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Zfwtvol. 9 No. 3 (2017) 269-288
ZfWT Vol. 9 No. 3 (2017) 269-288 FEMINIST READING OF GOTHIC SUBCULTURE: EMPOWERMENT, LIBERATION, REAPPROPRIATION Mikhail PUSHKIN∗ Abstract: Shifting in and out of public eye ever since its original appearance in the 1980ies, Gothic subculture, music and aesthetics in their impressive variety have become a prominent established element in global media, art and culture. However, understanding of their relation to female gender and expression of femininity remains ambiguous, strongly influenced by stereotypes. Current research critically analyses various distinct types of Gothic subculture from feminist angle, and positively identifies its environment as female-friendly and empowering despite and even with the help of its strongly sexualized aesthetics. Although visually geared towards the male gaze, Gothic subcultural environment enables women to harness, rather than repress the power of attraction generated by such aesthetics. Key words: Subculture, Feminism, Gothic. INTRODUCTION Without a doubt, Gothic subculture is a much-tattered subject, being at the centre of both popular mass media with its gossip, consumerism and commercialization, as well as academia with diverse papers debasing, pigeonholing and even defending the subculture. Furthermore, even within the defined, feminist, angle, a thorough analysis of Gothic subculture would require a volume of doctoral dissertation to give the topic justice. This leaves one in a position of either summarizing and reiterating earlier research (a useful endeavour, however, bringing no fresh insight), or striving for a kind of fresh look made possible by the ever-changing eclectic ambivalent nature of the subculture. Current research takes the middle ground approach: touching upon earlier research only where relevant, providing a very general, yet necessary outlook on the contemporary Gothic subculture in its diversity, so as to elucidate its more relevant elements whilst focusing on the ways in which it empowers women. -
Sound Central Festival 2012 - Kabul’S Modern Music Festival
Sound Central Festival 2012 - Kabul’s Modern Music Festival Sound Central Festival is Afghanistan & Central Asia's first regional rock music festival, as well as Afghanistan's first rock festival since Ahmad Zahir's shows in 1975. Last year’s festival was realized in Kabul on the 1st of October, with opening and closing nights in New York, September 15th to October 14th, 2011. Argus Productions created a global buzz with its vision to build solidarity in a non-partisan, non political but simply musical way. Below are the top 10 media hits from the 2011 festival: 1. Rolling Stone, 2. BBC UK, 3. ABC, 4. Reuters, 5. CBS News, 6. BBC UK Newsbeat, 7. France24, 8. The New Yorker, 9. The Guardian,10. MSNBC Last year we were joined by musicians from all over Central Asia and beyond: 2011 Performers. Kabul also hosted workshops by numerous international musicians including: Brian Viglione of The Dresden Dolls (USA) and Acrassicauda (Iraq). Lastly we hosted a week of pre-festival side shows for the Afghan youth. With much attention from the music industry, Argus Productions is now in contact with major international artists and industry for support. To date, twenty-seven International bands from all over the world have expressed interest and applied to participate in this years’ festival. Their genres range from rock to metal, jazz to hip-hop, and more! With the participation of Afghan bands from around the country, SCF12 will hold the main event in a central location. [ie: Institute Francais Afghanistan IFA.] The presence of special guest artists enhances the experience of the world's great music festivals and creates opportunities for cultural exchange. -
Beat Circus Dreamland
What the press has said about: BEAT CIRCUS DREAMLAND (CUNEIFORM, 2008) Lineup: Brian Carpenter (vocals, pump organ, harmonica, trumpet, slide trumpet, toy piano, composition), Ron Caswell (tuba), Käthe Hostetter (violin, viola), Julia Kent (cello), Alec K. Redfearn (accordion, jawharp), Curtis Hasselbring (trombone), Brandon Seabrook (tenor banjo, mandolin, slide guitar), Briggan Krauss (alto, baritone saxophones), Matt McLaren (drums, percussion, washboard) “…the music and the wonderfully well-realized arrangements are, if anything, even better than on the band's debut. This time, Carpenter is working with an expanded version of the band from the first album, including accordionist Alec K. Redfearn and drummer Matt McLaren …and New York alt-folk mainstay Brian Dewan, who provides his trademark electric zither as well as the album's lovely/creepy cover art, and the stylistically varied results make for a wonderfully imaginative record. Instrumental tracks like the opener "Gyp the Blood," and the mad Balkan dance tune "Slavochka" work the same stylistic street as folks like Beirut and A Hawk and a Hacksaw, while the more experimental pop-oriented songs recall the warped imagination of Elephant 6 associated eccentrics the Music Tapes. Fans of any of those acts will find much to love here.” - Stewart Mason, All Music Guide, www.allmusic.com “Dreamland…is proof positive that the concept album did not die with vinyl records and is still very much alive. In fact it is one of the most ambitious and peculiar musical endeavors I’ve ever experienced. … … Dreamland is a swirling maelstrom of theatrical post-cabaret and vaudevillian post-rock jazz. The...collective…create eccentric soundtracks for the equally eccentric stories and bizarre characters that inhabit Dreamland with an exotic array of instruments… …the music…is always a suitable score for Carpenter’s tale of an impoverished, alcoholic gold miner who makes a pact with the devil before fleeing eastward to work in Dreamland’s sideshows. -
THE BARD OBSERVER Ltlilw."I May 3, 2006
N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate. -
Good for Nothing Long Live the Punk Cabaret
Good for Nothing long live the punk cabaret Numero 0 - “Brechtian Punk Cabaret” fanzine italiana sui dresden dolls The Dresden Dolls AA Strange Cabaret Brigade Brechtian Punk Cabaret File Alain Escalle ovvero la computer grafica dipinta “A is for Accident” (2003) sullo schermo “Dresden Dolls” (2004) Esistenzialismo in musica Live Tour (Paris & Padova) Nine Inch Nails Paradise DVD Hotel Phoenix Karaoke Veritè "”””Come il vino giunge alla bocca, l'amore giunge Record 3 - Making Of agli occhi" Web Files Prosa Sul web Brechtian Punk Cabaret? Innanzi tutto complimenti perchè hai questo giornale in mano. Dopodichè non vorremmo annoiarti con troppe chiacchere e convenevoli di circostanza perciò veniamo subito al dunque: questa risma di pagine nere è scritta da volenterosi sparsi su tutta la penisola e ha come collante la passione per il punk cabaret, un genere artistico perfettamente incarnato da una band americana, i Dresden Dolls che attraverso la sua musica, pensiamo, abbia trovato un modo eccezionale di comunicare. E nel secolo delle comunicazioni quale canale è in grado ancora oggi di comunicare le emozioni umane? Praticamente nessuno, ma ogni tentativo in quella direzione per noi rappresenta la passione romantica di un sognatore ancora non inginocchiato dalla precarietà e dal perdere di significato tratto da www.normanno.it portale di informzione online dell’espressività che è proprio dell’umanità. E ciò che si nasconde dietro ad una banale Se pensate che Dresden Dolls sia solo una canzone dei etichetta come Punk Cabaret è esattamente Fall, leggendario gruppo new wave inglese, vi sbagliate di questo, la volontà di rappresentare delle grosso. -
LIETUVOJE ĮGARSINTA KNYGA VISIEMS IR NIEKAM Lietuvos
LIETUVOJE ĮGARSINTA KNYGA VISIEMS IR NIEKAM Lietuvos muzika ir Kūrybos Laisvė: džiazas, rokas ir eksperimentai. Išpažintys, interviu, analizė ir informacija Mindaugas Peleckis Lietuvos Respublika, radikaliai.lt, 2016 TURINYS Vietoje pratarmės. Ir kada gi jūs nustosite groti? Knyga, skatinanti optimizmą: Lietuvos muzika gerėja. Ar tikrai? Išvados Vietoje pratarmės. Ir kada gi jūs nustosite groti? Jei galite negroti, negrokite. Apie tuos, kurie negali, čia kalbėsime. Knyga, skatinanti optimizmą: Lietuvos muzika gerėja. Ar tikrai? Knyga sudaryta atsitiktinai renkantis jau parašytus tekstus. Kai kurie jų buvo publikuoti, o kiti dienos šviesos dar nematė. Knyga kalba apie minties laisvę, kurios esminė išraiška pasaulyje ir Lietuvoje yra menas, šiuo atveju – muzika. Per džiazą, roką ir eksperimentus, skaidant ir klasifikuojant juos pagal mikroerdves bei mikroepochas, knyga leis pajusti Kūrybos Laisvę tiek, kiek tai gali leisti padaryti tekstas. Knyga kalba apie Muziką ir tai, kas šalia jos. Teatrą, vaizdagarsį, garsų rinkimą, garso filosofiją. Knyga man ir tau, jam ir jai, vaikams, jauniems diedams ir seniams, veteranams ir naujokams. Knyga apie Lietuvą be garso ir su garsu. Garsų šukės, garsų kontūrai, garsų spalvos, balta muzika, garsai po smūgio, garsai be scenos, garso vaiduokliai, Lietuvos akustikai... Knyga skirta Kūrybos Laisvei. Nors jos autorius vienas, tačiau žmonių, kuriems norisi padėkoti, labai, labai daug. TEKSTAI Lietuvos kultūros mikroerdvės ir mikroepochos XX–XXI a. Alytus „Mikroerdvės ir mikroepochos“ ketina apžvelgti Lietuvos kultūros mikroerdves ir mikroepochas XX–XXI a. Dažniausiai kalba eis apie muziką, eksperimentinį meną, tačiau visko gali būti, kad nejučiom teks prisiliesti ir prie kitų kultūros aspektų. Kadangi mikroerdvės toli gražu nėra tokios mažos, kaip gali pasirodyti, pradėsiu nuo vienos vieno puikaus Lietuvos miesto grupės. -
Tear It up and Start Again!
www.grapevine.is THE ESSENTIAL GUIDE TO LIFE, TRAVEL & ENTERTAINMENT IN ICELAND IN THE ISSUE Issue 01 • 2011 • January 7 - February 3 + COMPLETE CITY LISTINGS - INSIDE! Tear it up and start again! What happened during the last decade? How can we avoid messing up the new one? : ) Phew. New decade time. This is a joyous occasion, as the one we're leaving behind was by most accounts a failed one (although it did have some awesome bits in between). In our first issue of this shiny new decade, we consult historians, poets, CEOs, authors, politicians, artists, businessfolks, teenagers and seniors alike to try and determine just what happened, and what's in store. The Reykjavík Grapevine Issue 1 — 2011 THE REYKJAVÍK GRAPEVINE Hafnarstræti 15, 101 Reykjavík 2 www.grapevine.is [email protected] Editorial | Haukur S. Magnússon Published by Fröken ehf. www.froken.is Member of the Icelandic Travel Industry Association www.saf.is Printed by Landsprent ehf. in 25.000 copies. EDITOR: Haukur S Magnússon / [email protected] JOURNALIST: Valgerður Þóroddsdóttir / [email protected] HOPE and CHANGE and stuff EDITORIAL: +354 540 3600 / [email protected] ADVERTISING: +354 540 3605 / [email protected] PUBLISHER: Hilmar Steinn Grétarsson / [email protected] I watched the Prime Minister’s address on New +354 540 3601 / [email protected] Year’s Eve. I should not have bothered. There were CONTRIBUTING WRITERS: no surprises. It was Your Standard Prime Minister Eísabet Jökulsdóttir Of Iceland’s New Year’s Address, with no original Jón Baldvin Hannibalsson Ásmundur Ásmundsson thought (nor commentary, nor ideas, nor sign of Eiríkur Örn Norðdahl life) managing to seep through the thick cloak of Sigríður Þorgeirsdóttir mundane mediocrity that Iceland’s government Bart Cameron Kristín Eiríksdóttir seems determined to shroud itself in. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Witamy 25. Wave Gotik Treffen WGT Planner
25. Wave Gotik Treffen Błędy i zmiany są możliwe. Dane z 12.05.2016 SpielplanVersion Witamy 25. Wave Gotik Treffen WGT Planner Ten dokument został utworzony na podstawie informacji dostępnych w momencie tworzenia. Przede wszystkim pochodzą dane obu organizacji zespołu WGT i notatki publiczne wydarzenie. W związku z tym przyjmuje się nie gwarantuje kompletności. Ten Planer WGT jest prosto i jasno określone plan osobistej wizyty WGT. Układ czasowy, to łatwo możliwy do zidentyfikowania pokrywania się i szuka alternatywy. Ale również na drodze ma narzędzie pomocne, bo to jest energii elektrycznej zostaje całkowicie niezależne i/lub Internet i można zaplanować w dowolnym momencie. Za pomocą arkusza programu Excel można tworzyć również swój własny indywidualny plan. W ten sposób ale należy poczekać, aż do ostatecznej wersji planu gry została opublikowana przez WGT... Zmiany są gwarantowane do tego czasu i nawet w wersji planu gry można jeszcze zmienić - nawet do piątku. Plan jest stale aktualizowany i WGT! Nawet po WGT znajdziesz szczegółowy przegląd WGT na http://monkeypress.de! Autor: monkeypress.de Wstępne sprawozdanie WGT: http://bit.ly/WGT2016 Autor: monkeypress.de | Planista mogą być modyfikowane i rozpowszechniane tak długo, jak autor pozostaje widoczna. Licencja: CC-BY-SA 4.0, plan opiera się na publicznie dostępnych informacji dostarczonych przez fala gotyk Treffen.de. 25. Wave Gotik Treffen Błędy i zmiany są możliwe. Dane z 12.05.2016 SpielplanVersion Plan parku na ceremonii otwarcia Autor: monkeypress.de | Planista mogą być modyfikowane i rozpowszechniane tak długo, jak autor pozostaje widoczna. Licencja: CC-BY-SA 4.0, plan opiera się na publicznie dostępnych informacji dostarczonych przez fala gotyk Treffen.de. -
Review Other Publications
University of Puget Sound Sound Ideas LMDA Review Other Publications Winter 2009 Review: The ewN sletter and Journal of Dramaturgy, volume 19, issue 1 Shelley Orr Haviva Avirom Carrie Kaplan Joanne Zipay Lauren Beck See next page for additional authors Follow this and additional works at: http://soundideas.pugetsound.edu/lmdareview Recommended Citation Orr, Shelley; Avirom, Haviva; Kaplan, Carrie; Zipay, Joanne; Beck, Lauren; and Arndt, Neena, "Review: The eN wsletter and Journal of Dramaturgy, volume 19, issue 1" (2009). LMDA Review. 39. http://soundideas.pugetsound.edu/lmdareview/39 This Book is brought to you for free and open access by the Other Publications at Sound Ideas. It has been accepted for inclusion in LMDA Review by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. Authors Shelley Orr, Haviva Avirom, Carrie Kaplan, Joanne Zipay, Lauren Beck, and Neena Arndt This book is available at Sound Ideas: http://soundideas.pugetsound.edu/lmdareview/39 The Newsletter and Journal of Dramaturgy Published by the Literary Managers and Dramaturgs of the Americas Volume 19, Issue 1 Review Winter 2009 2009 CONFERENCE: DATES AND DETAILS 1 Save the Date! 2 Conference Committee and Participating Institutions 3 “Out of Bounds”: Plans and themes for the 2009 Conference DRAMATURGY AND TECHNOLOGY 4 Developing Digiturgy by Haviva Avirom DRAMATURGICAL MANIFESTA 8 I’d Rather Shove a Bodkin in My Nowl or Wear a Bona Roba’s Merkin Than Be That Kind of Dramaturg by Carrie Kaplan RESIDENCY REPORT: Richmond Shakespeare Festival 10 The Better Part of Valour by Joanne Zipay edited by Lauren Beck DRAMATURGY DEBUT ARTICLE 13 Theatre, Tears, and Rock: Dramaturging The Onion Cellar at ART by Neena Arndt I hope the new year finds you healthy and happy. -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
Voltairealmost Human Full Album Zip
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