Religion in the Room of the Chariot Tablets*
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Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
The Aegean Chapter Viii the Decorative
H. J. Kantor - Plant Ornament in the Ancient Near East, Chapter VIII: The Decorative Flora of Crete and the Late Helladic Mainland SECTION II: THE AEGEAN CHAPTER VIII THE DECORATIVE FLORA OF CRETE AND THE LATE HELLADIC MAINLAND In the midst of the sea, on the long island of Crete, there dwelt a people, possessors of the fabulous Minoan culture, who are known to have had trade relations with Egypt, and with other Near-Eastern lands. Still farther away towards the north lies the Mainland of Greece, a region that proved itself to be a very hospitable host to the graft of Minoan culture. Before the close of the LH period the ceramic results of this union were to be spread over the Near East in great profusion and it becomes necessary to define the extent of Aegean influence on those traditions of Near-Eastern art that lie within the scope of our topic. Before this is possible a concise summary of the plant ornamentation of the Aegean must be presented.1 This background forms a necessary basis without which the reaction of Aegean plant design on the main development of our story, be it large or small, cannot be determined. 1 A great deal of interest and work has been devoted to the study of Minoan decorative art almost since the beginning of its discovery, and full advantage of this has been taken in the preparation of the present survey. The chief treatments of the subject are as follows: Edith H. Hall, The Decorative Art of Crete in the Bronze Age (Philadelphia, 1907); Ernst Reisinger, Kretische Vasenmalerei vom Kamares bis zum Palast-Stil (Leipzig, Berlin, 1912); Diederich Fimmen, Die Kretisch-Mykenische Kulture (Leipzig, Berlin, 1924), Alois Gotsmich, Entwicklungsgang der Kretischen Ornamentik, Wein, 1923); Frederich Matz, Frühkretische Siegel (Berlin, 1928), covering a much wider field than is indicated by the title; Georg Karo, Die Schachtgräber von Mykenai (Munchen, 1939). -
Bacchylides 17: Singing and Usurping the Paean Maria Pavlou
Bacchylides 17: Singing and Usurping the Paean Maria Pavlou ACCHYLIDES 17, a Cean commission performed on Delos, has been the subject of extensive study and is Bmuch admired for its narrative artistry, elegance, and excellence. The ode was classified as a dithyramb by the Alex- andrians, but the Du-Stil address to Apollo in the closing lines renders this classification problematic and has rather baffled scholars. The solution to the thorny issue of the ode’s generic taxonomy is not yet conclusive, and the dilemma paean/ dithyramb is still alive.1 In fact, scholars now are more inclined to place the poem somewhere in the middle, on the premise that in antiquity the boundaries between dithyramb and paean were not so clear-cut as we tend to believe.2 Even though I am 1 Paean: R. Merkelbach, “Der Theseus des Bakchylides,” ZPE 12 (1973) 56–62; L. Käppel, Paian: Studien zur Geschichte einer Gattung (Berlin 1992) 156– 158, 184–189; H. Maehler, Die Lieder des Bakchylides II (Leiden 1997) 167– 168, and Bacchylides. A Selection (Cambridge 2004) 172–173; I. Rutherford, Pindar’s Paeans (Oxford 2001) 35–36, 73. Dithyramb: D. Gerber, “The Gifts of Aphrodite (Bacchylides 17.10),” Phoenix 19 (1965) 212–213; G. Pieper, “The Conflict of Character in Bacchylides 17,” TAPA 103 (1972) 393–404. D. Schmidt, “Bacchylides 17: Paean or Dithyramb?” Hermes 118 (1990) 18– 31, at 28–29, proposes that Ode 17 was actually an hyporcheme. 2 B. Zimmermann, Dithyrambos: Geschichte einer Gattung (Hypomnemata 98 [1992]) 91–93, argues that Ode 17 was a dithyramb for Apollo; see also C. -
Cutting-Edge Technology and Know-How of Minoans/Mycenaeans During Lba and Possible Implications for the Dating of the Trojan War
TAL 46-47 -pag 51-80 (-03 GIANNIKOS):inloop document Talanta 05-06-2016 14:31 Pagina 51 TALANTA XLVI-XLVII (2014-2015), 51 - 79 CUTTING-EDGE TECHNOLOGY AND KNOW-HOW OF MINOANS/MYCENAEANS DURING LBA AND POSSIBLE IMPLICATIONS FOR THE DATING OF THE TROJAN WAR Konstantinos Giannakos In the present paper, the material evidence, in LBA, both for the technological level of Minoan/Mycenaean Greece, mainland-islands-Crete, and the image emerging from the archaeological finds of the wider area of Asia Minor, Land of Ḫatti, Cyprus, and Egypt, are combined in order to draw conclusions regard- ing international relations and exchanges. This period of on the one hand pros- perity with conspicuous consumption and military expansion, on the other hand as well of decline and degradation of power are considered in relation with the ability of performing overseas raids of Mycenaean Greeks. The finds of the destructions’ layers in Troy VI/VIIa are examined in order to verify whether one of these layers is compatible to the Trojan War, while an earlier dating is pro- posed. The results are compared with the narrative of ancient literature in order to trace compatibilities or inconsistencies to the archaeological finds. Introduction Technology and its ‘products’, when unearthed by archaeologists, are irrefutable witnesses to the technological level of each era and place. Especially the cut- ting-edge technology and, more in general, an advanced know-how are, in my opinion, of decisive importance, since “Great Powers” use them in order to increase wealth and military superiority. The evaluation of archaeological finds, cutting-edge technology, and advanced know-how of each era could result in conclusions regarding the nature of international trade and relation- ships, and can also be brought in connection with evidence from ancient litera- ture. -
Late Bronze Age Harbours in the Aegean
118 Late Bronze Age Harbours · Eugenia Loizou Late Bronze Age Harbours in the Aegean Towards another theoretical approach Eugenia Loizou Abstract – Harbours and ports have always attracted the archaeological interest as places of economical, social and cultural interaction. Their study can give a better insight into the activities of the past cultures and the processes that took place in the broader harbour area. Prehistoric harbours though, in contrast with the ancient ones, leave scarce remains and have been less investigated. In this paper, the archaeological evidence of the Late Bronze Age harbours of the Aegean is presented and discussed and some problematization on the finds is also exposed. Moreover, a new theoretical approach on the study of the Bronze Age Aegean harbours is attempted. It is suggested that the Bronze Age harbours should be examined under the notion of the dynamic seascape and considered as ac - tive cultural landscapes with sociopolitical implications. These qualities can be found on the architectural and urban development of the settlement and especially on the structures that consist with an Aegean harbour-town. Inhalt – Natürliche und künstliche Häfen haben als Stätten der wirtschaftlichen, gesellschaftlichen und kulturel- len Wechselwirkung stets das archäologische Interesse angezogen. Ihr Studium kann bessere Einblicke in die Tätigkeiten vergangener Kulturen und in die Prozesse, die im weiteren Hafengebiet abliefen, bieten. Vor ge - schichtliche Häfen jedoch hinterlassen im Gegensatz zu den antiken dürftige Reste und sind weniger erforscht. In diesem Beitrag werden die archäologischen Zeugnisse spätbronzezeitlicher Häfen der Ägäis vorgelegt und diskutiert und einige mit den Funden verbundene Probleme aufgezeigt. Darüber hinaus wird ein neuer theoretischer Ansatz für das Studium bronzezeitlicher ägäischer Häfen versucht. -
1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience. -
The Dancing Floor of Ares Local Conflict and Regional Violence in Central Greece
The Dancing Floor of Ares Local Conflict and Regional Violence in Central Greece Edited by Fabienne Marchand and Hans Beck ANCIENT HISTORY BULLETIN Supplemental Volume 1 (2020) ISSN 0835-3638 Edited by: Edward Anson, Catalina Balmaceda, Monica D’Agostini, Andrea Gatzke, Alex McAuley, Sabine Müller, Nadini Pandey, John Vanderspoel, Connor Whatley, Pat Wheatley Senior Editor: Timothy Howe Assistant Editor: Charlotte Dunn Contents 1 Hans Beck and Fabienne Marchand, Preface 2 Chandra Giroux, Mythologizing Conflict: Memory and the Minyae 21 Laetitia Phialon, The End of a World: Local Conflict and Regional Violence in Mycenaean Boeotia? 46 Hans Beck, From Regional Rivalry to Federalism: Revisiting the Battle of Koroneia (447 BCE) 63 Salvatore Tufano, The Liberation of Thebes (379 BC) as a Theban Revolution. Three Case Studies in Theban Prosopography 86 Alex McAuley, Kai polemou kai eirenes: Military Magistrates at War and at Peace in Hellenistic Boiotia 109 Roy van Wijk, The centrality of Boiotia to Athenian defensive strategy 138 Elena Franchi, Genealogies and Violence. Central Greece in the Making 168 Fabienne Marchand, The Making of a Fetter of Greece: Chalcis in the Hellenistic Period 189 Marcel Piérart, La guerre ou la paix? Deux notes sur les relations entre les Confédérations achaienne et béotienne (224-180 a.C.) Preface The present collection of papers stems from two one-day workshops, the first at McGill University on November 9, 2017, followed by another at the Université de Fribourg on May 24, 2018. Both meetings were part of a wider international collaboration between two projects, the Parochial Polis directed by Hans Beck in Montreal and now at Westfälische Wilhelms-Universität Münster, and Fabienne Marchand’s Swiss National Science Foundation Old and New Powers: Boiotian International Relations from Philip II to Augustus. -
The Origin of the Etruscans
The Origin of the Etruscans Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<i>59 koninklijke nederlandse akademie van wetenschappen Mededelingen van de Afdeling Letterkunde, Nieuwe Reeks, Deel 66 no. i Deze Mededeling werd in verkorte vorm uitgesproken in de vergadering van de Afdeling Letterkunde, gehouden op ii februari 2002. Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<2>59 r.s.p. beekes The Origin of the Etruscans Koninklijke Nederlandse Akademie van Wetenschappen, Amsterdam, 2003 Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<3>59 isbn 90-6984-369-2 Copyright van deze uitgave ß 2003 Koninklijke Nederlandse Akademie van Wetenschap- pen, Postbus i9i2i, i000 GC Amsterdam Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm of op welke wijze dan ook, zonder voorafgaande schriftelijke toestemming van de rechthebbende, behoudens de uitzonderingen bij de wet gesteld Druk: PlantijnCasparie Heerhugowaard bv Het papier van deze uitgave voldoet aan 1 iso-norm 9706 (i994) voor permanent houd- baar papier Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<4>59 The Origin of the Etruscans ‘dass jene Polemik ... jetzt praktisch ... an einem toten Punkt gelangt ist.’ F. Falchetti - Antonella Romualdi, Die Etrusker (Stuttgart 200i), p. i2. contents Introduction 7 i. The prehistory of the Lydians i0 i.i. Me·iones i0 i.2 Ma·sas i0 i.3 Ancient testimonies i3 i.4 Other evidence i7 i.5 The linguistic position of Lydian 20 i.6 Historical considerations 2i i.7 Conclusion 23 2. The origin of the Etruscans 24 2.i The Etruscans came from the East 24 2.2 The TyrseŒnoi in classical times 37 2.3 Ancient testimonies 4i 2.4 Historical considerations 44 3. -
(Pelasgians/Pelasgi/Pelasti/Pelišti) – the Archaic Mythical Pelasgo/Stork-People from Macedonia
Basil Chulev • ∘ ⊕ ∘ • Pelasgi/Balasgi, Belasgians (Pelasgians/Pelasgi/Pelasti/Pelišti) – the Archaic Mythical Pelasgo/Stork-people from Macedonia 2013 Contents: Introduction ................................................................................................................... 5 Macedonians from Pella and Pelasgians from Macedon – origin of the Pelasgians ....... 16 Religion of the Pelasgians …………………..…………………………………..……… 32 Pelasgian language and script .......................................................................................... 39 Archaeological, Etymological, Mythological, and Genetic evidence of Pelasgic origin of Macedonians .................................................................................................................... 52 References ........................................................................................................................ 64 Introduction All the Macedonians are familiar with the ancient folktale of 'Silyan the Stork' (Mkd.latin: Silyan Štrkot, Cyrillic: Сиљан Штркот). It is one of the longest (25 pages) and unique Macedonian folktales. It was recorded in the 19th century, in vicinity of Prilep, Central Macedonia, a territory inhabited by the most direct Macedonian descendents of the ancient Bryges and Paionians. The notion of Bryges appear as from Erodot (Lat. Herodotus), who noted that the Bryges lived originally in Macedonia, and when they moved to Asia Minor they were called 'Phryges' (i.e. Phrygians). Who was Silyan? The story goes: Silyan was banished -
Musical Instruments and the Paean in Archilochus Paula
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SEDICI - Repositorio de la UNLP MUSICAL INSTRUMENTS AND THE PAEAN IN ARCHILOCHUS PAULA DA CUNHA CORRÊA University of São Paulo RESUMEN El presente artículo analiza la significación de la relativamente frecuente ocurrencia de la terminología musical en los fragmentos de Arquíloco, tal como auloí y ejecutantes de auloí (fr.58.12,269), liras (fr.54.11, 93a lira + aulos), la trompeta (fr. 214) y el ejecutante de trompa (fr. 269), y la referencia al peán (fr.121) en sus contextos. ABSTRACT This paper intends to examine the significance of the relatively frequent occurrence of musical terminology in the fragments of Archilochus, such as auloi and auloi players (fr. 58.12, 269), lyres (fr.54.11, 93a lyre + aulos), the trumpet (fr. 214) and horn player (fr. 269), and reference to a paean (fr.121), in their contexts. PALABRAS CLAVE: Terminología musical-Peán-Arquíloco KEY WORDS: Musical Terminology-Paean-Archilochus In comparison with other archaic elegiac and iambic poets, the occurrences of musical terminology in the fragments of Archilochus are remarkable for their number and variety. Statistics may be hazardous when applied to such a faulty corpus, but if we first consider musical instruments and musicians, with the exception of the various occurrences in the Theognidea,1 whose dating is neither uniform nor certain, in the extant elegies and 1 αὐλητήρ 533, 825, 943, 975, 1041, 1065, αὐλητής 941, αὐλίσκος 241, αὐλός 532, 761, 885, κιθάρα778, φόρμιγξ 761, 791, λύρη 534, 975. / SYNTHE S I S (2009), VOL .16 99 Paula Da Cunha Corrêa iambi we only find a few isolated references, such as συρίζει in Hipponax 79.11,2 lyres in Margites 1.3 and in Ion 32.1,3 and an aulos player in a elegiac distich (ad. -
Medusa-Play-2Duovm7.Pdf
The Eyes of Stone Written 9/27/2011 Co-authors: Andrew Aday Chunyang Ding Rachael Kim Hari Mahesh Karthik Meiyappan Characters: Medusa------Chunyang Friend--------Karthik Chorus-------Hari Messenger--Rachael Poseidon-----Karthik A Priest-------Rachael Athena-------Andrew Table of Contents-------------------------------------Author-------------------------------------------Page Numbers Prologue------------------------------------------------Rachael Kim---------------------------------------- 1-2 Parados ------------------------------------------------Rachael Kim---------------------------------------- 2-3 1st Scene------------------------------------------------Hari Mahesh -------------------------------------- 3-6 1st Ode--------------------------------------------------Collaboration ------------------------------------- 6 2nd Scene-----------------------------------------------Andrew Aday ------------------------------------- 6-10 2nd Ode-------------------------------------------------Collaboration ------------------------------------- 10-11 Paene---------------------------------------------------Karthik Meiyappan ------------------------------ 11-12 3rd Scene-----------------------------------------------Chunyang Ding ----------------------------------- 12-16 Exodus-------------------------------------------------Karthik Meiyappan ------------------------------ 16 Time and scene: Athens temple of Athena. It is morning out upon Athens, her sacred city and flooding and earthquakes have shaken the land and its people. of where her temple -
Integrating Geomorphological Data, Geochronology and Archaeological Evidence for Coastal Landscape Reconstruction, the Case of Ammoudara Beach, Crete
water Article Integrating Geomorphological Data, Geochronology and Archaeological Evidence for Coastal Landscape Reconstruction, the Case of Ammoudara Beach, Crete George Alexandrakis * , Stelios Petrakis and Nikolaos A. Kampanis Coastal and Marine Research Lab, Institute of Applied & Computational Mathematics, Foundation for Research & Technology-Hellas, 70013 Heraklion, Greece; [email protected] (S.P.); [email protected] (N.A.K.) * Correspondence: [email protected] Abstract: Understanding the processes that govern the transformation of the landscape through time is essential for exploring the evolution of a coastal area. Coastal landscapes are dynamic sites, with their evolution strongly linked with waves and sea level variations. Geomorphological features in the coastal area, such as beachrock formations and dune fields, can function as indicators of the coastal landscape evolution through time. However, our knowledge of the chronological framework of coastal deposits in the Aegean coasts is limited. Optically Stimulated Luminescence dating techniques are deemed to be very promising in direct dating of the coastal sediments, especially when they are linked with archaeological evidence. The dating of the sediments from different sediment core depths, determined by the method of luminosity, allowed us to calculate the rate of sediment deposition over time. More recent coastal evolution and stability were examined from 1945 to 2020 with the use of aerial photographs and satellite images. This paper presents the 6000 ka evolution of a coastal Citation: Alexandrakis, G.; Petrakis, landscape based on geomorphological, archaeological, and radio-chronological data. Based on the S.; Kampanis, N.A. Integrating results, the early stages of the Ammoudara beach dune field appears to have been formed ~9.0–9.6 ka Geomorphological Data, Geochronology and Archaeological BP, while the OSL ages from 6 m depth represented the timing of its stabilization (OSL ages ~5–6 ka).