Choral Evensong
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Choral Evensong
CHORAL EVENSONG 5:00 P.M. SUNDAY, FEBRUARY 5, 2017 THE FIFTH SUNDAY AFTER EPIPHANY CHRIST CHURCH 118 N. Washington St. Alexandria, VA 22314 www.HistoricChristChurch.org CHORAL EVENSONG is the service of Evening Prayer with choral music. It is sung in cathedrals with choral foundations on a more or less daily basis, and in many parish churches around the world. The Prayer Book of 1662 established the pattern for Choral Evensong which remains in common usage throughout the worldwide Anglican Communion. Since the earliest Christian times, the need to mark the passing of time with prayer has been recognized. The monastic cycle of prayer began in the desert with Anthony in the fourth century and continues to this day. By the Reformation, Vespers had become an elaborate musical celebration in the evening. The English Reformation demanded that the vernacular be the language of worship and resulted in the liturgical simplicity of Thomas Cranmer’s services of Morning and Evening Prayer. The provision of music for this structure and these words was the task of men like Tallis, Byrd, Gibbons, and Tomkins, whose creativity laid the foundations of Anglican choral worship. Choral Evensong is the quintessence of such worship. The canon of music for Evensong continues to grow, with composers from around the world contributing to it. Unlike the Eucharist, which follows the movement of the Church calendar, and unlike private prayer, which follows the events of our lives, the daily office follows its own rhythm. The readings are done “in course,” and are not specifically chosen to make a particular point, and the canticles (Magnificat and Nunc dimittis) are the same each day. -
16 November 2018 Page 1 of 12
Radio 3 Listings for 10 – 16 November 2018 Page 1 of 12 SATURDAY 10 NOVEMBER 2018 Aufforderung zum Tanz : rondo brillant for piano Op.65 of Lent, settings of texts from the Old Testament Book of Artur Schnabel (Piano) Lamentations. SAT 01:00 Through the Night (m000127l) Rhapsodie espagnole 05:18 AM Although modestly scored for one and two voices and organ, Music for two pianos by Debussy, Ravel & Bartok performed Wolfgang Amadeus Mozart (1756-1791) the music makes a deeply expressive and satisfying sequence, by Yuka Oechslin & Anton Kernjak. Presented by John Shea. Mentre ti lascio, o figlia - aria for bass and orchestra (K.513) by turns meditative, dramatic and contemplative as it deals with Robert Holl (Bass), Netherlands Radio Philharmonic Orchestra, the captivity of the Jews and the destruction of the temple of 01:01 AM Kenneth Montgomery (Conductor) Jerusalem in 587 BC and demands top-flight singers. Claude Debussy (1862-1918) En Blanc et Noir 05:26 AM 10.20am New Releases Yuka Oechslin (Piano), Anton Kernjak (Piano) Erik Satie (1866-1925), Darius Milhaud (Arranger) Jack-in-the-box pantomime (Prelude; Entr'acte; Finale) Mozart: ‘Les Trois Derniers Symphonies’ 01:18 AM CBC Vancouver Orchestra, Mario Bernardi (Conductor) Ensemble Appassionata Maurice Ravel (1875-1937) Mathieu Herzog (conductor) La Valse 05:33 AM NAÏVE V 5457 (2CDs) Yuka Oechslin (Piano), Anton Kernjak (Piano) Jean-Philippe Rameau (1683-1764) Les Indes Galantes (excerpts) Mozart: ‘Sonatas for fortepiano & violin’ Vol.1 01:33 AM Norwegian Chamber Orchestra, Terje Tønnesen -
Finzi Bagatelles
Gerald Finzi (1901-1956): Five Bagatelles for clarinet and piano, Opus 23 (1945) Prelude: Allegro deciso Romance: Andante tranquillo Carol: Andante semplice Forlana: Allegretto grazioso Fughetta: Allegro vivace Better known for his vocal music, Finzi also wrote well for the clarinet: these Five Bagatelles and his later Clarinet Concerto are frequently played. Born to a German/Italian Jewish family in London, the teenage Finzi was taught composition in Harrogate by Ernest Farrar, a pupil of Stanford, and by Edward Bairstow, Master of Music at York Minster. His subsequent friends and colleagues included Vaughan Williams, R.O.Morris, Holst, Bliss, Rubbra and Howard Ferguson; his music is firmly within this English tradition. He was attracted to the beauty of the English countryside and to the poetry of Traherne, Hardy and Christina Rosetti. The Five Bagatelles had a tortuous birth. In the summer of 1941, increasingly confident in his powers as a composer, Finzi completed three character pieces for clarinet and piano before being drafted into the Ministry of War Transport. He used “20-year-old bits and pieces”, which he had been working on since 1938. A fourth was added in January 1942 and the whole group performed at a wartime National Gallery lunchtime concert. Leslie Boosey wanted to publish the pieces separately, but in July 1945 Finzi persuaded him to publish them as a group, together with an additional fast finale. Somewhat to Finzi's chagrin, they became his most popular piece: ‘they are only trifles... not worth much, but got better notices than my decent stuff’. The first movement shows Bach's influence on Finzi and contains a slow central section with characteristically wistful falling minor 7ths. -
Historic Downtown Sarasota
CHURCH OF THE REDEEMER 2020 Historic Downtown Sarasota CONCERTS CHORAL EVENSONG SPECIAL EVENTS Church of the Redeemer Great Music Series 27 Jan 11 Feb 7:30pm 7:30pm CHOPIN BRITISH NIGHT Chamber Orchestra PROJECT of Sarasota Pianist Renana Gutman Dr. Robert Vodnoy Conductor 19 Jan 9 Feb 4:30pm 4pm MUSICA SACRA requiem Mass KENT TRITLE in d minor Organ Concert W.A. Mozart Sunday, 19 Jan Monday, 27 Jan Sunday, 9 Feb Tuesday, 11 Feb KENT TRITLE CHOPIN PROJECT MUSICA SACRA CONCERT Organ Recital Pianist Requiem mass British Night Evensong Renana Gutman in d minor W.A. Mozart Chamber Orchestra the Redeemer Choirs of Sarasota 4:30pm 7:30pm 4pm 7:30pm Kent Tritle is a choral conductor Pianist Renana Gutman will be Musica Sacra of Sarasota is the Carmen Bannon – Flute and organist in New York City. He is “Chasing Chopin” as she presents Florida Gulf Coast’s only Nicholas Arbolino – Oboe the current director of the works by the Polish master and concert ensemble dedicated to Robert Vodnoy – Conductor professional chorus Musica Sacra composers he influenced including the performances and promotion Masterpieces by British composers, and the Oratorio Society of New Gabriel Fauré, Claude Debussy, of choral/orchestral music based and music inspired by the plays of York. He is also the director of Alexander Scriabin and others, on sacred texts. Mozart’s last William Shakespeare, performed in cathedral music and organist at the with elegant commentary that major choral work, left collaboration with Urbanite Theatre. Cathedral of St. John the Divine, weaves their music and their incomplete at the time of his Music by Elgar, Handel, Holst, Kent Tritle is the organist for the stories. -
View/Download Liner Notes
HUBERT PARRY SONGS OF FAREWELL British Choral Music remarkable for its harmonic warmth and melodic simplicity. Gustav Holst (1874-1934) composed The Evening- 1 The Evening-Watch Op.43 No.1 Gustav Holst [4.59] Watch, subtitled ‘Dialogue between the Body Herbert Howells (1892-1983) composed his Soloists: Matthew Long, Clare Wilkinson and the Soul’ in 1924, and conducted its first memorial anthem Take him, earth, for cherishing 2 A Good-Night Richard Rodney Bennett [2.58] performance at the 1925 Three Choirs Festival in late 1963 as a tribute to the assassinated 3 Take him, earth, for cherishing Herbert Howells [9.02] in Gloucester Cathedral. A setting of Henry President John F Kennedy, an event that had moved Vaughan, it was planned as the first of a series him deeply. The text, translated by Helen Waddell, 4 Funeral Ikos John Tavener [7.41] of motets for unaccompanied double chorus, is from a 4th-century poem by Aurelius Clemens Songs of Farewell Hubert Parry but only one other was composed. ‘The Body’ Prudentius. There is a continual suggestion in 5 My soul, there is a country [3.52] is represented by two solo voices, a tenor and the poem of a move or transition from Earth to 6 I know my soul hath power to know all things [2.04] an alto – singing in a metrically free, senza Paradise, and Howells enacts this by the way 7 Never weather-beaten sail [3.22] misura manner – and ‘The Soul’ by the full his music moves from unison melody to very rich 8 There is an old belief [4.52] choir. -
Music at Grace 2016-2017
Music at Grace 2016-2017 WELCOME Dear Friends, We are delighted to welcome you to this season of Music at Grace! The coming year continues our tradition of offering glorious sacred choral music at the Sunday Eucharist, Evensong, Lessons and Carols, and in concert. In addition, we are thrilled to announce the debut of Collegium Ancora: Rhode Island’s Professional Chamber Choir, Ensemble-in-Residence at Grace Church. We also welcome the Brown University Chorus and Schola Cantorum of Boston to Grace on April 7 for a gala concert performance of Bach’s monumental St. Matthew Passion. And our Thursdays at Noon concert series resumes in September! This booklet outlines the musical offering for the coming season, particularly the 10 AM Holy Eucharist on Sunday mornings. Also included is an envelope for your support of Music at Grace. Whether you are a parishioner or a friend of music, we hope you will consider making a donation to support our musical presence in Downcity Providence, for the worship or concert setting. A return envelope is enclosed for your convenience, and names listed will be included in the programs for special services and concerts. We wish to remind parishioners of Grace church that any gift made to Music at Grace should be in addition to your regular Stewardship pledge which is so important to the church. We hope that you will walk through our historic doors on Westminster Street in downtown Providence for worship or concert, or both very soon! The Reverend Canon Jonathan Huyck+ Rector Vincent Edwards Director of Music MUSIC -
KINGSWINFORD (Inc
HITCHMOUGH’S BLACK COUNTRY PUBS KINGSWINFORD (Inc. Himley, Wall Heath) 3rd. Edition - © 2015 Tony Hitchmough. All Rights Reserved www.longpull.co.uk INTRODUCTION Well over 40 years ago, I began to notice that the English public house was more than just a building in which people drank. The customers talked and played, held trips and meetings, the licensees had their own stories, and the buildings had experienced many changes. These thoughts spurred me on to find out more. Obviously I had to restrict my field; Black Country pubs became my theme, because that is where I lived and worked. Many of the pubs I remembered from the late 1960’s, when I was legally allowed to drink in them, had disappeared or were in the process of doing so. My plan was to collect any information I could from any sources available. Around that time the Black Country Bugle first appeared; I have never missed an issue, and have found the contents and letters invaluable. I then started to visit the archives of the Black Country boroughs. Directories were another invaluable source for licensees’ names, enabling me to build up lists. The censuses, church registers and licensing minutes for some areas, also were consulted. Newspaper articles provided many items of human interest (eg. inquests, crimes, civic matters, industrial relations), which would be of value not only to a pub historian, but to local and social historians and genealogists alike. With the advances in technology in mind, I decided the opportunity of releasing my entire archive digitally, rather than mere selections as magazine articles or as a book, was too good to miss. -
The Day of Pentecost St. Philipls Church
S T . P HILI P ’ S C HU RCH Established 1680 • Charleston, SC THE DAY OF PENTECOST HOLY COMMUNION: RITE I MAY 23, 2021 • 10:30 AM WELCOME To all who are spiritually weary and seek rest, to all who mourn and long for comfort, to all who struggle and desire victory, to all who sin and need a Savior, to all who are strangers and want fellowship, to all who hunger and thirst after righteousness, to all who have been blessed and wish to give thanks, and to whoever will come—this church opens wide her doors and offers her welcome in the name of the Lord Jesus Christ. HOLY COMMUNION: RITE I THE PRELUDE Prelude Samuel Ducommun (1914-1987) THE INTROIT Veni, Sancte Spiritus Jacques Berthier (1923-1994) (Come, Holy Spirit) Veni, Sancte Spiritus. Come, Holy Spirit, from heaven shine forth with your glorious light. Come, Father of the poor, come, generous Spirit, come, light of our hearts. Come, from the four winds, O Spirit, come breath of God; Disperse the shadows over us, renew and strengthen your people. You are our only Comforter, Peace of the soul. In the heat you shade us; in our labor you refresh us, And in trouble you are our strength. Text: Taize Community, 1978. Music: Jacques Berthier (1923-1994) THE WORD OF GOD THE OPENING HYMN 352 Hail Thee, Festival Day Salve Festa Dies Refrain: Hail thee, festival day! Blest day that art hallowed forever, Day whereon God from heav’n shone in the world with his grace. He who was nailed to the cross is Lord and the ruler of all men; All things created on earth sing to the glory of God. -
Harris Composed NAXOS Much Music for Choir and for Organ Solo As Well As Larger Pieces for the Three Choirs Festival and Two Premières at the London Proms
570148 Inlay USA 20/10/06 5:13 pm Page 1 NAXOS During his tenure as Organist at St George’s Chapel, Windsor Castle, William Henry Harris composed NAXOS much music for choir and for organ solo as well as larger pieces for the Three Choirs Festival and two premières at the London Proms. In addition to music previously unrecorded, this disc includes Harris’ two best known works: Faire is the heav’n, and Bring us O Lord God, both pinnacles of twentieth- century English Church Music, recorded in the Chapel by the Choir of boys and men with which he Sir WILLIAM HENRY HARRIS: was associated for almost thirty years. 8570148 Sir WILLIAM HENRY HARRIS: Sir William Henry DDD Playing Time HARRIS 65:45 (1883-1973) 7 where indicated by * Anthems 47313 1 O hearken thou 2:32 2 Strengthen ye the weak hands 7:47 3 Faire is the heav’n 5:47 01487 4 Love of love 5:43 5 King of glory 5:24 6 Praise the Lord 10:30 3 7 The night is come * 10:23 www.naxos.com Made in Canada http://www.naxos.com/libretti/570148.htm Includes sung texts, which are also available at: Booklet notes in English ắ 8 The shepherd-men * 2:50 & 9 O joyful light 4:45 Ả Choral Music Choral Music 0 From a heart made whole 3:23 2006 Naxos Rights International Ltd. ! I said to the man * 2:20 @ Bring us, O Lord God 4:24 Choir of St George’s Chapel, Windsor Castle • Roger Judd, Organ Timothy Byram-Wigfield, Director Publishers: Chester Novello (track 1, 2, 6 and 12) • Ascherberg, Hopwood & Crew Ltd. -
Singing Our Song Program, September 14, 2019
Singing Our Song: Hymns and Anthems from Trinity Church September 14, 2019, 7:00pm St. Paul's Chapel Broadway and Fulton Street, New York City Anthem Hail, Gladdening Light Charles Wood (1866–1926) Hail, gladdening light, of his pure glory poured, who is the immortal Father, heavenly, blest, holiest of holies, Jesu Christ, our Lord. Now we are come to the sun’s hour of rest, the lights of evening ‘round us shine, we hymn the Father, Son, and Holy Spirit divine. Worthiest art thou at all times to be sung with undefiled tongue, Son of our God, giver of life alone; therefore in all the world thy glories, Lord, they own. Amen. —Early Greek hymn Hymn God Is Love Hymnal 379 Please stand as you are able. 2 Words: Timothy Rees (1874-1939), alt.; Music: Abbot’s Leigh, Cyril Vincent Taylor (1907-1991) Please be seated. Anthem Jubilate Deo Julian Wachner (b. 1969) O be joyful in the Lord, all ye lands; serve the Lord with gladness and come before his presence with a song. Be ye sure that the Lord he is God; it is he that hath made us and not we ourselves; we are his people and the sheep of his pasture. O go your way into his gates with thanksgiving; and into his courts with praise; be thankful unto him and speak good of his name. For the Lord is gracious; his mercy is everlasting; and his truth endureth from generation to generation. —Psalm 100, Book of Common Prayer; Julian Wachner, alt. 3 Hymn Hymn to Joy Hymnal 376, adapted Please stand as you are able. -
The Ivor Gurney Society Newsletter
THE IVOR GURNEY SOCIETY NEWSLETTER NUMBER 59 February 2016 Spring Weekend 2016, 7-8 May 2016 Gurney and Blunden The Spring Weekend 2016 event features a talk and discussion led by the author, poet and WW1 expert John Greening, and by Margi Blunden. They will talk about Edmund Blunden (Margi’s father), who knew Gurney and was his first editor. John Greening recently produced a beautiful new edition of Blunden's Undertones of War for OUP. There will also be a display of Blunden items. Later there will be a recital by Midori Komachi (violin) and Simon Callaghan of British Music, to include Gurney and Vaughan Williams's 'The Lark Ascending'. Final programme to be confirmed, but may also include Holst and Delius. Saturday 7th May events will take place at St Andrew’s Church Centre, Station Road, Churchdown, Gloucester GL3 2JT. To book a place, please complete and return the enclosed form to Colin Brookes, Treasurer. Programme for 7 May: (11.00 am Doors open) 12.00 noon Annual General Meeting 12.30 pm Lunch 1.30 pm Talk and discussion led by John Greening and Margi Blunden 2.30 pm Break 3.00 pm Recital by Midori Konachi accompanied by Simon Callaghan Those attending should bring a packed lunch. Coffee, tea and soft drinks will be available. 8 May - Cranham: Poetry Walk (see p.2) Edmund Blunden ‘Remembering always my dear Cranham’ Sunday Morning Walk, May 8 Where Cooper’s stands by 2016 10.30am Cranham, ‘Remembering always my dear Where the hill gashes white Cranham’ is a phrase from a Shows golden in the sunshine, letter sent by Gurney to Herbert Our sunshine, God’s delight. -
THE ENGLISH MUSICAL RENAISSANCE and ITS INFLUENCE on GERALD FINZI: an in DEPTH STUDY of TILL EARTH OUTWEARS, OP. 19A
2 THE ENGLISH MUSICAL RENAISSANCE AND ITS INFLUENCE ON GERALD FINZI: AN IN DEPTH STUDY OF TILL EARTH OUTWEARS, OP. 19a A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Sean Patrick Lair, B.M., B.A. May 2009 Oxford, Ohio 3 ABSTRACT THE ENGLISH MUSICAL RENAISSANCE AND ITS INFLUENCE ON GERALD FINZI: AN IN DEPTH STUDY OF TILL EARTH OUTWEARS, OP. 19a By Sean Patrick Lair, B.M., B.A. Gerald Finzi (1901-1956) was an early Twentieth Century, British composer, whose talent is most notable in the realm of art song. Seeing as his works so perfectly suit my voice, I have decided to sing a song set of his on my senior recital, entitled Till Earth Outwears, Op. 19a. Through research, I wish to better inform my performance, and the future ones of others, by better acquainting myself with his life and compositional techniques, most assuredly shaped by what has always been a very distinct British aesthetic. His models and colleagues, including composers like Ralph Vaughan Williams, Roger Quilter, and John Ireland, reinvigorated the English musical culture and elevated the British standing on the world music scene at the end of the nineteenth century and beginning of the twentieth century. By studying this music in such minute detail, the proper method of performance can be decided and musical decisions will be better informed. Issues like breathing, phrasing, and tempo fluctuations or rubato can be addressed. I wish to expand the knowledge of the art song of Gerald Finzi, which, while not unknown, is markedly seldom performed.