University of Dayton eCommons Honors Theses University Honors Program 4-2018 When Feminism Meets Hip-Hop Kylie Thompson University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses Part of the English Language and Literature Commons eCommons Citation Thompson, Kylie, "When Feminism Meets Hip-Hop" (2018). Honors Theses. 192. https://ecommons.udayton.edu/uhp_theses/192 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact
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[email protected]. When Feminism Meets Hip-Hop Honors Thesis Kylie Thompson Department: English Advisor: Thomas Morgan, Ph.D. April 2018 When Feminism Meets Hip-Hop Honors Thesis Kylie Thompson Department: English Advisor: Thomas Morgan, Ph.D. April 2018 Abstract This paper was conceived from an interest to apply my understanding of race and gender to a genre I love: hip-hop. Hip-hop began as a socio-political genre and as a means of advocacy via its ability to mobilize listeners toward social change. As hip-hop became more popular, its recognizable features were taken and appropriated for mass production and consumption, applying economic pressure to severely obstruct its original purpose and function. Yet, hip-hop continues to lay claim to being an important artistic genre through artists’ innovative adaptation of form and the presence of deeper political critiques. While these social critiques have predominantly focused on matters of race and class, a long-standing history of feminist challenges exists within hip-hop as well.