DOCSLIB.ORG

Arbiter, October 4 Students of Boise State University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Arbiter, October 4 Students of Boise State University Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 10-4-1978 Arbiter, October 4 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Q ..s::: ca -"'C Volume'll, Number6 Wednesday, October 4, 1978 Vo-Tech Takes Own Ballot John Chancellor About 60 per cent of the students ASBSy president). presented, but Vo-Tech students at BSU took In the Vocational-Technical school they couldn't be there becauseof "Journalism is one of the few said, "Okay, you'rea reporter ...• matters into their. own hands last participated In' the ballot. which class loads." crafts that does benefit directly for That's a perfectly valid way to Monday and voted their opinions was handled from class to class Last week, the VcrTech a liberal arts education." said advance yourself, to try above all on the on-campus pavilion. The largely by student senators"Kathy Q).()rdlnatlng Committee. made John Chancellor, longtime NBC to get close to the people who are results ended up the same asthose Russell and Steve Andersen. up of representatives from a news broadcaster who spoke on prnduclng journalism." of polls taken by the student Russell said. "The vo-tech stu- number of .vo-tech classes, ar- the BSU campus last Friday. He On public attitudes: "There's a povernment: most students want a dents felt they needed to get some ranged to have a slmliar vote taken stressed developing "Ideas. (clear) lack of corinectlon between our pavilion , but most do not want to Input. A lot of them knew about last Thursday. The results, ulti- thinking. a senseof curiosity about hopesand what we've been given. pay $40 per semester for it. the apen forums Rob (Perez, mately similar, were rejected by the society In which we live. and in terms of the senior leaders of Andersen because of lack of due ... a little knowledge about that our government ... I think there's procedure. Andersen and Russell society." an element In the American public Students Turn Tables then set about producing the same Chancellor was In Boise for the that Is disillusioned and to some ballot within the bylaws of the 25th anniversary· of the KTVB degree cynical about It. The way to ASB constitution. The valid results television station. He had earlier fix it Is for people to get off their on P'resident's Recall can be presented to the State spoken to the Idaho Press Club assesand do something about the Board of education by and was involved In several promo- government." Some opponents of the petition' distributor. Mary Ann Lebsack. Perez Thursday, along with "about 20 tlonal activities for the station. On press rights: "If (the courts) to recall ASBSU president R Perez another Towers RA, reported testimonies" from individual stu- After a few brief remarks. do succeed in getting parts of first were angered when It came out. gathering 100 signatures the first dents both tor and against the Chancellor opened the rest of his amendment rights away - and Now a good deal of them have- day. "There were people Italked pavilion. 45 minutes available to questions there have been chlppings away - reacted in kind. to," she said, "who had been from the audience. Among his I won't suffer much, Walter Russell said from her observa- A petition simply stating, •'We approached as if they were signing remarks: Cronkite won't suffer much, but I tion, there Is "quite a bit ,of .support Rob Perez at ASBSU an anti-pavilion petition, and _ think all kinds of journalists with support" for student government .Presldent," has been distributed signed the recall petition." , . On the Camp David meeting less legal resources ... it really can In vo-tech, but "not much support across the campus since Monday. Estimates of the number of between Presidents Carter and make life untenable for them." for the pavilion," referring to a on the heels of a petition to put pro-Perez signatures rangedTl!9S- Sadat and Prime Minister Begin: On the taxpayers' revolt: "I petition presentlyclrculatlngwhlch Perez to a recall vote because of day afternoon from six hundred to "Jimmy Carter showed that he Is a think the one possible hopeful asks for a recall of Perez because his "misrepresenting" stand Oil nearly a thousand. The recall leader and a bringer together of thing out of California's Proposi- ' of his stand on the pavilion. the multi-purpose .pavilion. "If It petition had about 1·100to 1200of people.. I think they may have tlon 131s that It makes the people The final results of tha ballot: comes down to a vote, we'll know the required 1700. Invented a different way to do a who elected to office· think 1) Are you In favor of an on-campus are' there are qUite a. few propie who The recall of student senatorJoy 'summit conference We got no . carefUlly about the feelings multiple purpose pavilion: mor~ are aware of the situation and are Mclean, according to Initiator out of ·It (before the end), of those who elected them. On the Yes 159 news .behind Rob,·' said Ann McDonagh Chat Hawker, will hinge on the sucurlty held pretty watl,and other hand, there's.a considerable No' 148 was one of the distributors of the ASBSU judiciary's Interpretation I knowl'mspSaklng for'alpt of dangerto the process u 2) Are you prepareclto pay a $40 when pro-Perez sheet, and a resident of a clause In the constitution advisor at the Towers dormitory. ",...~II i h h' 'I f fee Increase to fund the pavillion? .: The signature ,drive will hot UO<ll ng w t t areca l.o clfficers. Yes 84' . The constitution states that one' No 223 affect whether the recall vote will fifth of thestud8lJts, represented be taken, If.' the recall petition b h ffl . I gains the required 1700slgnatures ' yt eo cermust s gnln order to and Is flied. , force a recall. Mclean is one of six Travis Opdyke, who started the senators from the school of Arts Day Care' recall ~itlon. said the counter .and Sciences. , drive was "a great Idea ... I Hawker orl,glrially planned' to. • happen to believe thefi.mctlon 'of recall ali the ~s·and. Sciences Funded anyone In politics is to get out senators, but after the student amongst the people_and find out senate voted for a resolution Funding has been renewed for what they're thinking." he added. favoring the pavilion, he and other the director arid one teacher at the "It we 11..'\d4000 signatures backers of the petition decided to Child's Future Day Care center on between the two petitions," he drop petitions against all except University Drive, according to observed, "that would be nearly Mclean, the senate vlce-chalr- director Blrgltta Burkhart. CErA four throes as many students as man. "The senate themselves had previously withdrawn the voted In the last ASBSU election. admitted' that they did not know funds as of October 1. people n t e nat 0 press that start putting. referenda on the That would represent some real, ' what, their role was," Hawker " Burkharts's position was are perfectly delighted that It ballot In all fifty states ••, the honest-to-god Input from the stud- said,notlng that they had stricken re-funded until November 1, .anda worked that way." referendum Is a scalpel-like tool ents." Opdyke asserted that he an &mendment to the resolution teacher's salary was reinstated On the Middle East: "I think If for me government: Wlen.· you considered therecaJl mechanism' that would have stated the resol- until the end of December. the they don't-tle (the summit SQree- have a stateUke California, where the closest thing' to 'ia vote of utlon ....~ "In the best Interests of federal money had been wlt~ nmt) in with some resonable you-get 15 to 18 referenda on the confidence" that the ASBSU sy&- the students". drawn by CETA because of low . settlement with the Palestinians ballot, then why go to all that fuss tern affords. The petition has well over the1i) unemployment In Ada County. on the West Bank of the Jordan, of electing people to represent you The pro-Perez petition was star- signatures that would be requlred The center has applied for a and some hope that the question of In 8acramento? Why not do It all ted by student senator Kathy· If McLean represented only a sixth. grant for operation after January J6rusalern could be resolved, then by referendum? ... It would be Russell and ASBSU vice-president . of the Arts arid Sciencesstudents. 1979. The ASBSU has subsidized ;.~the world will get back to where chaos." , Steve BoHmer. Russell said she - If the judiciary rules. that each the cooter for Insurance and may we .were before Camp David - On coverage of terrorism: was "upset" because members of senator represents the entire actively raIse funds for Its opera- wondering when the next war will "There are cases when covering the ASB government. had bean school, ~ said because of tion. break out, not wondering If ... " terrorism as fully and accurately advised to "slttight, let it blow academic pressures he will aban- Child's Future provides day care On televlslon news coverage: as possible actually helps the over, don't rock the boat." don the petition.
Load more

Recommended publications
  • Nick Cage Direction
    craft production just because of what it does with sampling technology and that alone. It’s got quite a conservative form and quite a pop form as well just at the moment, in terms of the clarity of the sonics. When those elements are added to hip-hop tracks it must be difficult to make the vocal stand out. The biggest challenge is always getting the vocal heard on top of the track — the curse of the underground is an ill-defined vocal. When I went to bigger studios and used 1176s and LA2s it was a revelation, chucking one of them on gets the vocal up a bit. That’s how we were able to blag our way through Dizzee’s first album. What do you use in Dizzee’s vocal chain? With the budget we were on when I did Boy In Da Corner I used a Neumann TLM103B. When I bought it, £500 seemed a hell of a lot of money for a microphone. Then it goes to my Drawmer 1960 — I exchanged a couple of my keyboards for that. Certainly with Showtime, the new desk improved the vocal sound. It would be interesting to just step the gear up a notch, now we have the deal with XL, and see what happens. Do you have a label deal for Dirty Stank records with XL? I Love You came out first on Dirty Stank on the underground, plus other tunes like Ho and some beats. XL has licensed the albums from Dirty Stank so it’s not a true label deal in that sense, although with our first signings, it’s starting to move in that Nick Cage direction.
    [Show full text]
  • British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
    British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report.
    [Show full text]
  • Publishing Firm 1978 - 1980 She Worked at Mushroom Records in National Secondary Promotion
    EXECUTIVES ON THE MOVE Mansfield Named Frazier Promoted - A&M Records has announced the promotion of Boo Frazier to national promotion and marketing director. He is a five year veteran of A&M and will To RCA VP Post operate out of the east coast. (continued from page 5) Erect Announces Appointments - Erect Records has announced that Alonzo King has been appointed vice president of special markets for Erect Records. He was formerly success we have experienced in the midwest promotion manager for Motown Records and for. Liberty prior to that time. A&R/Marketing Center concept in our Also appointed was Greg Dodd to vice president of pop promotion. He was formerly black, Nashville and Red Seal music opera- midwest regional sales manager for Inner City. Prior to that, he worked national promo- tions" through the appointment of tion for Ovation Records. Mansfield, which now "implements this Minger Joins E/A Darryl Minger has joined Elektra/Asylum Records as tour press organizational concept in the all-important - manager. In 1977-78 he was music promotion assistant with The New York Daily News. contemporary music segment." Most recently, he was vice president/public relations with the public relations/ad- More Cooperation vertising/marketing firm of Minger, Allen & Patton in New York. Mansfield said that "although there's not Madison Appointed At CBS John Madison has been appointed branch manager, a direct reporting line to any of these peo- - Lorne Salfer New England branch for CBS Records. His most recent position with CBS Records was ple," he looks forward to working with his branch manager, Chicago branch.
    [Show full text]
  • WHERE to FIND US T the San Diego Troubadour Is Distributed to the Following Locations by the First of Each Month
    SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, blues, gospel, jazz, and bluegrass music news WHERE TO FIND US T The San Diego Troubadour is distributed to the following locations by the first of each month. UNIVERSITY HEIGHTS/ SOUTH PARK Footnote Books EL CAJON/LAKESIDE/ 1627 University Ave. NORMAL HEIGHTS Whistlestop Bar SPRING VALLEY Lestat’s West 2236 Fern St. Café on Park El Cajon Library 3831 Park Blvd. 4496 Park Blvd. Vinyl Junkies Record Shack 201 E. Douglas, El Cajon Park Blvd. Market 2235 Fern St. Live Wire Bar Downtown Cafe 2103 El Cajon Blvd. 4504 Park Blvd. Big Kitchen 182 E. Main St., El Cajon Twiggs 3003 Grape St. COLLEGE AREA Taylor Guitars 4590 Park Blvd. Alano Club The Living Room 1980 Gillespie Way, El Cajon Summer’s Market 1944 30th St. 5900 El Cajon Blvd. Desert Rose Studios 4602 Park Blvd. Hamilton’s Tavern Windmill Farms 9225 Carlton Hills Blvd. #3, Santee Mystic Mocha 1521 30th St. 6386 Del Cerro Blvd. 2105 Mission Ave. Andy’s Guitar Repair Santee Library Grant’s Market 9225 Carlton Hills Blvd. #17 Tire Depot 2953 Beech St. 6779 El Cajon Blvd. 3189 Adams Ave. Sam Ash Music Deering Banjo Triple Crown Pub GOLDEN HILL College Grove Shopping Center 3733 Kenora Dr., Spring Valley 3221 Adams Ave. Turf Club Nate’s Garden Grill Rancho San Diego Library Nickelodeon Records 1116 25th St. 3120 Euclid Ave. 11555 Via Rancho San Diego 3335 Adams Ave. Krakatoa United Church of Christ Wood n Lips Open Mic Lestat’s 1128 25th St. 1601 Kelton Rd. Hooley’s Rancho San Diego 2955 Jamacha Rd.
    [Show full text]
  • Howard D. Leib, Esq
    HOWARD D. LEIB, ESQ. Phone: (212) 545-9559, Fax: (212) 545-0909Email - [email protected], Website - HowardLeibLaw.com Attorney admitted to practice law in New York State and Federal Courts WORK EXPERIENCE Academic Cornell University - Adjunct Professor, Cornell Law School, Fall 2017 to Present, “Entertainment Law.” Created, designed and taught course on all aspects of Entertainment law. “Music Law” Created, designed and scheduled to teach, beginning Spring 2019, course on all aspects of Entertainment law. Syracuse University - Adjunct Instructor, Syracuse School of Law, Spring 2017 to Present, “Trademark Law.” Designed and taught course on all aspects of trademark law. Syracuse University - Adjunct Instructor, S.I. Newhouse School of Journalism, Winter - Spring 2015, “Media Law.” Designed and taught course on Journalism and the Law. Topics included the First Amendment, libel, intellectual property, regulation of electronic media and access to information. New York University - Adjunct Assistant Professor, School of Continuing and Professional Studies, Spring 2014, “The Trials of Superman.” Created, designed and taught an intellectual property law class designed around cases involving Superman and other comic book heroes. Topics include copyrights, trademark, and patent. National Juris University - Professor, Curriculum Development, March 2013 - Present, Teaching on-line courses, for Masters in Law program, including Legal Ethics, Contracts, and Business Organizations. Course designer for Contracts course. National Paralegal College -
    [Show full text]
  • Response Submitted by Viacom 18 Media Private Limited On
    Viacom 18 Media Private Limited, 36B, Dr. R.K. Shirodkar Marg, Parel East, Mumbai-40012 RESPONSE SUBMITTED BY VIACOM 18 MEDIA PRIVATE LIMITED ON THE CONSULTATION PAPER FOR TARIFF ISSUES RELATED TO CABLE TV SERVICES IN NON-CAS AREAS (Consultation Paper No.5/2010) (“Paper”) Viacom18 is a broadcaster and inter-alia owns channels like “MTV”, “Vh1”, “NICK” and “Colors”. At the outset, we would like to appreciate and welcome the initiative and the effort taken by the Telecom Regulatory Authority of India (“TRAI”) in compiling the data from broadcasters across genres and other stake holders and for providing a platform for discussion of some issues which are crucial for the development of the television industry in India. Preamble Viacom18 as a broadcaster operate channels in the genres of Music (MTV and Vh1), Kids (NICK) and General Entertainment (Colors). The Paper however categorises genres broadly into GEC -English, Hindi and Regional, News- English, Hindi, Regional and Business, Sports, Movies - English, Hindi and Regional, Kids and Niche category. Further the Niche category has been referred in the paper as channels based on science, golf, infotainment, education etc. Therefore it is not clear in which category our channels MTV and Vh1 could fit into. From the Paper it is apparent that the major roadblock for the growth of television industry in India is under declaration due to lack of addressability and digitization of cable networks. So we urge that the main focus of TRAI should be on the issues of digitization and bringing about addressability. Any regulation including fixation of tariff should only happen in an addressable market if there is unreasonable pricing by any broadcaster due to a lack of competition.
    [Show full text]
  • Distribution List
    SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Where to Find Us Tblues, gospel, jazz, and bluegrass music news The San Diego Troubadour is distributed to the following locations by the first of each month. UNIVERSITY HEIGHTS/ NORTH PARK LITTLE ITALY/ COLLEGE AREA NORMAL HEIGHTS MIDDLETOWN Filter Coffee San Diego State Univ. 4096 30th St. Cream Café Italia The Blue Guitar 4496 Park Blvd. Urban Solace 1704 India St. 5959 Mission Gorge Rd. 3823 30th St.. Twiggs The Art Store The Living Room 4590 Park Blvd. 1844 India St. Off the Record 5900 El Cajon Blvd. 2912 University Ave. Summer’s Market Influx Coffee Egyptian Tea Room 4602 Park Blvd. Claire de Lune 750 W. Fir St. 4644 College Ave. 2906 University Ave. Monica’s The Casbah Apex Music 1735 Adams Ave. Queen Bee’s Cultural Center 2501 Kettner Blvd. 6210 El Cajon Blvd. 3925 Ohio St. Mystic Mocha Gelato Vero Freedom Guitar 2105 Mission Ave. Controversial Books 3753 India St. 6334 El Cajon Blvd. 3021 University Ave. Classic Bows Violin Shop MISSION HILLS/ HILLCREST Windmill Farms 2721 Adams Ave. Cafe Carpe Diem 6386 Del Cerro Blvd. 3139 University Ave. M-Theory Music Folk Arts Rare Records 915 W. Washington St. 2881 Adams Ave. Santos LA MESA 3191 Thorn St. Royal Food Mart Andy’s Guitar Shop 3401 First Ave. Cosmos Cafe 3043 Adams Ave. SOUTH PARK 8278 La Mesa Blvd. Cafe Bassam New Expression Music Rebecca’s Coffee 3088 Fifth Ave. Hoffer’s Cigar Bar 4434 Meade Ave. 8282 La Mesa Blvd. 3023 Juniper St. Record City Tire Depot Whistlestop Bar 802 Fifth Ave.
    [Show full text]
  • Federal Communications Commission DA 16-510 Before the Federal
    Federal Communications Commission DA 16-510 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition in ) MB Docket No. 15-158 the Market for the Delivery of Video Programming ) SEVENTEENTH REPORT Adopted: May 6, 2016 Released: May 6, 2016 By the Chief, Media Bureau: TABLE OF CONTENTS Heading Paragraph # I. EXECUTIVE SUMMARY.................................................................................................................... 1 II. INTRODUCTION................................................................................................................................ 13 A. Scope of the Report........................................................................................................................ 13 B. Analytic Framework ...................................................................................................................... 14 C. Data Sources .................................................................................................................................. 15 III. PROVIDERS OF DELIVERED VIDEO PROGRAMMING.............................................................. 16 A. Multichannel Video Programming Distributors ............................................................................ 16 1. MVPD Providers ..................................................................................................................... 16 a. Regulatory Conditions Affecting Competition................................................................
    [Show full text]
  • The B U L L E T
    http://www.amica.org The Volume 48, Number 3 May/June 2011 AMICA B U L L E T I N Automatic Musical Instrument Collectors’ Association contributed by Peter Mintun ISSN #1533›9726 ThE AMICA B ULLETIN AU ToMATIC MUSICAL INSTRUMENT CoLLECToRS' ASSoCIATIoN Published by the Automatic Musical Instrument Collectors’ Asso - Visit the AMICA web site at: http://www.amica.org ciation, a 501(c)(3) non-profit, tax exempt group devoted to the to enter the “Members-Only” portal, restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. Current User Name: AMICA AMICA was founded in San Francisco, California in 1963. Current password: rewind VoLUME 48, Number 3 May/June 2011 AMICA BULLETIN FEATURES DEADLINES Ads and articles must be received on or before the 1st of these ODD Wurlitzer Wonderlamp Project. .by Jim Lowell. .122 months: Building A Pedal-Electric Grand . .by Tockhwock. 124 January July Aeolian Tugboat Pump & Motor. by Peter Phillips. .138 March September May November Bulletins will ordinarily be mailed in the 1st week of the even months, for COLUMNS expected delivery mid-month. Vice-President’s Message. .120 Editorial Observations . 120 Terry Smythe 55 Rowand Avenue Letters . 121 Winnipeg, MB, Canada R3J2N6 204-832-3982 (email preferred) On-Line Library Additions. .121 [email protected] Web Sites Of Interest . .140 Nickel Notes . .by Matthew Jaro. 141 MEMBERSHIP SERVICES Lost and Found . .by Ken Long . .144 Membership Dues: USA Bulk Mail . $55.00 Chapter News . .146 USA First Class . .$70.00 Overseas . .$70.00 Membership Update . .156 Canada-Mexico .
    [Show full text]
  • The 1999 State of Children's Television Report
    THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA The 1999 State of Children’s Television Report Programming for Children Over Broadcast and Cable Television By Emory H. Woodard, IV, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania Executive Summary 3 Introduction 5 Part One: Influences on the State of Children’s Television 6 Part Two: The Availability, Content and Quality of Children’s Programming 9 Part Three: Summary and Recommendations 27 Appendices 30 References 33 End Notes 35 Copyright Ó 1999 The Annenberg Public Policy Center Report Series No. 28 The 1999 State of Children’s Television Report Emory H. Woodard, IV is a Research Fellow for the Annenberg Public Policy Center. He holds a Ph.D. from the University of Pennsylvania. Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. ACKNOWLEDGEMENTS The author wishes to express his sincere appreciation to the following who offered kind assistance with this project: Dana Betz, Ginny Bloom, Amy Branner, Jenn Goldstein, Lindsay Goldstein, and Natalie Tung served as coders on the project. Troy Chin catalogued video-recorded programming. Jeffrey Stanger formatted this report. Amy Jordan and Kathleen Hall Jamieson provided keen editorial assistance and general guidance. ABOUT THE ANNENBERG PUBLIC POLICY CENTER The Annenberg Public Policy Center was established by publisher and philanthropist Walter Annenberg in 1994 to create a community of scholars within the University of Pennsylvania that would address public policy issues at the local, state, and federal levels.
    [Show full text]
  • Pierluigi Gazzolo to Leave Viacomcbs Networks International
    Pierluigi Gazzolo to Leave ViacomCBS Networks International October 20, 2020 Kelly Day Elevated to Lead International Streaming JC Acosta to Lead Ongoing Expansion of ViacomCBS International Studios MIAMI & NEW YORK--(BUSINESS WIRE)--Oct. 20, 2020-- ViacomCBS Networks International (VCNI), a division of ViacomCBS Inc. (NASDAQ: VIAC), has today confirmed the departure of one of its longest serving executives, Pierluigi Gazzolo, who will step down from his role as President, Streaming and Studios for VCNI at the end of this month to focus on other interests. During Gazzolo’s tenure as President of Streaming and Studios for VCNI, he successfully established the content proposition, team and go to market strategy for the international launch of Paramount+ and expanded the roadmap for Pluto TV internationally. VCNI Streaming Leadership Reporting to David Lynn, President and CEO of VCNI, and working closely with Tom Ryan, President & CEO of ViacomCBS Streaming, Kelly Day, Chief Operating Officer of VCNI, will take over leadership of the division’s streaming business as President of Streaming and COO of VCNI. In this new role, Day will have oversight of the international roll-out of Paramount+, a new premium SVOD service due to launch in 2021 across Australia, Latin America, and the Nordics; as well as the ongoing expansion of Pluto TV, following its successful launch in Latin America. Regarding Day’s expanded remit, Lynn added, “We are in the fortunate position of going from strength to strength with this transition. With a truly global streaming organization, it’s a pivotal moment in the evolution of our streaming strategy, with the expansion of Paramount+ and Pluto TV, both of which are critical to our future growth.
    [Show full text]
  • Viacomcbs Scales Audio Footprint to Fuel Fandom and Extend Iconic Franchises at IAB Podcast Upfront
    ViacomCBS Scales Audio Footprint to Fuel Fandom and Extend Iconic Franchises at IAB Podcast Upfront May 13, 2021 New and expanded partnership with iHeartMedia for Nickelodeon-produced podcasts based on animated series Avatar: The Last Airbender and SpongeBob SquarePants Over 20 podcasts to premiere in 2021, including all-new and returning favorites from Awesomeness, BET, CBS News, CBS Studios, CBS Sports, Comedy Central, Nickelodeon, Noggin, MTV Entertainment Group, Paramount Network, and SHOWTIME® Sports *Click here for art NEW YORK--(BUSINESS WIRE)--May 13, 2021-- ViacomCBS today announced an expanded podcast footprint, featuring brand-new and returning hit series that build on beloved franchises and iconic IP from Awesomeness, BET, CBS News, CBS Studios, CBS Sports, Comedy Central, Nickelodeon, Noggin, MTV Entertainment Group, Paramount Network and SHOWTIME Sports. This robust slate will super serve consumers across comedy, news, true crime, sports, kids, entertainment, and music, reinforcing the company’s strategy to create premium content and experiences for audiences worldwide. Since unveiling the company’s unified podcast slate at the IAB’s Podcast Upfront in September 2020, ViacomCBS has seen a nearly 14% increase in downloads year-over-year and is on track to produce over 120 shows, including more than 20 podcast premieres, this year alone. “ViacomCBS is thrilled to return to the Podcast Upfront following a year of remarkable momentum and growth in the digital audio space,” said Steve Raizes, Senior Vice President, ViacomCBS Podcasts. “Honoring the quality and value of the company’s world-renowned content, this enhanced podcast slate will offer an organic pipeline for advertising partners to reach diverse audiences in a premium environment at scale.” ViacomCBS also introduced a new and expanded partnership with iHeartMedia, where Nickelodeon will exclusively create podcasts from two of the brand's most cherished franchises: Avatar: The Last Airbender and The Legend of Korra and SpongeBob SquarePants.
    [Show full text]