DOCSLIB.ORG

Richard Auldon Clark) 7:37 Chris Gekker, Trumpet; Katherine Murdock, Viola; Jason Gekker, Double Bass

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard Auldon Clark) 7:37 Chris Gekker, Trumpet; Katherine Murdock, Viola; Jason Gekker, Double Bass 1 … and justice for all? (Richard Auldon Clark) 7:37 Chris Gekker, trumpet; Katherine Murdock, viola; Jason Gekker, double bass 2 Elegy for a Sultry Summer Afternoon (Lance Hulme) 5:29 Chris Gekker, trumpet; Rita Sloan, piano 3 Moon Marked (Carson Cooman) 6:25 Chris Gekker, trumpet; Suzanne Gekker, clarinet 4 Variations and Fugue on a Theme by Brahms (Eric Ewazen) 12:59 Chris Gekker, flugelhorn; Rita Sloan, piano Divertimento (Richard Auldon Clark) 10:11 5 I 2:24 6 II 5:44 7 III 2:03 Chris Gekker, trumpet; Katherine Murdock, viola; Mark Hill, oboe 8 Acquainted with the Night (Alistair Coleman) 5:52 Chris Gekker, trumpet; Rita Sloan, piano 9 Peace on Earth (Franklin Kiermyer) 4:28 Chris Gekker, trumpet; Suzanne Gekker, clarinet; Jason Gekker, double bass; Lianna Gekker, piano Total duration 53:27 brief notes by Chris Gekker Richard Auldon Clark’s …and justice for all? begins with a dramatic recitative for solo viola, answered by the measured tread of trumpet and double bass. This dialogue occurs several times. As the piece progresses the voices blend as they share an anguished plea. Elegy for a Sultry Summer Afternoon by Lance Hulme is a warmly expressive narrative for trumpet and piano. The piano intones a cyclical motif that provides a foundation for the trumpet’s lyricism. A contrasting section joins both instruments in a weaving dialogue. The evanescent coda is a model of hushed nuance. Carson Cooman created the term “moon marked” after reading accounts of astronauts who found, upon returning to earth after traveling in space, an altered perception of reality here on our home planet. His Moon Marked for clarinet and trumpet is an ever-shifting exploration of color and timbre, the two voices alternatively diverse and unified, seeming to perceive their surroundings with a new perspective. In 2010 I commissioned Eric Ewazen for his Variations and Fugue on a Theme by Brahms for flugelhorn and piano. I asked him to use the opening theme of Brahms’ Intermezzo op. 117 no. 1, a work that I grew up hearing my father play. Paul Gekker was a fine amateur pianist who loved Schubert, Schumann, and Brahms, as well as his Russian favorites. I am very grateful to Eric for composing this work, which is dedicated to the memory of my father, Paul Gekker. Divertimento for oboe, viola, and trumpet by Richard Auldon Clark was premiered at Carnegie Hall’s Zankel Auditorium in 2015. Before this first performance I joked with Richard that our appearance on stage would prompt a reaction along the lines of “an oboist, violist, and trumpeter walk into a bar.” Richard’s work explores the common ground that the three instruments can share, while also allowing each its unique color and voice. I met Alistair Coleman during his junior year of high school in Montgomery County, Maryland. His Acquainted with the Night was composed the following summer, before his senior year, and later revised during his freshman year at the Juilliard School in New York City. This hauntingly beautiful work is inspired by the poem by Robert Frost and fades to gentle tapping of the piano keys. In 1985, during my years living in New York City, I received a call from a newly arrived musician from Montreal who wanted to meet and discuss some musical ideas and projects. Franklin Kiermyer is a drummer who has achieved a renowned and unique profile in modern jazz, but this description is inadequate – I can only speak for myself in saying how profound his influence has been on me as a musician and person. I consider him a teacher - that we became close friends is something for which I am deeply grateful. Peace on Earth appears on Franklin’s Solomon’s Daughter CD (1994), a critically acclaimed recording featuring Pharoah Sanders, recently reissued in 2019. I was grateful to play a small role on this CD, and well remember a quiet conversation with Pharoah - Lianna was just a few months old, and he spoke of the blessing of having children grow up in one’s home. I also remember long walks with Franklin through Greenwich Village, taking turns guiding Lianna in her baby stroller. Here we offer our own interpretation of Franklin’s work, which is based on a simple idea that has infinite potential for exploration, creativity, and, perhaps, hope – much like the concept “peace on earth.” Composer, conductor, violinist, and violist Richard Auldon Clark (b.1964) is Artistic Director and Conductor of the Manhattan Chamber Orchestra, Manhattan Contemporary Chamber Ensemble, and the Finger Lakes Chamber Music Festival. A strong proponent of American music, Mr. Clark has performed and/or recorded hundreds of world premiers, and his work has received extraordinary praise in the New York Times, Fanfare, American Record Guide, Washington Post, and dozens of others. Mr. Clark has recorded the music of David Amram, Henry Cowell, Seymour Barab, Lukas Foss, Alan Hovhaness, Otto Leuning, Osvaldo Lacerda, Dave Soldier, Alec Wilder, and many more. An active studio musician as well, Mr. Clark has performed and recorded for Broadway, television, commercial, and film music, including several films for Philip Glass. Mr. Clark’s compositions have been praised in the New York Times and broadcast on NPR stations around the country. With more than twenty chamber works to his credit, Mr. Clark has premiered six new compositions in the past three years at Zankel Hall at Carnegie Hall, and in September 2016, his opera Happy Birthday, Wanda June with a Libretto by Kurt Vonnegut was premiered by Indianapolis Opera. A frequent collaborator, Mr. Clark works with dancers, choreographers, and visual artists in the creation of new works. Currently, Mr. Clark is Professor of Music at Butler University where conducts the Butler Symphony Orchestra and Butler Ballet. Alistair Coleman, composer (b.1998), is a recipient of the George Gershwin Scholarship at the Juilliard School. Recent works include a violin concerto for Soovin Kim, commissioned by the Lake Champlain Chamber Music Festival in celebration of their tenth anniversary season. Alistair’s cello concerto for Grammy-award-winning cellist Zuill Bailey was premiered in 2020 to culminate Alistair’s four-year residency with the National Philharmonic Orchestra at Strathmore Hall. His sonata for Joseph Alessi of the New York Philharmonic is currently touring the U.S., China, and Japan. Alistair’s string quartet “Moonshot” was premiered by the Abeo Quartet in collaboration with the Glenstone Museum and Smithsonian Institute. Alistair's music has been performed by ensembles including “The President's Own,” United States Marine Chamber Orchestra, Washington Master Chorale, Cathedral Choral Society, and musicians from the Baltimore and National Symphonies, Carnegie Hall’s Ensemble Connect, and Minnesota Opera Orchestra. He is the protégé composer- in-residence at Chamber Music Northwest in 2021. Alistair’s music has been recognized by ASCAP, American Composers Forum, and NPR. His teachers include David Serkin Ludwig of the Curtis Institute. At Juilliard, he studies with Robert Beaser, takes academic coursework at Columbia University, and engages in mentorship with President Emeritus Joseph W. Polisi. For more information, visit www.alistaircoleman.com. Carson Cooman (b. 1982) is an American composer with a catalog of hundreds of works in many forms—from solo instrumental pieces to operas, and from orchestral works to hymn tunes. His music has been performed on all six inhabited continents in venues that range from the stage of Carnegie Hall to the basket of a hot air balloon. Cooman’s music appears on over forty recordings, including more than twenty-five complete CDs on numerous labels. As an active concert organist, Cooman specializes in the performance of contemporary music. Over 300 new compositions by more than 100 international composers have been written for him, and his organ performances can be heard on a number of CD releases and more than 2,000 recordings available online. For more information, visit www.carsoncooman.com. Eric Ewazen, Composer and Teacher (b.1954), has been a member of the Faculty of The Juilliard School since 1980. His music, particularly for brass and winds has become a staple of the repertoire, performed and recorded by soloists, chamber ensembles, wind ensembles and orchestras around the world. Some of the most distinguished performing artists of the 20th/21st centuries have embraced his music, frequently featuring the many works he has written on concerts and recordings. He received his Bachelor of Music Degree from the Eastman School of Music, and Master and Doctorate Degrees from the Juilliard School. His teachers have included Milton Babbitt, Samuel Adler, Warren Benson, Joseph Schwantner and Gunther Schuller. Eric has served as a lecturer for the New York Philharmonic’s Musical Encounters Series. Past faculty appointments include the Hebrew Arts School and the Lincoln Center Institute. Eric has held the post of Vice President of the League of Composers – International Society for Contemporary Music from 1982 to 1989, and has been featured as Composer in Residence for the Orchestra of St. Luke’s. Recently his Concerto for Violin and String Orchestra was featured by the Paul Taylor Dance Company during their Lincoln Center season. Composer Lance Hulme (b.1960) has a multi-faceted career as keyboardist, conductor, arranger and educator. His music has been performed throughout the U.S., Europe and Asia and has garnered both critical and audience acclaim. Recordings of his music include compact disc releases on the Albany, Bridge, LiveNotes, Ablaze and Métier labels. Hulme’s music has won many awards including Grand Prize, International Witold Lutoslawski Composition Competition, 1st Prize, ASCAP/Rudolf Nissim Prize, Grand Prize, International Trumpet Guild Composition Competition and awards from the Composición Musical Cuitat de Tarragona, Citta di Trieste Orchestra Competition and the Ladislav Kubik Composition Competition.
Load more

Recommended publications
  • Downloaded on 2017-02-12T05:11:38Z Table of Contents
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title Diverse heritage: exploring literary identity in the American Southwest Author(s) Costello, Lisa Publication date 2013 Original citation Costello, L. 2013. Diverse heritage: exploring literary identity in the American Southwest. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2013, Lisa Costello http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information No embargo required Item downloaded http://hdl.handle.net/10468/1155 from Downloaded on 2017-02-12T05:11:38Z Table of Contents Page Introduction The Spirit of Place: Writing New Mexico........................................................................ 2 Chapter One Oliver La Farge: Prefiguring a Borderlands Paradigm ………………………………… 28 Chapter Two ‘A once and future Eden’: Mabel Dodge Luhan’s Southwest …………………......... 62 Chapter Three Opera Singers, Professors and Archbishops: A New Perspective on Willa Cather’s Southwestern Trilogy…………………………………………………… 91 Chapter Four Beyond Borders: Leslie Marmon Silko’s Re-appropriation of Southwestern Spaces ...... 122 Chapter Five Re-telling and Re-interpreting from Colonised Spaces: Simon Ortiz’s Revision of Southwestern Literary Identity……………………………………………………………………………… 155 Conclusion…………………………………………………………………………. 185 Works Cited…………………………………………………………………………. 193 1 Introduction The Spirit of Place: Writing New Mexico In her landmark text The American Rhythm, published in 1923, Mary Austin analysed the emergence and development of cultural forms in America and presented poetry as an organic entity, one which stemmed from and was irrevocably influenced by close contact with the natural landscape. Analysing the close connection Native Americans shared with the natural environment Austin hailed her reinterpretation of poetic verse as “the very pulse of emerging American consciousness” (11).
    [Show full text]
  • The History and Development of Jazz Piano : a New Perspective for Educators
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
    [Show full text]
  • Summer/Fall 2007 : Community Sustained PDF Version
    Terrain.org: A Journal of the Built & Natural Environments : www.terrain.org Issue No. 20 : Summer/Fall 2007 : Community Sustained PDF Version. View full version online at www.terrain.org. Contents Columns • Guest Editorial: “Grassroots Good, Communities of Change” by Erik Hoffner, Orion Grassroots Network • The Literal Landscape: “A Taco Stand in Every Neighborhood” by Simmons B. Buntin, Editor/Publisher, Terrain.org • Bull Hill: “Avatud!” by David Rothenberg, Editor, Terra Nova • View from the Summit: “Westward Expansion” by Catherine Cunningham, Editor, Terrain.org • Plein Air: “Sustainable Magic: Restoring the Allure of Bedford Springs” by Deborah Fries, Editorial Board Member, Terrain.org Interview • “Speaking Truth to Power” Terrain.org interviews Sandra Steingraber, ecologist, author, and cancer survivor UnSprawl Case Study • Southside in Greensboro, North Carolina ARTerrain Gallery • Five oil paintings by Pakistani-born Canadian artist Fatima Jamil Faiz Poetry • Two Poems by Lynn Strongin • Two Poems by Danica Colic • Two Poems by Matthew Thorburn • One Poem by Elizabeth Aamot • Five Poems by Lyn Lifshin • Two Poems by Justin Evans • One Poem by Tim Bellows • Two Poems by Anca Vlasopolos • One Poem by J.D. Smith • One Poem with Images by Eric Magrane Essays • “Listening without Distraction: Sustainability in Little Tibet” by Pamela Uschuk, with photos by William Pitt Root • “Accidental Summer Soundtrack” by Nishta Jaya Mehra • “Sitting on the Front Porch” by Cynthia Staples • “A Lake of Pure Sunshine” by Scott Calhoun Issue No.
    [Show full text]
  • Fall/Winter 2006
    • Maryland SIDS Information and Counseling Program • Infant and Child Loss Program • Education and Training Program • Consultation Services University of Maryland Baltimore Department of Pediatrics V O L U M E 12 / N O. 2 FALL/WINTER 2006 SIDS Research Findings Researchers at Children’s Hospital, Boston, announced findings that provide strong evidence that sudden infant death syndrome (SIDS) has a concrete biological basis. The researchers are confident that a diagnostic test can be developed to identify newborns at risk and envision treatments to protect them during the vulnerable period. Check presentation from the 2006 Golf Committee members. The current study, which will appear in the November 1 Journal of the American Medical Association http://jama.ama- Lightening Strikes Twice! assn.org/cgi/content/abstract/296/17/2124 contributes evidence that there is a Golf Invitational Rained Out problem in the development of the brain that occurs in utero and after birth as riday, Oct 6th 2006 was marked This year’s event raised a record breaking well. According to Dr. Hannah Kinney, with a big splash for the 16th $159,000 for the Center for Infant & principal investigator, the data gives a Annual Verizon Wireless-SIDS Child Loss . Despite the inclement weather, F window of time to identify infants at high Golf Invitational & Evening Reception . many sponsors and golfers traveled from risk and initiate interventions during the Steady rain forced the course superinten- all parts of the country to support this critical first six months of life. “My hope dent at Indian Spring Country Club, annual event - well known as one of the Silver Spring, MD, to cancel golf, but the best charity tournaments in the area.
    [Show full text]
  • Leadership and Turnaround Strategy
    BAM 2014 This paper is from the BAM 2014 Conference Proceedings About BAM The British Academy of Management (BAM) is the leading authority on the academic field of management in the UK, supporting and representing the community of scholars and engaging with international peers. http://www.bam.ac.uk/ Introduction This article examines the sector-confirmed successful turnaround of a large metropolitan criminal justice organisation following the arrival of a new leader. It will consider leadership behaviours, which had a significant impact in order to explore the difference a leader, might make to organisational transformation or turnaround strategy. In 2009, staff morale was low and target culture deeply resented. Since a poorly planned and executed merger of a number of services in 2001, there had been three previous leaders and a short period under a Specialist Performance Improvement Action Team. In an attempt to address the performance deficits, there had been three significant structural re-organisations, which, in the context of additional legislative changes, had negatively impacted on employees’ attitude both to change and senior management as well as not achieving the required performance improvements. This was the environment into which the leader was invited by the appropriate state ministry, with a remit to address the challenges of a troubled organisation. Taking the personal account of the leader, this article will filter that personal narrative and test assumptions about the effect of leadership skills on transformational change. The narrative correlation of elite interview with public empirical results, participant observation and theoretical analysis provides a unique and innovative lens through which to consider corporate change.
    [Show full text]
  • International Migration Outlook – Annual Report – 2008 Edition
    ISBN 978-92-64-04565-1 International Migration Outlook SOPEMI – 2008 Edition © OECD 2008 PART III Return Migration: A New Perspective* * This paper was written by Jean-Christophe Dumont and Gilles Spielvogel (OECD). It benefited from a contribution by Claire André (ENSAE). The Secretariat has compiled information from member countries by means of a questionnaire, and has also made use of studies produced for an expert meeting on “Return Migration and Development”, Paris, 12 November 2007. 161 III. RETURN MIGRATION: A NEW PERSPECTIVE Introduction For many immigrants, returning home is a prospect they cherish and one that sustains them during their migration history. Ties with the home country, even if stretched, keep this aspiration alive. Recently arrived migrants, or those arriving under temporary programmes, lend themselves naturally to these return dynamics. Yet in fact some will return home and others will not; some will move on to a new destination, while others will be caught up in a cycle of circular migration. While return migration is a major component of migratory flows, our knowledge of it is still fragmentary. What is the scope and nature of return migration? Are young people, women, or skilled workers more likely to return home? Why do some migrants settle permanently in the host country, while others choose to stay only a short time? What role should immigration policies play in this respect? Can return migration be well managed? Finally, what is their impact on the economic development of the home country? These questions lie at the core of current issues relating to international migration management, from the viewpoint of host countries and home countries alike.
    [Show full text]
  • LINER NOTES Recorded Anthology of American Music, Inc
    New World Records 80202 Songs of the Civil War By Charles Hamm The Civil War of 1861-65 was the single most dramatic event in the history of the United States, with the possible exception of World War II. The fighting, the carnage, the brutal effects on soldier and civilian were unmatched by any other war in American history. In his preface to Flawed Victory; a New Perspective on the Civil War, James P. Shenton writes: No event in American history had more devastating results than the Civil War. For four years the nation was wracked by a seemingly endless blood letting. When the guns finally fell silent in the spring of 1865, more than 630,000 Americans had died. Americans had inflicted upon one another more casualties than had ever been sustained in a previous, or subsequent, foreign war. (In comparison, some 606,000 Americans were killed in all other conflicts from the French and Indian Wars through Korea.) In the course of the struggle, a war of limited objectives had been translated into total war. The enemy was no longer armies but entire civilian populations....When final defeat engulfed the South, its economy was in shambles; vast stretches of its territory were ruined; and its social institutions rooted in slavery had been smashed....As one contemporary noted, the boundary between the two sections was drawn in blood. Such Northern states as Illinois and Connecticut sent almost fifteen percent of their population to fight the Civil War, and the percentage was even higher in most of the South. It was total war indeed, particularly for less populated areas.
    [Show full text]
  • Summer/Fall 2019
    SUMMER/FALL 2019 EINSTEINTHE MAGAZINE FOR ALUMNI AND FRIENDS OF ALBERT EINSTEIN COLLEGE OF MEDICINE The Search for Einstein and Montefiore researchers Autism Therapies are testing promising treatments Collaborating to Cure Cancers • ECHO Clinic Marks 20 Years • An Out-of-This-World Clerkship EINSTEIN A Message from the Dean Science at the Heart of Medicine Summer/Fall 2019 The magazine for alumni, faculty, y first year as Einstein’s students, friends, and supporters of dean has educated and Albert Einstein College of Medicine and Montefiore invigorated me. When I walked on stage for this Published by Myear’s Commencement, I felt tremen- The Philip and Rita Rosen Department of Communications and Public Affairs dous pride for our graduates, the first to Gordon Earle, Associate Dean receive diplomas carrying the Einstein Office of Development seal (page 4). This milestone fittingly Rachelle M. Sanders, Vice President and occurred on the 60th anniversary of our Chief Development Officer initial graduating class (page 69). Director, Science and Research Content Our newest graduates are the best Larry Katzenstein of the best, taught by a faculty doing Senior Director, Strategic Communications and External Relations outstanding work. A prime example is Deirdre Branley given in our cover story, “The Search Managing Editor for Autism Therapies,” which begins Susan Byrne on page 16. It describes the research of Director, Creative Services Eric Hollander, M.D., a national leader Einstein Community Health Marie L. Kurtz in seeking new treatments for autism Outreach free clinic marks 20 years Senior Director of External Relations, spectrum disorders, which affect 6,000 of service to Bronx residents who lack Development Rachel Eddey children in the Bronx and another 12 health insurance (page 28).
    [Show full text]
  • Writing Creative Nonfiction Course Guidebook
    Topic Literature Subtopic & Language Writing Writing Creative Nonfiction Course Guidebook Professor Tilar J. Mazzeo Colby College PUBLISHED BY: THE GREAT COURSES Corporate Headquarters 4840 Westfi elds Boulevard, Suite 500 Chantilly, Virginia 20151-2299 Phone: 1-800-832-2412 Fax: 703-378-3819 www.thegreatcourses.com Copyright © The Teaching Company, 2012 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Tilar J. Mazzeo, Ph.D. Clara C. Piper Professor of English Colby College rofessor Tilar J. Mazzeo is the New York Times best-selling author of The Widow PClicquot: The Story of a Champagne Empire and the Woman Who Ruled It,the story of the rst international businesswoman in history, and The Secret of Chanel No. 5: The Intimate History of the World’s Most Famous Perfume. The Widow Clicquot won the 2008 Gourmand Award for the best book of wine literature published in the United States. Professor Mazzeo holds a Ph.D. in English and teaches British and European literature at Colby College, where she is the Clara C. Piper Professor of English. She has been the Jenny McKean Moore Writer-in-Residence at The George Washington University, and her writing on creative non ction techniques has appeared in recent collections such as Now Write! Nonfi ction: Memoir, Journalism, and Creative Nonfi ction Exercises from Today’s Best Writers.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-14-2007 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2007). The George-Anne. 2012. https://digitalcommons.georgiasouthern.edu/george-anne/2012 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Southern Georgia Symphony to play Sunday I NEWS p. 2 A cafe with no price tags | BRIEFS, p. 3 Study abroad offered High: H58 I Low: 32 in Alaskan parks i NEWS, P. 2 Partly Cloudy GSU falls to FSU Volume 79 Number 75 Softball team loses first home game | SPORTS p. 6 Bill Neville reflects I OPINON, p. 4 f I 1 f*\ A DAILY THE GEORGE-ANNE WEDNESDAY, FEBRUARY 14,2007 Marriage gives college students a new perspective By Maria Folsom not an easy one," Robinson said. "First, you mixed reception. is most prevalent on college campuses. studies," Caldwell said. Staff writer have to know who you are before you can be "There were concerns about school, my John Lovell, a junior business major, Caldwell goes on to suggest that couples The common order of events for many anything to someone else." involvement in pageants and other issues credits his being older and more experienced receive some form of individual and premari- college students is to graduate from school, Latesa, a sophomore majoring in creative that my family and friends wanted us to in life with the decision to marry as a col- tal counseling before engaging in the lifelong embark one that long-awaited career path writing, sees time as a crucial factor that can consider," Lovell said.
    [Show full text]
  • Jazz Library (Song Listings)
    Music 932 songs, 3.7 days, 10.39 GB Name Time Album Artist Afrodisia 5:06 Afro-Cuban Kenny Dorham Lotus Flower 4:17 Afro-Cuban Kenny Dorham Minor's Holiday 4:28 Afro-Cuban Kenny Dorham Basheer's Dream 5:03 Afro-Cuban Kenny Dorham K.D.'s Motion 5:29 Afro-Cuban Kenny Dorham The Villa 5:24 Afro-Cuban Kenny Dorham Venita's Dance 5:22 Afro-Cuban Kenny Dorham Echo Of Spring (a.k.a. K.D.'s Cab Ride) 6:12 Afro-Cuban Kenny Dorham Minor's Holiday [Alternate Take] 4:24 Afro-Cuban Kenny Dorham Bouncing With Bud 3:05 The Amazing Bud Powell, Vol. 1 Bud Powell Wail 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels 2:54 The Amazing Bud Powell, Vol. 1 Bud Powell 52nd Street Theme 2:50 The Amazing Bud Powell, Vol. 1 Bud Powell You Go To My Head 3:15 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology 2:23 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 1] 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 2] 3:16 The Amazing Bud Powell, Vol. 1 Bud Powell Wail [Alternate Take] 2:42 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels [Alternate Take] 2:51 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology [Alternate Take] 3:12 The Amazing Bud Powell, Vol. 1 Bud Powell Un Poco Loco 4:46 The Amazing Bud Powell, Vol.
    [Show full text]
  • News Release. Toronto International Film Festival
    August 9, 2016 .NEWS RELEASE. TORONTO INTERNATIONAL FILM FESTIVAL DOCUMENTARY LINEUP HIGHLIGHTS VIBRANT REAL-LIFE CHARACTERS Slate includes films on Leonardo DiCaprio, Amanda Knox, Jane Jacobs, James Baldwin, John Coltrane and the "Sixth Beatle" TORONTO — The Toronto International Film Festival’s 2016 documentary programme presents a diverse collection of works from award-winning directors including Steve James, Raoul Peck, Errol Morris, and Werner Herzog, plus new talent telling stories in global hot spots such as Syria, Pakistan, and Myanmar. Leonardo DiCaprio is prominently featured in a rousing call to action on climate change in Before the Flood, in collaboration with Academy Award winner Fisher Stevens. TIFF Docs is generously sponsored by A&E IndieFilms. “Revelations abound in this year’s crop of documentaries," said TIFF Docs Programmer Thom Powers. “We gain fresh perspectives on high profile figures such as James Baldwin, Amanda Knox and The Beatles; and we meet compelling figures from the worlds of activism, music, sports and, not to be forgotten, classic burlesque." Esteemed nonfiction auteurs include Steve James with ABACUS: Small Enough to Jail, which follows the prosecution of a Chinatown bank in New York City in the wake of the 2008 financial crisis; Errol Morris profiling a longtime friend in The B-Side: Elsa Dorfman’s Portrait Photography; Werner Herzog partnering with volcanologist Clive Oppenheimer for Into the Inferno; and Raoul Peck bringing his cinematic version of James Baldwin’s writing to life in I Am Not Your Negro. Breakthrough films by emerging female directors include Erin Heidenreich’s Girl Unbound, which profiles Pakistani squash player Maria Toorpakai Wazir; María José Cuevas’ Beauties of the Night, which examines aging Mexican burlesque stars; and Maya Zinshtein’s Forever Pure, focusing on an Israeli soccer controversy.
    [Show full text]