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A Full List of Signatures Is Here
IAVA Recipient: Secretary Mattis Letter: Greetings, First, thank you for your service and sacrifice and for your incredible leadership that so many in the military and veteran community have experienced and respect. As you know, more than 1.5 million veterans have have educated themselves with the Post-9/11 GI Bill, and almost 70% of Iraq and Afghanistan Veterans of America (IAVA) members have used or transferred this benefit to a dependent. It could very well be the most transformative federal benefit created. The new restriction on Post-9/11 GI Bill transferability to only those with less than 16 years of service is a completely unnecessary reduction of this critical benefit, and it will ultimately hurt our military recruitment and readiness. In a time of war, it remains enormously important to recruit and retain qualified servicemembers, especially with an ever-decreasing pool of eligible recruits. For years, IAVA has been at the forefront of this fight. We led the effort to establish this benefit in 2008 and we have successfully defended it in recent years. We cannot allow our GI Bill to be dismantled or abused. This is why I am standing with my fellow IAVA members to respectfully request that you reverse this counterproductive policy change that creates barriers to access to these transformative benefits. The GI Bill has been earned by millions of men and women on the battlefield and around the world and it should not be subjected to arbitrary restrictions that limit its use. Again, thank you for your leadership and I ask that you take action now to reverse this decision. -
AA MS 01 Gerald E. Talbot Collection Finding Aid
University of Southern Maine USM Digital Commons Search the Manuscript Collection (Finding Aids) The African American Collection 2-2020 AA MS 01 Gerald E. Talbot Collection Finding Aid David Andreasen Kristin D. Morris Karin A. France Marieke Van Der Steenhoven Caroline Remley See next page for additional authors Follow this and additional works at: https://digitalcommons.usm.maine.edu/aafinding_aids Part of the African American Studies Commons, American Studies Commons, Cultural History Commons, Social History Commons, and the United States History Commons Recommended Citation Gerald E. Talbot Collection, African American Collection of Maine, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries. This Article is brought to you for free and open access by the The African American Collection at USM Digital Commons. It has been accepted for inclusion in Search the Manuscript Collection (Finding Aids) by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Authors David Andreasen, Kristin D. Morris, Karin A. France, Marieke Van Der Steenhoven, Caroline Remley, Andrea Harkins, Kara Kralik, and Anya O'Meara This article is available at USM Digital Commons: https://digitalcommons.usm.maine.edu/aafinding_aids/1 UNIVERSITY OF SOUTHERN MAINE LIBRARIES SPECIAL COLLECTIONS JEAN BYERS SAMPSON CENTER FOR DIVERSITY IN MAINE AFRICAN AMERICAN COLLECTION OF MAINE GERALD E. TALBOT COLLECTION AA MS 1 Total Boxes: 133 Total Drawers: 36 Linear Feet: 207.75 By David Andreasen, Kristin D. Morris, Karin A. France, Marieke Van Der Steenhoven, Sarah Haugh, Caroline Remley, Liam P. Sigaud, Colin Donovan, Andrea Harkins, Anya O’Meara and Kara Kralik Portland, Maine July 2010, revised February 2020 Copyright 2010 by the University of Southern Maine 2 Administrative Information Provenance: The Gerald E. -
About Yacht Rock Revue
*•«•Ƶ‰úÕ«ú•⁄‰ *•«•Ƶ‰µ«Ø³ *•«•Ƶ‰µ«Ø³ About Yacht Rock Revue: This top-notch group of musicians has already rocked onstage with John Oates, Eddie Money (RIP), and both versions of the band Player. They’ve trademarked the term “yacht rock,” both metaphorically and literally (U.S. Registration Number 3834195). From humble beginnings in a basement, touring in partnership with Live Nation and Sirius XM, they now headline sold-out shows across the country, from Webster Hall in New York to the Wiltern in L.A. While rising from bars to amphitheaters, they’ve ticked every box on the Rock Star Accomplishments bingo card. Except for one: Writing and singing their own songs. Yacht Rock Revue’s first original record is ten songs inspired by the smoooooth sounds of the Seventies and Eighties. They’ve brazenly titled it Hot Dads In Tight Jeans – forgive them for bragging, but that’s what they are – and it returns Yacht Rock Revue to their roots in original music. And now they are coming to Columbia, SC to perform their top notch concert at the Township Auditorium as a benefit for Camp Cole and the Win Anyway Concert. About Camp Cole Inspired by the memory of Cole Sawyer, an 11-year-old boy from Columbia who lost his battle to cancer in 2004, Camp Cole will be a camp and retreat center for children, teens, and adults with disabilities, illnesses, and life challemges. Camp Cole is on its way to becoming a place of inspiration, encouragement, friendship and support to thousands of children and adults in South Carolina. -
Yacht Rock Episode 2
(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name Address Phone INT. KITCHEN STUDIO - HOST STAND-UP HOLLYWOOD STEVE Oh, hi. I’m Hollywood Steve. You’ve caught me preparing a delicious souffle. The great song writing duel of 1978 would change music forever. And as with any great soufflé, the main ingredient of tonight’s episode is a heaping helping of surprise... SHOW OPEN - YACHT ROCK “KEEP THE FIRE” EXT. ALLEYWAY - DAY KOKO & SKUNK watch MICHAEL & KENNY warm up. SKUNK I see you brought your lucky harpoon. KOKO Skunk, I woke up to a red sky this morning. Sailor’s Warning. I’m afraid. But today is up to Mike and Kenny. I’m just here to keep the fire. CHRISTOPHER CROSS pushes his way up to Koko. CHRISTOPHER CROSS Mr. Goldstein! The music of your artists has been an inspiration to me... SKUNK Scram, kid. Koko’s busy keepin the fire. Skunk pushes CHRIS away. KOKO The judges arrive. It begins... The judges approach the table. They are GENE BALBOA, a tan record exec, RODNEY MULDOON, a disco-dressed music writer, and PETER CETERA of Chicago. GENE Gentlemen, the future of popular music is at stake today. RODNEY Hall & Oates... begin! HALL & OATES step before the judges and bow. OATES wears a forehead bandage. Hall winks at SARA ALLEN, crossing her fingers on the sidelines. 2. INT. HALL & OATES HALLWAY - DAY Sara listens to Hall & Oates fight. -
Helloween Destruction Morbid Angel Audrey Horne
CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. HELLOWEEN - Pumpkins United 6:21 12.2017 (Kai Hansen, Andi Deris, Michael Weikath) BMG Rights Management* Nuclear Blast/Warner 2. DESTRUCTION - United By Hatred 4:36 (Michael Sifringer, Marcel Schirmer) Wintrup Musikverlage* Nuclear Blast/Warner LAUSCHANGRIFF 3. MORBID ANGEL - Piles Of Little Arms 3:44 (Azagthoth/Tucker) Azagthoth and Tucker* Silver Lining/Warner VOL.059 4. AUDREY HORNE - This Is War 6:17 (Torkjell Rød, Arve Isdal, Thomas Tofthagen, Espen Lien, Kjetil Greve) Iron Avantgarde Publishing* Napalm/Universal 5. HARD ACTION - Nothing Ever Changed 3:15 (Ville Valavuo, Gunther Kivioja) Copyright Control* Svart/Cargo 6. CAVALERA CONSPIRACY - Insane 3:50 (Max Cavalera, Iggor Cavalera, Marc Rizzo/Max Cavalera) Kobalt Music Publishing Ltd.* Napalm/Universal 7. STÄLKER - Shadow Of The Sword 3:28 (David John Rynhart King, Christopher Calavrias, Nicholas George Oakes/David John Rynhart King, Christopher Calavrias) Iron Avantgarde Publishing* Napalm/Universal 8. JESS AND THE ANCIENT ONES - Return To Hallucinate 2:28 VOL.059 (Thomas Corpse) Copyright Control* Svart/Cargo LAUSCHANGRIFF 9. DEGIAL - Annihilation Banner 4:17 (Degial) Sepulchral Voice/Soulfood 10. HAMFERD - Hon Syndrast 6:06 (Theodor Kapnas, Jón Aldará, Remi Kofoed Johannesen, John Egholm, Esmar Joensen, Ísak Petersen) Metal Blade/Sony 12.2017 11. ALMANAC - Hail To The King (Edit) 4:58 (Victor Smolski/Andy Franck) Copyright Control* Nuclear Blast/Warner 12. THE WEIGHT - Hard Way 2:47 (Tobias Jussel, Patrick Moosbrugger, Michael Boebel, Andreas Vetter) Copyright Control* Heavy Rhythm & Roll/Rough Trade. -
Download Internet Service Channel Lineup
INTERNET CHANNEL GUIDE DJ AND INTERRUPTION-FREE CHANNELS Exclusive to SiriusXM Music for Business Customers 02 Top 40 Hits Top 40 Hits 28 Adult Alternative Adult Alternative 66 Smooth Jazz Smooth & Contemporary Jazz 06 ’60s Pop Hits ’60s Pop Hits 30 Eclectic Rock Eclectic Rock 67 Classic Jazz Classic Jazz 07 ’70s Pop Hits Classic ’70s Hits/Oldies 32 Mellow Rock Mellow Rock 68 New Age New Age 08 ’80s Pop Hits Pop Hits of the ’80s 34 ’90s Alternative Grunge and ’90s Alternative Rock 70 Love Songs Favorite Adult Love Songs 09 ’90s Pop Hits ’90s Pop Hits 36 Alt Rock Alt Rock 703 Oldies Party Party Songs from the ’50s & ’60s 10 Pop 2000 Hits Pop 2000 Hits 48 R&B Hits R&B Hits from the ’80s, ’90s & Today 704 ’70s/’80s Pop ’70s & ’80s Super Party Hits 14 Acoustic Rock Acoustic Rock 49 Classic Soul & Motown Classic Soul & Motown 705 ’80s/’90s Pop ’80s & ’90s Party Hits 15 Pop Mix Modern Pop Mix Modern 51 Modern Dance Hits Current Dance Seasonal/Holiday 16 Pop Mix Bright Pop Mix Bright 53 Smooth Electronic Smooth Electronic 709 Seasonal/Holiday Music Channel 25 Rock Hits ’70s & ’80s ’70s & ’80s Classic Rock 56 New Country Today’s New Country 763 Latin Pop Hits Contemporary Latin Pop and Ballads 26 Classic Rock Hits ’60s & ’70s Classic Rock 58 Country Hits ’80s & ’90s ’80s & ’90s Country Hits 789 A Taste of Italy Italian Blend POP HIP-HOP 750 Cinemagic Movie Soundtracks & More 751 Krishna Das Yoga Radio Chant/Sacred/Spiritual Music 03 Venus Pop Music You Can Move to 43 Backspin Classic Hip-Hop XL 782 Holiday Traditions Traditional Holiday Music -
Crowdfunding Raises Money, Puts Local Business on the Road Memorial Day Recap
Arts Alliance Crowdfunding Raises Money, Puts Making Plans for Odd Fellows Local Business on the Road BY NOAH MINER Building Staff Writer The Gorham Grind, a local coffee BY SHERI FABER shop owned by Carson Lynch, has taken Staff Writer advantage of the latest method of gener- ating capital: crowdfunding. The term is The Gorham Arts Alliance (GAA) used to describe raising money to sup- is hoping to move forward with port a cause, individual or small business their plans for the former Odd by using the Internet to solicit money. Fellows building on School Street, Two models exist, one where the which was recently purchased by money is donated, and another where Jon and Cindy Smith of Great Falls investors are rewarded with services or Construction who are leasing it to goods equal to or exceeding the initial the Alliance. investment. The Gorham Grind intends Following a meeting with the to reward its investors. State Fire Marshall’s office, the GAA The Gorham Grind has been trying for was told the building could not be the last few years to get a mobile coffee occupied until a fire alarm system bar nicknamed “Flo” up and running full was installed. Also required within time. Flo, an 18-foot long step van, similar the first year of occupation was to a UPS van, needs electrical, plumb- Photo credit Carson Lynch a sprinkler system and, until the ing, and equipment upgrades in order to sprinklers were installed and opera- become totally self-contained. The goal is The Gorham Grind’s food truck, nicknamed Flo, will be getting some much needed tional, the second floor could not to provide a self-supported mobile coffee improvements after a successful crowdfunding campaign. -
Ganz Anders Schreien«
# 2019/22 dschungel https://jungle.world/artikel/2019/22/ganz-anders-schreien Von Spar: Under Pressure« »Ganz anders schreien« Interview Von Steffen Greiner Angefangen haben Von Spar mit Disco-Punk-Parolen. Die Band entwickelte danach einen Sound, der geprägt ist von krautiger Pop-Verspieltheit. Bassist Christopher Marquez empfängt zum Gespräch in seinem Studio im letzten grauen Hinterhof am Kreuzberger Mehringdamm. Es ist merkwürdig, eure neue Platte zu hören, diese krautrockigen, fließenden Popsongs, und dann als Kontrast ein Video aus euren Anfangstagen zu sehen, als ihr mit eurem Debüt »Die uneingeschränkte Freiheit der privaten Initiative« sowas wie Egotronic für Diskursrocker wart. Im Song »Ist das noch populär« von 2004 geht es um die Auflösung von Gender-Rollen – das passt viel besser zur heutigen Diskussion als zur damaligen. Thomas Mahmoud, der damals unser Sänger war, ist immer versiert darin gewesen, Inhalte so zu formulieren, dass sie Teil eines Diskurses werden. Es ist uns immer wichtig gewesen, dass die Aussage für alle vertretbar ist, wenn wir mit Gesang arbeiten. Seit Thomas nicht mehr dabei ist, gilt das eben auch für die Gastbeiträge. Wir würden nicht Helene Fischer fragen, ob sie auf der nächsten Platte mitsingt. Schade eigentlich! Wäre solche Musik denn nicht gerade notwendig? Also, so eine Art massenkompatible Parolenmusik gegen rechten Konsens? Parolen sind ja immer auch eine Vereinfachung. Das so zu drehen, dass es niemand in den falschen Hals bekommt, finde ich schwierig. Kann man das auch so verstehen, dass so eine Herangehensweise zu euch als junge Band gepasst hat, jetzt aber unangemessen wäre? Genau. Ach, schreien ist immer gut und immer wichtig, auch, wenn man fortgeschrittenen Alters ist. -
Portland Press Herald Poll #3
PORTLAND PRESS HERALD POLL #3 MAINE 2014 GENERAL ELECTION Prepared by: Andrew E. Smith, Ph.D. Zachary S. Azem, M.A. The Survey Center University of New Hampshire October, 2014 Contents Technical Report .......................................................................... 1 Questionnaire .............................................................................. 2 Data Tables ................................................................................ 21 Portland Press Herald Poll #3 Maine 2014 General Election Conducted by the UNH Survey Center October 2014 Technical Report Field Period: October 15 to October 21, 2014 Hours: 9 a.m. to 9 p.m. Median Completion Time: 14 minutes Sample Size: 734 randomly selected Maine adults (RDD) 667 randomly selected Maine likely and early voters in the 2014 General Election (RDD) Sampling Error: +/- 3.6% (all respondents) +/- 3.8% (likely voters) Congressional Subsections: 348 likely voters in the 1st Congressional District (5.3% MOE) 320 likely voters in the 2nd Congressional District (5.5% MOE) Response Rate (AAPOR #4): 24% The data have been weighted by the number of adults in a household and the number of telephone numbers at which a household can be reached in order to equalize the chances of an individual Maine adult being selected. The data have also been weighted by the sex, age and the region of the state based on the American Community Survey conducted by the US Census. 1 Portland Press Herald Poll #3 Conducted by the UNH Survey Center Fall, 2014 INTRO: “Good evening / afternoon. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Where to Next? a Dynamic Model of User Preferences
Where To Next? A Dynamic Model of User Preferences Francesco Sanna Passino∗ Lucas Maystre Dmitrii Moor Imperial College London Spotify Spotify [email protected] [email protected] [email protected] Ashton Anderson† Mounia Lalmas University of Toronto Spotify [email protected] [email protected] ABSTRACT 1 INTRODUCTION We consider the problem of predicting users’ preferences on on- Online platforms have transformed the way users access informa- line platforms. We build on recent findings suggesting that users’ tion, audio and video content, knowledge repositories, and much preferences change over time, and that helping users expand their more. Over three decades of research and practice have demon- horizons is important in ensuring that they stay engaged. Most strated that a) learning users’ preferences, and b) personalizing existing models of user preferences attempt to capture simulta- users’ experience to match these preferences is immensely valuable neous preferences: “Users who like 퐴 tend to like 퐵 as well”. In to increase engagement and satisfaction. To this end, recommender this paper, we argue that these models fail to anticipate changing systems have emerged as essential building blocks [3]. They help preferences. To overcome this issue, we seek to understand the users find their way through large collections of items and assist structure that underlies the evolution of user preferences. To this them in discovering new content. They typically build on user pref- end, we propose the Preference Transition Model (PTM), a dynamic erence models that exploit correlations across users’ preferences. model for user preferences towards classes of items. The model As an example within the music domain, if a user likes The Beatles, enables the estimation of transition probabilities between classes of that user might also like Simon & Garfunkel, because other users items over time, which can be used to estimate how users’ tastes are who listen to the former also listen to the latter.