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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Underground Power Records List 4 -2020.P[...]
This is the last List that will be sent to all emails on our previous email distributor - we will build up a new one. So all friends who order for sure will be on the new distributor. All others please send a short message and we will add you too for sure. The list will be also on our website and we will announce ever new one on facebook. Our own new releases will be on the next List (Xmas or January)! Das ist die letzte Liste die an den alten email Verteiler geschickt wird - wir bauen einen Neuen auf. Alle Besteller werden automatisch in den neuen aufgenommen. Alle Anderen die den Newsletter erhalten möchten senden bitte eine kurze Bestätigung, dass Sie künftig auch wieder in den Verteiler aufgenommen werden wollen. Die Liste wird auch auf unserer Webseite veröffentlicht und immer auf facebook angekündigt. Unsere eigenen neuen Releases werden auf der nächsten Liste erscheinen (um Weihnachten oder im Januar) ! CD ADORNED GRAVES – Being towards a River (NEW*EPIC/THRASH METAL*TOURNIQUET*DELIVERANCE) - 14 GER Private Press 2020 – Brandnew Oldschool 80’s Epic / Thrash Metal with elements of Epic Doom / Death Metal from Germany ! For Fans of Vengeance Rising, Tourniquet, Deliverance, Believer, Martyr / Betrayal or Metallica and Slayer, but also Black Sabbath + Trouble ! Melodic Old School Epic Doom N Thrash Death Metal Einschlägen, der Einfachheit halber als „Thrash Metal“. ALCATRAZZ - Born Innocent (NEW*MELODIC METAL*G.BONNET*RAINBOW*MSG*TNT) - 15 Silver Lining Music 2020 - Brandnew limited CD Digipak Fantastic Melodic Metal / Hard Rock with Original Line up Graham Bonnet, Keyboarder Jimmy Waldo and Bassplayer Gary Shea – now together with Guitar Hero Joe Stump and some fantastic guest musicians: Chris Impellitteri, Bob Kulick, Nozumu Wakai, Steve Vai, Dario Mollo, Don Van Stavern or Jeff Waters For Fans of RAINBOW, TNT, EUROPE, DOKKEN, MICHAEL SCHENKER ANGEL WITCH – Screamin’ ‘n’ Bleedin’ (NEW*LIM.500*NWOBHM CLASSIC 1985) – 18 € N.W.O.B.H.M. -
FAS Amps Models Axe III Ares12.05.Pdf
Nbr PHOTO AXE-FX AMP FW BASED ON AMP DESCRIPTION 1 1959SLP Jump Marshall 1959 SLP 90's Reissue of a late 60’s 100w Marshall Super Lead model 1959. See PLEXI 100W for the Vintage Reissue Series original. Emulates “jumpering the inputs” on a 4-hole amp 2 1959SLP Normal Marshall 1959 SLP Normal channel, dark Vintage Reissue Series and has loads of bass. 3 1959SLP Treble Marshall 1959 SLP Treble channel, boosted Vintage Reissue Series bright tone. 4 1987X Jump Marshall 1987x 90's Reissue of the 50w JMP Lead 1987. Features an “essential” mod to the tonestack of Vintage Reissue Series this Plexi. Emulates “jumpering the inputs” on a 4-hole amp 5 1987X Normal Marshall 1987x Normal channel, dark Vintage Reissue Series and has loads of bass. 6 1987X Treble Marshall 1987x Treble channel, boosted Vintage Reissue Series bright tone. 7 5153 100w Blue EVH 5150 III Blue (medium gain/rhythm) ch. 100w, 6L6. Made in collaboration with Fender. (Blue) 8 5153 100w Green EVH 5150 III Green (clean) ch. (Green) 9 5153 100w Red EVH 5150 III Red (high gain/lead) ch. (Red) 10 5153 50w Blue EVH 5150 III The 50w version has a different input network than the 100w, and as a result has about (Blue) twice the gain 11 59 Bassguy Fender Bassman (5F6-A-Tweed) 1959, Tweed era, 5F6-A circuit, 4x10. Low-to-medium gain amp designed for bass but widely adopted by guitarists. 12 5F1 Tweed Fender Champ (5F1-Tweed) 5F1 circuit (‘58-’64), one volume only, Class A, 5w. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come. -
U.S. Securities and Exchange Commission Washington, D.C. 20549 Form 10-Qsb [X] Quarterly Report Under Section 13 Or 15(D) Of
U.S. SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-QSB [X] QUARTERLY REPORT UNDER SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE QUARTERLY PERIOD ENDED MARCH 31, 2000. OR [ ] TRANSITION REPORT UNDER SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM ________________ TO ______________. Commission File No. 0-20630 FULL HOUSE RESORTS, INC. ---------------------------------------- (Exact name of small business issuer as specified in its charter) DELAWARE 13-3391527 - ------------------------------- ------------------- (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 2300 W. SAHARA AVE. SUITE 450, BOX 23 LAS VEGAS, NEVADA 89102 - ------------------------------------ -------- (Address of principal executive offices) (zip code) (702) 221-7800 ------------------------------- (Registrant's telephone number) Check whether the issuer (1) filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the past 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes [X] No [ ] APPLICABLE ONLY TO CORPORATE ISSUERS As of May 9, 2000, Registrant had 10,340,380 shares of its $.0001 par value common stock outstanding. FULL HOUSE RESORTS, INC TABLE OF CONTENTS <TABLE> <CAPTION> PAGE ---- <S> <C> PART I. Financial Information Item 1. Condensed Consolidated Financial Statements Unaudited Condensed Consolidated Balance Sheets as of March 31, 2000 and December 31, 1999 3 Unaudited Condensed Consolidated Statements of Operations for the three months ended March 31, 2000 and 1999 4 Unaudited Condensed Consolidated Statements of Cash Flows for the three months ended March 31, 2000 and 1999 5 Notes to Unaudited Condensed Consolidated Financial Statements 6 Item 2. -
Turner Shines in Tunisia
JMJC Newsletter Issue 24 Turner Shines in Tunisia Tunis, Tunisia - Alex Turner (23) from the Jason Morris Judo Center took fifth place in 73kg at the African World Cup on the International Judo Federation's world tour January 14, 2017. Turner raised his world ranking to a career high #85 up fourteen spots with this result. Turner lost by the slimmest of margins in the bronze medal bout to Martin Hojak (Slovenia) in an exciting battle. Alex's JMJC teammate, Quentin Cook (18) had a strong performance as well taking 7th at 66kg. Cook who is a senior at Burnt Hills High School, improved his world ranking an impressive 63 spots up to #162. "This is a fantastic start to the season for Alex & Quentin" commented their coach, Jason Morris. "Their hard preparation is paying off" Morris continued. Quentin Cook & Alex Turner 1 JMJC Newsletter Issue 24 Michaelson’s On Top In NJ North Bergen, NJ - Alexa (14) & Tyler (15) Michaelson led the way for the Jason Morris Judo Center at the New Jersey State Championships, Sunday, January 29, 2017, taking gold medals in their respective divisions. Burnt Hills High School Sophomore, Tyler won the 15-16yrs. 60kg divisions as well as picking up a silver medal in the senior men's 60kg category. Alexa Burnt Hills Freshman, Alexa won the 13- 16yrs 52kg weigh class. Burnt Hills Senior, Mitchell Paltiel (17) also performed well taking a gold in in the 17-20yrs. 81kg division. Burnt Hills Senior, Ruslan Izerkin (17) won a silver medal in the 17-20yrs. 73kg category while Zach Judy picked up a bronze in the men’s 60kg division to close out the JMJC medal count at the NJ states. -
Loudness the Law of Devil's Land Mp3, Flac, Wma
Loudness The Law Of Devil's Land mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Law Of Devil's Land Country: Japan Released: 1983 Style: Heavy Metal MP3 version RAR size: 1584 mb FLAC version RAR size: 1859 mb WMA version RAR size: 1299 mb Rating: 4.9 Votes: 992 Other Formats: VOC FLAC TTA APE MMF AUD RA Tracklist Hide Credits Theme Of Loudness Part II A1 1:56 Chorus – EveLyrics By – 二井原 実*Music By – 高崎 晃* In The Mirror A2 3:38 Lyrics By – 二井原 実*Music By – 高崎 晃* Show Me The Way A3 5:59 Lyrics By – 二井原 実*Music By – 高崎 晃* I Wish You Were Here A4 3:44 Lyrics By – 二井原 実*Music By – 高崎 晃* Mr. Yes Man A5 6:55 Lyrics By – 二井原 実*Music By – 高崎 晃* The Law Of Devil's Land B1 4:50 Lyrics By – 二井原 実*Music By – 高崎 晃* Black Wall B2 5:00 Lyrics By – 二井原 実*Music By – 山下 昌良* Sleepless Night B3 4:43 Lyrics By – 二井原 実*Music By – 高崎 晃* Speed B4 5:28 Lyrics By – 二井原 実*Music By – 高崎 晃* Companies, etc. Manufactured By – Nippon Columbia Co., Ltd. Marketed By – Nippon Columbia Co., Ltd. Made By – Nippon Columbia Co., Ltd. Phonographic Copyright (p) – Nippon Columbia Co., Ltd. Recorded At – Studio Birdman Recorded At – Nippon Columbia Studio Credits Arranged By, Producer [Sound] – Loudness Art Direction, Design, Illustration – Keisuke Tsukimitsu & MoonShine Project Bass – Masayoshi Yamashita Directed By – Kenichi Kishi Drums – Munetaka Higuchi Engineer [Recording] – Danny MacCleandon* Guitar – Akira Takasaki Illustration [Duplication] – Kaoru Hirono Layout [Imaging Coordination] – Keisuke Tsukimitsu Management [Personal] – Akihiro Takeda Producer [Grand] – Daikoh Nagato, Mikio Shimizu Technician [Mender] – Akira Ohmachi Vocals – Minoru Niihara Notes This is the subsequent regular/common release with new obi without the red text on left side of the obi. -
Voices in Real Time Interactive and Transmedia Testimonies of the Arab Spring, Instant Archive and New Social Movements Discourses
International PHD Programme in Audiovisual Studies University of Udine, DAMS Gorizia a.a.20 !"20 # Voices in real time Interactive and transmedia testimonies of the Arab Spring, instant archive and new social movements discourses $andidate% &udovica Fales Su)ervisors% *oy Menarini, University of Bologna Ian C,ristie, Bir-.e'- College London 1 /The wor- of our time is to clarify to itself t,e meaning of its o1n desires' 2. Mar3, 'For a Rut,less Criticism of Everyt,ing E3isting' (16!!7 1 2. Mar3, /(or a *ut,less $riticism of 4veryt,ing 43isting,/ in Te Marx- ngles !eader, ed *obert $. 8u'-er, 2nd edition, Ne1 Yor-, W.;. Norton, p. <=6, 12> # 2 I9D4? Introduction "e#ning the research field : transmedia or interactive documentaries% &owards a de#nition of interactive documentaries as '(living( entities )h* is this useful in relation to Tahrir S+uare? xploring the research field. What actions and whose voices% Than-s $,a)ter I – "ocumenting events in the ma-ing toda* 1.1. Documenting collective events in their actuality. A Pre-,istory .,.,., Te formation of the modern public sphere$ actualit* and participation -Te philosophical concept of actualit* - nlightenment as re/ective consciousness on the present -0lashes and fragments of the present time -Actualit* as gathering the present .,.,2 "Te whole world is watching3, Witnessing and showing d*namic in narrating dissent -A new consciousness of news media in the Chicago.567 revolt -"ocumenting and producing media protests (.59:-2::.; - September 1., 2::.. “Te death of detachment( in the news 1.2 Glo.al imagination, actuality, present>tense, real>time .,2,., =lobal imagination, >ocal imagining, A 4ultural Studies &oolbox for Media !epresentation in the =lobal World -=lobal Imagination, Local Imagining -?e*ond '@rientalism'% - Self-narratives, testimonies, micro narratives .,2,2, Te Space of Tahrir S+uare- Within and Without -A Space-in-process -A Space Extended to Tose Watching It -Aerformativit* of Tahrir S+uare - Social Media, Social Change and CitiBen Witnessing – A Faceboo- revolution% .,2,D, Can Tahrir S+uare 2:. -
Metallimusiikki Musiikkiyhtye & Musiikin Esittã¤J㤠Lista
Metallimusiikki Musiikkiyhtye & Musiikin esittäjä Lista Masterpiece https://fi.listvote.com/lists/music/artists/masterpiece-22967514/albums Mikko Härkin https://fi.listvote.com/lists/music/artists/mikko-h%C3%A4rkin-1079969/albums Blaze Bayley https://fi.listvote.com/lists/music/artists/blaze-bayley-1756800/albums Chainsaw https://fi.listvote.com/lists/music/artists/chainsaw-5395589/albums Brats https://fi.listvote.com/lists/music/artists/brats-4958082/albums Piet Sielck https://fi.listvote.com/lists/music/artists/piet-sielck-69837/albums Machine Men https://fi.listvote.com/lists/music/artists/machine-men-498636/albums Dan Nelson https://fi.listvote.com/lists/music/artists/dan-nelson-3298514/albums Gotham Road https://fi.listvote.com/lists/music/artists/gotham-road-3773639/albums Oliver/Dawson Saxon https://fi.listvote.com/lists/music/artists/oliver%2Fdawson-saxon-1092373/albums Stonegard https://fi.listvote.com/lists/music/artists/stonegard-12003345/albums Symbols https://fi.listvote.com/lists/music/artists/symbols-3507540/albums T & N https://fi.listvote.com/lists/music/artists/t-%26-n-2382920/albums Masterstroke https://fi.listvote.com/lists/music/artists/masterstroke-5479786/albums Kobus! https://fi.listvote.com/lists/music/artists/kobus%21-3643369/albums Saber Tiger https://fi.listvote.com/lists/music/artists/saber-tiger-11543506/albums Motör Militia https://fi.listvote.com/lists/music/artists/mot%C3%B6r-militia-1718843/albums Tribuzy https://fi.listvote.com/lists/music/artists/tribuzy-3998670/albums JonnyX and the Groadies https://fi.listvote.com/lists/music/artists/jonnyx-and-the-groadies-6275706/albums -
Akira Takasaki Tusk of Jaguar Mp3, Flac, Wma
Akira Takasaki Tusk Of Jaguar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Tusk Of Jaguar Country: Japan Released: 2005 Style: Hard Rock, Heavy Metal MP3 version RAR size: 1426 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1450 mb Rating: 4.5 Votes: 746 Other Formats: MP4 AA MP3 AHX MIDI MP2 WAV Tracklist 1 Tusk Of Jaguar 3:52 2 Steal Away 6:12 3 Macula (Far From Mother Land) 4:52 4 Ebony Eyes 5:23 5 Wild Boogie Run 3:19 6 Gunshots 3:05 7 Mid-Day Hunter 4:25 8 Show Me Something Good 4:59 9 Say What? 3:46 Companies, etc. Phonographic Copyright (p) – Columbia Music Entertainment, Inc. Recorded At – Nippon Columbia Studio Recorded At – Studio Birdman Credits Art Direction – Keisuke Tsukimitsu, Moonshine Project Bass – Masayoshi Yamashita, Takayuki Hijikata Chorus – Akira Takasaki, Masayoshi Yamashita, Milky Way, Minoru Niihara Design – Keisuke Tsukimitsu Directed By – Kenichi Kishi, Masao Nakajima Drums – Kazuhisa Takahashi, Munetaka Higuchi, Reuben Tsujino Ensemble [Strings Quartette] – Poker Face Guitar – Akira Takasaki Illustration – Moonshine Project Keyboards – Masanori Sasaji Layout [Imaging Coordination] – Keisuke Tsukimitsu Photography By – Kazunori Isaka Producer [Grand Produced By] – Daikoh Nagato Producer [Sound Produced By] – Akira Takasaki, Masanori Sasaji Violin [Electric Black Widow Violin] – Toshihiro Nakanishi Vocals – Akira Takasaki, Minoru Niihara Barcode and Other Identifiers Barcode (Obi): 4 988001 938453 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country