23–26 February 2012 Amsterdam

Travelling 1 Time 2012 23–26 February Travelling Amsterdam V I X Time S SONIC ACT

Explorations in art,Explorations music science, and technology Travelling 3 Time machine time time machine ruin alternate history neutrinos human time media archeology immune to time deep history mach 9 need for speed water clock sound of time time capsule chronocracy non-linear time shock waves historiography echo fossil fuels stealth time restoration pompeii time dilation image as time shock waves colonising time erosion sound of time timeless region what is Art else remains after everything destroyed is forgotten or – Jack Burnham (1974) Introduction 4 Travelling 5 Time

Travelling Travelling , this year’s festival offers an an offers festival year’s this , Art is a time machine. Sonic Sonic machine. time a is Art Sonic Acts is a four-day festival festival four-day a is Acts Sonic performances, concerts, of and presentations lectures, exhibitions. Titled and Time time of experience intense relating ideas radical explores and complex a is Time it. to Ongoing concept. ambiguous developments technological notions our change continually Communication time. speed of light at operate networks data process computers and human without time real gap in a in resulting mediation, the and time machine between Music it. of experience to us human enable arts other the time and of nature the investigate tangible, concept the making by intensifying or changing by and our experience of time. Acts is a journey through time.

to the the to of Time An Ode Ode An Experience Experience Table of Contents 6 Travelling 7 Time Specials Dyson George by Opening Lecture Sharits Paul Shutter by Interface Chora(s)san The + Hennix CC Time-Court Mirage Long String Instrument by Ellen Fullman Conference & Film Performances Live Exhibition Walk Publication & CD & Masterclass Information Practical Tickets & Public Transport Time Schedule Map Credits

07 08 10 12 14 15 31 47 52 54 55 56 58 62 63 Specials Opening Lecture 8 Travelling 9 Thursday 23 February Time

Leibniz’s Digital Universe, 1697, Gottfried Wilhelm Leibniz The RCA Selectron, 1950 Trinity Nuclear Test, 1945, New Mexico . , it is is it , 19:30 ! 20:15 Paradiso Stedelijk @ Sonic Acts Stedelijk bits clocks is the fruit of of fruit the is , about the drive to to drive the about , made a case for for case a made No Time is There Project Orion: The The Orion: Project , 1986). His 1997 book book 1997 His 1986). , Turing’s Cathedral: The The Cathedral: Turing’s (US/CA) is a historian and a and historian a is (US/CA) have come to be known as George Dyson George No Time is There more by growing now – universe digital The George Dyson George Dyson kicks off the festival with a keynote keynote a with festival the off kicks Dyson George lecture about time in the digital universe. a to back goes – second per 1946. bits in form trillion took 5 that than matrix alternatives, 32-by-32-by-40-bit elementary initiated between are ‘Decisions decisions these of independent an enforcement as and time to Julian reference sequence’, to with not matrix, according rather 5-kilobyte but this of variable to architect the customary was it Bigelow, before – 1949 in explained index an as serve refer to these elementary alternatives as not ‘but does added, he therefore, ‘Time, information’, these of Because location used’. the are for readings counter instead is universe digital the in counters time that nothing but – believe to universe easy our in time to equivalent could be further from the truth. of son The future. the and one science in of up grew philosopher George Dyson, research Freeman scientiﬁc of physicist hotbeds adulthood fervid most early the his of spent He Age. and Atomic the designing in and book house, his tree in a in living (chronicled kayaks Aleutian building Baidarka: The Kayak evolving an organism, Darwin Among the Machines his growing from a as story a Internet the published he 2002, In force. life extraordinary childhood, Saturn. at aimed Atomic Spaceship 1957–1965 rocket nuclear-powered a build His forthcoming book of future and history Origins of the Digital Universe the into research of years computing. with collaboration in 3 organised is Stedelijk lecture This Temporary within conference Museum the from Stedelijk separately visited be can and and the festival. Installation 10 Travelling 11 23 February / 24 February / 25 February / 26 February Time

Study 4: Shutter Interface, 1975, Paul Sharits © Estate of Paul Sharits

– recently recently – 23:00 (23 February) (23 19:00 " 23:00 23:00 Paradiso Small Hall Small Paradiso 16:00 " 23:00 Lost in Time Shutter Interface (US, 1943–93) was a visual artist artist visual a was 1943–93) (US, Paul Sharits Shutter Interface Paul Sharits

(1975, 32’50, four-projector installation, colour) Film Anthology and In the hypnotic work Naftali version Greene by four-screen restored by long-unseen, side its to stand Archives a projectors mm 16 facing of pedestals quartet a – are imposing on lengths varying figure-like, of side, films looped swathes Four wall. jewel-like in long re-spooled and un-spooled of colour interspersed with single black frames. avant-garde in work his for known known best became is what who in with particularly along filmmaking, movement, and film Frampton Structural Hollis the as Conrad, Tony focused as such primarily work artists film His multiple loops, Snow. film Michael infinite using installations on projectors, and experimental soundtracks. Shutter Interface, 1975, Paul Sharits © Estate of Paul Sharits Live Performances 12 Travelling 13 24 February / 25 February / 26 February Time

(AT) (ﬂugelhorn, (ﬂugelhorn, (AT)

(UK) (microtonal tuba) is is tuba) (microtonal (UK)

(UK) is a trombonist and and trombonist a is (UK) (DE) (live sound, live electronics) electronics) live sound, (live (DE) Paul Schwingenschlögl Hilary Jeffery Hayward Robin Meinz Ralf

CC Hennix + The Chora(s)san Time-Court Third Entry © Hilary Jeffery Mirage © Laura Gianetti is who musician jazz, open-minded an is modern from trumpet) styles and musical many in contemporary fluent to afrobeat and funk soul, music. improvised other of number a with Lysn performs He Zeitkratzer, composer. including is He musicians, and Corporation. groups Doomjazz forms Fuji Mount The compositional and new dimensions researching spatial currently explore to maps as conceived of sound. redefined has He composer. noise and of areas player the tuba in a and both tuba for potential tuba’s compositions the His experimental, microtonality. similar and a reflect many in instruments active is other He approach. including medium-specific ensembles music Berlin. Musik Neue contemporary Kammerensemble & Phosphor is a drummer and audio engineer. Space. Project SMART in seating reserve limited is please There passepartout, a at: have you If performances the of one for ticket a [email protected]

No Time

18:30 SMART Project Space 18:30 SMART Project ! 17:00 ourt Mirage The Electric Electric The C (US/SE) (voice, (voice, (US/SE)

hora(s)san hora(s)san ime-

C T (AT) (microtonal trumpet) trumpet) (microtonal (AT)

he T (IT) is a singer and composer. composer. and singer a is (IT) , are regarded as part of an ongoing, ongoing, an of part as regarded are , ourt Mirage hora(s)san hora(s)san C C Hennix + he ime- CC T T consists of: Amelia Cuni Franz Hautzinger Immerse yourself in a subtle drone, which after after which drone, subtle a in space, yourself different a Immerse to portal the opens while a post-minimal with Catherine Christer Hennix + The Chora(s) Hennix’s Mirage. concepts Time-Court Young’s san Monte La The on time. of elaborate drones experience our halt three to play will attempt and Mirage for Time-Court adapted Chora(s)san meticulously are a which gathers group concerts, The space. the develop performance and the prepare forefront to the at advance are in week musicians the All micro-tonality, composition. exploring music, contemporary of just intonation and the space of sound. recordings 1960’s the as heavy and Eternal deep of ‘As Theater and Young’s musical Monte La own of Hennix’ of full but Music, mathematical genius.’ – Marcus Boon composer, a is Catherine Christer Hennix electronics) In waves, artist. sine visual and computer, mathematician illustrious with philosopher, worked she 1970s Pandit and and 1960s the Young Monte with La as such collborated ﬁgures frequently has composer She Nath. Pran philosopher, drew anti-art also American Hennix the Flynt. Henry and music violinist Gagaku and Japanese Leoninus. from and inspiration Perotinus of late music the in vocal Lab early AI the MIT’s with her All afﬁliated was Minsky. She Marvin with working 1970s, major compositions, including after where Berlin, Harpsichord in lives perform She to cycle. started endless recently has she hiatus long a in public again. musical her acquired and singing voice her Dhrupad of trained She tradition the in India, in skills dance. Kathak and on appearing since groups Since many with 1980s. late worked the has in scene focuses jazz trumpet Austrian the the playing to approach his 2000 on breathing. Live Performance 14 Travelling 15 Saturday 25 February Time Musicians, academics, sound sound academics, Musicians, adepts media new and Acts artists Sonic the for gather will of days four conference: and immersion inspiration, numerous with discussions, and presentations artists lectures, how reveal that art, of interviews boundaries the at operate The science. and technology opportunity an also is conference philosophers, theorists, for share to artists and composers their thoughts and ideas. Long String Instrument, Ellen Fullman Long String Instrument, Ellen Fullman © John Fago © Judy Dater Long Time 20:15 Muziekgebouw aan ‘t / Foyer IJ 19:30 ! 20:15 Muziekgebouw , an installation installation an , (US) began developing developing began (US) , in a duet with Okkyung Okkyung with duet a in , (KR) is a classically trained trained classically a is (KR) Ellen Fullman Ellen

In 1981 In Okkyung Lee Long String Instrument String Long Conference The longest string instrument of the world will will world the of instrument On IJ. ‘t string aan longest The her Muziekgebouw on the in perform will installed be Fullman Ellen night Saturday Instrument String Long Lee on cello. length, in more or the feet 50 wires of dozens of unique a developed tuned to just Intonation and ‘bowed’ with rosin- has Fullman performer’s fingers. the coated choreograph to occur system that events notation sonic exploring string-length the movements, along points nodal extensively specific recorded at has She collaborated has instrument. and the of instrument Pauline unusual this composer as with Kronos figures the luminary Hay, such with Deborah choreographer Oliveros, Haino. Quartet, and Keiji by technique her extended has traditional who jazz, cellist from New to elements move her incorporating Since and noise. and albums solo music Korean several released has she York collaborated with many avant-garde musicians. Conference 16 Travelling 17 Friday 24 February Time , an installation of dozens dozens of installation an , . (US) is a visual artist artist visual a is (US)

(US) is a composer, musician musician composer, a is (US) (US), composer, performer performer composer, (US), liveros & Ellen Fullman liveros O Barbara Hammer Pauline In conversation Ellen Fullman

film per foot of physical space’ to simulate the the simulate to space’ by physical of foot accompanied is per film film The time. accordion, bent and of voice for concept score Oliveros’ Pauline Rattlesnake Mountain is She video. and film in primarily cinema. working queer of pioneer a considered Pauline Oliveros with John Baldessari sculpture © Ione in pioneer Paulineimportant an is five Oliverosfor sound humanitarian, and explored has She and Music. herself for American ground new music, breaking electronic decades, improvisation, created has Through she others. meditation that and vision teaching of ritual, breadth such it. with work of experience who body a those affects earlier and profoundly it Pieces of Listening idea Deep the Through introduced she into sounds Meditations Sonic environmental plays all she incorporating performance In two to performance. re-tuned musical been uses has and which intonation, accordion, an just her of accordion systems the of different sound the each of alter to characteristics electronics individual the explore and space she performs in. her for famous is She builder. instrument and just to tuned Instrument length, String Long in more or feet 50 wires of intonation and ‘bowed’ with rosin-coated fingers.

Bent Time, 1983, Barbara Hammer

Roland Roland 12:45 ! 10:30 1 Session He envisioned envisioned He

. Hammer used used Hammer

Infinite Sounds Sounds Infinite . and the event series series event the and (US) is a writer, musician, musician, writer, a is (US)

(1983, 22’00, 16 mm) cybernetic music Acousmata (1933–2011) with a focus on the distinctive distinctive the on focus a with (1933–2011) homas Patteson

T Kayn’s Roland of Time The Cybernetic Music Thomas Patteson Barbara Hammer Bent Time Thomas Patteson explores the legacy of Thomas Patteson Kayn music. his Kayn by sound engendered time of electronic to sense approach unique a developed the of designer a that he named as of composer the of emergence role the the for beyond conditions literally be technological should that phenomena sonic imagination. music, on centres work whose aesthetics. educator and twentieth-century and experimental on technology, dissertation a the writing during is He Germany in the include technologies sound projects His Republic. Weimar music blog Experimental Culture the across path visual or perspective accelerator one-point A linear a inside beginning USA sun ancient an of atom-smashing device and travelling to such high- habitat the as site the locations Mexico; New energy Canyon, Golden the Chaco in and calendar cultures; Mound have Valley Ohio Scientists of of Bridges. edges outer Brooklyn the and at Gate curve time rays that light that theorise to noted them leading universe, the of frame ‘one and bends too. Inspired by this idea, lens wide-angle extreme an Conference 18 Travelling 19 Friday 24 February Time

Hydraulic organ, Robert Fludd, Tractatus secundus. De naturae simia seu Set of three Shang-dynasty stone-chimes together with the rubbings of the pitch technica macrocosmi historia, 1618, Oppenheim names from the inscriptions

: 16:30 ! 14:00 2 Session Variantology Tuning Tuning

(2006). . His most recent recent most His . Deep Time of the Media Media the of Time Deep (US/CN) is a Professor of of Professor a is (US/CN) (DE) holds the chair of of chair the holds (DE)

hen (ES) is a doctor of philosophy at the C Siegfried Zielinski Keynote lecture: Deep Time/Variantology Vega Amador Lull Ramon on Lecture Joseph Ancient The Sound from Deep Time: Playable Unearthed by Revealed Musical Instruments Joseph Chen The second session on Friday is dedicated dedicated is Friday on research session second The Variantology from move Zielinski’s to seeks Siegfried to research arts the of Variantology history group. deep-time into the on extend that reflections speculations to relations time sciences and deep on work opens The present. technologies the and sciences, arts the arts, and between media on and perspective new scientific a up with interactions their via technological processes. Archaeology on Siegfried Zielinski for focus a with – Institute the Theory at – Media Media of of University Variantology and Berlin the at series Media book Based Time five-volume the Arts, of co-edited He Relations Arts. Time Deep – Variantology Sciences and Technologies and Hearing of monograph in English is Archaeology an Towards – Means Seeing by Technical a and Freiburg Amador Vega of University Faculty Albert-Ludwigs Humanities of the fields at His lecturer Barcelona. tenured University and Fabra mysticism Pompeu European books medieval are published has interest He Mark aesthetics. & Llull contemporary Ramon Eckhart, Meister Zen, on Rothko. musical ancient of number a These decades China. in recent In unearthed been from have sounds produce instruments to used of be can studies on instruments elaborate time will deep Chen of time. sound deep the on based tuning ancient produced by these ancient musical instruments. vibrational in work of pioneer did author He the is He Physics. molecules. of excitations Motion, of in Natural Science Early Chinese Work Physics the of Re-Examination A Acoustics, Astronomy and Scientific Thoughts (1995). Conference 20 Conference 21 Saturday 25 February Saturday 25 February

(US) is a composer/ (US) is a guitarist and and guitarist a is (US) Timing Timing 12:45 ! 10:30 3 Session and Silence Michael Pisaro Keith Fullerton Whitman In conversation Chart for percussion piece A Wave and

and technology are pushed to their limits, and if if and limits, their to If the most radical ideas from physics, philosophy pushed are concept what technology ideas, and these by informed is music of time and timing in music do we arrive at? Pisaro Michael physical a posited Some Questions about the Existence of Time has exist. Barbour not Julian does it know Physicist we as will time talk which This in time? world without by music further think bit a we Can process this from carry to stemming work attempt recent some about thinking group. the Wandelweiser are compositions recent his of Many subsequent and composer. massing the with ‘homemade’ create concerned to sound of California the at spatialisation teaches Music Pisaro Experimental the environments. runs Arts, label, the of record own Institute his curates and Workshop, Gravity Wave. Waves, 2007 © Michael Pisaro from music, Keithelectronic Fullertonwith Whitman Europe obsessed in origins performer incarnation mid-twentieth-century its worldwide towards contemporary working its through currently is He music. live for digital as system that complete a music electronic implementing improvised of performance incorporates elements from nearly every era.

, 1969, Charles Mobilcolor Projector Film Dockum, courtesy of Center for Visual Music

The The by Frans Evers, one of the the of one Evers, Frans by Colour Music Recollections Friday 24 February 18:30 De Balie ! 17:00 Recollections Colour Music Music Colour skar Fischinger harles Dockum Dockum harles A programme with films that relate in different different in relate that colour films of with practices programme A performance historical documentation to ways gorgeous the his includes on It Dockum music. Charles by recreation performance first a of the instrument, shows ‘Mobilcolor’ multi-projector the of Fischinger’s Oskar of documentation of screening rare a and the of Schwerdtfeger Kurt by Bauhaus. the recreation at 1968 experiments the of light first launch very the mark will programme This Science, in posthumous publication of the book Synesthetics Senses, the of Academy and Festival Acts Art and Education Sonic the The both Hague. of The in founders Interfaculty ArtScience the programme will be introduced by Joost Rekveld. Kurt Schwerdtfeger Reflektorische Farblichtspiele (1922/1968, 18’00, 16 mm colour) O Moritz, Bill by R-1, ein Formspielrecreation 1993 (1926–33/1993, 7’00, 35 mm cinemascope, B&W and colour) Yalkut Jud Turn, Turn, Turn (1966, 10’00, 16 mm colour) C 1969 Mobilcolor Projector film silent) (1969, 15’00, 16 mm colour, Hirsh Hy Come Closer (1953, 7’00, 16 mm, colour) Separate tickets for are available. Conference 22 Travelling 23 Saturday 25 February Time

explore a explore UL8 experiments experiments

and (BR/FR) (UK) is a multidisciplinary artist artist multidisciplinary a is (UK)

(UK) has a particular interest in in interest particular a has (UK) Multistablity

Mark Fell, Joe Gilmore & Juliana Borinski & Juliana Joe Gilmore Mark Fell, Presentation & conversation Mark Fell Joe Gilmore Juliana Borinski Slide from Liquid Crystal Display,

2008!9 © Juliana Borinski how about speak Gilmore Joe and generative Fell and Mark process-based informs with this work how they and Borinski composition, Juliana of work. methods their in ‘rhythm’ and process-based on ‘time’ perspective a contributes methods from photography. time, sound, music, in between explores he relationship the which cognition and installations, perception gallery and works technologies, recorded speaker both two His multi-spatial light. using and often geometry systems, generative systems. tuning and recent works timing unfamiliar of number of ﬁelds the in working art. designer graphic algorithmic and and video music, automated an computer rand()%, of real-time co-creator is streams He that station radio Internet generative music. iconography between new basic conjunction the integrate with works Her referencing iconoclasm. while and materials and scientiﬁc or technologies techniques media historical experiments.

Tone Pattern Transactuality, 2011 © Mark Fell 15:15 ! 13:30 4 Session Performing in Time Composing with Process, Process, with Composing (US) is a composer, inventor inventor composer, a is (US)

Joel Ryan Knowing When Joel Ryan Programming allows for a different approach approach different a for and allows Practical Programming composition. process, music in with time to composing of for aspects systems building theoretical image, and systems, sound such with generative live performing and music, will be thoroughly dissected in this panel. usually is music experience analytically, the at Yet looked When rules. of freedom system a of be one to is taken music involved making and judgments of listening of kind The to seem not spontaneity. does and rules an as applying and time making Taking in an be experience. to musical seems match there outside making, music quantity, of its epitome perceiving is, for fact The capacity innate thinking. analytic fast and too are language or of things when stiff know good, I is when: timing know I when when know I know I slow, happens too it or time Before of out was graceful. it if perfectly after and come, should beat a this music to listening or but Playing time. on reflection right or calculated in not happen comes time make to knowledge enough fast moment, the in without breaking the flow. of design the in pioneer a is He digital scientist. real-time on and based STEIM at instruments works musical currently He Ballet processing. Frankfurt signal the in with tours Sonology of Amsterdam, in Institute the than at rather teacher a is scientific and a from by Starting music into Hague. The moved he seeks Ryan education, musical a philosophy. via media physics from electronic degrees digital to performer. concreteness the of bring to touch intelligent the through Conference 24 Travelling 25 Saturday 25 February Time (2009) (2009) (IE) is a Professor in the English English the in Professor a is (IE) The Speed Handbook ffEnda Du y Stress High Energy: Soma, Techne, Enda Duffy

A talk about the history of stress. Coined only only Coined stress. of history modern the the about talk perhaps A is ‘stress’ pervasive 1930s, most the in become has material which the to term medical relation our of theorised been description a as really never has Continuing it yet world, psychology. and physiology outside late the in discerns issues raised in Duffy century adrenaline, twentieth the regarding of terms half in ﬁrst life and organic nineteenth rethink to mechanism a project as – scientiﬁc a mobility and motility of conservation and rates of dispersal component). generation, one the is for ‘speed’ animal and which (of human of energy of issues allies invariably This energy to issues of effect and emotion. in California of University the post-colonial at include Department interests Irish His Barbara. postmodernism; Santa and modernism literature; literature; cultural studies and James Joyce. Triplex, 1931, A. M. Cassandre, Paris We We

German Baghdad Railway, 1900!10 17:45 ! 16:00 5 Session The Shock of of Shock The and Technology Histories of Time Time of Histories (UK) is the founding founding the is (UK) (2006). David EdgertonDavid The Shock of the Old David Edgerton Human perspectives on time have not always always not have time on Modernity of perspectives Human advent the ﬁrst – Since same. the technologies been new of to come have introduction we the – and this electronic In later new’. ‘the and mechanical, myth innovation the speed, investigate celebrate and will stress, and researchers two speed of panel culture culture the of new, history the the of to approaches new explore and technology. the of mixing the of example wonderful instruments, a old is on Music music new – rehabilitation new the the and and old life long the vinyl to vice-versa, and instruments period of from – microcosm old a the of encapsulates science, of music This think we discs. when crude Yet to world. resort we human the modern, the the and supplants new technology, the and which old, in the than theories stage powerful more radically is old, technological renders the old merely of antiquarian interest. modern to the get and ways, understand to need ideological naively less in world grips with its materiality in richer ways. Science, of History the for Centre the of Manchester at director Medicine Rausing and Hans the Technology holds he where historians, leading University, Britain’s over of works One of Chair. number a published analyses has Edgerton conventional challenge which years 20 since History including Global of science and technology, and Technology Old, the 1900 Conference 26 Travelling 27 Sunday 26 February Time The Electric Electric The (US/SE) is a is (US/SE)

(US) recent work work recent (US) ’s hrister Hennix + Bill Dietz C , are regarded as part of an ongoing, ongoing, an of part as regarded are , Bill Dietz atherine C In conversation Much of Catherine Christer Hennix CC Hennix + The Chora(s)san Time-Court Mirage

© Laura Gianetti with conversation in Dietz ideas Bill her about Composer Hennix The Christer time. and Catherine music and composition, to mathematician of relating compositions post-minimal on elaborate Hennix that Christer said be Catherine could It composer of concepts. experience Young’s Monte La listener’s the halt to attempt they time. She sees her music as having no time at all. the and listening of performance composition the studied He addresses concert. worked the of and lived genealogy has and Ablinger’s Studies Peter as Cultural and initially 2003, since collaborations Berlin in Subsequent and assistant. Borries and von student Christian with working Amacher include Maryanne with Ensemble of and Newman, director Chris artistic the is Chris He and 2009. Josel until Seth with Along Zwischentöne. Newman, he is MISS MOTH. visual and mathematician as philosopher, ﬁgures composer, illustrious with Henry and worked She Nath Pran artist. Pandit in Lab AI Young, MIT’s Monte La with All afﬁliated was Minsky. She Marvin Flynt. with working 1970s, late the her major compositions, including Harpsichord endless cycle.

12:30 ! 10:30 6 Session Illustration of Sir Ernest Shackleton’s ‘third man’ experience after escaping Antarctica, The Church Army Gazette, 1920 The Sensed Sensed The Chapel of of Chapel (2004), which which (2004), (2008). of Time and No Extreme Experiences Experiences Extreme FlicKeR Frozen In Time: The Fate Fate The Time: In Frozen (US) is the bestselling author author bestselling the is (US) (2008). His book, (2009), and four other non-fiction non-fiction other four and (2009), John Geiger Far Continents of the Mind John Geiger The Third Man Factor: Surviving the the Surviving Factor: Man Third The Is the perception of time variable? And if so what what so if And variable? time of extreme to perception the subjected Is are it we if Does time to exist? to happens cease of it Will analysis and circumstances. discussion A illusion? an become such circumstances – environmental or musical. extreme to responses brain sensory about and lecture stress A the psychological and and light, physical a stroboscopic including as such time/space, inputs of displacement resulting discussion of Brion Gysin’s Dreamachine. of Gysin. Brion of Impossible biography a including books, He is co-author of Forensic Franklin of the Franklin Expedition of the in results the seasons field describes three Knight spent the for Geiger Project. investigator historical an as Arctic with authored, also He Project. Archaeological Extreme in PeterResource Suedfeld,Coping a as thePresence scholarly of study, History Environments Short A Experience: Extreme Stroboscopic Light and the Dream Machine award-winning an into made was (2003) documentary film, Conference 28 Travelling 29 Sunday 26 February Time

Time Time The Culture of of Culture The has just been published published been just has (edited by Jeffrey Shaw Shaw Jeffrey by (edited (US) is Director of the the of Director is (US) 16:45 16:00!

(US) is a poet, translator, translator, poet, a is (US) Making Noise. From Babel to the the to Babel From Noise. Making (1998). will confront an array of ‘temporalities’ ‘temporalities’ of array an confront will Future Cinema: The Cinematic Cinematic The Cinema: Future imothy Druckrey imothy T Hillel Schwartz Closing Lecture Hillel Schwartz Emergency Time Scene(s) Timothy Druckrey public arts consultant, and cultural historian. historian. cultural and consultant, arts public His 1000-page Press MIT by Big Bang and Beyond distributed and Books Zone by Unreasonable (2011). He also is the author of Likenesses, Striking Copy: the Facsimiles of Art. He also works as a curator, writer, and and writer, curator, a as the works about also He Art. of internationally media, lectures He electronic editor. photography, of and impact social representation, of networked transformation and the interactive in amongst books, communication many edited He environments. others Imaginary After Film 2003). Weibel, and Peter the in is Schwartz, Hillel by lecture closing sonnets. The rhymed of series a of form Arnulf Rainer, installation © Peter Kubelka of conditions the assesses the talk to illustrated approaches of This ﬁlm array an in traditional of temporal the tropes the invoked defy that possibilities cinematic the provoke yet and studies by a range of recent artistic projects. that systems of Scene(s) interrogation the with engaged defy the normative ﬂows of representability. Media Electronic and College Photographic Institute, Graduate Maryland the at programme

Noise is Our Enemy Too, 1942 24 24 at 15:45 ! 14:00 7 Session truth Time in Cinema Time . The cinema is . The cinema (AT) is a multifaceted artist artist multifaceted a is (AT)

truth (1960, 7’00, 35 mm, B&W) which which B&W) mm, 35 7’00, (1960,

per second’. But cinema has long proven proven long has cinema But second’. per Peter Kubelka Peter Kubelka Time Metric Film/Metric

highly condensed. His ‘Metric Films’ preceded preceded Films’ ‘Metric His condensed. highly and laid the foundations for Structural cinema.

Kubelka’s cinematographic work is short and and short is work cinematographic Kubelka’s use non-verbal elements ‘to free our world view view world our free ‘to elements language’. of non-verbal property use exclusive the being from music, architecture, speech and writing. He He writing. and speech also architecture, which music, lectures, through communicates and theoretician who has worked in film, cooking, cooking, film, in worked has who theoretician and white noise and silence. This film had a profound profound a had film This silence. and noise white of Structural film. influence on the development combines an image track consisting of black and and black of consisting track image alternating an of combines soundtrack a with frames white A talk by Peter Kubelka, including a screening of of screening a including Kubelka, Peter by talk A Arnulf Rainer delves into the possibilities of different cinematic cinematic different of possibilities the into delves times. film constantly works with time, rhythm and and rhythm time, with session works This time. constantly of film perceptions our rearranging that this is not necessarily a definite truth. Indeed, Indeed, truth. definite a frames necessarily not is this that Jean-Luc Godard famously stated that, that, stated famously Godard Jean-Luc is ‘Photography Conference 30 Travelling 31 Sunday 26 February Time

are are

Print Generation (US) is an independent independent an is (US) J.J. Murphy Print Generation (1973–74, 50’00, 16 mm, stereo) J. Murphy A rarely screened structural gem that harnesses harnesses that gem structural fullest. screened its to rarely A one deterioration (a sound shots and image one-second 60 with printed started contact 50 Murphy made then He consciously film.) version, minute successive time. a each at of copies ‘generation’ of one film the intricacies the degrading addresses what elegantly film The remember, we how movie’ time: ‘home and fleeting memory a how and remember, we reveals and recedes. filmmaker. Separate tickets for available.

Print Generation, 1973"74, JJ Murphy

17:50 De Balie 17:50 ! 17:00

Reminiscence Live Performances Film frames competing to ﬁnd a place in the the in place a ﬁnd to competing extremely frames an Film in memory term long dense a viewers constituting development slow reminiscence. image Live Performances & Film 32 Travelling 33 Thursday 23 February Time Rod Rod This This

he presented a presented he Aftertime (UK) was a VJ for many years years many for VJ a was (UK) (UK) is a Bristol-based production duo, duo, production Bristol-based a is (UK)

technique consists purely of focused focused of purely consists technique

Megascope Projection, 2011, Rod Maclachlan

© Jana Chiellino features also which territories. With album, debut Martenot Ondes self-assured vintage the of use extensive synthesizer. Bristol-based artist and lighting designer Melt Murcof, of likes Maclachlan the for visuals sculptor a As providing Herbert. Matthew & Banana exploring projection, and light and with works he observation At between ethereal. the relationship and the a physical the built has imagination, Maclachlan Paradiso of back the Megascope; an opaque object projector. lens. a down and archaic object an off that quality bouncing light alchemical an has Megascope The transmutes base materials with light. techno, minimal Emptyset 1990s classic bass-heavy of explores culture which city’s as the with it described been suffusing has sound Their productions. Aftertime © Roly Porter

Demiurge, Emptyset © Caroline Seymour

and and 23:30 Paradiso 21:00 ! 23:30 presents presents ’s radically radically ’s Beyond Time explore a number number a explore use the echo and low low and echo the use UL8 Mark Fell Rod MacLachlan Beyond Time and (UK), formerly of Vex’d, Vex’d, of formerly (UK),

reinforce the disorientating disorientating the reinforce Emptyset and (UK) is a multidisciplinary artist who is is who artist multidisciplinary a is (UK) Roly Porter Roly Multistability Bass frequencies abound on the opening opening the on abound frequencies Bass subsonic dubstep, evening of Sonic Acts. with spectacle electronica. audiovisual an avant-garde and techno minimal create to music dub Roly Porterwith of associated perception our frequencies dislocates that space sonic a time. Live projections by Joanie Lemercier signatures potential of the sub-bass. time ignore beats computer-generated asymmetric infectious an the in to timed completely music, acid homage of an with recuperation opens evening away The passed (who millisecond. Vegter Bart Ryohei and ﬁlmmaker to Helliwell Ian by Films 2011). in Shimada will also be screened. and extreme of Mark Fell forefront the at be particular to a has He considered music. computer music, between independent brings relationship and the in cognition interest and perception technologies, time, sound, computational in interests together irregular and synthesis, recent sound two His non-musical space. and time with encounters also He systems. works tuning and timing unfamiliar of collaborates with Mat Steel under the name snd. classical and ambience dark noise, drones, Mixing unchartered into textures music bass-heavy taking is Live Performances & Film 34 Travelling 35 Thursday 23 February Time

- The Year of Hibernation The Year

(JP) is a graduate of of graduate a is (JP) is 22-year-old Trevor Powers Powers Trevor 22-year-old is (UK) is a self-taught audiovisual audiovisual self-taught a is (UK)

(UK) is a Bristol-based duo, duo, Bristol-based a is (UK) ime ime T that is eerie yet nostalgic…

an Helliwell I Leader Letratone (2009, 3’35, stereo sound, colour) Ian Helliwell Ryohei Shimada colour) sound, Garden stereo video, 9’00, (2010, Ryohei Shimada Dream Youth Lagoon Emptyset

The image consists of strips of super 8 leader leader 8 super of strips of inversions. consists colour image The various to subjected footage films, experimental short short includes His work music. His artist. electronic of including composition the techniques, and different use films 8 super hand painting, bleaching, scratching, paper cut- out animation and collage. created are flowers and trees grass, a of is film The Patterns film. mm 35 and Quintet. 16 8, Jazz using Samurai the with collaboration of and Design and Art of University Takarazuka Institute of Moving Image. the Image Forum concert a be will there a with midnight, from Noodlanding, by Afterwards, followed Lagoon Youth by Emptyset. by set DJ electronic dreamy and intimate makes who (US), music. His debut album melodies the beneath Hidden 2011. in out came is a voice suffusing techno, minimal 1990s classic exploring ‘techno as described it with the city’s culture of bass-heavy produc been has sound again’. Their techno onto tions. back folded dubstep meets © Joanie Lemercier

Letratone Leader, 2009, Ian Helliwell De Tijd, 2008, Bart Vegter

label. Deﬁantly stepping stepping Deﬁantly label.

is a visual artist, and a and artist, visual a is (NL, 1940–2011), autodidact autodidact 1940–2011), (NL,

AntiVJ is an abstract, computer-generated film film computer-generated abstract, an is Joanie Lemercier Bart Vegter De Tijd no sound) (2008, 9’00, colour, Bart Vegter ‘techno meets dubstep folded back onto techno techno onto back folded dubstep project, meets research ‘techno a as acts modern a of Emptyset again’. pleasures and ideas to the approaches connecting experimental with floor dance music. techniques, and member of the and setups standard performances from live away innovative presents AntiVJ installations. a into evolves slowly and image lines allows monochrome the flat, colour In A where solidify. spectacle, and dramatic dissolve only subtly to leaving forms intensity conical their lose skeleton’. colours ‘the the image end, the of structure basic the De Tijd in which colour plays the principle role. and attitudes the by Jacques inspired and was Mol de filmmaker, Paul saw he Zwartjes, films Frans of works experimental he the by 1990 and In Hague. Verbeek, The in Academie programmes Vrije the computer at self-written using started to generate his films. Live Performances 36 Travelling 37 Friday 24 February Time

Based on on Based

his works consist of slowly slowly of consist works his

Studio 2, Institute of Sonology, courtesy

of Ilse Kayn technological the of designer a phenomena as sonic composer of the emergence the for conditions conﬁgurations that should be beyond imagination. complex of and output circuits, recorded logic the ﬁlters, generators, tone of that sound electronic feedback loops, of agglomerations intelligence an evolving with develop and grow to seem own. their of Score for Allotropie, 1962!64, Roland Kayn, courtesy of Ilse Kayn

23:00 Paradiso 20:00 ! 23:00

liveros O Deep Time Juan Atkins . Pauline ’s (1933–2011) (1933–2011) ’s arl Michael von von Michael arl C He envisioned the role of of role the envisioned He

. Roland Kayn (DE, 1933–2011), a German German a 1933–2011), (DE,

’s drones almost make sound four- Model 500 project (who has released an LP with Oliveros) Oliveros) with LP an released has (who

On Friday, Sonic Acts pays homage to endless endless to homage pays Acts Sonic music Friday, includes On that programme a with sound perceptions our by the American composer ﬁne-tuning about our ideas enhance her to and Listening Deep of electronic in means by pioneer A Acts sound. of Sonic in experience participation birthday Oliveros’ 80th music, her of part by is compositions Amsterdam in evocative The celebrations. the in live Eleh performed been never have Netherlands. cybernetic music and by set a with ﬀ Hausswol closes evening The dimensional. his by the godfather of Detroit techno performance live a includes that legendary the in Kayn Roland worked and lived unique who a composer developed 1970, from named he that Netherlands sound electronic to approach cybernetic music Score for Steuersystem, Roland Kayn, courtesy of Ilse Kayn Live Performances 38 Travelling 39 Friday 24 February Time

(US). (US). Model 500

(SE) is a composer composer a is (SE) Juan Atkins

was formed specifically to pay tribute to early early to tribute pay to specifically formed was Disco 3000 Lightspeed Paradiso 00:00 ! 05:00 experimental minimalist music. The enigmatic enigmatic The Eleh music. with minimalist music drone experimental spiritual using deeply end creates ultra-low Eleh battery physical a the on emphasis synthesiser, an analogue occasional and modular vintage a oscillators test .05 as tube low HP as glowing tones of musical a Incorporating as well as guitar/piano. physical a provides Eleh Hz. experience. performance with Carl Michael von Hausswolff working photography. artist and conceptual and installations sound (camera, and light- devices art, recording are ongoing an tools in main used His architectural sonar) radar, frequency, deck, tape electricity, of interference. investigation electronic intuitive paranormal pure, and are space works tone. sound and own frequency Hausswolff’s electricity, of studies a present Acts Sonic and 3000 Disco Paradiso’s forces driving the of night with techno godfather one was a Atkins techno, 1980s the Detroit In of today. development the ubiquitous behind still is influence whose sound He will perform live under his famous moniker and close the night with a DJ set.

CM von Hausswolﬀ, 2011 © Frank Paul . Occupy Music (US) is a composer, performer performer composer, a is (US)

© Eleh and humanitarian. For ﬁve decades she has has she decades Paulineﬁve For Oliverosherself for humanitarian. ground and new breaking electronic sound, explored improvisation, has she Through others. meditation and and vision of teaching breadth ritual, such music, with work of experience body a who those created affects earlier and profoundly it Pieces that Listening idea the Deep Through introduced it. Oliveros into sounds Meditations Sonic environmental all accordion, an plays incorporating of Oliveros systems performance. different two musical to to re-tuned been electronics has uses which and intonation, explore and just her of accordion she the of space sound each the of alter characteristics individual the performs in. She will perform Live Performances & Film 40 Travelling 41 Saturday 25 February Time Fake Fish Fish Fake (ES) combines a thorough thorough a combines (ES)

project provided each listener with with listener each provided project (US) is a composer, inventor and and inventor composer, a is (US) (UK) carved their own distinctive path path distinctive own their carved (UK)

© Icarus musical of design the in Joel Ryan pioneer a is signal He digital scientist. real-time than on rather based scientiﬁc a instruments from by Starting music into processing. moved he Ryan education, philosophy. musical a through physics from degrees electronic digital to concreteness the of bring to touch seeks intelligent the through media performer. classical modern Agustí Fernàndez unique a twentieth-century of forge a to knowledge improvisation the free with with worked piano has He scene, style. powerful improvisation and free He the of world. the fathers over all founders from improvisers Electro-acoustic with and Parker Evan the of member a is Ensemble and of the Barry Guy New Orchestra. from music, Icarus electronic of and world the drum of through deconstructions sampler-based generative bass to generative and improvised software- using By smashing. genre based and parametric techniques their present sets Distribution improvised Their beat version. complex on unique a relying side, harsher volume. and much a soundscapes dense patterns,

23:00 Paradiso 20:30 ! 23:00 Natural Time and Spanish Spanish and for Sonic Acts and and Acts Sonic for is an exercise in split- is an exercise (US) is a composer/

Keith Fullerton Whitman Joel Ryan with electronic music. He He music. electronic with by is dedicated to biological rhythms, rhythms, biological to dedicated is Natural Rhythms obsessed Agustí Fernàndez closes the evening with a brand new work. work. new brand a with evening the closes carus human speed, the cycles of stars and planets, planets, and stars Natural Time of cycles and the us, speed, around human creates nature on that impose sounds hands the human that time natural the in musical instruments. jazz free like sounds It composed Festival. performance Kontraste The the arcade. gaming electronic an Knowing When duo post-breakbeat pianist innovative The timing. second explorations I excursions: musical Breer, these Robert by Preceding ﬁlms experimental in time of Norman McLaren and René Jodoin. Keith Fullerton Whitman implementing performer towards of working currently performance is live for system incorporates that complete a music electronic improvised elements from nearly every era. Live Performances & Film 42 Travelling 43 Saturday 25 February Time (UK) promoted promoted (UK) René Jodoin René Filmmaker

Blazes, 1961, Robert Breer power the expose to designed the is words, illustrate to without and medium, cinematic the of abstract nature of time. an with animation, to approach innovation artisanal an experimentation, began on he 1969, emphasis as early As education. and experimenting with computer-assisted animation. The ﬁlms are screened from 21:00 to 21:20.

(US) became known known became (US) (CA, 1914–87) was a was 1914–87) (CA,

Robert Breer Robert

orman McLaren Robert Breer Blazes (1961, 3’00, 16 mm, stereo) N Synchromy (1971, 7’27, 16 mm, colour) Norman McLaren René Jodoin Rectangle and Rectangles (1984, 8’29, 35 mm)

Rectangle and Rectangles, 1984, René Jodoin © NFB over positions switching Painter, images basic explosion. 100 and continuous One sculptures frames. 4000 kinetic of creator filmmaker, mutoscopes, for his experimental animation. and rectangles bars, stripes, been coloured has Vibrantly soundtrack so film synthetic the The of track squares. image the in incorporated that what we see is hear. and animation of areas of number a animation, in film pioneer drawn-on and including pixilation filmmaking, film, abstract music, visual graphical sound. programmed Jodoin disguise. in film complex highly didactic a A light, co-ordinate of to beam computer a electronic an film, involving animation This operation camera. a and filters colour Live Performances 44 Travelling 45 Sunday 26 February Time States of of States (2006) and is a Berlin-based concert series series concert Berlin-based a is (UK), tuba player and composer, composer, and player tuba (UK),

Valve Division (2009), along with various collaborative collaborative various with along (2009), releases. Active in many contemporary Rushing contemporary many in Active and Phosphor releases. including 2005 in ensembles Berlin, music Musik Neue continued for Kammerensemble Works Copper & Zinc founded he research into brass instruments. Gakudan. After returning to the guitar he changed changed he guitar the to sound, returning quiet After extremely Gakudan. an to Sugimoto loud a from Currently, style his silence. for room performance, leaves its and which composition on focusing is rather than on improvisation. Robin Hayward playing ‘noise’ tuba © Miroe Koen and Chang KonzertJohnny Minimalby complete started the ensemble and performing of aim the with compositions Nutters 20 to instrumentation open of performer solo series from the from Beuger, musicians Antoine by one by One to invited were instrumentalists. community music listening between experimental boundary the harmonies explore tones, and join silence, music through play to perception plans and also Michael ensemble The space. Werder, and Manfred as such composers by Pisaro and Radu Malfatti. the in both Hayward Robin potential tuba’s compositions the His redefined has microtonality. and noise of similar a areas reflect Alvin instruments other approach. for for pieces medium-specific written have experimental, Wolff on Christian documented and is Lucier tuba the to approach His him. the solo CDs

Johnny Chang, 2009 © Thomas Wizcak

series. , one of of one , 23:30 Paradiso 19:00 ! 23:30 (US) spent spent (US) , who play a play who , Post Time Post Time Frozen Surfaces Michael Pisaro Michael Michael Pisaro like Pisaro a guitarist guitarist a Pisaro like on microtonal tuba. The The tuba. microtonal on he Pitch Extended – an ensemble from Berlin that that Berlin from ensemble an – performs a solo concert of his his of concert solo a performs T (JP) started playing guitar when when guitar playing started (JP)

Nouveau Saxhorn Nouveau Basse evening ends with a ‘heavy’ amplified amplified ‘heavy’ a with ends evening aku Sugimoto, aku T Plateau Square Music without time, music that seemingly seemingly that music time time, which without in Music timing, and rhythm disregards simply passes. The five-hour evening Pisaro composers. includes compositions by American whose interesting group most the of Wandelweiser use the of their in member a is sparing plenty usually are leaving volume, compositions in our low fine-tune extremely and pieces notes Pisaro’s the silence. allow for and room of sounds earth to down everyday a of in time, perception real explore subtly experience to They time. listener of passing kindred the His as hearing. way, of limits the and harmony the for Japan from spirit travelled has include event this composer, in and performers Other festival. musicians. Konzertcontemporary of Minimalcream the of consists Robin Hayward compositions and Post Time performance by 40-minute piece from the recordings, field Guitarist and composer making his decade of last Many the work. of his much in with them work using his occasionally especially and Stuart, Greg compositions, percussionist recent collaborator, spatialisation and long-time massing the with environments. concerned are the ‘homemade’ of create to Institute sound of California and the at Workshop, teaches Music Pisaro Experimental the runs Arts, curates his own record label, Gravity Wave. a been has He Taku student. Sugimoto Hikyo school Ghost, high a was Manzoni, he Piero Henkyo bands the cello) of to member (switching and Quintet String Live Performances 46 Travelling 47 Sunday 26 February Time composer and violist, violist, and composer , (NO) plays drums and and drums plays (NO) (UK), tuba player and and player tuba (UK), (DE) plays clarinet. He He clarinet. plays (DE) (NZ)

(IT) investigates the the investigates (IT) (NL) plays upright bass and is is and bass upright plays (NL) (US) is a formidable soloist, soloist, formidable a is (US)

(KR) is a classically trained trained classically a is (KR) Michael Thieke Johnny Chang Hayward Robin Chris Heenan Okkyung Lee Koen Nutters Morten J. Olsen Valerio Tricoli relationship between self, sound and instruments instruments and sound self, between relationship using tape, synthesizers and microphones. collective forms, song experimental on focuses composing, and improvisation. explores the relationships of sound/silence and and sound/silence of relationships the composition, explores improvisation, between areas the performance and listening. composer. using clarinet, contrabass the reveal with to particularly multiphonics and techniques extended the subtleties inherent to instrument. by technique her extended has traditional who jazz, cellist from elements incorporating Korean music and noise.also He Collective. N the of for member series founding concert a Amsterdam, DNK organises new live electronic and acoustic music. of array an with worked has He percussion. international ﬁgures and bands. was released in in released was box and electronics. shruti is a quartet from Berlin Berlin from quartet a is (AR) plays bass clarinet, clarinet, bass plays (AR)

(DE) has performed and and performed has (DE)

rchestra Transposition Zero O he Pitch Extended / Extended Pitch he T Musicians for Konzert Minimal Minimal Konzert for Musicians and Frozen Lucio Capece Exhibition consisting of Michael Thieke (clarinet), Boris Boris (clarinet), The Pitch Extended Thieke Michael tones), of sine consisting organ, pump Olsen J. (electric Morten and Baltschun bass), (double Nutters improvisation Koen with work They shapes, speciﬁc (vibraphone). within Their device music. of generative a piece as a for ideas and structures their into musicians debut album guest invite ‘Frozen often The They 2010. structures. Lucio and includes language – musical Extended Pitch The (contrabass – Heenan Orchestra’ Chris Lee clarinet), Okkyung (bass Capece (viola), Chang Johnny plays – (tuba) clarinet), on Hayward focus Robin pieces and These (cello) Surfaces. constellations Frozen set pitch so-called textures, Valerio changing instruments. slowly of layer blending extra an subtle adds the and electronics) (analogue Tricoli of electronically re-worked sound. musician, computer a Boris Baltschun as internationally recorded pianist and organist. soprano saxophone, Exhibition 48 Travelling 49 23 February–15 April Time focuses on on focuses (FR) is a new media artist who who artist media new a is (FR) ao G. Vrhovec aoSambolec G. Vrhovec Julien Maire Flip Dots Mirrors (2011, installation) Julien Maire Speeds T Body – Sonic Velocities by City commissioned work, new (2012, Acts, NIMk & STEIM)

Perpendicular Cinema, 2011 © Julien Maire flow the resists concentration This their and image a an researcher. a in grammar, details a on for focuses looking and appearance, perspective of of conditions and deconstruction a effect and construction three-dimensional device The the of and narrative. and image The the of accentuated. is materiality the development the allows that to perpendicular is that no script a reads movement The space. installation optical difference the the in of image the equation the in optical the appears in but longer images successive between performance of a fluid, continuous real time. surface first with coated image flip-dots slide a of part Forty-eight reflect mirrors) (FS mirrors of people sitting on a tribune. and artworks his In Berlin. the in works re-invents and lives a systematically is he research His performances, media. and visual of technology media-archaeology between hybrid manifest the production of new media constellations. speed at – Body Speeds travelling City Velocities of experience provide not tactile does the It the environment. urban embodies an it in instead experience the interpretation; an re-creating speed, of phenomena and thus confronting the visitor with its existence.

City Velocities – Body Speeds, sketch,

19:00 NIMk* 19:00 ! 11:00 resists resists Travelling Time (UK) is a multidisciplinary multidisciplinary a is (UK) Perpendiculair Cinema ’s The exhibition officially opens on Thursday Thursday on opens officially exhibition The Joe Gilmore -9.93450215762280319787e-1 (2012, installation) Joe Gilmore Julien Maire Perpendicular Cinema(2011, installation) The exhibition at NIMk presents several several presents NIMk at explore that works exhibition The film and halt sound seemingly They installations, time. city, of the in modalities speed with different deal time, cinema, of classic of experience the montage action sequential because the resist suspension in visitor pensive, the leave Immersive, or these deferred. all continuously is overwhelming, or precise scientifically works tickle the brain and senses. at 16:30 in presence of the artists. 23 February Gilmore Joe by piece sound generative new complexity The and geometry space, multi-speaker explores The synthesis. sound through short from ranges installation uses chaotic algorithms, and flocking/ sound The different in synthesis. space the swarm around and tones scattered complex impulses extended to configurations, chaotic noise signals. fields the in working designer art. graphic and algorithmic artist and video labels music, various on computer of published Line. been and has Fällt music His Entr'acte, Cut, digital Alku, numerous at including exhibited been has work His art festivals and galleries. complex A Julien Maire montage. the reflective of of blocks directivity of the made clear the interface, models and mechanical slow controls The slide. intercepts, metal, of projected a of attention areas blurry assiduous and the to similar is scanning Exhibition 50 Travelling 51 23 February–15 April Time promotes promotes works in the field field the in works

Factoid #3 (BR/FR)

Slide sequence Liquid Crystal Display, 2008!9 Juliana Borinski Mark Fell Factoid #3 (2011, installation) © Juliana Borinski

20 minutes to a few hours (depending on the the on (depending hours and few a to temperature the minutes 20 and is slide concentration Each space). solution’s exhibition the in humidity replaced after the ‘image’ has stabilised. installations, and videography between photography, of conjunction the with often works Her experimenting or iconoclasm. and materials iconography technologies, new media basic historical integrate referencing while machines techniques or scientiﬁc experiments. between linkage the investigated structure has the and Philosophy into consciousness of sound taken structure not the has it but to present, contribute the of sound does temporal How repetitive the consideration. of Thinking tones linkage? prolonged this the or techno, of relationships structures primary some – could music sound Tibetan and of in consciousness time, studies between recent by and Informed intense Fell’s imagined. be time, of psychopathology the self the time, between confrontational installation association ﬂow, on emphasis destabilised a Phenomenological sound. and Factoid #3, 2011 © Mark Fell

Space_Surrogate I (Dubai), 2000 - © Philipp Lachenmann

(DE) deal deal (DE) (SI) is an artist and and artist an is (SI) Philipp Lachenmann

Surrogate I (Dubai) Surrogate II (GSG 9) _ _ Tao G. Vrhovec Sambolec Philipp Lachenmann Space (2000) Philipp Lachenmann Space (2003) The works of Juliana Borinski Liquid Crystal Display (2008–9, installation) musician who works with invisible ephemeral ephemeral invisible with artistic works His who space. musician of notion the relationships and of phenomena exploration the poetic and a is flows, practice his temporal In and inhabit. transitory they between spaces its to social and sensitive architectural architecture makes he enhances and installations, surroundings ephemeral immediate the inside, and the temporal dimension of architecture by creat outside the where permanent the situations ing constructed, and unpredictable and temporal, time space converse. A image. single a from air, made Hot film desert. the half-hour A in stands perceivable airplane only the is solitary mirage, a sequence like film The shimmering time. of passage the of sign was digitally produced from a single. is 1977 from sequence film still long moving slow five-seconds A extremely an into members men, transformed Nine minutes. cross 9, eight GSG of squad image anti-terror German the of sequence The right. to left 11,000 from picture interpolating the by produced digitally was artificial images between 120 original film frames. memories collective of through surfaces as revealed be images can with self-referentiality whose interventions in their formal appearance. placed are solution crystalline a of projector. drops few A customised a in slide associated its empty an and on process the Using crystallisation The live. from projected varies are time movements reaction the heat, projector’s Exhibition / Walk 52 Travelling 53 23!26 February Time and an an and with others who who others with (NL) is an artistic artistic an is (NL) and it is best experienced experienced best is it and

Walk Any time / startAny at Paradiso Time Travelled and Time Lost Time Travelled Jacqueline Schoemaker Schoemaker Jacqueline Lost Time and Travelled Time and map topographic a receive Participants Jacqueline Schoemaker information leaﬂet can be obtained at the festival festival the at obtained be at can day leaﬂet festival each information get-together Informal desk. 17:30 in De Balie. Time Travelled and Time Lost, 2012 © Jacqueline Schoemaker precious is Time once. is happens Time only Time reproduced. be time, of cannot use it good make because to try us. We of use good irrevocable. make to from tries time escape to maybe but tried led you be if yourself happen let would you What if in Or time? yourself of lose to clutches you a the from allows that created tour structure a by walking a in Participate time? Schoemakers. Jacqueline by concept line straight the follow to Paradiso, utmost the at their do starts to tour have no The is it. on There drawn guess. is that anybody’s is walk; ends it this in B where to but A from can You movement anywhere. meaningful get to night, or urgency day no is the of there time any at walk the enjoy there festival the even after the festival – during day each about 17:30 At thoughts alone. exchange to together get a is and Time Lost Time Travelled a on have done the walk. working is She editor. and writer researcher, book about ‘the undivided city’. A map for

Never a Foot Too Far, Even, 2011 © Daïchi Saïto Daïchi Daïchi Never a Foot Foot a Never is an action movie without action. action. without movie action an is (UK) is a multidisciplinary artist artist multidisciplinary a is (UK)

’s works explore the relation between between relation the explore works ’s Mark Fell February 26 ! 23 from Screening Daïchi Saïto Even Far, Too Never a Foot (2011, double projection, 16 mm) Montreal-based Japanese filmmaker the corporeal phenomena of vision and the the and vision Saïto of formal phenomena a fusing corporeal the medium, the of with nature juxtaposition material and frame of investigation sensual and poetic expressions. is exhibition the festival, the During 11:00–19:00. * February exhibition 24–26 the from 2012 open April 15 until 11:00–17:00, Furthermore Friday through Tuesday open is Saturday and Sunday 13:00–17:00. linearity, and the present as embedded in both both in embedded as present the in and rejected are linearity, imminent the nows. and previous the suprasequential flashing disassociated of bright favour extremely contains generative work and This sound intensity high light, temporal structures. relationship the in interest and particular a has perception He time, sound, works music, recorded in between speaker explores he which multi-spatial cognition using often geometry installations, and systems, generative characterised is area technologies, this in work record His to light. and approaches based’ ‘non-illusion by production and surround sound environments. mm 35 a from fragment brief a Appropriating movie, Fu print of an old Kung mm 16 two with Too Far, Even from double-projection in images with Presented loopers, and single a form projectors to film overlaid who rolls figure separate obscure an two on focuses between film the caught image, path, forest a on himself finds perpetual motion and stasis. Publication & CD & Masterclass 54 Travelling 55 Time

(SF (SF (the history of of history (the

Turing’s Cathedral (speed, modernism and and modernism (speed,

’s Omar Muñoz-Cremers David Edgerton

Enda Duffy George Dyson D Release C Sonic Acts Masterclass (music automata), and time travel), essay image also technology), is There more. and Joyce), Acts Sonic & Altena based on Arie by edited is book The Herregraven. and designed by Femke Important Time, Travelling of of CD a ocassion the release On will Acts Sonic and Time-Court Records Chora(s)san The + Hennix CC Mirage. On sale during the festival. a is there festival the In collaboration with Stedelijk Museum & STEIM. to up leading internationally week ﬁve by the In lead Hennix, masterclasses of Christer series Catherine Sehgal Tino artists: Oliveros, renowned musician Pauline or Kubelka, artist an Peter are you If these of more Nicolai. or Olaf one and attending in motivation interested short a and send please Detailed masterclasses, [email protected]. to CV and information on www.sonicacts.com.

Climbing Snaefell, 1914, Ernest Ford

(by (by Bill Bill

by ( Keith Fullerton Fullerton Keith , Siegfried Zielinski , Pauline Oliveros It contains essays by by essays contains It . More Travelling Time Robin Hayward Robin , (noise and time) Joel Ryan Catherine Christer Hennix , and Mark Fell , ) Sonic Acts publication publication Acts Sonic Practical Information A lavishly illustrated publication discusses the the discusses publication of Some illustrated perspectives. lavishly A several timing, and from time theme of issues festival with and overlap subjects performances the the at the with and dealt Fiction are which Science like only Others, are travel, conference. time of features imagination book The popular publication. the in covered extensive interviews with Nick Cain), Dietz Whitman Hillel Schwartz Practical Information 56 Travelling 57 Tickets & Public Transport Time

take tram 26 26 tram take take trams 1 to stop stop to 1 trams take take trams 1, 2, 5, 7 or 10 10 or 7 5, 2, 1, trams take take tram 1,2 or 5 or 1,2 tram take

take trams 7 to Leidseplein Leidseplein to 7 trams take 2.50 discount, available at at available discount, 2.50 15 discount discount 15 SMART Project Space to to Space Project SMART to Paradiso or Balie De to IJ 't aan Muziekgebouw 15 discount discount 15 € [email protected] [email protected] € € Mk Mk De Balie or Paradiso to SMART SMART to Paradiso or Balie De NI take trams 13, 14 or 17 or bus 170, 170, bus or 17 or 14 13, trams take take tram 7 to Ten Katestraat stop stop Katestraat Ten to 7 tram take from from from ransport 4.50 / T € 17.50 / 17.50 17.50 17.50 / rom ime € € € T take tram 26 to Central Station and from from and Station Central to 26 tram take NIMk Project Space SMART Muziekgebouw aan ‘t IJ ime 3000 - Lightspeed ime T T Public For For For To travel To travel To travel De Balie & Paradiso CO S atural I the venue. Free admission with any festival ticket ticket festival any with admission Free venue. period. the exhibition entire the for CJP students, for available is change. to admission subject Reduced is programme programme, the This 65+. about and information sonicacts.com additional For visit: amendments, and updates For stop. Leidseplein to stop. Westermarkt to 172 and 171 to 17 & 7 or Huygenstraat Constantin 1e Ten Katestraat stop. to Muziekgebouw stop. To travel f Project Space (15 min.). or walk through the Vondelpark De Balie or Paradiso (15 min.). stop or walk through the Vondelpark to 26 tram there Muziekgebouw aan 't IJ from and Station Central to Muziekgebouw stop. Paradiso there tram 1,2, or 5 to Leidseplein stop. Saturday 25 February, 19:30 19:30 Long February, free 25 Saturday admission IJ, 't aan Muziekgebouw Please reserve via 20:00) (doors 20:30 N February, 25 Saturday Paradiso Friday 24 February, 00:00 (doors 23:30) 23:30) (doors 00:00 D February, 24 Friday Paradiso Evening tickets include Paradiso membership. membership. Paradiso include ofﬁces, post tickets Evening sonicacts.com, station via GWK available Shops, are & Record Free addresses, presale ticketservice.nl, Paradiso and VVV ofﬁces, see www.paradiso.nl Exhibition at Admission Sunday 26 February, 19:00 (doors 18:30) 18:30) (doors Post19:00 February, 26 Sunday Paradiso

hora(s)san hora(s)san C 7.50 discount € he T

10 / ime ime € T 15 discount discount 15 22.50 discount discount 22.50 € € € 7.50 discount Hennix + € 4.50 discount discount 4.50 [email protected] € CC ickets ime 10 / 17.50 / 8 7 17.50 / 27.50 / 6 / T ime – Youth Lagoon ime – Youth € € € € € T € € T ourt Mirage Mirage ourt ime 65 discount discount 65 discount 45 T icket icket C icket icket € € T ime – T T pening Lecture George Dyson Dyson George Lecture pening onference & Festival Passepartout Passepartout Festival & onference oodlanding Empty o ime- 85 / 55 / Conference & Festival Passepartout & Day Tickets Tickets Day & Passepartout Festival & Conference are also valid for the films. once interrupted Evening be not must concerts Some they have begun, so please be on time. 19:00) (doors 19:30 O February, 23 Thursday Paradiso Limited availability in presale. Available at the the at Available presale. subject in day, availability specific Limited each on Balie De of office box availability. to Film 17:00 24 & 26 February, De Balie Passepartout holders need to19:30) reserve(doors Deep 20:00 a ticket February, 24 Friday Paradiso Thursday 23 February 00:00 (doors 23:30) 23:30) (doors N 00:00 February 23 Thursday Paradiso N T 17:00 24, 25, 26 February, Project Space SMART C € € Beyond Beyond 21:00 (doors 20:30) Thursday 23 February, Paradiso Thursday 23 February, 00:00 (doors 23:30) 23:30) (doors 00:00 Dream February, 23 Thursday Paradiso Festival Passepartout conference) (excluding performances, all to access one give of maximum a Passepartouts but capacity, to Chora(s)san The + subject Hennix need CC of holders performances Passepartout Mirage. Time-Court to reserve via Day 10:00) conference) (doors for 10:30 (valid February, 26 or 25 24, De Balie Time Schedule 58 Time Schedule 59 Thursday 23 February Friday 24 February

Paradiso Paradiso Hall Small Paradiso De Balie NIMk Space SMART Project Muziekgebouw aan 't IJ

ime ime ime exhibition T T T Lost in Lost in ravelling ravelling T

ime T o 23:00 19:00 ! 23:00 Sharits Paul Shutter by Interface 16:00 ! 23:00 Sharits Paul Shutter by Interface 01:00 Youth Lagoon 00:00 ! 01:00 Youth N Julien Maire / Joe Gilmore / Tao G. Vrhovec Vrhovec G. 19:00 ! Tao / 11:00 Gilmore Joe / Maire / Julien Lachenmann Philipp / Sambolec Juliana Borinski / Mark Fell / Daïchi Saïto 18:00 Opening Exhibition 16:00 ! 18:30 ! 17:00 Time-Court Mirage Chora(s)san CC Hennix + The

George Dyson George

nﬁnite Sounds ime I T ime T pening Lecture

Deep olour Music Recollections Music olour O Beyond Beyond Session 2 Variantology Variantology 2 Session C Session 1 19:30 ! 20:30 by Leader Letratone / Fell Mark 21:00 ! 23:30 / Garden / Vegter Bart Maclachlan by Rod & Tijd De Porter Roly / Lemercier Joanie & Helliwell Ian Emptyset / Shimada Ryohei by VJ) (Anti with Emptysetset (01:00) DJ Noodlanding 00:00 ! 05:00 / Hammer Barbara by 12:45 10:30 ! Time Bent / Patteson Thomas Pauline Oliveros / Ellen Fullman 18:30 ! 17:00 Academy of the Senses of The Book Launch / Eleh / 20:00 ! 23:00 Oliveros Pauline / Kayn Roland ﬀ Hausswol von Michael Carl Disco 3000 Lightspeed 00:00 ! 05:00 set DJ Atkins / Juan Model 500 live Keynote Siegfried Zielinski / Joseph Chen / Chen Joseph / 16:30 14:00 ! Zielinski Siegfried Keynote Amador Vega 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Time Schedule 60 Time Schedule 61 Saturday 25 February Sunday 26 February

Paradiso Paradiso Hall Small Paradiso De Balie NIMk Space SMART Project Muziekgebouw aan 't IJ ime ime ime exhibition ime exhibition T T T T Lost in Lost in ravelling ravelling ravelling T T

ime ime T T o o 23:00 16:00 ! 23:00 Sharits Paul Shutter by Interface 16:00 ! 23:00 Sharits Paul Shutter by Interface N N Julien Maire / Joe Gilmore / Tao G. Vrhovec Vrhovec G. 19:00 ! Tao / 11:00 Gilmore Joe / Maire / Julien Lachenmann Philipp / Sambolec Juliana Borinski / Mark Fell / Daïchi Saïto Vrhovec G. 19:00 ! Tao / 11:00 Gilmore Joe / Maire / Julien Lachenmann Philipp / Sambolec Juliana Borinski / Mark Fell / Daïchi Saïto

18:30 ! 17:00 Time-Court Mirage Chora(s)san CC Hennix + The 18:30 ! 17:00 Time-Court Mirage Chora(s)san CC Hennix + The ime T o N

ime &

echnology T

ime T ime & T inema C

by J.J. Murphy Murphy J.J. by Hillel Schwartz Hillel

iming and Silence

ime in

T ime T T ime ime T T atural losing Lecture N Post Session 6 Extreme Experiences of C Long Session 3 Session 7 Session 5 Histories of Print Generation Session 4 Performing in 12:45 12:45 10:30 ! Whitman Fullerton / Keith Michael Pisaro 15:15 ! 13:30 Borinski / Juliana / Joe Gilmore / Mark Fell Joel Ryan 17:45 16:00 ! David Edgerton / Enda Du ﬀy 19:30 ! 20:15 & Okkyung Lee Fullman Ellen Norman by / Synchromy 20:30 ! 23:00 / Jodoin Breer Rene by Robert by Blazes Rectangles and Agusti + Rectangle / Ryan Joel / McLaren Whitman Fullerton Keith Icarus / Fernandes 16:45 16:00 ! 17:50 ! 17:00 / Pisaro Michael / Sugimoto 19:00 ! 23:30 Taku / Minimal Konzert Robin Hayward / The Pitch Extended 12:30 10:30 ! DietzJohn Geiger / CC Hennix & Bill / Kubelka Peter / 15:45 14:00 ! Kubelka Peter by Rainer Arnulf Druckrey Timothy 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 00:00 Map 62 Credits 63

5 MAURITSKADE

PIET HEINKADE PLANT. MIDDELLAAN

WEESPER- PLEIN

PRINS HENDRIK KADE WEESPERSTRAAT

AMSTERDAM AMSTERDAM STATION CENTRAL SARPHATISSTRAAT

CS NIEUWMARKT WATERLOOPLEIN

AMSTEL

DE RUIJTERKADE DAMRAK

KEIZERSGRACHT

HERENGRACHT PRINSENGRACHT

ROKIN

VOORBURGWAL

VIJZELSTRAAT WETERINGSCHANS

STADSHOUDERSKADE NIEUWEZIJDS NIEUWEZIJDS SINGEL

PRINS HENDRIK KADE

HERENGRACHT NIEUWE SPIEGELSTRAAT NIEUWE

RAADHUISSTRAAT

Sonic Acts is produced in association with Paradiso, Paradiso, with association in produced is Netherlands Acts IJ, ‘t Sonic aan Space, Muziekgebouw Project Balie, SMART De (NIMk), Institute Art STEIM & Media Amsterdam Museum Stedelijk by supported is Acts Sonic KEIZERSGRACHT LEIDSESTRAAT

BROUWERSGRACHT 1 3 PRINSENGRACHT 2 MUSEUMPLEIN

LEIDSE PLEIN

LIJNBAANSGRACHT

MARNIXSTRAAT NASSAUKADE

NASSAUKADE

ROZENGRACHT BILDERDIJKSTRAAT

BILDERDIJKSTRAAT

OVERTOOM KINKERSTRAAT

NICOLAAS BEETSSTRAAT

Project Space (NIMk) T etherlands Media Art Art Media etherlands N ommunication support ommunication ranslation ranslation echnical Production Production echnical nstitute 1. Paradiso Paradiso 1. 8 ! 6 Weteringschans Amsterdam SG 1017 www.paradiso.nl 6264521 020 tel. Balie De 2. 10 Kleine-Gartmanplantsoen Amsterdam RR 1017 www.balie.nl 5535151 " 020 tel. 3. I 264 Keizersgracht Amsterdam EV 1016 www.nimk.nl 6237101 " 020 tel. 4. SMAR 111 ! 101 Biemondstraat Arie 1054 PD Amsterdam www.smartprojectspace.net tel. 020 " 427 5951 't aan 5. Muziekgebouw Piet Heinkade 1 1019 BR Amsterdam www.muziekgebouw.nl 7882010 tel. 020 " Boven, van Martijn Sonic Actsby is curated, compiled and produced Assmann, Nicky and Altena, Velden Arie der van Lucas Kiers, Gideon Annette Wolfsberger Design Graphic Femke Herregraven T Mark Poysden C Julia Nüsslein, Bow & Evers Hans van Rompaey Lentz Hans and Koot T Gerard Hart, van’t Erwin support Production Bachler Birgit development Website Leeuwen Henrik van Raymond Boven, van toA very special thank you Maarten Huismans, Ge Ballings, Folkerts, Pierre Hendrik Boogaard, Rutten, den Bart van Rekveld, Joost Kiers, David Roland Spekle, Ruth Timmermans. venues the at crews amazing the to you thank big A volunteers! fabulous our and sonic acts Weteringschans 6 " 8 1017 SG Amsterdam The Netherlands www.sonicacts.com Live Performance 64 Saturday 25 February www.sonicacts.com