Sean Polite Interview with Ralph Titterton on the Legacy of Composer, Barry Gray
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'Fab' Tribute to Puppet Genius Gerry Anderson
P News Release RS 6 December 2010 ROYAL MAIL PAYS ‘FAB’ TRIBUTE TO PUPPET GENIUS GERRY ANDERSON AND THUNDERBIRDS ARE GO, ON ‘MOVING’ MINI SHEET The puppet characters in Stingray, Joe 90, Captain Scarlett and Thunderbirds have enthralled millions since they first arrived on our TV screens in the 1960s, and they are now set to visit our homes again as Royal Mail pays tribute to their creator in a new set of special stamps. Issued on 11 January, FAB: The Genius of Gerry Anderson marks the 50th anniversary of these ground-breaking programmes, which began with Supercar in 1961. The set of stamps also includes Royal Mail’s first ‘motion stamps’ on a miniature sheet which using microlenticular printing reveals the Thunderbirds take off when tilted back and forth. Gerry Anderson said: “I feel incredibly proud that my work has been chosen to appear on a set of commemorative stamps and to see actual animation of the opening scenes of Thunderbirds on motion stamps, for me, is wonderful.” The stamps, split between 1st Class and 97p values, feature six of his most popular shows: Supercar, Fireball XL5, Stingray, Thunderbirds, Captain Scarlet and Joe 90, highlighting the ingenious characters and incredible vehicles created by Anderson. For many of course, it’s his most celebrated creation, Thunderbirds, that we remember, especially its dramatic 5! 4! 3! 2! 1! opening sequence. Now people can relive that moment through a four-stamp miniature sheet. The countdown begins with Thunderbird 5 - the Earth-orbiting space station keeping a watchful eye from within the miniature sheet’s border, whilst a moving image of lift off is revealed for Thunderbirds 1, 2, 3 and 4. -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
It Always Gives Watching: the Nothing and the Parahuman in Rilke's Duino
Filozofski vestnik Volume/Letnik XXVI • Number/Številka 2 • 2005 • 161–171 IT ALWAYS GIVES WATCHING: THE NOTHING AND THE PARAHUMAN IN RILKE’S DUINO ELEGIES Miglena Nikolchina A well known story has it that Rainer Maria Rilke heard the first sentence of what was to become the first of his Duino Elegies while a strong Bora was blow- ing up from the sea. It was January 1912 and Rilke was staying at the Duino Castle on the Adriatic as a guest of Princess Marie von Thurn und Taxis- Hohenlohe. It is she who provides the anecdote according to which, while Rilke was walking by the sea, it seemed to him that in the raging of the storm a voice had called to him: ‘Who, if I cried out, would hear me among the angelic orders?’…. He took out his notebook, which he always carried with him, and wrote down these words …1 A voice from the storm – a disembodied voice without a source – cries out a question to Rilke. Instead of answering – and, indeed, although an- gelic perception of the world will run as one of the persistent queries of the Elegies, whom and in what capacity could Rilke answer regarding the hearing of angels? – Rilke writes the question down. The question does not expect an answer and in a way hopes that there would be no answer: for, we are told, if by any chance an angel would press the poet to his heart, the poet would be consumed in the angel’s stronger existence. The question cried out at the poet by nobody is reflected back as the poet’s own question to nobody. -
AGE Qualitative Summary
AGE Qualitative Summary Age Gender Race 16 Male White (not Hispanic) 16 Male Black or African American (not Hispanic) 17 Male Black or African American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 18 Malel Blacklk or Africanf American (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Female White (not Hispanic) 18 Female Asian, Asian Indian, or Pacific Islander 18 Male Asian, Asian Indian, or Pacific Islander 18 Female White (not Hispanic) 18 Female White (not Hispanic) 18 Female Black or African American (not Hispanic) 18 Male White (not Hispanic) 19 Male Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Male Asian, Asian Indian, or Pacific Islander 19 Female Native American or Alaskan Native 19 Female White (p(not Hispanic)) 19 Male Hispanic (unspecified) 19 Female Hispanic (unspecified) 19 Female White (not Hispanic) 19 Female White (not Hispanic) 19 Male Hispanic/Latino – White 19 Male Hispanic/Latino – White 19 Male Native American or Alaskan Native 19 Female Other 19 Male Hispanic/Latino – White 19 Male Asian, Asian Indian, or Pacific Islander 20 Female White (not Hispanic) 20 Female Other 20 Female Black or African American (not Hispanic) 20 Male Other 20 Male Native American or Alaskan Native 21 Female Don’t want to respond 21 Female White (not Hispanic) 21 Female White (not Hispanic) 21 Male Asian, Asian Indian, or Pacific Islander 21 Female White (not -
The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
In the Great Tradition of Postponed NASA Launches, the York Maze
THUNDERBIRDS ARE GROW! A Thunderbirds fan has created an amazing tribute to 50 years of the iconic show by producing the World’s biggest ever Thunderbird 2, carved into an 15 acre field of growing maize plants near York, England. Tom Pearcy came up with the idea after hearing about the 50th anniversary. Says Tom Pearcy, “As a kid I remember watching Gerry Anderson’s great TV shows like Stingray & Captain Scarlet, but Thunderbirds was my favourite. I wanted to do something big to mark the 50th anniversary. As a child Thunderbird 2 captured my imagination, I think it’s the most iconic of all the Thunderbirds and being green it works perfectly carved into the field of maize plants!” Measuring over 350m (1150ft) long, Thunderbird 2 has been painstakingly carved out of over 1 million living maize plants. It took Mr Pearcy and his team of helpers nearly a week to cut out the 6km of pathways in his 15 acre field near York to form the giant Thunderbird image together with the words ‘Thunderbirds Are 50’. The pathways in the field form an intricate maze for visitors to explore. The York Maze is believed to be the largest maze in Europe and one of the largest in the world. Jamie Anderson, son of Thunderbirds creator the late Gerry Anderson, was so impressed when he heard about Mr Pearcy’s amazing maze that he had to come to York to see it for himself. Jamie took a helicopter flight over the giant 15 acre maize maze to see the design. -
Barry Gray Thunderbirds Are Go / Thunderbird 6 (Original Motion Picture Scores) Mp3, Flac, Wma
Barry Gray Thunderbirds Are Go / Thunderbird 6 (Original Motion Picture Scores) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: Thunderbirds Are Go / Thunderbird 6 (Original Motion Picture Scores) Country: US Released: 2014 Style: Score MP3 version RAR size: 1138 mb FLAC version RAR size: 1948 mb WMA version RAR size: 1130 mb Rating: 4.9 Votes: 919 Other Formats: VOC AU AAC MOD XM DMF ASF Tracklist 1 Main Titles And Zero X 2 Zero X Theme / Spy On Board 3 Thunderbirds Are Go / Penelope On The Move 4 Journey To Mars And The Swinging Star 5 Fall To Earth / Martian Exploration 6 Rock Snakes / Escape From Mars 7 Time Passes 8 End Titles 9 Plans To Build A Skyship And Thunderbird 6 Main Titles 10 Flight Of The Tiger Moth 11 Operation Escort 12 The Ballroom Jazz 13 Welcome Aboard / Dumping Bodies 14 Skyship Journey–Grand Canyon To Melbourne 15 Indian Street Music 16 Dinner Aboard Skyship One 17 Skyship Journey–Egypt To Switzerland And The Whistle Stop Inn 18 Thunderbirds Are Go / The Trap / Tower Collision 19 Tiger Moth Escape 20 Crash Landing And Conclusion Barcode and Other Identifiers Barcode: 826924130629 Related Music albums to Thunderbirds Are Go / Thunderbird 6 (Original Motion Picture Scores) by Barry Gray Journey - Escape Philip Glass - Roving Mars (Original Motion Picture Soundtrack) Barry Gray - Gerry Anderson's Thunderbirds Are Go The Fabulous Thunderbirds - Portfolio Hans Zimmer - Thelma & Louise / Regarding Henry (The Original Motion Picture Scores) Barry Gray / David Graham - Thunderbird 1 / Ricochet / Captain Scarlet vs. Captain Black - From Gerry Anderson's Thunderbirds (Set 5) Les Baxter & His Orchestra - Les Baxter: At The Movies (Original Film Scores) Infekt - Journey To Mars EP Zombies Of The Stratosphere - Thunderbirds Are Go John Scott - Walking Thunder (Original Motion Picture Score). -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
Rites of Passage: Dionysus and the Chorus of Satyrs1
Universidade de São Paulo, JOHN C. DAWSEY São Paulo, São Paulo, Brazil. RITES OF PASSAGE: DIONYSUS AND THE CHORUS OF SATYRS1 ABSTRACT At the origins of Greek tragedy, in the chorus of satyrs of Dionysian theater, Greeks stared into horror. This observation by Nietzsche is the start- ing point for a discussion of rites of passage and, particularly, of liminal experience. Contribu- tions from contemporary performance and the- ater highlight aspects of this experience. So also, the studies of Julia Kristeva deserve attention. A hypothesis inspired by the writings of Walter Benjamin emerges at the end: vital elements of rites of passage and Dionysian theater have to do with what may be called “margins of margins”. keywords In focus, the double removal of masks (everyday rites of passage, and extraordinary), the subterranean regions of margins of symbols, and the experience of f(r)iction (with margins, f(r)iction, the r between parentheses) in relations between astounding or masks and bodies. Paraphrasing Pascal, the body extraordinary has its reasons of which culture knows not. At everyday margins of margins a double optic is formed: the experience, astounding (or extraordinary) everyday, no sur- corpoiesis prise in the astounding. 1. This article results from research developed as part of the Project “Mother images: drama and montage” (Imagens de mães: drama e montage), Processo CNPq 308691/2012-1. 159 São Paulo, v. 1, n. 1, p. 159 -178, june (2016) I. DIONYSUS AND THE CHORUS OF SATYRS: STARING INTO HORROR I would like to invite listeners on a trip: a discussion about rites of passage.2 Our guide: one of the gods of Ancient Greece, the god of wine Dionysus. -
Anderson Entertainment
Anderson Entertainment Anderson Entertainment is the TV & Film production company of the late Gerry Anderson MBE - the man behind a huge number of cult sci-fi and adventure series like Fireball XL5, Stingray, Thunderbirds, Captain Scarlet, UFO, Space:1999, Terrahawks, and Space Precinct among many others. Now headed by Anderson's son Jamie, the company continues to develop Gerry's unfinished film, TV and literary work, as well as maintaining his legacy. In October 2012 they completed a successful Kickstarter campaign to complete and publish Gerry's final series of novels: Gemini Force One. Agents Robert Kirby Associate Agent 0203 214 0800 Kate Walsh [email protected] 020 3214 0884 Publications Children's Publication Notes Details GEMINI FORCE Ben Carrington's dream has become a reality: he's finally a member of Gemini ONE: GHOST Force. But, still suffering from the deaths of his parents, it's a bitter-sweet MINE triumph. 2015 When news reaches GF1 of a gang of illegal 'ghost' miners trapped after a Orion South African mining disaster, Ben is glad to spring into action with the team. But it soon emerges that the company, Auron, doesn't want its miners found. Ben must work out who to trust if he's to ensure that Gemini Force pulls off its most difficult mission yet . Impossible rescues. Maximum risk. This is Gemini Force 1. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Publication Notes Details GEMINI FORCE Impossible rescues - Maximum risk - Gemini Force 1 ONE: BLACK After the tragic death of his father, Ben Carrington's mother teams up with a HORIZON wealthy entrepreneur to form an elite, top-secret rescue organisation - Gemini 2015 Force. -
We Can Each Make a Difference in 2020
We Can Each Make a Difference in 2020 Kluwer Mediation Blog December 28, 2019 John Sturrock (Core Solutions Group) Please refer to this post as:John Sturrock, ‘We Can Each Make a Difference in 2020’, Kluwer Mediation Blog, December 28 2019, http://mediationblog.kluwerarbitration.com/2019/12/28/we-can-each-make-a-difference-in-2020/ One of the most enjoyable aspects of the festive season is receiving and reading books that one might not have come across otherwise. This year, I have been enjoying two quite contrasting works of literature. The first is a Manual for Spectrum Agents (Haynes Publishing) providing “detailed information about the Spectrum organisation”, based on the classic 1960’s Supermarionation television series, Captain Scarlet and the Mysterons. For those of us who grew up with Captain Scarlet (and its predecessor, Thunderbirds), produced by the visionary Gerry and Sylvia Anderson, it is hard to understate to remarkable effect these TV programmes, set 100 years into the future, had on our generation. The book brings it all back. It is a serious exercise in nostalgia. The book reminds us that the basic premise of the TV series was that, by 2068, peace and prosperity had been achieved for the majority of the world’s inhabitants, under the guidance and control of a World Government. A Treaty of Tranquility had been signed in 2046, banning acts of war and aggression between countries and binding them together to fight for one cause – the defence of the Earth. The Republic of Britain was an early dissenter, though it had signed by 2050 following the overthrow of its military dictatorship in 2047. -
Television for Children: Problems of National Specificity and Globalisation
Television for children: problems of national specificity and globalisation Book or Report Section Accepted Version Bignell, J. (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546 Available at http://centaur.reading.ac.uk/21378/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online NOTE: This is a chapter published as Bignell, J., ‘Television for children: problems of national specificity and globalisation’ in K. Lesnik-Oberstein (ed.), Children in Culture, Revisited: Further Approaches to Childhood (Basingstoke: Palgrave Macmillan 2011), pp. 167-185. The whole book is available to buy from Palgrave at http://www.palgrave.com/gb/book/9780230275546. My published work is listed and more PDFs can be downloaded at http://www.reading.ac.uk/ftt/about/staff/j-bignell.aspx. Jonathan Bignell Television for children: problems of national specificity and globalisation In the developed nations of Europe, and in the USA, it has long been assumed that television should address children. Thus, notions of what ‘children’ are have been constructed, and children are routinely discussed as an audience category and as a market for programmes.