DOCSLIB.ORG

Spoločnosť Priateľov Organov Na Slovensku Friends of the Pipe Organ Society in Slovakia Gesellschaft Der Orgelfreunde in Der Slowakei

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spoločnosť Priateľov Organov Na Slovensku Friends of the Pipe Organ Society in Slovakia Gesellschaft Der Orgelfreunde in Der Slowakei Spoločnosť priateľov organov na Slovensku Friends of the Pipe Organ Society in Slovakia Gesellschaft der Orgelfreunde in der Slowakei Zoznam stretnutí, navštívených kostolov a organov List of meetings, churches, and instruments visited Liste der Tagungen, Kirchen und Instrumenten besucht stret- nutie dátum miesto kostol / priestor organár veľkosť rok č. stretnutia postav. mee- ting # date of visit location church/building organbuilder organ size year built Ta- gung Tagungs- Ort Kirche/Raum Orgelbauer Größe Baujahr datum 1 1 5.1.2004 Nitra kláštorný Gebrüder Rieger II/21 1930 2 2 13.4. Nitra katedrála, Hauptorgel Otokar Važanský II/28 1933 3 2004 Nitra katedrála Vincent Mozsny I/7 1876 4 Nitra piaristický Otokar Važanský II/25 1941 3 5 8.7. Hodonín (CZ) sv. Vavrinca Gebrüder Rieger II/30 1933 6 2004 Rohatec (CZ) sv. Bartolomeja Gebrüder Rieger II/19 1930 7 Břeclav (CZ) sv. Václava Žloutek II/21 1996 8 Hustopeče (CZ) sv. Václava Doubek II/19 1997 9 Šaštín bazilika Rieger-Kloss V/102 1950 10 Šaštín sv. J. Bosca Gebrüder Rieger II/9 1939 4 11 28.12. Topoľčany nanebovzatia P. M. Gebrüder Rieger II/24 1921 12 2004 Topoľčany kapln.P.M. jeruz. Jäger Brommer I/9 1994 13 Topoľčany sv. Gorazd a Ladisl. Schmidt II/21+3 1963 5 14 29.3. Banská Bystrica katedrála Kánský, Brachtl III/34 2003 15 2005 Banská Bystrica Nanebovz. P.M. Gebrüder Rieger IV/55 1941 16 Banská Bystrica evanjelický Gebrüder Rieger III/36 1936 6 17 25.7. Bratislava Prievoz, evanjelický Alexander Schuke II/16 1986 18 2005 Bratislava Trnávka, r.k. Rieger-Kloss II/24+2 1976 19 Bratislava Rusovce r.k. Michal Slezák I/13 1872 20 Bratislava Čunovo, r.k. neznámy/unknown I/7 18?? 7 21 29.8. Nevoľné premenia Pána Rieger-Kloss II/21 1973 22 2005 Žiar n.Hronom povýš.sv. kríža C. L. Wegenstein II/13 1912 23 Dolná Ždaňa najsv. trojice O. Mikuláš I/7 2001 9 24 18.4. Trnava katedrála sv. Jána K Martin Šaško II/18 187? 25 2006 Trnava sv. Mikuláša, Gebrüder Rieger III/41+4 1912 Hauptorgel (Budapest) 26 Trnava sv. Mikuláša, Valentin Arnold I/8 1783 Chororgel 27 Ružindol sv. Bartolomeja Karel Neusser II/13 1891 10 28 10.7. Kúty far. r.k. Organa Kutná Hora II/12 1985 29 2006 Gbely far. r.k. J. Loyp / M. Šaško II/19 1852 30 Skalica františkánsky Gebrüder Rieger II/29+1 1930 31 Skalica evanjelický M.Šaško / A.Molnár II/15 1839 11 32 7.8. Esztergom (H) bazilika L. Mooser, et. al. V/80 1976 33 2006 Esztergom (H) far. r.k. C. L. Wegenstein II/19 190? 34 Modrany reform. k. Alfred Führer II/15 197? 35 Dvory n.Žitavou r.k. Gebrüder Rieger II/11 1897 (Budapest) 12 36 27.12. Nitra piaristický Arnold, Važanský, III/38+3 2005 2006 Rieger-Kloss 14 37 8.5. Bratislava Dóm, Hauptorgel Vincent Mozsny II/34 1881 38 2007 Bratislava Dóm, Chororgel Karl Klöckner I/7 1867 39 Bratislava jezuitský E. Š. Petr / Gebrüder III/48 1927 Rieger 40 Bratislava VŠMU tr.11 Rieger-Kloss III/21 1989 41 Bratislava Jarovce r.k. neznámy /Schönhofer I/9 1. pol. 19. st. /1886 15 42 22.8. Frauenkirchen bazilika Pflüger II/31 1997 2007 (A) 43 Frauenkirchen kaplnka pri bazilike Pflüger I/4 1997 (A) 44 Mӧnchhof (A) farský r.k. Johann M. Kaufmann II/13 193? 45 Mӧnchhof (A) kláštor cisterciánok, Oberösterreichische II/16 1978 Marienkron Orgelbauanstalt, St. Florian 18 46 1.8. Olomouc (CZ) sv. Michala Rieger-Kloss III/50+5 1975 47 2008 Olomouc (CZ) sv. Michala, bočná, Wilhelm Brauner I/9 1898 empora 48 Olomouc (CZ) katedrála, Chororgel Rieger-Kloss II/23 1977 49 Olomouc (CZ) katedrála, kaplnka Gebrüder Rieger I/5+2 1904 kanonikov 50 Olomouc (CZ) katedrála, Hauptorgel Gebrüder Rieger III/48 1885 51 Olomouc (CZ) P. M. Snežnej B. Halbich II/28 1730 52 Olomouc (CZ) dominikánsky Gebrüder Rieger II/18 1908 53 2.8. Olomouc (CZ) sv. Mórica Michael Engler, Rieger- V/94+3 1745 2008 Kloss 1970 54 Olomouc (CZ) sv.Mórica, pozitív A. Schack I/6 1716 55 Olomouc (CZ) kapucínsky Jan Tuček II/15 1911 19 56 29.12. Nitra sv. Ducha, evanjelický Pflüger II/15+2 2008 57 2008 Nitra k. reformov. cirkvi József Angster I/8 1882 20 58 14.4. Žilina františkánsky, Peregrin Werner, OFM I/6 18. 2009 Chororgel stor. 59 Žilina františkánsky, Gebrüder Rieger II/28 1925 Hauptorgel 60 Kysucké Nové mariánsky Pažický/ Marián Muška I/10 1793 Mesto 61 Dolné Kočkovce r.k. Marián Muška II/17+14 2006 21 62 31.7. Poprad-Matejovce evanjelický Friedrich Deutschmann II/17 1823 63 2009 Spišská Sobota sv. Juraja Tomáš Dobkowitz, et. al. I/13 1663 /19. stor. 64 Huncovce r.k. Samuel Stascovius I/9 1653 65 Žakovce r.k. neznámy/unknown I/8 1665 66 1.8. Gánovce r.k. Gabriel Bies I/7 2008 67 2009 Poprad sv. Egídia Gabriel Bies I/17 2008 68 Poprad-Veľká r.k. Gabriel Bies II/17 2009 22 69 10.10. Pezinok-Grinava evanjelický Martin Šaško I/11 1875 70 2009 Pezinok evanjelický Rieger-Kloss III/28+1 1952 71 Pezinok kapucínsky Gebrüder Rieger II/18 1887 72 Modra evanjelický nem. M. Šaško I/20 1865 73 Modra evanjelický slov. Gebrüder Rieger II/ 1935 74 Modra r.k. far. Gebrüder Rieger II/18 1875 24 75 27.12. Bratislava Dóm sv. Martina Gerald Woehl IV/75 2010 76 2010 Bratislava Veľký evanjelický Gebrüder Rieger IV/69 1923 25 77 26.4.201 Bratislava-Rača r.k. Johann Fazekas II/17 1841 1 26 78 29.7. Banská Štiavnica r.k. far. Gebrüder Rieger II/15 1882 79 2011 Banská Štiavnica sv. Kataríny Gebrüder Rieger II/16 1900 (Budapest) 80 Banská Štiavnica evanjelický Valentin Arnold, Rieger- II/20 1797/ Kloss 1956 81 Banská Belá r.k. far. Gebrüder Rieger I/12 1875 82 30.7. Vysoká r.k. J. G. Klöckner/ Vincent I/12 zač.19. 2011 Mozsny st 83 Štiavnické Bane r.k. far. József Angster II/14 1914 84 Štiavnické Bane r.k. far. Michal Podkonický - 1754 skriňa / case / Gehäuse 85 Vyhne r.k. far. Gebrüder Rieger I/6 1881 86 Žarnovica r.k. far. Gebrüder Rieger I/14 1905 87 Hronský Beňadik bazilika Vincent Mozsny II/16 188? 27 88 17.11. Wien (A) Universität für Musik Rieger Orgelbau III/35 1982 2011 und darstellende Kunst 89 Wien (A) St. Ursula Gregor Hradetzky II/28 1968 90 Wien (A) Michaelerkirche Johann David Sieber III/40 1714 91 Wien (A) Schottenkirche, Mathis Orgelbau III/49 1995 Hauptorgel 92 Wien (A) Schottenkirche, Mathis Orgelbau II/20 1994 Chororgel 28 93 29.12. Hájske r.k. far. Karl Klöckner I/8 1842 94 2011 Vozokany r.k. nezn. /unknown / I/6 poz 18. st. unbekannt 29 95 10.4. Wien (A) Jesuitenkirche H. Späth III/41 2004 96 2012 Wien (A) Franziskanerkirche, Rieger Orgelbau II/32 1980 Hauptorgel 97 Wien (A) Franziskanerkirche, Hans Wökherl II/20 1642 Chororgel 30 98 12.1. Nitra sv. Cyrila a Metoda Otokar Važanský II/22+1 1947 2013 31 99 8.5. Gyӧr (H) sv. Ducha Aquincum Orgonagyár III/42 1990 Kft. 100 2013 Gyӧr (H) sv. Ducha Klais Orgelbau I/8 1970? 101 Gyӧr (H) bazilika Angster, Szakács IV/63 1895/ 1991 102 Gyӧr (H) (st.) sv. Ducha Jáky II/20 1992 32 103 29.8. Trnava Dóm sv. Mikuláša, Gebrüder Rieger III/41+4 1912 2013 Hauptorgel (Budapest) 104 Trnava Dóm sv. Mikuláša, Valentin Arnold I/8 1783 Chororgel 105 Zeleneč r.k. farský Walcker-Mayer II/20 2009 33 106 22. 4. Bratislava, evanjelický a.v. kostol G. F. Steinmeyer & Co., III/35+4 1953/ 2014 Petržalka Najsv. Trojice op. 1841 1994 34 107 8.5. Budapest (H) kostol sv. Anny VEB Jehmlich Orgelbau III/37 1985 108 2014 Budapest (H) r.k. farský Všetkých Aquincum Orgonagyár I/18 2001 svätých Kft. 109 Budapest (H) univerzitný kostol Gebrüder Rieger IV/71 1915/ Narodenia P. Márie (Budapest) / FMKV 1970- Orgonaüzeme Budapest 72 110 9.5 Budapest (H) kostol sv. Kríža, BKM Orgonaüzem Kft. II/20 2007- 2014 Férencváros Dunakeszi 2011 111 Budapest (H) Františkánsky kostol Aquincum Orgonagyár IV/65 1991 Kft. 35 112 8.5. Heiligenkreuz (A) cisterciánske opátstvo Ignaz Kober II/50 1804 2015 – Hauptorgel 113 Heiligenkreuz (A) cisterciánske opátstvo Johann František Wimola I/(11) 1746 – Chororgel 114 Heiligenkreuz (A) cisterciánske opátstvo Friedrich Deutschmann ? I/(5) 180? – kaplnka sv. Bernarda 115 Heiligenkreuz (A) Kreuzkirche neznámy I/7 fin de siecle 36 116 19.9. farský kostol sv. Walcker-Mayer II/19 2007 2015 Michala 117 františkánsky kostol Gebrüder Rieger II/30 1930 Skalica 118 býv. jezuitský kostol Albert Keates II/14 1896 119 Milosrdní bratia Konštantín Bednár / I/? 192? Jozséf Angster .
Load more

Recommended publications
  • View PDF Editionarrow Forward
    THE DIAPASON FEBRUARY 2021 Quimby Pipe Organs, Inc. 50th Anniversary Cover feature on pages 18–20 PHILLIP TRUCKENBROD CONCERT ARTISTS ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN BÁLINT KAROSI JEAN-WILLY KUNZ HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK JACK MITCHENER BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO W͘K͘ŽdžϰϯϮ ĞĂƌďŽƌŶ,ĞŝŐŚƚƐ͕D/ϰဒϭϮϳ ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ĞŵĂŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ဒϲϬͲϱϲϬͲϳဒϬϬ ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚ WŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ BRADLEY HUNTER WELCH SEBASTIAN HEINDL INSPIRATIONS ENSEMBLE ϮϬϭဓ>ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄt®ÄÄÙ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Twelfth Year: No. 2, 20 Under 30 Whole No. 1335 We thank the many people who submitted nominations for FEBRUARY 2021 our 20 Under 30 Class of 2021. Nominations closed on Feb- Established in 1909 ruary 1. We will reveal our awardees in the May issue, with Stephen Schnurr ISSN 0012-2378 biographical information and photographs! 847/954-7989; [email protected] www.TheDiapason.com An International Monthly Devoted to the Organ, A gift subscription is always appropriate. the Harpsichord, Carillon, and Church Music Remember, a gift subscription of The Diapason for a In this issue friend, colleague, or student is a gift that is remembered each Gunther Göttsche surveys organs and organbuilding in the CONTENTS month. (And our student subscription rate cannot be beat at Holy Land. There are approximately sixty pipe organs in this FEATURES $20/year!) Subscriptions can be ordered by calling our sub- region of the world.
    [Show full text]
  • JANUARY, 2010 Cathedral Church of St. Peter Regensburg, Germany
    THE DIAPASON JANUARY, 2010 photo credit: Michael Vogl, Regensburg Cathedral Church of St. Peter Regensburg, Germany Cover feature on pages 28–29 Jan 2010 Cover.indd 1 12/14/09 7:25:20 AM Jan 2010 pp. 2-18.indd 2 12/14/09 7:27:04 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred First Year: No. 1, Whole No. 1202 JANUARY, 2010 Gavin Black: On Teaching the fi fties to hear Myra Hess, Burt Lan- Established in 1909 ISSN 0012-2378 I’ve been enjoying Gavin Black’s col- caster walked right past my wife and me, An International Monthly Devoted to the Organ, umn “On Teaching” in The Diapason. big deal! the Harpsichord, Carillon, and Church Music Although I don’t have organ students, And Bovard Auditorium (I am a USC I’m learning a lot from the articles. Be- alumnus, grad school, as well as UCLA sides being an organist, I’m also a piano grad)—what memories! I remember the technician. The article about tuning original console well, and Mr. Lewis has CONTENTS Editor & Publisher JEROME BUTERA [email protected] systems (September) is, by far, the best it all correct. This was a major loss, which 847/391-1045 description of tuning and tuning systems should not have happened, and I am not FEATURES that I’ve ever read! I’m going to save this alone in my opinion. It was a powerful Poulenc and Durufl é ‘premieres’ in Woolsey Hall Associate Editor JOYCE ROBINSON issue in case I have to give a talk about and impressive instrument.
    [Show full text]
  • View PDF Editionarrow Forward
    T H E DIAPASON APRIL 2019 American Organ Institute University of Oklahoma Norman, Oklahoma Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 4, 20 Under 30 Whole No. 1313 We thank all those who submitted nominations for our Class APRIL 2019 of 2019. We are impressed by the number of f ne nominations Established in 1909 for the brightest and most promising our young leaders in the Stephen Schnurr ISSN 0012-2378 f eld of the organ, church music, harpsichord, and carillon. 847/954-7989; [email protected] To see the 20 Under 30 Class of 2019, visit The Diapason www.TheDiapason.com An International Monthly Devoted to the Organ, website (www.thediapason.com, click on “20 Under 30”). Next the Harpsichord, Carillon, and Church Music month’s issue will include in-depth entries and photographs of In “Harpsichord Notes,” Larry Palmer reprises various front- each member of the class.
    [Show full text]
  • Sept 2011 Pp. 30-32.Indd 30 8/10/11 9:52:40 AM Stop Tabs
    Cover feature A Symphonic Organ in the Cradle mixtures that add brilliance and clarity to of the Symphony the contrapuntal lines of the music with- The new Rieger Organ in the out ever becoming overbearing or harsh. Golden Hall of the Music Society The organ’s copious reed stops made it in Vienna possible for Lohmann to select ones that, in the Germanic tradition, added color Introduction while retaining the music’s transparency For centuries, Vienna, the capital of and lightness of texture. The direct ac- Austria, has been regarded by many as tion and responsiveness of the mechani- Europe’s music capital. It is here that cal console allowed the organist to artic- the symphony was developed as a musi- ulate his playing in a way that suited the cal form by composers such as Haydn, Baroque style admirably. Mozart, and Beethoven. So pervasive Martin Haselböck, internationally was the symphony in the development of known as conductor of performances Western art music that it not only domi- on original instruments with the Wiener nated creative music-making until well Akademie, recitalist and organ professor, into the 20th century, but also worldwide led the audience into the Romantic era became the most common adjective de- with Franz Liszt’s Prelude and Fugue on scribing orchestras and concert halls. It B.A.C.H. This piece enabled him to dem- is also used to denote a style of organ- onstrate the organ’s symphonic versatility building that developed towards the end and ability to swell in sound from the soft- of the 19th century, when organs were est whisper to the point where it convinc- often used as substitutes for orchestras, ingly fi lls the hall.
    [Show full text]
  • History of the 1917 Casavant Organ (Opus 700) Ian Wakeley
    History of the 1917 Casavant organ (Opus 700) Ian Wakeley Emmanuel Church, 15 Newbury St, Boston MA The Casavant organ now in the Gulangyu Organ Museum was originally built for the Emmanuel Church, Boston in the USA. The cornerstone of the Emmanuel Church was laid in 1861, however, the building was expanded in 1864 by the addition of a west transept and largely remodelled between 1898 and 1899, when the church acquired the main elements of its present form: a large stone building with neogothic architectural features. In 1913, Mr Lynnwood Farnam was appointed organist of the Emmanuel Church, a post that he held until 1918. Mr Farnam was a very accomplished musician, and it is he, who was largely responsible for having the Emmanuel Church’s organ remodelled and enlarged in 1917, which resulted in the instrument that eventually found its way to Gulangyu The Hutchings-Casavant Organ When the Emmanuel Church organ was bought for the Gulangyu Museum, it consisted of two main parts: the first had been in the chancel of the church, and the second placed on a gallery at the back of the building. A small third section was placed in the Church’s Chapel. The Chancel organ was originally built in 1890 by G.S. Hutchings as a separate instrument (Opus 216). However, in 1899, Hutchings rebuilt the organ with electric action, a moveable console and the addition of pedal reeds, which resulted in 52 stops on 3 manuals and pedals (Opus 444). It was housed in an organ chamber adjacent to the choir and thus only required a limited case, consisting mainly of display pipes behind the choir pews, with a small additional façade in the Church’s south aisle, pipes that still grace the façade of the Chancel Organ in Gulangyu today.
    [Show full text]
  • Historic Organs of Pennsylvania Pl
    The Organ Historical Society Post Office Box 26811, Richmond, Virginia 23261 • (804)353-9226 • FAX (804)353-9266 e-mail: [email protected] • web: www. organsociety.org • online catalog: www.ohscatalog.org MEMBERS MAY JOIN ANY NUMBER OF CHAPTERS THE NATIONAL COUNCIL CHAPTERS NEWSLETTER, EDITOR & MEMBERSHIP INQUIRIES Officers and Councillors Term Expires FOUNDING DATE ANNUAL DUES Michael Friesen ......................................................................... President 2005 CENTRAL NEW YORK The Coupler, Phil Williams 1976 Cullie Mowers, $5 Box F 1979 Piney River Dr., Loveland, CO 80538 Remsen NY 14438 Scott Huntington ............................................................... Vice-President 2005 CHICAGO MIDWEST The Stopt Diapason, George Horwath 34 Summer St., Westerly, RI 02891 [email protected] 1980 Robert Voves, George Horwath, 4640 North Opal Avenue Stephen Schnurr ......................................................................... Secretary 2007 & Derek Nickels, $15 Norridge, IL 60706-4404 St. Paul Catholic Church, Box 1475, Valparaiso, IN 46384 [email protected] EASTERN IOWA Newsletter, August Knoll Dennis Ungs, $7.50 Box 486 David M. Barnett (ex officio) ................................................. Treasurer appointed 1982 Wheatland IA 52777 34 Summer St., Westerly, RI 02891 [email protected] GREATER NEW YORK Allison Alcorn-Oppedahl ................................... Councillor for Archives 2007 CITY 1969 Trinity International University, 2065 Half Day Rd., Deerfield, IL 60015 [email protected] GREATER ST. LOUIS The Cypher, John D. Phillipe Rachelen Lien ............................ Councillor for Organizational Concerns 2005 1975 Elizabeth Schmitt, $5 3901 Triple Crown Dr. 1010 Nashville Ave., New Orleans, LA 70115 (504) 899-1139 [email protected] Columbia MO 65201-4814 Paul R. Marchesano .......................................... Councillor for Education 2007 HARMONY SOCIETY Clariana, Walt Adkins University of Pennsylvania, Dept of Chemistry, 231 S 34th St, Philadelphia PA 19104 Western PA & Ohio The Rev.
    [Show full text]
  • International Directory of Pipe Organ Builders
    INTERNATIONAL DIRECTORY OF PIPE ORGAN BUILDERS visit our online listings at www.choirandorgan.com INTERNATIONAL DIRECTORY OF PIPE ORGAN BUILDERS COURTESY A.R.COURTESY SCHOPP’S SONS, INC. Chris Haidet, of A.R. Schopp’s Sons, Inc., solders an ear to a pipe AUSTRIA Services: N = new organs; R = restorations; P = repairs; NOT INCLUDED? Christoph Allgäuer C = consultancy • W = workshop open to public Email choirandorgan Neunkirchnerstr. 150, 2732 Wurflack Area: all builders work locally, regionally, nationally and @rhinegold.co.uk. Contact +43 0 2630 21676, [email protected] internationally unless otherwise stated. All listings are www.allgaeuer.info Membership: Membership of organ builders’ associations FREE OF CHARGE. Rieger Orgelbau Hofsteigstr. 120, 6858 Schwarzach-Vbg Contact +43 0 5572 58132 21 AUSTRALIA Pierce Pipe Organs P/L [email protected] Australian Pipe Organs Pty Ltd 1/18 Violet St, Hemmant, QLD 4174 www.rieger-orgelbau.com 11a Boileau St, Keysborough, VIC 3173 Contact +61 7 3390 5821 Services N, R, P, C • W (by appointment) Contact +61 3 9798 7664, [email protected] Membership ISO, AOF [email protected] www.piercepipeorgans.com.au Vonbank Orgelbau www.australianpipeorgans.com.au Services N, R, P • W (by appointment) Triebendorf Nr. 20, 8850 Triebendorf Services N, R, P, C, service, maintenance and Area Australasia Contact +43 3588/471, [email protected] tuning • W (by appointment) Membership ISO www.vonbank-orgelbau.at Area Australia-wide Pipe Organs W.A. Pty Ltd Services N, R, P, C Membership AGMO, ISO Membership ISO, GDO, Österreichisches 3/19 John St, Bayswater, W.A. 6053 Peter D.G.
    [Show full text]
  • Historic Organs of GERMANY May 22-June 4, 2019 14 Days with J
    historic organs of GERMANY May 22-June 4, 2019 14 Days with J. Michael Barone Hello, Pipedreams Friends! installation in Naumburg is said to represent Bach’s ‘organ ideal’. We’ll revisit the mighty 1855 Ladegast organ in Merseburg, where I invite you to join me on our next tour, an adventure amidst the Liszt’s masterpieces were premiered, this 80-stop instrument pipe organs of Bach Country…experiencing instruments old and fully restored since our last visit. But we’ll also make first-time new in Saxony and Thuringia. acquaintances with the eclectic 72-stop Rieger organ in Fulda, with its ornate early 18th century case, the first stop on our very Some of you might recall that the very first officialPipedreams Tour first day. We’ll hear the new, eclectic 76-stop Kern organ at the covered much of this territory, but this is not a simple repetition, Marienkirche in Dresden, only a pipe-dream when we visited back nor are we are closing the circle! Future tour plans are already in in 2002. And we’ll also experience the 1723 Wagner organ at St. the works for 2020 and 2021, and this year’s schedule takes us to Mary’s Church in Berlin and the 103-register Ladegast-Eule organ places and includes instruments not previously experienced. at the Nikolaikirche in Leipzig, both now fully recommissioned. Of course, our itinerary will direct us to Eisenach, Bach’s birth- Visits to Bach’s Thomaskirche in Leipzig, the Liszt House in Wei- place; to Erfurt, the home territory of much of the Bach dynasty mar, the Handel House in Halle, the Meissen Porcelain
    [Show full text]
  • Die Neue Rieger-Orgel Im Goldenen Saal Der Gesellschaft Der Musikfreunde in Wien
    MARKUS T. FUNCK Die neue Rieger-Orgel im Goldenen Saal der Gesellschaft der Musikfreunde in Wien Es gibt wohl auf der ganzen Welt keinen legendäreren Kon- zertsaal, der sich schon aufgrund der Raumstruktur und der exzellenten Akustik von anderen Sälen abhebt. Nicht zuletzt das Neujahrskonzert, das alljährlich in die ganze Welt über- tragen wird und von einem Millionenpublikum angehört und -gesehen wird, hat den Goldenen Saal des Wiener Musikvereins zu einer festen Größe der klassischen Kul- tur werden lassen. Untrennbar mit diesem Bild ist der über dem Konzertpodium stehende Orgelprospekt verbunden, der dadurch einer der bekanntesten Orgelprospekte überhaupt sein dürfte. Das Orgelgehäuse gehört zum Gesamtkunstwerk des Goldenen Saales, das Theophil Hansen entwarf. Dieser Saal spiegelt in seiner noblen Klassizität das Selbstbewusst- sein des Bürgertums wider, das sich auch in der Gründung der „Gesellschaft der Musikfreunde“ 1812 zeigte. Dieses Jahr markiert den Beginn des öffentlichen Konzertlebens in Wien, wo fortan jeder Zutritt hatte, der in der Lage war, eine Eintrittskarte zu erwerben. In Kirchen überdauern Orgeln häufig Generationen, gefährdet sind sie durch ihnen manchmal innewohnende technische Mängel, mehr jedoch durch musikalische Trends, die häufig dazu führen, dass Instrumente überformt oder gar komplett ersetzt werden. Im Wiener Musikverein führten beide Faktoren zu einer gewissen Kurzlebigkeit der Orgeln. So ist die neue Rieger-Orgel das vierte Instrument 1 im 1870 erbauten Goldenen Saal. Wien, Großer Saal im Musikverein mit dem Orgelprospekt von 1872 und der Rieger-Orgel von 2011, auf dem Podium Die erste Orgel erbaute Friedrich Ladegast aus Weißen- der fahrbare Spieltisch. fels 1872 für das klassizistische Gehäuse, das zu dieser Zeit noch kein Dach hatte.
    [Show full text]
  • The Queen Among Instruments
    Dossier | The Queen among instruments The Queen among instruments The Organ in the Goldener Saal Since 2011, the famous organ façade, which dominates the Großer Musivereinssaal, has hidden one of the best concert organs in the world. The instrument is in fact the fourth to occupy the space since the Musikverein building opened in 1870 and provides a tangible link to this institution’s fascinating organ history. It is undoubtedly the central element in Theophil Hansen’s visually and acoustically brilliant Großer Musikvereinssaal: the organ, queen of the instruments, the focus for concert audiences in the hall and also – at least every 1 January – for millions of television viewers around the world. Hansen ensured this majestic instrument was prominently located at the front of the auditorium. The organ clearly and consistently forms an integral part of the homogenous and opulent design modelled upon Greek antiquity. And yet what we see in visual presentation here is “only” the husk, the casing. The organ itself, the instrument as such, is hidden inside and even the visible facade pipes are, and have always been, silent. Husk and heart When the Großer Musikvereinssaal opened for the first time at a celebratory event in January 1870, the organ case was still empty. In the course of the ambitious building project, at immense financial outlay, to build its new concert building, the Gesellschaft der Musikfreunde in Vienna had initially given less priority to the organ project. However, since the 1868 study plan created for the Gesellschaft’s own conservatory envisaged organ playing as an important component of musical education, the plans for an organ began immediately thereafter.
    [Show full text]
  • Liebe Orgelfreunde!
    Liebe Orgelfreunde! Willkommen bei Principal 19, im zwanzigsten Lebensjahr unseres Vereins! Die Orgelkultur ist nach wie vor unser Anliegen, diesmal bewegen wir uns vorwiegend in der Obersteiermark. Weitere Beiträge führen uns in die übrige Steiermark, nach Niederösterreich und in das Tiroler Stift Stams. Als aufmerksame Beobachter der österreichischen Orgelland- schaft kann uns nicht verborgen bleiben, dass sich der inlän- dische Orgelmarkt in einem Umbruch befindet. Im Herbst vori- gen Jahres hat sich die namhafte Orgelbaufirma Pflüger leider vom Markt verabschiedet, die nicht minder prominente Orgel- bauwerkstatt Pirchner hat sich auf einen Kleinbetrieb reduziert. Das ist auch der Grund, am Ende unseres diesjährigen Magazins eine Werkliste der Firma Pflüger beizufügen. In unserem Verein hat sich im Rahmen der Mitgliederversammlung am 10. Oktober 2015 in Mautern anlässlich der statutengemäßen Neuwahlen einiges getan, sodass wir hier auch unseren neuen Vereinsvorstand vorstellen wollen: Obmann: Dr. Wilhelm Kollmann, Stellv.: Dr. Martin Österreicher und Mag. Stefan Teubl, Schriftführer: Andrea Waldeck, Stellv.: Mag. Herbert Rotter, Kassier: Gertrude Mauer- hofer, Stellv.: Gertrude Wiesner. Im Beirat sind weiters: Prof. Walter Groppenberger, Mag. Karl Dorneger, Dr. Josef Schiefer, Mag. Emanuel Schmelzer-Ziringer, Prof. Josef Hofer, Herbert Mauerhofer, Pfarrer Johann Leitner, Peter Vorraber, Prof. Konrad Zöhrer, Ehrenobmann Alois Almer und Mag. Thomas Zala. Als Rechnungsprüfer fungieren in dieser Periode Dr. Johann Leitner und Herbert Mauerhofer. Besonders erfreut uns die gute Zusammenarbeit bzw. Kooperation mit dem Österrei- chischen Orgelforum (Wien), das wir bei der heurigen Tagung in Stams unterstützen und zu der wir gleichzeitig herzlich einladen. Im vorigen Jahr wurde in Stubenberg der Verein „Sakralkunst Oststeiermark“ gegründet, der auch die Konzertreihe „Orgelklang im Apfelland“ übernommen hat.
    [Show full text]
  • NOVEMBER 2012 First Lutheran Church Sioux Falls, South Dakota
    THE DIAPASON NOVEMBER 2012 First Lutheran Church Sioux Falls, South Dakota Cover feature on pages 30–32 Critical praise for Christopher Houlihan’s summer performances of Louis Vierne’s six organ symphonies “The gifted young organist Christopher Houlihan phrased with ƃexibility and clarity through the works’ knottiest chromatic wanderings… his playing had a glamorous sheen appropriate to Vierne’s music.” (The New York Times) “Dazzling performances displaying a virtuoso’s technical prowess, an architect’s grasp of structure and a torch singer’s ability to convey emotions.” (The Wall Street Journal) “Houlihan’s ‘Vierne 2012’ is a major surprise of the summer, a true revelation… Concentrated and unsentimental, Houlihan ended the cycle with an unnervingly honest and direct performance, astonishing for so young a performer. The Houli Fans can give themselves high Ƃves. They’ve helped launch a major career.” (The Los Angeles Times) “Houlihan showed great virtuosity as well as ingenuity in his use of registrations and contrasting colors…Played with great expressive restraint and elegance… a virtuosic reading…The surprisingly large audience gave the gifted young WWW.CONCERTARTISTS.COM organist a roaring and well-deserved [email protected] standing ovation.” (Chicago Classical Review) E N V D E R K C R H O I Y C A “This ambitious program of all six Vierne W G E O N SIX SYMPHONIESSIX CITIES symphonies will long be remembered, VIERNE2012 I am sure, as one of New York’s all-time great organ recitals. Bravo to Christopher CHRISTOPHER HOULIHAN L O S S A Houlihan for taking on such a massive L A L N A G D project, and for carrying it off with E L E S A L M O N T R E so much intelligence, artistry, and communicative power.” WWW.VIERNE2012.COM (The Diapason) for complete press coverage THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Third Year: No.
    [Show full text]