 6 x 6 4.00 Irowaki Kaku Kaku Bold, dark color concentric squares on lighter color sheet. #562 32 6 x 6 4.00 New Stone + Wood Small patterns of wood, stone, bricks. #564 40 6 x 6 4.00 Yume Irodori Momiji 4 color, textured sheets with small pattern of maple leaves. #568 28 6 x 6 4.00 Kotobuki Yuzen Gold Chinese characters on solid color sheets. #578 10 6 x 6 10.00 Merenge Pastel colors in a linear motif. #583 24 6 x 6 10.00 Duo Tairy Chiyo Multi color, blurred squares on white. #590 24 6 x 6 4.00 Magical Move Op-art, radiating checkerboard. #593 24 6 x 6 4.50 Pastel Checkerboard Blurred checkerboard of pastel colors on white. #700 28 6 x 6 4.00 Kasane Washi Checkerboard lace paper mounted on solid color. #704 12 6 x 6 6.50 Sugi Kodachi Pine needles on banded background. #713 16 6 x 6 12.00 Maple Washi Pale maple leaves on textured, rich color background. #720 20 6 x 6 8.50 Layered Plum Plum blossom lace paper mounted on solid color. #721 12 6 x 6 6.50 Layered Hemp Snowflake patterned lace paper mounted on solid color. #722 12 6 x 6 6.50

152 Paper is fragile ! No returns or exchanges are allowed. o r i g a m i p a p e r s & A S S O R T M E N T S

Name Description Item# shts/Pkg. Size/Inches price Metallic Embossed Foil Assorted Colors, single sided. #123 45 6 x 6 10.00 Don Haku Ryo Copper metallic with solid color back. #543 10 6 x 6 10.00 Asuka Momi Kin Gin assorted colors creped and streaked with gold or silver #547 10 6 x 6 10.00 Pearl Momi Washi Assorted colors with pearlized mica dust, lightly creped. #576 14 6 x 6 8.00 Mizore Chiyo Solid color, creped sheets rubbed with metallic gold. #579 10 6 x 6 10.00 Sunago Yuzen Textured colors with crackled pattern of metallic gold. #580 12 6 x 6 12.00 Gold Foil Gold foil on one side, white paper on the other. #859 50 6 x 6 4.00 Silver Foil Silver foil on one side, white paper on the other. #860 50 6 x 6 4.00 Duo Textured Gold / Red finely textured gold one side, on red paper #730 10 6 x 6 7.50 Solid Color Koma Colors Assorted bright solid colors, white one side. #052 245 2 x 2 2.00 Koma Colors Assorted bright solid colors, white one side. #053 110 3 x 3 2.00 Koma Duo Color Assorted bright solid colors, different color on each side. #060 20 6 x 6 2.00 Koma Colors Assorted bright solid colors, white one side. #197 13¾ x 13¾ KTC Color Assorted assorted bright solid colors, white one side. #136 402 6 x 6 36.00 Nippon No Iro Solid color, double-sided handmade sheets. #153 36 6 x 6 10.00 KTC Color Assorted assorted bright solid colors, white one side. #325 100 6 x 6 6.50 60 Color Assorted Multiple sheets of 60 solid colors, white one side. #735 500 6 x 6 22.00 Tant 12 Shade Blue 4 sheets each of 12 shades of double-sided blue. #736 48 6 x 6 8.00 Tant 12 Shade Green 4 sheets each of 12 shades of double-sided green. #737 48 6 x 6 8.00 Tant 12 Shade Red 4 sheets each of 12 shades of double-sided red. #738 48 6 x 6 8.00 Tant 12 Shade Yellow 4 sheets each of 12 shades of double-sided yellow. #739 48 6 x 6 8.00

Tamura Decorative Assortments Cut pieces of handmade and hand-dyed kozo papers made by Mr. Haruhito Tamura, a National Living Treasure of Japan. Tamura Itajime Kusakisome-shi Fold-dyed with organic vegetable dyes in tones of brown to burgundy. 6½ x 9½ - 16 sheets 13.00 Tamura Itajime-shi Lightweight Fold-dyed in linear patterns in assorted colors. 5 x 8 - 16 sheets 9.50 Tamura Tengujoushi Ultra-sheer sheets of dyed paper. 7½ x 11 - 16 sheets 19.00 Tamura Kozoshi Assorted, multicolor sheets. 9 x 12½ - 10 sheets 24.00 Tamura Rakusuishi Lace paper dyed in assorted, mottled tones. 10 x 12 - 10 sheets 16.50 Tamura Unryushi Unryu papers dyed in assorted, mottled tones. 9½ x 9½ - 10 sheets 16.50

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 153 b o o k C L O T H

World Cloth Book Cloth Exceptional quality fabrics made from blends of silk, cotton, linen, hemp and rayon. All paper backed, scratch and scuff resistant. Widths may vary from sizes listed below. If the width is critical to your calculations, please call for exact measurement. Swatchbook $30.00.

Code cloth Width yard ½ yd Code cloth Width yard ½ yd 103-2141 Mongura Ori Golden Crackle 40 25.73 14.15 541-52.5 Shantung SN Celery 38 19.43 10.68 103-4757 Mongura Ori Green Crackle 40 25.73 14.15 541-87.5 Shantung SN Plum 38 19.43 10.68 150-B Mikura Donsu Golden Brocade 40 32.55 17.90 541-89 Shantung SN Purple 38 17.85 9.82 176-C Mikura Donsu Blue Brocade 40 32.55 17.90 545-15Bk-W Neon Red Slub 40 22.58 12.42 201S-39 Sumida Ori Rust/Black 37 22.51 12.38 545-4124.5 Neon Copper Slub 40 22.58 12.42 310-30 Ornament Cloth Burgundy 36 18.38 10.11 620-31 Hijari Nashiji Cream 37 19.95 10.97 310-39.5 Ornament Cloth Rust 36 18.38 10.11 620-58 Hikari Nashiji Olive 37 19.95 10.97 310-Black Ornament Cloth Black 36 18.38 10.11 705-212.5 Neon Tsumugi Pink 37 32.34 17.79 331-1.5 Hosome Poplin Grey 42 17.33 9.53 705-6133 Neon Tsumugi Light Blue 37 32.34 17.79 341-1970 Mohair Claret 42 22.05 12.13 705-91 Neon Tsumugi White 37 24.15 13.28 341-39.5 Mohair Brick Red 42 22.05 12.13 708-17 Tsumugi Shantung Red 40 24.15 13.28 341-55.5 Mohair Pine Green 42 22.05 12.13 801S-91 Izumi Ori Black/White 37 19.95 10.97 341-62 Mohair Sage Green 42 22.05 12.13 810S-79 Musashi-Ori Blue 38 26.25 14.44 341-72 Mohair Deep Blue 42 22.05 12.13 840-91 Mafu Linen Light Tan 37 17.33 9.53 341-Black Mohair Black 42 22.05 12.13 845-91 Mafu Linen Natural 37 18.38 10.11 361-A Ginga Bronze 40 19.95 10.97 888-27 Edo Jyofu Brown (Hemp) 28 19.70 10.83 361-B Ginga Silver 40 19.95 10.97 888-54 Edo Jyofu Apple Green (Hemp) 28 19.70 10.83 361-D Ginga Rust/Blue 40 19.95 10.97 361-G Ginga Yellow/Blue 40 19.95 10.97 361-J Ginga Blue Gold 41 19.95 10.97 401-91 Ribbed Natural Cotton 41 17.85 9.82 405-White Kyojin Nakako Ori White 41 22.05 12.13 407-SBlack Black Cotton World Shark 41 23.10 12.71 421-91 Light Natural Cotton 41 22.58 12.42 The following cloths have been discontinued by the manufacturer. 511-17 Nep Shantung Brick Red 37 19.43 10.68 Some stock remains. 511-56.5 Nep Shantung Apple Green 37 19.43 10.68 Code cloth Width yard ½ yd 511-67 Nep Shantung Bright Blue 37 19.43 10.68 231-Black-W Saifu Black 43 12.12 6.66 520-02 Fushi Nep Ivory 42 22.58 12.42 310-7.50 Ornament Cloth Khaki Green 36 15.44 8.49 520-57 Fushi Nep Green 42 22.58 12.42 341-2179 Mohair Pumpkin 42 22.05 12.13 541-19 SN Shantung Red 38 17.85 9.82 431-11S Men Saifu Navy 41 15.83 8.71 541-2.5 SN Shantung Pale Taupe 38 17.85 9.82 431-20S Men Saifu Burgundy 41 15.83 8.71 541-46 SN Shantung Soft Gold 38 17.85 9.82 510-26 Nep Shantung Brown 37 15.98 8.79 541-47 SN Shantung Golden Yellow 38 17.85 9.82 510-60.5 Nep Shantung Olive Green 37 15.98 8.79 541-61 SN Shantung Sky Blue 38 17.85 9.82 510-64 Nep Shantung Turquoise Green 37 15.98 8.79 541-73 SN Shantung Midnight Blue 38 17.85 9.82 515-19.5 Shiro Nep Ori Deep Red 36 15.98 8.79 541-78 SN Shantung Indigo 38 17.85 9.82 515-65.5 Shiro Nep Ori Teal Blue 36 15.98 8.79 541-Black-W SN Shantung Black 38 17.85 9.82 515-82 Shiro Nep Ori Lavender 36 15.98 8.79 541-White SN Shantung White 38 17.85 9.82 520-46 Fushi Nep Golden 42 19.28 10.60 541-01 Shantung SN Grey 38 17.85 9.82 520-6.5 Fushi Nep Dark Taupe 42 19.28 10.60 541-27 Shantung SN Brown 38 17.85 9.82 550-46 Noil Golden Rib 37 22.05 12.13

Paper-backed Crash Filmoplast - T Soft, open weave cotton webbing backed with Japanese paper to provide color cotton tapes additional strength and support for sewing and gluing. 100% cotton, lightfast, archival tapes. Strong self-stick adhesive is 40" wide Sale permanently removable in water. For use in bookbinding and the restoration per yard 9.00 of old books. Also can be used as a decorative edging on paintings and other works. Simply peel off the protective backing and apply. Rolls are 33 feet long.

Black Blue Brown Grey Red White

Color Size price per Foot roll Black White 1.2" .90 19.10 Black White 2" 1.50 24.00 All Colors 3.1" 1.85 38.50

154 Paper is fragile ! No returns or exchanges are allowed. b o o k C L O T H

TexLibris Book Cloth Quality fabrics made in France. Special paper backing is milled to reduce grain direction, making these cloths exceptionally easy to fold and score. Ultra-durable, scratch and scuff resistant. Swatchbook $10.00. GTI is 100% rayon. TexLifil is 50% cotton/50% rayon.

Code gti 100% Rayon Cloth Width Yard ½ yd Code texLifil 50% Cotton Width yard ½ yd 506 Avalanche - Snow White 55 15.00 8.25 102 Brumaire -Ecru 39 15.00 8.25 509 Pain Brûlé -Toast Red Brown 55 15.00 8.25 103 Tramontane - Pale Blue 39 15.00 8.25 513 Ocean - Ocean Blue 55 15.00 8.25 106 Pavot - Poppy Red 39 15.00 8.25 515 Ombre - Shadow Black 55 15.00 8.25 107 Geranium - Bright Red 39 15.00 8.25 520 Terebinthe - Turpentine Yellow 55 15.00 8.25 112 Harpagon - Deep Gold 39 15.00 8.25 528 Asperge - Asparagus Off-White 55 15.00 8.25 114 Amadou - Pale Gold 39 15.00 8.25 538 Dragée - Sugarplum Pink 55 15.00 8.25 155 Salamandre - Raspberry 39 15.00 8.25 551 Buis -Boxwood Green 55 15.00 8.25 158 Porcelaine - Delft Blue 39 15.00 8.25 556 Antracite - Coal Dark Grey 55 15.00 8.25 162 Sycamore - Olive Green 39 15.00 8.25 564 Acier - Steel 55 15.00 8.25 175 Sangria - Wine 39 15.00 8.25 567 Turkish - Turquiose 55 15.00 8.25 194 Pivert - Woodpecker Teal 39 15.00 8.25 568 Ténère - Overcast Tan 55 15.00 8.25 196 Lichen - Pale Green 39 15.00 8.25 586 Chocolate 55 15.00 8.25 198 Amande - Almond Green 39 15.00 8.25 587 Cendre - Cinder Grey 55 15.00 8.25 592 Orange 55 15.00 8.25 597 Fuchsia 55 15.00 8.25 599 Violine - Purple 55 15.00 8.25

Code specialty Fibers Width yard ½ yd Lin/P Lin Toile - 100% Natural Linen 55 37.50 20.00 697 Jute Toile - 100% Jute 55 18.00 9.90

Yuemei Chinese Handwoven Silks & Satin Brocades Yuemei Satin Brocade Silk, satin, polyester and rayon blend brocades in traditional, Chinese patterns which have been mounted on paper. Copper Blossom Ocean Grey Peony Patterns Phoenix and Cloud Patterns Traditional Geometric Patterns Traditional Floral Traditional Landscape Patterns White Linen Weave Yuemei Satin Solids Lustrous satin fabric mounted on paper. Black Crimson Fuchsia Gold Lime Green Olive Green Orange Gold Pink Plum Royal Blue Silver White Yuemei Juan Silk Mounted 100% hand woven, starched silk mounted on paper. Almond Blue Ash Desert Bloom Golden Lavender Natural White Roseberry Purple Tender Grey

Yuemei Size 1 25 100 Traditional Geometric, Floral or Landscape 18 x 26 10.00 9.00 8.35 Satin Solids 26 x 36 19.50 17.55 16.28 All Other Brocades 26 x 36 19.50 17.55 16.28 Juan Silk Mounted All Colors 26 x 36 19.50 17.55 16.28 14.63 62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 155 b o o k b i n d i n g T O O L S / B U R N I S H E R S

Awl Made by C.S. Osborne & Co. of steel with clear, high-impact plastic handle. Scratch Awl sale crash - Tarleton #1 - 2½" 3.50 Starched crinoline used to reinforce the sewing #2 - 3½" 6.00 of signatures. 36" wide sale Awl Light Duty (Lineco) per yard 2.90 Steel needle on plastic handle. List Sale Headband Lineco Awl Light Duty 5.95 4.46 Cotton headband with navy ticked edge. ½" wide sale Awl Heavy Duty per yard 1.25 Strong, sharp steel needle on a strong metal handle or a ball-shaped, hardwood handle. Headband (lineco) Awls Lineco List sale Pre-packaged Cotton headband. Heavy Duty Metal Handle 14.25 11.40 Black, White or Red list sale Heavy Duty Ball Handle 13.75 10.31 ½" wide x 6" 4.77 3.58 Beeswax (Lineco) Micro-spatula Pure beeswax to wax threads for sewing. Fine, flexible, double-ended spatula helps to List Sale apply adhesives and handle delicate papers. 1 ounce 7.70 5.77 Lineco List Sale Micro-spatula 8.00 6.00 Book Tape (Lineco) 3/8" wide ribbon with finished edges made Needles of 100% linen. Round point carpet needles. 18 gauge, nickel List Sale plated steel. 1¾" Teflon Burnishers 3/8" x 60" 11.45 8.57 C.S. Osborne #515 sale & Tools Package of 25 11.25 White teflon folders and burnishers are Bone Clasps extremely durable and will not scratch or Natural clasps made in China of cow bone. Needles mar even the most delicate surfaces. Excellent Size Sale Blunt pointed needles 2⅛" for bookbinding, scoring and for hand 1" 1.20 Lineco List Sale printmaking techniques. 1¼" 1.50 Package of 5 7.05 5.30 1½" 1.80 Teflon FolderS pounce One square end, one pointed end. A fine powder that cleans and prepares papers Sale for inking. 5/8 x 5¾ x ¼" 20.00 Alvin List Sale 3/4 x 6 x ¼" 22.00 3 oz. tin with felt applicator 5.95 5.35 Teflon Delamination Tools Screwposts Tapered point one end, other rounded. Sale Aluminum screwposts and extensions. 3/4 x 6¼" 26.00 ¼" ⅜" ½" ¾" 1½ x 8 30.00 1" ½" extensions Bone FolderS / Horn Folder Each Sale Teflon Folding Rib Natural cow bone or ultra-strong, buffalo Any of the Above .45 Palm sized rounded end folding tool. sale horn pointed one end, rounded on the other. 2 x 4" 28.00 Thread (Lineco) Size Sale Unbleached linen thread. Teflon Smooth Burnisher 4" Mini 4.00 6" 5.50 List Sale Pointed dowel shape. sale 8" 6.50 50 yards 9.24 6.93 6 x ¼" diameter 12.00 6" Buffalo Horn 7.50 WEight Bags Teflon-coated Dental tool set Cotton bags with pellet weights . 4 Double-ended tools. sale Bone ScorerS Each List Sale Dental Set 25.00 Cow bone, sharper blade for scoring. ½ pound 8.83 6.62 Teflon-coated 4 spatulae set Size Sale 1 pound 10.45 7.85 1 micro spatula, 3 double ended mini tools. 4" 5.50 Offering 7 different shapes. sale Bone Point Turner 4 Tool Set 36.00 Cow bone. Teardrop with tapered pont. Teflon-coated Tweezer set Size Sale 4 Tweezers. sale 5" 5.50 Tweezer Set 30.00

156 Paper is fragile ! No returns or exchanges are allowed. P U N C H E S / L I N E N T A P E / C O R N E R S books on paper Linen Tape Acid-free cloth tape available Gummed with THE ART & CRAFT water-activated reversible adhesive. OF HANDMADE PAPER Gummed Lineco — Rolls list sale by Vance Studley. Illustrated guide to the 1" x 10 yd. 11.75 8.82 ancient art of making paper. Includes history 1" x 50 yd. 29.50 21.95 and techniques for making paper in all shapes 1" x 100 yd. 56.60 42.44 and sizes. 112 pages. Softbound. 1½" x 100 yd. 72.60 54.45 Each 10.95 2" x 100 yd. 97.50 73.20 3" x 100 yd. 155.40 116.54 Papermaking by Jules Heller. Papermaking techniques and Lineco Self Adhesive definitions along with photographs of unique White Linen Tape handmade papers, castings and sculptures by Self adhesive, archival white fabric tape with various artists. 216 pages. Hardbound. high tack adhesive reversible in mineral spirits. Each 29.95 White List Sale 1¼" x 400" 16.30 12.25 1¼" x 50 yd. 46.75 35.05 Non-Adhesive Binding by Keith Smith. A series of thee volumes Filmoplast Sh exploring non-adhesive binding techniques. Self adhesive, archival white linen fabric tape Volume I - Books without Paste or Glue with high tack adhesive. that is specially designed Bookbinding that only requires a needle, thread to remain reversible in water for easy removal. and simple tools. 320 pages. Softbound. Buffered with calcium carbonate. Archival Volume II - 1-2-3 Section Sewings SH— Rolls sale More non-adhesive binding techniques. 318 corners & Tabs 1.2" x 82 feet 32.50 pages. Softbound. Volume III - Exposed Spine Sewings Mylar self-fold corners 320 pages. Softbound. Pre-scored, self-sticking mounting corners. Box of 100 - Lineco list sale Structure of the Visual Book ⅞" 16.75 12.56 Volume IV by Keith Smith. Examples of bindings by 55 Paper corners Gummed book artists. Black, White, Kraft, Gold or Silver. Bag of 240 - Canson sale Text in the Book Format ½" 4.00 Volume V by Keith Smith. Conceiving text as a book Paper corners Self Adhesive experience rather than a running manuscript. Black or White. sale 240 pages. Softbound. Canson 252/pkg. 4.00

Volumes I - V Each 30.00 Clear Mylar Corners Box of 240 - Lineco list sale ½" 10.00 7.54 1⅜" 19.20 14.48 Japanese Polypropylene Corners Paper Screw Punch Polypropylene is a little less clear than mylar. Heavyduty metal shaft is spring loaded into a Available in two styles: regular and full view hardwood handle. Simply push down on handle which has a deeper pocket for a more secure fit. to bore holes. In addition to items listed on Each handle comes with a 3mm tip. these pages, many useful tools Polypropylene - Lineco list sale ⅝" 9.12 6.88 Item Sale for cutting, mounting, storing 1¼" 19.65 14.75 Japanese Screw Punch with 3mm tip 50.00 1¼" Full View 20.15 15.85 1mm Steel Tip 11.00 and transporting papers can be 3" 18.85 14.12 1.5mm Steel Tip 9.60 found in New York Central's 3" Full View 20.10 15.10 2mm Steel Tip 9.00 Fine Art Catalog 2.5mm Steel Tip 8.50 Mounting Strips 3mm, 3.5mm, 4mm Steel Tip 8.50 Archival mylar in 4-inch, self-adhesive strips. 4.5mm Steel Tip 8.50 Box of 60 - Lineco list sale 5mm Steel Tip 8.50 4" strips 16.95 12.75 Photo Tabs Double-stick adhesive in pre-cut pieces. 500 - ½" square. list sale Photo Tabs - roll form 6.15 4.61

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 157 T A P E S / A D H E S I V E S

Adhesives - Neutral pH For a complete listing of adhesives and products for Glue Sticks Watersoluble, starch-based adhesives. mounting and sizing please Each Sale refer to New York Central's .28 ounce 1.15 Fine Art Catalog .74 ounce 2.45 1.27 ounce 3.50 Jade Adhesive Japanese Dry Tear Neutral pH polyvinyl emulsion. Permanent, Assorted Acid free Tapes Hinging Paper non-reversible. Acid free, archival paper with assorted Each Sale Document Repair Tape sizes of tear lines to use for hinging and 8 oz. 8.75 Thin, tissue, coated with reversible adhesive. repair. Can also be used for fine art and 16 oz. 13.95 Lineco List Sale decorative purposes. 32 oz. 22.95 1" x 400" 12.05 9.01 Gallon 79.00 Size G/M2 1 25 100 1 x 98' 23.90 17.90 17 x 23½ 12 9.34 8.41 7.80 Japanese Craft & Shoji Starch Filmoplast P-90 17 x 23½ 20 8.74 7.87 7.30 Neutral pH starch based adhesive remains Self adhesive, archival white paper tape that is reversible with water. Dries flat. In solution or specially designed to remain reversible in water in powder form. for easy removal. Buffered. Each Sale P-90 — Rolls sale 150 gram solution in nozzle tube 5.00 .8" x 164 feet 29.80 70 gram dry formula 3.00 1.6" x 164 feet 42.80 Lineco Neutral pH Adhesive Filmoplast P Strong, reversible adhesive with excellent lay Self adhesive, archival almost transparent, white flat qualities. tissue tape that is specially designed to remain Each List Sale reversible in water for easy removal. Buffered. 4 oz. 5.60 4.33 P — Rolls sale 8 oz. 8.50 6.53 .8" x 164 feet 30.50 Quart 28.20 21.23 1" x 100 feet 19.90 Gallon 69.00 51.76 Frame Sealing Tape Methyl Cellulose Pressure sensitive, tape to seal the back of Neutral pH., polyvinyl acetate emulsion in dry frames. Not for direct application on artwork. Hayaku Japanese paper tape form. Add water to desired consistancy. White or Grey. Japanese paper with reversible adhesive. Must Each Sale Lineco List Sale wet to apply. 1/2 lb. bag 10.95 1¼" x 1000" 14.55 10.94 Lineco List Sale 1 lb. bag. 19.25 1" x 100' 21.40 16.03 Mounting/Hinging Tissue Nori Paste Self Adhesive tissue. Abaca paper tape Japanese starch-base. Dries matte and clear. Lineco List Sale Thin, strong abaca paper tape. Self adhesive. Each Sale 1" x 400" 13.15 9.90 Lineco List Sale 2 ounce 2.50 ¾" x 150' 21.51 16.13 10 ounce 9.50 Paper Hinging Tape Gummed paper tape for the repair and hinging Padding Compound of heavy prints, photographs and other artwork. Latex-based glue for pads and bookmaking. Lineco List Sale Lineco List Sale 1" x 130 ft. 10.65 7.97 12 oz. 22.20 15.20 Tyvek Tape Rice Starch & Wheat Starch Ultra strong, self adhesive, Tyvek tape. For mounting and repair. Requires cooking. Lineco List Sale Each List Sale 1 x 50 yd. 16.05 12.05 Lineco 8 oz 16.85 12.65 1½" x 50 yd. 21.05 15.75 Tran 8 oz. 8.00 2½" x 50 yd. 31.72 23.80 Tran 16 oz. 13.20 Tran 32 oz. 19.80 Yes Glue Transparent Mending Tissue A reversible stick-flat paste adhesive; won't Tissue coated with acid-free adhesive. wrinkle, curl or discolor papers. Lineco List Sale Each Sale 1/2" x 50 ft. 10.55 7.95 19 oz. 17.50 Gallon 55.85 158 Paper is fragile ! No returns or exchanges are allowed. A D H E S I V E S / S P R A Y E R S

3M Positionable Twintack Adhesives pulps for papermaking Mounting Adhesive. Double-stick, permanent adhesive on carrier. High quality paper pulps in sheet form. Double stick, permanent adhesive. Remains Regular, high tack or archival (less tack.) Hydrate in water and beat to prepare for repositionable until burnished. Comes with sheets Size sale papermaking and paper casting.. silicone release film and burnishing paddle. Archival 18 x 24 3.90 Fiber per pound 568 PMA — Rolls sale Archival 24 x 36 7.80 Cotton Linter 7.00 11" x 50 feet 52.50 Regular 18 x 24 3.90 Abaca - Unbleached 10.00 16" x 50 feet 74.15 Regular 24 x 36 7.80 24" x 50 feet 112.50 Studio tack Adhesives Gudy Adhesives Repositionable, low tack, double-stick adhesive Filmoplast Gudy 831 on carrier. Neutral pH. Double-stick adhesive on carrier that is reversible Size List Sale in water. 5½ x 9 Pack of 25 11.45 10.30 23.65 Gudy 831 — Rolls sale 11½ x 17½ Pack of 25 26.25 15¾ x 33 feet 65.00 Filmoplast Gudy 870 Double-stick adhesive transfer material that is reversible in water. No carrier. Gudy 870 — Rolls sale Boko-undo 12¼ x 33 feet 42.20 Marbling Kit Ready to use, Suminagashi-style marbling kit. Simply float colors on water, swirl or comb and dip in absorbant papers. Includes 6 -12 ml colors and instructions. Item Sale Marbling Kit 18.00

Seal Mounting Products BufferMount Dry Tissue Removable, heat activated adhesive. Buffered paper core, low bonding temperature. Packages of 100 Sheets sale 8 x 10 64.40 11 x 14 123.40 16 x 20 234.40 24½" x 30 yard Roll 158.28 Sprayers Dia Plastic Sprayer Release Paper All plastic, pump sprayer for dampening sheets Silicone treated paper for mounting and with water or soultions. Pump builds up pressure laminating. Coated on both sides, nothing for an even mist. adheres to it making it extremely useful for Not recommended for paint and varnishes. protecting fine art when mounting or restoring. Size Sale Document Cleaning Rolls inches x yards sale DIA Sprayer 116.00 26 x 5 54.50 Pad Gauze bag of erasure crumbs for cleaning dusty, 26 x 20 105.25 Kuramata Sprayer dirty or moldy paper items without abrasion. 42 x 30 261.00 All metal, pump sprayer for dampening sheets 50 x 35 370.00 Each List Sale with water or soultions. Pump builds up pressure Lineco Archival Cleaning Pad 8.30 6.21 for a fine, consistant mist. Alvin Dry Cleaning Pad 4.95 Fusion 4000 Dry Mount Adhesive Conservation quality. Rolls inches x yards sale Not recommended for paint and varnishes. 20½ x 30 120.00 Size Sale LINECO pH Testing Pen Easy spot test to distinguish safe pH levels. 24½ x 30 134.15 Kuramata Sprayer 450 cc 275.00 32½ x 30 178.45 Kuramata Sprayer 1000 cc 345.00 List Sale 40½ x 30 202.55 Each Pen 8.10 6.07

62 Third avenue new york, N.Y. 10003 order desk: 800-950-6111 paper department: 212-473-7705 159 g l o s s a r y o f p a p e r t e r m s

ABACA DAPHNE The manila plant or abaca is cultivated in the Philippines, Asia and South Known in Asia as the Nepal paper plant, it is a thin bast fiber with tapering America, where its long stalks and leaves are harvested for paper production. ends and varying lengths native to Nepal and the Himalayas where it is Manila fiber papers are very strong and are a natural light buff color. Also used in hand papermaking. Nepalese Gampi. known as Manila Hemp, it is not actually a hemp fiber, but is related to DECKLE the banana. The removeable part of a paper mould which establishes the sheet size and ACID FREE holds the pulp in place while the sheet is formed. Acidic on a pH scale ranges from 0.0 (most acidic) through 6.5 (almost Deckle Edge neutral) with 7.0 as the center of the 14 point scale. The range between The rough, ragged, or wavy edges on all sides of handmade paper and 6.5 to 8.5 is usually considered as Neutral pH. Technically then, the term two sides of mouldmade paper formed by small amounts of fiber trapped Acid-Free can refer to anything with a pH of 6.0 through 14 (which is and thinned between the edges of the deckle and the mould during highly alkaline.) papermaking. ALKALI DOSA Chemicals used in the cooking process to dissolve non-cellulose materials Most commonly used sizing in Japanese papermaking made from animal These include caustic soda, soda ash, lime and wood ash in Asian techniques glue and alum. and calcium bisulphate and sodium sulphite in Western techniques. ESPARTO BAST The leaves of this tough, wiry North African grass produce a soft, elastic A fiber derived from the inner bark or stems of plants and includes linen, paper with an even texture. Esparto grass looks similar to hay; its fibers hemp, jute, ramie, gampi, mitsumata and mulberry. are short and tubular. It does not produce paper of great strength. BLEACHING FELT FINISH, FELT SIDE A chemical process to whiten the natural hue of raw materials. The resulting Surface characteristics that result from the material used to couch and dry paper is not as strong or permanent as the natural fiber. Cotton is naturally the sheets. The felt side is considered the front of the sheet. white which makes bleaching less common. GAMPI BUFFERING A bast fiber plant traditionally used in Japanese papermaking, with long, The addition of an alkaline substance, usuallly calcium or magnesium thin, shiny fibers of uniform thickness. Although gampi grows wild in carbonate, to help absorb acids and to stabilize the pH balance. Buffered much of the Far East, it has resisted cultivation and Japan now imports papers typically have a pH toward the alkaline (8.5) to offset excess acidity. its fiber from China and Korea. This has resulted in a decline in its use CALENDERING in paper production. A pressing process which smooths or glazes the sheet during the finishing GRAIN DIRECTION process. Term used to indicate the direction that most of the fibers are arranged CALIPER in a finished sheet of paper. Handmade papers have little grain direction Measurement of thickness usually expressed in thousandths of an inch. as the fibers are usually agitated in all directions and the paermaking One point or one mil equals one thousandth of an inch. process is slow. Machinemade papers create specific grain direction from CELLULOSE the rotation of the cylinder that contains the pulp and the speed by which The main part of the cell wall of a plant and the basic substance of paper. the sheets are processed. Grain direction runs parallel to the natural deckles Most plant material, with the exception of cotton, also contains varying on a mouldmade sheet. A sheet folds with greater ease and is less likely to amounts of other materials such as lignin, which must be removed before crack with the grain. Books should always be bound with the grain of the being used as paper pulp. sheet parallel to the spine. GRAMS/METER2 COUCHING Weight in grams of one square meter of paper. A good comparative measure Refers to the process of removal, stacking or layering of the newly formed that does not vary with paper size. sheets. Different papermaking traditions couch in different ways including onto felts made of various materials (wool, linen, silk, etc.) which can give HANDMADE unique qualities and surfaces to the finished sheets. Prepared pulp is placed in a basin (or vat) agitated to suspend it and then transferred onto a mould which creates the sheet. The type of fibers, how COLD PRESSED (C.P.) the pulp is transferred to the mould, the type of mould used, how the A surface between rough and smooth that is formed by running the sheets sheet is couched and dried varies greatly around the world and gives each through cold polished metal rollers or, in hand papermaking, re-pressing style and type of paper its unique personality. the wet sheets without intermediate felts to smooth out any very rough surfaces. Also called "Not" as in "Not Hot Pressed." HEMP COTTON A strong bast fiber similar to linen, but with a tendency to split during A seed hair fiber that easily yields the pure cellulose essential for papermaking. the beating process, producing a harder, coarser paper. One of the oldest Cotton fibers are long, strong, and flexible and excellent for the production paper fibers on record. of fine papers. Papermakers use either cotton linters or cotton rag to HIGH ALPHA CELLULOSE produce papers. The purest form of wood pulp that has been processed without acids and Cotton Linters considered to have the same longevity as cotton. The shorter fibers left behind after ginning the cotton. After they are HOLLANDER BEATER washed and boiled, they are made into soft, blotter-like sheets to be used A beating machine first introduced in Holland in 1680 which is used in hand papermaking. to efficiently crush and fibrillate the fibers of the raw material or rags to Cotton Rag make pulp. Made from the textile cotton fibers used in the manufacture of cotton HOT PRESSED (H.P.) thread. These fibers are longer and tougher than the linter fibers. To make The smooth surface of a sheet of paper made by passing it through hot the pulp old cotton rags are broken down by papermakers. metal plates or rollers.

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KOZO NEUTRAL pH A variety of mulberry plants with exceptionally tough, strong fibers which The balance between acid and alkaline components. 7.0 is considered grow wild in Japan and the Far East. Its long threads do not shrink or absolute neutral on a 14 point scale where 0.0 is the most acidic and 13 expand. The climate where the kozo is grown and harvested has a great is the most alkaline. The numbers below 7.0 contain more acid; above effect on the qualities that the resulting sheets will possess. More than half are more alkaline. Neutral ph then, refers to materials that are between of Asia’s paper is made from kozo fiber. the range of 6.5 - 8.5. Papers may acquire acidity by frequent handling LAID or improper storage. Often papers are buffered to reach correct pH and A type of screen covering for a mould consisting of a series of very fine help maintain that range. vertical and horizontal wires constructed within the frame to allow for RICE PAPER drainage. The surface of this screen leaves a laid line pattern in the surface A common misnomer used to mean Oriental paper, the term probably of the paper. This laid pattern may vary widely. comes from a misunderstanding by Westerners of the similarities between Chain Laid the vast amounts of water used in both the manufacturing of paper and Refers to a paper in which the laid lines are more prominent and spaced the cultivation of rice in the rice paddies. There are no papers made of rice, further apart. as the plant's short fibers would produce sheets of poor quality - although LB./REAM rice starch was used as a sizing in some papermaking traditions. The weight of 500 sheets (1 ream) of a paper of a given size. It is not a ROUGH good comparative measure as it varies depending on a paper's size. The natural, grainy surface of paper formed by the texture of the felts and/ LINEN/LINEN FLAX or dried without re-pressing. The fibers of the linen (or flax) plant are long and tubular with thicker SIZING walls than those of the cotton plant. In addition to the raw, unspun fibers, A solution of starch, gelatine, animal glue or synthetic materials added to linen rags can also be used to make pulp for papermaking. Linen has an the paper to make it more resistant to moisture and to control the level element within it that naturally repels water and thus acts as a sort of of absorption. sizing. It yields a hard, strong paper, but is likely to expand and contract Internal Sizing irratically as moisture effects the sheet. Because of this, it is a difficult fiber The solution is added to the wet pulp before forming the sheet. The most for the papermaker to work with and is not as commonly used as cotton common internal sizing is rosin, from the resinous gums of pine trees, in today's papermaking. which is added to alum (aluminum sulphate). The alum helps the rosin LOFT DRYING adhere to the paper fibers and keeps it from dissolving in water. It also Damp sheets are pinned or draped onto lines and allowed to dry slowly gives the paper a harder surface. and naturally by the movement of air around them. This was traditionally Tub Sizing done in the lofts of the mill - thus the term. The temperature and speed Papers are passed through a vat of solution, usually of gelatine, after their of drying will effect the resulting sheet. Loft dried sheets are usually more manufacture to increase resistance to moisture. "alive" with a charateristic wavy surface and a remarkable "rattle" or SU crispness. The sheets can later be pressed or stretched to flatten. All of the The removable, flexible surface of a Japanese papermaking mould. It is finest watercolor papers were traditionally loft dried. usually made of bamboo strips, woven together with silk cords. MACHINE-MADE SULPHITE PULP Paper made in a continuous web using a Fourdrinier machine which allows Chemical wood-pulp obtained by cutting wood into small pieces and the pulp to run over the polished surface of large, steam-heated cylinders cooking it with calcium bisulphate or sodium sulphite to remove natural and eventually out the end perfectly dry and ready to be cut into sheets. resins and break down the cellulose fibers, making them more suitable for The speed of manufacturing will greatly effect the structure and qualities papermaking. A process developed during the Industrial Revolution to of the resulting paper. speed the preparation of the pulp, sulphite pulp can contain acids that, if MITSUMATA not neutralized, can continue to effect the fibers and cause discoloration A bast fiber shrub which mostly grows in Western Japan and other Far and deteoration. However, most sulphite pulps today are neuralized and Eastern countries. The fibers are of uniform thickness with blunt ends. buffered and can produce high quality papers with excellent aging properties. They are very flexible and elastic. and the resulting sheets have a softness to VELLUM the touch and a subtle shimmering surface. Difficult to harvest and process A confusing term that has a several meanings, vellum is actually animal skin for papermaking, mitsumata is no longer commonly used. that has been prepared on both sides and has an even, fine texture. Today, MOULD the term can also refer to papers that have that fine textured surface or a A wooden frame fit with a laid or woven screen. With the removable deckle, translucent material that resembles the thinner forms of animal skin once it is used to form the wet pulp into a sheet of paper. used for illumination, pounding gold leaf and tracing. MOULDMADE WATERLEAF Paper made with a cylinder-mould machine invented in the 19th century A paper containing no sizing. to speed up the hand papermaking process yet to produce sheets with WATERMARK "handmade" qualities. The initial preparation of the pulp is similar to the A design or lettering that can be seen when the paper is held up to the handmade process, although pulpers and refiners are used instead of a beater. light that may indicate its name, date, or identity. It is usually produced The cylinder machines, which take the place of the vatman, coucher, and by carefully forming the wires of the laid or wove screen to vary the fiber layer, are covered with a metal screen that work at low speed. The pulp density during the papermaking process. Photographic techniques have adheres to the screen and as the cylinder revolves, a layer of wet fibers is also been used to produce watermarks. placed onto a wet felt and through press rolls which squeeze out the water. WOVE It is then dried against steam-heated metal cylinders. Watermarks can be The mould screen made by weaving together wires in both directions and accurately carried by the screen and two deckled edges can be produced similar in appearance to woven fabric. Woven papers were first introduced using this machine. by The Whatman Mill and are without any significant directional pattern on their surface.

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A B Abaca Crater...... 74 B-Buff...... 36 Book Binding...... 156 Cheetah ...... 115 Abaca Pulp...... 159 Baby's Breath Floral...... 83 Book Cloth...... 154 Chess Squares...... 125 Abaca Woven...... 74 Bachelor's Buttons...... 102 Borden & Riley 30 Bond...... 7 Chestnut...... 36 Abaca, Twinrocker...... 36 Bagasse, Khadi...... 50 Borden & Riley Pads/Spirals...... 139 Chicadze Konse...... 45 Abe, Eishiro - Papermaker...... 61 Bainbridge Illustration Boards...... 137 Borden & Riley Rolls...... 132 Chinese Book Cloths...... 155 Accademia...... 132 Bamboo Indonesian...... 52 Borden & Riley Trace...... 138 Chinese Calligraphy ...... 125 Accordion Books...... 144 Bamboo Leaves...... 102 Bougainvilla Petals...... 118 Chip Board...... 136 Acid Free Tissue...... 7 Bamboo Leaves, Thai...... 127 Boutique...... 10 Chiri Heavily Speckled...... 102 Acquerillo, Magnani...... 22 Bamboo Mats...... 93 Boxes for Storage...... 6 Chiri Lightly Speckled...... 102 Adhesives...... 158 Bamboo Print...... 115 Branches, Nepal...... 115 Chiri Roll...... 134 Airy Weave...... 93 Bamboo Silkscreen...... 115 Brazilian Handmades...... 10 Chiri Unryu ...... 126 Ajisai...... 102 Bamboo, Domestic...... 12 Bristol Pads...... 140 Chirimen Crepe...... 102 Akamashi...... 60 Bambu...... 14 Bristol Pads, Strathmore...... 149 Chochin...... 58 Akatosashi...... 56 Banana Bark ...... 115 Bristol, Fairfield...... 34 Claire Fontaine ...... 141 Akaunryushi...... 102 Banana Bark Philippine...... 124 Bristol, Rising...... 26 Clay Coat Pads...... 141 Albireo Spirals...... 144 Banana Bark, Thai...... 125 Bristol, Schoellarshammer...... 32 Clay Coated Papers...... 21 Alcantara...... 9 Banana Leaf Strips...... 127 Bristol, Strathmore...... 34 Clean Bark...... 48 Alexis...... 34 Banana Mash...... 125 Bromley...... 19 Clearprint...... 138 Allah Bux Jute...... 52 Banana Plank...... 125 Brookfield Decoratives...... 77 Clester Spirals...... 144 Allegretto...... 43 Banana Tissue, Africa...... 45 Bubbles Embossed...... 94 Climbing Vines...... 127 Alphabet, Cave...... 13 Banana Tissue, Nepal...... 72 Bubbles Lama-Li...... 115 Cloud Printed Lama-Li...... 115 Aluminum Core Pagra...... 25 Banana, Brazillian...... 10 Bubbles Laurelai...... 98 Cloudy Sky...... 13 Amala Leaves Oil Paper...... 120 Banana, Indian...... 50 Buckskin...... 36 Coated Interleaving...... 7 Amalfi Stationery...... 151 Banana, Saakaar...... 52 Buffermount...... 159 Coated Paper, Flint...... 80 Amate...... 24 Bangkok Daily News...... 125 Bugra Butten...... 18 Coated Paper, Legion...... 21 An-Jing Chinese Papers...... 48 Barcelona Colors...... 10 Bugra Butten Pads...... 143 Coated Paper, Mc Coy Clay...... 21 An-Jing Decoratives...... 92 Bark Paper...... 24 Burnishers...... 156 Cobweb ...... 102 Annigoni...... 22 Barlow...... 19 Butcher Paper...... 15 Colombe...... 24 Annigoni Pads...... 146 Barrier Paper, Strathmore...... 7 Butterflies...... 115 Color Kozo Roll...... 134 Antique Parchment...... 25 Basho...... 113 Bvumbe Tissue...... 45 Colorado Digital...... 42 Antique Petal...... 83 Batik Solids...... 94 Colorfix...... 9 Apta Laid...... 26 Batik Stripes...... 123 Colorplan...... 14 Aquabee Pads...... 139 Batik, Thai...... 125 C Conservation Board...... 137 Aquabee Rolls...... 132 Batiks, Nepal ...... 115 Ca L’Oliver...... 10 Conservation Tissues...... 135 Aquarag...... 41 Becker, Travis - Papermaker...... 36 Cachet Books...... 140 Copperplate Rolls...... 133 Aquarius II...... 34 Beehive...... 125 Café Crema...... 14 Copperplate Zerkall...... 41 Arches Boards...... 136 Belgique...... 19 Cal Ling Designs...... 125 Copperplate, Hahnemuhle...... 18 Arches Digital...... 42 Benibana ...... 102 Calfskin...... 25 Coquille...... 14 Arches Pads, Blocks, Books...... 139 Bergerac Pastels...... 24 Callaghan, Mark - Papermaker...... 20 Cork Rolls...... 134 Arches Rolls...... 132 Bertini...... 76 Calligraphy Cream, Twinrocker...... 36 Cork, Japanese...... 102 Arpa Handmades...... 9 Besem...... 125 Canadian Papers...... 30 Corkskin...... 80 Art Spectrum...... 9 BFK Rives...... 27 Canal Pads...... 147 Corn Paper...... 70 Artificial Parchment, Cranes...... 14 Bhutanese Papers...... 46 Canal Paper Sheets...... 31 Cornflower, Twinrocker...... 36 Artistico...... 16 Biblio...... 18 Canal Rolls...... 133 Corrugated Cardboard...... 136 Artistico Pads...... 142 Bicchu Torinoko Gampi...... 56 Canford Pads...... 142 Corrugated E Flute...... 80 Artistico Rolls...... 132 Bienfang Pads...... 139 Canford Sheets...... 11 Corrugated, Archival...... 136 Arturo Sheets...... 22 Big Bloom...... 101 Canson...... 11 Cosmos Blotter...... 9 Arturo Stationery...... 150 Binder's Board...... 136 Canson Digital...... 42 Costa Rican Handmades...... 14 Asa Gami...... 7 Bing Ice...... 92 Canson Mi Teintes & Ingres...... 11 Cotton Linter...... 159 Asagiri...... 102 Bingham, Chris - Papermaker...... 28 Canson Opalux...... 11 Coventry Rag...... 14 Asairi ...... 102 Biscuit...... 36 Canson Pads...... 138 Coventry Spirals...... 141 Asamashi...... 102 Black Cover...... 9 Canson Rolls...... 132 Coverstock...... 9 Asarakusui Rolls...... 134 Black Flax...... 13 Canson Trace...... 138 Crane's Lettra...... 21 Asian Shell Embossed...... 96 Blanc Ancien...... 28 Capellades Handmades...... 12 Crane's Museo...... 42 Asuka Digital...... 44 Block Prints, India...... 95 Cards & Envelopes...... 150 Crane’s Papers...... 14 Atsukuchi Rolls...... 134 Blotter...... 9 Cardstock, Canford...... 10 Crash...... 156 Australian Marbles...... 77 Blue Jean...... 13 Caribou...... 30 Crepe White...... 102 Autumn Cal Ling...... 125 Blue Leaves...... 125 Carruthers, David - Papermaker.....30 Crest Marbles...... 80 Autumn Leaf, Langdell...... 83 Blued Hemp & Flax...... 28 Casca de Alho...... 10 Crest, Crane's...... 14 Awls...... 156 Bockingford...... 10 Cavallini Decoratives...... 78 Crinkled with Gold...... 127 Aya Digital...... 44 Bockingford Rolls...... 132 Central Clay Coat Pads...... 141 Cromatica...... 35 Aztec Block Print...... 94 Boda Leaves...... 127 Century Boxes...... 6 Croquis Spirals...... 146 Azur de Turner...... 28 Bodhi Leaves Silkscreen...... 115 Chaotic Strings...... 127 Cross Section Paper...... 138 Bogus Pads...... 139 Chapin...... 36 Cross Weave...... 93 Bond Pads...... 139 Chapri Papers...... 50 Crosshatch Embossed...... 96 Bond, Rolls...... 7 Chartham...... 35 Crowsnest...... 30 Bone Clasps, Folders...... 156 Chautara Lokta...... 72 Crumpled 3 Dimensional...... 127 162 i n d e x

G H Crystallized Mica...... 94 Embossed Whirls...... 127 Galaxy...... 19 Hagakuri Brown...... 104 Cutwork...... 94 Embossed, Indian...... 96 Galaxy, Cave Papers...... 13 Hahnemuhle Digital...... 43 Czech Handmades...... 15 Embroidered...... 96 Gampi Roll...... 134 Hahnemuhle Pads...... 143 Embroidery...... 96 Gampi Dyed...... 56 Hahnemuhle Papers...... 18 Emily Dickinson...... 36 Gampi Smooth ...... 56 Hahnemuhle Rolls...... 133 D En Tout Cas...... 132 Gampi Udaban...... 57 Haini Roll...... 134 Daitoku Roll...... 134 Entrada Digital...... 42 Gampi Unryu-shi...... 57 Hakusen Decorative Tissues...... 104 Daitoshi...... 56 Envelopes...... 150 Gampi Usuyou...... 70 Hamada, Hironao - Papermaker.....69 Daler Rowney Pads...... 142 Esdee Scratch Boards...... 136 Gampi Yamaguchi...... 57 Hamburg...... 18 Damask, Velour...... 101 Esprit du Pastel...... 148 Gampi-shi, Echizen Washi...... 68 Han Blossom Lama-Li...... 116 Dan...... 48 Etchu Card...... 56 Gampi, Inshu...... 59 Hana Gatami...... 104 Daphne, Bhutan...... 46 Gampi, Japanese...... 56 Hand-Book Journals...... 143 Daphne, Nepalese...... 73 Gampi, Nepalese...... 73 Hanga-shi Gampi...... 60 Darkweave...... 113 F Gan...... 74 Hanga-shi Kozo...... 60 David Cox...... 29 FFabriano Medioevalis...... 150 Ganryoshi...... 57 Hanga-shi Mitsumata...... 60 De Ponte Mexican Handmades...... 23 Fabriano Papers...... 16 Garabato...... 12 Hanshi...... 58 Deco Silkscreen...... 116 Fabriano Rolls...... 132 Garden Layered...... 127 Harukaze...... 58 Deerskin...... 25 Fabric Backed Pulp...... 127 Garden Plain...... 74 Haruki Unryu...... 105 Deerskin, Nepal...... 73 Fairfield Bristol...... 34 Garden, Langdell...... 83 Haruki Unryu Roll...... 134 Degener, Amanda - Papermaker....13 Fandango...... 116 Garden, Sanganeer...... 100 Harvest...... 93 Dekar, Bhutanese...... 46 Fantasy Maple Leaves & Ferns...... 102 Garden, Thai...... 127 Headband...... 156 Delphi...... 36 Fern...... 83 Gasenchi Echizen...... 57 Heine...... 18 Der Schoolmeister, Zaan...... 41 Ferns...... 83 Gaspe...... 30 Hemp Lens Tissue...... 7 Dew Drop...... 94 Festival Celebration Prints...... 103 Gator...... 81 Hemp Paper, Indian...... 52 Dia Sprayer...... 159 Fiber...... 93 Gatorboard...... 136 Hemp, India...... 51 Diamond Weave...... 93 Filmoplast Adhesives...... 159 Gemini...... 19 Herringbone...... 93 Digital Papers...... 42 Filmoplast T...... 154 German Etch Digital...... 43 Hide Embossed...... 82 Dimensionally Stable Paper...... 25 Filmoplast Tapes...... 158 German Etching...... 18 Himalayan Papers...... 73 Domestic Etching...... 15 Firenze...... 22 Gifu Machine Mades...... 58 Hindu Momi...... 97 Dominion Aquarelle...... 30 Fish Scale...... 116 Gilclear...... 81 Hinging Materials...... 158 Dots Embossed & Silkscreen...... 94 Flax Papers, Cave...... 13 Ging Leaf...... 92 Hiryu...... 58 Dou Bean...... 48 Flax, Saint Armand...... 31 Gingham Embossed...... 97 HMP Handmades...... 19 Double Fan Pearlized...... 102 Fleur...... 24 Gira Nagashi...... 104 Hogodaiyou...... 105 Drawing & Framing Rolls...... 132 Flint...... 80 Gira-Koshido ...... 104 Holbein Spirals...... 144 Drawing, Student Grade Reams.....15 Floating Blocks...... 127 Gira-Ume ...... 104 Hon-Mino-Gami...... 58 Drop Screen...... 132 Floating Leaves...... 127 Giraffe...... 88 Honen...... 59 Dry Tear Hinging Tissue...... 56 Flocked Ginko Leaves...... 97 Giraffe Dung...... 45 Horse Radish Paper...... 70 Duchene, Georges - Papermaker.....24 Flocked Vines...... 97 Glassine ...... 7 Hosho...... 59 Dung Papers...... 45 Floral ...... 83 Glassine Colors & Decoratives...... 82 Hosho Iyo...... 59 Durer Etch Digital...... 43 Floral Black Ink...... 116 Glaze...... 92 Hosho Rolls...... 134 Durer Etching...... 18 Floral Text...... 97 Goatskin...... 25 Hosokawa Ohban...... 59 Durotone...... 15 Floral White ...... 116 Goethe...... 18 Hu-Pi...... 92 Dusty Rose...... 36 Flower Mi...... 92 Gold Brushstroke...... 116 Huun Yucatan Handmades...... 200 Flower Pink & Blue...... 116 Golden Leaves...... 127 Flower Silkscreen...... 116 Gonpola, Papermaker...... 46 E Fluorescent Paper...... 80 Goyu...... 58 I Gozen...... 58 Earth Flower...... 101 Fluorescent White, Crane's...... 14 IIchimatsu...... 105 Grain Brown or Indigo...... 104 Eboshi Metallics...... 102 Foil Embossed...... 97 Illustration Boards...... 137 Granite, Cave Papers...... 13 Echizen Gasen Nisoh...... 60 Foil Isago ...... 104 Incisione...... 22 Graph Pads...... 138 Echizen Hanga Dosa...... 56 Foil Papers...... 80 Index Paper...... 20 Graph Paper...... 138 Echizen Kizuki Hosho...... 60 Folder Stock...... 7 Indian Handmade Pads...... 144 Graphite...... 19 Echizen Washi, Shikibu...... 68 Folio...... 17 Indigo Flax...... 13 Grass Blades...... 118 Eco Friendly Pads ...... 144 Fomecore...... 136 Indigo Splatter...... 105 Green Crackle...... 13 Eco White...... 16 Fortuny Crepe...... 116 Indonesian Handmades...... 52 Gudy Adhesives...... 159 Edo Kosome...... 102 Framing Supplies...... 158 Ingres, Canson...... 11 Gunny Sack...... 50 Egeworthia, Bhutan...... 46 Frankfurt...... 41 Ingres, Fabriano...... 16 Guttenberg Laid...... 18 Egg Crate Embossed...... 96 Franklin Index...... 20 Ingres, Hahnemuhle...... 18 Egyptian Papyrus...... 49 French Marbles...... 81 Ingres, Lana...... 20 Egyptian Tow Flax...... 13 Frobisher...... 30 Ingres, MBM...... 8 Eighteenth Century...... 36 Fukinushi Uda...... 65 Ingres, Strathmore...... 34 Electric Zig Zag...... 116 Furuta, Papermakers...... 58 Ingres, Van Gelder...... 40 Elle Erre...... 16 Ingres, Zerkall...... 41 Embossed Crocodile...... 127 Innes...... 30 Embossed Flowers...... 127 Innova Digital...... 42 Embossed Leaves & Branches...... 127 Inshu Japanese...... 59 Embossed Squares...... 116 Embossed Turtle, Umbrella...... 30 163 i n d e x

Interleaving...... 7 Kochi...... 62 Lineco Tapes...... 158 Merten Spiess...... 18 Iris Petals...... 127 Koller, John...... 19 Lineco Tissue...... 7 Mescla Oscura...... 14 Isago Foils...... 104 Korean Screenprints...... 114 Linen Cover...... 108 Mesh Paper Rolls...... 135 Itajimi-shi...... 105 Koshiji...... 107 Linen Tape...... 157 Metallic 10 point...... 85 Italia Pads...... 146 Kotobuki Origami...... 152 Linen Wrapper...... 31 Metallic Batik...... 99 Ito-Iri...... 105 Kozo 436...... 62 Lizard...... 84 Metallic Brushstrokes...... 99 Iwahara-shi...... 60 Kozo 547...... 62 Lizard Skin...... 98 Metallic Krinkle...... 99 Iwano, Heizburo Papermaker...... 60 Kozo and Chiri...... 128 Lokta...... 72 Metallic Non Woven...... 124 Iyo Glazed...... 60 Kozo Digital...... 44 Lokta Metallics...... 117 Metallic Papers, Stardream...... 89 Izumo Mingei Mitsumata-shi...... 61 Kozo Gampi Torinokoshi...... 62 Lokta Momi...... 117 Metallic, Canford...... 11 Kozo Koban...... 62 Lokta Tie-dyed & Fold Dye...... 118 Metallic, Thai...... 129 Kozo Moriki...... 62 Lokta with Inclusions...... 118 Metallics, Japanese...... 109 J Kozo with Black Bark...... 107 Long Life Seed Flower...... 118 Meteor Shower...... 92 Ja Ja Metallics...... 82 Kozo with Inclusions...... 128 Long Stripe Dyed...... 118 Methyl Cellulose...... 158 Jade Adhesive...... 158 Kozo-shi Roll...... 134 Losiny...... 15 Metro...... 119 Jali Lama-Li...... 116 Kozo-shi, Shikibu...... 68 Lotka & Corn Silk Mash...... 118 Mexican Handmades...... 23-24 Japanese Accordian Books...... 144 Kozo, Inshu...... 59 Lotka & Inlaid Jute Grid...... 118 Mexican Huun...... 20 Japanese Conservation Tissues...... 135 Kozoshi / Kozo-shi...... 63 Lotsa Dots Batik...... 118 Mi Tientes...... 11 Japanese Punch...... 157 Kozuke...... 63 Lotus Leaf Watermark...... 128 Mica...... 109 Jazz...... 72 Kozuke Roll...... 134 Lucy...... 92 Mice...... 119 Jeans, Boutique...... 10 Kraft Pad...... 140 Lupa...... 124 Micheal Roger Books...... 146 Jing-pi...... 48 Kraft Rolls...... 133 Luster...... 83 Michellet...... 8 Jingshi Bhutanese...... 46 Kubota, Akira - Papermaker...... 67 Lychee...... 118 Micro-spatula...... 156 Johannot...... 20 Kumo Hadamashi...... 60 Midare...... 109 Jougami...... 61 Kunst & Papier Books...... 145 Mingei-Shi Colors...... 64 Juan Silk...... 49 Kuramata Sprayer...... 159 M Mini Dots & Stripes ...... 119 Jute...... 127 Kururu Kozo...... 71 Machine-age Compatible...... 28 Mino Colors...... 58 Jute Mats...... 93 Kyosei-shi...... 107 Magnani...... 22 Mino-Gami...... 58 Jute, Indian...... 52 Kyoto...... 107 Magnani Arturo Stationery...... 150 Mirri Foil & Wrap...... 80 Magnani Blocks & Pads...... 146 Misu...... 64 Magnani Rolls...... 133 Misu Roll...... 134 K L Mandchou Lama-Li...... 118 Mitsumata & Salago...... 64 Mitsumata Fuji...... 64 Kaga Gampi...... 62 Lace Machinemades...... 108 Mango...... 128 Lace Paper Handmades...... 108 Manila Hemp...... 64 Mitsumata Letter...... 68 Kagzi Jute...... 52 Mitsumata Seiko-Sen...... 66 Kaji Natural...... 61 Lace Paper Maple Leaves...... 108 Manila-shi Olive...... 109 Lace, Korean...... 114 Mao Bian...... 48 Mitsumata Washi Nepal...... 73 Kakishibu-shi Kozo...... 61 Mitsumata-shi, Echizen Washi...... 68 Kaleidoscope...... 83 Lace, Thai...... 128 Mapepa African Papers...... 45 Lacquer Textures...... 108 Maple Leaf Laminated...... 98 Mitsumata-shi, Izumo...... 61 Kankoshi...... 61 Mitsumata, Bhutan...... 46 Karakusa...... 105 Lacquered Yuzen...... 108 Marble Print...... 84 Laid Cover, Zerkall...... 41 Marbled Momi...... 128 Mitsumata, Inshu...... 59 Kasugami...... 105 Miyamoto, Mr - Papermaker...... 71 Katazome...... 106 Lama Li Journals...... 145 Marbled Papers, Indian...... 98 Lanaquarelle Rolls...... 133 Marbled Papers, Nepal...... 118 Mizota Udaban...... 64 Kawairi Rakushi M0521...... 107 Mizutama Lace...... 109 Khadda Text...... 51 Langdell Decoratives...... 83 Marbled Papers, Radcliffe...... 85 Langdell Papers...... 21 Marbled Papers, Thai...... 128 Modern Tiles Lama-Li...... 119 Khadi Himalayan...... 73 Mohachi Handmade...... 65 Khadi Inclusions...... 116 Larkspur...... 83 Marbling Kit...... 159 Laurelai Decoratives...... 98 Margaux Estampe...... 28 Mohawk Superfine...... 35 Khadi Journals...... 144 Mohawk Vellum...... 24 Khalo...... 23 Layered Indigo...... 13 Marigold Prints ...... 119 Le Carte Pastel...... 32 Marker Pads...... 141 Mohawk Vellum & Via...... 7 Kichi Decorative Prints...... 107 Mokumi Wood...... 109 Kihada Kozo Dyed...... 61 Leaf Embossed...... 96 Mars Embossed...... 98 Leaf Pod Block Print...... 117 Marsh Grass...... 30 Moldau...... 15 Kihosen Kana Writing...... 61 Moleskine Books...... 147 Kikuchi...... 61 Leather Flecked Tissue...... 108 Maruman Pads & Spirals...... 146 Leatherite...... 97 Masa...... 64 Momi with Mica Flakes...... 109 Kikura Kozo...... 62 Momigami Machinemade...... 109 Kikura Rolls...... 134 Leaves & Strings...... 124 Masa Roll...... 134 Legion Art Coated Cover...... 21 Mashamba...... 45 Montval 1059...... 11 Kimono...... 107 Moon Peach...... 58 Kingin Furi...... 107 Lenox...... 21 Mashi...... 64 Lenox Rolls...... 133 Master's Books...... 146 Moonstone...... 19 Kinkami...... 107 Moravia...... 15 Kinwashi ...... 107 Lens Tissue...... 7 Masters Books...... 146 Lens Tissue...... 63 Matsuo...... 64 Moriki, Kozo...... 62 Kinwashi Roll...... 134 Moriki, see Yastsuo...... 71 Kiraku Kozo...... 62 Leopard...... 88 May Linen...... 36 Lepointe, Denise - Papermaker...... 30 Maziarczyk Paste Papers...... 84 Morishita Tissues...... 110 Kiranami...... 127 Mouchetes...... 24 Kiri-ita Wood Grain...... 113 Letramax Illustration Board...... 137 MBM Ingres...... 8 Lettra...... 21 McCoy Clay Coat...... 21 Moulin De Larroque...... 24 Kitakata...... 62 Moulin Du Gue...... 27 Kitakata Roll...... 134 Lhakpa Block Prints...... 117 Meadow Grass...... 127 Lhakpa Handmades...... 73 Medioevalis Card & Envelopes.....150 Mounting Adhesives...... 159 Kizuki...... 62 Mounting Corners...... 157 Kizuki Kozo...... 62 Lime Text, Cover...... 51 Melon Paper...... 70 Line Embossed...... 82 Melook...... 129 Moutarde...... 24 Kizukishi...... 62 Moyoushi M0241...... 110 Kizukishi Dyed...... 68 Lineco Boxes for Storage...... 6 Mending Tapes...... 158 164 i n d e x

Mulberry Rolls...... 134 Osaki, Shigeru - Papermaker...... 66 Polka Batik Lama-Li...... 120 Rotunda...... 36 Mulberry Lettering...... 129 Otomi Indian Bark Papers...... 24 Polypropylene Corrugated ...... 137 Rougeatre...... 28 Mulberry Tissue, Thailand...... 74 Otoshi...... 66 Polypropylene Tissue Rolls...... 135 Round Papers Saint Armand...... 30 Mulberry, African...... 45 Oxford Gilclear...... 81 Polypropylene, Yupo...... 41 Round Sheets HMP...... 19 Mulberry, Japanese...... 65 Pom Poms...... 121 Rowney Sketch Books...... 142 Mulberry, Thailand...... 74 Portofino...... 22 Roxo e Casca de Cebola...... 10 Multi Patch Marble ...... 119 P Portofino Pads...... 146 Rubber Tree Leaves...... 127 Multi-Fiber Unryu...... 129 Packing Kraft, Durotone...... 15 Positionable Mounting Adhesive..159 Rural Tsarsho...... 46 Multi-Media Aquarelle...... 25 Padding Compound...... 158 Poster Board...... 136 Ruscombe Papers...... 28 Multi-Media Art Board...... 136 Pagra...... 25 Potpouri...... 97 Rush Paper...... 70 Mura Rokubu...... 656 Paisley, India...... 101 Pounce...... 156 Rustic Curry...... 121 Mura Udaban...... 65 Palliser...... 30 Prague...... 15 Rydudou Kozo...... 59 Murillo...... 16 Pang-Pi...... 48 Prairie Prints Lama-Li...... 121 Museo Digital...... 43 Panneaux...... 120 Premium Pastel Velour...... 40 Museum Boards...... 137 Pao...... 48 Printed Metal Coins Lama-Li...... 121 S Mylar Corners...... 157 Paper Pulp...... 159 Printed Metal Squares Lama-Li....121 Saakaar Indian...... 100 Papers for Storage...... 7 Pumpkin...... 30 Saakaar Indian Papers...... 52 Papier De Lin...... 27 Punches...... 157 Sabertooth Pastel II...... 32 N Papyrus...... 49 Safari Prints...... 88 Napa Decorative Silkscreens...... 129 Papyrus, Vegetable...... 90 Sage's Papers...... 88 Nara Fukinushi Dyed Uda...... 65 Paradise Metallics...... 120 Q Sagebrush...... 36 Natsume 4007...... 110 Paradise Silkscreen...... 120 Quadrato Pads Fabriano...... 142 Saiko...... 110 Natur Cover...... 18 Parchment...... 25 Quadrille Paper...... 138 Saint Armand Handmades...... 31 Nature's Impressions...... 99 Paris Pads...... 140 Quattro Gridded Pads...... 147 Saint Armand Pads...... 148 Ncube Tissue...... 45 Parole...... 32 Queen Anne Colors...... 29 Saint Armand Rolls ...... 133 Needles...... 156 Paste Papers, Maziarczyk...... 84 Quilt Print ...... 121 Sakamoto...... 66 Nepalese Journals...... 145 Paste Papers, Sage's...... 88 Salago...... 74 Nettles...... 118 Pastel Cloth...... 133 Salim Sunn Hemp...... 52 News...... 129 Pastel Paper, Coated...... 9 R Salt & Pepper...... 25 Newsprint...... 25 Pastel Paper, Coated La Carte...... 32 Radcliffe Marbles & Patinas...... 85 Sand, Twinrocker...... 36 Newsprint Pads...... 146 Pastel Paper, Coated Richeson...... 26 Raindrops...... 125 Sanganeer Indian...... 100 Newsprint, Durotone...... 15 Pastel Paper, Coated Sabertooth.....32 Rainfall...... 92 Sanskrit...... 121 Nideggen...... 41 Pastel Paper, Coated UArt...... 39 Raintree Leaves...... 127 Sansui...... 66 Ning...... 74 Pastel Paper, Coated Wallis...... 40 Rajistan Straw...... 52 Sanwa Tissues...... 110 Nishinouchi...... 65 Pastel Papers, Ruscombe...... 28 Ray’s Grey...... 36 Saskatchewan...... 30 Nishinouchi Shikishi Ban...... 65 Pastel Papers, Velour...... 40 Rayon...... 66 Satin, Canson...... 11 Niyodo Digital...... 44 Patchwork...... 85 Rayon Lens Tissue...... 7 Saunders...... 32 No-Seam Back Drop...... 133 Patina...... 85 Rayon Rolls...... 135 Saunders Pads & Books...... 148 Non Woven...... 124 Patriot...... 36 Reams Student Grade Papers...... 15 Saunders Rolls...... 133 Nori...... 158 Paz...... 14 Release Paper...... 159 Sawdust, Nepal...... 118 Nostalgie Pads...... 143 Pearlized Vellum, Chartham...... 35 Resho...... 46 Scarabs...... 121 Not-Quite-White...... 36 Pearlized, Taiwan...... 92 Revere...... 22 Schiller...... 18 Nowaki M70...... 110 Penny Sketch...... 15 Revere Rolls...... 133 Schizzi Spirals...... 143 Nujabi Indian Papers...... 51 Pergamenata...... 26 Reversible Unryu...... 131 Perma-Dur Folder Stock...... 7 Rhodia Pads...... 147 Persimmon Dyed, Japanese...... 61 Rhododendron Lama-Li...... 121 O Persimmon, Cave...... 13 Ribbed Abaca...... 110 O'Malley, Bridget - Papermaker ...13 Pescia...... 22 Ribbed Kozo...... 110 O’Malley Crackle...... 13 Pescia Blocks...... 146 Rice Starch...... 158 Oaktag...... 25 Petals Rain...... 52 Richard de Bas...... 26 Oatmeal, Ruscombe...... 29 pH Testing Pen...... 159 Richeson Unison Pastel Paper...... 26 Obonai Feather...... 110 Philippine Handmades...... 74 Rideau...... 30 Oguni Chiri...... 66 Photo Back-Drop Rolls...... 133 Ridge...... 92 Ogunigami...... 66 Photo Corners...... 157 Ring Lace...... 110 Ogura...... 66 Photo Mount Boards...... 137 Rising Bristol...... 26 Ogura Lace...... 110 Photo Rag, Digital...... 43 Rising Museum Boards...... 137 Ogura Lace Roll...... 134 Photographique, Digital...... 42 Rives...... 27 Ohm...... 119 Pine Needles...... 118 Rives Digital...... 42 Oil Paper...... 120 Pineapple, Nepal...... 118 Rives Rolls...... 133 Okatsu, Yoshifumi - Papermaker....67 Pistachio...... 83 Riviere...... 110 Okawara...... 66 Plastic Paper...... 100 Riviere Rouge...... 30 Okawara Roll...... 134 Platine...... 8 Roma...... 16 Oki, Mohachi - Papermaker...... 65 Platinum Revere...... Rosaspina...... 16 Onion Paper, Japanese...... 70 Plike...... 26 Rose & Fern...... 83 Opalux...... 11 Plum Blossom...... 120 Rossi Decoratives...... 86 Orbits, Laurelai...... 98 Pluto Silkscreen...... 120 Rossi Recycled...... 133 Origami Papers...... 152 PMA...... 159 Rossi Waffle...... 88 165 i n d e x

T Schoellarshammer Parole...... 32 Spanish Handmades, Ca L'Oliver...10 T.H. Saunders...... 32 Turnip Paper...... 70 Schut Papers...... 40 Spanish Handmades, Capellades....12 Tainai Handmades...... 69 Turtle, Embossed...... 30 Scott Index...... 20 Special Etching...... 30 Tairei...... 111 Twinrocker...... 36 Scratch Art Boards...... 136 Speckletone...... 33 Taiwan Decoratives...... 92 Twinrocker Stationery...... 151 Scratch Board...... 136 Spirals Nepal...... 122 Takachiho...... 112 Twintack...... 159 Screwposts...... 156 Splatter...... 130 Tamarind...... 130 Two Layer Lace & Stripes...... 130 Seal Products...... 159 Spray & Spatter ...... 122 Tamashiki...... 112 Tyvek...... 7 Seichosen...... 66 Sprayers...... 159 Tamayo...... 23 Tyvek Tape...... 158 Seichoshi-Homare...... 66 Spring Branches ...... 122 Tamura Assortments...... 152 Seiko-Sen...... 66 Spring Medley...... 83 Tamura Koban...... 69 Seismic...... 129 Square Pads...... 148 Tanabata...... 112 U Sekishu Roll...... 134 Square Strings, Oil paper...... 120 Tape...... 158 U.S. Silkscreens...... 90 Senka-Shi...... 67 Squares...... 122 Task Board...... 136 UArt Premium Pastel...... 39 Sennelier Le Carte...... 32 Starch, Rice & Wheat...... 158 Tassotti Prints...... 89 Uda Dyed...... 65 Sennelier Pads & Blocks...... 148 Stardream...... 89 Teflon Tools & Burnishers...... 156 Uda Gami...... 70 Seventies Mod Prints...... 101 Starfish...... 123 Tengucho...... 69 Umbrella Embossed...... 30 Shadow Prints & Stripes...... 110 Stars...... 130 Tengucho Roll...... 134 Umedo, Futoshi - Papermaker...... 68 Shawa...... 46 Starwhite...... 33 Tenzin Handmades...... 46 Ungava...... 30 Sheepskin...... 25 Stationery...... 150 Tenzin, Norbu Papermaker...... 46 Unison Pastel Paper...... 26 Sherwin Beach...... 36 Stillman & Birn Biiks...... 148 Terraskin...... 35 Unka...... 112 Shiborizome...... 130 Stonehenge...... 34 TexLibris & TexLifil...... 155 Uno...... 16 Shiburi...... 111 Stonehenge Rolls...... 133 Text Papers, Arches...... 8 Unryu Rolls...... 135 Shigure...... 67 Stonehenge Spirals & Pads...... 148 Text, Somerset...... 33 Unryu, Nepal...... 123 Shikibu...... 68 Strathmore Barrier...... 7 Textile Design...... 35 Unryu, Nepal Multi-Fiber...... 129 Shikishi...... 67 Strathmore Boards...... 137 Thomas Girtin...... 29 Unryu, Thai...... 131 Shikoku...... 67 Strathmore Faifield Bristol...... 34 Thread...... 156 Unryushi Benibana...... 112 Shikoku Roll...... 134 Strathmore Holbein Spirals...... 144 Thread Spray...... 100 Urban Lama-Li...... 124 Shikoshi Colors...... 60 Strathmore Rolls...... 133 Tibetan Scroll ...... 123 Urban Metal...... 112 Shimizu Laminated...... 111 Strathmore Spirals & Pads...... 149 Tiepolo...... 16 Uso-Mino-Gami...... 58 Shin Momi...... 111 Stripe Batik...... 123 Tight Weave...... 93 Usukuchi Rolls...... 135 Shiny Reptile...... 92 Stripes...... 83 Tin Ceiling Embossed...... 96 Usuyou Gampi...... 70 Shiramine Roll...... 134 Stripes...... 123 Tissue, Acid Free...... 7 Usuyou Gampi Roll...... 134 Shiromashi Dosa...... 60 Stripes, Nepal...... 122 Tissue, Mulberry Thailand...... 74 Uwa Senka Small & Long...... 70 Shoji...... 68 Student Prinz...... 18 Tiziano...... 17 Shojoshi...... 68 Studio Tack...... 159 Tiziano Rolls...... 132 Sierra...... 19 Studio Watercolor, Fabriano...... 16 Torchon, Hahnemuhle...... 18 V Silk for painting, Chinese...... 49 Styrofoam Embossed...... 96 Torinoko ...... 69 Silk Tissue...... 68 Sugikawashi...... 68 Tortoise...... 48 VVan Gelder...... 40 Silkscreen, Arches 88...... 8 Sumi-e Roll...... 134 Tosa Hanga...... 70 Vegetable Papers, Japanese...... 70 Silver Point Pads...... 141 Sumi-e Pads...... 149 Tosa Kasagami...... 70 Vegetable Papyrus...... 90 Silver Point Papers...... 21 Sun Washed ...... 123 Tosa Kozo...... 70 Velata Pads...... 146 Silver Ying...... 92 Sunn Hemp...... 51 Tosazome Purple...... 70 Velata Sheets...... 22 Silverpoint, Plike...... 26 Sunomi...... 111 Totalo Inclusions...... 123 Velke Losiny...... 15 Simili Japon...... 40 Sunray Rolls...... 133 Tow Flax...... 13 Velour...... 40 Simon’s Green...... 36 Superfine...... 35 Toyama...... 70 Velour Decoratives...... 101 Sisal, Capellades...... 12 Surface Gampi...... 67 Tracing Paper...... 138 Veneers...... 91 Sisal, Saint Armand...... 31 Suzuki Square...... 69 Translucent Vellum...... 35 Venezia Books...... 149 Sketch Vellum...... 15 Sweet Potato Paper...... 70 Translucent, Canson...... 11 Vergata...... 22 Snow Bleached Papers...... 71 Swirl...... 101 Translucent, Chartham...... 35 Vidalon...... 138 Soft Crinkle ...... 122 Swiss Dots...... 94 Translucent, Cromatica...... 35 Vine Prints...... 101 Somerset...... 33 Symphony...... 92 Translucent, Gilclear...... 81 Vines, Laureli...... 98 Somerset Digital...... 43 Synthetic Paper, Yupo...... 41 Translucent, Wyndstone...... 35 Vista...... 131 Somerset Spirals...... 149 Transparent Deer Skins...... 73 Vongai...... 45 Tribal...... 130 Tribal Ellipse...... 101 Tsarsho...... 46 Tsasho...... 46

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W X Z Waffle, Rossi...... 88 Xylem Block Prints...... 95 Zaan...... 41 Waffleweave...... 113 Zairei...... 71 Wallis Pastel...... 40 Zambezi...... 45 Wallis Rolls...... 133 Y Zebra...... 88 Walnut Dyed Flax...... 13 Yale...... 37 Zerkall...... 41 Walnut Dyed, Japanese...... 71 Yamada Hanga...... 71 Water Drops...... 131 Yame Kozo Kadakura...... 71 Watercolor Blocks...... 146 Yatsuo...... 71 Watercolor Boards...... 136 Yes Paste...... 158 Watercolor Paper, Arches...... 8 Yoshioka Family - Papermakers...... 69 Watercolor Paper, Bockingford...... 10 Yu-Jade...... 48 Watercolor Paper, Hahnemuhle...... 18 Yucatan Handmades...... 20 Watercolor Paper, Khadi Indian...... 51 Yuemei Book Cloths & Silks...... 155 Watercolor Paper, Lana...... 20 Yuemei Books...... 149 Watercolor Paper, Magnani...... 22 Yuemei Chinese Handmades...... 48 Watercolor Paper, Nujabi Indian....51 Yuemei Prints...... 92 Watercolor Paper, Ruscombe...... 29 Yuemei Woven Mats...... 93 Watercolor Paper, Saint Armand.....30 Yuku-Shi ...... 71 Watercolor Paper, Saunders...... 32 Yukyu...... 71 Watercolor Paper, Twinrocker...... 38 Yupo...... 7 Watercolor Paper, Winsor Newton.40 Yupo...... 41 Watercolor Paper, Zerkall...... 41 Yupo Pads...... 149 Watercolor Rolls...... 133 Yuzen Prints...... 114 Waterford...... 32 Waterford Pads & Books...... 148 Waterleaf, Arches 88...... 8 Watermark, Capellades...... 12 Wave Lama-Li...... 124 Waxed Leaf Batik...... 124 Wazome Yuzen...... 114 Web Spray...... 100 Weight Bags...... 156 Wheat Starch...... 158 Wheat Woven...... 93 Whimsy...... 131 Whirls...... 126 White Christmas...... 83 White Spotted Rhino...... 45 William Turner...... 43 Willow Creek...... 38 Winsor & Newton Watercolor ...... 40 Wolf Kahn Somerset Spirals...... 149 Wood Embossed...... 113 Wood Grain Prints...... 113 Wood Grain Veneer...... 91 Wood Veneer...... 91 Wool Indian...... 52 Wool, Boutique...... 10 World Cloth ...... 154 Woven Abaca...... 74 Woven Grass...... 113

This catalog was written, designed and executed by David Aldera. 2013 New York Central Art Supply Inc. All rights reserved.

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Ordering Information Our customers are welcome to shop by phone, mail, fax, or email. All major credit cards are accepted. Prices are subject to change without notice. Price quotations by mail, fax, or email will be honored for 30 days.

Order by Phone Call Toll-Free 1 800 950-6111 Monday through Friday 9:00AM to 5:00PM. New York State residents: (212) 477-0400. For fast delivery, use your major credit card. If you choose to pay by check or money order, shipment will be delayed until payment is received.

Order by Mail Please address all orders and inquiries to: New York Central Art Supply 62 Third Avenue New York, NY 10003 Orders must be accompanied by a check, money order, or major credit card information. Please include card number, expiration date, and interbank number (where applicable). No C.O.D. orders are accepted.

Order by Fax and email Orders must include major credit card information: the card number, expiration date, and interbank number (where applicable). No C.O.D. orders will be accepted. Fax your order 24 hours a day: (212) 475-2513 Email us: [email protected]

Charge Accounts and Purchase Orders To open an account, we require one of the following: 1. A satisfactory listing in Dun and Bradstreet 2. A list of three commercial companies with whom you purchase on an open account basis and your account number along with the name and address of your bank. Official purchase orders from institutions are accepted. Invoices are net 30 days.

Shipping Our minimum order is $15.00 exclusive of tax (New York State only) and shipping. We ship via Federal Express Economy which has proven to be an excellent carrier for our fine art papers. You may, however, specify other carriers of your choice. Shipping and insurance charges vary according to weight, size, and destination of merchandise. For this reason, smaller orders of papers will automatically be rolled for shipping unless you specify otherwise. Also, orders of different styles, weights and sizes of sheets may require more than one package to insure their safety. Shipping costs can be quoted by phone, fax or email. Overnight, Second-Day, and Third-Day services are available for an additional charge. We pack your merchandise with extreme care and double check the contents of all packages. Please unpack and inspect shipments as soon as you receive them. If any item arrives damaged, please notify the delivery carrier first, and then us. All claims pertaining to damages and missing items must be made within 15 days.

Paper is fragile. No returns or exchanges are allowed. Please, no exceptions!

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