Swedish Film: #3 New Docs 2019
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Aug 24, 2015 Orientation
CampusMONDAY, AUGUST 24, 2015 / ORIENTATION ISSUE Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Welcome Class of 2019! ‘SCIENCE GUY’ AUTUMN HOT THE FRESHMAN INSIDE TO COME TO UR SPOTS SPORTS EXPERIENCE Bill Nye will be coming to A new freshman’s guide to Freshmen varsity athletes move Rochester for Yellowjacket the best places to visit in in early, getting a unique first THIS CT Weekend. Rochester—on campus and off. look at campus. PAGE 3 NEWS PAGE 5 FEATURES PAGE 11 SPORTS PAGE 2 / campustimes.org ADVERTISEMENT / MONDAY, AUGUST 24, 2015 MONDAY, AUGUST 24, 2015 / NEWS campustimes.org / PAGE 3 Photonics institute to New building lays foundation for be headquarted in Data Science at UR downtown Rochester BY ANGELA LAI NEWS EDITOR research project that will be part of the connection between artificial BY SAM PASSANISI their course work for their degree.” intelligence and neuroscience. NEWS EDITOR a statement that the institute’s On the first day of classes, Aug. Kautz added that the Institute While the Data Science program headquarters would be located in 31, construction workers will begin is working on providing “more emphasizes graduate education, its After almost a year of deliberation, the Legacy Tower, formerly the laying the foundation for Wegmans support and organization for classes and research projects will Rochester was announced in headquarters of Bausch + Lomb. In Hall, the planned 58,000-square students’ internships,” with plans also involve undergraduates. Kautz July as the headquarters for response to Liehr’s statement, UR foot building which will house for an industrial affiliates fair in the foresees “a lot more opportunities the federal government’s new President Joel Seligman, Wegmans the Goergen Institute for Data winter where students interested in for student research” in general. -
Exploring Queer Expressions in Mens Underwear Through Post Internet Aesthetic As Vaporwave
Mens underwear :Exploring queer expressions in mens underwear through post internet aesthetic as Vaporwave. Master in fashion design Mario Eurenius 2018.6.09. 1. Abstract This work explores norms of dress design by the use of post internet aesthetics in mens underwear. The exploration of underwear is based on methods formed to create a wider concept of how mens underwear could look like regarding shape, color, material and details. Explorations of stereotypical and significant elements of underwear such as graphics and logotypes has been reworked to create a graphical identity bound to a brand. This is made to contextualize the work aiming to present new options and variety in mens underwear rather than stating examples using symbols or stereotypic elements. In the making of the examples for this work the process goes front and back from digital to physical using different media to create compositions of color, graphic designs and outlines using transfer printer, digital print, and laser cutting machine. Key words: Mens underwear, graphic, colour, norm, identity, post internet, laser cut. P: P: 2 Introduction to the field 3 Method 15 What is underwear? 39 Shape, Rough draping Historical perspective 17 Male underwear and nudity 41 From un-dressed to dressed 18 Graphics in fashion and textiles 42 Illustrator sketching 19 Differencesin type and categories of mensunderwear 43 shape grapich design 2,1 Background 3.1 Developement 45 collection of pictures 49 Colour 20 Vaporwave 50 Rough draping Japanese culture 21 Mucis 55 Rough draping 2 22 -
Dhruva Krishna 5 I N 13 14 T H I S 19 20 Issue 24
March 2016 DHRUVA KRISHNA 5 I N 13 14 T H I S 19 20 ISSUE 24 2 Letter from the Editor Concert Reviews Essays Mixtape Dhruva Krishna Album Reviews 3 MASTHEAD Editor-in-Chief Arun Marsten Assistant Editor Imogen Todd Design/Layout Director Sharon Yu Photo Editor Lucy Denegre Copy Director Danielle Maly Public Relations Chief Donovan Powers Web Editor Christopher Schuler Writing Staff Brooke Ley, David Dwyer, Ali Kidwai, Evi Bernitsas, Donovan Powers, Chris Schuler, Dhruva Krishna, Andrew Kim, Arun Marsten, Lucy Denegre, Imogen Todd Photo Staff Mark Egge, Katherine Martinez, Tiffany Jiang, Lucy Denegre Editing Staff Chris Schuler, Daniel DeLuca, Danielle Maly, Julie Heming, Emily Porat, Naomi Berman, Justin Kelly, Charles Hutchinson, Geneva Jackson, Vicki Long, Sonia Del Rivo, Lawrence Xu, Izzy McCarthy Design Staff Jasmine Lim, Emily Porat, Allison Auyeung, David Perry, Imogen Todd 4 LETTER FROM THE EDITOR Right now, I’m sitting at Commonplace locals (this is why we can’t have nice things). freezing my ass off while I write this letter, and I honestly can’t tell if my teeth are chattering In the field of music journalism, there are some or I’m gritting them because I’m furious that tough questions that get asked, and there are this is the Steel City’s idea of April. You’d think some dirty jobs that no one wants to do. That’s that between Hillary Clinton coming to CMU why I feel it’s important to give a special shout and someone painting “Donald Trump 2016” out to Brooke Ley, who took on the task of on the fence, all of the political heat on campus writing about why pop country has gotten a would help offset the snowy weather, but I’m reputation in recent years of being trash music still #feelingthebern of frozen fingers on my for garbage people. -
Download Catalogue 2009
:: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: TEMPS D’IMAGES PRÉMIO DE CINEMA para FILMES SOBRE ARTE 2009 TEMPS D’IMAGES FILM AWARD for FILMES ON ART 2009 13 > 15 NOV 4 sessões diárias | 4 daily sessions 14h00 > 22h00 [Sexta-feira|Friday] 11h30 > 21h00 [Sab + Dom|Sat + Sun] MUSEU COLECÇÃO BERARDO [Sala Polivalente] Praça do Império, 1449-003 LISBOA / PORTUGAL :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: TEMPS D’IMAGES/RTP2 PRÉMIO DE AUDIÊNCIA para FILMES SOBRE ARTE 2009 TEMPS D’IMAGES/RTP2 AUDIENCE AWARD for FILMS ON ART 2009 1ª ou 2ª semana | 1st or 2nd week NOV| 00h30 Antenas de emissão | Television RTP2 com voto público! with public voting! Vote em arte! Vote for art! | 1 2 | Fotografia / Photo: Uwe Rachow 2009 QUE SONHOS RESTAM? WHAT DREAMS ARE LEFT? Eis a questão que a todos move e comove – This question moves us all - o estudante que procura descobrir o móbil da vida the student who seeks to discover reasons in life apart além das promessas consumistas, from consumption promises, o cientista que gostaria de conhecer a origem da the scientist who somehow likes to know the origin of sua criatividade, his creativity, o amante de arte que lastima parecer a arte tão feia the art lover who regrets that art seems so ugly hoje em dia, nowadays, o industrial que busca ideias alheias ao lucro, the industrialist who is in search of ideas different from o artista cansado de sentir a solidão do seu that of more profit, universo mental, the artist who is tired of feeling alone in his mental o filósofo que quer viver o que não -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
SWIM K-6 IGNITE Welcome to the 30Th Issue of the Oxley College Fortnightly Magazine
MAGAZINE PIN OAK ISSUE 30: TERM 1, MARCH 4, 2016 Welcome to the 30th issue of the Oxley College fortnightly magazine. IGNITE SWIM K-6 Contents 3 Headmaster’s Report 4 Big Issue 5 Films, Music, Books 6 K - 6 News 7 More K-6 YEAR 8 MEDIEVAL FEAST 8 Feature Article 10 Deputy Head Reports 11 In the Spotlight 12 MAD 13 On the Branch 14 Gallery 15 Calendar 16 Sport Pin Oak Team Editors in Chief Kaarina Allen, Cate Patterson, Heidi Bevan and Isabella Knowles Student Editorial Team Ella Moran, Jemima Taylor, Izzy Moore, Tom Hill Sports Editors Charlie Dummer, Ted Otavaino Student Photographers Olivia Donovan, Catriona Uliana and George Simpson Head Designers Emma Croker, Grace Patterson and Lachlan Billington- Phillips Design Assistants Savannah Sandilands, Bree Feary, Cameron Grice, Tom Whyte, Holly Jefford, Catriona Uliana Head of Marketing and PR Emma Calver Staff Editor Beattie Lanser Oxley College Railway Road, Burradoo, NSW, 2576. Ph: 4861 1366 [email protected] 02 HEADMASTER’S REPORT Last week I spent four days in Botswana making a relationship personable people many of whom would work well at Oxley. with two schools- Sedie Junior School and Mathibe Primary There is a decent hotel 700 metres away. School (they are on the same site). I am confident we can At the same time there are real challenges. Many of the ‘twin’ with them. They are safe, vibrant, in-need schools to students walk five or six kilometres a day to and from school which we can contribute and from whom we can learn a lot. -
2014 Års O´Neill-Pris Går Till Thérèse Brunnander
Pressmeddelande från Dramaten torsdagen 16 oktober 2014 2014 års O´Neill-pris går till Thérèse Brunnander Priset ska enligt Eugene O´Neill tilldelas ”högt förtjänta artister på Dramaten”. Vid en prisutdelning på Dramaten i dag kl 15.45 delades det ut till skådespelaren Thérèse Brunnander, just nu aktuell Jonas Hassen Khemiris nyskrivna ≈ [ungefär lika med] med urpremiär den 23 oktober. Prissumman är 35 000 kr. Motivering ”Märkvärdigt är det att kunna förena en sådan lugn koncentration och närvaro med en sådan oberäknelig snabbhet och rörlighet! Hur går det till? Det vet hon bara själv, längst inne i sitt skådespelarhjärta. Och publiken har lyckan att känna sig både trygg och häpen när hon är på scenen. Hennes skådespeleri är mjukt lyssnande, nyansrikt och uppmärksamt, och samtidigt finns där en fantastisk och egensinnig humor med vassaste udd, och ett ytterst utvecklat sinne för det dråpligt absurda. Hon viskar i vårt öra: - Se upp där du går, allting kan vara på ett helt annat sätt än du tror… Hon påminner oss om de inre sambanden mellan musikalitet och skådespeleri. Om att ett ord inte bara är ett ord, utan en hel värld som håller på att bli till, innan den löses upp igen. Den beständiga flyktigheten vet hon också mycket om, längst inne i sitt skådespelarhjärta. Thérèse Brunnander.” – Marie-Louise Ekman Kort om Thérèse Brunnander Thérèse Brunnander (f. 1963) har sedan 1992 varit knuten till Dramaten. Hon tillhör teaterns fasta ensemble och har nära 50 roller bakom sig. Utbildad vid Teaterhögskolan i Stockholm 1987-1990. Därefter arbetade hon vid Boulevardteatern i Kristianstad samt Folkteatern i Gävleborg. -
Ingmar Bergman Woche Im Abc Kino 12.07
INGMAR BERGMAN WOCHE IM ABC KINO 12.07. – 18.07.2018 PERSONA – 100 Jahre Ingmar Bergman Do.,12.7.17:15/21:15 ABC SE 1966 – 85 Min – Mit Bibi Andersson, Liv Ullmann Liv Ullmanns Debüt bei Bergman. Sie spielt eine Bühnenschauspielerin, die beschließt, nicht mehr zu sprechen. „PERSONA entspringt einer persönlichen Erfahrung, einer Art von Wahrheitskrise. Ich dachte stets, die einzige Form von Wahrheit ist einfach Schweigen.“ (Ingmar Bergman) DAS SCHWEIGEN – 100 Jahre Ingmar Bergman Fr.,13.7.:17:15/21:15 ABC SE 1963 – 91 Min – Mit Ingrid Thulin, Gunnel Lindblom, Birger Malmstem Unzensiert und mit dem Prädikat „besonders wertvoll“ kam Bergmans freizügiges Drama über die sexuelle Liebe zweier Schwestern 1964 in die Kinos der Bundesrepublik. Der Skandal folgte prompt, aber auch ein unglaublicher Kassenerfolg. WILDE ERDBEEREN – 100 Jahre Ingmar Bergman Sa.,14.7.:17:15/21:15 ABC SE 1957 – 91 Min – Mit Bibi Andersson, Victor Sjöström, Ingrid Thulin Der Professor Isak Borg lebt nach dem Tod seiner Frau allein mit einer mürrischen alten Haushälterin. Nun hat seine Schwiegertochter bei ihm Zuflucht gesucht nach einem Streit mit ihrem Ehemann. In der Nacht träumt Professor Borg, wie er sich in einer geisterhaften Stadt verirrt und seinem eigenen Leichnam begegnet. Doch dann erinnert er sich an seine erste große Liebe: die wilden Erdbeeren HERBSTSONATE – 100 Jahre Ingmar Bergman So.,15.7.:17:15 ABC SE 1978 – 90 Min – Mit Ingrid Bergman, Liv Ullmann, Lena Nyman Jahrelang hat die gefeierte Star-Pianistin Charlotte Andergast (Ingrid Bergman) ihre Kinder für ihre Karriere vernachlässigt. Nun will sie sich mit ihrer ältesten Tochter Eva (Liv Ullmann) versöhnen und stattet ihr und ihrem Ehemann einen Besuch ab, voller Hoffnung, dass sich so etwas wie ein normal-familiäres Verhältnis wiederaufbauen lässt. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Vaporwave: Microculturas Artísticas Na Era Da Internet
Universidade de Brasília Faculdade de Comunicação Departamento de Audiovisual e Publicidade Trabalho de Conclusão de Curso em Publicidade e Propaganda Orientadora: Isabella Lara Oliveira Vaporwave: Microculturas artísticas na era da internet. Caio Roberto Costa Caldas 14/0055983 Brasília - DF 1/2018 Universidade de Brasília Faculdade de Comunicação Departamento de Audiovisual e Publicidade Trabalho de Conclusão de Curso em Publicidade e Propaganda Vaporwave: Microculturas artísticas na era da internet. Caio Roberto Costa Caldas Monografia apresentada como pré-requisito para obtenção do grau de Bacharel em Comunicação Social do curso de Publicidade e Propaganda, da Faculdade de Comunicação, Universidade de Brasília, tendo como orientadora a professora Isabella de Oliveira Lara. Brasília - DF 1/2018 1 Universidade de Brasília Faculdade de Comunicação Departamento de Audiovisual e Publicidade Trabalho de Conclusão de Curso em Publicidade e Propaganda Caio Roberto Costa Caldas - 14/0055983 Banca Examinadora ____________________________________ Professora Isabella Lara Oliveira (Orientadora) ____________________________________ Professor Wagner Antônio Rizzo (Examinador) ____________________________________ Professor Rafael Dietzsch (Examinador) ____________________________________ Professora Selma Regina Nunes Oliveira (Examinadora suplente) 2 “A teoria e cultura pós-modernas celebram o fim da história e, de certa forma, o fim da razão, renunciando a nossa capacidade de entender e encontrar sentido até no que não tem sentido.” Manuel Castells, -
Hungary and the Holocaust Confrontation with the Past
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Hungary and the Holocaust Confrontation with the Past Symposium Proceedings W A S H I N G T O N , D. C. Hungary and the Holocaust Confrontation with the Past Symposium Proceedings CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2001 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. Third printing, March 2004 Copyright © 2001 by Rabbi Laszlo Berkowits, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Randolph L. Braham, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Tim Cole, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by István Deák, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Eva Hevesi Ehrlich, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Charles Fenyvesi; Copyright © 2001 by Paul Hanebrink, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by Albert Lichtmann, assigned to the United States Holocaust Memorial Museum; Copyright © 2001 by George S. Pick, assigned to the United States Holocaust Memorial Museum In Charles Fenyvesi's contribution “The World that Was Lost,” four stanzas from Czeslaw Milosz's poem “Dedication” are reprinted with the permission of the author. Contents -
Book Reviews
10.1515/nor-2017-0406 Nordicom Review 38 (2017) 1, pp. 127-135 Book Reviews Editors: Ragnhild Mølster & Maarit Jaakkola Martin Eide, Helle Sjøvaag & Leif Ove Larsen (eds.) Journalism Re-Examined: Digital Challenges and Professional Orientation (Lessons from Northern Europe) Intellect Ltd., 2016, 215 p. The question of a sustainable path for journal- because of its institutional nature. Chapter ism has been the subject of interest for many 5 by Jan Fredrik Hovden is a good example observers, both in the Nordic countries and of this. Despite many changes in the market beyond. The book Journalism Re-Examined and working conditions, the values of inves- presents a number of well-researched and em- tigative journalism persist and they are even pirically enlightening case studies that show becoming more influential. Hovden’s impres- the depth and variety of the journalistic pro- sive systematic approach and large amount of fession, which is a helpful invitation to think quantitative data from surveys with Nordic about the topic in terms of institutional theory journalism students from 2005-2012 enable and to see journalism as an institution or field, him to conclude that ‘the slimming down of and thus more than a mere profession. the multifaceted task for journalist in modern Two of the editors, Martin Eide and Helle society is ambiguous not only in its causes Sjøvaag, set out the new institutionalist theo- but also in its consequences’. This he sees in retical framework, which they propose as a terms of increased specialisation and as an helpful tool to analyse the challenges facing example of the re-orientations of journalism journalism in a digital age.