Springsteen, Tradition, and the Purpose of the Artist William I. Wolff Rowan University Abstract In 2012, Bruce Springsteen delivered the keynote address at the South By Southwest Music Conference and Festival. His task was daunting: reconnect authenticity to a traditional approach to creating art. By bringing together ideas on authenticity, creativity, and culture, Springsteen’s talk joins a lineage of essays that defend poetry, creativity, and culture, including famous works by William Wordsworth and T.S. Eliot. In this article, I connect Springsteen’s ideas to the “folk process,” which leads to considering Wordsworth’s ideas on the voice of the common citizen and Eliot’s ideas on historical tradition. In the end, I consider Springsteen’s legacy as cultural ambassador for the arts. “[Springsteen] wears his influences on his sleeve.” —Peter Knobler1 In March 1973, in the first major article about Bruce Springsteen, Peter Knobler of Crawdaddy! immediately locates Springsteen’s influences as Bob Dylan and Van Morrison. Much of Springsteen’s 1974 interview with Paul Williams is about his musical influences, ranging from Dylan to The Yardbirds. In a 1975 edition of Rolling Stone, Dave Marsh describes Springsteen as “the William I. Wolff has licensed this article under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International license, 2014. The author would like to thank the anonymous reviewers and journal editors for their considerable time and for pushing him to make his article more thorough and nuanced. Please address correspondence to
[email protected]. 1 Peter Knobler, “Who Is Bruce Springsteen and Why Are We Saying All These Wonderful Things About Him?,” Crawdaddy!, March 1973, found in: Racing in the Street: The Bruce Springsteen Reader, ed.