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THE DIAPASON FEBRUARY 2021 Quimby Pipe Organs, Inc. 50th Anniversary Cover feature on pages 18–20 PHILLIP TRUCKENBROD CONCERT ARTISTS ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN BÁLINT KAROSI JEAN-WILLY KUNZ HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK JACK MITCHENER BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO W͘K͘ŽdžϰϯϮ ĞĂƌďŽƌŶ,ĞŝŐŚƚƐ͕D/ϰဒϭϮϳ ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ĞŵĂŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ဒϲϬͲϱϲϬͲϳဒϬϬ ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚ WŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ BRADLEY HUNTER WELCH SEBASTIAN HEINDL INSPIRATIONS ENSEMBLE ϮϬϭဓ>ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄt®ÄÄÙ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Twelfth Year: No. 2, 20 Under 30 Whole No. 1335 We thank the many people who submitted nominations for FEBRUARY 2021 our 20 Under 30 Class of 2021. Nominations closed on Feb- Established in 1909 ruary 1. We will reveal our awardees in the May issue, with Stephen Schnurr ISSN 0012-2378 biographical information and photographs! 847/954-7989; [email protected] www.TheDiapason.com An International Monthly Devoted to the Organ, A gift subscription is always appropriate. the Harpsichord, Carillon, and Church Music Remember, a gift subscription of The Diapason for a In this issue friend, colleague, or student is a gift that is remembered each Gunther Göttsche surveys organs and organbuilding in the CONTENTS month. (And our student subscription rate cannot be beat at Holy Land. There are approximately sixty pipe organs in this FEATURES $20/year!) Subscriptions can be ordered by calling our sub- region of the world. -
JANUARY, 2010 Cathedral Church of St. Peter Regensburg, Germany
THE DIAPASON JANUARY, 2010 photo credit: Michael Vogl, Regensburg Cathedral Church of St. Peter Regensburg, Germany Cover feature on pages 28–29 Jan 2010 Cover.indd 1 12/14/09 7:25:20 AM Jan 2010 pp. 2-18.indd 2 12/14/09 7:27:04 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred First Year: No. 1, Whole No. 1202 JANUARY, 2010 Gavin Black: On Teaching the fi fties to hear Myra Hess, Burt Lan- Established in 1909 ISSN 0012-2378 I’ve been enjoying Gavin Black’s col- caster walked right past my wife and me, An International Monthly Devoted to the Organ, umn “On Teaching” in The Diapason. big deal! the Harpsichord, Carillon, and Church Music Although I don’t have organ students, And Bovard Auditorium (I am a USC I’m learning a lot from the articles. Be- alumnus, grad school, as well as UCLA sides being an organist, I’m also a piano grad)—what memories! I remember the technician. The article about tuning original console well, and Mr. Lewis has CONTENTS Editor & Publisher JEROME BUTERA [email protected] systems (September) is, by far, the best it all correct. This was a major loss, which 847/391-1045 description of tuning and tuning systems should not have happened, and I am not FEATURES that I’ve ever read! I’m going to save this alone in my opinion. It was a powerful Poulenc and Durufl é ‘premieres’ in Woolsey Hall Associate Editor JOYCE ROBINSON issue in case I have to give a talk about and impressive instrument. -
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T H E DIAPASON APRIL 2019 American Organ Institute University of Oklahoma Norman, Oklahoma Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 4, 20 Under 30 Whole No. 1313 We thank all those who submitted nominations for our Class APRIL 2019 of 2019. We are impressed by the number of f ne nominations Established in 1909 for the brightest and most promising our young leaders in the Stephen Schnurr ISSN 0012-2378 f eld of the organ, church music, harpsichord, and carillon. 847/954-7989; [email protected] To see the 20 Under 30 Class of 2019, visit The Diapason www.TheDiapason.com An International Monthly Devoted to the Organ, website (www.thediapason.com, click on “20 Under 30”). Next the Harpsichord, Carillon, and Church Music month’s issue will include in-depth entries and photographs of In “Harpsichord Notes,” Larry Palmer reprises various front- each member of the class. -
Sept 2011 Pp. 30-32.Indd 30 8/10/11 9:52:40 AM Stop Tabs
Cover feature A Symphonic Organ in the Cradle mixtures that add brilliance and clarity to of the Symphony the contrapuntal lines of the music with- The new Rieger Organ in the out ever becoming overbearing or harsh. Golden Hall of the Music Society The organ’s copious reed stops made it in Vienna possible for Lohmann to select ones that, in the Germanic tradition, added color Introduction while retaining the music’s transparency For centuries, Vienna, the capital of and lightness of texture. The direct ac- Austria, has been regarded by many as tion and responsiveness of the mechani- Europe’s music capital. It is here that cal console allowed the organist to artic- the symphony was developed as a musi- ulate his playing in a way that suited the cal form by composers such as Haydn, Baroque style admirably. Mozart, and Beethoven. So pervasive Martin Haselböck, internationally was the symphony in the development of known as conductor of performances Western art music that it not only domi- on original instruments with the Wiener nated creative music-making until well Akademie, recitalist and organ professor, into the 20th century, but also worldwide led the audience into the Romantic era became the most common adjective de- with Franz Liszt’s Prelude and Fugue on scribing orchestras and concert halls. It B.A.C.H. This piece enabled him to dem- is also used to denote a style of organ- onstrate the organ’s symphonic versatility building that developed towards the end and ability to swell in sound from the soft- of the 19th century, when organs were est whisper to the point where it convinc- often used as substitutes for orchestras, ingly fi lls the hall. -
History of the 1917 Casavant Organ (Opus 700) Ian Wakeley
History of the 1917 Casavant organ (Opus 700) Ian Wakeley Emmanuel Church, 15 Newbury St, Boston MA The Casavant organ now in the Gulangyu Organ Museum was originally built for the Emmanuel Church, Boston in the USA. The cornerstone of the Emmanuel Church was laid in 1861, however, the building was expanded in 1864 by the addition of a west transept and largely remodelled between 1898 and 1899, when the church acquired the main elements of its present form: a large stone building with neogothic architectural features. In 1913, Mr Lynnwood Farnam was appointed organist of the Emmanuel Church, a post that he held until 1918. Mr Farnam was a very accomplished musician, and it is he, who was largely responsible for having the Emmanuel Church’s organ remodelled and enlarged in 1917, which resulted in the instrument that eventually found its way to Gulangyu The Hutchings-Casavant Organ When the Emmanuel Church organ was bought for the Gulangyu Museum, it consisted of two main parts: the first had been in the chancel of the church, and the second placed on a gallery at the back of the building. A small third section was placed in the Church’s Chapel. The Chancel organ was originally built in 1890 by G.S. Hutchings as a separate instrument (Opus 216). However, in 1899, Hutchings rebuilt the organ with electric action, a moveable console and the addition of pedal reeds, which resulted in 52 stops on 3 manuals and pedals (Opus 444). It was housed in an organ chamber adjacent to the choir and thus only required a limited case, consisting mainly of display pipes behind the choir pews, with a small additional façade in the Church’s south aisle, pipes that still grace the façade of the Chancel Organ in Gulangyu today. -
Historic Organs of Pennsylvania Pl
The Organ Historical Society Post Office Box 26811, Richmond, Virginia 23261 • (804)353-9226 • FAX (804)353-9266 e-mail: [email protected] • web: www. organsociety.org • online catalog: www.ohscatalog.org MEMBERS MAY JOIN ANY NUMBER OF CHAPTERS THE NATIONAL COUNCIL CHAPTERS NEWSLETTER, EDITOR & MEMBERSHIP INQUIRIES Officers and Councillors Term Expires FOUNDING DATE ANNUAL DUES Michael Friesen ......................................................................... President 2005 CENTRAL NEW YORK The Coupler, Phil Williams 1976 Cullie Mowers, $5 Box F 1979 Piney River Dr., Loveland, CO 80538 Remsen NY 14438 Scott Huntington ............................................................... Vice-President 2005 CHICAGO MIDWEST The Stopt Diapason, George Horwath 34 Summer St., Westerly, RI 02891 [email protected] 1980 Robert Voves, George Horwath, 4640 North Opal Avenue Stephen Schnurr ......................................................................... Secretary 2007 & Derek Nickels, $15 Norridge, IL 60706-4404 St. Paul Catholic Church, Box 1475, Valparaiso, IN 46384 [email protected] EASTERN IOWA Newsletter, August Knoll Dennis Ungs, $7.50 Box 486 David M. Barnett (ex officio) ................................................. Treasurer appointed 1982 Wheatland IA 52777 34 Summer St., Westerly, RI 02891 [email protected] GREATER NEW YORK Allison Alcorn-Oppedahl ................................... Councillor for Archives 2007 CITY 1969 Trinity International University, 2065 Half Day Rd., Deerfield, IL 60015 [email protected] GREATER ST. LOUIS The Cypher, John D. Phillipe Rachelen Lien ............................ Councillor for Organizational Concerns 2005 1975 Elizabeth Schmitt, $5 3901 Triple Crown Dr. 1010 Nashville Ave., New Orleans, LA 70115 (504) 899-1139 [email protected] Columbia MO 65201-4814 Paul R. Marchesano .......................................... Councillor for Education 2007 HARMONY SOCIETY Clariana, Walt Adkins University of Pennsylvania, Dept of Chemistry, 231 S 34th St, Philadelphia PA 19104 Western PA & Ohio The Rev. -
International Directory of Pipe Organ Builders
INTERNATIONAL DIRECTORY OF PIPE ORGAN BUILDERS visit our online listings at www.choirandorgan.com INTERNATIONAL DIRECTORY OF PIPE ORGAN BUILDERS COURTESY A.R.COURTESY SCHOPP’S SONS, INC. Chris Haidet, of A.R. Schopp’s Sons, Inc., solders an ear to a pipe AUSTRIA Services: N = new organs; R = restorations; P = repairs; NOT INCLUDED? Christoph Allgäuer C = consultancy • W = workshop open to public Email choirandorgan Neunkirchnerstr. 150, 2732 Wurflack Area: all builders work locally, regionally, nationally and @rhinegold.co.uk. Contact +43 0 2630 21676, [email protected] internationally unless otherwise stated. All listings are www.allgaeuer.info Membership: Membership of organ builders’ associations FREE OF CHARGE. Rieger Orgelbau Hofsteigstr. 120, 6858 Schwarzach-Vbg Contact +43 0 5572 58132 21 AUSTRALIA Pierce Pipe Organs P/L [email protected] Australian Pipe Organs Pty Ltd 1/18 Violet St, Hemmant, QLD 4174 www.rieger-orgelbau.com 11a Boileau St, Keysborough, VIC 3173 Contact +61 7 3390 5821 Services N, R, P, C • W (by appointment) Contact +61 3 9798 7664, [email protected] Membership ISO, AOF [email protected] www.piercepipeorgans.com.au Vonbank Orgelbau www.australianpipeorgans.com.au Services N, R, P • W (by appointment) Triebendorf Nr. 20, 8850 Triebendorf Services N, R, P, C, service, maintenance and Area Australasia Contact +43 3588/471, [email protected] tuning • W (by appointment) Membership ISO www.vonbank-orgelbau.at Area Australia-wide Pipe Organs W.A. Pty Ltd Services N, R, P, C Membership AGMO, ISO Membership ISO, GDO, Österreichisches 3/19 John St, Bayswater, W.A. 6053 Peter D.G. -
Pipes of the Past: Registration Practices of Selected Composers for the American Centennial Era Organ
PIPES OF THE PAST: REGISTRATION PRACTICES OF SELECTED COMPOSERS FOR THE AMERICAN CENTENNIAL ERA ORGAN By © 2019 Ian K. Classe M.M., Pittsburg State University, 2015 B.A., Truman State University, 2012 Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Chair: Michael Bauer James Higdon Roberta Freund Schwartz Brad Osborn Susan Earle Date Defended: The dissertation committee for Ian K. Classe certifies that this is the approved version of the following dissertation: PIPES OF THE PAST: REGISTRATION PRACTICES OF SELECTED COMPOSERS FOR THE AMERICAN CENTENNIAL ERA ORGAN Chair: Michael Bauer Date Approved: ii Abstract American organ music prior to the twentieth century is a somewhat neglected area of organ study due to biases of early-twentieth-century academia. This lecture seeks to better familiarize the audience with a small section of that neglected study by examining the relationship between the organs, composers, and compositions of the Centennial era (ca. 1870–1900) through the lens of organ registration. This particular period of nineteenth-century American music became the era when American composers developed a quintessentially American culture around the organ—a culture which would provide the foundation for much of what came after it. By examining this period and its contributions, we gain a better understanding of later musical developments in the organ world and an appreciation for what came before. iii Acknowledgements I would like to offer special thanks to Dr. Rosi Kaufman, Director of Music at Rainbow Mennonite Church, for her knowledge and assistance on this project as well as facilitating my use of the Hook organ for the lecture recital. -
Historic Organs of GERMANY May 22-June 4, 2019 14 Days with J
historic organs of GERMANY May 22-June 4, 2019 14 Days with J. Michael Barone Hello, Pipedreams Friends! installation in Naumburg is said to represent Bach’s ‘organ ideal’. We’ll revisit the mighty 1855 Ladegast organ in Merseburg, where I invite you to join me on our next tour, an adventure amidst the Liszt’s masterpieces were premiered, this 80-stop instrument pipe organs of Bach Country…experiencing instruments old and fully restored since our last visit. But we’ll also make first-time new in Saxony and Thuringia. acquaintances with the eclectic 72-stop Rieger organ in Fulda, with its ornate early 18th century case, the first stop on our very Some of you might recall that the very first officialPipedreams Tour first day. We’ll hear the new, eclectic 76-stop Kern organ at the covered much of this territory, but this is not a simple repetition, Marienkirche in Dresden, only a pipe-dream when we visited back nor are we are closing the circle! Future tour plans are already in in 2002. And we’ll also experience the 1723 Wagner organ at St. the works for 2020 and 2021, and this year’s schedule takes us to Mary’s Church in Berlin and the 103-register Ladegast-Eule organ places and includes instruments not previously experienced. at the Nikolaikirche in Leipzig, both now fully recommissioned. Of course, our itinerary will direct us to Eisenach, Bach’s birth- Visits to Bach’s Thomaskirche in Leipzig, the Liszt House in Wei- place; to Erfurt, the home territory of much of the Bach dynasty mar, the Handel House in Halle, the Meissen Porcelain -
Spoločnosť Priateľov Organov Na Slovensku Friends of the Pipe Organ Society in Slovakia Gesellschaft Der Orgelfreunde in Der Slowakei
Spoločnosť priateľov organov na Slovensku Friends of the Pipe Organ Society in Slovakia Gesellschaft der Orgelfreunde in der Slowakei Zoznam stretnutí, navštívených kostolov a organov List of meetings, churches, and instruments visited Liste der Tagungen, Kirchen und Instrumenten besucht stret- nutie dátum miesto kostol / priestor organár veľkosť rok č. stretnutia postav. mee- ting # date of visit location church/building organbuilder organ size year built Ta- gung Tagungs- Ort Kirche/Raum Orgelbauer Größe Baujahr datum 1 1 5.1.2004 Nitra kláštorný Gebrüder Rieger II/21 1930 2 2 13.4. Nitra katedrála, Hauptorgel Otokar Važanský II/28 1933 3 2004 Nitra katedrála Vincent Mozsny I/7 1876 4 Nitra piaristický Otokar Važanský II/25 1941 3 5 8.7. Hodonín (CZ) sv. Vavrinca Gebrüder Rieger II/30 1933 6 2004 Rohatec (CZ) sv. Bartolomeja Gebrüder Rieger II/19 1930 7 Břeclav (CZ) sv. Václava Žloutek II/21 1996 8 Hustopeče (CZ) sv. Václava Doubek II/19 1997 9 Šaštín bazilika Rieger-Kloss V/102 1950 10 Šaštín sv. J. Bosca Gebrüder Rieger II/9 1939 4 11 28.12. Topoľčany nanebovzatia P. M. Gebrüder Rieger II/24 1921 12 2004 Topoľčany kapln.P.M. jeruz. Jäger Brommer I/9 1994 13 Topoľčany sv. Gorazd a Ladisl. Schmidt II/21+3 1963 5 14 29.3. Banská Bystrica katedrála Kánský, Brachtl III/34 2003 15 2005 Banská Bystrica Nanebovz. P.M. Gebrüder Rieger IV/55 1941 16 Banská Bystrica evanjelický Gebrüder Rieger III/36 1936 6 17 25.7. Bratislava Prievoz, evanjelický Alexander Schuke II/16 1986 18 2005 Bratislava Trnávka, r.k. -
Die Neue Rieger-Orgel Im Goldenen Saal Der Gesellschaft Der Musikfreunde in Wien
MARKUS T. FUNCK Die neue Rieger-Orgel im Goldenen Saal der Gesellschaft der Musikfreunde in Wien Es gibt wohl auf der ganzen Welt keinen legendäreren Kon- zertsaal, der sich schon aufgrund der Raumstruktur und der exzellenten Akustik von anderen Sälen abhebt. Nicht zuletzt das Neujahrskonzert, das alljährlich in die ganze Welt über- tragen wird und von einem Millionenpublikum angehört und -gesehen wird, hat den Goldenen Saal des Wiener Musikvereins zu einer festen Größe der klassischen Kul- tur werden lassen. Untrennbar mit diesem Bild ist der über dem Konzertpodium stehende Orgelprospekt verbunden, der dadurch einer der bekanntesten Orgelprospekte überhaupt sein dürfte. Das Orgelgehäuse gehört zum Gesamtkunstwerk des Goldenen Saales, das Theophil Hansen entwarf. Dieser Saal spiegelt in seiner noblen Klassizität das Selbstbewusst- sein des Bürgertums wider, das sich auch in der Gründung der „Gesellschaft der Musikfreunde“ 1812 zeigte. Dieses Jahr markiert den Beginn des öffentlichen Konzertlebens in Wien, wo fortan jeder Zutritt hatte, der in der Lage war, eine Eintrittskarte zu erwerben. In Kirchen überdauern Orgeln häufig Generationen, gefährdet sind sie durch ihnen manchmal innewohnende technische Mängel, mehr jedoch durch musikalische Trends, die häufig dazu führen, dass Instrumente überformt oder gar komplett ersetzt werden. Im Wiener Musikverein führten beide Faktoren zu einer gewissen Kurzlebigkeit der Orgeln. So ist die neue Rieger-Orgel das vierte Instrument 1 im 1870 erbauten Goldenen Saal. Wien, Großer Saal im Musikverein mit dem Orgelprospekt von 1872 und der Rieger-Orgel von 2011, auf dem Podium Die erste Orgel erbaute Friedrich Ladegast aus Weißen- der fahrbare Spieltisch. fels 1872 für das klassizistische Gehäuse, das zu dieser Zeit noch kein Dach hatte. -
The Tracker Journal of the Organ Historical Society Skinner Organ Company, Op
VOLUME 62, NUMBER 2, APRIL 2018 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY SKINNER ORGAN COMPANY, OP. 711 (1928) C.E. MOREY, NO. 248 (1907) PAUL FRITTS & COMPANY, OP. 26 (2008) THE RUDOLPH WURLITZER COMPANY (1929) OUR FEATURED ARTISTS DAVID BASKEYFIELD NATHAN LAUBE DAVID PECKHAM EDOARDO BELLOTTI ANNIE LAVER ROBERT POOVEY IVAN BOSNAR THATCHER LYMAN WILLIAM PORTER KEN COWAN COLIN LYNCH CAROLINE ROBINSON PETER DUBOIS COLIN MACKNIGHT DARYL ROBINSON KATELYN EMERSON CHRISTOPHER MARKS JONATHAN RYAN DAVID HIGGS MALCOLM MATTHEWS NICOLE SIMENTAL RICHARD HILLS AMANDA MOLE JOEL SPEERSTRA FRED HOHMAN ALAN MORRISON BRUCE STEVENS LEN LEVASSEUR LEN WILMA JENSEN JONATHAN MOYER MICHAEL UNGER PHOTOS PETER KRASINSKI SEAN O’DONNELL JORIS VERDIN C.B. FISK, INC., OP. 83 (1983) CHRISTIAN LANE JONATHAN ORTLOFF BRADLEY HUNTER WELCH ORTLOFF ORGAN COMPANY, LLC, OP. 1 (2016) JOIN THE OHS IN ROCHESTER IN COLLABORATION WITH THE EASTMAN ROCHESTER ORGAN INITIATIVE FESTIVAL IN OCTOBER THE 2018 CONVENTION of the Organ Historical Society will celebrate the rich array of instruments in Rochester, New York. Home to an expansive collection of organs representing diverse musical styles and performance practices, Rochester is a hub for organ performance and education. Convention attendees will experience an eighteenth-century Italian Baroque organ housed in the beautiful Memorial Art Gallery, a tour of the George Eastman Museum—home of the world’s largest residence organ—and everything in between. Visit the website below for the latest updates! WWW.ORGANHISTORICALSOCIETY.ORG/2018 AEOLIAN COMPANY, NO. 947 AND NO. 1345 GOART/YOKOTA (2008) HOPE-JONES ORGAN COMPANY, OP. 2 (1908) ANONYMOUS ITALIAN BAROQUE ORGAN (CA.