An Analysis of Korean Traditional Narrative in the Contemporary Reality TV Show Infinite Challenge
When Old Meets New: An Analysis of Korean Traditional Narrative in the Contemporary Reality TV Show Infinite Challenge Yoon Tae-Il, Kim Sae-Eun, Kim Sooah, Sohn Byung-Woo Acta Koreana, Volume 20, Number 2, December 2017, pp. 423-448 (Article) Published by Keimyung University, Academia Koreana For additional information about this article https://muse.jhu.edu/article/756474 [ Access provided at 25 Sep 2021 15:37 GMT with no institutional affiliation ] ACTA KOR ANA VOL. 20, NO. 2, DECEMBER 2017: 423–448 doi:10.18399/acta.2017.20.2.004 © Academia Koreana, Keimyung University, 2017 WHEN OLD MEETS NEW: AN ANALYSIS OF KOREAN TRADITIONAL NARRATIVE IN THE CONTEMPORARY REALITY TV SHOW INFINITE CHALLENGE By YOON TAE-IL, KIM SAE-EUN, KIM SOOAH, and SOHN BYUNG-WOO In an attempt to explore how local traditional narrative manifests in a globalized media format, we analyzed five aesthetic elements of Korean traditional performances in Infinite Challenge (Muhan tojŏn) in terms of the sinmyŏng narrative. In the Infinite Challenge show, the personae release pent-up energy through endless challenges, sustain positive attitudes towards life by wiping away tears through laughter, have fun with playful deception games or word play, act like childish fools (pabo) and pranksters (kŏndal) who indulge their unbound desires, and interact with participatory audiences in an open structure. Coupled with previous research confirming that traditional communication styles shape modes of expression in contemporary media content, we believe this study can provide empirical evidence to substantiate the creative potential of local traditional narrative in indigenizing global media programs. Keywords: media narrative, reality TV show, global-local nexus, sinmyŏng, Korean traditional performances Infinite Challenge (Muhan tojŏn) is a popular reality TV show that has aired every Saturday evening in South Korea since 2005.
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