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New Bond Street, London | 22 July 2020 New Bond Street, Fine European Ceramics Fine European Semans Foundation Trent Biddle Duke the Mary from Pottery Including

Fine European Ceramics I New Bond Street, London I 22 July 2020

Fine European Ceramics Including Pottery from the Mary Duke Biddle Trent Semans Foundation

New Bond Street, London | Wednesday 22 July 2020 at 2.30pm

VIEWING ENQUIRIES CUSTOMER SERVICES IMPORTANT INFORMATION Friday 17 July Nette Megens Monday to Friday 8.30am to 6pm The United States Government 10am to 5pm Head of Department +44 (0) 20 7447 7447 has banned the import of ivory Monday 20 July +44 (0) 20 7468 8348 into the USA. Lots containing ivory are indicated by the 10am to 5pm [email protected] PHYSICAL CONDITION OF symbol printed beside the Tuesday 21 July LOTS IN THIS AUCTION Ф 10am to 5pm Sebastian Kuhn PLEASE NOTE THAT ANY lot number in this catalogue. Wednesday 22 July Department Director REFERENCE IN THIS 10am to 12pm +44 (0) 20 7468 8384 CATALOGUE TO THE PHYSICAL REGISTRATION [email protected] CONDITION OF ANY LOT IS IMPORTANT NOTICE And by appointment FOR GENERAL GUIDANCE Please note that all customers, Sophie von der Goltz ONLY. INTENDING BIDDERS irrespective of any previous SALE NUMBER Specialist MUST SATISFY THEMSELVES activity with Bonhams, are 25884 +44 (0) 20 7468 8349 AS TO THE CONDITION OF required to complete the Bidder [email protected] ANY LOT AS SPECIFIED IN Registration Form in advance of CLAUSE 14 OF THE NOTICE TO the sale. The form can be found CATALOGUE BIDDERS CONTAINED AT THE at the back of every catalogue £25.00 END OF THIS CATALOGUE. and on our website at www. bonhams.com and should be BIDS As a courtesy to intending returned by email or post to the +44 (0) 20 7447 7447 bidders, Bonhams will provide a specialist department or to +44 (0) 20 7447 7401 fax written indication of the physical the bids department at bids@ condition of lots in this sale if a bonhams.com. To bid live online To bid via the internet please request is received up to 24 and / or leave internet bids visit bonhams.com/25884 hours before the auction starts. please go to www.bonhams. This written Indication is issued com/auctions/25884 and click on Please note that bids should subject to Clause 3 of the Notice the Register to bid link at the top be submitted no later than 4pm to Bidders. left of the page. on the day prior to the sale. New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

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+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax Sale Information

BIDS COLLECTION AND STORAGE 44 (0) 20 7447 7447 AFTER SALE +44 (0) 20 7447 7401 fax All sold lots will remain in To bid via the internet please visit Bonhams New Bond Street www.bonhams.com Collections department free of charge until 5.30pm PAYMENTS Wednesday 5 August 2020 Buyers +44 (0) 20 7447 7447 Lots not collected by then will +44 (0) 20 7447 7401 fax be returned to the department. storage charges may apply Sellers Payment of sale proceeds The following symbol is used +44 (0) 20 7447 7447 to denote that VAT is due on +44 (0) 20 7447 7401 fax the hammer price and buyer’s premium VALUATIONS, TAXATION & HERITAGE † VAT 20% on hammer price +44 (0) 20 7468 8340 and buyer’s premium +44 (0) 20 7468 5860 fax [email protected] * VAT on imported items at a preferential rate of 5% on CATALOGUE SUBSCRIPTIONS hammer price and the To obtain any Bonhams catalogue prevailing rate on buyer’s premium or to take out an annual subscription: Subscriptions Department Y These lots are subject to +44 (0) 1666 502200 CITES regulations, please +44 (0) 1666 505107 fax read the information in the [email protected] back of the catalogue.

SHIPPING Payment in Advance For information and estimates (Telephone to ascertain amount due) on domestic and international by: cash, cheque with banker’s shipping as well as export card, credit or debit card. licenses please contact Alban Shipping on +44 (0) 1582 493 099 Payment at time of collection by: [email protected] cash, cheque with banker’s card, credit, or debit card European Ceramics

London Sebastian Kuhn Department Director

Nette Megens Head of Department

Sophie von der Goltz Specialist The Collection of the Mary Duke Biddle Trent Semans Foundation

Lot 2 Lot 38 Lot 3

Mary Duke Biddle Trent Semans in her living room, circa 1970

Mary Duke Biddle Trent Semans (February 21, 1920 – January poor, cultural enrichment opportunities for the blind and deaf, 25, 2012) was an American philanthropist, leader, activist, and and humane medical care. As a powerful member of the patron of the arts. She was the granddaughter of Benjamin N. Board of Trustees of Duke University, she played an integral Duke, great niece of James B. Duke and great granddaughter role in every major decision over half a century, helping guide of Washington Duke, tobacco tycoons who built the American the University’s rise to its current status as a global leader in Tobacco Company. Her great uncle James was the key higher education. She also served as a trustee of The Duke principal in the formation and early operations of what is now Endowment for 55 years, including serving as its first female Duke Energy Corporation, the largest investor-owned utility chairman, guiding the Endowment to increase the impact and in the United States, and, with the urging and guidance of relevance of its grants through changing times, and building on his brother Ben, founded Duke University in Durham, North the philanthropic legacy of her great uncle. Carolina, and established The Duke Endowment, now one of the largest charitable organizations in the United States. Mrs. Semans was also instrumental in establishing a number of pioneering institutions, including the University of North Mrs. Semans accomplished an extraordinary amount in her Carolina School of the Arts, the nation’s first state-supported lifetime. Initially, her focus was political: in the early 1950s, conservatory for the arts, the Nasher Museum of Art at Duke she was elected to the Durham City Council, then rose to University, and the Mary Duke Biddle Gallery for the Blind at the become the city’s mayor pro-tempore, both firsts for women. North Carolina Museum of Art, where sight-impaired visitors Propelled by her strong convictions and democratic ideals, she could experience a museum, feeling masterpieces by artists advocated ardently for social justice, economic opportunity, such as Rodin. For Mrs. Semans, art was essential to life – racial equality, grassroots arts programming, housing for the telling stories, promoting a greater understanding of others, and bridging cultures and lifestyles. Lot 2 Lot 38 (part) Lot 3

The substantial collection of Italian and Spanish maiolica In 1956, Mary donated their entire collection of rare books albarelli offered for sale here was one special product of to Duke University, along with ivory anatomical figures, Mrs. Semans’ first marriage. In 1935, she enrolled at Duke’s medical incunabula, early medical licenses, lecture notes, Women’s College where she met Josiah Charles Trent, a portraits, and an enchanting group of Florence Nightingale young medical student who eventually became the chief of pictures, etchings and memorabilia. This remarkable historical Duke Hospital’s Division of Thoracic Surgery. Mary and Josiah grouping, known as the Trent Collection, continues to be married in 1938, when he was 24 and she just 18 years old. housed at Duke. At the same time, Mary delivered the Their marriage has been described as “one of rare happiness” majority of the jars offered here to the University on long-term and the couple went on to have four daughters. loan, where they were prominently displayed until just recently.

It was on their wedding trip to Europe that Mary and Josiah In the early 1980’s Mrs. Semans established her own began the formation of a substantial collection of rare books foundations, the Mary Duke Biddle Trent Semans Foundation, and were likely inspired to pursue other collections. Dr. to make small, creative grants in the Durham community and Trent’s fascination with medical objects and memorabilia beyond, and the Duke-Semans Fine Arts Foundation, which came naturally, but it was during their time in Italy that he was created to hold and loan many of Mrs. Semans’ most found inspiration in the many beautiful pharmacy jars they valuable pieces of art, including the maiolica albarelli. Her observed. The exact dates of acquisition of the jars offered two foundations were merged into a single foundation, the here are uncertain, but from all accounts from Mary’s family, the Mary Duke Biddle Trent Semans Foundation, after her death. collection was started soon after their return from Europe in the The Foundation board has recently made a determination summer of 1938 and concluded at some time before Josiah’s to sell much of its art and build its corpus in order to focus tragic death in 1948. The very earliest memories of Josiah’s on making impactful grants in North Carolina, in honor and and Mary’s four girls include the pharmacy jars, prominently (but memory of Mrs. Semans’ legacy. safely) displayed on the tip-top shelves of the book cases in the library of their home in Durham, and none can remember the Bonhams is honored to offer lots 1-44 on behalf of the Mary acquisition of even a single jar after their father’s death. Duke Biddle Trent Semans Foundation.

FINE EUROPEAN CERAMICS | 5 Spanish Pottery

Henrickus Martellus world map, circa 1490

1 * A RARE SPANISH HISPANO-MORESQUE ALBARELLO, This jar is decorated with many of the motifs favoured for pharmacy VALENCIA (MANISES), CIRCA 1400-1450, jars, including two bands bearing an ‘alafia’; a stylized inscription of the Of cylindrical body, with a tall neck and slanting shoulder, standing Arabic word for “health and happiness.” Glazed jars of this type were on a short footrim, decorated in blue and copper-lustre with seven however used in different sizes for storing and transporting foodstuffs alternating geometric horizontal bands comprising abstracted motifs, and drugs, including wine, water, butter, honey and olives. including alafias and stylised floral motifs and other stylised script, 30.5cm high In the eighth-century, Moorish armies established a flourishing province of medieval Islamic civilization on the Iberian Peninsula. At first the Moorish potters made relatively simple wares, but after 1400 the kilns £30,000 - 40,000 at Manises produced intricate lustreware, a technique which probably €33,000 - 44,000 originated in Iraq, often decorated with armorial designs for Spanish US$37,000 - 50,000 and Italian customers. Early pieces, such as the present example continued the two lines iconography, mixing Arabic inscriptions with Provenance more Christian elements and sometimes Gothic script and intricate Property of The Mary Duke Biddle Trent Semans Foundation details in lustre and blue.

Other albarelli of this type showing the seven horizontal bands of decoration can be found in the collection of the Victoria and Albert Museum, illustrated by Anthony Ray, Spanish Pottery 1248-1898 (2000), cat.no. 135, where the author notes that the alafia script occurs on three jars in the British Museum, G550, 551 and 556, all from the Godman Bequest.

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 7 2 * A SPANISH HISPANO-MORESQUE ALBARELLO, For a discussion of these albarelli or containers, see Anthony Ray, VALENCIA (MANISES), CIRCA 1400-1450 Spanish Pottery 1248-1898 (2000), plate 11, cat.no.134, where The cylindrical form with a tall neck and slanting shoulder, standing on the author discusses the fifteenth century lustre and blue wares a short footrim, decorated with five horizontal bands and covered in in Persian style and illustrates an albarello with a very comparable a blue and copper-lustre, decorated around the neck with a band of quintuple banding. undulating calligraphic script in blue against scrolling lustre elements, a wide band of vertical abstract leaf motifs in blue alternating with diagonal hatching, a band of scrolling foliage in lustre and calligraphic inscriptions in triangular blue cartouches forming a stiff-leaf band over the lustred foot, 29cm high

£20,000 - 30,000 €22,000 - 33,000 US$25,000 - 37,000

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 3 * A SPANISH HISPANO-MORESQUE ALBARELLO, A comparable albarello in the collection of the British Museum is VALENCIA (MANISES), CIRCA 1400-1450 illustrated by Anthony Ray, Spanish Pottery 1248-1898 (2000), no 134. The cylindrical body with a tall neck and slanting shoulder, standing Stylistically, the cross-hatched panels appear on a number of drug on a short footrim, decorated in blue and copper-lustre with seven jars, as does the alafia design which here is reflected in a calligraphic alternating geometric horizontal bands, including abstracted alafia motif consisting of a ‘circumflex accent’ over an ‘alpha’ on its side; the symbols alternated with panels of lustre scrollwork over a band with Arabic word means ‘health and happiness. (Ray 2000, p. 401). cross hatch pattern again placed over a band with abstracted Kufic inscription, all in blue and copper-lustre, alternating with geometric A charger with a closely similar division of bands, including alternating bands and stylised bands of scrolling foliage, 28.5cm high alafia and stylised Kufic script around the rim, is in the Wallace Collection (A.V.B. Norman, Catalogue of Ceramics 1, pottery, maiolica, faience, stoneware (1976), pp. 40ff). £25,000 - 35,000 €28,000 - 39,000 US$31,000 - 43,000

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 9 4 * A SPANISH HISPANO-MORESQUE LUSTREWARE ALBARELLO, Anthony Ray (Spanish Pottery 1248-1898 (2000), p. 47) identifies the VALENCIA (MANISES), CIRCA 1400-1450 ‘disc-flower’ pattern as a stylised flower with three to seven disc-like Of cylindrical form, with a tall neck and slanting shoulder, on a short petals on a dotted ground, a distinctive motif on much lusterware footrim, decorated with a Gothic letter ‘G’ in blue repeated three times of the first half of the 15th century he associates with the Ave Maria around the middle, alternated by stylised ‘disc-flowers’ in yellow lustre, group. The author notes that the pattern often serves as a background the rim with a zig-zag pattern in alternating lustre and blue, 27.5cm for stylised Gothic letters and motifs like birds or flowers in blue. high, old paper collectors’ labels to the base

£6,000 - 8,000 €6,600 - 8,800 US$7,400 - 9,900

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 5 * A SPANISH ALBARELLO, VALENCIA A similar albarello is published by Anthony Ray, Spanish Pottery (PATERNA OR MANISES), 1400-1450 1248-1898 (2000), no. 98, where the author notes that the style of Decorated in blue on impure white tin-glazed ground with a triple decoration is related to the ‘disc flower’ group and the ‘Ave Maria’ repetition of ‘P’ or ‘Y’ in Gothic script surrounded by foliate scrollwork pieces, where for the first time Christian and Islamic iconography are between concentric bands, 25cm high (some losses to the glaze, freely mixed and Gothic script is introduced. Both albarelli are in blue smaller shallow chip inside the lip) and white.

£4,000 - 6,000 €4,400 - 6,600 US$5,000 - 7,400

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

6 * 7 * A SPANISH HISPANO-MORESQUE ALBARELLO, A SPANISH HISPANO-MORESQUE ALBARELLO, CIRCA 1435-50 VALENCIA (MANISES), CIRCA 1435-75 The cylindrical body with a tall neck and slanting shoulder standing on Of cylindrical form, with a tall neck and slanting shoulder, standing on a a short footrim, decorated with eight horizontal bands of stylised ivy short footrim, decorated with ten horizontal bands of a stylised flower leaf pattern in blue and copper-lustre, 28cm high, collectors’ marks pattern known as the briony pattern in blue and copper-lustre, 30cm 1242/12 in black to the base high, various paper collectors’ labels to the base (restored) £12,000 - 18,000 £8,000 - 12,000 €13,000 - 20,000 €8,800 - 13,000 US$15,000 - 22,000 US$9,900 - 15,000 Provenance Provenance Property of The Mary Duke Biddle Trent Semans Foundation Property of The Mary Duke Biddle Trent Semans Foundation Comparable examples of this type of albarello are found in the British The briony motif is - like the ivy motif - one of the most recognisable Museum 1968,0204.1 and in the Metropolitan Museum of Art, The types of decoration on Hispano-Moresque pottery. According to Cloisters Collection, 1956 (56.171.95). The ivy-leaf pattern is one of Anthony Ray (Spanish Pottery 1248-1898 (2000), p. 73) fragments the most recognisable patterns in maiolica production in Manises at with this motif have been found in the Castell Formós, sacked in this time. It was used on a multitude of vessels, including armorial 1413, and others in the castle of Llinars, destroyed in 1448. Other pieces. Much like the Briony motif, this style was particularly popular in pieces can be dated from the heraldry, and Ray goes on to list several Italy. More unusual examples are the drug-jars with this pattern and the rare armorial dishes, all with forms of the briony motif (op.cit., cat. arms of Zeeland, almost certainly to be regarded as Valenschenweck nos. 152-160). This particular stylised flower pattern is continued in imported into Flanders free of duty. As Anthony Ray (2000) describes Italian pottery; perhaps the most splendid example can be found in it, these wares are amongst the masterpieces in ceramic art. Their the two-handled vase with the arms of Medici-Orsini in the Detroit technical perfection and virtuoso designs must have seemed almost Institute of Art (37.74). It is discussed in detail by Timothy Wilson, who miraculous to contemporaries living in the countries where pottery notes that it is curious that the briony design seems to have come into was still in its infancy. It became a very profitable industry and a vital use on maiolica made in Tuscany about 1480, after it had ceased to one for the local economy. Thanks to the dominance of the Kingdom be fashionable on imports from Spain. The Detroit vase can, argues of Aragón the export thrived. The prestige of Valencian lustrewares Wilson, be seen as a pivotal piece produced at a moment in time was such that in 1441 Philip the Good of Burgundy declared that when Italian potters, after decades in which wealthy Italian clients had Valenschenweck could be imported into Bruges free of duty. A similar preferred imported luster-ware from Valencia to native-made ceramics, exemption was made in Venice in 1455 for laura da maiorca e da Valenca. conquered the top of their domestic market and began making wares appreciated by the most discriminating and demanding connoisseurs Vessels with ivy-leaf decoration appear in paintings, the best known of Renaissance Italy. (see: T. Wilson, The Impact of Hispano-Moresque being the drug jar in the Annunciation (or Portinari Altarpiece) by Hugo Imports in Fifteenth-century Florence, Bulletin of the Detroit Institute of van der Goes, now in the Uffizi, painted in 1482, and the drug-jar and Arts (2013), vol 87, pp. 8-13). flower vase in Ghirlandaio’s Birth of St John the Baptist (1486-90) in Santa Maria Novella, Florence.

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 6

FINE EUROPEAN CERAMICS | 13 10 * A SPANISH, TALAVERA ALBARELLO, MADE FOR THE MONASTERY OF SAN BENITO EL REAL, 18TH CENTURY En suite with the previous lot, decorated in blue with an escutcheon of a rampant lion and single turret under an Abbot’s hat over the name of the monastery ‘S.Benito El REAL’, over an ornamented drug label reading ‘NUC.PINUS’ [nux pinis or pine nut], 27cm high

£300 - 500 8 €330 - 550 US$370 - 620

Provenance 8 * Property of The Mary Duke Biddle Trent Semans Foundation A SPANISH, TALAVERA, ARMORIAL ALBARELLO, LATE 18TH CENTURY Tiles with related coat of arms are illustrated by A.Ray, Spanish Pottery Decorated in blue with a coat of arms, of three stars surrounding a 1248-1898 (2000), cat.nos. 636-638, they resemble the coat of arms Crucifix under a crown and flanked by two olive branches, over an of Castille and Léon, and many of the Escudos or Coats of Arms in the empty drug label, 27cm high (broken and restuck) Spanish provinces show a rampant lion and castle with triple or single turrets. It is however likely that these albarelli can be linked to the old monastery complex of San Benito El Real in Valladolid, a province in £200 - 300 Vastilla y Leon, about 120 km south of Burgos. €220 - 330

US$250 - 370 The coat of arms on these albarelli is of an ecclesiastical order, recognisable by the hat over the escutcheon. The tassels of these Provenance hats indicate the rank within the catholic church. For example, fifteen Property of The Mary Duke Biddle Trent Semans Foundation tassels for a cardinals hat, ten for an archbishop. Moreover, they are identifiable by colour. These albarelli show the escutcheon of rampant lion and single turret under a hat with six tassels, which corresponds to 9 * that of a Bishop or, as in this case, an Abbot. A SPANISH, TALAVERA ALBARELLO, MADE FOR THE MONASTERY OF SAN BENITO EL REAL, 18TH CENTURY The Church of the Monastery of San Benito el Real was a Benedictine Decorated in blue with an escutcheon of a rampant lion and single monastery. As the Benedictines had much power and this was their turret under an Abbot’s hat over the name of the monastery ‘S.Benito main house in Castile, the church held artworks of high quality. The El REAL’, over an ornamented drug label reading ‘CORT.TAMARISC’ stalls were used for the annual meetings of the Benedictine Abbots of [possibly Tamarind peel], 28cm high the Castilian monasteries, which took place in this church.

£300 - 500 After the Ecclesiastical Confiscation of Mendizábal in 1835, the €330 - 550 monastery became a fort and barracks, and the church was US$370 - 620 deconsecrated. It was stripped of its works of art, though the choir stalls were kept, and the altarpiece transferred to the Museo Nacional de Escultura in the Colegio de San Gregorio, Valladolid. Adjacent to Provenance the church is the monastic building with three cloisters, one of them Property of The Mary Duke Biddle Trent Semans Foundation known as Patio Herreriano (now a museum for contemporary art).

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 9

FINE EUROPEAN CERAMICS | 15 Italian Maiolica

Detail of a miniature from the ‘Canon Medicinae’ of Avicenna, first half 15th century Biblioteca Universitaria, Bologna

16 | BONHAMS 11

11 * A PAIR OF PESARO OR FAENZA MAIOLICA ALBARELLI, LATE 15TH CENTURY Each decorated with a drug label in Gothic script reading ‘GIRGOLLE’ and ‘SEBASTEM’ on a ground of scrolling foliage, 9 1/4 inches high 24.5cm high incised collectors’ numbers (chip to one rim, some typical cracks and losses) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

SEBASTEM or Sebesten is a plum-like fruit from the tree Cordia myxa, a species of flowering plant in the borage family, Boraginaceae. It is a medium-sized broad-leaved deciduous tree. The ripe fruit are full of vitamins and regular use is supposed to be helpful in good growth of hair. In addition to fruit, the bark and roots are also deemed effective as a local remedy against cough, cold and various other ailments connected with indigestion and throat problems. GIRGOLLE possibly referring to the mushrooms ‘Girolle’.

12 * A PESARO OR FAENZA MAIOLICA ALBARELLO, SECOND HALF 15TH CENTURY Decorated with a scrolling drug label reading ‘FARINA DE LUU’ [flower of Luu (?)] on a ground of scrolling foliage picked out with red ochre blooms, the rim and foot with bands of zig-zag patterns, 21.5cm high (old haircrack)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900 12

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

13 * 14 * 15 * A FAENZA MAIOLICA ALBARELLO, A FAENZA MAIOLICA ALBARELLO, A FAENZA MAIOLICA ALBARELLO, CIRCA 1530 CIRCA 1520 MID 16TH CENTURY Decorated in blue with a drug label inscribed Decorated in blue with a scrolling drug label Decorated in blue with a drug label reading ‘AORI. D.CEDR’ under an apothecary CONFETIO AMECH on a ground of small ‘CANELA ANTICA’ and a ground of foliate escutcheon with initials ‘AR’ ‘GB’, all on a foliate scrolls, 16.5cm high, various collectors’ scrolls, 21 cm high (chips to rim, cracked) scrolling foliate ground, the endings of the marks and museum numbers in colour scrolling drug label in ochre, 19cm high (crazing) £500 - 700 (typical chips and crazing) €550 - 770 £800 - 1,200 US$620 - 870 £800 - 1,200 €880 - 1,300 €880 - 1,300 US$990 - 1,500 Provenance US$990 - 1,500 Property of The Mary Duke Biddle Trent Provenance Semans Foundation Provenance Property of The Mary Duke Biddle Trent Property of The Mary Duke Biddle Trent Semans Foundation Semans Foundation Confectio Amech or Hamech stands for a purgative preparation reputedly named after an Arab physician of the name Hamech. Compounded from colocynth, scammony,. agaric, senna leaves, rhubarb, myrobalance and other ingredients. See Rudolf E A Drey, Apothecary Jars (1978), p. 205.

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 16

16 * A PAIR OF FAENZA MAIOLICA ARMORIAL WET DRUG JARS, Another wet drug jar from the same pharmacy previously in the CIRCA 1525 Pringsheim collection is published by Jeanne Giacomotti, Catalogue Each decorated with a coat of arms of a tree within an escutcheon, des majoliques des musées nationaux (1974), p. 71, fig. 282, where possibly that of the Girelli family, and a ground of scrolling foliage and the author attributes the Stemma to the Roman Celsi family. flowers, the wide strap handles each set over the letter T in blue, 23cm high (one albarello extensively retouched, the other with patches of A related albarello from the same pharmacy was in the collection of retouching to the glaze) (2) Fernand Adda, published by B. Rackham, Islamic Pottery and Italian Maiolica, London (1959), plate 117, cat.no. 289; the author tentatively attributes the coat of arms to the Florentine family, Alberighi. £2,500 - 3,500 €2,800 - 3,900 US$3,100 - 4,300

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

17 * 18 * A FAENZA MAIOLICA ALBARELLO, EARLY 16TH CENTURY A SMALL FAENZA MAIOLICA ALBARELLO, 16TH CENTURY Decorated with alternating panels with foliate scrollwork, set with a Decorated with a profile portrait of a man in Turkish dress above a profile portrait of a soldier above a scrolling drug label reading ‘PiTT. scrolling drug label in gothic script reading ‘HO.DE.BERBERIS’ 15cm DE.REUBARO, 6 inches high 15cm high (typical minimal chips) high incised ‘A’ to the terracotta base (chip to the rim, some glaze losses) £1,000 - 1,500 €1,100 - 1,700 £800 - 1,200 US$1,200 - 1,900 €880 - 1,300 US$990 - 1,500 Provenance Property of The Mary Duke Biddle Trent Semans Foundation Provenance Property of The Mary Duke Biddle Trent Semans Foundation REUBARO is related to rhubarb, from the Italian reubarbaro or rhabarbarum; see Rudolf Drey, Apothecary Jars (1978), p.226.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 19 * TWO FAENZA MAIOLICA ALBARELLI, Provenance ONE DATED 1555, THE OTHER OF SIMILAR DATE Property of The Mary Duke Biddle Trent Semans Foundation Each decorated in two horizontal sections in ochre and blue with sgraffito scrollwork and trophies serving as the background for a A comparable albarello also dated 1555 with a portrait of a man in portrait of a man in Turkish dress within an oak-leaf cartouche over a Turkish costume within the same cartouche is in the Museé de la pharmacy label reading CONFETIO DE CINAM (sic), and a portrait of a Renaissance in Ecouen. bearded classical figure with the name banner HAIF (?) within the same oak-leaf cartouche above a drug label reading TRIFERA MAGNA, respectively, 25cm high (albarello with bearded man with restored section to rim, the other with replaced base) (2)

£3,000 - 5,000 €3,300 - 5,500 US$3,700 - 6,200

20 * 22 * A FAENZA MAIOLICA ALBARELLO, CIRCA 1540-70 A DERUTA MAIOLICA ALBARELLO, CIRCA 1530-50 Decorated with an oval portrait of a bearded man in yellow and ochre Decorated with a drug label inscribed ‘STORCE.LIQV’ on an border, against foliate scrollwork in blue, enclosed by stylised borders, overlapping scale pattern in blue, yellow and ochre, enclosed by 24cm high scrolling foliage, 23cm high (some typical chips and haircracks)

£700 - 900 £800 - 1,200 €770 - 990 €880 - 1,300 US$870 - 1,100 US$990 - 1,500

Provenance Provenance Property of The Mary Duke Biddle Trent Semans Foundation Property of The Mary Duke Biddle Trent Semans Foundation

STORCE LIQV stands for liquid storax, which is the gum resin 21 * obtained in classical times from the trunk of the tree styraxofficinalis A DERUTA OR TUSCAN MAIOLICA ALBARELLO, CIRCA 1530 and in later time from liquidambar orientalis; their fruit is thought Decorated with a drug label ‘ZU.VIOLATO’, or candied violets, set on effective against rheumatic pain. The bark has astringent properties an escutcheon with three single blooms surrounded by a stiff foliage and addresses dysentery and diarrhea. Gum resin from the trees has wreath, the reverse with blue single scrolls, 23cm high (cracks, flaking anti-inflammatory and expectorant properties and has been used to to glaze around the base, crazed) treat bedsores, topical herpes and angina. See Rudolf E. A. Drey, Apothecary Jars (1978), p. 233. £1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 21

FINE EUROPEAN CERAMICS | 23 23 * A FAENZA MAIOLICA APOTHECARY JAR, CIRCA 1545-50 Decorated with a portrait medallion of Saturn, surrounded by bands of scrollwork and foliage a quartieri and seven individual horizontal bands of decoration forming an intricate abstracted foliate pattern alternated with geometric elements in ochre, blue, yellow and green, the drug label reading ‘DIA CALAMENTU’ possibly referring to calamo, an aromatic plant of Eastern origin, 31cm high German Bundesdenkmalamt stamp to the base (neck restored)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

A group of similarly shaped vessels is illustrated by Jeanne Giacomotti, Catalogue des majoliques des musées nationaux (1974), cat nos. 959-961.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 24 * A FAENZA MAIOLICA APOTHECARY JAR, CIRCA 1545-50 En suite with the previous lot, decorated with a portrait medallion depicting Hector surrounded by bands of scrollwork and foliage ‘a quartieri’ and seven individual horizontal bands of decoration forming an intricate abstracted foliate pattern alternated with geometric elements in ochre, blue, yellow and green, the drug label reading ‘ALSOROSA (?) VIOLA’, 30cm high, collectors’ number 744-A in black ink to the base

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 25 25 * A VENETIAN MAIOLICA GLOBULAR JAR, LATE 16TH CENTURY Henry and Ida Schuman began their antiquarian book business in Decorated with dense floral scrollwork against a blue sgraffito ground, Detroit in the 1930s, and soon moved to New York City where they the central medallions each with a yellow-edged male portrait, 28.5cm established their well-known business on 20 East 70th Street and later high (restored chip to flange of rim) at 2211 Broadway Street. They have been described as the first history of medicine rare book dealers in the United States. They enjoyed close ties with their clients, most notably to Duke University physician and £1,500 - 2,000 collector, Dr. Josiah Trent, whose collection of rare books and medical €1,700 - 2,200 artifacts comprise the majority of the items in Duke University’s History US$1,900 - 2,500 of Medicine Collections. Henry Schuman died in 1962 at the age of 63. After his death, Ida Schuman carried on with the business until her Provenance passing in 1977. With Ida W. Schuman; Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 26 * A VERY LARGE CASTEL DURANTE MAIOLICA ARMORIAL A smaller albarello from the same pharmacy in the Museé National ALBARELLO, FIRST HALF 16TH CENTURY Adrien Dubouché, Limoges, is published by J. Giacomotti, Les Painted with a polychrome scrollwork drug label inscribed ‘SUC. majoliques des Musées nationaux (1974), p. 241, fig. 789. VIOLAT’ (Zucchero Violato or candied violets) above a coat of arms featuring a lion holding a palm branch flanked by the letters FG, another emblem over the label with the same initials, 30cm high (some chips and haircracks)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 27 27 * A LARGE DERUTA OR CASTEL DURANTE MAIOLICA BOTTLE, Aqua de Fenochie or fennel water was a cordial containing the MID 16TH CENTURY foeniculum vulgare whose name is derived from foenum, Latin for Decorated with a scrolling drug label reading ‘Aq.a de Fenochie’ in hay. Since ancient time the medicinal uses of this aromatic herb were Gothic script under an apothecary label with the initials GM, 35.5cm many, ranging from its power against rabies and (when used as a high (base restuck) lotion) blindness to its effectiveness against nausea and flatulence. Its history is old and long. Olympic athletes ate the seeds as a way of both increasing energy and guarding against obesity and these twin £1,500 - 2,500 properties survived into the Middle Ages and beyond. €1,700 - 2,800 US$1,900 - 3,100

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. (reverse)

28 * A LARGE CASTEL DURANTE ARMORIAL ISTORIATO This large albarello is part of a group of apothecary vessels CONTAINER, WORKSHOP OF commissioned by Andrea Boerio, a Genoese merchant residing in LUDOVICO AND ANGELO PICCHI, CIRCA 1560 Palermo, and has been attributed to Angelo and Ludovio Picchi and Of inverted pear shape, on a waisted foot, decorated with an dated to the years 1562-63. armorial, possibly of Andrea Boerio, amidst a continuous istoriato scene depicting The Crucifixion, set in a naturalistic landscape, Mary Several albarelli of this particular pharmacy have survived; there is to the side of the Cross, the continuous drug label reading ‘SY. a smaller cylindrical albarello in the collections of the Musei Civici DEVe.INFUSIONIBV.ROSAR’, 35.5cm high (some typical chips and of Pesaro, no. 4387; another similar one was sold more recently at haircracks, drilled foot, filled in chip to foot) auction as part of a restitution by the Dutch government to the heirs of Fritz Gutmann; another albarello from this pharmacy, previously in the Campana Collection, now in the Louvre (inv. OA 1893) is illustrated by £1,500 - 2,000 Jeanne Giacomotti, Catalogue des Majoliques des Musées Nationaux €1,700 - 2,200 (1974), p. 241, fig. 793. US$1,900 - 2,500

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

29 * 30 A FAENZA OR CASTEL DURANTE MAIOLICA ARMORIAL A CASTEL DURANTE OR FAENZA MAIOLICA WET DRUG JAR, ALBARELLO, MID 16TH CENTURY DATED 1561 Decorated with a coat of arms below a scrolling drug label inscribed Of bulbous shape with straight spout and wide strap handle, ‘ELLm DE BACCISLAU’ in Gothic script over a large coat of arms, and decorated in cobalt and yellow with a band of trophies and musical under an apothecary label reading RGD, 23cm high (some chips and instruments surrounding the drug label ‘OXiMELSGLLiTo’ over a blue long crack) apothecary insignia of a beetle, the straight spout supported by a rope-twist and decorated with a radiant sun flanked by the date 15 61, 25cm high (spout restored) £1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900 £800 - 1,200 €880 - 1,300 US$990 - 1,500 Provenance Property of The Mary Duke Biddle Trent Semans Foundation Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 31 * A PAIR OF ARMORIAL ALBARELLI, PROBABLY LE MARCHE, Traditionally given to Deruta or Castel Durante, these albarelli are now DATED 1580 thought to have been produced in the province of le Marche, east of Each decorated with a drug label in Gothic script reading ‘FALANGA’ Perugia, between Pesaro and Pescara. Another albarello from this and ‘SALAM AROMATIC’ (sic) above a coat of arms of three geese unusual series with unidentified coat of arms is in the British Museum and a horizontal yellow band with three red blooms on a blue ground, and published by D. Thornton/T. Wilson, Italian Renaissance Ceramics, flanked by trophies and enclosed in an oak-leaf border, both dated A catalogue of the British Museum collection, Vol. I (2009), p.381, ‘1580’ on the reverse, the interior with a lead glaze, 20.5cm high no.227. The authors note that these albarelli are part of a larger group (minimal typical glaze losses) (2) and list the various examples in public collections. The authors go on to identify three different but notable sets made for the same institution or family, although their exact geographic origins remain a mystery. £4,000 - 6,000 €4,400 - 6,600 US$5,000 - 7,400

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 31 32 * A MASSIVE URBINO MAIOLICA ISTORIATO WET DRUG JAR, no 55, where the authors point out that the series can be attributed ATTRIBUTED TO THE FONTANA WORKSHOP, CIRCA 1565-70 to the Fontana workshop based on stylistic comparison with a vase Of oval shape with a serpent handle over a moulded mask, decorated in the British Museum and a vase sold at auction in London in 1950, to the front with two putti holding up a label reading ‘A.D.COCCVZE’, both inscribed ‘FATE.IN.BOTEGA.DE.ORATIO.FONTANA’ and ‘FATTO above a seated crowned woman holding a sceptre flanked by trees, IN URBINO IN BOTEGA DI ORATIO FONTANA’, pp.166-170. It is in a mountainous landscape with rocks and buildings, 34cm high plausible that the seated figure represents the city of Florence, holding (some restoration) a fleur-de-lys sceptre, though this theory cannot be proven. The decorative scheme recurs on a later series made in Pesaro or Castel Durante around 1574-75, where the crowned figure is sitting beneath £3,000 - 5,000 a canopy. Both types are illustrated next to one-another in Rudolf E A €3,300 - 5,500 Drey, Apothecary Jars (1978), plates 24a and 24b. Two vases of this US$3,700 - 6,200 type without the drug label, one in the Victoria and Albert museum (inv.no.8969&A-1863) and one formerly in the Spitzer collection, are Provenance inscribed ‘Fatto in Urbino’ (made in Urbino). Property of The Mary Duke Biddle Trent Semans Foundation A further albarello of this type is in the Fitzwilliam Museum, illustrated This vessel is part of a series that is now believed to have been made in Julia Poole, Italian maiolica and incised slipware in the Fitzwilliam in the workshop of Orazio Fontana for the apothecary of the Santuario Museum (1995), no.411. She notes that there are some forty known di Loreto. A large part of the apothecary is in the Museo del Palazzo pharmacy vessels, albarelli and ewers, most of which she lists, p.377. Apostolico di Loreto. There are two further albarelli in the Metropolitan Museum, New York (inv. nos.1975.1.995 and 1975.1.996). A pair of similar wet drug jars Another highly comparable wet drug jar of nearly the same size and was sold at Christie’s Paris, Collection d’un amateur, 15 May 2003, lot shape is in the collection of the Casa di Risparmio di Perugia and 535, and a double-handled pharmacy jar of a similar size to this one at was published by T. Wilson/E. Sani, Le maioliche rinascimentali nelle Christie’s London, 2 November 2016, lot 199. collezioni della Fondazione Casse di Risparmio di Perugia, (2006), cat.

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 33 * A MASSIVE URBINO MAIOLICA ISTORIATO WET DRUG JAR, ATTRIBUTED TO THE FONTANA WORKSHOP, CIRCA 1565-70 En suite with the previous lot, of oval shape with a serpent handle over a moulded mask, decorated with two putti holding up a label reading ‘A.D.PRIASSIO’, above a seated crowned woman holding a sceptre flanked by trees, in a mountainous landscape with rocks and buildings, 34cm high (some restoration)

£3,000 - 5,000 €3,300 - 5,500 US$3,700 - 6,200

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

(reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 33 34 * A LARGE MONTELUPO MAIOLICA WET DRUG JAR, LATE 16TH OR EARLY 17TH CENTURY Painted with a drug label on a ground of scrolling blue foliage, the two rope-twist handles finishing in a moulded mask in yellow over the letter ‘S’, the reverse with continuous oak-leaf scrollwork, 33cm high, old paper collectors label on the inside of the neck with the number 409 (typical losses)

£600 - 800 €660 - 880 US$740 - 990

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

35 * A LARGE ITALIAN MAIOLICA WET DRUG JAR, POSSIBLY ROME, LATE 16TH CENTURY Decorated in blue with a drug label reading ‘AQ. SCORZON’ placed on a densely decorated blue foliate ground, the double rope handle finishing in two curls at the terminal, 35.5cm high (spout shortened)

£600 - 800 €660 - 880 US$740 - 990

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 36 * A VERY LARGE MONTELUPO MAIOLICA DOUBLE-HANDLED Another example of this type is in the collection of the Castello WET DRUG JAR, CIRCA 1570-90 Sforzesco in Milan and is illustrated by Fausto Berti, Storia della Painted with the emblem of a winged lion holding a tablet reading ‘PAX ceramics di Montelupo, Florence (1999), vol III, cat.no. 111. TIBI MARCE EVANGELISTA MEUS’ symbolising St Mark, within a stiff- leaf scrollwork cartouche bearing fruit, the handles shaped as mythical The drug label ZUC.CONDITE refers to sugared Condito or conditum, animals, all over a drug label reading ‘ZUC.CONDITE’ the reverse a sweetmeat made by boiling sliced fruit and rinds with sugar and with stylised Persian-inspired ‘alla palmetta’, typical of the Montelupo straining and evaporating the liquid, forming candied fruit. productions, 42.5cm high (some restoration)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 35 37 * A PAIR OF MONTELUPO MAIOLICA ARMORIAL ALBARELLI, See Fausto Berti, Storia della ceramics di Montelupo, Florence (1999), CIRCA 1520 vol. 3, nos. 60 and 61 for another albarello from he same apothecary Each painted with the Giraldi family arms of a crowned rampant lion now in the Museo di Ceramica di Faenza. Another albarello of this within an oval blue-band medallion with an ochre border on a foliate pharmacy was sold at Christie’s London, 18 December 2006, lot 26. scrollwork base, 25cm high (one broken) (2)

£2,500 - 3,500 €2,800 - 3,900 US$3,100 - 4,300

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 38 * A PAIR OF MONTELUPO MAIOLICA ARMORIAL ALBARELLI, MID 16TH CENTURY Each decorated with a coat of arms surrounded by a stiff leaf wreath, the reverse with bold foliate scrolls, 18cm high (smaller typical chips to rims and feet)

£1,200 - 1,800 €1,300 - 2,000 US$1,500 - 2,200

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

39 * 40 * A SICILIAN MAIOLICA ALBARELLO, 17TH CENTURY A SICILIAN MAIOLICA ALBARELLO, PROBABLY CALTAGIRONE, Decorated with a large cartouche depicting Madonna on the EARLY 18TH CENTURY Moonsickle, the reverse with elaborate trophies and ‘SPQP’ in black Of waisted cylindrical form, painted with formal scrolling foliage on a script, 30cm high (cracks to the base) blue and ochre ground within banded borders, 24cm (three chips to flange of rim) £800 - 1,200 €880 - 1,300 £200 - 300 US$990 - 1,500 €220 - 330 US$250 - 370 Provenance Property of The Mary Duke Biddle Trent Semans Foundation Provenance Property of The Mary Duke Biddle Trent Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 41

41 * 42 * AN ITALIAN MAIOLICA WET-DRUG JAR, A PALERMO MAIOLICA ALBARELLO, 17TH CENTURY POSSIBLY VENICE OR ROME, DATED 1601 Of waisted cylindrical shape, decorated with an oval cartouche Decorated in shades of blue with a berretino-ground decorated enclosing a standing putto, set against a panelled and segmented with scrolling foliage and rosebuds and a scrolling drug label ground in green, ochre and blue with stiff leaves and stylised scrollwork reading ‘SY.ROS.SOL’ for Rosatus Solutivus, Syrupus 21.5cm high cartouches, 24cm high VR A (?) in brown script to the base (retouching (spout restored) to flaked enamels on the wider parts and some smaller losses)

£600 - 800 £1,000 - 1,500 €660 - 880 €1,100 - 1,700 US$740 - 990 US$1,200 - 1,900

Provenance Provenance Property of The Mary Duke Biddle Trent Semans Foundation Property of The Mary Duke Biddle Trent Semans Foundation

The syrup in this jar would have been thought to have aperient action, and was prepared by infusing rose petals with water, followed by straining, adding sugar and evaporating the product. See Rudolf E A Drey, Apothecary Jars (1978), p. 228.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 39 43 * A PAIR OF SOUTHERN ITALIAN MAIOLICA WET DRUG JARS, LATE 17TH OR 18TH CENTURY Painted with oval scenes of St. Peter on a yellow ground enclosed by a wreath, the drug label at the bottom reading ‘Aq.CABD.BEN’ and ‘Aq.BORAGIN’ respectively, the sides with three individual composed trophies in ochre against a blue ground with sgraffito scrolls and a wide strap handle decorated with ochre roundels against a blue ground, 32cm each (spouts reduced, old restoration and chips to rims) (2)

£200 - 300 €220 - 330 US$250 - 370

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

44 * A MAIOLICA DRUG JAR, LIKELY LATE 19TH OR EARLY 20TH CENTURY Painted with a drug label reading ‘Aq. DE. INDIVIA’ on a blue ground with polychrome foliate scrolls, 31.5cm high (minor chips and some retouching to rim, restored chip to foot)

£600 - 800 €660 - 880 US$740 - 990

Provenance Property of The Mary Duke Biddle Trent Semans Foundation

This drug jar was possibly made in the workshop of the master-forger Ferruccio Mengaroni. For a discussion of his life and work and his association with Alexandre Imbert, one of the main dealers for J. Pierpont Morgan, see L. Riccetti, Alexandre Impert, J. Pierpont Morgan e il collezionismo della maiolica italiana fino al 1914, (2017).

44A * A PAIR OF ITALIAN MAIOLICA ALBARELLI, 19TH CENTURY In Castel Durante-style with a putto standing over a sea-creature within a central cartouche, reserved against a blue scrollwork sgraffito base with ochre trophies, one cover with similar trophies and apocryphal date 1580, 25cm high (including cover) (one albarello with chip and re-stuck section to foot, the cover missing its finial, the other missing its cover altogether) (3)

£300 - 500 €330 - 550 US$370 - 620

Provenance Property of The Mary Duke Biddle Trent 44A Semans Foundation

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Various Owners 45 A DERUTA MAIOLICA CHARGER, CIRCA 1530 Painted in blue and lustre, the cavetto with a huntsman carrying a game-bird and hare on a stick over his shoulder, set in an abstracted landscape with scrolling foliage, the border with stiff foliate elements alternating with scale patterns, 40cm diam, (tight crack from rim to close to centre)

£6,000 - 8,000 €6,600 - 8,800 US$7,400 - 9,900

Provenance Orselli Collection; Private collection, Italy

46 A DERUTA LUSTRE-DECORATED MAIOLICA DISH OR BACILE A VERSATORE, EARLY 16TH CENTURY Decorated in blue and yellowish ochre lustre, with the initial ‘R’ in Gothic script to the centre, a ridge serving to hold a ewer, surrounded by geometric bands of stiff leaves and a band of linking circles to the rim, 25.5cm diam. (minor typical chips)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Private collection, Italy

Another dish of the same shape with a Gothic letter is in the collection of the Musée Cluny and illustrated by Jeanne Giacomotti, ‘Catalogue des majoliques des Musées Nationaux’ (1974), cat.no. 617.

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 47 A VENICE MAIOLICA DISH, MID 16TH CENTURY Painted with a bearded figure leaning on his staff by a tree, a building and mountains in the distance, the reverse inscribed in ink with a collection number N=508, 20.5cm diam.

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

Provenance Private collection, Italy

48 A VENICE MAIOLICA DISH, MID 16TH CENTURY Painted with a classical figure of a youth flanked by trees with mountains in the distance, the reverse inscribed in ink with old collection number ‘No. 454’, 19.7cm diam. (minor glaze flaking to edge of rim)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

Provenance Private collection, Italy

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 43 49 AN URBINO ISTORIATO MAIOLICA OVAL COVER OR DISH, CIRCA 1530-50 Decorated on both sides, one with an unidentified mythological scene, likely Venus and Cupid, seated and eating from a small bowl of food between them, another figure rushing in, the other with a large angel holding an urn, surrounded by clouds, the side with an elaborate three-dimensional moulded pattern of circular and oval elements in blue, 18cm diam.

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Private collection, Italy

50 AN ITALIAN MAIOLICA ISTORIATO FOOTED DISH (CRESPINA), PROBABLY URBINO, MID 16TH CENTURY Painted with a Biblical scene depicting the High Priest Aaron, inscribed on the reverse ‘d’Aron gran sacerdote/ gl’ornamenti vedi qui/ fatti con tanto lavoro’, the moulded rim edged in yellow, traces if red wax seal to reverse, 29cm (restuck)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

A crespina painted in a similar style is in the Detroit Institute of Arts, accession no. 21.184.

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 51 AN ITALIAN MAIOLICA ISTORIATO SHALLOW CIRCULAR DISH, MID 16TH CENTURY Painted with a landscape scene depicting Hercules standing by rockwork over a recumbent figure raising his club, 22.2cm diam. (haircrack to rim)

£4,000 - 6,000 €4,400 - 6,600 US$5,000 - 7,400

Provenance Private collection, Italy

52 AN ITALIAN MAIOLICA ISTORIATO SHELL-MOULDED BASIN, 19TH CENTURY Moulded with a mask handle and three shell feet, the top painted with Apollo in his chariot enclosed by clouds against a partially wooded landscape, the reverse painted with two sea creatures amidst waves, 38.3cm across (small restuck corner to rim, flat chip to another corner)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Private collection, Italy

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 45 53 A DERUTA MAIOLICA WET-DRUG JAR, CIRCA 1560-70 Painted in blue with a stork below a drug label inscribed ‘SY PAPAVERIS’, enclosed by a fruiting wreath bound with ochre ribbon ending in flourishes at either side, the spout with a ropetwist support, strap handle, 22cm high (minor glaze flaking)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

Provenance Anon. sale, Sotheby & Co. London, 22 May 1973, lot 25; Private collection, Italy

54 A PAIR OF ITALIAN MAIOLICA SMALL ALBARELLI, POSSIBLY DERUTA, DATED 1620 Each decorated with a drug label, inscribed ‘PLOMBO ABRVGITO’ and ‘POLVE CAPITALE’, respectively, below a sunburst motif and trophies within a blue oval cartouche reserved with trophies and flanked by blue ribbons, both dated ‘1620’ on the reverse, 11.5cm high (2)

£1,000 - 2,000 €1,100 - 2,200 US$1,200 - 2,500

Provenance Private collection, Italy

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 55 A MONTELUPO MAIOLICA TWO-HANDLED VASE, CIRCA 1560-70 Of ovoid form with blue rope-twist handles, one side painted with a woman seated in a landscape holding fruit, framed by cornucopiae and scrolling foliage and surmounted by a winged mask, against a ground of blue floral scrollwork, the reverse with a cartouche enclosing a large standing bird on a yellow ground, 35.5cm high

£3,000 - 5,000 €3,300 - 5,500 US$3,700 - 6,200

Provenance Private collection, Italy

(reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56 AN ITALIAN MAIOLICA WET-DRUG JAR, PROBABLY LIGURIAN, EARLY 18TH CENTURY Painted with a scene depicting the Virgin and Child and St. Francis at the front flanked by angels, drapery and buildings, above a drug label inscribed ‘A. LATTVGA’, the reverse with a view of a sailing ship in a bay flanked by buildings on the shore, the sides applied with double-snake handles above a fleur-de-lys, 32cm high (spout restored)

£1,500 - 2,500 €1,700 - 2,800 US$1,900 - 3,100

Provenance Private collection, Italy

57 A SICILIAN MAIOLICA JAR (BOMBOLA), EARLY 17TH CENTURY Painted in Venetian style, each side with a profile portrait of a youth, one wearing a turban, within an oval cartouche against a blue ground reserved with scrolling foliage and flowers, 25cm high (rim restored and overpainted, flat chip and associated small star- crack to one side)

56 £600 - 800 €660 - 880 US$740 - 990

58 A RARE DERUTA MAIOLICA DEEP TAZZA AND COVER, MID 17TH CENTURY Modelled with a large finial with concave centre, the interior of the bowl with a mother and her swaddled child seated by a window, the cover and exterior of the bowl with continuous grotesques, the rim and foot with yellow and ochre bands, on a raised foot, 16cm high, paper collectors’ label dating to 1918 (cover restored) (2)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

Provenance Private collection, Italy

This kind of feeding cup or posset-pot already appears early in Italian medieval painting, particularly in reference to the Birth of Mary. This pot was also likely used to feed a young mother after childbirth. 57

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 58

59 A PAIR OF SAVONA MAIOLICA ALBARELLI, CHIODO-PEIRANO WORKSHOP, CIRCA 1720-35 Each painted in polychrome enamels with Biblical scenes with large figures, one with a couple in armour seated in a tent attended by a putto, the second with four figures with sheep, the reverse with ruined arches and trailing flowers, 28cm high, lantern marks in blue (some restoration) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,000 - 7,400

Provenance Private collection, Italy

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 49 60 A SIENA MAIOLICA PLATE, PROBABLY WORKSHOP OF BARTOLOMEO TERCHI, CIRCA 1730 Painted with a man wearing a turban in a partially wooded landscape, holding a sickle in his left hand and a ribbon in the right, blue-edged rim 28.2cm diam.

£700 - 900 €770 - 990 US$870 - 1,100

Provenance Private collection, Italy

61 AN CASTELLI MAIOLICA TWO-HANDLED BOWL, LATE 18TH/EARLY 19TH CENTURY Of quatrelobe form, the interior painted with a scene depicting the Mocking of Christ, below an ochre line border and flowers around the inside rim, 13.2cm

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance Anon. sale, Sotheby Parke Bernet, Florence, 11-12 May 1982, lot 714; Private collection, Italy

62 A CASTELLI MAIOLICA BARBER’S BOWL, SECOND HALF 17TH CENTURY Painted with birds among fruiting branches, the yellow-ground rim with ochre and black pattern, the reverse with a broad band of blue scrolling foliage between ochre, blue and yellow concentric lines, 34.9cm across (two restored sections to rim)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

Provenance The Thomas Dormandy Collection of European Faience

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 63 A DOCUMENTARY CASTELLI MAIOLICA SMALL PLATE, DATED 1737 Painted by Francesco Grue in enamels and gilding with a scene from the Gospel of Matthew, chapter XV, depicting Jesus and the Canaanite woman, the yellow-ground rim surmounted by a scroll bracket flanked by fruit and flowers, inscribed ‘MATTH. C.XV.’, the base with a similar bracket flanked by bound flower bouquets, inscribed ‘Dr. FGrue f.a(?). 1737’, blue edges to the rims, 17.6cm diam.

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Private collection, Italy

64 A CASTELLI MAIOLICA BOWL AND COVER, CIRCA 1760 Painted probably in the Gentili workshop, the bowl with a continuous scene depicting figures in front of buildings and classical columns, with trees and other distant buildings and a view of the sun setting over the ocean, the cover with a similar view of figures in front of overgrown classical ruins, the finial painted with a stylised floral motif, the rims edged in ochre and manganese, 11.9cm across; 10cm high (rim chips, one restored rim chip) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Anon. sale, Sotheby Parke Bernet, Florence, 11-12 May 1982, lot 737; Private collection, Italy 64

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 51 64A A FRENCH PALISSY-STYLE LEAD-GLAZED GROUP OF JESUS AND THE WOMAN OF SAMARIA, POSSIBLY AVON, 17TH CENTURY Decorated with coloured glazes, Jesus seated by an oval well moulded at the front with a winged putto mask, the woman on the either side holding an urn, 16.6cm high twice inscised JB (Jesus’ right hand restuck)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

A similar model attributed to Avon is in the Metropolitan Museum of Art, New York, no. 53.225.40. A Palissy-style figure of St. Peter with a similar mark was sold at Drouot, Paris, 18 June 2018, lot 33.

64A

64B A FRENCH LEAD-GLAZED ROSEWATER JUG, PROBABLY AVIGNON, 17TH CENTURY The urn-shaped body on a flared, stepped foot, applied with moulded leaf motifs coloured in green glaze, alternating with masks between foliage and fruit, all against the brown glaze, the rims with moulded triangular panels reserved against the brown ground, the pointed spout moulded with a rope-twist band and a foliate motif, the square section handle with scroll and moulded hinge, the moulded cover with green moulded foliate scrollwork panels alternating with triangular panels reserved on the brown ground, 22.5cm high

£600 - 800 €660 - 880 US$740 - 990

A similar rosewater jug attributed to Avignon is in the Metropolitan Museum of Art, New York, no. 23.201. 64B

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 65 A DUTCH DELFT DISH, MID 18TH CENTURY Painted in blue in the centre with a scene showing figures in a boat on a canal by buildings with a fisherman in the foreground, within a yellow strapwork border edged in ochre, the rim with four blue garden views in yellow borders on a dense green foliate ground reserved with puce and yellow flowers, blue leaves and scrollwork and enclosing four blue putti, 35.5cm diam.

£1,200 - 1,800 €1,300 - 2,000 US$1,500 - 2,200

Provenance The Gustav Leonhardt Collection, Sotheby’s London, 29 April 2014, lot 459

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 53 66 A STRASBOURG WHITE FAIENCE CHINOISERIE FIGURE, MID 18TH CENTURY Depicting a seated man wearing a hat and leaning on rockwork, a posy of flowers in his left hand, 14.5cm across; 13cm high (some typical scattered tiny losses to glaze, minor retouching to edged of hat)

£600 - 800 €660 - 880 US$740 - 990

67 A LARGE NEVERS FAIENCE APOTHECARY VASE AND COVER, DATED 1709 Painted in blue outlined in dark manganese with two entwined snakes enclosing the drug label ‘THERIAVA/ Androm./ 1709’ heightened in cold gilding, surrounded by flower sprigs, birds and insects, the reverse with a similar snake cartouche enclosing birds, insects and a large flower spray, all between line borders with pendent foliate scrollwork motifs, the footrim with four oval panels painted with a snake against on a blue- ground band reserved with foliage and scrollwork, the domed cover similarly decorated with a ball finial, 56.5cm high (finial restuck, restored flat chip to one side) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Theriaca was an electuary reputedly introduced into medical prractice by Nicander of Colophon, a Greek poet and priest of Apollo, in the second century B.C. as an antidote against poisons, especially snake bite. Theriac of Andromachus contained seventy-three ingredients, the most important of which was the flesh of vipers (R. Drey, Apothecary Jars (1978), p. 234).

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 68 TWO RARE LARGE ANSBACH FIGURES OF GUANYIN, CIRCA 1730 After a Chinese Blanc-de-chine original, wearing flowering robes and standing on a cloud base, 48.3cm and 48.6cm high (one with some restoration to hands and left sleeve, a few typical minor losses to glaze) (2)

£4,000 - 6,000 €4,400 - 6,600 US$5,000 - 7,400

69 70 A PAIR OF SCEAUX FAIENCE FIGURAL DOUBLE SALTS, A STRASBOURG FAIENCE TUREEN AND COVER, CIRCA 1750 CIRCA 1760 Of Rococo silver form embellished in polychrome enamels, moulded Both with colourful rockwork bases, one with a seated lady wearing with scroll-edged rims with lappet borders interspersed with a shell a pink bodice, green skirt and pink apron, a shell with puce feathered on each side and scroll handles, the footrim with a moulded lappet borders on each side of her, the other with a seated gentleman wearing border, the shell-moulded cover edged in puce and finely painted with puce breeches, a puce patterned jacket and puce hat, an indentation four flower sprigs around the finial modelled as a snail emerging from a on each side of him, 16cm across; 12.5cm high (her head and right arm shell, the underside of the rim of the cover and the foot painted green, restuck, his right hand restuck, some further restoration) (2) 39.5cm across handles (small restored chips to cover) (2)

£800 - 1,200 £3,000 - 5,000 €880 - 1,300 €3,300 - 5,500 US$990 - 1,500 US$3,700 - 6,200

Provenance Provenance The Thomas Dormandy Collection of European Faience The Thomas Dormandy Collection of European Faience

A similarly-moulded Strasbourg tureen with a flower rather than a shell finial is in the collection of the Metropolitan Museum of Art, Gift of Mrs. Charles Wrightsman, inv. no. 2008.543.18.

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 71 A MARSEILLE, VEUVE PERRIN FACTORY, DEEP DISH, CIRCA 1760 Painted with chinoiserie figures and foliage in the manner of Jean Pillement, the shaped rim with birds perched on branches, edged in dark-green with narrow trellis panels at the moulded corners, 38cm diam. (small haircrack to rim)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance The Thomas Dormandy Collection of European Faience

72 A MOUSTIERS FAIENCE FLOWER VASE AND COVER, CIRCA 1780 Painted in ochre, green and blue with classical scenes and moulded scrollwork, the sides moulded with figure of centaurs, the pierced cover with similar scrollwork, both twice pierced at the rear, 26cm high, (minor restoration to front, one leg restuck) (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance The Thomas Dormandy Collection of European Faience

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 57 73 A RÖRSTRAND FAIENCE TWO-HANDLED TUREEN, COVER AND STAND, DATED 1769-70 Of lobed oval form, painted with scattered flower sprays, the rims decorated with a manganese feathered border and moulded with scrollwork heightened in yellow, green and manganese, the handles in the shape of scrolling shells, the cover with a leaping deer finial, the stand: 41.4cm long, the tureen: 37.5cm across handles, Rörst 20/6 70 (tureen) and Rörst 19/10 69 (stand) in manganese, painters’ marks and numerals in manganese (some old restoration) (3)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

Provenance The Thomas Dormandy Collection of European Faience

Another tureen and stand of the same shape is in the Axel Springer Collection in the Schleswig- Holsteinisches Landesmuseum, Schleswig, illustrated in H. Lungagnini, Fayence des Ostseeraumes - Sammlung Axel Springer (1998), colour plate 58, no. 30. Another example of the same tureen model with very similar decoration to the present lot, but with a different stand, is 73 illustrated in A. Bæckström, Rörstrand och dess tillverkningar 1726 -1926 (1930), plate XVI.

74 A LARGE HOLICS FAIENCE DISH, MID 18TH CENTURY Painted in Imari style in blue, red, green, puce, yellow and gilding with a flower spray in the centre enclosed by a trellis-ground band reserved with flower panels, the rim with four flower sprays and border of alternating flower and trellis panels around the brown-edged rim, 32.8cm diam., H mark in manganese (haircrack)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

Provenance The Thomas Dormandy Collection of European Faience

75 A FRENCH FAIENCE OVAL DISH, THIRD QUARTER 18TH CENTURY Painted in the centre with an amusing polychrome scene of chinoiserie figures in a landscape vignette flanked by elaborate rococo scrollwork and drapery, one seated with a book, another chained to his neck and a third seated at a rococo writing desk, the silver-shaped rim with a border of leaves, grasses and foliate scrollwork flanked by putti within blue and iron-red line borders, 46cm across

£3,000 - 5,000 €3,300 - 5,500 74 US$3,700 - 6,200

Provenance Anon, sale in these Rooms, 14 May 2008, lot 35; Acquired by the present owner in the above sale

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 75

76 A MOUSTIERS, OLÉRYS FACTORY, FAIENCE LARGE BOTTLE COOLER, MID 18TH CENTURY Decorated in ochre, green and blue with circular panels depicting mythological scenes of sea and river nymphs surrounded by a border of flowers, garlands and scattered sprays, above a moulded gadrooned border, the foot with further flower sprays, the handles in the shape of animal heads, 19.5cm high (some retouching to enamels on handles and rim)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

Provenance The Thomas Dormandy Collection of European Faience

Two coolers with a similar style of decoration are 76 illustrated in Jacques Mompeut, Les faiences de Moustiers (1980), p.101.

77 77 A DOCUMENTARY MEISSEN HAUSMALER BOWL FROM THE ‘HOSENNESTEL SERVICE’, CIRCA 1731 Painted in Augsburg by Sabina Auffenwerth in polychrome enamels and gilding, each side with a chinoiserie scene depicting figures preparing teas and engaged in other pursuits, enclosed by bands of scroll- and strapwork above and below and a gilt chinoiserie figure on a lambrequin base below a canopy to the sides, a similar scene to the interior, the sides with a flower branch, gilt scrollwork borders to the rims, 16.6cm diam.; 8cm high, gilt AW monogram to base (two repaired flat chips to rim, one with associated short haircrack)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance Mrs Mary Lees Johnstone (purchased in Ireland by her grandmother), sold Sotheby & Co., London, 7 November 1972, lot 129; With Winifred Williams (purchased in the above sale)

Literature T.H. Clarke, Eine Meissen-Entdeckung - Sabina 78 Auffenwerth in Augsburg, in Keramos 60 (1973), ill. 9

The coffee pot from this service has the initials ‘SA’ and ‘IH’, from which T.H. Clarke (see above Literature) concluded that the service was likely painted in 1731 by Sabina Auffenwerth for her marriage on 3 December 1731 to Isaac Hosennestel.

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 79 (shown from three sides)

78 79 A VERY RARE MEISSEN LOBED BOWL, CIRCA 1730-35 A VERY RARE MEISSEN FIGURE OF A DWARF, CIRCA 1725 Painted in Chinese Famille verte style with vignettes depicting ‘The The moustachioed figure wearing a conical hat with gilt top and puce Hundred Antiques’ alternating with landscape vignettes depicting and gilt stripes, a gilt jacket edged in puce and pantaloons, the face, flowers and insects, the inside with a similar vignette, 20.1cm across; hands and stockings coloured in flesh tones, the flat oval base gilt, 8.5cm high, crossed swords mark in underglaze-blue (small restored 8.5cm high (restored through the legs) rim chip) £12,000 - 18,000 £3,500 - 4,500 €13,000 - 20,000 €3,900 - 5,000 US$15,000 - 22,000 US$4,300 - 5,600 The weekly reports for the Meissen formers and turners between 1722 and 1728 record figures of dwarves (Zwergnationen) - with and Provenance without bases - from 1724 (C. Boltz, Die wöchentlichen Berichte über The Property of a Lady, sold Sotheby’s London, 21 October 1980, die Tätigkeit der Meissner Dreher und Former vom 6. Juni 1722 bis 31. lot 56 Dezember 1728, in Keramos 178 (2002), p. 59 and ills. 59-61). Many of the models are probably taken from a group of 161 plaster models sent from Augsburg at the beginning of 1725 and are often based on engravings such as “Il Calloto resuscitato. Oder neu eingerichtetes Zwerchen Cabinet”, published in Augsburg in 1710. “Dwarves and other figures” are listed in the 1729 inventory of the Leipzig warehouse and almost none are marked with the crossed swords mark (U. Pietsch/C. Banz (eds.), Triumph der blauen Schwerter (2010), no. 40). This model does not appear to be recorded in the literature.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 61 80 A MEISSEN DISH, CIRCA 1740-50 Painted in Kakiemon style with the ‘Quail pattern’, depicting two quail flanked by flowering prunus and other flowers, scattered flower sprigs around the brown-edged wavy rim, 34.5cm diam, crossed swords mark in underglaze-blue, impressed 21, incised /// inside footrim

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

81 A RARE MEISSEN SMALL TUREEN AND COVER, CIRCA 1740 Of baluster form, applied with dolphin handles and a finial of two entwined dolphins, modelled by J.F. Eberlein and J.J. Kaendler, painted in Kakiemon style with the “flying fox” pattern of a fox over a squirrel on banded hedges, the inside of the cover with a wheat sheaf and flowers, 10cm high; 13.2cm across handles, crossed swords mark in underglaze-blue (some restoration to finial and handles) (2)

£1,200 - 1,800 €1,300 - 2,000 US$1,500 - 2,200

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 82 A MEISSEN CHINOISERIE GROUP OF A WOMAN WITH TWO CHILDREN, MID 18TH CENTURY Modelled by P. Reinicke, the seated mother wearing pink robes over a white skirt embellished with flowers, a child holding a hat seated on her left knee, a second child on her right, the base applied with leaves and flowers, 14.5cm high, crossed swords mark in underglaze-blue (her head and arm restuck)

£1,500 - 2,500 €1,700 - 2,800 US$1,900 - 3,100

Provenance European Private Collection

The figure is based on engravings after François Boucher’s series ‘Les Délices de L’Enfance’ (The Delights of Childhood) inspired by engravings by J.J. Balechou.

83 A MEISSEN FIGURE OF A BAGPIPE PLAYER, MID 18TH CENTURY Wearing a yellow jacket decorated with playing cards, a pink hat, white breeches and yellow shoes with blue bows, seated on rockwork and playing the bagpipes, the base applied with leaves and flowers, 13.8cm high, crossed swords mark in blue (some restoration)

£600 - 800 €660 - 880 US$740 - 990

Provenance Private European Collection

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 63 84 A LARGE MEISSEN FIGURE OF A PASTRY SELLER FROM THE ‘CRIS DE PARIS’ SERIES, CIRCA 1755 Modelled by J.J. Kaendler and Peter Reinicke, wearing a puce bodice with a white apron embellished with indianische Blumen and a green skirt, holding a basket with baked goods, the base moulded with gilt-edged scrollwork and applied with leaves and flowers, 19.5cm high, crossed swords mark in underglaze-blue to the rear of the base (basket slightly loose, minor chips to extremities)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Another example is illustrated in M. Eberle, Cris de Paris (2001), no.10.

85 A MEISSEN FIGURE OF A LADY WITH A FAN, MID 18TH CENTURY Wearing a bonnet, an elegant bodice decorated with indianische Blumen, a pink overskirt and yellow underskirt, holding a fan to her head, the base moulded with gilt-edged rocailles and applied with leaves, 15.5cm high (restoration to right hand, fan restuck)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance European Private Collection

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 86 A MEISSEN FIGURE OF A HURDY-GURDY PLAYER FROM THE LARGE ‘CRIS DE PARIS’ SERIES, CIRCA 1745 Probably modelled by P. Reinicke, wearing a black hat, white jacket, blue waistcoat and black breeches, holding a hurdy-gurdy, the base applied with leaves and flowers, 20cm high (left hand restored)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance The Nyffeler Collection, Christie’s London, 9 June 1986, lot 37

From the first large series of figures from the Cris de Paris, probably modelled by Peter Reinicke between 1744 and 1747 and based on drawings by Edme Bouchardon engraved by the Comte Caylus; see Günter Reinheckel, Die erste Folge der Pariser Ausrufer in Meissner Porzellan, in Keramos 50 (1970), pp. 115-121.

87 A MEISSEN FIGURE OF A VEGETABLE SELLER, CIRCA 1745 Wearing a wide-brimmed hat, white bodice and blouse and brown skirt, holding vegetables in her apron and a bunch of wild carrots or parsnips in her right hand, the base applied with leaves and flowers, 17.8cm high, crossed swords mark in underglaze- blue to the rear of the base (some flaking to brown skirt)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

Provenance Private European Collection

Another example is illustrated in Y. Adams, Meissen Portrait Figures (1987), colour plate XXVIII. 87

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 65 88 A PAIR OF MEISSEN FIGURES OF CHILDREN IN TURKISH COSTUME, CIRCA 1756-60 The girl wearing a lavender hat, puce long jacket and flower-decorated dress edged in blue over a yellow underskirt, the boy wearing an iron-red turban, lavender long jacket, flower-decorated tunic with a sword and dagger, puce breeches and yellow boots, the base moulded with gilt-edged scrollwork, 13.5cm high, impressed 25 to both (her right arm restuck at shoulder and right hand restored, minor chips and restoration) (2)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

Provenance Private European Collection

From a series of ‘Türkenkinder’ or children in Turkish costume; a watercolour depicting the designs for eight such figures including the present one was supplied to the Meissen manufactory in 1756 by the Paris dealer Gilles Bazin (published by J. Weber, Von Moskau bis Lissabon [...], in Keramos 212 (2016), p. 8, ill. 2).

89 A MEISSEN FIGURE OF A POLISH NOBLEMAN, THE PORCELAIN CIRCA 1750, THE DECORATION 19TH CENTURY Decorated in blue cloak and green sash over yellow breeches and top, his sabre to his side, 15cm high (hilt and sabre and fingers chipped, fingers restuck)

£500 - 700 €550 - 770 US$620 - 870

Provenance European Private Collection

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 90 A MEISSEN FIGURE OF A LADY PLAYING THE LUTE, CIRCA 1755 Seated on a tree stump, wearing a yellow skirt with kakiemon flowers, white chemise and purple bodice and a green hat, her instrument perched on her lap, 14.4cm high (arm and leg restuck, piece of the socle broken out and restored)

£600 - 800 €660 - 880 US$740 - 990

91 A MEISSEN FIGURE OF LUTE PLAYER, MID 18TH CENTURY Modelled by Peter Reinicke, seated and playing the lute, wearing a white coat with gilt buttons, pink waistcoat and black breeches, the base applied with leaves and flowers, 13.2cm high, crossed swords mark in underglaze-blue to the rear of the base (lute restuck)

£600 - 800 €660 - 880 90 91 US$740 - 990

Provenance Private European Collection

Another example is illustrated in R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 891.

92 A MEISSEN FIGURE OF A BOY FROM THE COMMEDIA DELL’ARTE, TOGETHER WITH A MEISSEN GIRL HOLDING A GOBLET, CIRCA 1755 He wearing a yellow hat and suit edged in blue with a white collar, a tree stump support at his back, she wearing a puce striped bodice, green skirt and white apron, holding a goblet, each base moulded with gilt-edged scrollwork and applied with leaves and flowers, he: 12.5cm, she: 12cm high, he with faint traces of crossed swords mark in blue, both with impressed numerals (boy with restuck base, some restoration to both) (2)

£600 - 800 €660 - 880 US$740 - 990

Provenance Private European Collection

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 67 93 A MEISSEN GROUP OF ‘THE ARDENT LOVER’, CIRCA 1745, This group is recorded in Känder’s Taxa: “1 dergl. (Groupgen) aus 4 LATER DECORATED Figuren bestehend, da eine Schäfferin auf Rasen sitz, zu der sich ein Modelled by J.J. Kaendler, with a young man dressed in blue jacket sauber angekleideter Jüngling findet, der sie lieben will, die sich aber and black breeches, his empty pocket showing, kneeling before weigert, auf dem Jüngling is Cupido, der ihn bey den Harren hält und his lover, she dressed in a yellow cape with oriental flowers, turning ihn seinem Bogen auf den Kopff prügelt, dabey ein Arelquin stehet, away her head, a putto on his shoulder and harlequin behind them und den Jüngling auslacht [1 similar (group) made up of 4 figures, a both laughing at the man, the cupid pulling the man’s hair and raising shepherdess seated on the grass, next to her a well-dressed young his bow, the porcelain circa 1745, the decoration later 19cm high, man courting her, she refusing him, on the shoulder of the young (cracked through the base, losses to extremities, her right hand and man Cupid pulling his hair and hitting his head with his bow, harlequin right foot missing) standing next to the young man laughing at him]”

Meredith Chilton, Harlequin Unmasked (2001), p. 306, illustrates two £3,000 - 5,000 versions of the group and suggests a modelling date of 1743. Other €3,300 - 5,500 versions of the group exist with the addition of either a dog or a sheep US$3,700 - 6,200 on the base, and with the absence of both Cupid and Harlequin.

Provenance European Private Collection

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 94 A MEISSEN OCTAGONAL PLATE FROM Sixty-one pieces of this service, said to have been purchased by THE “CHRISTIE-MILLER SERVICE”, CIRCA 1740 Samuel Christie-Miller in 1840 from a member of the Orleans family, Painted in the centre with a quayside scene depicting elegant figures were sold by his descendants in 1970. The scene in the centre is in the foreground and palaces and ships in the distance, within a closely related to engravings by Melchior Küsel after Johann Wilhelm gilt trellis band reserved with four quatrelobe panels painted with Baur, Underschidliche Prospecten, welche er in dennen Landen Italiae purple landscape scenes, the rim with four larger polychrome scenes und dan auf seiner Heimreis Friaul, Karnten, Steir nach d. Leben alternating with panels of gilt foliate scrollwork, gilt-edged rim, 22.5cm gezeichnet, published in Augsburg in 1681. across, crossed swords mark in underglaze-blue, impressed 22 Two other octagonal plates of the service are in the Dr. Ernst Schneider Collection in the Lustheim Palace (A. Schommers/ M. Grigat-Hunger, £12,000 - 15,000 Meißener Porzellan des 18. Jahrhunderts (2004), nos. 103-104); €13,000 - 17,000 another plate is in the Carabelli Collection (U. Pietsch, Frühes Meißener US$15,000 - 19,000 Porzellan Sammlung Carabelli (2000), no. 118); an octagonal bowl and an oval dish, the latter a gift of Horst Hoffmeister, are in the Museum Provenance for Decorative Arts in Hamburg (J. Lessmann, Porzellan. Glanzstücke The Property of The Trustees of the late S.R. Christie-Miller, sold by der Sammlung des Museums für Kunst und Gewerbe Hamburg Sotheby & Co. London, 7 July 1970, lot 9 (part); (2006), p. 38). A plate from the Hoffmeister Collection was sold in Acquired by the father of the present owner in the above sale these Rooms, 24 November 2010, lot 52, and another plate was sold on 14 December 2016, lot 28.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 69 95 A MEISSEN DEEP PLATE, CIRCA 1745 Moulded with the ‘Gotzkowsky-Relief’ pattern, modelled by J.F. Eberlein, painted with scattered Holzschnittblumen and a butterfly, brown-edged rim, 24cm diameter, crossed swords mark in underglaze- blue and two dots, impressed 16

£500 - 700 €550 - 770 US$620 - 870

96 A MEISSEN FIGURE OF A PUTTO HOLDING A GLOBE, CIRCA 1755; TOGETHER WITH TWO MEISSEN FIGURES OF BOY GARDENERS, LATE 18TH OR EARLY 19TH CENTURY The boy holding a globe wearing a puce-lined cloak decorated with indianische Blumen on a flat square base, one boy gardener holding a basket with flowers and a walking stick, the other outside- decorated, holding a basket and a spade, both bases moulded with gilt-edged scrollwork, putto holding a globe: 12cm, boy-gardener with basket 13cm, boy with basket, 12cm, putto with globe: apparently unmarked; boy with basket of flowers crossed swords and asterisk mark in underglaze- blue and incised 16; boy with basket: ground down crossed swords mark in underglaze-blue (some restoration) (3)

£600 - 800 €660 - 880 US$740 - 990

Provenance Private European Collection

96 (part)

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 97 A MEISSEN YELLOW-GROUND CIRCULAR STAND, CIRCA 1740-45 Painted with four European landscape scenes within brown-edged gilt scrollwork and trellis cartouches around the rim and another, with a more elaborate cartouche in the centre and scattered flowers and insects, gilt-edged wavy rim, the reverse with a yellow ground, 21.4cm diam., crossed swords mark in underglaze-blue, impressed 20

£800 - 1,200 €880 - 1,300 US$990 - 1,500

98 A MEISSEN FIGURE OF A HUNTER WITH A DOG, MID 18TH CENTURY Modelled by J.F. Eberlein, wearing a green hunting suit and black tricorn, holding a rifle and wearing a satchel slung over his back with a partridge in it, a dog seated by his side and a leafy tree stump behind him, the base applied with leaves and flowers, 18cm high (small chips)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance Private European Collection

Eberlein’s work records from December 1743 state: ‘Einen Jäger, wie er seine Büchße laden thut, auch die Jagd-Tasche mit Rephühnern auf dem Rücken hat, und einen Hund neben sich, in thon verfertigt’ [A hunter, as he is loading his rifle, also has a hunting bag with partridge on his back, and a dog next to him, completed in clay] (quoted in Melitta Kunze-Köllensperger, Sammlung Ritter Kempski von Rakoszyn: Meissener Porzellan des 18. Jahrhunderts (2008), p. 68). Another example with 98 its female counterpart is illustrated in Melitta Kunze- Köllensperger (2008), p. 68, no.43.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 71 99 A MEISSEN GROUP OF FOUR PUTTI MAKING ARROWS, CIRCA 1760, All placed around a fire, one holding bellows, the other a quiver with arrows, the third a hammer, the last seated on a high rock wrapped in a blue cloak, all placed on a rococo base picked out in gilding, 19cm high, crossed swords mark in blue to the base (chips and losses to instruments and to extremities)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

100 A MARCOLINI MEISSEN GROUP OF A COUPLE WITH A CHILD, LATE 18TH CENTURY Modelled by M.V. Acier and J.C. Schönheit, all three figures draping a centrally placed urn on a rocky pedestal with garlands of encrusted flowers, the boy in the foreground holding a basket of flowers, another basket of flowers at the back behind the urn, on a rockwork base with a gilt-edged moulded Vitruvian scroll border, 20cm high, crossed swords mark and asterisk in underglaze-blue (cover missing, chips to extremities)

99 £600 - 800 €660 - 880 US$740 - 990

Provenance Private collection, Italy

Originally modelled in 1772, the base was altered in neo-classical taste in 1778.

101 A SET OF MEISSEN FIGURES EMBLEMATIC OF THE FOUR SEASONS, CIRCA 1760 Modelled by F.E. Meyer, each standing on a high base moulded with gilt-edged scrollwork, ‘Spring’ as a classical nymph standing by an urn filled with flowers holding a posy, her puce-lined cloak painted with indianische Blumen; ‘Summer’ similarly clad, standing by an urn filled with leaves and holding a wheat sheaf, the base applied with vegetables, leaves and flowers; ‘Autumn’ as a young man holding grapes and a goblet, wearing a yellow-lined floral cloak with a rabbit hung from his waist, the base and urn applied with fruiting vines; ‘Winter’ as a bearded man wearing a fur-lined puce cloak warming his hands over a fire, 22.8cm high, crossed swords marks in underglaze-blue (some losses and chips) (4)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Private European Collection

Another full set was sold in these rooms, 26 100 November 2014, lot 232. A similar figure of ‘Winter’ in the Landesgewerbemuseum, Stuttgart, is illustrated by R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 991

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 101

102 A MEISSEN CLOCK CASE AND BASE, CIRCA 1770 Modelled in two parts, the clock case on four scrolling feet the (absent) dial surrounded by puce rococo scrollwork and green winding plants and encrusted leaves and flowers, the central panel to the front decorated with two lovers and an attendant seated in a formal garden, the stand of rococo shape picked out in gilding, a large crowned female goddess standing to the left, two putti flanking her, 32cm high crossed swords mark and dot in underglaze-blue (restoration to extremities) (2)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

102

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 73 103 A RARE MEISSEN ROCOCO CLOCK CASE AND STAND, CIRCA 1770 The shell-moulded case edged in blue and gilding and modelled with gilt-edged scrollwork, surmounted by applied, trailing flowers, the sides with pierced, gilt- edged latticework panels, on four scroll feet flanked by applied reeds and flowers, the base similarly decorated on four scroll feet with a moulded cartouche painted with flowers at the front and gilt-edged flower panels to the sides and rear, the top moulded with an elaborate gilt-edged foliate scroll, the enamel dial with Arabic numerals in black and Roman numerals in blue, 45cm high, crossed swords mark and dot in underglaze-blue and painter’s numeral 17. in purple to both (some restoration) (2)

£3,000 - 5,000 €3,300 - 5,500 US$3,700 - 6,200

The model is listed by Kaendler is his work records for July 1766 as an order for the Chevalier de Saxe, in which he notes that it was modelled with great difficulty after a gilt-bronze example: ‘1 Uhrgehäuse, welche für Ihro Excellenz Chevalier de Saxe bestellet, nach einem von Metall gegossenen und im Feuer vergoldeten Modelle aufs mühsamste modelliret. Es ruht solches auf 4 sehr zierlichen Füßen und ist von allen Seiten mit sehr mühsamen französischen Ornamenten versehen, wie auch oben auf dem Gehäuse schöne Schirkel und Laubwerk angebracht, nebst schönen natürlichen Blumen Ranken, und auf der Vorder- und Hinterseite müssen geschliffene Glastüren einpassen und an beiden Seiten ist solches mit schöner durchbrochenener Arbeit versehen, damit man von allen Seiten die Uhr darin kann gehen sehen, welches viele Zeit erfordert hat’.

Johann Georg, Chevalier de Saxe (1704-74), was an illegitimate son of Augustus the Strong and Fürstin 103 Lubomirska.

Another example of this rare clock case model and stand was in the Hermann Emden collection, Hamburg, sold by Rudolph Lepke’s Kunst-Auctions-Haus, Berlin, 3-7 November 1908, lot 600.

104 A MEISSEN FIGURE OF THE MERCHANT’S WIFE, CIRCA 1760, LATER DECORATED Modelled by J.J. Kaendler, seated at a desk with a pen and ink set and an open book, another book on her lap, a basket with bottles and various other items at her feet, the base moulded with gilt-edged scrollwork and applied with leaves, 16.5cm high, crossed swords mark in underglaze-blue (partially ground-down) (some restoration)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

Provenance Private collection, Italy

The model is based on the etching ‘L’oeconome’ by 104 Jacques-Philippe Le Bas, after the painting by Jean Siméon Chardin.

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 105 A RARE MEISSEN TURQUOISE-GROUND BARREL ON A FIGURAL STAND, CIRCA 1735-40 The barrel reserved with moulded, gilt-edged staves, the ground colour reserved with gilt-edged quatrelobe cartouches painted in polychrome enamels, and puce and iron-red camaieu with Kauffahrtei scenes of merchants and their wares by a quayside around the square aperture at the top, each end painted with a large circular polychrome scene within a band of gilt scrollwork, the front with a small aperture mounted with a gilt-metal tap with dolphin spout and finial, the rims edged in gilding and green, respectively, the tripod stand modelled by J.J. Kaendler of three gilt-edged scroll feet, each applied with a classical figure, the front moulded with a gilt-edged cartouche painted with a chinoiserie scene, the sides with larger chinoiserie vignettes, 30.2cm high overall, crossed swords marks in underglaze-blue (some damage and old restoration to figures on stand) (3)

£4,000 - 6,000 €4,400 - 6,600 US$5,000 - 7,400

Provenance Private collection, Italy

The stand is mentioned in Kaendler’s work notes 105 (Arbeitsberichte) of August 1735: ‘starkck verzierten Unterlage zum Coffe Fäßgen ... Selbige ruhe auf 3 Sauber gearbeiteten Schnirckeln, da auf jeder eine Fügur sitzet als Weibes und ein Manns Bild auf der Vorder Seite ist ein zierliches Schild befindl’ [elaborately decorated stand for the coffee barrel ... it rests on three cleanly finished scrolls, on each of which sits a figure of a woman and one man on the front side there is a delicate shield] (quoted in U. Pietsch, Schwanenservice (2000), p. 231, where a similar example with a yellow- ground barrel and the arms of Count Brühl on the stand is illustrated). The barrel most likely was used for a liquor to accompany the coffee.

106 A RARE MEISSEN FIGURE OF PEASANT ON HORSEBACK, CIRCA 1750 Standing on a naturalistically modelled base with encrusted leaves and flowers, 17cm high, crossed swords mark in underglaze-blue to rear edge of base (restored)

£700 - 900 €770 - 990 106 US$870 - 1,100

107 A MEISSEN FIGURE OF A GIRL FEEDING CHICKENS, CIRCA 1760 On a rococo base picked out in gilding, 11,5cm high, crossed swords mark in underglaze-blue (chips and losses to extremities)

£500 - 700 €550 - 770 US$620 - 870

Provenance Private collection, Italy 107

109

108 109 A VINCENNES BLEU LAPIS-GROUND BUTTER TUB A VINCENNES BLEU LAPIS-GROUND SUGAR BOX AND COVER AND COVER, CIRCA 1755 (POT À SUCRE À LA REINE), CIRCA 1755 Each reserved with a panel painted with a bird in flight within a gilt Each reserved with two shaped panels painted with two birds in flight trellis and floral border, gilt dentil borders to the rims, 10.6cm across, enclosed by gilt trellis and floral cartouches, gilt dentil borders to the interlaced LL monogram and letters A and y in blue (one lug restored, rims, the handle embellished with gilt stripes, 10.1cm high (2) haircrack to cover) (2) £2,000 - 3,000 £2,000 - 3,000 €2,200 - 3,300 €2,200 - 3,300 US$2,500 - 3,700 US$2,500 - 3,700 Provenance Provenance Private collection, U.K. Private collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 110 A VINCENNES BLEU LAPIS-GROUND TEAPOT AND COVER (THÉIÈRE ‘CALABRE’), CIRCA 1755 Of the first size, each side reserved with a panel painted with two birds in flight, one holding a branch, within a gilt cartouche of foliate scrollwork and flowers, the cover similarly decorated with a single bird in each panel, surmounted by a flower finial, the spout with a bird in flight, gilt dentil borders to the rim and spout, the handle embellished in gilding, 12.3cm high, indistinct traces of marks in blue (2)

£6,000 - 8,000 €6,600 - 8,800 US$7,400 - 9,900

Provenance Private collection, U.K.

111 112 113 A VINCENNES BLEU LAPIS-GROUND A SÈVRES BLEU LAPIS-GROUND A VERY RARE SÈVRES PINK-GROUND TWO-HANDLED TOILET POT, COVER TWO-HANDLED TOILET POT, CUP, CIRCA 1759, AND STAND (TASSE À TOILETTE ET COVER AND STAND, CIRCA 1756 MOUNTED IN THE 19TH CENTURY SOUCOUPE), CIRCA 1754 Each with two reserves painted by Mutel in Probably painted by Louis-Denis Armand Each reserved with panels painted in polychrome enamels with two birds each (l’aîné), the pink ground reserved with peacock polychrome enamels with a bird holding a on the stand and pot, one holding a branch, feathers heightened in gilding issuing from two branch with berries, within a gilt cartouche of and a single bird holding a branch on each green undulating bands edged with gilt dentil reeds and flowers, gilt dentil borders to the cover panel, within gilt cartouches of reeds borders, mounted with a foot, handles and a rims, the stand with another bird in the centre, and flowers, gilt dentil borders to the rims, the pierced collar, 12.4cm high (handle missing the cover with a gilt branch finial with foliate scroll handles and branch finial embellished in and section restuck) terminals, the scroll handles embellished in gilding, the stand: 12.7cm across, interlaced gilding, the stand: 12.5cm across, interlaced LL monograms, four dots, date letter C and £3,000 - 4,000 LL monograms in blue, with date letter A painter’s mark in blue, incised 3 to saucer and €3,300 - 4,400 and unidentified painter’s mark on the stand, indistinct marks to pot (BI?) (3) US$3,700 - 5,000 incised 4 to cup and stand (3) £3,000 - 5,000 Provenance £3,000 - 5,000 €3,300 - 5,500 With Thomas Goode & Sons? (paper label €3,300 - 5,500 US$3,700 - 6,200 to underside) US$3,700 - 6,200

Provenance Only one other piece with this type of Provenance Private collection, U.K. decoration is currently known: a teapot with Private collection, U.K. date letter F for 1759 in the collection of the Mutel is recorded as a painter of birds, Bowes Museum, Castle Barnard. Another A similar toilet pot, cover and stand decorated landscapes and edgings between 1754-59, cup and saucer with the same decoration with gilt flowers within the cartouches is in the 1765-67 and 1771-74. was in the collection of J.E. Nightingale, sold British Museum (A. Dawson, French Porcelain Christie’s London, 7-8 December 1911, lot (1994), no. 72). 114 (not illustrated).

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 113 114

114 A SÈVRES GREEN-GROUND CUP AND A MATCHED SAUCER, CIRCA 1759 AND 1762 Each painted by François-Joseph Aloncle with a bird in a landscape vignette, within gilt scrollwork and floral cartouches, gilt dentil borders to the rims, interlaced LL monograms enclosing date letters F (cup) and I (saucer) and painter’s mark N in blue, incised marks (2)

£600 - 800 €660 - 880 US$740 - 990

115 A SÈVRES GREEN GROUND PLATE, CIRCA 1760-70 Decorated with a bouquet of flowers including tulips, hydrangea, corn flowers and hollyhocks, the moulded rim with three cartouches with sprays of flowers including roses, each surrounded with gilt tooled cartouches with oak leaf and palmettes, alternated by festoons of gilt tooled circular flower ornaments, 24.5cm diam., interlaced LL monogram and painters mark G possibly for Weydinger (père)

£1,200 - 1,800 €1,300 - 2,000 115 US$1,500 - 2,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 79 116 A SÈVRES GREEN-GROUND PLATE, CIRCA 1768 Painted by Jean-Jacques Pierre (le jeune) with a flower spray in the centre and three flower panels around the rim, within gilt floral and foliate cartouches alternating with moulded, gilt-edged scrolls hung with gilt flower swags on the green ground, 24.9cm diam., interlaced LL monogram enclosing date letter P and painter’s mark p in blue

£1,200 - 1,800 €1,300 - 2,000 US$1,500 - 2,200

116

117 A SÈVRES GREEN-GROUND PLATE, CIRCA 1768 Painted by Jacques-François Micaud (père) with a flower spray in the centre, the moulded with gilt- edged scrolls embellished with gilt flower swags, alternating with flower panels within gilt foliate scrollwork and floral cartouches, 24.9cm, interlaced LL monogram enclosing date letter P and painter’s mark x in blue

£1,200 - 1,800 €1,300 - 2,000 US$1,500 - 2,200

117

118 A SÈVRES CUP AND SAUCER, CIRCA 1781 Gobelet litron et soucoupe of the third size, painted with scattered rose sprays enclosed by bands of berried laurel, the rims with gilt dentil borders, the cup: 6.1cm high, the saucer: 12.4cm diam., interlaced LL monogram enclosing date letter DD in blue, painter’s mark for Jacques Fontaine or Mlle. Fontaine and incised marks (some rubbing to gilt rims) (2)

£600 - 800 €660 - 880 US$740 - 990

118

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 119 A SET OF TWELVE SÈVRES PLATES, CIRCA 1770-71 Each painted with scattered rose sprays in the well, the rim with a border of hexagons made up of blue and pink dotted circles enclosing stylised flower heads, reserved with three gilt-edged panels with a rose spray, the rims gilt, 24cm diam., interlaced LL monograms enclosing date letters R and S, various painters’ marks for Nicolas Catrice, Claude Couturier, E.-F. Bouillat (père) and J.-J. Pierre (le jeune), one plate dated oo for 1791 and painter’s mark for Mme Descoins, incised marks (one with rim chip) (12)

£3,000 - 4,000 €3,300 - 4,400 US$3,700 - 5,000

Two plates with the same decoration were sold in these rooms, 2 July 2019, lot 227. The decoration described as ‘roses et mosaïque’ is stylistically very similar but has a slightly different border pattern. A plate from a ‘roses et mosaïque’ service, probably for the Comte d’Artois from 1775, was in the Charles-Otto Zieseniss Collection, sold Christie’s Paris, 5-6 December 2001, lot 147.

119

120 A SÈVRES BLEU CÉLESTE-GROUND CUP AND SAUCER (GOBELET ‘LITRON’ ET SOUCOUPE), CIRCA 1764 Of the first size, each reserved with a gilt-edged panel painted with flowers in a vase and a basket, respectively, on a ledge with fruit, enclosed by a gilt zig-zag border entwined with trailing flowers, gilt-edged rims, the handle embellished in gilding, the cup: 7.4cm high; the saucer: 14.5cm diam., interlaced LL monograms enclosing date letter L in blue, incised marks (2)

£1,500 - 2,000 €1,700 - 2,200 US$1,900 - 2,500

120

121 A PAIR OF SÈVRES HARD-PASTE PORCELAIN OVAL DISHES, CIRCA 1785 Compotier ovale, the wells decorated with floral sprays in green enamel and gilding surrounded by gilt and blue line border, the rims with green and gilt dots and dashes between thin blue-edged bands of gilt dashes heightened in puce and green, gilt dentil rims, 27.5cm long, interlaced LL marks in blue, gilder’s marks for the Weydinger family, incised marks (very minor rubbing to rims) (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

A service with the same decoration is in the Royal Collection, illustrated in Geoffrey de Bellaigue, French Porcelain in the Collection of Her Majesty the Queen, vol. II (2009), no. 175.

122 A SÈVRES GREEN-GROUND CREAM JUG (POT À CRÉME ‘ETRUSQUE TRÈFLE’), CIRCA 1826 Decorated in gilding with a band of dots with pendent leaves and grapes and further stylised foliate and floral bands, handle gilt, gilt-edged rim, 10.8cm high, stencilled mark of interlace LL enclosing fleur-de-lys above Sevres/ 26, inscribed in green 20 8bre. 11(?) and in gilding A.26., incised marks

£600 - 800 €660 - 880 US$740 - 990

122

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 123

123 A PAIR OF SÈVRES YELLOW-GROUND PLATES FROM A SERVICE GIVEN BY NAPOLEON I TO THE COMTE DE SÉGUR, DATED 1805 Each reserved with a central gilt-edged circular panel enclosing a large flower spray, the rim with a gilt foliate border with iron-red flowers, 23.5cm diam., M.Imp.le/ de Sevres/arrowhead stencilled in iron-red, incised arrowhead and further incised marks and letters (minor stacking wear) (2)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

The service was given by Napoleon I on 30 June 1806 to Louis Philippe de Ségur, Grand Master of Ceremonies, on the occasion of the marriage of Princess Stéphanie de Beauharnais to Karl, Prince of Baden, later Grand Duke of Baden; see Camille Le Prince, Napoléon Ier & la Manufacture de Sèvres (2016), no.73, p. 261. The service included 72 plates and cost in total 2,254 francs.

124 A SÈVRES HARD-PASTE REVOLUTIONARY CUP AND A MATCHED PARIS PORCELAIN SAUCER, CIRCA 1795 Decorated with a brown mottled ground in imitation of porphyry, reserved on each side with a gilt- edged panel depicting trophies emblematic of the Revolution, the Paris porcelain saucer decorated to match, the cup: 6.7cm high, Sevres RF mark in brown, painter’s mark for J.-F. Desnoyers-Chaponet l’aîné and gilder’s mark for Henri-Martin Prévost, 124 impressed A.M and incised mark (small restored rim chip) (2)

£600 - 800 €660 - 880 US$740 - 990

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 83 125 A CHANTILLY WHITE FIGURE OF A BOY, CIRCA 1750 Scantily clad, holding his robes up at the front, on a canted square base with a tree-stump support at the rear, 30.3cm high (head restuck, flat chip to edge of robe)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

A comparable large white figure of a seated naked boy is illustrated by G. Le Duc, Porcelaine tendre de Chantilly au XVIIIe siècle (1996), p. 182.

126 A VERY RARE LOOSEDRECHT EWER, CIRCA 1778-84 Each side painted with a large landscape vignette depicting figures and buildings on a riverbank with distant ships, the moulded strap down the front and back and the handle edged with foliage and embellished in gilding, the rim moulded with gilt-edged foliate scrolls, the footrim with a gilt band, 25.1cm high, M: oL: in underglaze-blue (tip of spout and bottom section of handle restuck)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

Two other ewers of the same shape are in the Rijksmuseum, 125 Amsterdam, one with a similar but smaller landscape decoration (BK-14562-X).

127 A VIENNA TÊTE-À-TÊTE, CIRCA 1770 Each decorated with a landscape vignette of birds perched on branched within a gilt rococo foliate scrollwork cartouche hung by a purple ribbon tied in a bow at the rim against a border of finely-tooled gilt floral swags, painted with further scattered polychrome flowers, the pierced rims moulded with swags and embellished in turquoise and with a pattern of gilt lines, gilt scrollwork borders inside rims of cups and pots, flower finials to the covers, entwined handles, comprising: a coffee pot and cover, a milk jug and cover, two cups and saucers, a small oval basket with pierced rim, and a rectangular tray with pierced rim, the tray: 34cm across, shield marks in blue and underglaze-blue, incised marks, impressed numerals (one corner of tray restuck, flat chip to rim of coffee pot) (10)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance W.F.B. Massey-Mainwaring Collection, London, until 1899; With R.W. Partridge, London, 1899; Private Collection, Italy

Literature Catalogue of the Historic and Unique Collection of old Dresden Porcelain, R.W. Partridge, London 1899, nos. 1256-1261 (illustrated)

Exhibited South Kensington and Bethnal Green Museums, 1874-1899

126

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 127

128 AN ANSBACH PORCELAIN PORTRAIT CUP AND SAUCER, CIRCA 1780 The cup decorated with a silhouette portrait of Margravine Friederike Caroline flanked by trophies, the saucer with musical trophies, the rims with a gilt border, together with the book ‘Ansbacher Porzellan’ (1959) by A. Bayer, A in underglaze-blue (2)

£700 - 900 €770 - 990 US$870 - 1,100

Provenance Dutch Private Collection

The silhouette portrait is very similar to the one on a plaque illustrated in A. Bayer, Ansbacher Porzellan (1959), p. 118, fig. 97, and depicts the same person, Friederike Caroline von Sachsen-Coburg- 128 Saalfeld, Margravine of Brandenburg-Ansbach and Bayreuth (1735-1791).

129

129 131 A CAPODIMONTE CHARGER, A PAIR OF COZZI ARMORIAL TEA Another pair of teabowls and saucers from the CIRCA 1755 BOWLS AND SAUCERS, same service was sold by Christie’s London. Painted with a landscape scene in the well CIRCA 1760-1770 1 December 1969. lot 33. depicting a gentleman dancing watched Decorated with a large coat of arms within a by a lady and a seated violinist, flanked by purple rococo cartouche surmounted by a These cups were undoubtedly part of a larger bushes, trees and pots on a pedestal, with crown, surrounded by sprigs of gilt flowers tea and coffee service made for the Venenian broken classical architectural fragments in the under a band of interlacing circles, the interior Princely family Giovanelli. In fact, Giovanelli foreground, gilt scrollwork border to the rim, of the cups with scattered gilt sprigs, red features in the archival lists of the Cozzi 32.7cm diam., fleur-de-lys mark in blue anchor mark on all pieces (minimal rubbing factory and is mentioned as ‘Giovanelli NH. (flat rim chips) to gilding) (4) Messer Benedetto Procurator’ (op.cit. Ansaldi, pp. 262). Although it is unclear if this reference stems from the order of this particular service, £3,000 - 5,000 £3,000 - 5,000 it at least establishes a direct link between €3,300 - 5,500 €3,300 - 5,500 maker and recipient. US$3,700 - 6,200 US$3,700 - 6,200

The Palazzo Foscarini Giovanelli exists to this 130 Provenance day and is now a hotel. Built in the mid-1500s A CAPODIMONTE OR BUEN RETIRO Private collection, Italy according to the will of the Coccina family, WHITE FIGURE OF A BOY ON A GOAT, jewellery dealers, in 1581 it is sold to the CIRCA 1760 See F. Stazzi, Le porcellane veneziane di Florentine family of Luca Antonio Giunta and Seated on the recumbent animal, wearing Gemniniano e Vincenzo Cozzi (1981), p.205, later, following the wedding between Lucrezia a woollen sleeveless coat over a shirt and plate XI for two comparable teabows and and Bianca Giusta and siblings Nicolò and breeches with a satchel slung over his left saucers in a Venetian private collection, four Renier Foscarini, is inherited by the Foscarini, shoulder, the rocky base applied with flowers others with handles are in the Cà Rezzonico. another Venetian noble family. In 1755 the and leaves, 16.5cm high (object in right hand These are again discussed by Marcella palace was granted to the Giovanelli, a family broken off) Ansaldi in the catalogue accompanying the originally from Bergamo. Cozzi exhibition in the Cà Rezzonico in 2016, ‘Geminiano Cozzi e le sue Porcellane’, pp. 261ff. £500 - 600

€550 - 660 US$620 - 740

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 131

132 A PAIR OF LE NOVE PORCELAIN SMALL LEAF-SHAPED DISHES, CIRCA 1760 Each with a branch handle with leaf terminal, painted with a butterfly and flower sprigs, 13cm long (2)

£600 - 800 €660 - 880 US$740 - 990

132 Provenance Anon. sale, Christie’s London, 2 December 1974, lot 46; Private collection, Italy

133 A DOCCIA PLATE, CIRCA 1750 Decorated a stampino or a stampa, with sprays of flowers in underglaze-blue, the brown-edged rim with a flower garland border, 23cm diam. (minuscule restored rim chip)

£600 - 800 €660 - 880 US$740 - 990

Provenance Private Collection, Italy

133

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 87 134 SEVEN DOCCIA TOPOGRAPHICAL PLATES AND DISHES, CIRCA 1790 Each painted in the centre with a circular topographical view, titled on the reverse, within gilt line borders and a dentil border to the rims, comprising: four plates (‘S: Gior:o in Vela:o’, ‘Castel dell’Uovo’, ‘En:a del Po:o a Roma’, ‘Su la Via Appia’)’; two soup plates (‘Ar:o di Galieno’, ‘S: Gaetano’); and a circular dish (untitled), the dish: 32.5cm diam.; the soup plates: 24.5cm diam.; the plates: 21.3cm diam., some with incised marks (some with wear to gilt borders, one plate with haircrack to rim) (7)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

134

135 A PAIR OF DOCCIA PLATES, CIRCA 1780 Each painted with a floral ‘N’ in the centre within a gilt foliate border around the well, the rim with a border of gilt ovals enclosing blue dots, 24.1cm diam. (21)

£600 - 800 €660 - 880 US$740 - 990

Provenance Private collection, Italy

136 A PAIR OF DOCCIA MINIATURE VASES ON PEDESTALS AND A SMALL DOCCIA FIGURE OF A GIRL, CIRCA 1790-1800 Each vase modelled with two applied masks below the terminals of the handles, decorated with sprays of flowers and placed on square rococo bases, the 135 girl holding a lyre ornamented with a female mask, dressed in a yellow bodice and flowered skirt, the vases: 11.5cm high, the figure:10cm high, (handle of one vase restored) (3)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

Provenance The Property of a Gentleman, sold Sotheby & Co., London, 9 October 1973, lot 179 (the vases); Private collection, Italy

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 136

137 A DOCCIA ICE-CUP, COVER AND SAUCER, CIRCA 1775, TOGETHER WITH A DOCCIA BLUE-GROUND PLATE, EARLY 19TH CENTURY The first painted in puce monochrome with landscape vignettes, the saucer and cover with gilt borders to the rims of ovals enclosing blue dots, the cup rim and handle edged in gilding; together with a Doccia blue-ground plate, early 19th century, painted in puce monochrome with a landscape vignette in the centre depicting Diana with her hounds, a stylised gilt foliate border around the well, the rim moulded with gilt-edged scrolls enclosing three reserves painted in puce with fruit swags, the plate: 24.3cm diam. (4)

£600 - 800 €660 - 880 US$740 - 990

Provenance Private collection, Italy

138 A DOCCIA TOPOGRAPHICAL PLATE, EARLY 19TH CENTURY The cavetto decorated with a view of the Villa Strozzi with its elaborate 137 (part) cascading gardens, two monks and a man on horseback in the foreground, all under a formal gilt border with elements of accanthus leaves, the reverse inscribed in gilt script ‘Villa Strozzi sulla strada di Monte Ughi’, 23.5cm diam, star in gilding

£600 - 800 €660 - 880 US$740 - 990

Provenance Private collection, Italy

The Villa Strozzi, just outside of Florence, is surrounded by the Boschetto Gardens. The Villa and gardens were designed in the mid- 16th century for Giovan Battista Strozzi, the park reflects his desire to expand the Cafaggio forest, for which he also acquired a number of the neighbouring properties. His residence was built inside the park featuring a large garden, water ‘games’ and decorative woodland elements.

After the Second World War the park and villa were purchased by the City of Florence and transformed into a public park named the Garden of Villa Strozzi or the Boschetto Gardens.

138 For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 89 139 * A VERY LARGE FRAMED BERLIN (KPM) PLAQUE, LATE 19TH CENTURY Superbly painted by Ehrhardt after Gerrit Dou, signed lower right, in an elaborate pierced giltwood foliate scrollwork frame, the plaque: 48.4cm by 40cm; the frame: 71cm by 61cm, impressed sceptre mark, KPM and numeral, incised ‘18 1/2 - 15 1/2’, incised x

£8,000 - 12,000 €8,800 - 13,000 US$9,900 - 15,000

After the self-portrait of 1647 by Gerrit Dou, The Painter in his Workshop, in the Staatliche Kunstsammlungen Dresden, Gemäldegalerie Alte Meister.

139

140 A MEISSEN GROUP OF A CHILD AND A DOG (“DIE SANFTHEIT DER KINDHEIT”), SECOND HALF 19TH CENTURY19TH CENTURY After the model of 1774 by M.V. Acier, depictig a dog leaping up to a baby reclining on a bed with floral-patterned sheets, a gilt rattle in a blue ribbon to one side, on a canted rectangular rockwork base moulded with a formal border, 20.5cm across; 18cm high, crossed swords mark in underglaze-blue, incised model number E.77 (minor restoration to baby’s feet)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

See T.H. Clarke, Meissen Marcolini Figures Engraved by Friedrich Elsasser 1785-1792, in Mitteilungsblatt 140 der Keramikfreunde der Schweiz (103) 1988, no. 67.

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 141 A BERLIN (KPM) PLAQUE DEPICTING THE RAPE OF THE DAUGHTERS OF LEUCIPPUS, MID 19TH CENTURY Depicting a classical figural scene after Rubens, signed and dated Original Copie F.Sturm, Munchen 60, mounted within a contemporary Florentine gilt wood frame, the plaque: 33cm by 39cm, impressed KPM and sceptre mark

£1,800 - 2,200 €2,000 - 2,400 US$2,200 - 2,700

141

142 A SÈVRES-STYLE TURQUOISE-BLUE- GROUND BOTTLE COOLER, THE PORCELAIN PROBABLY SÈVRES, DECORATED IN THE 19TH CENTURY Each side reserved with a shaped panel enclosed by a gilt cartouche of trellis panels and gilt floral scrollwork, one side painted with three putti on clouds, the reverse with a spray of flowers and fruit, the scroll handles embellished in gilding, 19.3cm high, pseudo-Sèvres interlaced LL monogram enclosing F, and G in blue, incised mark

£600 - 800 €660 - 880 US$740 - 990

142

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 91 143 A MEISSEN GROUP OF THE CAPTURE OF THE TRITONS, LATE 19TH CENTURY Originally modelled by J.J. Kaendler and re-worked by E.A. Leuteritz, depicting Venus and her assistant partially dressed in draperies hauling in a fishing net containing a boy Triton and various fish, Cupid assisting with the catch, on a rockwork base with reeds, shells, a frog and a lobster, 33cm high, crossed swords mark in underglaze-blue with one cancellation mark, incised model number C. 35, impressed numeral and painter’s numeral (firing cracks to base, some chips and minor losses)

£600 - 800 €660 - 880 US$740 - 990

144 A LARGE MEISSEN FIGURAL BASKET CENTREPIECE, LATE 19TH CENTURY Modelled by Ernst August Leuteritz, with an elegantly clad young man pursuing a lady with flowers in her apron and a flower swag over her shoulder around a trunk applied with flowering branches and issuing reeds at the top, surmounted by a pierced, gilt-edged oval basket applied with 143 flowering branches, the high base moulded with scrollwork heightened in puce, turquoise and gilding, 50cm high, crossed swords mark and one incised cancellation mark, incised model number 2772, painter’s number 6. in red, two impressed numerals (some chips and restoration)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

145 A MEISSEN GROUP OF JUPITER IN HIS CHARIOT, 19TH CENTURY Modelled by J.J. Kaendler, the crowned god draped in a purple cloak, leaning on his chariot raising a thunderbolt, his chariot pulled by two eagles, flanked by a putto holding the astrological symbol for Jupiter, all raised on a bed of clouds mounted on an ornamental neo-classical base, made in two parts, held together with original bolts, 54cm wide, crossed swords mark in underglaze-blue and incised model number No. 29 to both parts (minimal chips, one wing broken off)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700

Provenance Private European Collection

144

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. This group was first modeled in part by Kaendler and in part by Acier, as part of an elaborate gift for Czarina Catherine II, the so-called ‘Great Russian Order’, of porcelain made for the Russian court. It was intended for decoration of the Katalnaya Gorka or ‘Sliding Hill’ pavilion near Oranienbaum Palace outside of Saint Petersburg. They were modelled by Johann Joachim Kaendler and based on the five planets known at the time, Mercury, Venus, Mars, Jupiter and Saturn, as well as the sun and the moon, which were also called planets. For a discussion of this gift and an image of the large figure, formerly Lomonosov, Pavilion near sliding hill see: U. Pietsch (ed.), Meissen for the Czars (2004), cat. ill. 26, p. 104.

Pietsch mentions (op.cit. p. 103) that Kaendler’s inspiration for the original designs of this series may be found in the Gründliches Mythologisches Lexicon (Leipzig, 1724). The original print source for these large-scale mythological groups however can more likely be found in the series of ‘Seven Planets’ which were published widely in Europe in the second half of the 16th century. They could very well be based on works by the same title published around 1600 by the Dutch engraver Crispijn (van de) Passe the Elder (1564-1637), or indeed the ‘Planetarium - 145 Effectus et Eorum in Signis Zodiac’ by engraver Johannes Sadeler published in Antwerp in 1558, which both show Mars in his chariot flanked by his zodiac sign. Both engravers based their prints on works of Maarten de Vos. Interestingly, Anthony Griffith, The Print Before Photography (2016), notes that of the 1600 prints made after Maarten de Vos, only two were derived from paintings, the majority having been supplied directly to an engraver.

The large figure group showing Mars from the same series was sold in these rooms, 5 July 2018, lot 231.

146 A LARGE MEISSEN FIGURAL BASKET CENTREPIECE AND MATCHED STAND, LATE 19TH CENTURY Modelled by Ernst August Leuteritz, with eight putti emblematic of the seasons on a rockwork base modelled with gilt-, puce- and green-edged scrollwork, around a scroll-moulded shaft with two oval panels painted with flowers and applied with flowering branches, surmounted by a pierced oval two-handled basket applied with flowering branches to the exterior and painted with four gilt cartouches enclosing flower sprays against a turquoise rope- twist pattern to the interior, the similarly decorated base on four scroll feet, painted with scattered flowers, 52cm high, crossed swords marks in underglaze-blue, incised model number 605 to base and No. 2772 to base, the base with painter’s number 22. in green (restoration to stand, base of centrepiece and some extremities, typical chips and losses) (2)

£2,000 - 3,000 €2,200 - 3,300 US$2,500 - 3,700 146

147 TWO MEISSEN GROUPS OF PUTTI EMBLEMATIC OF THE SEASONS, 19TH CENTURY Each modelled in the round, one depicting Winter wearing a fur-lined cloak with his hands held over a brazier and Spring with a basket of flowers around the neck holding flowers in each hand, the other with Summer sitting on wheat sheafs with a bird perched on one hand and Autumn feeding a bunch of grapes to a goat, on rockwork bases moulded with rocailles, 25.5cm high, crossed swords marks in underglaze-blue, incised model numbers 1239 and 1230, painters’ numbers and impressed numerals (minor chips and some restoration) (2)

£700 - 900 €770 - 990 US$870 - 1,100

148 A LARGE MEISSEN MUSICAL GROUP, LATE 19TH CENTURY After the 18th century model by M.V. Acier, modelled in the round with various figures playing instruments, on a rockwork base moulded with scrollwork heightened in gilding, 37.5cm high, crossed swords mark in underglaze-blue, incised model number C.59, (some restoration)

£1,000 - 1,500 148 €1,100 - 1,700 US$1,200 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 149

149 TWO MEISSEN CIRCULAR GROUPS OF CHILDREN, 19TH CENTURY One after the model by M.V. Acier depicting five children playing various instruments or singing, the other with five children with dogs and sheep, both on rockwork, the bases moulded with classical gilt friezes, 17.5cm high, crossed swords marks in underglaze-blue, incised model numbers B.24 and G.13, painter’s numerals and impressed numerals (minor restoration, some chips and small losses) (2)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

150 A LARGE MEISSEN MUSICAL GROUP, LATE 19TH CENTURY After the 18th century model by M.V. Acier, modelled in the round with various figures playing instruments, on a rockwork base moulded with scrollwork heightened in gilding, 37.5cm high, crossed swords mark in blue with faint incised cancellation mark (one or two), incised model number C.59 (some restoration, firing cracks to underside of base)

£1,000 - 1,500 €1,100 - 1,700 US$1,200 - 1,900

150

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE EUROPEAN CERAMICS | 95 151 A PAIR OF MEISSEN LARGE FIGURAL CANDELABRA, LATE 19TH CENTURY Modelled by Ernst August Leuteritz after J.J. Kaendler, depcting a lady playing the recorder and a gentleman the bagpipes, a recumbent sheep and dog at their feet, respectively, on scrollwork 151 bases embellished in puce, turquoise and gilding, with a tree at the rear terminating in a sconce and a removable four-arm candelabrum with applied flowers and foliate sconces and drip-trays, 51.5cm high, crossed swords marks in underglaze-blue with one and two incised cancellation marks, respectively, incised model numbers F.155 and F.156, impressed numerals, painter’s numeral 12. to both (some losses and damage) (4)

£700 - 900 €770 - 990 US$870 - 1,100

152 A PAIR OF MEISSEN LARGE FIGURAL CANDLESTICKS, LAST QUARTER 19TH CENTURY Modelled by Ernst August Leuteritz, depicting a gentleman holding a basket of fruit on his left arm and a fruit in the right hand, a leaping dog and his tricorn at his feet, the lady holding fruit gathered in her apron, a recumbent sheep at her feet, on gilt-edged, turquoise and puce scrollwork bases with a fruiting tree at the rear surmounted by a foliate sconce and drip-tray, 36cm high, crossed swords marks in underglaze-blue, incised model numbers F.132 and F.131, impressed numerals, painter’s number 32 in red (minor restoration, some losses) (2)

152 £800 - 1,200 €880 - 1,300 US$990 - 1,500

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 153

153 A PAIR OF MEISSEN FIGURES OF NODDING PAGODAS, CIRCA 1966 The seated corpulent male and female figures with nodding heads, tongues and hands, wearing matching yellow-lined costumes decorated with indianische Blumen over a gilt trellis-pattern, with jewelled belts, gilt-edged ruff collars and pink shoes, the female figure with her hair in a topknot, 15cm and 15.5cm high, crossed swords marks in underglaze-blue at rear and inside necks, incised 153 (male) and 154 (female), impressed 91 and date code of a dot (female) (2)

£5,000 - 7,000 €5,500 - 7,700 US$6,200 - 8,700

Purchased by the current owners at Thomas Goode, London, in 1967.

154 A MEISSEN NODDING PAGODA, CIRCA 1860-80 After the 18th century model by J.J. Kaendler, sitting cross-legged and wearing belted robes decorated with indianische Blumen, with articulated head, tongue and hands, 14.5cm high, crossed swords mark in underglaze-blue, incised model number 153 and impressed numeral

£2,000 - 3,000 154 €2,200 - 3,300 US$2,500 - 3,700

Another example is illustrated in S. and T. Bergmann, Meissen Figures - Model numbers 1-3000 (2017), no. 1620.

155 A MEISSEN COMPOSITE PART DINNER SERVICE, 19TH CENTURY Painted with scattered flower sprigs, comprising: eight soup plates, nine small side plates, fourteen dessert plates, eight deep dinner plates, a sauceboat on a fixed stand, one deep square bowl, one circular tureen and cover, two circular dishes, one large oval dish and one very large oval dish, the tureen: 34cm across handles, crossed swords marks in underglaze-blue, impressed numerals (sauceboat handle with crack) (47)

£800 - 1,200 €880 - 1,300 US$990 - 1,500

156 A LARGE MEISSEN MUSICAL GROUP, LATE 19TH CENTURY After the 18th century model by M.V. Acier, modelled in the round with various figures playing instruments, on a rockwork base moulded with scrollwork heightened in gilding, 37.5cm high, crossed swords mark and two incised cancellation marks, incised model number C.59 (restored)

£800 - 1,200 €880 - 1,300 156 US$990 - 1,500

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 157

157 A VERY LARGE GERMAN PORCELAIN MODEL OF A BOLOGNESE HOUND, LATE 19TH/EARLY 20TH CENTURY After the 18th-century Meissen model, naturalistically modelled and coloured, 36cm high

£200 - 300 €220 - 330 US$250 - 370

158 A RUSSIAN BISCUIT PORCELAIN GROUP OF TWO MEN, MOSCOW, GARDNER’S FACTORY, LATE 19TH CENTURY Decorated in enamel colours, the bearded figures wearing hats and pale-grey and black coats, respectively, on a rectangular base, 21.7cm high red-printed and impressed marks

£800 - 1,200 €880 - 1,300 US$990 - 1,500 158

ENQUIRIES A VERY RARE PAIR OF MEISSEN +44 (0) 20 7468 8384 TORTOISE BOXES, CIRCA 1728 [email protected] £25,000 - 35,000 * bonhams.com/ceramics

Prices shown include buyer’s premium. Details can be found at bonhams.com

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We will not be responsible renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details. Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale. are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids 3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed. colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet. the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device. only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full

NTB/MAIN/V1/3.2020 details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’ concerning your principal and their source of funds, and the in force on the date of the Sale. reputation. warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor * Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue. bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099 the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate [email protected] at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www. Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/ Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20 Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission 6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot. BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations. the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from: Appendix 2 at the back of the Catalogue. Please read the terms of the Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc Licensing Catalogue in case you are the successful Bidder including the Address: PO Box 4RY Floor 1, Zone 17, Temple Quay House warranties as to your status and source of funds. We may change the 250 Regent Street 2 The Square, Temple Quay terms of either or both of these agreements in advance of their being London W1A 4RY BRISTOL BS1 6EB entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited Tel: +44 (0) 117 372 8774 placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009 The refusal of any CITES licence or permit and any delay in obtaining and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27 such licences or permits shall not give rise to the rescission or responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009 cancellation of any Sale, nor allow any delay in making full payment Buyer’s Agreement for this Sale. for the Lot. 7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the 14. THE SELLERS AND/OR BONHAMS’ LIABILITY THE BUYER deduction of any bank fees and/or conversion of the currency of Other than any liability of the Seller to the Buyer of a Lot under the Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount Contract for Sale, neither we nor the Seller are liable (whether in payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice. negligence or otherwise) for any error or misdescription or omission Agreement and at rates set out below, calculated by reference to the in any Description of a Lot or any Estimate in respect of it, whether Hammer Price and payable in addition to it. Payment may also be made by one of the following methods: contained in the Catalogue or otherwise, whether given orally or in

writing and whether given before or during the Sale. Neither we nor the For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or Seller will be liable for any loss of Business, profits, revenue or income, Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect or for loss of reputation, or for disruption to Business or wasted time on your purchases and should be made payable to Bonhams 1793 the part of management or staff, or for indirect losses or consequential 27.5% up to £2,500 of the Hammer Price Limited. damages of any kind, irrespective in any case of the nature, volume or 25% of the Hammer Price above £2,500 and up to £300,000 source of the loss or damage alleged to be suffered, and irrespective 20% of the Hammer Price above £300,000 and up to £3,000,000 Cash: you may pay for Lots purchased by you at this Sale of whether the said loss or damage is caused by or claimed in respect 13.9% of the Hammer Price above £3,000,000 with notes or coins in the currency in which the Sale is conducted of any negligence, other tort, breach of contract (if any) or statutory (but not any other currency) provided that the total amount payable duty, restitutionary claim or otherwise. In any circumstances where Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not we and/or the Seller are liable in relation to any Lot or any Description as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is or Estimate made of any Lot, or the conduct of any Sale in relation catalogue. conducted, at the time when payment is made. If the amount payable to any Lot, whether in damages, for an indemnity or contribution, by you for Lots exceeds that sum, the balance must be paid otherwise or for a restitutionary remedy or otherwise, our and/or the Seller’s The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our liability (combined, if both we and the Seller are liable) will be limited are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account. to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of VAT may also be payable on the Hammer Price of the Lot, where Debit cards issued in the name of the Buyer (including China Union the nature, volume or source of any loss or damage alleged to be indicated by a symbol beside the Lot number. See paragraph 8 below Pay (CUP) cards and debit cards issued by Visa and MasterCard suffered or sum claimed as due, and irrespective of whether the liability for details. There is no limit on payment value if payment is made in person only). arises from any negligence, other tort, breach of contract (if any) or using Chip & Pin verification. statutory duty or otherwise. Nothing set out above will be construed On certain Lots, which will be marked “AR” in the Catalogue and as excluding or restricting (whether directly or indirectly) our liability or which are sold for a Hammer Price of €1,000 or greater (converted into may also be accepted up to £5,000, subject to Payment by telephone excluding or restricting any person’s rights or remedies in respect of (i) the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available fraud, or (ii) death or personal injury caused by our negligence (or by rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that the negligence of any person under our control or for whom we are be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means. legally responsible), or (iii) acts or omissions for which we are liable payment of royalties under the Artists Resale Right Regulations 2006. under the Occupiers Liability Act 1957, or (iv) any other liability to the The Additional Premium will be a percentage of the amount of the Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law Hammer Price calculated in accordance with the table below, and shall Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist not exceed €12,500 (converted into the currency of the Sale using only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same the European Central Bank Reference rate prevailing on the date of person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph the Sale). were substituted with references to the Seller. It may be advisable to notify your debit or credit card provider of your 15. BOOKS Hammer Price Percentage amount intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all From €0 to €50,000 4% seek authority when you come to pay. faults, imperfections and errors of Description save as set out below. From €50,000.01 to €200,000 3% However, you will be entitled to reject a Book in the circumstances set From €200,000.01 to €350,000 1% Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots From €350,000.01 to €500,000 0.5% account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are Exceeding €500,000 0.25% payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium. We reserve the rights to investigate and identify the source of any funds 16. CLOCKS AND WATCHES received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good

NTB/MAIN/V1/3.2020 condition and without defects, repairs or restorations. Most clocks to retain their appearance. Bidders should be aware that Estimates Please see the Contract for Sale printed in this Catalogue. Because and watches have been repaired in the course of their normal lifetime assume that gemstones may have been subjected to such treatments. of the difficulty in determining whether an item of glass has been and may now incorporate parts not original to them. Furthermore, A number of laboratories issue certificates that give more detailed repolished, in our Catalogues reference is only made to visible chips Bonhams makes no representation or warranty that any clock or watch Descriptions of gemstones. However there may not be consensus and cracks. No mention is made of repolishing, severe or otherwise. is in working order. As clocks and watches often contain fine and between different laboratories on the degrees, or types of treatment for 23. VEHICLES complex mechanisms, Bidders should be aware that a general service, any particular gemstone. In the event that Bonhams has been given or The Veteran Car Club of Great Britain change of battery or further repair work, for which the Buyer is solely has obtained certificates for any Lot in the Sale these certificates will be Dating Plates and Certificates responsible, may be necessary. disclosed in the Catalogue. Although, as a matter of policy, Bonhams When mention is made of a Veteran Car Club Dating Plate or Dating 17. FIREARMS – PROOF, CONDITION AND CERTIFICATION endeavours to provide certificates from recognised laboratories for Certificate in this Catalogue, it should be borne in mind that the Veteran Proof of Firearms certain gemstones, it is not feasible to obtain certificates for each Lot. Car Club of Great Britain using the services of Veteran Car Company The term “proof exemption” indicates that a firearm has been examined In the event that no certificate is published in the Catalogue, Bidders Ltd, does from time to time, review cars already dated and, in some at a Proof House, but not proved, as either (a) it was deemed of should assume that the gemstones may have been treated. Neither instances, where fresh evidence becomes available, the review can result interest and not intended for use, or (b) ammunition was not available. Bonhams nor the Seller accepts any liability for contradictions or in an alteration of date. Whilst the Club and Veteran Car Company Ltd In either case, the firearm must be regarded as unsafe to fire unless differing certificates obtained by Buyers on any Lots subsequent to make every effort to ensure accuracy, the date shown on the Dating subsequently proved. Firearms proved for Black Powder should not be the Sale. Plate or Dating Certificate cannot be guaranteed as correct and intending used with smokeless ammunition. Estimated Weights purchasers should make their own enquiries as to the date of the car. The term “Certificate of Unprovability” indicates that a firearm has been If a stone(s) weight appears within the body of the Description in capital 24. WINE examined at a Proof House and is deemed both unsuitable for proof letters, the stone(s) has been unmounted and weighed by Bonhams. Lots which are lying under Bond and those liable to VAT may not be and use. Reproof is required before any such firearm is to be used. If the weight of the stone(s) is stated to be approximate and does not available for immediate collection. Guns Sold as Parts appear in capital letters, the stone(s) has been assessed by us within Examining the wines Barrels of guns sold as parts will only be made available for sleeving its/their settings, and the stated weight is a statement of our opinion It is occasionally possible to provide a pre-Sale tasting for larger and measurements once rendered unserviceable according to the Gun only. This information is given as a guide and Bidders should satisfy parcels (as defined below). This is generally limited to more recent and Barrel Proof Act of 1968 to 1978 and the Rules of Proof. themselves with regard to this information as to its accuracy. everyday drinking wines. Please contact the department for details. Condition of Firearms Signatures It is not our policy to inspect every unopened case. In the case of wines Comment in this Catalogue is restricted, in general, to exceptional 1. A diamond brooch, by Kutchinsky older than 20 years the boxes will usually have been opened and levels condition and to those defects that might affect the immediate safety of When the maker’s name appears in the title, in Bonhams’ opinion the and appearance noted in the Catalogue where necessary. You should a firearm in normal use. An intending Bidder unable to make technical piece is by that maker. make proper allowance for variations in ullage levels and conditions of examinations and assessments is recommended to seek advice from a 2. A diamond brooch, signed Kutchinsky corks, capsules and labels. gunmaker or from a modern firearms specialist. All prospective Bidders Has a signature that, in Bonhams’ opinion, is authentic but may contain Corks and Ullages are advised to consult the ˚ of bore and wall-thickness measurements gemstones that are not original, or the piece may have been altered. Ullage refers to the space between the base of the cork and the wine. posted in the saleroom and available from the department. Bidders 3. A diamond brooch, mounted by Kutchinsky Ullage levels for Bordeaux shaped bottles are only normally noted should note that guns are stripped only where there is a strong Has been created by the jeweller, in Bonhams’ opinion, but using when below the neck and for Burgundy, Alsace, German and Cognac indication of a mechanical malfunction. Stripping is not, otherwise, stones or designs supplied by the client. shaped bottles when greater than 4 centimetres (cm). Acceptable undertaken. Guns intended for use should be stripped and cleaned 20. PHOTOGRAPHS ullage levels increase with age; generally acceptable levels are as beforehand. Hammer guns should have their rebound mechanisms Explanation of Catalogue Terms follows: checked before use. The safety mechanisms of all guns must be tested • “Bill Brandt”: in our opinion a work by the artist. Under 15 years old – into neck or less than 4cm before use. All measurements are approximate. • “Attributed to Bill Brandt”: in our opinion probably a work by the 15 to 30 years old – top shoulder (ts) or up to 5cm Original Gun Specifications Derived from Gunmakers artist, but less certainty to authorship is expressed than in the Over 30 years old – high shoulder (hs) or up to 6cm The Sporting Gun Department endeavours to confirm a gun’s original preceding category. It should be noted that ullages may change between publication specification and date of manufacture with makers who hold their • “Signed and/or titled and/or dated and/or inscribed”: in our opinion of the Catalogue and the Sale and that corks may fail as a result of original records. the signature and/or title and/or date and/or inscription are in the transporting the wine. We will only accept responsibility for Descriptions Licensing Requirements artist’s hand. of condition at the time of publication of the Catalogue and cannot Firearms Act 1968 as amended • “Signed and/or titled and/or dated and/or inscribed in another accept responsibility for any loss resulting from failure of corks either Bonhams is constantly reviewing its procedures and would remind hand”: in our opinion the signature and/or title and/or date and/or before or after this point. you that, in the case of firearms or shotguns subject to certification, inscription have been added by Options to buy parcels to conform with current legislation, Bonhams is required to see, as another hand. A parcel is a number of Lots of identical size of the same wine, bottle appropriate, your original registered firearms dealer’s certificate / shot • The date given is that of the image (negative). Where no further size and Description. The Buyer of any of these Lots has the option gun certificate / firearm certificate / museum firearms licence / Section date is given, this indicates that the photographic print is vintage to accept some or all of the remaining Lots in the parcel at the same 5 authority or import licence (or details of any exemption from which (the term “vintage” may also be included in the Lot Description). A price, although such options will be at the Auctioneer’s sole discretion. you may benefit, for instance Crown servant status) for the firearm(s) vintage photograph is one which was made within approximately Absentee Bidders are, therefore, advised to bid on the first Lot in a you have purchased prior to taking full payment of the amount 5-10 years of the negative. Where a second, later date appears, parcel. shown on your invoice. Should you not already be in possession of this refers to the date of printing. Where the exact printing date is Wines in Bond such an authority or exemption, you are required to initially pay a not known, but understood to be later, “printed later” will appear in Wines lying in Bond are marked Δ. All Lots sold under Bond, and deposit of 95% of the total invoice with the balance of 5% payable on the Lot Description. which the Buyer wishes to remain under Bond, will be invoiced without presentation of your valid certificate or licence showing your authority • Unless otherwise specified, dimensions given are those of the piece VAT or Duty on the Hammer Price. If the Buyer wishes to take the Lot to hold the firearm(s) concerned. of paper on which the image is printed, including any margins. as Duty paid, UK Excise Duty and VAT will be added to the Hammer Please be advised that if a successful Bidder is then unable to produce Some photographs may appear in the Catalogue without margins Price on the invoice. the correct paperwork, the Lot(s) will be reoffered by Bonhams in the illustrated. Buyers must notify Bonhams at the time of the sale whether they wish next appropriate Sale, on standard terms for Sellers, and you will be • All photographs are sold unframed unless stated in the Lot to take their wines under Bond or Duty paid. If a Lot is taken under responsible for any loss incurred by Bonhams on the original Sale to Description. Bond, the Buyer will be responsible for all VAT, Duty, clearance and you. 21. PICTURES other charges that may be payable thereon. In the case of RFD certificates and Section 5 authorities, we wish Explanation of Catalogue Terms Buyers outside the UK must be aware that any forwarding agent to keep an up-to-date copy on file. Please supply us with a Fax or The following terms used in the Catalogue have the following meanings appointed to export their purchases must have a movement certificate photocopy. It would be helpful if you could send us an updated copy but are subject to the general provisions relating to Descriptions for Lots to be released under Bond. whenever your certificate or authority is renewed or changed. contained in the Contract for Sale: Bottling Details and Case Terms Lots marked ‘S1´ and bearing red labels are Section 1 firearms and • “Jacopo Bassano”: in our opinion a work by the artist. When the The following terms used in the Catalogue have the following require a valid British Firearms certificate, RFD Licence or import artist’s forename(s) is not known, a series of asterisks, followed by meanings: licence. the surname of the artist, whether preceded by an initial or not, CB – Château bottled Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and indicates that in our opinion the work is by the artist named; DB – Domaine bottled require a valid British Shotgun certificate, RFD licence or import licence. • “Attributed to Jacopo Bassano”: in our opinion probably a work by EstB – Estate bottled Lots marked ‘S5´ and bearing specially marked red labels are Section the artist but less certainty as to authorship is expressed than in the BB – Bordeaux bottled 5 prohibited firearms and require a valid Section 5 Authority or import preceding category; BE – Belgian bottled licence. • “Studio/Workshop of Jacopo Bassano”: in our opinion a work by FB – French bottled Lots marked with a ‘S58´ and bearing yellow labels are for obsolete an unknown hand in a studio of the artist which may or may not GB – German bottled calibres and no licence is required unless ammunition is held. have been executed under the artist’s direction; OB – Oporto bottled Unmarked Lots require no licence. • “Circle of Jacopo Bassano”: in our opinion a work by a hand closely UK – United Kingdom bottled Please do not hesitate to contact the Modern Sporting Gun associated with a named artist but not necessarily his pupil; owc – original wooden case Department should you have any queries. • “Follower of Jacopo Bassano”: in our opinion a work by a painter iwc – individual wooden case Taxidermy and Related Items working in the artist’s style, contemporary or nearly contemporary, oc – original carton On behalf of the Seller of these articles, Bonhams undertakes to but not necessarily his pupil; SYMBOLS comply fully with Cites and DEFRA regulations. Buyers are advised • “Manner of Jacopo Bassano”: in our opinion a work in the style of THE FOLLOWING SYMBOLS ARE USED TO DENOTE to inform themselves of all such regulations and should expect the the artist and of a later date; Y Subject to CITES regulations when exporting these items outside exportation of items to take some time to arrange. • “After Jacopo Bassano”: in our opinion, a copy of a known work of the EU, see clause 13. 18. FURNITURE the artist; TP Objects displayed with a TP will be located at the Cadogan Upholstered Furniture • “Signed and/or dated and/or inscribed”: in our opinion the signature Tate warehouse and will only be available for collection from this Whilst we take every care in cataloguing furniture which has been and/or date and/or inscription are from the hand of the artist; location. upholstered we offer no Guarantee as to the originality • “Bears a signature and/or date and/or inscription”: in our opinion W Objects displayed with a w will be located in the Bonhams of the wood covered by fabric or upholstery. the signature and/or date and/or inscription have been added by Warehouse and will only be available for collection from this 19. JEWELLERY another hand. location. Gemstones 22. PORCELAIN AND GLASS Δ Wines lying in Bond. Historically many gemstones have been subjected to a variety of Damage and Restoration AR An Additional Premium will be payable to us by the Buyer to treatments to enhance their appearance. Sapphires and rubies are For your guidance, in our Catalogues we attempt to detail, as far cover our Expenses relating to payment of royalties under the routinely heat treated to improve their colour and clarity, similarly as practicable, all significant defects, cracks and restoration. Such Artists Resale Right Regulations 2006. See clause 7 for details. emeralds are frequently treated with oils or resin for the same purpose. practicable Descriptions of damage cannot be definitive, and in ○ The Seller has been guaranteed a minimum price for the Lot, Other treatments such as staining, irradiation or coating may have providing Condition Reports, we cannot Guarantee that there are no either by Bonhams or a third party. This may take the form of an been used on other gemstones. These treatments may be permanent, other defects present which have not been mentioned. Bidders should irrevocable bid by a third party, who may make a financial gain on whilst others may need special care or re-treatment over the years satisfy themselves by inspection, as to the condition of each Lot.

NTB/MAIN/V1/3.2020 a successful Sale or a financial loss if unsuccessful. or Bonhams and whether made prior to or during the Sale, is not 8.1.2 to resell the Lot by auction, private treaty or any other means on ▲ Bonhams owns the Lot either wholly or partially or may otherwise part of the Contractual Description upon which the Lot is sold. giving seven days’ written notice to you of the intention to resell; have an economic interest. 3.2 Except as provided in paragraph 2.1.5, the Seller does 8.1.3 to retain possession of the Lot; Ф This lot contains or is made of ivory. The United States not make or give and does not agree to make or give any 8.1.4 to remove and store the Lot at your expense; Government has banned the import of ivory into contractual promise, undertaking, obligation, guarantee, 8.1.5 to take legal proceedings against you for any sum due under the the USA. warranty, or representation of fact, or undertake any duty of Contract for Sale and/or damages for breach of contract; •, †, *, G, Ω, a see clause 8, VAT, for details. care, in relation to any Description of the Lot or any Estimate 8.1.6 to be paid interest on any monies due (after as well as before DATA PROTECTION – USE OF YOUR INFORMATION in relation to it, nor of the accuracy or completeness of any judgement or order) at the annual rate of 5% per annum above Where we obtain any personal information about you, we shall only Description or Estimate which may have been Bonhams. No the base rate of National Westminster Bank Plc from time to use it in accordance with the terms of our Privacy Policy (subject to such Description or Estimate is incorporated into this Contract time to be calculated on a daily basis from the date upon which any additional specific consent(s) you may have given at the time for Sale. such monies become payable until the date of actual payment; your information was disclosed). A copy of our Privacy Policy can be 4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY 8.1.7 to repossess the Lot (or any part thereof) which has not become found on our Website www.bonhams.com or requested by post from 4.1 The Seller does not make and does not agree to make any your property, and for this purpose (unless the Buyer buys the Customer Services Department, 101 New Bond Street, London, W1S contractual promise, undertaking, obligation, guarantee, Lot as a Consumer from the Seller selling in the course of a 1SR or by email from [email protected] warranty, or representation of fact in relation to the satisfactory Business) you hereby grant an irrevocable licence to the Seller quality of the Lot or its fitness for any purpose. by himself and to his servants or agents to enter upon all or APPENDIX 1 4.2 The Seller will not be liable for any breach of any undertaking, any of your premises (with or without vehicles) during normal whether implied by the Sale of Goods Act 1979 or otherwise, Business hours to take possession of the Lot or part thereof; BUYERS SALE CONTRACT WITH SELLER as to the satisfactory quality of the Lot or its fitness for any 8.1.8 to retain possession of any other property sold to you by the purpose. Seller at the Sale or any other auction or by private treaty until IMPORTANT: These terms may be changed in advance of the 5 RISK, PROPERTY AND TITLE all sums due under the Contract for Sale shall have been paid in Sale of the Lot to you, by the setting out of different terms 5.1 Risk in the Lot passes to you after 7 days from the day upon full in cleared funds; in the Catalogue for the Sale and/or by placing an insert in which it is knocked down to you on the fall of the Auctioneer’s 8.1.9 to retain possession of, and on three months’ written notice the Catalogue and/or by notices at the Sale venue and/or on hammer in respect of the Lot, or upon collection of the Lot to sell, Without Reserve, any of your other property in the Bonhams’ website, and/or by oral announcements before and if earlier. The Seller will not be responsible thereafter for the possession of the Seller and/or of Bonhams (as bailee for the during the Sale at the Sale venue. You should be alert to this Lot prior to you collecting it from Bonhams or the Storage Seller) for any purpose (including, without limitation, other goods possibility of changes and ask in advance of bidding if there Contractor, with whom you have separate contract(s) as Buyer. sold to you) and to apply any monies due to you as a result of have been any. You will indemnify the Seller and keep the Seller fully indemnified such Sale in satisfaction or part satisfaction of any amounts Under this contract the Seller’s liability in respect of the quality from and against all claims, proceedings, costs, expenses owed to the Seller or to Bonhams; and of the Lot, it’s fitness for any purpose and its conformity with and losses arising in respect of any injury, loss and damage 8.1.10 so long as such goods remain in the possession of the Seller any Description is limited. You are strongly advised to examine caused to the Lot beyond 7 days from the day of the fall of the or Bonhams as its bailee, to rescind the contract for the Sale of the Lot for yourself and/or obtain an independent examination Auctioneer’s hammer until you obtain full title to it. any other goods sold to you by the Seller at the Sale or at any of it before you buy it. 5.2 Title to the Lot remains in and is retained by the Seller until: (i) the other auction or by private treaty and apply any monies received 1 THE CONTRACT Purchase Price and all other sums payable by you to Bonhams from you in respect of such goods in part or full satisfaction of 1.1 These terms and the relevant terms for Bidders and Buyers in in relation to the Lot have been paid in full to and received in any amounts owed to the Seller or to Bonhams by you. the Notice to Bidders govern the Contract for Sale of the Lot by cleared funds by Bonhams, and (ii) Bonhams has completed its 8.2 You agree to indemnify the Seller against all legal and other the Seller to the Buyer. investigations pursuant to clause 3.11 of the Buyer’s Agreement costs of enforcement, all losses and other expenses and costs 1.2 The Definitions and Glossary contained in Appendix 3 in the with Bonhams set out in Appendix 2 in the catalogue. (including any monies payable to Bonhams in order to obtain Catalogue are incorporated into this Contract for Sale and a 6 PAYMENT the release of the Lot) incurred by the Seller (whether or not separate copy can also be provided by Bonhams on request. 6.1 Your obligation to pay the Purchase Price arises when the Lot is court proceedings will have been issued) as a result of Bonhams Where words and phrases are used which are in the List of knocked down to you on the fall of the Auctioneer’s hammer in taking steps under this paragraph 8 on a full indemnity basis Definitions, they are printed in italics. respect of the Lot. together with interest thereon (after as well as before judgement 1.3 The Seller sells the Lot as the principal to the Contract for Sale, 6.2 Time will be of the essence in relation to payment of the or order) at the rate specified in paragraph 8.1.6 from the date such contract being made between the Seller and you through Purchase Price and all other sums payable by you to Bonhams. upon which the Seller becomes liable to pay the same until Bonhams which acts in the sole capacity as the Seller’s agent Unless agreed in writing with you by Bonhams on the Seller’s payment by you. and not as an additional principal. However, if the Catalogue behalf (in which case you must comply with the terms of that 8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will states that Bonhams sells the Lot as principal, or such a agreement), all such sums must be paid to Bonhams by you in account to you in respect of any balance remaining from any statement is made by an announcement by the Auctioneer, the currency in which the Sale was conducted by not later than monies received by him or on his behalf in respect of the Lot, or by a notice at the Sale, or an insert in the Catalogue, then 4.30pm on the second working day following the Sale and you after the payment of all sums due to the Seller and to Bonhams, Bonhams is the Seller for the purposes of this agreement. must ensure that the funds are cleared by the seventh working within 28 days of receipt of such monies by him or on his behalf. 1.4 The contract is made on the fall of the Auctioneer’s hammer in day after the Sale. Payment must be made to Bonhams by one 9 THE SELLER’S LIABILITY respect of the Lot when it is knocked down to you. of the methods stated in the Notice to Bidders unless otherwise 9.1 The Seller will not be liable for any injury, loss or damage caused 2 SELLER’S WARRANTIES AND UNDERTAKINGS agreed with you in writing by Bonhams. If you do not pay in full by the Lot after the fall of the Auctioneer’s hammer in respect of 2.1 The Seller undertakes to you that: any sums due in accordance with this paragraph, the Seller will the Lot. 2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the have the rights set out in paragraph 8 below. 9.2 Subject to paragraph 9.3 below, except for breach of the Lot by the owner; 7 COLLECTION OF THE LOT express undertaking provided in paragraph 2.1.5, the Seller 2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the 7.1 Unless otherwise agreed in writing with you by Bonhams, will not be liable for any breach of any term that the Lot will Seller sells the Lot with full title guarantee or, where the Seller the Lot will be released to you or to your order only when: (i) correspond with any Description applied to it by or on behalf of is an executor, trustee, liquidator, receiver or administrator, with Bonhams has received cleared funds to the amount of the the Seller, whether implied by the Sale of Goods Act 1979 or whatever right, title or interest he may have in the Lot; full Purchase Price and all other sums owed by you to the otherwise. 2.1.3 except where the Sale is by an executor, trustee, liquidator, Seller and to Bonhams and (ii) Bonhams has completed its 9.3 Unless the Seller sells the Lot in the course of a Business and receiver or administrator the Seller is both legally entitled to investigations pursuant to clause 3.11 of the Buyer’s Agreement the Buyer buys it as a Consumer, sell the Lot, and legally capable of conferring on you quiet with Bonhams set out in Appendix 2 in the catalogue. 9.3.1 the Seller will not be liable (whether in negligence, other tort, possession of the Lot and that the Sale conforms in every 7.2 The Seller is entitled to withhold possession from you of any breach of contract or statutory duty or in restitution or under the respect with the terms implied by the Sale of Goods Act 1979, other Lot he has sold to you at the same or at any other Sale Misrepresentation Act 1967, or in any other way) for any lack of Sections 12(1) and 12(2) (see the Definitions and Glossary); and whether currently in Bonhams’ possession or not, until conformity with, or inaccuracy, error, misdescription or omission 2.1.4 the Seller has complied with all requirements, legal or otherwise, payment in full and in cleared funds of the Purchase Price and in any Description of the Lot or any Entry or Estimate in relation relating to any export or import of the Lot, and all duties and all other sums due to the Seller and/or Bonhams in respect of to the Lot made by or on behalf of the Seller (whether made in taxes in respect of the export or import of the Lot have (unless the Lot. writing, including in the Catalogue, or on the Website, or orally, stated to the contrary in the Catalogue or announced by the 7.3 You should note that Bonhams has reserved the right not to or by conduct or otherwise) and whether made before or after Auctioneer) been paid and, so far as the Seller is aware, all third release the Lot to you until its investigations under paragraph this agreement or prior to or during the Sale; parties have complied with such requirements in the past; 3.11 of the Buyers’ Agreement set out in Appendix 2 have been 9.3.2 the Seller will not be liable for any loss of Business, Business 2.1.5 items consigned for sale by the Seller are not connected with or completed to Bonhams’ satisfaction. profits or revenue or income or for loss of reputation or for derived from any criminal activity, including without limitation tax 7.4 You will collect and remove the Lot at your own expense disruption to Business or wasted time on the part of the Buyer evasion, money laundering, terrorist financing or breach of any from Bonhams’ custody and/ or control or from the Storage or of the Buyer’s management or staff or, for any indirect losses applicable international trade sanctions; Contractor’s custody in accordance with Bonhams’ instructions or consequential damages of any kind, irrespective in any case 2.1.6 subject to any alterations expressly identified as such made by or requirements. of the nature, volume or source of the loss or damage alleged to announcement or notice at the Sale venue or by the Notice to 7.5 You will be wholly responsible for packing, handling and be suffered, and irrespective of whether the said loss or damage Bidders or by an insert in the Catalogue or on the Bonhams transport of the Lot on collection and for complying with all is caused by or claimed in respect of any negligence, other website, the Lot corresponds with the Contractual Description import or export regulations in connection with the Lot. tort, breach of contract, statutory duty, restitutionary claim or of the Lot, being that part of the Entry about the Lot in the 7.6 You will be wholly responsible for any removal, storage or other otherwise; Catalogue which is in bold letters and (except for colour) with charges or expenses incurred by the Seller if you do not remove 9.3.3 in any circumstances where the Seller is liable to you in respect any photograph of the Lot in the Catalogue. the Lot in accordance with this paragraph 7 and will indemnify of the Lot, or any act, omission, statement, or representation 3 DESCRIPTIONS OF THE LOT the Seller against all charges, costs, including any legal costs in respect of it, or this agreement or its performance, and 3.1 Paragraph 2.1.5 sets out what is the Contractual Description and fees, expenses and losses suffered by the Seller by reason whether in damages, for an indemnity or contribution or for of the Lot. In particular, the Lot is not sold as corresponding of your failure to remove the Lot including any charges due a restitutionary remedy or in any way whatsoever, the Seller’s with any part of the Entry in the Catalogue which is not printed under any Storage Contract. All such sums due to the Seller will liability will be limited to payment of a sum which will not exceed in bold letters, the remainder of which Entry merely sets out be payable on demand. by way of maximum the amount of the Purchase Price of the (on the Seller’s behalf) Bonhams’ opinion about the Lot and 8 FAILURE TO PAY FOR THE LOT Lot irrespective in any case of the nature, volume or source which is not part of the Contractual Description upon which 8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in of any loss or damage alleged to be suffered or sum claimed the Lot is sold. Any statement or representation other than that accordance with the Contract for Sale, the Seller will be entitled, as due, and irrespective of whether the liability arises from part of the Entry referred to in paragraph 2.1.5 (together with with the prior written agreement of Bonhams but without further any negligence, other tort, breach of contract, statutory duty, any express alteration to it as referred to in paragraph 2.1.5), notice to you, to exercise one or more of the following rights bailee’s duty, restitutionary claim or otherwise. including any Description or Estimate, whether made orally or in (whether through Bonhams or otherwise): 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be writing, including in the Catalogue or on Bonhams’ Website, or by 8.1.1 to terminate immediately the Contract for Sale of the Lot for construed as excluding or restricting (whether directly or conduct, or otherwise, and whether by or on behalf of the Seller your breach of contract; indirectly) any person’s liability or excluding or restricting any

NTB/MAIN/V1/3.2020 person’s rights or remedies in respect of (i) fraud, or (ii) death are used in this agreement, they are printed in italics. Reference under investigation for neither have been charged nor convicted or personal injury caused by the Seller’s negligence (or any is made in this agreement to information printed in the Notice to in connection with any criminal activity. person under the Seller’s control or for whom the Seller is legally Bidders, printed in the Catalogue for the Sale, and where such 3.10 Where you are acting as agent for another party (“your responsible), or (iii) acts or omissions for which the Seller is liable information is referred to it is incorporated into this agreement. Principal”), you undertake and warrant that: under the Occupiers Liability Act 1957, or (iv) any other liability 1.3 Except as specified in paragraph 4 of the Notice to Bidders the 3.10.1 you have conducted suitable customer due diligence into to the extent the same may not be excluded or restricted as a Contract for Sale of the Lot between you and the Seller is made your Principal under applicable Sanctions and Anti-Money matter of law. on the fall of the Auctioneer’s hammer in respect of the Lot, Laundering laws and regulations; 10 MISCELLANEOUS when it is knocked down to you. At that moment a separate 3.10.2 your Principal is not a Sanctioned Party and not owned, partially 10.1 You may not assign either the benefit or burden of the Contract contract is also made between you and Bonhams on the terms owned or controlled by a Sanctioned Party, and you have no for Sale. in this Buyer’s Agreement. reason to suspect that your Principal has been charged or 10.2 The Seller’s failure or delay in enforcing or exercising any power 1.4 We act as agents for the Seller and are not answerable or convicted with, money laundering, terrorism or other crimes; or right under the Contract for Sale will not operate or be personally responsible to you for any breach of contract or other 3.10.3 funds used for your or your Principal’s purchase are not deemed to operate as a waiver of his rights under it except to default by the Seller, unless Bonhams sells the Lot as principal. connected with or derived from any criminal activity, including the extent of any express waiver given to you in writing. Any 1.5 Our personal obligations to you are governed by this agreement without limitation tax evasion, money laundering or terrorist such waiver will not affect the Seller’s ability subsequently to and we agree, subject to the terms below, to the following financing; enforce any right arising under the Contract for Sale. obligations: 3.10.4 items purchased by you and your Principal through Bonhams 10.3 If either party to the Contract for Sale is prevented from 1.5.1 we will, until the date and time specified in the Notice to Bidders are not being purchased or to be used in any way connected performing that party’s respective obligations under the Contract or otherwise notified to you, store the Lot in accordance with with or to facilitate breaches of applicable Tax, Anti-Money for Sale by circumstances beyond its reasonable control or paragraph 5; Laundering or Anti-Terrorism laws and regulations; and if performance of its obligations would by reason of such 1.5.2 subject to any power of the Seller or us to refuse to release 3.10.5 that you consent to Bonhams relying upon your customer due circumstances give rise to a significantly increased financial the Lot to you, we will release the Lot to you in accordance diligence, undertaking to retain records of your due diligence cost to it, that party will not, for so long as such circumstances with paragraph 4 once you have paid to us, in cleared funds, for at least 5 years and to make such due diligence records prevail, be required to perform such obligations. This paragraph everything due to us and the Seller and following completion of available for inspection by an independent auditor in the event does not apply to the obligations imposed on you by paragraph our enquiries pursuant to paragraph 3.11; we request you to do so. 6. 1.5.3 we will provide guarantees in the terms set out in paragraphs 9 3.11 We reserve the rights to make enquiries about any person 10.4 Any notice or other communication to be given under the and 10. transacting with us and to identify the source of any funds Contract for Sale must be in writing and may be delivered by 1.6 We do not make or give and do not agree to make or give received from you. In the event we have not completed our hand or sent by first class post or air mail or fax transmission, if to any contractual promise, undertaking, obligation, Guarantee, investigations in respect of anti-terrorism financing, anti-money the Seller, addressed c/o Bonhams at its address or fax number warranty, representation of fact in relation to any Description laundering or other financial and identity checks concerning in the Catalogue (marked for the attention of the Company of the Lot or any Estimate in relation to it, nor of the accuracy either you or the Seller, to our satisfaction at our discretion, Secretary), and if to you to the address or fax number of the or completeness of any Description or Estimate which may we shall be entitled to retain Lots and/or proceeds of Sale, Buyer given in the Bidding Form (unless notice of any change of have been made by us or on our behalf or by or on behalf postpone or cancel any sale and to take any other actions address is given in writing). It is the responsibility of the sender of the Seller (whether made orally or in writing, including in required or permitted under applicable law, without liability to of the notice or communication to ensure that it is received in a the Catalogue or on Bonhams’ Website, or by conduct, or you. legible form within any applicable time period. otherwise), and whether made before or after this agreement or 4 COLLECTION OF THE LOT 10.5 If any term or any part of any term of the Contract for Sale prior to or during the Sale. No such Description or Estimate is 4.1 Subject to any power of the Seller or us to refuse to release is held to be unenforceable or invalid, such unenforceability incorporated into this agreement between you and us. Any such the Lot to you, once you have paid to us, in cleared funds, or invalidity will not affect the enforceability and validity of the Description or Estimate, if made by us or on our behalf, was everything due to the Seller and to us, and once we have remaining terms or the remainder of the relevant term. (unless Bonhams itself sells the Lot as principal) made as agent completed our investigations under paragraph 3.11, we will 10.6 References in the Contract for Sale to Bonhams will, where on behalf of the Seller. release the Lot to you or as you may direct us in writing. The appropriate, include reference to Bonhams’ officers, employees 2 PERFORMANCE OF THE CONTRACT FOR SALE Lot will only be released on production of a buyer collection and agents and to any subsidiary of Bonhams Holdings Limited You undertake to us personally that you will observe and comply document, obtained from our cashier’s office. and to its officers, employees and agents. with all your obligations and undertakings to the Seller under the 4.2 You must collect and remove the Lot at your own expense by 10.7 The headings used in the Contract for Sale are for convenience Contract for Sale in respect of the Lot. the date and time specified in the Notice to Bidders, or if no only and will not affect its interpretation. 3 PAYMENT AND BUYER WARRANTIES date is specified, by 4.30pm on the seventh day after the Sale. 10.8 In the Contract for Sale “including” means “including, without 3.1 Unless agreed in writing between you and us or as otherwise 4.3 For the period referred to in paragraph 4.2, the Lot can be limitation”. set out in the Notice to Bidders, you must pay to us by not later collected from the address referred to in the Notice to Bidders 10.9 References to the singular will include reference to the plural than 4.30pm on the second working day following the Sale: for collection on the days and times specified in the Notice to (and vice versa) and reference to any one gender will include 3.1.1 the Purchase Price for the Lot; Bidders. Thereafter, the Lot may be removed elsewhere for reference to the other genders. 3.1.2 a Buyer’s Premium in accordance with the rates set out in the storage and you must enquire from us as to when and where 10.10 Reference to a numbered paragraph is to a paragraph of the Notice to Bidders on each lot, and you can collect it, although this information will usually be set Contract for Sale. 3.1.3 if the Lot is marked [AR], an Additional Premium which is out in the Notice to Bidders. 10.11 Save as expressly provided in paragraph 10.12 nothing in the calculated and payable in accordance with the Notice to 4.4 If you have not collected the Lot by the date specified in the Contract for Sale confers (or purports to confer) on any person Bidders together with VAT on that sum if applicable so that all Notice to Bidders, you authorise us, acting in this instance as who is not a party to the Contract for Sale any benefit conferred sums due to us are cleared funds by the seventh working day your agent and on your behalf, to enter into a contract (the by, or the right to enforce any term of, the Contract for Sale. after the Sale. “Storage Contract”) with the Storage Contractor for the storage 10.12 Where the Contract for Sale confers an immunity from, and/or 3.2 You must also pay us on demand any Expenses payable of the Lot on the then current standard terms and conditions an exclusion or restriction of, the responsibility and/or liability pursuant to this agreement. agreed between Bonhams and the Storage Contractor (copies of the Seller, it will also operate in favour and for the benefit of 3.3 All payments to us must be made in the currency in which the of which are available on request). If the Lot is stored at our Bonhams, Bonhams’ holding company and the subsidiaries Sale was conducted, using, unless otherwise agreed by us in premises storage fees at our current daily rates (currently a of such holding company and the successors and assigns of writing, one of the methods of payment set out in the Notice to minimum of £3 plus VAT per Lot per day) will be payable from Bonhams and of such companies and of any officer, employee Bidders. Our invoices will only be addressed to the registered the expiry of the period referred to in paragraph 4.2. These and agent of Bonhams and such companies, each of whom Bidder unless the Bidder is acting as an agent for a named storage fees form part of our Expenses. will be entitled to rely on the relevant immunity and/or exclusion principal and we have approved that arrangement, in which 4.5 Until you have paid the Purchase Price and any Expenses in and/or restriction within and for the purposes of Contracts case we will address the invoice to the principal. full the Lot will either be held by us as agent on behalf of the (Rights of Third Parties) Act 1999, which enables the benefit of 3.4 Unless otherwise stated in this agreement all sums payable to Seller or held by the Storage Contractor as agent on behalf of a contract to be extended to a person who is not a party to the us will be subject to VAT at the appropriate rate and VAT will be the Seller and ourselves on the terms contained in the Storage contract, and generally at law. payable by you on all such sums. Contract. 11 GOVERNING LAW 3.5 We may deduct and retain for our own benefit from the monies 4.6 You undertake to comply with the terms of any Storage All transactions to which the Contract for Sale applies and paid by you to us the Buyer’s Premium, the Commission Contract and in particular to pay the charges (and all costs of all connected matters will be governed by and construed in payable by the Seller in respect of the Lot, any Expenses and moving the Lot into storage) due under any Storage Contract. accordance with the laws of that part of the United Kingdom VAT and any interest earned and/or incurred until payment to You acknowledge and agree that you will not be able to collect where the Sale takes place and the Seller and you each submit the Seller. the Lot from the Storage Contractor’s premises until you have to the exclusive jurisdiction of the courts of that part of the 3.6 Time will be of the essence in relation to any payment payable paid the Purchase Price, any Expenses and all charges due United Kingdom, save that the Seller may bring proceedings to us. If you do not pay the Purchase Price, or any other sum under the Storage Contract. against you in any other court of competent jurisdiction to due to us in accordance with this paragraph 3, we will have the 4.7 You will be wholly responsible for packing, handling and the extent permitted by the laws of the relevant jurisdiction. rights set out in paragraph 7 below. transport of the Lot on collection and for complying with all Bonhams has a complaints procedure in place. 3.7 Where a number of Lots have been knocked down to you, any import or export regulations in connection with the Lot. monies we receive from you will be applied firstly pro-rata to pay 4.8 You will be wholly responsible for any removal, storage, or other APPENDIX 2 the Purchase Price of each Lot and secondly pro-rata to pay all charges for any Lot not removed in accordance with paragraph amounts due to Bonhams. 4.2, payable at our current rates, and any Expenses we incur BUYER’S AGREEMENT WITH BONHAMS 3.8 You warrant that neither you nor - if you are a company, (including any charges due under the Storage Contract), all of IMPORTANT: These terms may be changed in advance of the Sale your directors, officers or your owner or their directors or which must be paid by you on demand and in any event before of the Lot to you, by the setting out of different terms in the shareholders - are an individual or an entity that is, or is owned any collection of the Lot by you or on your behalf. Catalogue for the Sale and/or by placing an insert in the or controlled by individuals or entities that are: 5 STORING THE LOT Catalogue and/or by notices at the Sale venue and/or by oral 3.8.1 the subject of any sanctions administered or enforced by the We agree to store the Lot until the earlier of your removal of the announcements before and during the Sale at the Sale venue. U.S. Department of the Treasury’s Office of Foreign Assets Lot or until the time and date set out in the Notice to Bidders, You should be alert to this possibility of changes and ask in Control, the U.S. Departure of State, the United Nations Security on the Sale Information Page or at the back of the catalogue (or advance of bidding if there have been any. Council, the European Union, Her Majesty’s Treasury, or other if no date is specified, by 4.30pm on the seventh day after the 1 THE CONTRACT relevant sanctions authority (“Sanctions” and a “Sanctioned Sale) and, subject to paragraphs 3, 6 and 10, to be responsible 1.1 These terms govern the contract between Bonhams personally Party”); or as bailee to you for damage to or the loss or destruction of the and the Buyer, being the person to whom a Lot has been 3.8.2 located, organised or resident in a country or territory that is, Lot (notwithstanding that it is not your property before payment knocked down by the Auctioneer. or whose government is, the subject of Sanctions, including of the Purchase Price). If you do not collect the Lot before the 1.2 The Definitions and Glossary contained in Appendix 3 to the without limitation, Iran, North Korea, Sudan and Syria. time and date set out in the Notice to Bidders (or if no date Catalogue for the Sale are incorporated into this agreement and 3.9 You warrant that the funds being used for your purchase have is specified, by 4.30pm on the seventh day after the Sale) we a separate copy can also be provided by us on request. Where no link with criminal activity including without limitation money may remove the Lot to another location, the details of which words and phrases which are defined in the List of Definitions laundering, tax evasion or terrorist financing, and that you not will usually be set out in the relevant section of the Catalogue. If

NTB/MAIN/V1/3.2020 you have not paid for the Lot in accordance with paragraph 3, 8.1.1 retain the Lot to investigate any question raised or reasonably where we are liable to you in respect of a Lot, or any act, and the Lot is moved to any third party’s premises, the Lot will expected by us to be raised in relation to the Lot; and/or omission, statement, representation in respect of it, or this be held by such third party strictly to Bonhams’ order and we 8.1.2 deliver the Lot to a person other than you; and/or agreement or its performance, and whether in damages, for an will retain our lien over the Lot until we have been paid in full in 8.1.3 commence interpleader proceedings or seek any other order of indemnity or contribution or for a restitutionary remedy or in any accordance with paragraph 3. any court, mediator, arbitrator or government body; and/or way whatsoever, our liability will be limited to payment of a sum 6 RESPONSIBILITY FOR THE LOT 8.1.4 require an indemnity and/or security from you in return for which will not exceed by way of maximum the amount of the 6.1 Title (ownership) in the Lot passes to you (i) on payment of pursuing a course of action agreed to by you. Purchase Price of the Lot plus Buyer’s Premium (less any sum the Purchase Price to us in full in cleared funds and (ii) when 8.2 The discretion referred to in paragraph 8.1: you may be entitled to recover from the Seller) irrespective in investigations have been completed to our satisfaction under 8.2.1 may be exercised at any time during which we have actual or any case of the nature, volume or source of any loss or damage paragraph 3.11. constructive possession of the Lot, or at any time after such alleged to be suffered or sum claimed as due, and irrespective 6.2 Please note however, that under the Contract for Sale, the risk in possession, where the cessation of such possession has of whether the liability arises from negligence, other tort, breach the Lot passes to you after 7 days from the day upon which occurred by reason of any decision, order or ruling of any court, of contract, statutory duty, bailee’s duty, a restitutionary claim it is knocked down to you or upon collection of the Lot if mediator, arbitrator or government body; and or otherwise. earlier, and you are advised to obtain insurance in respect of the 8.2.2 will not be exercised unless we believe that there exists a You may wish to protect yourself against loss by obtaining insurance. Lot as soon as possible after the Sale. serious prospect of a good arguable case in favour of the claim. 10.4 Nothing set out above will be construed as excluding or 7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART 9 FORGERIES restricting (whether directly or indirectly) any person’s liability PAYMENTS 9.1 We undertake a personal responsibility for any Forgery in or excluding or restricting any person’s rights or remedies in 7.1 If all sums payable to us are not so paid in full at the time they accordance with the terms of this paragraph 9. respect of (i) fraud, or (ii) death or personal injury caused by our are due and/or the Lot is not removed in accordance with 9.2 Paragraph 9 applies only if: negligence (or any person under our control or for whom we are this agreement, we will (without further notice to you unless 9.2.1 your name appears as the named person to whom the original legally responsible), or (iii) acts or omissions for which we are otherwise provided below), be entitled to exercise one or more invoice was made out by us in respect of the Lot and that liable under the Occupiers Liability Act 1957, or (iv) any other of the following rights (without prejudice to any rights we may invoice has been paid; and liability to the extent the same may not be excluded or restricted exercise on behalf of the Seller): 9.2.2 you notify us in writing as soon as reasonably practicable after as a matter of law, or (v) under our undertaking in paragraph 9 7.1.1 to terminate this agreement immediately for your breach of you have become aware that the Lot is or may be a Forgery, of these conditions. contract; and in any event within one year after the Sale, that the Lot is a 11 BOOKS MISSING TEXT OR ILLUSTRATIONS 7.1.2 to retain possession of the Lot; Forgery; and Where the Lot is made up wholly of a Book or Books and 7.1.3 to remove, and/or store the Lot at your expense; 9.2.3 within one month after such notification has been given, you any Book does not contain text or illustrations (in either case 7.1.4 to take legal proceedings against you for payment of any sums return the Lot to us in the same condition as it was at the time referred to as a “non-conforming Lot”), we undertake a personal payable to us by you (including the Purchase Price) and/or of the Sale, accompanied by written evidence that the Lot is responsibility for such a non-conforming Lot in accordance with damages for breach of contract; a Forgery and details of the Sale and Lot number sufficient to the terms of this paragraph, if: 7.1.5 to be paid interest on any monies due to us (after as well as identify the Lot. the original invoice was made out by us to you in respect of the before judgement or order) at the annual rate of 5% per annum 9.3 Paragraph 9 will not apply in respect of a Forgery if: Lot and that invoice has been paid; and above the base lending rate of National Westminster Bank Plc 9.3.1 the Entry in relation to the Lot contained in the Catalogue you notify us in writing as soon as reasonably practicable after from time to time to be calculated on a daily basis from the reflected the then accepted general opinion of scholars and you have become aware that the Lot is or may be a non- date upon which such monies become payable until the date of experts or fairly indicated that there was a conflict of such conforming Lot, and in any event within 20 days after the Sale actual payment; opinion or reflected the then current opinion of an expert (or such longer period as we may agree in writing) that the Lot is 7.1.6 to repossess the Lot (or any part thereof) which has not become acknowledged to be a leading expert in the relevant field; or a non-conforming Lot; and your property, and for this purpose (unless you buy the Lot as 9.3.2 it can be established that the Lot is a Forgery only by means of within 20 days of the date of the relevant Sale (or such longer a Consumer) you hereby grant an irrevocable licence to us, by a process not generally accepted for use until after the date on period as we may agree in writing) you return the Lot to us in the ourselves, our servants or agents, to enter upon all or any of which the Catalogue was published or by means of a process same condition as it was at the time of the Sale, accompanied by your premises (with or without vehicles) during normal business which it was unreasonable in all the circumstances for us to written evidence that the Lot is a non-conforming Lot and details hours to take possession of any Lot or part thereof; have employed. of the Sale and Lot number sufficient to identify the Lot.but not if: 7.1.7 to sell the Lot Without Reserve by auction, private treaty or any 9.4 You authorise us to carry out such processes and tests on the Entry in the Catalogue in respect of the Lot indicates that the other means on giving you three months’ written notice of our the Lot as we in our absolute discretion consider necessary to rights given by this paragraph do not apply to it; or intention to do so; satisfy ourselves that the Lot is or is not a Forgery. the Entry in the Catalogue in respect of the Lot reflected the 7.1.8 to retain possession of any of your other property in our 9.5 If we are satisfied that a Lot is a Forgery we will (as principal) then accepted general opinion of scholars and experts or fairly possession for any purpose (including, without limitation, other purchase the Lot from you and you will transfer the title to the indicated that there was a conflict of such opinion; or goods sold to you or with us for Sale) until all sums due to us Lot in question to us, with full title guarantee, free from any liens, it can be established that the Lot is a non-conforming Lot only have been paid in full; charges, encumbrances and adverse claims, in accordance with by means of a process not generally accepted for use until after 7.1.9 to apply any monies received from you for any purpose whether the provisions of Sections 12(1) and 12(2) of the Sale of Goods the date on which the Catalogue was published or by means of at the time of your default or at any time thereafter in payment Act 1979 and we will pay to you an amount equal to the sum of a process which it was unreasonable in all the circumstances for or part payment of any sums due to us by you under this the Purchase Price, Buyer’s Premium, VAT and Expenses paid us to have employed; or agreement; by you in respect of the Lot. the Lot comprises atlases, maps, autographs, manuscripts, 7.1.10 on three months’ written notice to sell, Without Reserve, any of 9.6 The benefit of paragraph 9 is personal to, and incapable of extra illustrated books, music or periodical publications; or your other property in our possession or under our control for assignment by, you. the Lot was listed in the Catalogue under “collections” or any purpose (including other goods sold to you or with us for 9.7 If you sell or otherwise dispose of your interest in the Lot, all “collections and various” or the Lot was stated in the Catalogue Sale) and to apply any monies due to you as a result of such rights and benefits under this paragraph 9 will cease. to comprise or contain a collection, issue or Books which are Sale in payment or part payment of any amounts owed to us; 9.8 Paragraph 9 does not apply to a Lot made up of or including a undescribed or the missing text or illustrations are referred to 7.1.11 refuse to allow you to register for a future Sale or to reject a bid Chinese painting or Chinese paintings, a motor vehicle or motor or the relevant parts of the Book contain blanks, half titles or from you at any future Sale or to require you to pay a deposit vehicles, a Stamp or Stamps or a Book or Books. advertisements. before any bid is accepted by us at any future Sale in which 10 OUR LIABILITY If we are reasonably satisfied that a Lot is a non- conforming case we will be entitled to apply such deposit in payment or part 10.1 We will not be liable whether in negligence, other tort, breach Lot, we will (as principal) purchase the Lot from you and you payment, as the case may be, of the Purchase Price of any Lot of contract or statutory duty or in restitution or under the will transfer the title to the Lot in question to us, with full title of which you are the Buyer. Misrepresentation Act 1967 or in any other way for lack of guarantee, free from any liens, charges, encumbrances and 7.1.12 having made reasonable efforts to inform you, to release your conformity with or any inaccuracy, error, misdescription or adverse claims and we will pay to you an amount equal to the name and address to the Seller, so they might take appropriate omission in any Description of the Lot or any Entry or Estimate sum of the Purchase Price and Buyer’s Premium paid by you in steps to recover the amounts due and legal costs associated in respect of it, made by us or on our behalf or by or on respect of the Lot. with such steps. behalf of the Seller (whether made in writing, including in the The benefit of paragraph 10 is personal to, and incapable of 7.2 You agree to indemnify us against all legal and other costs, all Catalogue, or on the Bonhams’ Website, or orally, or by conduct assignment by, you and if you sell or otherwise dispose of your losses and all other Expenses (whether or not court proceedings or otherwise) and whether made before or after this agreement interest in the Lot, all rights and benefits under this paragraph will have been issued) incurred by us as a result of our taking or prior to or during the Sale. will cease. steps under this paragraph 7 on a full indemnity basis together 10.2 Our duty to you while the Lot is at your risk and/or your property 12 MISCELLANEOUS with interest thereon (after as well as before judgement or order) and in our custody and/or control is to exercise reasonable care 12.1 You may not assign either the benefit or burden of this agreement. at the rate specified in paragraph 7.1.5 from the date upon in relation to it, but we will not be responsible for damage to the 12.2 Our failure or delay in enforcing or exercising any power or right which we become liable to pay the same until payment by you. Lot or to other persons or things caused by: under this agreement will not operate or be deemed to operate 7.3 If you pay us only part of the sums due to us such payment 10.2.1 handling the Lot if it was affected at the time of Sale to you by as a waiver of our rights under it except to the extent of any shall be applied firstly to the Purchase Price of the Lot (or woodworm and any damage is caused as a result of it being express waiver given to you in writing. Any such waiver will not where you have purchased more than one Lot pro-rata towards affected by woodworm; or affect our ability subsequently to enforce any right arising under the Purchase Price of each Lot) and secondly to the Buyer’s 10.2.2 changes in atmospheric pressure; nor will we be liable for: this agreement. Premium (or where you have purchased more than one Lot 10.2.3 damage to tension stringed musical instruments; or 12.3 If either party to this agreement is prevented from performing pro-rata to the Buyer’s Premium on each Lot) and thirdly to any 10.2.4 damage to gilded picture frames, plaster picture frames or that party’s respective obligations under this agreement other sums due to us. picture frame glass; and if the Lot is or becomes dangerous, by circumstances beyond its reasonable control (including 7.4 We will account to you in respect of any balance we hold we may dispose of it without notice to you in advance in any without limitation governmental intervention, industrial action, remaining from any monies received by us in respect of any manner we think fit and we will be under no liability to you for insurrection, warfare (declared or undeclared), terrorism, power Sale of the Lot under our rights under this paragraph 7 after the doing so. failure, epidemic or natural disaster) or if performance of its payment of all sums due to us and/or the Seller within 28 days 10.3.1 We will not be liable to you for any loss of Business, Business obligations would by reason of such circumstances give rise of receipt by us of all such sums paid to us. profits, revenue or income or for loss of Business reputation to a significantly increased financial cost to it, that party will 8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT or for disruption to Business or wasted time on the part of the not, for so long as such circumstances prevail, be required to 8.1 Whenever it becomes apparent to us that the Lot is the subject Buyer’s management or staff or, if you are buying the Lot in the perform such obligations. This paragraph does not apply to the of a claim by someone other than you and other than the course of a Business, for any indirect losses or consequential obligations imposed on you by paragraph 3. Seller (or that such a claim can reasonably be expected to be damages of any kind, irrespective in any case of the nature, 12.4 Any notice or other communication to be given under this made), we may, at our absolute discretion, deal with the Lot in volume or source of the loss or damage alleged to be suffered, agreement must be in writing and may be delivered by hand any manner which appears to us to recognise the legitimate and irrespective of whether the said loss or damage is caused or sent by first class post or air mail or fax transmission (if to interests of ourselves and the other parties involved and lawfully by or claimed in respect of any negligence, other tort, breach Bonhams marked for the attention of the Company Secretary), to protect our position and our legitimate interests. Without of contract, statutory duty, bailee’s duty, a restitutionary claim to the address or fax number of the relevant party given in the prejudice to the generality of the discretion and by way of or otherwise. Contract Form (unless notice of any change of address is given example, we may: 10.3.2 Unless you buy the Lot as a Consumer, in any circumstances in writing). It is the responsibility of the sender of the notice or

NTB/MAIN/V1/3.2020 communication to ensure that it is received in a legible form “Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s “Specialist Examination” a visual examination of a Lot by a specialist Registration and Bidding Form within any applicable time period. Agreement and Definitions and Glossary. on the Lot. (Attendee / Absentee / Online / Telephone Bidding) 12.5 If any term or any part of any term of this agreement is held to “Consignment Fee” a fee payable to Bonhams by the Seller “Stamp” means a postage Stamp offered for Sale at a Specialist Paddle number (for office use only) be unenforceable or invalid, such unenforceability or invalidity calculated at rates set out in the Conditions of Business. Stamp Sale. Please circle your bidding method above. will not affect the enforceability and validity of the remaining “Consumer” a natural person who is acting for the relevant purpose “Standard Examination” a visual examination of a Lot by a non- terms or the remainder of the relevant term. outside his trade, Business or profession. specialist member of Bonhams’ staff. This sale will be conducted in accordance with 12.6 References in this agreement to Bonhams will, where “Contract Form” the Contract Form, or vehicle Entry form, as “Storage Contract” means the contract described in paragraph Sale title: Sale date: appropriate, include reference to Bonhams’ officers, employees applicable, signed by or on behalf of the Seller listing the Lots to be 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Bonhams’ Conditions of Sale and bidding and buying and agents. offered for Sale by Bonhams. Agreement (as appropriate). at the Sale will be regulated by these Conditions. You 12.7 The headings used in this agreement are for convenience only “Contract for Sale” the Sale contract entered into by the Seller with “Storage Contractor” means the company identified as such in the should read the Conditions in conjunction with the Sale no. Sale venue: and will not affect its interpretation. the Buyer (see Appendix 1 in the Catalogue). Catalogue. Sale Information relating to this Sale which sets out the 12.8 In this agreement “including” means “including, without “Contractual Description” the only Description of the Lot (being “Terrorism” means any act or threatened act of terrorism, whether charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours limitation”. that part of the Entry about the Lot in the Catalogue which is in bold any person is acting alone or on behalf of or in connection with any and other terms relating to bidding and buying at the 12.9 References to the singular will include reference to the plural letters, any photograph (except for the colour) and the contents of any organisation(s) and/or government(s), committed for political, religious prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the (and vice versa) and reference to any one gender will include Condition Report) to which the Seller undertakes in the Contract of or ideological or similar purposes including, but not limited to, the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will reference to the other genders. Sale the Lot corresponds. intention to influence any government and/or put the public or any Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. 12.10 Reference to a numbered paragraph is to a paragraph of this “Description” also contain certain undertakings by bidders and buyers any statement or representation in any way descriptive section of the public into fear. General Bid Increments: agreement. of the Lot, including any statement or representation relating to its “VAT” value added tax at the prevailing rate at the date of the Sale in and limit Bonhams’ liability to bidders and buyers. 12.11 Save as expressly provided in paragraph 12.12 nothing in this authorship, attribution, condition, provenance, authenticity, style, the United Kingdom. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s agreement confers (or purports to confer) on any person who period, age, suitability, quality, origin, value, estimated selling price “Website” Bonhams Website at www.bonhams.com Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s is not a party to this agreement any benefit conferred by, or the (including the Hammer Price). “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s right to enforce any term of, this agreement. “Entry” a written statement in the Catalogue identifying the Lot and its Bonhams’ instructions to sell a Lot. shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s 12.12 Where this agreement confers an immunity from, and/or an Lot number which may contain a Description and illustration(s) relating “Without Reserve” where there is no minimum price at which a Lot Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion exclusion or restriction of, the responsibility and/or liability to the Lot. may be sold (whether at auction or by private treaty). have given at the time your information was disclosed). A of Bonhams, it will also operate in favour and for the benefit “Estimate” a statement of our opinion of the range within which the £5,000 - 10,000 ...... by 500s GLOSSARY copy of our Privacy Policy can be found on our website of Bonhams’ holding company and the subsidiaries of such hammer is likely to fall. The following expressions have specific legal meanings with which you The auctioneer has discretion to split any bid at any time. holding company and the successors and assigns of Bonhams “Expenses” charges and Expenses paid or payable by Bonhams may not be familiar. The following glossary is intended to give you an (www.bonhams.com) or requested by post from Customer and of such companies and of any officer, employee and in respect of the Lot including legal Expenses, banking charges and understanding of those expressions but is not intended to limit their Services Department, 101 New Bond Street, London W1S agent of Bonhams and such companies, each of whom will be Expenses incurred as a result of an electronic transfer of money, legal meanings: 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title entitled to rely on the relevant immunity and/or exclusion and/ charges and Expenses for loss and damage cover, insurance, “artist’s resale right”: the right of the creator of a work of art to receive We may disclose your personal information to any member of or restriction within and for the purposes of Contracts (Rights of Catalogue and other reproductions and illustrations, any customs a payment on Sales of that work subsequent to the original Sale of our group which means our subsidiaries, our ultimate holding First Name Last Name Third Parties) Act 1999, which enables the benefit of a contract duties, advertising, packing or shipping costs, reproductions rights’ that work by the creator of it as set out in the Artists Resale Right company and its subsidiaries (whether registered in the UK or to be extended to a person who is not a party to the contract, fees, taxes, levies, costs of testing, searches or enquiries, preparation Regulations 2006. elsewhere). We will not disclose your data to anyone outside Company name (if applicable) and generally at law. of the Lot for Sale, storage charges, removal charges, removal charges “bailee”: a person to whom goods are entrusted. our group but we may from time to time provide you with 13 GOVERNING LAW or costs of collection from the Seller as the Seller’s agents or from a “indemnity”: an obligation to put the person who has the benefit Company Registration number (if applicable) All transactions to which this agreement applies and all defaulting Buyer, plus VAT if applicable. of the indemnity in the same position in which he would have been, information about goods and services which we feel maybe of interest to you including those provided by third parties. connected matters will be governed by and construed in “Forgery” an imitation intended by the maker or any other person to had the circumstances giving rise to the indemnity not arisen and the Address accordance with the laws of that part of the United Kingdom deceive as to authorship, attribution, origin, authenticity, style, date, expression “indemnify” is construed accordingly. If you do not want to receive such information (except for where the Sale takes (or is to take) place and we and you each age, period, provenance, culture, source or composition, which at the “interpleader proceedings”: proceedings in the Courts to determine information you specifically requested) please tick this box City submit to the exclusive jurisdiction of the courts of that part date of the Sale had a value materially less than it would have had if the ownership or rights over a Lot. Would you like to receive e-mailed information from us? if so of the United Kingdom, save that we may bring proceedings Lot had not been such an imitation, and which is not stated to be such “knocked down”: when a Lot is sold to a Bidder, indicated by the fall please tick this box against you in any other court of competent jurisdiction to an imitation in any description of the Lot. A Lot will not be a Forgery by of the hammer at the Sale. Post / Zip code County / State the extent permitted by the laws of the relevant jurisdiction. reason of any damage to, and/or restoration and/ or modification work “lien”: a right for the person who has possession of the Lot to retain Bonhams has a complaints procedure in place. (including repainting or over painting) having been carried out on the possession of it. Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country DATA PROTECTION – USE OF YOUR INFORMATION Lot, where that damage, “risk”: the possibility that a Lot may be lost, damaged, destroyed, government or state issued photographic proof of ID and date Where we obtain any personal information about you, we shall only restoration or modification work (as the case may be) does not stolen, or deteriorate in condition or value. Telephone (landline) use it in accordance with the terms of our Privacy Policy (subject to substantially affect the identity of the Lot as one conforming to the “title”: the legal and equitable right to the ownership of a Lot. of birth e.g. - passport, driving licence - and if not included in any additional specific consent(s) you may have given at the time Description of the Lot. “tort”: a legal wrong done to someone to whom the wrong doer has ID document, proof of address e.g - utility bill, bank or credit your information was disclosed). A copy of our Privacy Policy can be “Guarantee” the obligation undertaken personally by Bonhams to the a duty of care. card statement etc. Corporate clients should also provide a E-mail (in capitals) found on our Website www.bonhams.com or requested by post from Buyer in respect of any Forgery and, in the case of specialist Stamp “warranty”: a legal assurance or promise, upon which the person to copy of their articles of association / company registration Please answer all questions below Customer Services Department, 101 New Bond Street, London W1S Sales and/or specialist Book Sales, a Lot made up of a Stamp or whom the warranty was given has the right to rely. documents, and the entities name and registered address, 1SR, United Kingdom or by email from [email protected]. Stamps or a Book or Books as set out in the Buyer’s Agreement. SALE OF GOODS ACT 1979 documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. “Hammer Price” the price in the currency in which the Sale is The following is an extract from the Sale of Goods Act 1979: together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. APPENDIX 3 conducted at which a Lot is knocked down by the Auctioneer. “Section 12 Implied terms about title, etc “Loss and Damage Warranty” company’s behalf. Failure to provide this may result in your means the warranty described in (1) In a contract of sale, other than one to which subsection (3) below 2. Are you representing the Bidder? If yes, please complete question 3. DEFINITIONS AND GLOSSARY paragraph 8.2 of the Conditions of Business. applies, there is an implied term on the part of the seller that in the bids not being processed or completed. For higher value lots you may also be asked to provide a bank reference. Where these Definitions and Glossary are incorporated, the following “Loss and Damage Warranty Fee” means the fee described in case of a sale he has a right to sell the goods, and in the case of 3. Bidder's name, address and contact details (phone and email): words and phrases used have (unless the context otherwise requires) paragraph 8.2.3 of the Conditions of Business. an agreement to sell he will have such a right at the time when the the meanings given to them below. The Glossary is to assist you to “Lot” any item consigned to Bonhams with a view to its Sale at auction property is to pass. If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement understand words and phrases which have a specific legal meaning or by private treaty (and reference to any Lot will include, unless the (2) In a contract of sale, other than one to which subsection (3) below I will collect the purchases myself with which you may not be familiar. context otherwise requires, reference to individual items comprised in a applies, there is also an implied term that- Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: LIST OF DEFINITIONS group of two or more items offered for Sale as one Lot). (a) the goods are free, and will remain free until the time Please arrange shippers to contact me with Yes No / - - “Account” the bank account of Bonhams into which all sums received “Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in when the property is to pass, from any charge or a quote and I agree that you may pass them in respect of the Purchase Price of any Lot will be paid. consideration of the additional work undertaken by Bonhams in respect encumbrance not disclosed or known to the buyer my contact details. “Additional Premium” a premium, calculated in accordance with of the cataloguing of motor vehicles and in respect of the promotion of before the contract is made, and Please note that all telephone calls are recorded. the Notice to Bidders, to cover Bonhams’ Expenses relating to the Sales of motor vehicles. (b) the buyer will enjoy quiet possession of the goods MAX bid in GBP Telephone or payment of royalties under the Artists Resale Right Regulations 2006 “New Bond Street” means Bonhams’ saleroom at 101 New Bond except in so far as it may be disturbed by the owner or Lot no. Brief description (excluding premium Covering bid which is payable by the Buyer to Bonhams on any Lot marked [AR] Street, London W1S 1SR. other person entitled to the benefit of any charge or Absentee (T / A) which sells for a Hammer Price which together with the Buyer’s “Notional Charges” the amount of Commission and VAT which would encumbrance so disclosed or known. & VAT) * Premium (but excluding any VAT) equals or exceeds 1000 euros have been payable if the Lot had been sold at the Notional Price. (3) This subsection applies to a contract of sale in the case of which (converted into the currency of the Sale using the European Central “Notional Fee” the sum on which the Consignment Fee payable to there appears from the contract or is to be inferred from its Bank Reference rate prevailing on the date of the Sale). Bonhams by the Seller is based and which is calculated according to circumstances an intention that the seller should transfer only such “Auctioneer” the representative of Bonhams conducting the formula set out in the Conditions of Business. title as he or a third person may have. the Sale. “Notional Price” the latest in time of the average of the high and low “Bidder” Any person considering, attempting or making a Bid, Estimates given by us to you or stated in the Catalogue or, if no such (4) In a contract to which subsection (3) above applies there is an including those who have completed a Bidding Form. Estimates have been given or stated, the Reserve applicable to the Lot. implied term that all charges or encumbrances known to the seller “Bidding Form” our Bidding Registration Form, our Absentee Bidding “Notice to Bidders” the notice printed at the back or front of our and not known to the buyer have been disclosed to the buyer Form or our Telephone Bidding Form. Catalogues. before the contract is made. “Bonhams” Bonhams 1793 Limited or its successors or assigns. “Purchase Price” the aggregate of the Hammer Price and VAT on the (5) In a contract to which subsection (3) above applies there is also an Bonhams is also referred to in the Buyer’s Agreement, the Conditions Hammer Price (where applicable), the Buyer’s Premium and VAT on the implied term that none of the following will disturb the buyer’s quiet of Business and the Notice to Bidders by the words “we”, “us” and Buyer’s Premium and any Expenses. possession of the goods, namely: “our”. “Reserve” the minimum price at which a Lot may be sold (whether at (a) the seller; “Book” a printed Book offered for Sale at a specialist Book Sale. auction or by private treaty). (b) in a case where the parties to the contract intend “Business” includes any trade, Business and profession. “Sale” the auction Sale at which a Lot is to be offered for Sale by that the seller should transfer only such title as a third “Buyer” the person to whom a Lot is knocked down by the Bonhams. person may have, that person; FOR WINE SALES ONLY Auctioneer. The Buyer is also referred to in the Contract for Sale and “Sale Proceeds” the net amount due to the Seller from the Sale of a (c) anyone claiming through or under the seller or that third the Buyer’s Agreement by the words “you” and “your”. Lot, being the Hammer Price less the Commission, any VAT chargeable person otherwise than under a charge or encumbrance Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT) “Buyer’s Agreement” the contract entered into by Bonhams with the thereon, Expenses and any other amount due to us in whatever disclosed or known to the buyer before the contract is Buyer (see Appendix 2 in the Catalogue). capacity and howsoever arising. made. “Buyer’s Premium” the sum calculated on the Hammer Price at the “Seller” the person who offers the Lot for Sale named on the Contract (5A) As regards England and Wales and Northern Ireland, the term BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH rates stated in the Notice to Bidders. Form. Where the person so named identifies on the form another implied by subsection (1) above is a condition and the terms TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS. “Catalogue” the Catalogue relating to the relevant Sale, including any person as acting as his agent, or where the person named on the implied by subsections (2), (4) and (5) above are warranties.” representation of the Catalogue published on our Website. Contract Form acts as an agent for a principal (whether such agency is “Commission” the Commission payable by the Seller to Bonhams disclosed to Bonhams or not), “Seller” includes both the agent and the Bidder/Agent’s (please delete one) signature: Date: calculated at the rates stated in the Contract Form. principal who shall be jointly and severally liable as such. The Seller “Condition Report” a report on the physical condition of a Lot provided is also referred to in the Conditions of Business by the words “you” Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. to a Bidder or potential Bidder by Bonhams on behalf of the Seller. and “your”. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: NTB/MAIN/V1/3.2020 Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying Sale title: Fine European Ceramics Sale date: Wednesday 22 July 2020 at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale no. 25884 Sale venue: New Bond Street Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours and other terms relating to bidding and buying at the prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Sale. You should ask any questions you have about the for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Conditions before signing this form. These Conditions endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers. General Bid Increments: £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s Data protection – use of your information £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Where we obtain any personal information about you, we £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s shall only use it in accordance with the terms of our Privacy £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s Policy (subject to any additional specific consent(s) you may £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion have given at the time your information was disclosed). A £5,000 - 10,000 ...... by 500s copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer The auctioneer has discretion to split any bid at any time. Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. Customer Number Title We may disclose your personal information to any member of our group which means our subsidiaries, our ultimate holding First Name Last Name company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to anyone outside Company name (if applicable) our group but we may from time to time provide you with information about goods and services which we feel maybe of Company Registration number (if applicable) interest to you including those provided by third parties. If you do not want to receive such information (except for Address information you specifically requested) please tick this box City Would you like to receive e-mailed information from us? if so please tick this box Post / Zip code County / State Notice to Bidders. At least 24 hours before the Sale, clients must provide Telephone (mobile) Country government or state issued photographic proof of ID and date of birth e.g. - passport, driving licence - and if not included in Telephone (landline) ID document, proof of address e.g - utility bill, bank or credit card statement etc. Corporate clients should also provide a E-mail (in capitals) copy of their articles of association / company registration Please answer all questions below documents, and the entities name and registered address, documentary proof of its beneficial owners and directors, 1. ID supplied: Government issued ID and (if the ID does not confirm your address) current utility bill/ bank statement. together with a letter authorising the individual to bid on the If a corporate entity, please provide the Certificate of Incorporation or Partnership Deed and a letter authorising you to act. company’s behalf. Failure to provide this may result in your bids not being processed or completed. For higher value lots 2. Are you representing the Bidder? If yes, please complete question 3. you may also be asked to provide a bank reference. 3. Bidder's name, address and contact details (phone and email): If successful Bidder’s ID: Government issued ID and (if the ID does not confirm their address) current utility bill/bank statement I will collect the purchases myself Are you acting in a business capacity? If registered for VAT in the EU please enter your registration here: Please arrange shippers to contact me with Yes No - - a quote and I agree that you may pass them / my contact details. Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE INCLUDING BUYER’S WARRANTIES AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Bidder/Agent’s (please delete one) signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/08/19

Fine European Ceramics

I New Bond Street, London I 22 July 2020

Bonhams 101 New Bond Street London, W1S 1SR

+44 (0) 20 7447 7447 bonhams.com

AUCTIONEERS SINCE 1793