Bow Rulebook Eng.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Archetypes in Female Characters of Game of Thrones
Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 13. rujna 2018. Makjanić 2 Table of Contents 1. Introduction ..................................................................................................................... 3 2. Game of Thrones ............................................................................................................. 4 3. Archetypes ...................................................................................................................... -
Universita' Degli Studi Di Torino Alla Ricerca Dell
UNIVERSITA’ DEGLI STUDI DI TORINO FACOLTA’ DI LINGUE E LETTERATURE STRANIERE CORSO DI LAUREA IN LINGUE STRANIERE PER LA COMUNI- CAZIONE INTERNAZIONALE TESI DI LAUREA ALLA RICERCA DELL'ANELLO MANCANTE: ANALISI ANTROPOLOGICA DELL'OPERA DI TOLKIEN RELATORE: PROF.SSA Laura Bonato CANDIDATA: Elisa Mascali Matricola 759597 Anno Accademico 2012-2013 INDICE Introduzione...............................................................................................p. 1 Capitolo 1 - La narrativa popolare e lo sviluppo del genere fantasy 1.1 Origini, definizioni, forme...................................................................p. 3 1.2 La nascita e lo sviluppo del genere fantasy.......................................p. 11 1.2.1. Caratteristiche principali.............................................................................p. 12 1.2.2. I temi...........................................................................................................p.14 1.2.1. Le radici nel mito........................................................................................p. 15 Capitolo 2 - John Ronald Reuel Tolkien: vita e opere 2.1. Vicende biografiche.............................................................................p. 19 2.2. Le opere..............................................................................................p. 22 2.2.1. Lo Hobbit o la riconquista del tesoro.................................................p. 22 2.2.2 Il Signore degli Anelli......................................................................p. -
'Iron Throne' with a Noncompete? by Emily Wajert (May 16, 2019, 6:01 PM EDT)
Portfolio Media. Inc. | 111 West 19th Street, 5th Floor | New York, NY 10011 | www.law360.com Phone: +1 646 783 7100 | Fax: +1 646 783 7161 | [email protected] Claiming The 'Iron Throne' With A Noncompete? By Emily Wajert (May 16, 2019, 6:01 PM EDT) I can’t seem to take off my employment lawyer hat, even when watching my favorite shows. True to form, the final season of “Game of Thrones” has been filled with twists and turns, battles and heroics, and, of course, alliances and betrayals. With the highly anticipated series finale set to premiere this weekend, one burning question remains[1] — who will end up on the Iron Throne? Over the course of the show’s eight seasons, there have been many worthy (and not-so-worthy) contenders. Up until recently, it seemed the character with the strongest claim to rule Westeros was Daenerys Stormborn of the House Targaryen, the First of Her Name, the Unburnt, Queen of the Andals, the Rhoynar and the First Emily Wajert Men, Queen of Meereen, Khaleesi of the Great Grass Sea, Protector of the Realm, Breaker of Chains and Mother of Dragons (aka Dany). However, Dany’s claim came under threat once characters learned that the honorable Jon Snow actually had an even stronger claim. (For those unfamiliar, Jon Snow recently learned his true identity, which arguably places him ahead of Dany in the line of succession for the throne). Even after learning of his true identity and potentially stronger claim to the throne, Jon Snow continued to swear his allegiance to Dany as his “Queen.” Despite these assurances, Dany was clearly distraught over the idea of a popular Jon Snow competing against her for the throne. -
Mayday Games Email Updates to [email protected] # Of
Mayday Games email updates to [email protected] Millimeters # of Game Title # Cards Width Length Type of Sleeve Packs 1313 Dead End Drive 48 53 73 None 1812: The Invasion of Canada 60 56 87 Std USA (Purple) 1 1853 Train Game 110 45 68 Mini Euro (Blue) 2 1955: The War of Espionage 63 88 Card Game (Green) 0 1960: Making of the President 109 63.5 88 Card Game (Green) 2 2 de Mayo 63 88 Card Game (Green) 51st State 126 63 88 Card Game (Green) 2 51st State New Era Expansion 7 63 88 Card Game (Green) 1 6 Nimmt (Category 5) 104 56 87 Std USA (Purple) 2 7 Ages: 6000 Years of Human History 110 110 89 Chimera Sized 2 7 Wonder Leaders 42 65 100 Magnum Copper 1 7 Wonders 157 65 100 Magnum Copper 2 7 Wonders Promos (Stevie Wonder, Catan Island & Mannekin3 Pis) 65 100 Magnum Copper 1 7 Wonders Cities 38 65 100 Magnum Copper 1 A Game of Thrones -Board Game 100 57 89 Chimera Sized 1 A Game of Thrones Clash Of Kings 100 57 89 Chimera Sized 1 A Game of Thrones LCG -Chapter Pack 50 63.5 88 Card Game (Green) 1 A Game of Thrones LCG -Core 250 63.5 88 Card Game (Green) 3 A Game of Thrones Storm Of Swords 200 57 89 Chimera Sized 2 Abetto (2010) 45 68 Mini Euro (Blue) Acquire (1976 version) 180 57 88 Chimera Sized 2 Acquire (2008 version) 175 63.5 88 Card Game (Green) 2 Ad Astra 216 45 68 Mini Euro (Blue) 3 Adel Verpflichtet 45 70 Mini Euro (Blue) -Almost Adventurer Card Game Portal Expansion 45 64 89 Card Game (Green) 1 Adventurer: Card Game 80 64 89 Card Game (Green) 1 Adventurers, The 12 57 89 Chimera Sized 1 Adventurers, The 83 42 64 Mini Chimera (Red) -
Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
“Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode. -
Final Draft Thesis Corrected
REDEFINING MASCULINITY IN GAME OF THRONES !1 Redefining Masculinity through Disability in HBO’s Game of Thrones A Capstone Thesis Submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication April 2016 By Amanda J. Dearman Capstone Committee: Dr. Kevin A. Stein, Ph.D., Chair Dr. Arthur Challis, Ed.D. Dr. Matthew H. Barton, Ph.D. Running head: REDEFINING MASCULINITY IN GAME OF THRONES !3 Acknowledgements I have been blessed with the support of a number of number of people, all of whom I wish to extend my gratitude. The completion of my Master’s degree is an important milestone in my academic career, and I could not have finished this process without the encouragement and faith of those I looked toward for support. Dr. Kevin Stein, I can’t thank you enough for your commitment as not only my thesis chair, but as a professor and colleague who inspired many of my creative endeavors. Under your guidance I discovered my love for popular culture studies and, as a result, my voice in critical scholarship. Dr. Art Challis and Dr. Matthew Barton, thank you both for lending your insight and time to my committee. I greatly appreciate your guidance in both the completion of my Master’s degree and the start of my future academic career. Your support has been invaluable. Thank you. To my family and friends, thank you for your endless love and encouragement. Whether it was reading my drafts or listening to me endlessly ramble on about my theories, your dedication and participation in this accomplishment is equal to that of my own. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Toy & Gift Account Catalog
TOY & GIFT ACCOUNT CATALOG EFFECTIVE AUGUST 1ST, 2017 TOY & GIFT ACCOUNT CATALOG Efectve August 1st, 2017. If you have questons about your account, please contact your authorized ANA distributor or visit www.asmodeena.com for more informaton. SKU PRODUCT NAME STUDIOS MSRP AD02 Android: Mainframe Fantasy Flight Games $34.95 BLD02 The Builders: Antquity Bombyx $17.99 BRN01 Braintopia Captain Macaque $14.99 BRU01 Bruxelles 1893 Pearl Games $59.99 CARD01 Cardline Animals Bombyx $14.99 CE01 Cosmic Encounter Fantasy Flight Games $59.95 CG02 Cash n Guns (2nd Editon) Repos $39.99 CN3003 Star Trek Catan Catan Studio $55.00 CN3025 Catan Junior Catan Studio $30.00 CN3071 Catan Catan Studio $49.00 CN3103 Catan Traveler Catan Studio $45.00 CN3131 Rivals for Catan Catan Studio $25.00 CN3142 Struggle for Catan Catan Studio $13.00 COLT01 Colt Express Ludonaute $39.99 CONC01 Concept Repos $39.99 CPT01 Captain Sonar Matagot $49.99 CROS01 Crossing Space Cowboys $24.99 DIF01 Dice Forge Libellud $39.99 DIX01 Dixit Libellud $34.99 DO7001 Mystery of the Abbey Days of Wonder $59.99 DO7101 Pirate's Cove Days of Wonder $59.99 DO7201 TicKet to Ride Days of Wonder $49.99 DO7901 Small World Days of Wonder $49.99 DO8401 Five Tribes Days of Wonder $59.99 DO8501 Quadropolis Days of Wonder $49.99 DO8601 Yamatai Days of Wonder $59.99 DRM01 Dream Home Rebel $39.99 DSH102 DS: Std. Mate: 100 Count: BLACK Arcane Tinmen $10.99 FD01 Formula D Asmodee Studio $59.99 FFS01 BG Sleeves Mini American (Pack) Fantasy Flight Games $2.49 FT01 Final Touch Space Cowboys $16.99 GHO01 Ghost -
Comparing Depictions of Empowered Women Between a Game of Thrones Novel and Television Series
Journal of Student Research (2012) Volume 1, Issue 3: pp. 14-21 Research Article A Game of Genders: Comparing Depictions of Empowered Women between A Game of Thrones Novel and Television Series Rebecca Jonesa The main women in George R. R. Martin's novel Game of Thrones, first published in 1996, and the adapted television series in 2011, are empowered female figures in a world dominated by male characters. Analyzing shifts in the characters’ portrayals between the two media conveys certain standards of the cultures for which they are intended. While in the novel the characters adhere to a different set of standards for women, the television series portrays these women as more sympathetic, empowered, and realistic with respect to contemporary standards. Using literary archetypes of queen, hero, mother, child, maiden and warrior and applying them to Cersei Lannister, Catelyn Stark, Arya Stark, Sansa Stark, and Daenerys Targeryen, provides a measure for the differences in their presentations. Through the archetypical lens, the shifts in societal and cultural standards between the novel and series’ airing make apparent the changing pressures and expectations for women. By reading the novel and watching the series with these archetypes in mind, the changes in gender norms from 1996 to 2011 become clear. The resulting shift shows the story’s advances in the realm of fantasy in relation to the American society that consumes it. Keywords: English, Film Studies, Women and Gender Studies 1. Introduction The genre of fantasy has a long and sordid history in its differences in portrayal between the two media, utilizing the depictions of women. -
Henry Tudor and Elizabeth of York As Daenerys Targaryen and Jon Snow
Facultat de Filosofia i Lletres Memòria del Treball de Fi de Grau Rewriting Historical Characters: Henry Tudor and Elizabeth of York as Daenerys Targaryen and Jon Snow Maria Antònia Llabrés Font Grau d'Estudis Anglesos Any acadèmic 2018-19 DNI de l’alumne:43472881Y Treball tutelat per José Igor Prieto Arranz Departament de Filologia Espanyola, Moderna i Clàssica S'autoritza la Universitat a incloure aquest treball en el Repositori Autor Tutor Institucional per a la seva consulta en accés obert i difusió en línia, Sí No Sí No amb finalitats exclusivament acadèmiques i d'investigació Paraules clau del treball: reversal gender roles, historical discourse, power, recognition, fantasy Abstract This essay examines the relationship between the historical figures Henry VII and Elizabeth of York, and the fictional characters Jon Snow and Daenerys Targaryen from the popular TV series Game of Thrones. Through the analysis of the similarities between their lives, this project attempts to prove how both fictional characters are based and influenced by Henry VII and Elizabeth of York. Moreover, there is very little previous literature about the life of Elizabeth of York, obscuring and undermining her important role in putting an end to the Wars of the Roses. Thus, besides proving the relationship between these historical characters and the fictional ones, the aim of this paper is also to emphasise the historical importance given to Elizabeth of York in Game of Thrones by means of using her as a main source of inspiration for two of the most important an relevant characters of the series. As a result, this work also intends to prove how Game of Thrones demolishes gender boundaries by using characteristics of both Henry VII and Elizabeth of York to shape the characters of Jon Snow and Daenerys Targaryen. -
1448936119017.Pdf
By Robert J. Schwalb Game Concepts: STEVE KENSON, NICOLE LINDROOS, CHRIS PRAMAS, & ROBERT J. SCHWALB Additional Design: JOE CARRIKER & JESSE SCOBLE Development: STEVE KENSON Development Assistance: CHRIS PRAMAS Editing: KARA HAMILTON Peril at King’s Landing Design: Steve Kenson Additional PaKL Design: R. Kevin Doyle, Jon Leitheusser, Nicholas Logue Proofreading: BRIAN E. KIRBY, CHRIS PRAMAS, EVAN SASS Art Direction and Graphic Design: HAL MANGOLD Cover Art: MICHAEL KOMARCK Back Cover Art: PAOLO PUGGIONI Interior Art: TED GALADAY, JEFF HIMMELMAN, VERONICA JONES, JASON JUTA, BILLY KING, PAT LOBOYKO, BRITT MARTIN, GERMAN NOBILE, TORSTEIN NORDSTRAND, PAOLO PUGGIONI, CHRISTOPHE SWAL Cartography: JARED BLANDO, KEITH CURTIS & ANDY LAW Publisher: CHRIS PRAMAS GREEN RONIN STAFF: Bill Bodden, Joseph D. Carriker, Will Hindmarch, Steve Kenson, Jon Leitheusser, Nicole Lindroos, Hal Mangold, Chris Pramas, Rich Redman, Evan Sass, and Marc Schmalz PLAYTESTERS: Tyler M. Carey, Cody Carver, Tom Castelli, Jacob Chabot, Adam Doochin, Michael Elster, Andy Frades, Mark Hugo, Doug Justice, Brian E. Kirby, Jan Philipp Gürtler, Kristian Hartmann, Dan Heinrich, Lyle Hinckley, Kevin Hamilton, Daniel Hodges, Travis Hodges, Sean Johnson, Glen Kyle, Joe Quarles, Clemens Schäfer, Conrad Schäfer, Michael Simonds, Norman Simonds, Owen K.C. Stephens, Nathan Summar, Rich Tomasso, Bobby Turman A Song of Ice and Fire Roleplaying: A Game of Thrones Edition is © 2012 Green Ronin Publishing, LLC. All rights reserved. Reference to other copyrighted material in no way constitutes a challenge to the respective copyright holders of that material. A Song of Ice and Fire Roleplaying, SIFRP, and associated logos are trademarks of Green Ronin Publishing, LLC. A Song of Ice and Fire is © 1996-2012 George R.