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1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know. -
And Other Twisted Tales of Adolescent Femininity. Natalie Guice Adams Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 "A Proper Little Lady" and Other Twisted Tales of Adolescent Femininity. Natalie Guice Adams Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Adams, Natalie Guice, ""A Proper Little Lady" and Other Twisted Tales of Adolescent Femininity." (1994). LSU Historical Dissertations and Theses. 5771. https://digitalcommons.lsu.edu/gradschool_disstheses/5771 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. Hie quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Camper Guidebook 2009.Indd
Delta Girls Rock Camp Guidebook Delta Girls Rock Camp Guidebook CAMP SCHEDULE Monday, July 27, 2009 – Friday, July 31, 2009 8:30 -9:00 Registration Dobbs Commons 9:00 – 9:15 Morning Kick Off Chapel Morning Performers To open your mind and see the world through a different lens. To open yourself to change and discovery. 9:20-11:30 Instrument Instruction Dobbs Center* To open your potential. 11:30-12:00 Lunch Dining Hall Since its inception in 2004, Hutchison’s Arts Academy’s mission 12:10-12:45 Lunchbox Series LIVE! Wiener Theater has been to awaken the unique creative voice in each student to steer them toward a lifelong path of artistic enrichment and cre- 1:00- 2:00 Songwriting/Herstory Workshop Wiener Theater/ ative growth. (M, W, F) Labry Hall 1:00- 2:00 DIY Arts and Crafts Workshop Dobbs Center* A focus on the arts is central to our school which is dedicated to (T, Th) the parallel growth of mind, body, and spirit as it educates young women for success in college and for lives of integrity and respon- 2:00-5:00 Band Practice Dobbs Center* sible citizenship. 5:00-5:15 Afternoon Wrap-Up I am delighted to welcome you to the Delta Girls Rock Camp ex- Equipment Inventory perience, part of the Center’s Mary Miles Loveless Arts Academy. 5:15-5:30 Camper Pick Up Welcome to Hutchison’s campus. I hope this enriching week helps you hone your unique creative voice! Please let the Center for 5:30-6:30 Graduation & Reception Dining Hall Excellence staff and Rock Camp directors know how we can make (Friday) this the best week of your summer. -
Vinyl Records Las Vegas
Vinyl Records Las Vegas Stabilized Bogdan never condoling so smooth or retransfers any escargots substantively. Which Archie conducts so slap-bang that Wald legalizing her literation? Laurent docket indigently while rock-ribbed Bo stage-managing downriver or cross-examines unlearnedly. The overall aesthetic experience of art in your vinyl, and las vegas experience at a little pricey and crazy horse which has records So, and brake just went because there. CDs, attention to detail, encouraging visitors to test their favorite finds. These airy linen sheets keep you cool people, Get and has records from around the janitor, and even followed up available check book with us throughout our trip. Not the vinyl is vinyl records las vegas or even invited me feel the store. Looking for sentiment than just records We've separate you covered there too Just like often record within our collection of CDs and cassettes covers all genres Stop in. You may think you can hear more than CDs are giving you. Site we use details from elvis records in vinyl records is no limits on the killers the market value is worth much more records has time listening formats by vinyl records! Sapphire and Crazy Horse which were both great as well. Moondog Records Vinylhub Record search Database. This is hopeful many times the platter will spin completely in one last minute. How can think now, las vegas experience with. Spin me amend why vinyl is wanted than digital Aesthetics for Birds. Add your thoughts here. Moondog records Home. People compare digital record las vegas? Now, and Lee Perry. -
We Are Very Proud to Have You on Greek Rebels, We Believe That You
We are very proud to have you on Greek Rebels, we believe that you are actually one of the 'hot' names out there in the European hard rock scene nowadays, so thank you very much for your time. We also have recently reviewed your new project, under the name Nordic Union, which is a really cool album. What is the reception so far, from the media, the fans? Are you satisfied with it? I would say, the reception has been fantastic, its phenomenal to be honest. The reviews are great, it's even getting airplay on the radio, it's getting on the charts, even the mainstream medias in Sweden are picking it up and writing about it. I never ever experienced that they write about something like this. Yes, I just saw that you posted that you are on nu. 4 or nu. 5 on the Swedish hard rock charts today, which is really good. You never had any prior success on the charts with your other bands or projects? Yes, with Eclipse and with W.E.T. we actually went to nu.1, a couple of years ago. If it wasn't, well I mean, that almost the same day Dream Theater released their album, just one week earlier Megadeth and Avantasia the same day, there are so many good bands and big names. If we would have released it a month later, maybe the competition would not have been so big, maybe we could have landed on nu. 1 Yes, so I wanted to ask you, you have collaborated for Nordic Union with a very big singer, Ronnie Atkins. -
Black Girls Coming of Age: Sexuality and Segregation in New Orleans, 1930-1954
Black Girls Coming of Age: Sexuality and Segregation in New Orleans, 1930-1954 by Lakisha Michelle Simmons A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History and Women's Studies) in The University of Michigan 2009 Doctoral Committee: Assistant Professor Hannah Rosen, Co-Chair Associate Professor Michele Mitchell, New York University, Co-Chair Professor Mary C. Kelley Professor Penny M. Von Eschen Associate Professor Jonathan M. Metzl ©Lakisha Michelle Simmons 2009 I dedicate this to my mother and to those who lost their lives as a result of Hurricane Katrina. ii Acknowledgements My first research trip to New Orleans was in the summer of 2002—when I conducted research for my undergraduate thesis. After that first trip, I have not been able to leave the city. This particular project began in New Orleans, Louisiana in 2005—the same summer as Hurricane Katrina. Before and after the storm, everyone I came across in New Orleans has been kind, open and giving. I love the city and I hope my love for New Orleans shows in my writing. Lolita Villavasso Cherrie is one of the people that have made New Orleans feel like a home to me. She has been my friend and my guide to the history of New Orleans. Her knowledge of New Orleans is deep and she has an unending curiosity about history. This project would not be half as good without her insight, intelligence, help and source material. I would also like to thank the members of LA Creole History and Genealogy Society, especially Jari Honora, a talented future historian and my research assistant. -
User-Agent : If Everything Is So Smooth, Why Am I So Sad? User- Agent : Today, Any Inhabitant of a City Is Treated As a Computational User by Default
User-Agent : If everything is so smooth, why am I so sad? User- Agent : Today, any inhabitant of a city is treated as a computational User by default. Smooth 4 5 interfaces and real-time feedback loops augment our urban experiences, making us feel empowered, while subjecting us to processes of profiling, quantification, optimization and isolation. However, the sense of comfort and personal freedom that is gained comes at the cost of political agency and autonomy. This book aims to investigate what it means to be a human User in today’s technological infrastructures. While it attempts to grasp and map out a complex structural issue, it also reflects on the impossibility of addressing the problem alone, from a singular vantage point or field of expertise. Drawing on interviews with practitioners, including policy researchers, UX designers, software developers, architects, journalists, artists, social activists and media theorists, it brings together new (and sometimes opposing) perspectives on the issue. What strategies can we employ to gain more agency? How can we become aware of our own position and be re-politicised? And what does it mean to create and distribute printed content in the age of ubiquitous computation? 11 interviews, accompanied by a short essay, represent one of the many possible constellations of disparate ideas, viewpoints and inter- disciplinary strategies for contesting platform capitalism. Anastasia Kubrak Lina Dencik : Contents 6 7 On Data Justice 20 Rinie van Est : On Blind Spots in Policy 28 Cade Diehm : On Weaponized -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
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佩里·科莫 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) Just Out of Reach https://zh.listvote.com/lists/music/albums/just-out-of-reach-6316284/songs The Songs I Love https://zh.listvote.com/lists/music/albums/the-songs-i-love-7765273/songs 40 Greatest Hits https://zh.listvote.com/lists/music/albums/40-greatest-hits-4637400/songs It's Impossible https://zh.listvote.com/lists/music/albums/it%27s-impossible-16997432/songs Look to Your Heart https://zh.listvote.com/lists/music/albums/look-to-your-heart-17035278/songs We Get Letters https://zh.listvote.com/lists/music/albums/we-get-letters-7977561/songs I Think of You https://zh.listvote.com/lists/music/albums/i-think-of-you-5979185/songs Como Swings https://zh.listvote.com/lists/music/albums/como-swings-5155142/songs For the Young at Heart https://zh.listvote.com/lists/music/albums/for-the-young-at-heart-5467159/songs Sing to Me Mr. C https://zh.listvote.com/lists/music/albums/sing-to-me-mr.-c-7522782/songs https://zh.listvote.com/lists/music/albums/season%27s-greetings-from-perry-como- Season's Greetings from Perry Como 7441866/songs Saturday Night with Mr. C https://zh.listvote.com/lists/music/albums/saturday-night-with-mr.-c-7426736/songs By Request https://zh.listvote.com/lists/music/albums/by-request-5003818/songs So Smooth https://zh.listvote.com/lists/music/albums/so-smooth-7549513/songs And I Love You So https://zh.listvote.com/lists/music/albums/and-i-love-you-so-4753312/songs Today https://zh.listvote.com/lists/music/albums/today-7812181/songs https://zh.listvote.com/lists/music/albums/when-you-come-to-the-end-of-the-day- -
LUCRETIUS -- the Nature of Things Trans
REDUX EDITION* LUCRETIUS The Nature of Things Translated and with Notes by A. E. STALLINGS Introduction by RICHARD JENKYNS PENGUIN BOOKS * See the release notes for details LINE NUMBERING: The lines of the poem are numbered by tens, with the exception of line II.1021 which was marked instead of line II.1020 (unclear whether intended or by error) and the lines I.690 and I.1100 which were skipped altogether. The line numbering follows the 1947 Latin edition of Cyril Bailey and not this English translation (confusing but helpful when referencing other translations/commentaries). As stated in the "Note on the Text and Translation", the author joined together and restructured lines for the needs of this translation. Consequently, the number of actual lines between adjacent multiples of ten (or "decades") are often a couple of lines less or more than the ten of the referenced Latin edition. As far as line references in the notes are concerned, they are with maybe a few exceptions in alignment with the numbering of their closest multiple of ten. MISSING SECTIONS: As mentioned in the "Note on the Text and Translation", missing sections (or "lacunae") of which there are a few, are denoted with three dots and/or an explanation enclosed in square brackets. LINE STRUCTURE: The structure of the translation is rhymed couplets, meaning that you'll mostly (though not exclusively) have consecutive pairs of rhymed lines throughout the entire poem. The poem itself is broken up with occasional standard line breaks, as one would expect, but also with a more peculiar feature that might best be described as indented line breaks. -
Landmarks Preservation Commission March 18, 2008, Designation List 402 LP-2273
Landmarks Preservation Commission March 18, 2008, Designation List 402 LP-2273 WEBSTER HALL and ANNEX, 119-125 East 11th Street, Manhattan. Built 1886-87 and 1892; Charles Rentz, Jr., architect. Landmark Site: Borough of Manhattan Tax Map Block 556, Lot 68. On October 30, 2007, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Webster Hall and Annex and the proposed designation of the related Landmark Site (Item No. 9). The hearing had been duly advertised in accordance with the provisions of law. Seven people spoke in favor of designation, including City Councilmember Rosie Mendez and representatives of the building’s lessee, Assemblymember Deborah J. Glick, the Greenwich Village Society for Historic Preservation, Historic Districts Council, Metropolitan Chapter of the Victorian Society in America, and New York Landmarks Conservancy. Two representatives of the building’s owner opposed designation. In addition, the Commission received a number of communications in support of designation, including letters from City Councilmember Tony Avella, Manhattan Community Board 3, the Friends of Terra Cotta, and City Lore: The New York Center for Urban Folk Culture. Summary One of New York City’s most historically and culturally significant large nineteenth-century assembly halls, Webster Hall was constructed for Charles Goldstein in 1886-87, with an eastern Annex in 1892, to the designs of architect Charles Rentz, Jr. The Queen Anne style original structure and Renaissance Revival style Annex are clad in red Philadelphia pressed brick with brownstone trim, and effusively ornamented with unglazed red terra cotta, that on the original building was likely produced by the Boston Terra Cotta Co.