A Vagabond's Odyssey

Total Page:16

File Type:pdf, Size:1020Kb

A Vagabond's Odyssey m mSm 19 luiHram B nil On fl- ub mm Hi llJi n mm H mu u to J ~0U Si C \ \\(a A VAGABOND'S ODYSSEY I'O] I I \l I 01 I 111. A I I Ih >K A VAGABOND'S ODYSSEY BEING FURTHER REMINISCENCES OF A WANDERING SAILOR-TROUBADOUR IN MANY LANDS BY A. SAFRONI-MIDDLETON AUTHOR OF " SAILOR AND BEACHCOMBER " fc WITH SIXTEEN ILLUSTRA TIONS FROM PHOTOGRAPHS NEW YORK DODD, MEAD AND COMPANY 191 6 PRINTED IN CHEAT BRITAIN BY THE RIVERSIDE TRFSS LIMITED EDINBURGH TO THE MEMORY OF MY DEAR COMRADE OMAR WHOM I BURIED IN THE AUSTRALIAN BUSH NORTHERN QUEENSLAND ALSO TO D. RAELTOA OF SAMOA AND TO MY MEMORIES OF MELODY AND MIRTH IN THE SOUTH SEAS FOREWORD "The path to hell is paved with good intentions." Looking reflectively over this second instalment of my autobiography, I perceive that I am such a genuine vagabond that I have even travelled along in my remini- scences without caring for the material niceties of recognised method so I have back over literary ; gone the whole track and tried earnestly to polish my efforts. It seems quite unnecessary for vagabonds to wear (metaphorically speaking) old trousers with fringed ends to the legs, penniless pockets, dusty boots, an unshaven face and dirty collar, or to give vent to the devil-may-care utterances " " and all the ungrammatical politeness of the phraseology of the grog shanty and bush hotels, when they attempt to live over again on paper the tale of their wandering life. I cannot reform the world into a population of convivial beach- combers, nor would I if I could, out of consideration for future vagabonds, who naturally want the outer spaces of the world for their special province. Neither can I make I you believe could have done better in a literary sense if I had taken more trouble with my book. But I can to some extent reform myself, and at least strive to compete with the literary aristocrats on the slopes of their own culti- vated ground. I am sure they will make good company if I succeed, and they will have been my best friends. Yes, I half believe in jumping out of bed on a cold night to hold a candle to the devil ! I know that sometimes while you stand shivering you discover that he's really not such a bad fellow, and the candlelight is likely to give you a glimpse of some faint resemblance in his wrinkled face, some far-off expression of that beautiful old life that he lived ere he sinned, became respectable and fell— banished from heaven. Life is a terrible contradiction ; we are dead because we FOREWORD are born alive. Our very creed is based on the sad fact that the cemetery tablets record the dates of the true beginning of life everlasting. The thundering city is a necropolis wherein multitudes of wandering corpses breathe, with inert souls and thoughts that are like night bats flitting through the sepulchres of our death, with dead eyes and dead mouths that open to cough and even sometimes laugh ! My book of reminiscences is (to me at least) like those silent, moss-grey of tablets immortality ; but even more wonderful and true (as far as I know), for, while I am dead, I can see my long ago. I can lift the stone slab from the grave in the silent night and gaze on the dead boy's face, and in a way make the dead eyes laugh and the voiceless mouth mutter and sing in a hollow voice old, far-away songs of love, romance and its comrade, grief. Yes, you and I can see such things. Oh, how ineffably sad to some of us ! You may wonder what all this has to do with the preface to a book of reminiscences. It has a lot to do with the matter, because I am a born vagabond, and the world is incorrigibly respectable ! There are about one hundred pages missing from this book—pages that should have told of the inevitable details of stern existence : those things that all men who are vagabonds experience, such as the stomach-rumbles of hunger, mon- strous hopes and misgivings, hospitals and illnesses, and cold nights sleeping out under the coco-palms and gum-trees when the wind suddenly shifts to a shivering quarter. Evil thoughts, heartaches, the tenderest wishes, passionate dreams, longings, and memories in the night of a woman's eyes, the fall before great temptation, atheistical thoughts, curses and religious remorses you will look for in vain. For, after all, I am not brave enough to tell the truth ! I might have done so if I had had the friendly, courageous publisher who would not cut them out of the original manuscript. But where is the publisher who would let me hide behind his influential bulk as he risked all and published the truth ? Yes, those things which would make the reader recognise the truth by his own responsive thrills. Well, I will risk my reputation on the opinions of those 10 FOREWORD critics who will be able to read the hundred pages I have left out. For real scallawags do not always leave the worst out only. Moreover, I may be lucky enough to find sympathy, for even critics are sometimes at heart genuine vagabonds, and they may realise that I have turned into the light of other days, the stars, the blue tropical skies, moonlit seas by coral reefs and palm-clad isles, and into the heart of intense dreams, to paint faithfully all that I tell. Before my North American experiences, which I have recorded in the opening chapters of this book, I had shipped before the mast of a sailing ship, the S p, at Sydney, N.S.W., intending to go with her round the Horn, and so home to England. But, being unable to tolerate the bully- ing chief mate and the offal-flavoured fo'c'sle food, I left the boat at 'Frisco and again shipped on an American tramp that was chartered for trading purposes to go cruising in the South Seas, where once more I had many ups and downs, and settled for a few months in the Fiji group and elsewhere. My reminiscences, and many of the incidents of that time, I have told in the second part of the present volume, " which opens with The Charity Organization of the South Seas." My South Sea Island legends and fairy tales have never been told elsewhere. I have written them as nearly as possible in the manner in which they were told me by the Samoan children and natives who were my friends. The mythology of the South Seas is unfortunately becoming almost completely forgotten by the natives, who now live under such different conditions, and seem only interested in the creeds, legends and mythology of the Western world. These experiences of mine are written from memory, and I have as nearly as possible kept them in the order that I lived them if seem for as as I ; and they far-flung one young was, let me assure you that hundreds of English boys have Iiad my experiences and could tell this tale. I am from a family of rovers. My uncles were travellers and explorers. My brothers out of the spirit of adventure all went to sea, and achieved success on sea and land through ii FOREWORD perseverance. My grandfather in his boyhood went to sea. (I believe he was born at sea. His mother was a lady of the Italian Court, noted for her beauty and an accomplished musician. ) He was a direct descendant of Charles, the second Earl of Middleton, whose estates were eventually confiscated by creditors—an evil destiny that has survived right down to the present, it having cropped up in the author's own affairs. I hope to follow this volume with another one, wherein I shall tell of my life when I settled for a while among civilised peoples and became respectable, and my serious troubles commenced. I have to thank Messrs Boosey & Company, of London, for permission to use certain extracts from my military band Entr'actes, Marches, etc., which they have published. A. S.-M. 12 CONTENTS CHAPTER I. IN BOSTON 17 II. UNITED STATES MILITARY MUSIC 23 III. I TRAVEL AND SELL BUG POWDER 27 IV. MY BROTHER'S RETURN 35 V. HOME 45 VI. CHANGES IN SAMOA . 55 VH. ROBERT LOUIS STEVENSON 69 VIII. ROBERT LOUIS STEVENSON AND HIS FRIENDS 83 IX. HONOLULU 96 X. AN INLAND MARCH 110 XI. AT SEA 130 XII. CIRCULAR QUAY 140 XIII. MATENE-TE-NGA 155 XIV. MEMORIES AND REFLECTION . 173 XV. THE LECTURER 182 XVI. HOMESICK 191 XVII. A NEGRO VIOLINIST 213 XVHI. MY MANY PROFESSIONS 220 XIX. YOKOHAMA 230 XX. BOMBAY 241 XXI. AT SEA IN DREAMS . 249 13 CONTENTS CHAPTER PAGE XXII. I ARRIVE AT THE ORGANIZATION . 261 XXIII. FATHER ANSTER .... 276 XXIV. BACK AT THE CHARITY ORGANIZATION . 289 XXV. AT NUKA HIVA .... 305 " XXVI. A DECK-HAND ON BOARD THE " ELDORADO 311 XXVII. MY ENGLAND .... 325 M LIST OF ILLUSTRATIONS Portrait of the Author Frontispiece Hongis Track, Rotorua, N.Z. To face page 58 Whangarei Falls, North Auckland, N.Z. 70 Wanganui River, N.Z. 92 118 A River Wharf, West Africa . Kawieri, N.Z. .... 142 Whakarewarewa, Rotorua, N.Z. 148 Old Maori, said to be 105 years old . 152 Half-Caste Maori Girls 160 Lake Rotorua and Mokoia Island, N.Z. 176 Settler's Home, Gold Coast .
Recommended publications
  • 4920 10 Cc D22-01 2Pac D43-01 50 Cent 4877 Abba 4574 Abba
    ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA TRECHO DA MÚSICA 4920 10 CC I´M NOT IN LOVE I´m not in love so don´t forget it 19807 10000 MANIACS MORE THAN THIS I could feel at the time there was no way of D22-01 2PAC DEAR MAMA You are appreciated. When I was young 9033 3 DOORS DOWN HERE WITHOUT YOU A hundred days had made me older 2578 4 NON BLONDES SPACEMAN Starry night bring me down 9072 4 NON BLONDES WHAT´S UP Twenty-five years and my life is still D36-01 5 SECONDS OF SUMMER AMNESIA I drove by all the places we used to hang out D36-02 5 SECONDS OF SUMMER HEARTBREAK GIRL You called me up, it´s like a broken record D36-03 5 SECONDS OF SUMMER JET BLACK HEART Everybody´s got their demons even wide D36-04 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT Simmer down, simmer down, they say we D43-01 50 CENT IN DA CLUB Go, go, go, go, shawty, it´s your birthday D54-01 A FLOCK OF SEAGULLS I RAN I walk along the avenue, I never thought I´d D35-40 A TASTE OF HONEY BOOGIE OOGIE OOGIE If you´re thinkin´ you´re too cool to boogie D22-02 A TASTE OF HONEY SUKIYAKI It´s all because of you, I´m feeling 4970 A TEENS SUPER TROUPER Super trouper beams are gonna blind me 4877 ABBA CHIQUITITA Chiquitita tell me what´s wrong 4574 ABBA DANCING QUEEN Yeah! You can dance you can jive 19333 ABBA FERNANDO Can you hear the drums Fernando D17-01 ABBA GIMME GIMME GIMME Half past twelve and I´m watching the late show D17-02 ABBA HAPPY NEW YEAR No more champagne and the fireworks 9116 ABBA I HAVE A DREAM I have a dream a song to sing…
    [Show full text]
  • Planet Earth R Eco.R Din Gs
    $4.95 (U.S.), $5.95 (CAN.), £3.95 (U.K.) IN THE NEWS ******** 3 -DIGIT 908 1B)WCCVR 0685 000 New Gallup Charts Tap 1GEE4EM740M09907411 002 BI MAR 2396 1 03 MON1 Y GREENLY U.K. Indie Dealers ELM AVE APT A 3740 PAGE LONG BEACH, CA 90807 -3402 8 Gangsta Lyric Ratings Discussed At Senate Hearing On Rap PAGE 10 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT MARCH 5, 1994 ADVERTISEMENTS MVG's Clawfinger Grammy Nominations Spur Publicity Blitz Digs Into Europe Labels Get Aggressive With Pre Award Ads BY THOM DUFFY BY DEBORAH RUSSELL Clapton, and k.d. lang experienced draw some visibility to your artists." major sales surges following Gram- A &M launched a major television STOCKHOLM -The musical LOS ANGELES -As the impact of my wins, but labels aren't waiting for advertising campaign in late Febru- rage of Clawfinger, a rock-rap the Grammys on record sales has be- the trophies anymore. Several compa- ary to promote Sting's "Ten Sum- band hailing from Sweden, has come more evident nies have kicked off aggressive ad- moner's Tales," (Continued on page 88) in recent years, vertising and promotional campaigns which first ap- nominations, as touting their nominees for the March peared on The Bill- well as victories, 1 awards. board 200 nearly a have become valu- Says A &M senior VP of sales and year ago. Sting is able marketing distribution Richie Gallo, "It would the top- nominated evil oplriin tools for record seem that people are being more ag- artist in the 36th companies.
    [Show full text]
  • 1 Amazing Grace
    1Amazing Grace BY JOHN NEWTON 1. Amazing grace, how sweet the sound That saves a wretch like me. I once was lost, but now I'm found; Was bound, but now I’m free. 2. 'Twas grace that taught my heart to fear And grace my fear relieved; How precious did that grace appear The hour I first believed. 3. Through many dangers, toils and snares We have already come; 'Twas grace that brought us safe thus far, And grace will lead us on. 4. When we've been there ten thousand years, Bright shining as the sun, We've no less days to sing God's praise Than when we’d first begun. 5. Amazing grace, how sweet the sound That saves a wretch like me. I once was lost, but now I'm found; Was bound, but now I'm free. 2Just aCloser Walk With Thee TRADITIONAL 1. Just a closer walk with Thee, Grant it, Jesus, is my plea; Daily walking close with Thee, Let it be, dear Lord, let it be. 2. Through the days of toil and snares, If I falter, Lord, who cares? Who with me my burden shares? None but Thee, dear Lord, none but Thee. 3. When my feeble life is o'er Time for me will be no more; Guide me gently, safely on To thy shore, dear Lord, to thy shore. 4. I am weak, but Thou art strong. Jesus, keep me from all wrong. I'll be satisfied as long As I walk, let me walk close to Thee.
    [Show full text]
  • Conducting the Coded Message Songs of Slavery: Context
    CONDUCTING THE CODED MESSAGE SONGS OF SLAVERY: CONTEXT, CONNOTATIONS, AND PERFORMANCE PREPARATION A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Rebecca Lynn Raber In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department: Music July 2018 Fargo, North Dakota North Dakota State University Graduate School Title CONDUCTING THE CODED MESSAGE SONGS OF SLAVERY: CONTEXT, CONNOTATIONS, AND PERFORMANCE PREPARATION By Rebecca Lynn Raber The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Michael Weber Chair Dr. Jo Ann Miller Dr. Robert Groves Dr. William Martin Dr. Ashley Baggett Approved: November 16, 2018 Dr. John Miller Date Department Chair ii ABSTRACT The coded message songs of slavery are a mysterious and fascinating entity. Within the lyrics of these seemingly innocuous plantation songs are coded messages for escape, messages that provided secret information to enslaved workers on Antebellum plantations. Over the course of more than 250 years of slavery on American soil, countless enslaved Africans found freedom through the use of coded message songs and the Underground Railroad. What are these songs? Which lyrics provided this secret information? How can a study of this music provide a better musical experience for conductors, singers, and listeners? This disquisition offers answers to these important questions, as well as a presentation of this body of repertoire from the choral conductor’s perspective. First, I provide a brief historical context for the music of slavery.
    [Show full text]
  • Reading Practice Quiz List Report Page 1 Accelerated Reader®: Friday, 03/04/11, 08:41 AM
    Reading Practice Quiz List Report Page 1 Accelerated Reader®: Friday, 03/04/11, 08:41 AM Lakes Middle School Reading Practice Quizzes Int. Book Point Fiction/ Quiz No. Title Author Level Level Value Language Nonfiction 17351 100 Unforgettable Moments in Pro BaseballBob Italia MG 5.5 1.0 English Nonfiction 17352 100 Unforgettable Moments in Pro BasketballBob Italia MG 6.5 1.0 English Nonfiction 17353 100 Unforgettable Moments in Pro FootballBob Italia MG 6.2 1.0 English Nonfiction 17354 100 Unforgettable Moments in Pro GolfBob Italia MG 5.6 1.0 English Nonfiction 17355 100 Unforgettable Moments in Pro HockeyBob Italia MG 6.1 1.0 English Nonfiction 17356 100 Unforgettable Moments in Pro TennisBob Italia MG 6.4 1.0 English Nonfiction 17357 100 Unforgettable Moments in SummerBob Olympics Italia MG 6.5 1.0 English Nonfiction 17358 100 Unforgettable Moments in Winter OlympicsBob Italia MG 6.1 1.0 English Nonfiction 18751 101 Ways to Bug Your Parents Lee Wardlaw MG 3.9 5.0 English Fiction 11101 A 16th Century Mosque Fiona MacDonald MG 7.7 1.0 English Nonfiction 8251 18-Wheelers Linda Lee Maifair MG 5.2 1.0 English Nonfiction 661 The 18th Emergency Betsy Byars MG 4.7 4.0 English Fiction 9801 1980 U.S. Hockey Team Wayne Coffey MG 6.4 1.0 English Nonfiction 523 20,000 Leagues under the Sea Jules Verne MG 10.0 28.0 English Fiction 9201 20,000 Leagues under the Sea (Pacemaker)Verne/Clare UG 4.3 2.0 English Fiction 34791 2001: A Space Odyssey Arthur C.
    [Show full text]
  • Somerset Records Discography
    Somerset/Stereo Fidelity by David Edwards, Patrice Eyries & Mike Callahan © 2018 by Mike Callahan Somerset/Stereo Fidelity Records Discography Somerset Records was a division of Miller International Co. located in Media Pennsylvania. David L Miller was the President and had previously owned, Essex Records and Trans-World Records. Somerset was started in 1958. The output of the label was popular, jazz and classical. Of the first 63 releases on Somerset, 62 of them were straight reissues of Trans-World albums. After Somerset/Stereo Fidelity, Miller was involved with two other budget labels Alshire and Sutton. The Sales Manager was Joe Martin and Miller handled A&R. Somerset was a budget label whose albums listed for sale for $1.98, when most albums sold for $3.98 in the ‘50s and ‘60s. A subsidiary label was Stereo Fidelity, the only difference between the two labels was that the monaural record was a Somerset and the stereo record was on the Stereo Fidelity label. The numbers were the same. Main Series Canadian LP’s in this series did not use the last two zeros, for example SF-12700 was SF-127, leading to endless confusion about the Somerset release numbers. P-100 S1 – Mood Music Sampler – Various Artists [1958] Reissue of Trans-World TW-100. How High The Moon - Ray Charles Chorus/Blue Coast - Billy Butterfield/Harbor Lights - The Mulcays/Aphrodesia - The Kingsway Strings/Walk With The Wind - Ray Charles Chorus/Doreen - Monty Kelly And His Orchestra/Love Is A Many-Splendored Thing - Don Costa, Orchestra And Chorus/Toselli’s Serenade - Jay White, Alto Sax/Our Serenade - Ray Charles Chorus/Gold Coast - Billy Butterfield/Safe In The Harbor - Don Costa, Orchestra And Chorus/Majorca - Monty Kelly And His Orchestra P-200 – College Jazz Sampler: Actual Jazz Concerts Recorded on the Campus - Billy Butterfield & Essex Five [1957?] Reissue of Trans-World TW-200.
    [Show full text]
  • An International Journal for Students of Theological and Religious Studies Volume 35 Issue 2 July 2010
    An International Journal for Students of Theological and Religious Studies Volume 35 Issue 2 July 2010 MINORITY REPORT: Not in the Public Interest 195 Carl Trueman B. B. Warfield on Creation and Evolution 198 Fred G. Zaspel Why Evangelicals Should Ignore Brian McLaren: How 212 the New Testament Requires Evangelicals to Render a Judgment on the Moral Status of Homosexuality Denny Burk A Member of the Family or a Stranger? A Review Article 228 of Ancient Near Eastern Themes in Biblical Theology Stephen Dempster Parallels, Real or Imagined? A Review Article of Jeffrey 238 J. Niehaus, Ancient Near Eastern Themes in Biblical Theology William Edgar How to Write—and How Not to Write—a Review: 245 An Appreciative Response to Reviews of Ancient Near Eastern Themes in Biblical Theology by Dempster and Edgar Jeffrey J. Niehaus PasTORAL PENSÉES: Motivations to Appeal to in Our 258 Hearers When We Preach for Conversion D. A. Carson Book Reviews 265 DESCRIPTION Themelios is an international evangelical theological journal that expounds and defends the historic Christian faith. Its primary audience is theological students and pastors, though scholars read it as well. It was formerly a print journal operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The new editorial team seeks to preserve representation, in both essayists and reviewers, from both sides of the Atlantic. Themelios is published three times a year exclusively online at www.theGospelCoalition.org. It is presented in two formats: PDF (for citing pagination) and HTML (for greater accessibility, usability, and infiltration in search engines).
    [Show full text]
  • Fostering Engagement for Children and Teachers in Low Socioeconomic Regions Through Science and Mathematics Play-Based Learning
    The University of Notre Dame Australia ResearchOnline@ND Theses 2015 Playing to engage: Fostering engagement for children and teachers in low socioeconomic regions through science and mathematics play-based learning Stephanie Smith University of Notre Dame Australia Follow this and additional works at: http://researchonline.nd.edu.au/theses Part of the Education Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The am terial in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Smith, S. (2015). Playing to engage: Fostering engagement for children and teachers in low socioeconomic regions through science and mathematics play-based learning (Doctor of Philosophy (College of Education)). University of Notre Dame Australia. http://researchonline.nd.edu.au/theses/116 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. Playing to Engage: Fostering engagement for children and teachers in low socioeconomic regions through science and mathematics play-based learning Stephanie Smith A thesis submitted to The University of Notre Dame Australia in fulfillment of the requirements for the degree of Doctor of Philosophy (PhD) 2015 School of Education Primary Supervisor: Professor Marguerite
    [Show full text]
  • The Projection Issue
    CX141 | OCTOBER 2018 $7.50AU LIGHTING | AUDIO | VIDEO | STAGING | INTEGRATION CREATIVE MAPPING WITH TDC’S PETE LYNN THE BIG PICTURE MAP ANTARCTICA PROJECTION FROM PROJECTOR TO PLATE ISSUE BORDERLESS PROJECTION NEWS REGULARS ROAD TEST ROADSKILLS FEATURES Monitor City go Andy Stewart Sennheiser Digital Queens of the Steve Devine: Adamson D6000 wireless Stone Age Compliance Pt 3. Simon Byrne Lexair bring Acme CM-300ZRI Golden Features Bruce Jackson, The DMXking to Oz Jenny Barrett Book. On The Road Elation Proteus Hybrid With Elvis Chroma-Q LED for How To Auckland Human Analytics AV’s New Frontier ChamSys Training Soundscape_01_210x60_270318.indd 1 28.03.18 16:39 Today’s high-noise environments. Tomorrow’s spectrum shrinkage. Axient Digital responds by completely rethinking RF technology, delivering uncompromising wireless performance — anywhere, every time. Find out how at shure.com/axientdigital © 2018 Shure Incorporated Distributed by www.jands.com.au CX ADEAxientDigitalSilence.indd :0 pm CONTENTS NEWS Monitor City to Cover the Big Stages with Adamson 8 Lexair bring NZ’s DMXking to Australia 7 ChamSys Training 6 Chroma-Q LED House Lighting 6 NEW GEAR 10 FEATURES 20 Questions with David Henderson 14 Bruce Jackson – The Book On The Road With Elvis 16 Compliance: Part Three by Steve Devine 18 Human Analytics – AV’s New Frontier by avt’s Graham Barrett 20 FEATURES Creative Projection Mapping with TDC’s Pete Lynn 22 Antarctica - While You Were Sleeping 24 Choosing the Best Projector 26 Technology Engages Students in Learning 27 From Projector
    [Show full text]
  • Mid-Continent Regional Educational Lab., Aurora, CO
    DOCUMENT RESUME ED 425 700 IR 018 958 TITLE Technology Leadership Workshop. INSTITUTION Technology & Innovations in Education, Rapid City, SD.; Mid-Continent Regional Educational Lab., Aurora, CO. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. PUB DATE 1997-00-00 NOTE 119p.; This publication contains color reproductions of overhead displays and some photocopied materials which may reproduce poorly. CONTRACT RJ96006101 PUB TYPE Reports Descriptive (141) Collected Works Proceedings (021) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Computer Assisted Instruction; Computer Managed Instruction; Computer Networks; *Computer Uses in Education; *Educational Technology; Elementary Secondary Education; *Information Technology; Integrated Learning Systems; Internet; *Leadership; Microcomputers; *Program Implementation; *Strategic Planning IDENTIFIERS *Technology Integration ABSTRACT This Technology & Innovations in Education (TIE) workshop, presented in Kansas City, Missouri, on May 2, 1997, was designed to help participants gain a valid big picture of current school technology change issues, acquire current materials, clarify their beliefs, vision, and needs for their district's technology efforts, learn strategies for enhancing technology leadership efforts, and build their networks. This publication contains the following sections:(1) Outcomes and Agenda;(2) Building a Sound Big Picture for Technology Leadership thumbnail sketches of slides, matrix comparing communications age and industrial age teaching and
    [Show full text]
  • Odessa Upper Elementary Guided Reading Levels with Lexiles New
    Odessa Upper Elementary Guided Reading Levels with Lexiles New CCR Expectations Lexile Codes Grade Band 11-CCR: 1215-1355 AD (Adult Directed) Grade Band 9-10: 1080-1305 GN (Graphic Novel) Grade Band 6-8 955-1155 HL (High-Low) Grade Band 4-5 770-980 IG (Illustrated Guide) Grade Band 2-3 450-790 NC (Non-Conforming NP (Non-Prose) BR (Beginging Reader) AROUND THE WORLD IN EIGHTY DAYS Z 1090 GOING SOLO Z 1080 ELIJAH OF BUXTON Z 1070 HOMER PRICE Z 1000 DEAR AUSTIN Z 970 ADVENTURES OF TOM SAWYER, THE Z 950 ROLL OF THUNDER, HEAR MY CRY Z 920 WOLFLING, THE Z 910 LAST SAFE HOUSE, THE Z 870 NO TALKING Z 820 AMONG THE IMPOSTERS Z 790 DRACULA, THE GRAPHIC NOVEL Z NP MACBETH, THE GRAPHIC NOVEL Z NP DRACULA, THE GRAPHIC NOVEL Z NP MACBETH, THE GRAPHIC NOVEL Z NP DEAR LEVI: LETTERS FROM THE OVERLAND TRAIL Y 1010 GIVER, THE Y 980 LEANIN' DOG, THE Y 960 RED BADGE OF COURAGE, THE Y 920 SINGLE SHARD, A Y 920 PHILIP HALL LIKES ME, I RECKON MAYBE Y 900 MY SIDE OF THE MOUNTAIN Y 810 CALL OF THE WILD Y 780 WHICH WAY FREEDOM Y 700 FRANKENSTEIN: THE GRAPHIC NOVEL Y NP FRANKENSTEIN: THE GRAPHIC NOVEL Y NP GREAT FIRE, THE X 1130 MADISON, JAMES: THE GREAT LITTLE MADISON X 1030 MIKE LUPICA'S COMEBACK KIDS/HOT HAND X 930 DARK IS RISING, THE X 920 CIRCUIT, THE X 880 BLOOD AND GUTS X 850 CALL IT COURAGE X 830 ROOSEVELT, THEODORE: BULLY FOR YOU TEDDY ROOSEVELT X 810 M.C.
    [Show full text]
  • 07-08 LOWDOWN.P65
    THE LOWDOWNTHE LOWDOWN 2007-2008 THE LOWDOWN A STUDENT HANDBOOK A Joint Publication of Student Government Association and Division of Student Affairs University of South Alabama Mobile, Alabama 36688-0002 Editor Martin Statkewicz Although the contents of this handbook represent the most current information at the time of publication, changes may be made with respect to the information contained herein without prior notice. - 1 - UNIVERSITY OF SOUTH ALABAMA TELEPHONE: (251) 460-6111 OFFICE OF THE PRESIDENT AD 122 • MOBILE, ALABAMA 36688-0002 Dear Students: We are extremely pleased that you have joined the University of South Alabama family. Not only will your University of South Alabama education benefit you intellectually, economically, and socially, but you will become a part of something truly special - a circle of people who share in common their college education. The University of South Alabama is dedicated to providing new and exciting opportunities. Everywhere you look, something exciting is happening at USA! We urge you to get involved in every aspect of campus life. The University of South Alabama experience is best defined as its people – our students, faculty, staff, alumni, and friends – who share a common enthusiasm. We’re excited that you are a part. Please let us know how we can help you make all of your college dreams a reality. Sincerely, V. Gordon Moulton President UNIVERSITY OF SOUTH ALABAMA VICE PRESIDENT TELEPHONE: (251) 460-6171 FOR STUDENT AFFAIRS SC 270 • MOBILE, ALABAMA 36688-0002 Dear Student: We are so very glad that you are a student at USA. Every institution of higher education has it rules, regulations, and procedures that it adopts to help its staff and students have a rewarding experience.
    [Show full text]