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Moma Exhibitions and Programs MoMA Exhibitions and Programs Fall 2017 EXHIBITIONS AND RELATED PROGRAMS Frank Lloyd Wright at 150: Unpacking the Archive June 12 - October 1, 2017 Frank Lloyd Wright was one of the most prolific and renowned architects of the 20th century, a radical designer and intellectual who embraced new technologies and materials, pioneered do-it-yourself construction systems as well as avant-garde experimentation, and advanced original theories with regards to nature, urban planning, and social politics. Marking the 150th anniversary of the American architect’s birth on June 8, 1867, MoMA presents Frank Lloyd Wright at 150: Unpacking the Archive, a major exhibition that critically engages his multifaceted practice. The exhibition comprises approximately 450 works made from the 1890s through the 1950s, including architectural drawings, models, building fragments, films, television broadcasts, print media, furniture, tableware, textiles, paintings, photographs, and scrapbooks, along with a number of works that have rarely or never been publicly exhibited. Structured as an anthology rather than a comprehensive, monographic presentation of Wright’s work, the exhibition is divided into 12 sections, each of which investigates a key object or cluster of objects from the Frank Lloyd Wright Foundation Archives, interpreting and contextualizing it, and juxtaposing it with other works from the Archives, from MoMA, or from outside collections. The exhibition seeks to open up Wright’s work to critical inquiry and debate, and to introduce experts and general audiences alike to new angles and interpretations of this extraordinary architect. Frank Lloyd Wright at 150: Unpacking the Archive is organized by The Museum of Modern Art, New York, and Avery Architectural & Fine Arts Library, Columbia University. Organized by Barry Bergdoll, Curator, Department of Architecture and Design, The Museum of Modern Art, and the Meyer Schapiro Professor of Art History and Archaeology, Columbia University; with Jennifer Gray, Project Research Assistant, Department of Architecture and Design, The Museum of Modern Art. The People’s Studio: Design, Experiment, Build Through October 1, 2017 In conjunction with the exhibition Frank Lloyd Wright at 150: Unpacking the Archive, the People’s Studio invites visitors to think like designers and explore architecture through themes connected to community, nature, and the integration of art and daily life. Visitors can browse resources, try their hand at drawing and drafting techniques, create with building and design materials, and participate in scheduled workshops, conversations, and other experiences developed in collaboration with artists, architects, and designers. Activities and events build on the educational principles behind the Taliesin Fellowship, Frank Lloyd Wright’s teaching program at his home and studio, and make connections to the progressive teaching practices of Black Mountain College and MoMA’s own history as a place of learning. The inclusive, collaborative atmosphere of the People’s Studio is inspired by these pivotal moments in modern-art education and the belief that learning should be achieved through active, hands-on experiences that promote social exchange. Open during regular Museum hours. Free with Museum admission and open to all ages. Children must be accompanied by an adult. Live programming: Drawing Session: Thinking like Frank Lloyd Wright, Sept. 5 & 19 Torolab’s Transborder Workshop: Usonian Walls, Sept. 14 Organic Architecture Today: Mushroom Bricks Workshop, Sept. 21 & 28 Collection Galleries 1880s–1950s Ongoing The works displayed on this floor roughly span the years 1880 to 1950. Within an overall chronological flow, galleries highlight individual stylistic movements, artists, and themes, including Cubism, the work of Henri Matisse, and Claude Monet’s Water Lilies, among other subjects. These galleries are frequently reinstalled in an effort to feature a wide range of artworks in various configurations, reflecting the view that there are countless ways to explore the history of modern art and the Museum’s rich collection. Sculpture from the Collection 1960–1969 Ongoing This installation brings together a selection of sculptures from the Museum’s collection made in the 1960s, extending to the Sculpture Garden the current organizing principle of the Museum’s fourth-floor collection galleries. Included are David Smith’s Cubi X (1963), an abstract construction of stainless steel geometric forms that evokes the human figure, and Alexander Calder’s Sandy’s Butterfly (1964), a 13-foot-tall colorful steel sculpture with a mobile top that the artist gave to MoMA in 1966. These works join longtime Sculpture Garden inhabitants, such as Barnett Newman’s Broken Obelisk (1967). Favorites like Pablo Picasso’s She Goat (1950) and Aristide Maillol’s The River (1943) will remain on view alongside these works from the 1960s. Organized by the Department of Painting and Sculpture Robert Rauschenberg: Among Friends Through September 17, 2017 In 1959, Robert Rauschenberg wrote, “Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)” When Rauschenberg launched his career in the early 1950s, the heroic gestural painting of Abstract Expressionism was in its heyday. He challenged this tradition with an egalitarian approach to materials, bringing the stuff of the everyday world into his art. Often working in collaboration with artists, dancers, musicians, and writers, he invented new interdisciplinary modes of artistic practice that helped set the course for art of the present day. The ethos that permeates Rauschenberg’s work—openness to the world, commitment to dialogue and collaboration, and global curiosity—also makes him a touchstone for our time. Robert Rauschenberg: Among Friends, the first 21st-century retrospective of the artist, presents over 250 works across mediums from his six-decade career. Collaboration was always critical to Rauschenberg, and his inclusiveness did not stop at the point of making; it often involved the viewer. “My whole area of art has always been addressed to working with other people,” he reflected. “Ideas are not real estate.” To highlight the importance of exchange for Rauschenberg, this exhibition is structured as an “open monograph”—as other artists came into Rauschenberg’s creative life, their work comes into these galleries, mapping the play of ideas. The acclaimed artist and filmmaker Charles Atlas collaborated with the curatorial and design teams on the exhibition’s design to foreground Rauschenberg’s deep engagement with dance and performance. For many years, Atlas worked with the Merce Cunningham Dance Company, as stage manager, lighting designer, and in-house filmmaker; in that capacity, he worked alongside Rauschenberg on some of the company’s productions. The exhibition is organized by The Museum of Modern Art, New York, and Tate Modern, London. Organized by Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, and Achim Borchardt-Hume, Director of Exhibitions at Tate Modern, with Emily Liebert and Jenny Harris, Curatorial Assistants, Department of Painting and Sculpture, The Museum of Modern Art. The exhibition design was created in collaboration with the artist Charles Atlas. Projects 107: Lone Wolf Recital Corps August 19–October 9, 2017 The Lone Wolf Recital Corps, a multidisciplinary performance collective founded in 1986 by artist and musician Terry Adkins (American, 1953–2014), has an accumulative, rotating membership of collaborators in various musical and visual arts disciplines. During Adkins’s lifetime the Corps performed within and in conjunction with Adkins’s exhibitions; described by Adkins as “recitals,” these performances incorporated spoken word, live music, video projection, and costumed, choreographed movement. For Adkins, these “installation based experiences [issued] from an ongoing quest to reinsert the legacies of unheralded immortal figures to their rightful place within the panorama of history.” The Lone Wolf Recital Corps’ performances, which Adkins orchestrated with the collaborative improvisation of the Corps, have commemorated and celebrated such figures as John Brown, John Coltrane, Matthew Henson, Bessie Smith, and others. Projects 107 will be the first exhibition to reunite the Lone Wolf Recital Corps since Adkins’s death. Conceived as a series of live performances by the reconstituted Corps, a changing group of artists will reprise selections from the group’s repertoire in an installation of Adkins’ sculptures. The exhibition will be supplemented by documentary video of earlier recitals, as well as performance props, costumes, and ephemera that trace the history of the Corps. Projects 107 will bring together an intergenerational roster of artists and musicians, including Sanford Biggers, Don Byron, Jean-Paul Bourelly, Vincent Chancey, Arthur Flowers, Charles Gaines, Tyehimba Jess, Rashid Johnson, Demetrius Oliver, Cavassa Nickens, Clifford Owens, Kamau Patton, Dread Scott, Jamaaladeen Tacuma, Robert Wisdom, Tukufu Zuberi, and others. Organized by Akili Tommasino, Curatorial Assistant, Department of Painting and Sculpture. Max Ernst: Beyond Painting September 23, 2017 - January 1, 2018 This exhibition surveys the career of the preeminent Dada and Surrealist artist Max Ernst (French and American, born Germany. 1891–1976), with particular emphasis on his ceaseless experimentation. Ernst began his pursuit of radical new techniques that went "beyond
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