2018 ANNUAL REPORT
SONIC ACTS
1017 SG Amsterdam The Netherlands www.sonicacts.com [email protected] Marija Bozinovska Jones, Fascia 171208180222, at Sonic Acts Academy 2018, Dansmakers. Photo by Pieter Kers.
Cover: Catherine Christer Hennix, Blue(s) in Green to the 31 Limit, at Sonic Acts Academy 2018, Stedelijk Museum Amsterdam. Photo by Pieter Kers.
ARTISTS
Air Max ‘97 Devika Partiman Ivan Slipčević Linn da Quebrada Nicole Hewitt Signe Lidén Ane Hjort Guttu Dieter Kovačič J.G. Biberkopf Lorenzo Pezzani Nina Pixel Solveig Suess Anni Nöps Dinamarca James Massiah Lukas Marxt Nora Sternfeld Stanimir Panayotov Ase Manual Dis Fig Jana Winderen LYZZA NXS STILL Babi Audi DJ Haram Jelena Viskovic M.E.S.H. Oleg Khadartsev Susan Schuppli Benjamin Duboc DJ Lycox Jennifer Lucy Allan Makino Takashi PARADISE Swan Meat BJ Nilsen Dodomundo Jennifer Walshe Manara patten Tatjana Gorbachewsaja Billy Roisz Dreamcrusher Ji Youn Kang Manual Knapp Petit Singe Tatsuru Arai Birgit Bachler Drippin Johann Lurf Marcus Boon Petr Makarov Telcosystems Born in Flamez Elijah Joost Rekveld Marcus Pal Polina Medvedeva Tina Frank Catherine Christer Hennix Elysia Crampton Juha Maria Sarycheva Rabit Victor Mazón Gardoqui Cecilia Esther Urlus Justin Bennett Marija Bozinovska Jones Rana Hamadeh Vida Guzmić Cecilia Jonsson Filipa César Karl Klomp Mario de Vega Red Brut Violence Charmaine Chua Geng Karl Lemieux Martijn van Boven Renske M. van Dam Wartone Christina Kubisch HC Gilje Katya Larina Michele van Ool Rick Dolphijn Why Be clubcouture Hilary Jeffery Kei Kreutler Mijke Pasmans Roc Jiménez de Cisneros Yoong Cocky Eek Hilde Sørstrøm Kieran Yates Miron Galić Rosa Menkman Yun Ingrid Lee Countess Malaise Hugo Esquinca Kilbourne mobilegirl Rozemarie Heggen Zgjim Crystallmess HVAD Klein Moor Mother Sam Rolfes Daniel Mann Iris de Vries Lafawndah N-Prolenta Sarra Wild Dasychira Isaura Sanwirjant Larry B Natalia Kukarenko Sasha Litvintseva SONIC ACTS ACADEMY
Unpacking The Processes Of Artistic Knowledge The second edition of Sonic Acts Academy took place from 23 to 25 February 2018 at various locations in Amsterdam. It featured a range of international artists, academics, activists, curators and theorists, ready to articulate different examples of learning and to engage in an experimental setting free of institutional pressure and privileged classrooms. Their processes were revealed in a variety of open workshops, seminars, lectures, performances, screenings, sensorial walks and installations.
Sonic Acts Academy is a new platform for investigation, speculation and reflection, focusing on educational practices and the critical examination of knowledge production in the field of art. By expanding artistic experience into an academy of engagement and exchange, we wish to offer both a playground and a radical syllabus at odds with institutionalised learning.
Jennifer Walshe, Imaginary Histories, at Sonic Acts Academy 2018, Dansmakers. Photo by Pieter Kers.
“Sonic Acts is quite simply one of the best festivals I’ve ever played. The curation is superb, and the thinking is truly interdisciplinary. It’s a gold standard for how festival curation should work.” – Jennifer Walshe
Seminar with Catherine Christer Hennix and Marcus Boon at Sonic Acts Academy 2018, Stedelijk Museum Amsterdam. Photo by Pieter Kers. SONIC ACTS ACADEMY
Symposium A three-day symposium at Dansmakers presented artistic investigations and research from over 50 international speakers. The symposium delved beneath the surface of the everyday to expose alternative narratives, with speakers including Nora Sternfeld, Solveig Suess, Birgit Bachler, Christina Kubisch, Jennifer Walshe, Nicole Hewitt and Roc Jiménez de Cisneros.
As a warm up to the symposium Sonic Acts organised a seminar in the week prior to the Academy on the work of Catherine Christer Hennix. The seminar with writer and professor Marcus Boon and Catherine Christer Hennix herself, took place at Stedelijk Museum Amsterdam.
“Sonic Acts is an invaluable and internationally unprecedented platform for truly interdisciplinary knowledge production and dissemination.” – Sasha Litvinseva “Incredible event that enables critics, artists, academics and ‘regular people’ to meet and exchange ideas from all existing areas of sound art, music, art, media and science.” – Academy visitor
Nora Sternfeld, Negotiating with Reality: Artistic and Curatorial Research, at Sonic Acts Academy 2018, Dansmakers. Photo by Pieter Kers. Linn da Quebrada performing at Violence performing at Progress Bar, Progress Bar, Paradiso Noord. Photo Paradiso Noord. Photo by Pieter Kers. by Pieter Kers.
“Sonic Acts have a unique approach to organising socially relevant cultural events. The creation of an Academy, which works outside of traditional institutional structures, is an inspiring and sustainable approach which will speak to an increasingly wide audience in the future.” – Hilary Jeffery
SONIC ACTS ACADEMY
Performances The performance programmes at Stedelijk Museum, Dansmakers and Tolhuistuin brought together a large and diverse array of artists covering a broad range of the sonic and audiovisual spectrum. Artists experimented in micro-tonality, just intonation and improvisation, and played with spoken and programming languages, while two nights of Progress Bar highlighted a growing community of electronic musicians who occupy clubs for a better politics. Performing artists included Catherine Christer Hennix, Yun Ingrid Lee, On Benjamin Duboc, Rozemarie Heggen, Hilary Jeffery, Marcus Pal, Mario de Illegibility, at Sonic Acts Academy 2018, Vega, Marija Bozinovska Jones, Geng, Dreamcrusher, Moor Mother, Linn da Dansmakers. Photo by Quebrada, DJ Haram and Yun Ingrid Lee. Pieter Kers. Mario de Vega, Vertical, at Sonic Acts Academy 2018, Dansmakers. Photo by Pieter Kers. “Sonic Acts Academy has been a mind opening experience and allowed me to broaden my horizon.” – Academy visitor
SONIC ACTS ACADEMY
Film Programme Two films,Spell Reel (2017) by Filipa César and Time Passes (2015) by Ane Hjort Guttu, were presented at EYE Filmmuseum in collaboration with EYE on Art – a weekly programme in which film meets the visual arts. Both films contribute to debates on artist responsibility and education’s role in understanding and engaging with reality. The symposium at Dansmakers also included the screening of Jennifer Walshe’s An Gléacht (2015) – with live Screening of Spell Reel (2017) by Filipa soundtrack – Sasha Litvintseva and Daniel Mann’s Salarium (2017), César at Sonic Acts Academy 2018, EYE Filmmuseum. Photo by Pieter Kers. and Nicole Hewitt’s Ruins (Episode 3) (2015). Hidden Layers installation by Shadow Channel students at Sonic Acts Academy 2018, Tolhuistuin. Photo by Pieter Kers.
SONIC ACTS ACADEMY
Installations & Exhibitions At Motorkade 9, Academy visitors could experience Sensing the Place, an experimental environment developed in collaboration with ArtScience students.
The installation 3049 by artist duo patten and the exhibition Hidden Layers by Shadow Channel students also called for attention at Paradiso Noord, Tolhuistuin, featuring strange sci-fi worlds saturated with radical Sensing the Place installation by proposals for a new future. ArtScience students at Sonic Acts Academy 2018, Motorkade 9. Photo by Pieter Kers. “Hallucinant how Hennix manages to make a spatial sensation out of sound... In a word: amazing.” – NRC
COMMISSIONS & RESIDENCIES
Blue(s) in Green to the 31 Limit – Catherine Christer Hennix As part of a collaborative mission with Stedelijk Museum to diversify the canon of sound art, Sonic Acts commissioned a new work by Catherine Christer Hennix. The work premiered at the Academy with two live performances, followed by a seminar with professor Marcus Boon. It was also included in a far-reaching retrospective exhibition, Catherine Christer Hennix: Traversée du Fantasme, at Stedelijk Museum.
At the Academy, experienced improvisers Benjamin Duboc, Rozemarie Heggen, Hilary Jeffery, and Marcus Pal accompanied Hennix’s subtle drone in manners meticulously adapted to the green-lit performance space.
Catherine Christer Hennix (US/SE/DE) is a composer, philosopher, mathematician, Catherine Christer Hennix, Blue(s), Green to and visual artist. In the 1960s and 70s, she worked with illustrious figures such as the 31 Limit, at Sonic Acts Academy 2018, Stedelijk Museum Amsterdam. Photo by La Monte Young and Pandit Pran Nath. Pieter Kers. COMMISSIONS & RESIDENCIES
Spatial Media Design – Karl Klomp Karl Klomp designed a spatial media environment for the Academy’s two club programmes at Tolhuistuin, including a three-dimensional object on stage and LED screens throughout the interior and exterior of the building. Karl Klomp (NL) is a media artist and video designer. He is interested in reflections of analog and digital technologies in light, sound, and video.
Progress Bar Video Design – Sam Rolfes As an accompaniment to the Progress Bar season, which included the Academy’s two club nights, Sam Rolfes developed episodic videos that re- appropriate and recast pop culture figures and experiment with emergent internet performance formats. Sam Rolfes (US) is a Chicago- and New York-based mixed-format digital artist and director. He crafts diffusive psychosexual worlds that sublimate space and identity.
Spatial media design by Karl Klomp at Sonic Acts Spatial media design by Karl Klomp at Sonic Acts Academy 2018, Paradiso Noord. Photo by Pieter Kers. Academy 2018, Paradiso Noord. Photo by Pieter Kers. Sam Rolfes, Absurd Arms, at Sonic Acts Academy 2018, Dansmakers. Photo by Pieter Kers. COMMISSIONS & RESIDENCIES
Together with A4, Bratislava, Sonic Acts co-commissioned new works by sound artists Nina Pixel, Ji Youn Kang and Hugo Esquinca to be played on ‘The Pentacle’, a high-fidelity mobile speaker system developed at STEIM in Amsterdam. To develop the works, Sonic Acts also organised artist residencies at STEIM.
Bias Loop – Nina Pixel Bias Loop is a sonic poem exploring the idea of reconnecting with the self. Nina Pixel (DE) is a sound artist, and self-described conceptual storyteller and ‘techno poet’. Her work revolves around personal experiences, mixing recordings and trashed instruments in ways that demonstrate the beauty of imperfection.
Spatial sound residency at Sonic Acts Academy 2018, STEIM. Photo by Pieter Kers. Untitled – Ji Youn Kang Ji Youn Kang’s work for the Pentacle 15.3 system embraces the resonance of space, through customised bamboos, a small Korean gong, and analogue devices for real- time processing. Ji Youn Kang (KR/NL) is a Hague-based composer and sound artist, whose work explores the relationship between musical and physical spaces, and traditional shamanistic practices.
Deformation Studies on Dimension and Structure for Fifteen Point Three – Hugo Esquinca Deformation Studies on Dimension and Structure for Fifteen Point Three is a mediation between the potential of localisation through audio within the Pentacle system, and the acoustic resonances of space. Hugo Esquinca (MX/ DE) is a Berlin-based sound researcher from Mexico, who investigates diverse spatial-temporal relations.
Spatial sound residency at Sonic Acts Academy 2018, STEIM. Photo by Pieter Kers. mobilegirl performing at Progress Bar, Paradiso Noord. Photo by Pieter Kers.
PROGRAMME SERIES
Throughout the year, Sonic Acts organised a number of programmes that promoted new connections and cultural diversity, and highlighted radical audiovisual practices.
Progress Bar Monthly editions of Progress Bar took place from January until May, engaging a young, versatile and motivated community of creators and thinkers through a combination of performances and lectures. Performing artists included Klein, ‘clubcouture’, Crystallmess, James Massiah, Larry B, Geng, Violence, Dreamcrusher, Swan Meat, Moor Mother, Kilbourne, Linn da Quebrada, DJ Lycox, DJ Haram, HVAD, Manara, mobilegirl, Petit Singe, STILL, Dis Fig, N-Prolenta, Rabit, Cecilia, Elysia Crampton, and Why Be; while speakers included Polina Medvedeva, Isaura clubcouture performing at Progress Bar, Paradiso Noord. Photo by Pieter Kers. Sanwirjatmo, Elijah, and Kieran Yates. Elysia Crampton performing at Progress Bar, Paradiso Noord, Tolhuistuin. Photo by Pieter Kers. Tatsuru Arai, Matters-ton, at Sonic Acts, EYE Filmmuseum. PROGRAMME SERIES
Radical Sound & Vision On 6 November, Sonic Acts presented an evening of audiovisual performances at EYE Filmmuseum, featuring sound and visual artist Tatsuru Arai and tape musician Red Brut. The programme was presented in line with an exhibition at EYE Filmmuseum by leading electronic music composer and visual artist Ryoji Ikeda; and with The Man Machine, a film programme apprehending the fusion of man and machine and the role of high-tech and big data.
Red Brut performing at Sonic Acts, EYE Filmmuseum. Photo by Pieter Kers. WORKSHOPS
Various hands-on, interactive workshops ran in tandem with Sonic Acts Academy, providing an opportunity for the audience to engage with and contribute to the broader discussions that opened up over the weekend.
Critical Writing, led by Jennifer Lucy Allan, took place at Dansmakers for the duration of the weekend. Emerging writers and critics were brought together to deliberate different modes of writing about art, theory, sound and music.
Speculation as Interface, led by artists Mario de Vega and Victor Mazón Gardoqui, explored disruptive technologies and alternative ways of creating communities. In partnership with Rijksakademie van Beeldende Kunsten.
“The workshop on disruptive technologies went beyond the scope of what I expected. In such an intensive incubation period of making, sharing and discussion the seeds of many future projects and collaborations were sown.” Speculation as Interface workshop – Speculation as Interface participant at Sonic Acts Academy 2018, Rijksakademie van Beeldende Kunsten. Photo by Pieter Kers. Continuum residency, Shenzhen, China. Photo by Chris Villafuerte. SEMINARS, FIELD TRIPS & EDUCATIONAL MODULES
Together with several educational institutes in the Netherlands and abroad Sonic Acts devised a series of speculative educational modules, which took place in the weeks and months running up to the Academy. Output ranged from installations and symposium panels to documentary films, which were presented both during and after the Academy.
Continuum, a pre-master’s pilot programme inspired in part by Sonic Acts’ Dark Ecology project (2014–16, Norway & Russia), began in Shenzhen, China, where participants reflected on the theme of transit within a rapidly changing geography. During a month-long working residency, participants developed their research through guest lectures and hands-on workshops. In collaboration with Mario de Vega & Victor Mazón Gardoqui and in partnership with Continuum, Interaction Design (ArtEZ, Arnhem).
Continuum residency, Shenzhen, China. Photo by Chris Villafuerte. Logistical Nightmares field trip, “Sonic Acts Academy turned its Rotterdam harbour. Photo by Lucas participants into active agents of van der Velden. knowledge creation.” – Academy visitor
SEMINARS, FIELD TRIPS & EDUCATIONAL MODULES
What, of Art, Belongs to the Present?, a seminar set up as a research lab, Logistical Nightmares, a programme exploring logistics as a model for explored the necessity of the present for art. Students and scholars explored the organising social life and politics, took form with a field trip day investigating ideas of various philosophers in order to map the strategies and tactics of art- the container terminals and petrochemical plants of the Rotterdam harbour in-time. The programme was led by Rick Dolphijn and included workshops with and a day of roundtable sessions at Goethe-Institut, hosted by Lorenzo Pezzani artists Jennifer Walshe and Signe Lidén. In partnership with the Research School and Susan Schuppli with guests such as Charmaine Chua, Stephan Helmreich, for Media Studies (Utrecht University). Giorgio Grappi, Heather Anne Paxson and Victor Sanz. In partnership with the Centre for Research Architecture (Goldsmiths, University of London). Sensing the Shipyard site visit at Damen Shiprepair Amsterdam. SEMINARS, FIELD TRIPS Photo by Anne Nöps. & EDUCATIONAL MODULES
Hidden Layers, a workgroup addressing topics including semantic camouflage, fictional realities and the occult, resulted in an immersive media structure presented at the Academy. Tutors also hosted a symposium programme of artist presentations by Rana Hamadeh, patten and Kei Kreutler & Jelena Viskovic. In partnership with Shadow Channel (Sandberg Institute, Amsterdam).
Sensing the Shipyard: A Sensorial Journey, led by artist and teacher Cocky Eek, in collaboration with sound artist Benny Nilsen and architect and creative researcher Renske Maria van Dam, consisted of a series of site visits to Damen, one of the last big shiprepair and conversion docks in the Netherlands. The research and recordings from this hidden industrial space in middle of Amsterdam resulted in an environmental spatial installation and a symposium panel at the Academy. In partnership with ArtScience Interfaculty (Royal Conservatoire & the Royal Academy for Fine Arts, The Hague).
“Sonic Acts was an awesome partner in the whole process. It is rare to have an opportunity for real open-ended research.” Hidden Layers installation by Shadow Channel students at Sonic Acts Academy – Cocky Eek, ArtScience Interfaculty 2018, Tolhuistuin. Photo by Pieter Kers. INTERNATIONAL PROJECTS, COLLABORATIONS & DISTRIBUTION
In 2018, Sonic Acts advanced a number of international projects and collaborations, presenting the thoughts and ideas of Sonic Acts to a wider audience and increasing the visibility and impact of artistic output. Works commissioned by Sonic Acts were also presented at festivals and exhibitions internationally, including in Russia, USA, Norway, Sweden, Cyprus, Belgium, Poland and Canada.
Living Earth Cecilia Jonsson, Prospecting: A Geological Survey For Living Earth, Sonic Acts and Hilde Methi set out of Greys, at Living Earth, Terminal B Kirkenes. to further conversations around topics that were Photo by Pikene på Broen. addressed during their collaborative Dark Ecology project (2014–16). Throughout Spring 2018, a series of Dark Ecology commissions, workshops, and discussions were presented in association with several Norwegian and Russian partners. These events included Inversia Festival in Murmansk with Fridaymilk (1–3 February), SALT in Oslo (8 February–13 May), and Terminal B in Kirkenes with Pikene på Broen (4 May–2 June).
Re-Imagine Europe In 2018, Sonic Acts continued its large-scale project Re-Imagine Europe, a collaboration with nine other cultural organisations from across Europe. The project, which looks at developments in technology and interactivity amidst a disintegration of European unity, involves artist residencies, commissions, workshops and symposia, using art to empower a young generation of digitally connected Europeans to explore new ideas and re-imagine their society. HC Gilje, Barents (Mare Incognitum), at Living Earth, SALT Oslo. Photo by Oleg Khadartsev. Geologic Imagination exhibition at Living Earth, Terminal B Kirkenes. Photo by Pikene på Broen. INTERNATIONAL PROJECTS, COLLABORATIONS & DISTRIBUTION
Vertical Cinema Since its premiere in 2013, the Vertical Cinema project – a series of commissioned large-scale works by internationally renowned experimental filmmakers and audiovisual artists – has traveled the globe. On 31 January 2018, in collaboration with the Church of Sweden, the Göteborg Film Festival presented Vertical Cinema for the first time in the Nordic region. The series was also screened at Inversia in Murmansk (3 February), and at videoEx festival in Zürich in collaboration with Rote Fabrik and Internationale Kurzfilmtage Winterthur (1 June).
‘The Pentacle’ Commissions in Bratislava On 28 November, the NEXT Festival of advanced music in Bratislava premiered three new works commissioned jointly by Sonic Acts and A4 to be played on ‘The Pentacle’ sound system.
“Sonic Acts is an invaluable and internationally unprecedented platform for truly interdisciplinary knowledge production and dissemination.” – Sasha Litvinseva
Joost Reklveld, #43 at videoEx, Rote Fabrik Vertical Cinema at videoEx, Rote Fabrik Zurich. Photo courtesy of Rote Fabrik. Zurich. Photo courtesy of Rote Fabrik. PUBLISHING & ONLINE DISTRIBUTION
As an accompaniment to the Academy, Sonic Acts published a book with an extensive collection of essays, interviews and visual contributions provided by a number of participating artists to give additional insights into their work. The publication was designed by studio The Rodina, who were also responsible for the Academy’s visual identity and an accompanying game environment.
The Academy symposium was live-streamed and video recordings were later published on the Sonic Acts YouTube and Vimeo channels. Texts produced at the Critical Writing workshop were made available online via the Sonic Acts blog, while interviews and podcasts with artists were published by various media partners.
Sonic Acts Academy 2018, Dansmakers. Photo by Pieter Kers. Screenshot of Sonic Acts Screenshot channel YouTube Sonic Acts Academy 2018 billboard, Amsterdam-Noord. Photo by Bas van den Broeke. FACTS & FIGURES
8,500 visitors nationally
20,500 visitors internationally Artist origins 22,500 social media followers (15% annual growth) Visitor origins
143,000 website visits (24,000 unique users)
524,000 public reach (on account of advertising)
2,900 newsletter subscribers “It was great to participate in a cultural event located in an unexplored area of Amsterdam 81,000 video views – decentralization being one of the explored 2,200 unique livestream viewers themes in my work.” – Marija Bozinovska Jones Publicatie : NRC Handelsblad Regio : Nederland Datum : 22 feb 2018 Pagina : 31 Frequentie : 6x per week cm2 : 762 Advertentiewaarde : € 23.550,00 Oplage : 154.013 REVIEWS & PREVIEWS
Reviews and previews of Sonic Acts were published by various newspapers, magazines and online publications, including Crack Magazine, EB Festival Guide, Gonzo (Circus), Het Parool, I amsterdam, Metropolis M, NRC, The Wire, Uitkrant Amsterdam and We Are Public.
NRC Handelsblad, Publicatie : het Parool Regio : Nederland Datum : 15 feb 2018 Pagina : 16 Frequentie : 6x per week 22 February 2018 cm2 : 242 Advertentiewaarde : € 1.416,00 Oplage : 57.986 FOTO�PIETER�KERS Blue(s)�in�Green, een�performance�voor�live�elektronica,�rondom�opgestelde�speakers,�twee�contrabassen�en�een�trombone. Hallucinerende ruimtelijke sensatie uit klank Sonic Acts (vertical cinema) - filmprogramma/festival
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M�UZ�I�E�K�Festival Sonic freejazz-verleden in Stockholm en Acts en het Stedelijk synthesizer-experimenten in de Elektronmusikstudion aldaar, naar Museum zetten de spot New York City waar ze de drone-goe- op het multidisciplinaire roe La Monte Young leerde kennen en in de leer ging bij de Hindoestaan- oeuvre van kunstenaar se raga-meester Pandit Pran Nath. Catherine Christer Hennix. Haar werk is even legendarisch als onbekend, al was het maar omdat er ie vrijdagavond slechts een handjevol opnames van het gifgroen ver- bestaat. Met reden, want Hennix’ lichte Teijin Au- ruimtelijk geconcipieerde klanks- ditorium van het culpturen moet je live ondergaan. Stedelijk Muse- Getuige Blue(s) in Green, een per- um in Amster- formance voor live elektronica, rond- damW binnenwandelde, kreeg een bi- om opgestelde speakers, twee con- zarre gewaarwording. In de zaal trabassen en een trombone, waarin gonsde een elektronische d ro n e van Hennix anderhalf uur lang een inge- uitwaaierende boventonen, die van nieus spel speelt met één enkel ak- intensiteit en kleur veranderde als je koord en de daarin besloten liggende je door de ruimte bewoog. Diep en boventonen, combinatietonen, ver- vreemd oorvullend zoemde het aan schiltonen en resonanties. de randen; eenmaal voor de centraal Hallucinant hoe Hennix uit klank opgestelde tafel met live elektronica een ruimtelijke sensatie weet te ma- restte een lichte, bijna onhoorbare ken. Nu eens dwaal je met gesloten s u i ze l i ng . ogen door vibrerende spelonken, Het duizelingwekkende klankveld waarin je een buitenaardse didge- bleek een vinding van Catherine ridoo of gong hoort galmen. Dan Christer Hennix (1948), de Zweedse weer omhult het geluid je van alle componist, kunstenaar, filosoof en kanten als een wonderlijk pulserend wiskundige die geldt als een van de organisme. In één woord: verbluf- founding mothers van de experimen- fe n d . tele geluidskunst. Het kunst- en wetenschapsfestival Joep�Christenhusz Sonic Acts en het Stedelijk Museum zetten deze weken een spot op haar multidisciplinaire oeuvre. De ten- Experimentele muziek toonstelling Traversée du Fantasme (te zien tot 27 mei) biedt een beknop- Blue(s)�in�Green�to�the�31�Limit�door te dwarsdoorsnede van haar beel- Hennix,�Duboc,�Heggen,�Jeffery,�Pal. dende werk. Afgelopen weekend Gehoord:�16/12,�Sonic�Acts,�Stedelijk klonk met Blue(s) in Green to the 31 Museum,�Amsterdam. Limit de wereldpremière van een Sonic�Acts�Academy:�23-02�t/m�25-02. NRC Handelsblad, gloednieuwe compositie. Inl:�sonicacts.com/2018 Het Parool, 15 He n n i x ’ biografie voert van een *#5 20 February 2018 February 2018
Sonic Acts (vertical cinema) - filmprogramma/festival
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Logistical Nightmares field trip, Rotterdam harbour. Photo by Lucas van der Velden.