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First Wso Trumpet Festival Rainer Hersch Returns
NOVEMBER - DECEMBER 2015 I ISSUE 2 FIRST WSO TRUMPET FESTIVAL RAINER HERSCH RETURNS HANDEL’S GLORIOUS MESSIAH wso.ca I 204-949-3999 WSO SPONSORS, FUNDERS AND ACKNOWLEDGEMENTS The WSO proudly acknowledges the ongoing support of the following sponsors, media and funders: COMMUNITY ENGAGEMENT PARTNER EDUCATION & COMMUNITY ENGAGEMENT PROGRAMS IN MEMORY OF PETER D. CURRY POPS KIDS CONCERTS CLASSICS A SERIES SERIES SERIES WSO IN BRANDON POWER SMART HOLIDAY TOUR INDIVIDUAL CONCERTS SOUNDCHECK PROGRAM CANADA DAY AT THE FORKS POPS PRESENTING OFFICIAL RADIO STATION OFFICIAL RADIO STATION MEDIA SPONSOR OF MEDIA PARTNER OF THE POPS SERIES OF THE WSO CLASSICS WSO KIDS CONCERTS PIANO RAFFLE CAR RAFFLE CORPORATE SUSTAINABILITY MATCHING SHARE DONATION CAMPAIGN THE MUSIC Women’s Committee of the Winnipeg Symphony Orchestra FUNDERS November – December 2015 I OVERTURE 1 2 OVERTURE I November – December 2015 MESSAGE FROM THE MUSIC DIRECTOR As the season progresses from the explorations and highs of Mahlerfest, we move to a much-anticipated exploration of the versatility and virtuosity of the trumpet. So many young people learn to play the trumpet and discover the pleasure of performing as a part of bands or ensembles. The guest artists for our series of concerts that feature the trumpet show us the brilliance and extraordinary beauty of this instrument in classical, jazz and pops concerts. If there is a brass player in your family, you will want to make sure that they are able to participate in some of the educational opportunities that surround this series of concerts. The month of December is always an opportunity to add meaning, beauty, entertainment, and inspiration to your holiday celebrations.This December join the WSO in the family classics The Snowman & The Bear, or treat yourself to an evening of high quality fun with Rainer Hersch. -
The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland. -
English Renaissance
1 ENGLISH RENAISSANCE Unit Structure: 1.0 Objectives 1.1 The Historical Overview 1.2 The Elizabethan and Jacobean Ages 1.2.1 Political Peace and Stability 1.2.2 Social Development 1.2.3 Religious Tolerance 1.2.4 Sense and Feeling of Patriotism 1.2.5 Discovery, Exploration and Expansion 1.2.6 Influence of Foreign Fashions 1.2.7 Contradictions and Set of Oppositions 1.3 The Literary Tendencies of the Age 1.3.1 Foreign Influences 1.3.2 Influence of Reformation 1.3.3 Ardent Spirit of Adventure 1.3.4 Abundance of Output 1.4 Elizabethan Poetry 1.4.1 Love Poetry 1.4.2 Patriotic Poetry 1.4.3 Philosophical Poetry 1.4.4 Satirical Poetry 1.4.5 Poets of the Age 1.4.6 Songs and Lyrics in Elizabethan Poetry 1.4.7 Elizabethan Sonnets and Sonneteers 1.5 Elizabethan Prose 1.5.1 Prose in Early Renaissance 1.5.2 The Essay 1.5.3 Character Writers 1.5.4 Religious Prose 1.5.5 Prose Romances 2 1.6 Elizabethan Drama 1.6.1 The University Wits 1.6.2 Dramatic Activity of Shakespeare 1.6.3 Other Playwrights 1.7. Let‘s Sum up 1.8 Important Questions 1.0. OBJECTIVES This unit will make the students aware with: The historical and socio-political knowledge of Elizabethan and Jacobean Ages. Features of the ages. Literary tendencies, literary contributions to the different of genres like poetry, prose and drama. The important writers are introduced with their major works. With this knowledge the students will be able to locate the particular works in the tradition of literature, and again they will study the prescribed texts in the historical background. -
Publish Without Perishing: a Practical Handbook for Academic Authors. INSTITUTION National Education Association, Washington, D.C.; National Writers Union
DOCUMENT RESUME ED 342 021 CS 213 205 AUTHOR Benjaminson, Peter TITLE Publish without Perishing: A Practical Handbook for Academic Authors. INSTITUTION National Education Association, Washington, D.C.; National Writers Union. REPORT NO ISBN-0-8106-1544-4 PUB DATE 92 NOTE 135p.; Reference & Resource Series. AVAILABLE FROM NEA Professional Library. P.O. Box 509, West Haven, CT 06516 (Stock No. 1544-4-00, $16.95). PUB TYPE Guides - Non-Classroom Use (055) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Copyrights7 Faculty Development; *Faculty Publishing; Higher Education; *Publishing Industry; *Publish or Perish Issue; Textbook Publication; *Writing for Publication IDENTIFIERS *Scholarly Writing ABSTRACT Providing a guide to academic authors with a manuscript in hand, this book explains the book publishing process step-by-step and provides examples of the actual experiences (good and bad) of academic authors. Chapters in the book are entitled: (1) It. Doesn't Have to Be This Way;(2) Agents: Can't Live with'Em, Can't Live without'Em;(3) Collaboration: Do You Want to Do It klone, or with Someone Else?;(4) Preparing Proposals;(5) Peer Review: A Long Walk on a Short One?;(6) Advances: It's What's Up Front That Counts; (7) Royalties: The King and Queenmakers;(8) Subventions: You Don't Pay, You Don't Play;(9) Copyright (Right) and Work for 114.re (Wrong); (10) Indexes and :ther Danger,..;(11) Subsidiary Rights: The Biggest Part is Underwater; (12) Dealing with Editors and Other Strangers; (13) Will It Be ±nookstores? Will Anyone Know It's There?; (14) Reprints and Remainderings: There Is Life after Termination; (15) Was It Good for You Too? Do You Want to Do It again? With the Same Publisher?;(16) Don't Fight: Grieve, Arbitrate, or Mediate; and (17) Never Give Up: Publish without Perishing. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Accelerated Reader Quiz List - Reading Practice Page 1 of 261
Accelerated Reader Quiz List - Reading Practice Page 1 of 261 Accelerated Reader Quiz List - Reading Practice Quiz Book Points No. Title Author Level 46456 Come Here, Tiger! Moran, Alex 0.3 0.5 EN 66246 Show and Tell Mayer, Mercer 0.3 0.5 EN 9340 EN Snow Joe Greene, Carol 0.3 0.5 41850 Clifford Makes a Friend Bridwell, Norman 0.4 0.5 EN 58042 I Can Read, Too: Book #9 Sargent, Dave/Pat 0.4 0.5 EN 66204 My Trip to the Zoo Mayer, Mercer 0.4 0.5 EN 9334 EN Please, Wind? Greene, Carol 0.4 0.5 9353 EN Birthday Car, The Hillert, Margaret 0.5 0.5 66200 Country Fair Mayer, Mercer 0.5 0.5 EN 64100 EN Daniel's Pet Ada, Alma Flor 0.5 0.5 49483 Down on the Farm Lascaro, Rita 0.5 0.5 EN 9314 EN Hi, Clouds Greene, Carol 0.5 0.5 9382 EN Little Runaway, The Hillert, Margaret 0.5 0.5 31542 Mine's the Best Bonsall, Crosby 0.5 0.5 EN 35665 What Day Is It? Trimble, Patti 0.5 0.5 EN 66242 Beach Day Mayer, Mercer 0.6 0.5 EN 72887 Cat Who Barked, The Sargent, Dave 0.6 0.5 EN 42150 EN Don't Cut My Hair! Wilhelm, Hans 0.6 0.5 9018 EN Foot Book, The Seuss, Dr. 0.6 0.5 9364 EN Funny Baby, The Hillert, Margaret 0.6 0.5 72885 Little Big Cat Sargent, Dave 0.6 0.5 EN 9383 EN Magic Beans, The Hillert, Margaret 0.6 0.5 3051 EN My Dog's the Best! Calmenson, Stephanie 0.6 0.5 9391 EN Three Bears, The Hillert, Margaret 0.6 0.5 9392 EN Three Goats, The Hillert, Margaret 0.6 0.5 9393 EN Three Little Pigs, The Hillert, Margaret 0.6 0.5 https://c.na6.content.force.com/servlet/servlet.FileDownload?file=00P8000000BHUWr 2/ 22/ 2012 Accelerated Reader Quiz List - Reading Practice -
Romantic Comedy-A Critical and Creative Enactment 15Oct19
Romantic comedy: a critical and creative enactment by Toni Leigh Jordan B.Sc., Dip. A. Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University June, 2019 Table of Contents Abstract ii Acknowledgements iii Dedication iv Exegesis 1 Introduction 2 The Denier 15 Trysts and Turbulence 41 You’ve Got Influences 73 Conclusion 109 Works cited 112 Creative Artefact 123 Addition 124 Fall Girl 177 Our Tiny, Useless Hearts 259 Abstract For this thesis, I have written an exegetic complement to my published novels using innovative methodologies involving parody and fictocriticism to creatively engage with three iconic writers in order to explore issues of genre participation. Despite their different forms and eras, my subjects—the French playwright Molière (1622-1673), the English novelist Jane Austen (1775-1817), and the American screenwriter Nora Ephron (1941-2012)—arguably participate in the romantic comedy genre, and my analysis of their work seeks to reveal both genre mechanics and the nature of sociocultural evaluation. I suggest that Molière did indeed participate in the romantic comedy genre, and it is both gender politics and the high cultural prestige of his work (and the low cultural prestige of romantic comedy) that prevents this classification. I also suggest that popular interpretations of Austen’s work are driven by romanticised analysis (inseparable from popular culture), rather than the values implicit in the work, and that Ephron’s clever and conscious use of postmodern techniques is frequently overlooked. Further, my exegesis shows how parody provides a productive methodology for critically exploring genre, and an appropriate one, given that genre involves repetition—or parody—of conventions and their relationship to form. -
A Bibliography of Publications in Computer Graphics World
A Bibliography of Publications in Computer Graphics World Nelson H. F. Beebe University of Utah Department of Mathematics, 110 LCB 155 S 1400 E RM 233 Salt Lake City, UT 84112-0090 USA Tel: +1 801 581 5254 FAX: +1 801 581 4148 E-mail: [email protected], [email protected], [email protected] (Internet) WWW URL: http://www.math.utah.edu/~beebe/ 21 June 2011 Version 1.18 Title word cross-reference 76 [Ano91b]. '90s [Rob93g]. '92 [Ano92-38]. '95 [Doy95]. '96 [Ano95-60]. 97 [Ano97-45]. 97/ FastSOLID [Ano97-37]. 98 [Ano98-47]. 1- [Tuc96]. 1.1 [Ano98-48]. 16-bit [Ano95-28]. A-h-h-h-h [Rob98h]. A/V [Har96a]. ABC [Spr94]. ABCs [Emm91c]. 2.0 [Gra96]. 21-inch [Ano95-29]. ability [Rob94a]. able [Coh96]. 2D [Coc95f, Mac90a]. 2nd [Ano96n]. Accelerating [Sch95a, Sch95b]. acceleration [Rob96d]. accelerator [Cla96]. 3.0 [Ano97-40]. 3.1 [Ano98-49]. accelerators [Coc95a, Ano95-34]. 3.5 [Ano97-44]. 3000 [Ano91-32]. acceptance [Rob94a]. 3D [Ano95-48, Coc95b, Ano90f, Rob90f]. accommodate [Pot97a]. 3D. [Ano98q]. 3D/Eye [Ano95-38]. According [Mah95c]. achieve [Emm94]. Achieving [Pot96a]. ACIS [Por95b]. 4.1 [Ano97-47]. 4.5 [Ano98-45]. Across [Sor90a]. Act [Rob94a]. 4D [Ano97-37]. Action [Mor93]. action-adventure [Rob96c]. 5 [Ano97-57]. 5.0 [Ano96-53]. 1 2 activity [RR97]. actual [Phi96e]. Photo [Ano90f]. Animation/ ADAMS [Ano95-52]. ADAMS/ Photo-Realism [Ano90f]. [Ano95-52]. Adding [Ano98q]. animations [Ano95-60, Phi95e]. addresses [Ano96-69]. Adds [Ano90n]. animator [Mah95c, Ano96-28]. adept [Pot96d]. adhered [Phi95e]. animators [Cra94]. Anime [Sav98]. Adobe [Ano96-50]. advance [Phi97e]. announced [Pot96e]. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 8-10-2006 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2006). The George-Anne. 3134. https://digitalcommons.georgiasouthern.edu/george-anne/3134 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Survival tips for new GSU students l NEWS,P.3A Studies claim that coffee cures I BRIEF, p. SA George-Anne staff goals: Who's it going to be? we pledge our loyalty to you [ Zach Stafford is among the quarterbacks Volume 79 Number 20 I OPINION, p. 4A who hope to start the first game I SPORTS, p. 8A George Anne - 08/10/2006 DAiL^eCEIVED *GrgeAn08102006 1 Hour Reserve (In Libraryiry Use Only) I ^^ ^^ AUG 1 0 2006 HENDERSON LIBRARY VjJJWINXJn!s~\r\JN JN r, GEORGIA SOUTHERN THE UNIVERSITY THURSDAY, AUGUST io, 2006 'ShuttleGus' aims to keep students safe LCfgKMG Two GSU students develop a safe rides program for Statesboro, hoping to keep students from driving home drunk from the bars By Jenny Miller fall 2005.. and the University of Georgia's safe for our country and our community, Assistant news editor Matt Jones, a graduate student, rides program called Watch Dawgs. -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
Jerome Lawrence & Robert Edwin Lee Jerry Herman
Artistic Director Bruce Miller Managing Director Phil Whiteway BOOK BY JEROME LAWRENCE & ROBERT EDWIN LEE MUSIC AND LYRICS BY JERRY HERMAN Based on the novel by PATRICK DENNIS and the play “Auntie Mame” by LAWRENCE & LEE Dance and Musical numbers for the Broadway production staged by ONNA WHITE, and Directed by GENE SAKS Produced for the New York Stage by FRYER, CARR & HARRIS STAGE MANAGEMENT Christi B. Spann* SOUND DESIGN SET DESIGN LIGHT DESIGN COSTUME DESIGN Derek Dumais Ron Keller+ Lynne M. Hartman+ Sue Griffin ASSOCIATE CHOREOGRAPHER Brad Willcuts MUSIC DIRECTOR John Winn DIRECTOR/CHOREOGRAPHER Patti D’Beck^ Season Sponsors: Additional Support provided by: Funding for musicians provided by The Windsor Foundation CAST (in order of appearance) SONGS Young Patrick ���������������������������������������������������������������������������������������������������������Brandon McKinney ACT ONE Agnes ��������������������������������������������������������������������������������������������������������������������������������Audra Honaker St. Bridget ................................................................................................. Young Patrick and Agnes Vera �������������������������������������������������������������������������������������������������������������������Desiree Roots Centéio* It’s Today .............................................................................................................................Mame and All Mame ����������������������������������������������������������������������������������������������������������������������������������Emily -
Fall/Winter 2009
FALL/WINTER 2009 Class of 1941 should make the trip . She, too, asked to be Betty Franklin Van Yahres 1949 News Agent: Martha Whelan Murphy , MWMdi - remembered by all. Her address is: 306 Pinney has moved into a retire - [email protected] (330) 759-1865, 1393 Virginia Trail, Drive, Worthington, OH 43085-3839…. Gr ace ment home and the last Youngstown, OH 44505-1642 Goess Donovan cited health problems as time I talked with her keeping her from being with us. She wished (which was some time age Greetings members of the 1941 class. As our num - she could have made the trip but said to give ago) she was very happy bers wane so also do the “newsy notes .” More all her best regards. Her address is: 71 Home with her living quarters. I often than I had expected, telephones have been St. , Malverne, NY 11565-1822… . Miriam was unable to reach her disconnected and so my lines of communication are 1939 Jacobs , I had a long chat with Mimi. (She said by phone…. Irene O'Brien gradually becoming fewer. Please know that I I was the “first” person to call her “Mimi” is still driving and making have tried to reach many of you but was unsuc - Eleanor Schumacher Davis since the day she first reported for work. Her visits up to Seton Hill to Row 1: Vincenette Rangatore Losasso, Loretta Juhas, Doris Nickum DeForest, Natalie Carbone Mangini, cessful. To those I did reach I thank you for chat - Boss told her that nicknames were not used there.) She’s visit the nuns.