How Film and Tv Music Communicate Vol I
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COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Film Music: an Analytical Approach to GCSE Specifications
With special guest speaker, Howard Goodall CBE Film music: An analytical approach to GCSE specifications A CPD day exploring approaches to analysing music designed to enhance the moving image Monday 2 March 2020 City, University of London > Examine how music paints a picture, from musical elements that provoke emotion to instrumentation that illustrates characters > Discover creative ways to approach composition briefs, including melodic and harmonic writing and writing for a stimulus > Delve into an inspiring film score: discuss and analyse Star Wars (GCSE Set Work) in depth All course Prices (subject to VAT at 20%) Price included materials £195 (PTI members) for PTI Unlimited and lunch £295 (non-members) schools! included £145 (second participant from dept.) Got a question? email us at [email protected] or call 020 3174 2403 This course is for you if: > You want to support your students in listening, analysing, composing and appraising film music from Key Stage 3 to GCSE > You’d like to be inspired by expert speakers and network with colleagues from around the country to share ideas > You want to take a closer look at a commonly used exam score Book now at www.ptieducation.org/events Speakers Putting you in touch with specialist subject knowedge Mr Howard Goodall CBE Howard Goodall is an award-winning composer of choral music, stage musicals, film and TV scores. He is also well known as a TV and radio broadcaster, and his musicals have been produced in the West End and all over the world. His best-known themes & scores include Blackadder, The Gathering Storm, The Borrowers, Red Dwarf, Q.I., Mr Bean, Johnny English and The Vicar of Dibley. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
{DOWNLOAD} Memento and Following Kindle
MEMENTO AND FOLLOWING PDF, EPUB, EBOOK Christopher Nolan | 240 pages | 15 Jun 2001 | FABER & FABER | 9780571210473 | English | London, United Kingdom Unlimited acces Film: Memento and Following Book - video Dailymotion Leonard has created an entirely new identity built on a lie, and because his creation is based on a lie, it ultimately leads to a destructive conclusion, which is that he becomes nothing more than Teddy's hitman. Like The Young Man from Following or Robert Angier from The Prestige or Mal from Inception , Leonard has provided himself a comforting lie, and that lie has proven to be his downfall until he finally decides to pursue something that's true—Teddy is using him and so Teddy must be stopped. The cautionary tale in Memento is that Leonard Shelby, despite his unique condition, is universal in how he lies to himself. Nolan isn't opposed to the concept of a lie—he's a storyteller after all. But he's fascinated by how lies are implemented. For Nolan, lies are tools, and sometimes they can be used to benevolent purposes like a magic show in The Prestige or the mind heist in Inception. In Memento , Leonard finds a new lie—that Teddy is responsible for the rape and murder of Leonard's wife—but like all good art, it's a lie that tells the truth. Teddy may not be responsible for Leonard's condition, but his desire to use Leonard as a weapon makes him at least partially responsible for Leonard's predicament. Leonard lies to himself on a tapestry of good intentions; he tells himself he's not a killer. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality. -
Music Theory Through the Lens of Film
Journal of Film Music 5.1-2 (2012) 177-196 ISSN (print) 1087-7142 doi:10.1558/jfm.v5i1-2.177 ISSN (online) 1758-860X ARTICLE Music Theory through the Lens of Film FranK LEhman Tufts University [email protected] Abstract: The encounter of a musical repertoire with a theoretical system benefits the latter even as it serves the former. A robustly applied theoretic apparatus hones our appreciation of a given corpus, especially one such as film music, for which comparatively little analytical attention has been devoted. Just as true, if less frequently offered as a motivator for analysis, is the way in which the chosen music theoretical system stands to see its underlying assumptions clarified and its practical resources enhanced by such contact. The innate programmaticism and aesthetic immediacy of film music makes it especially suited to enrich a number of theoretical practices. A habit particularly ripe for this exposure is tonal hermeneutics: the process of interpreting music through its harmonic relationships. Interpreting cinema through harmony not only sharpens our understanding of various film music idioms, but considerably refines the critical machinery behind its analysis. The theoretical approach focused on here is transformation theory, a system devised for analysis of art music (particularly from the nineteenth century) but nevertheless eminently suited for film music. By attending to the perceptually salient changes rather than static objects of musical discourse, transformation theory avoids some of the bugbears of conventional tonal hermeneutics for film (such as the tyranny of the “15 second rule”) while remaining exceptionally well calibrated towards musical structure and detail. -
Compact Disc C6604 2016 5-27.Pdf
CDI -4frl-; 53-=; PROGRAM f God Only Knows ...................!.?J..................................................... Brian Wilson and Tony Asher (.:;'-5: 2 Country Song ............................ :.~.............................................................................. Dave Holland 3 AScream in the ShirtS ................:.:'.:..!........................................................................... Dan Dean 4- People Make the World Go 'Round ............J..C.€l?. ........................... Thorn Bell and Linda Creed ~ SanJuan ................................~:..1.f?:........................................................................... Tom Collier CDl-1f /"r-l f;3 3 I Slipped Disc. .......................... I..':.~~....................................Teddy Wilson and Benny Goodman ~ ~'~~ L- Anyone Who Had aHeart .................'.....0......................................... Burt Bacharach and Hal David. 3 Genesee ......................................Cf?~.~0.........................................................................Tom Collier 1" Scrapple from the Apple .................JP::.f..1........................................................... Charlie Parker r; 1M (o-f£ ~ .&-r La., sT (t;'; I'-f ) - 60·n~fonj~ ~ TOM COLI.IER, vibes / marimba Professor Tom Collier has appeared in concert and on recordings with many important jazz and popular artists including Eddie Daniels, Ry Cooder, Earl "Fatha" Hines, Roger Kellaway, Emil Richards, Don Grusin, Frank Zappa, Victor Feldman, Howard Roberts, Ernie Watts, -
AS SEEN on ITV 1 HOWARD GOODALL B.1958 the Seasons Suite for Strings and Cello Autumn Spring 1 I
AS SEEN ON ITV 1 HOWARD GOODALL b.1958 The Seasons Suite for strings and cello Autumn Spring 1 I. Russet fall 3.52 10 I. Ripening seed 1.54 2 II. Charcoal burning 4.40 11 II. Emerald dawn 2.12 3 III. Cider harvest 3.21 12 III. Migrants’ return 3.24 4 IV. Poppies 3.40 13 IV. Rebirth 4.57 Winter Summer 5 I. Sepia landscape 2.26 14 I. Cornflower sky 8.40 6 II. Frozen light 6.38 15 II. Racing green 1.41 7 III. Storm warnings 4.58 16 III. End of the pier 1.59 8 IV. Solstice night 1.37 17 IV. Dippers 2.37 9 V. Snow carpet 1.08 60.00 Bozidar Vukotic cello The Tippett Quartet John Mills, Jeremy Isaac violin Maxine Moore viola · Bozidar Vukotic cello with Patrick Savage violin Marianna Szymanowska harp The Seasons Several composers over the centuries have responded to the idea of the changing seasons, notably Vivaldi,Haydn, Spohr,Verdi, Glazunov and Tchaikovsky, but I believe I am the first composer to create my Seasons suite over the period of a year in the respective seasons themselves. I would like to take credit for this approach, but in all honesty the season-by-season time scale was dictated by the filming schedule of the ITV series The Seasons, for which the suite provides a soundtrack. Composing ‘Autumn’ in the autumn or ‘Spring’ in the spring turned out to be more stimulating than I had anticipated, especially as the 12 months from September 2008 to August 2009 were unusually rich in seasonal difference in the British Isles, with a ‘proper’ snowy winter even in the temperate south of England where my family and I live, something that only comes around once a decade or so. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
December 1984
MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D. -
Winterspell Playlist 1. Sweet Dreams
Winterspell Playlist 1. Sweet Dreams (Are Made of This) – Sucker Punch – performed by Emily Browning 2. Towers of the Void – Red Riding Hood – Brian Reitzell 3. Is It Poison, Nanny – Sherlock Holmes – Hans Zimmer 4. Dyslexia – Percy Jackson & the Olympians – Christophe Beck 5. Maria Redowa – Little Women – Thomas Newman 6. La Fayette’s Welcome – Little Women – Thomas Newman 7. Port Royal Gallop – Little Women – Thomas Newman 8. Dead Sister – Red Riding Hood – Brian Reitzell & Alex Heffes 9. The Dance – Emma – Rachel Portman 10. Tavern Stalker – Red Riding Hood – Brian Reitzell & Alex Heffes 11. Wolf Attack Suite – Red Riding Hood – Brian Reitzell & Alex Heffes 12. Then Came the Purge – Underworld: Awakening – Paul Haslinger 13. The Wolve’s Den – Underworld: Rise of the Lycans – Paul Haslinger 14. The Lycan Van Escape – Underworld: Awakening – Paul Haslinger 15. Wtf – Green Zone – John Powell 16. Mike to Tavern – Underworld: Evolution – Marco Beltrami 17. Darkness Deep Within – Underworld – Paul Haslinger 18. Teahouse – The Matrix Reloaded – Juno Reactor and Gocoo 19. To Jerusalem – Kingdom of Heaven – Harry Gregson-Williams 20. Jean and Logan – X-Men: The Last Stand – John Powell 21. Dissolve – The Book of Eli – Atticus Ross 22. Pier 17 – The Adjustment Bureau – Thomas Newman 23. Blind Faith – The Book of Eli – Atticus Ross 24. Richardson – The Adjustment Bureau – Thomas Newman 25. The Journey – The Book of Eli – Atticus Ross 26. Mt. Grimoor – Red Riding Hood – Brian Reitzell & Alex Heffes 27. The Arrow Attack – Underworld: Rise of the Lycans – Paul Haslinger 28. Corvinus – Underworld – Paul Haslinger 29. Subterrania – Underworld – Paul Haslinger 30. A Thorough Education – Jane Eyre – Dario Marianelli 31. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy