2014 COMMUNITY OUTREACH TICKETS RECIPIENTS 100 Black

Total Page:16

File Type:pdf, Size:1020Kb

2014 COMMUNITY OUTREACH TICKETS RECIPIENTS 100 Black 2014 COMMUNITY OUTREACH TICKETS RECIPIENTS 100 Black Men of Metro New Orleans 12th Ward S O C O Senior Center A Desire For Change Acquired Brain Injury Survivors of SELA Acts of Kindess Community Center Adult Education Program at Delgado Community College Advocacy Center African American Cultural Institute of New Orleans, INC. Algiers Technology Academy All Souls Episcopal Church & Community Center Alpha Daughters of Zion Organization Alpha Psi Omega American Heart Association Arc of Greater New Orleans Armed Forces Retirement Home Gulfport Armstrong Family Services Arthur Monday Senior Center Arts Council of Greater Baton Rouge Arts Council of New Orleans ArtSpot Productions Asante Foundation Associated Neighborhood Development AVODAH: The Jewish Service Corps Avondale Church of God in Christ B.W. Cooper/ Marrero Commons BackStreet Cultural Musuem Ballplayers United Bard Early College in New Orleans Bayou District Foundation Bayou Region Youth Advocate Programs Beacon Light Foundation of Hammond Beacon Light of Houma Beautiful Zion Baptist Church Beecher Memorial Quilt Group Beecher Memorial United Church of Christ Bethel Lutheran Church beyondNOLA Black Bag Medicine Foundation Blessed Scarament-St. Joan of arc roman catholic church Blessed Trinity Catholic Church Boys Hope Girls Hope of Greater New Orleans Bridge House / Grace House BROTHERHOOD, INC Buena Vista Missionary Baptist Church Building A Better 2morrow Bunny Friend Neighborhood Association, Inc. C.J Peete Resident Council 2014 COMMUNITY OUTREACH TICKETS RECIPIENTS Carrollton Avenue Church of Christ Carver Desire B.C. Carville Job Corpse Center Center for Hope Children and Family Services Central City Economic Opportunity Corporation Central City Housing Development Corporation Central City Partnership Inc Chapel of the Holy Comforter Chastity Challenge for Teens Che' It's All About You Cheffen Wilson Milton Foundation Children's Bureau of New Orleans Christian Unity Baptist Church Christopher Homes, Inc. Coats for Kids Common Ground Health Clinic Community Center of St Bernard Community Church Unitarian Universalist Community Mediation Services Community Service Center Inc. Community Works of Louisiana, Inc. Concerned Citizens For A Better Algiers Congo Square Preservation Society Corinne Missionary Baptist Church Corinthian Missionary Baptist Church CORPUS CHRISTI-EPIPHANY CATHOLIC CHURCH Covenant House New Orleans Creole Genealogical and Historical Association, Inc. Crescent City Athletics Youth Development Organization Crescent City Creative and Performing Arts Orginization Crescent City Lights Youth Theater Criminal Justice/Psychology Program (Mentoring Club) Crossroads La. Inc. CubaNOLA Arts Collective Culu Children's Traditional African Dance Company DAP Ministeries Daughters of Charity Services of New Orleans DeSaix Area Neighborhood Association (D.A.N.A.) Desire Community Housing Corp Dew Drop Inn Foundation Dillard University Dillard University : Ciel Program Dillard University Student Support Services: Health Sciences Dillard University: Student Support Services Directed Initiatives for Youth, Inc. dBA Excite All Stars Disabled American Veterans LA #23 Westbank, Westwego, Louisiana District 2 Community Enhancement Corporation 2014 COMMUNITY OUTREACH TICKETS RECIPIENTS Dr. M. W. McCaleb Educational Fund, Inc. Dream City Foundation Drop-In Center Dryades YMCA Easter Seals Louisiana Eden House Education of Children & Youth in Transition Homeless Program Educational Opportunity Center Educational Talent Search Program (TRIO) Southern University at New Orleans Efforts of Grace, Inc./ Ashe Cultural Center Eleanor McMain Secondary School Eleanor McMain Secondary School Choir "Singing Mustangs" Employment Assistance Services, Inc. Esplanade Ridge Treme Civic Association EXCELth, Inc. F R DOUBLE E OUTREACH MINISTRY Faces of Culture, Inc. Families and Friends of Louisiana's Incarcerated Children Family Advocacy and Neighborhood Services, Inc.(FANS) Family Resources of New Orleans Family Service of Greater New Orleans Ferdinand Learning Center Fifteen Four Foundation Fifty-Five and Faster Senior Club First Baptist Church, Westwego First Emanuel Baptist Church First Evangelist Housing and Community Development Corporation First Grace Community Alliance First Pilgrims Baptist Church First Presbyterian Church - Program of Hope Homeless Ministry Fleur de Lis Healthcare Institute Franklin Avenue Baptist Church Franklinton Association for Challenged Citizens Freddie Marshall Educational Foundation FRIENDS OF KING SCHOOL DISTRICT Friends of King School District Friendship Baptist Church Galilee Baptist Church Gentilly Festival In Gert Town Community Development Center Gert Town Enterprise Economic Redevelopment Inc Girls First Giving Back To The 'Hood, Inc Global Green USA New Orleans Office and Resource Center GNO Foster & Adoptive Parent Assoc Golden Hearts Senior Club Goldman Office of Disability Services, Tulane University 2014 COMMUNITY OUTREACH TICKETS RECIPIENTS Goodwill Industries of Southeastern Louisiana Gospel Now Grace Outreach Center Greater Galilee Baptist Church Greater New Orleans Fair Housing Action Center Greater New Orleans Muscular Dystrophy Association GRoW (Great Resources Where Y'At Gulf Coast Housing & Development Coerporation Gulf Coast Housing Partnership Gulf Coast Social Services Guste Homes Residents Managment Corporation Hammond Area Weed & Seed Harmony House Senior Center Harmony Neighborhood Development Healthy Start New Orleans Heart 2 Heart Family Worship Center Helen Cox High School Special Education Department Hike for KaTREEna Historic Faubourg Treme Association Historic Treme Cultural Alliance, Inc. Holistic Concepts Holy Cross Lutheran Church Hope For Haitian Children Foundation, Inc HOPE The Premier Way, Inc. Hosanna Fellowship Church of Gretna House of Faith Non-Denomination Ministries House of Healing Outreach Church Household of Faith FWCI Housing Authority of New Orleans HRI Community Resources, Inc. (HCR) Human Rights Law Center of LA, Inc. (Non-profit) Humanitas Huntington Hope and Faith Foundation for Terminally Ill Children InnO'vations for Humanity/AJAR, Inc Institute of Women & Ethnic Studies Intensive English Language Program, University of New Orleans International High School of New Orleans International House of Blues Foundation, Inc. Israel Baptist Church J&K Hope Center Jazz Hip Hop Orchestra Jerusalem Church of God in Christ Junebug Productions, Inc. Juvenile Justice Project of Louisiana("JJPL") Juvenile Regional Services dba Louisiana Center for Children's Rights Kedile Family Learning Center Kenilworth Scienace and Technology Charter School 2014 COMMUNITY OUTREACH TICKETS RECIPIENTS Key Homeschool Association KID smART Kids Rethink New Orleans Schools Kingsley House, Inc. L. B. Landry Alumni Association Lakeview Shepherd Center Landry-Walker High School Latino Center Latino Farmers Cooperative of Louisiana, Inc. Leona Tate Foundation for Change, Inc. Liberty Foundation, Inc. Liberty's Kitchen, Inc. Lindy's Place, Inc. Lionman Foundation, Inc. Little Zion Baptist Church Little Zion BC#3 Living Water Baptist Church Locker 10 Room, Inc. Louisiana Bucket Brigade Louisiana Community Aids Research Program Louisiana Community and Economic Resources Network (LECERN) Louisiana Creole Research Association Louisiana Delta Service Corps Louisiana Organ Procurement Agency Love in Action Outreach Lovetouch Ministries Loving Four Baptist Tabernacle Lower 9th Ward Center for Sustainable Engagement and Development Lower Algiers Senior Center Loyola Jesuit Community LSU Anthropology Lutheran High School of Greater New Orleans McDonogh 35 High School Mercy Endeavors Senior Center Metropolitan Center for Women and Children Midway Church of Christ (Holiness) USA Mikllennium Harvest Work Training Program Military Advocacy Project of Louisiana (formerly NOLA Patriots) Miller McCoy Academy Minority Business Development Center, Inc. Mother's Helpers Mount Carmel Baptist Church Mount Zion Lutheran Church Mount Zion United Methodist Church MQVN Community Development Corporation Music Business Institute Musicians for Music 2014 COMMUNITY OUTREACH TICKETS RECIPIENTS NAMI St Tammany NAMI St. Tammany National Association of Katrina Evacuees National Council of Jewish Women National Kidney Foundation of Louisiana, Inc. National Performance Network/Make Music NOLA Nazarene Missionary Baptist Church New Orleans Association of Black Social Workers New Home Full Gospel Ministries New Hope Com. Development Organization New Orleans Adolescent Trials Network-Tulane University New Orleans African American Museum New Orleans Archivists Association New Orleans Council on Aging New Orleans Dance Collective New Orleans GlassWorks New Orleans Health Corporation New ORleans Home for Incurables, dba The John J. Hainkel Jr. Home & Rehabilation Center New Orleans Jazz Celebration New Orleans Jazz Orchestra New Orleans Jewish Community Center New Orleans Masjid of Al-Islam New Orleans Mission Inc. New Orleans Musicians Assistance Foundation New Orleans Musicians Clinic New Orleans Neighborhood Development Foundation New Orleans Regional AIDS Planning Council (NORAPC) New Orleans Renaissance Kids (NORK) New Orleans Resources for Independant Living, Inc. New Orleans Women's Shelter New Orleans Workers' Center for Racial Justice New Orleans Youth All Star Saints New Orleans Youth Sound Experience (NOYSE) Next Generation of OMS Full Gospel Baptist Church N'Kafu Traditional African Dance Commpany NO/AIDS Task Force NOCCA (New Orleans Center for Creative Arts)
Recommended publications
  • Barthé, Darryl G. Jr.Pdf
    A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Becoming American in Creole New Orleans: Family, Community, Labor and Schooling, 1896-1949 Darryl G. Barthé, Jr. Doctorate of Philosophy in History University of Sussex Submitted May 2015 University of Sussex Darryl G. Barthé, Jr. (Doctorate of Philosophy in History) Becoming American in Creole New Orleans: Family, Community, Labor and Schooling, 1896-1949 Summary: The Louisiana Creole community in New Orleans went through profound changes in the first half of the 20th-century. This work examines Creole ethnic identity, focusing particularly on the transition from Creole to American. In "becoming American," Creoles adapted to a binary, racialized caste system prevalent in the Jim Crow American South (and transformed from a primarily Francophone/Creolophone community (where a tripartite although permissive caste system long existed) to a primarily Anglophone community (marked by stricter black-white binaries). These adaptations and transformations were facilitated through Creole participation in fraternal societies, the organized labor movement and public and parochial schools that provided English-only instruction.
    [Show full text]
  • Cane River, Louisiana
    ''ewe 'Know <Who <We !A.re'' An Ethnographic Ove1'View of the Creole Traditions & Community of Isle Brevelle & Cane River, Louisiana H.F. Gregory, Ph.D. Joseph Moran, M.A. I /'I "1\ 1'We Know Who We Are": I An Ethnographic Overview of the Creole Community and Traditions of I Isle Breve lie and Cane River, Louisiana I I I' I I 'I By H.F. Gregory, Ph.D. I Joseph Moran, M.A. I I I Respectfully Submitted to: Jean Lafitte National Historic Park and Preserve U.S. Department of the Interior I In partial fulfillment of Subagreement #001 to Cooperative Agreement #7029~4-0013 I I December, 1 996 '·1 I I I I I I I I I I I I I I I I I I I I I I Errata Page i - I "Jean Lafitte National Historic Park and Preserve" should read, "Jean Lafitte National I Historical Park and Preserve ...." Please define "emic" as the point of view from the culture as opposed to the I anthropological, descriptive view of the culture - the outsider's point ofview(etic). I Page vi- "Dr. Allison Pena" should read, "Ms. Allison Pena. ." I Page 13 - I "The first was literary-folkloristic which resulted in local color novels and romantic history - all but 'outside' authors and artists ... "should read, "The first was literary-folkloristic which I resulted in local color and romantic history - all by 'outside' authors and artists ...." I Page 14 - "Whenever Creoles tried to explain who they were, who they felt they were, it ultimately was, and is, interpreted as an attempt to passer pour blanc" should read, "Whenever Creoles tried I to explain who they were, who they felt they were, it ultimately was, and is, interpreted as an I attempt to passer pour blanc, or to pass for white...
    [Show full text]
  • Understanding South Louisiana Through Literature
    UNDERSTANDING SOUTH LOUISIANA THROUGH LITERATURE: FOLKTALES AND POETRY AS REPRESENTATIONS OF CULTURAL IDENTITY by ANNA BURNS (Under the direction of Dr. Nina Hellerstein) ABSTRACT Folktales represent particular cultural attitudes based on location, time period, and external and internal influences. Cultural identity traits appear through the storytellers, who emphasize these traits to continue cultural traditions. The folktales and poetry studied in this thesis show how various themes work together to form the Cajun and Creole cultures. The themes of occupation, music and dance, and values; religion, myth, and folk beliefs; history, violence, and language problems are examined separately to show aspects of Cajun and Creole cultures. Secondary sources provide cultural information to illustrate the attitudes depicted in the folktales and poetry. INDEX WORDS: Folktales, Poetry, Occupation, Religion, Violence, Cajun and Creole, Cultural Identity UNDERSTANDING SOUTH LOUISIANA THROUGH LITERATURE: FOLKTALES AND POETRY AS REPRESENTATIONS OF CULTURAL IDENTITY by ANNA BURNS B.A., Loyola University of New Orleans, 1998 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 ©2002 Anna Burns All Rights Reserved UNDERSTANDING SOUTH LOUISIANA THROUGH LITERATURE: FOLKTALES AND POETRY AS REPRESENTATIONS OF CULTURAL IDENTITY by ANNA BURNS Major Professor: Dr. Nina Hellerstein Committee: Dr. Doris Kadish Dr. Tim Raser Electronic Version Approved: Gordhan L. Patel Dean of the Graduate School The University of Georgia August 2002 DEDICATION This thesis is dedicated to all those who have supported me in various ways through this journey and many others. iv ACKNOWLEDGMENTS I would like to thank all those who have given me superior guidance and support during my studies, particulary Dr.
    [Show full text]
  • Visitlakecharles 800-456-SWLA LAKE CHARLES | SULPHUR | WESTLAKE DEQUINCY | VINTON | IOWA Welcome Y’All! What's Inside?
    VisitLakeCharles.org #VisitLakeCharles 800-456-SWLA LAKE CHARLES | SULPHUR | WESTLAKE DEQUINCY | VINTON | IOWA Welcome Y’all! What's Inside? Share Your Story ...........................................................4 Casino Time ...................................................................6 Lake Charles/Southwest Louisiana Arts & Culture ...............................................................8 - The Gateway to Cajun Country Galleries & Museums Performing Arts Adventure and exploration await with a diverse offering Cultural Districts of culture, music, world-famous food, festivals, the great Where to Eat? .............................................................. 12 outdoors, casino gaming, top name entertainment and Dining Options historic attractions. So, unwind & have fun! Southwest Louisiana Boudin Trail Stop by the convention & visitors bureau, 1205 N. Fun Food Facts Lakeshore Drive, while you are in town. Visit with our Culinary Experiences friendly staff, have a cup of coffee and get tips on how to Cuisine & Recipes make your stay as memorable as possible. Creole vs. Cajun ...........................................................23 Music Scene .................................................................24 Connect with us & share your adventures! Looking for Live Music? facebook.com/lakecharlescvb Nightlife www.visitlakecharles.org/blog #visitlakecharles Adventure Tourism ......................................................27 Get Your Adventure On! Creole Nature Trail Adventure Point ...........................28
    [Show full text]
  • The Music of Louisiana: Cajuns, Creoles and Zydeco
    The Music of Louisiana: Cajuns, Creoles and Zydeco Carole Poindexter-Sylvers INTRODUCTION The music and cuisine of southern Louisiana experienced a renaissance during the 1980s. Zydeco musicians and recording artists made appearances on morning talk shows, Cajun and Creole restaurants began to spring up across the nation, and celebrity chefs such Paul Prudhomme served as a catalyst for the surge in interest. What was once unknown by the majority of Americans and marginalized within the non-French speaking community in Louisiana had now become a national trend. The Acadians, originally from Acadia, Nova Scotia, were expelled from Canada and gradually became known as Cajuns. These Acadians or Cajuns proudly began teaching the lingua franca in their francophone communities as Cajun French, published children‘s books in Cajun French and school curricula in Cajun French. Courses were offered at local universities in Cajun studies and Cajun professors published scholarly works about Cajuns. Essentially, the once marginalized peasants had become legitimized. Cajuns as a people, as a culture, and as a discipline were deemed worthy of academic study stimulating even more interest. The Creoles of color (referring to light-skinned, French-speaking Negroid people born in Louisiana or the French West Indies), on the other hand, were not acknowledged to the same degree as the Cajuns for their autonomy. It would probably be safe to assume that many people outside of the state of Louisiana do not know that there is a difference between Cajuns and Creoles – that they are a homogeneous ethnic or cultural group. Creoles of color and Louisiana Afro-Francophones have been lumped together with African American culture and folkways or southern folk culture.
    [Show full text]
  • The New Orleans Free People of Color and the Process of Americanization, 1803-1896
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 The New Orleans Free People of Color and the Process of Americanization, 1803-1896 Camille Kempf Gourdet College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, African History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Gourdet, Camille Kempf, "The New Orleans Free People of Color and the Process of Americanization, 1803-1896" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626484. https://dx.doi.org/doi:10.21220/s2-wf20-pk69 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE NEW ORLEANS FREE PEOPLE OF COLOR AND THE PROCESS OF AMERICANIZATION, 1803-1896 A Thesis Presented to The Faculty of the Department of Anthropology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Camille K. Gourdet 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Camille Kempf feourdet Approved by the Committee, May 2005 sor, Chair kii HhtC'QuL. $you2, Kathleen Bragdon, Professor UX-— M. Lynn Weiss, Professor ii To my husband Nico, who has always stood firmly by my side. iii TABLE OF CONTENTS Page Acknowledgements vi Abstract vii Chapter I.
    [Show full text]
  • 2020-2021 Louisiana Cultural Equity Arts Grant Recipients
    2020-2021 Louisiana Cultural Equity Arts Grant Recipients Kumbuka`=40 Years of Remembering Ausettua AmorAmenkum Kouri-Vini Chasidy Morris Anthony Bean Community Theater and Anthony Bean Communty Theater Acting School and Acting School 100 Years - The RISE and FALL of Voices in the Dark Repertory BLACK WALL STREET ( Saluting BLACK Theatre Company Producer/Director BUSINESSES in NOLA) -Tommy Myrick A Cultural Renaissance R & R: The Lula Elzy New Orleans Dance Regenerate and Reunion - the 30th Theatre Anniversary Celebration of the Lula Elzy New Orleans Dance Theatre Gordeax: Explorations of Southern Antonio Garza Louisiana Foodways Lamentations Chakra Dance Theatre We Must Save Our Schools Bianca Siplin Big Chief Brian and the Nouveau Brian Nelson Bounce presents Hell Out The Way Black Film Festival of New Orleans Black Film Festival/Gian Smith Follow Me! India McDougle Deep South by Suroeste "DSXSO" Charitable Film Network Angles Miles Labat The Congo Square Website Freddi Evans African American Female The New Quorum Musician/Composer/Writer Residency New Venture Theatre Presents "Kings" New Venture Theatre February 25 through March 7, 2021 Rhythm and Blues Rontherin Ratliff We are the Light: LUNA Fete 2020 Arts Council New Orleans COMING TOGETHER: A tribute to Ellis Jamar Pierre Marsalis & 2020 (Mural) Folk Art Zone Sculpture Garden Charles Gillam Portal: A Solo Exhibition of Art by Demond Melancon Demond Melancon at the Arthur Roger Gallery CONGO SQUARE LIVING CLASSROOM Congo Square Preservation Society FIELD-TRIP GLBL WRMNG Nate Cameron Jr. Ana Hernandez Ana Hernandez Pass It On open mic Ayo Scott Watercolors Interdisciplinary Jarrell Hamilton Performance Work Place Congo: Restoration of the Spirit Kai Knight CARL LEBLANC: NEW ORLEANS’ 7th Geovane Santos WARD MODERN JAZZ GRIOT Big Chief, Black Hawk Jonathan Isaac Jackson "Creole Music - a Musical Gumbo" Joseph Hall The Bartholomew House: Rising Artists- Journey LaToya Ondiyahla Allen in-Residence Community Black Masking Indian Tribal Roll Call Laurie A.
    [Show full text]
  • NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions by Ned Hémard
    NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard The Creole Virtues … and Vices Much has been brought up, grown up or arisen in New Orleans, the metropolis known as the Crescent City. The word crescent itself is derived from the Latin crescere, a form of the verb meaning “to grow, to become visible, to spring from, to come forth, to increase, to thrive or to augment.” This came to apply to the “increasing” form of the waxing moon (luna crescens). In English, the word is now commonly used to refer to either the moon’s waxing, or waning, shape. From there, it was only a matter of time before it would be used to describe other things with that shape, such as croissants or bends in the river, as in the case of New Orleans. But the crescent symbol was in use long before that, appearing on Akkadian seals as early as 2300 BC. That’s Akkadian, not Acadian, chèr. A crescent sail on the Mississippi, March 30, 1861, Harper’s Weekly: “one can perceive the peculiar conformation from which New Orleans derives its popular appellation of ‘The Crescent City.’” The word Créole has “brought up” quite a bit of controversy in its “upbringing”. Confusion continues to exist as to its meaning with regard to race or European heritage. The French word créole, from the Spanish criollo, meaning a person native to a locality, comes from the Portuguese crioulo, the diminutive of cria, a person raised in the house, especially a servant, from criar, to bring up, ultimately from the Latin verb creare, meaning to create or beget.
    [Show full text]
  • French in Louisiana by Nicholas R
    "Ltlche pas la patate:" French in Louisiana by Nicholas R. Spitzer Middle-aged Cajuns often tell a story about being punished as children for speaking French at school. One punishment, aside from whipping, was to have students write 1000 times, "I will not speak French on the school grounds." It was an officially sanctioned devaluation of French Louisiana's language and culture which in Nick Spitzer, on the staffof the Office ofFo lk­ turn encouraged this generation not to teach French to its own life Programs, served for seven years as Louisi­ children. However, there is also evidence of resistance. People tell a ana State Folklorist. He has worked with Cajun and Creole French communities to produce a joke about unAmericain teacher instructing country children in film, LP's, andpublications about traditional numbers: culture in south Louisiana. "All right children everyone say 'one.' " "One," is the dutiful class response. "OK children," continues the teacher, "say 'two'." The class jumps up to leave with one boy exclaiming, ''Merci maitre~ on vatu voir!" (Thanks teacher, see you later). Inter­ preting ((c'est tout" (that's all), the class has a joke at the teach­ er's expense. Cajuns and Black Creoles of south Louisiana still use humor to criticize negative views of their culture, though increasingly in the Talking Cajun French in Mamou, Louisiana. last two decades the various dialects of Louisiana French have not Photo © by Philip Gould 32 EST -CE QUE VOS ENFANTS APPRENNENT LE FRANCAIS A L'ECOLE CODOFIL signs were written in Standard French been seen as sources of sdgma to their speakers.
    [Show full text]
  • The Creoles of South Central
    he Creoles of South central and blacks or free people of color did in the or the enslaved black Africans. T Southwest Louisiana are part of United States. By the early 18th century there one of the most “complex rural sub- First of all we know that it was the were enough Creoles, or free men of color cultures in North America”. Our mixed Native Americans who inhabited all of (gen de couleur libres), as they were also race or multiracial, multicultural Creoles North America before any of the called, the French decided they needed are born natives of Louisiana. They have Europeans discovered the New World. special laws for them. In 1724 the Code lived on the prairies west of the Missis- In Louisiana we have several sizable Noir was established. It had many sippi River for over 300 hundred years tribes: the Chitimacha, Coushatta, restrictions, but gave Creoles one and are some of the first families of Houma & Tunica-Biloxi. Enter the important privilege enslaved Africans did Louisiana. Official records indicate the French who controlled the Louisiana not have: the right to own land. They Simien’s were amongst the first to settle colony during most of the 18th century took full advantage and began to establish the area in the mid 1700’s. until Spain took over in 1762. Actually their communities that gained strength, The multiracial and multicul- they shared it with the British. Spain got prospered and functioned as a self reliant, tural tapestry of the Creoles is an ex- Louisiana west of the Mississippi and the self contained society that in some ways otic blend of African, French, Spanish, British got all of it east of the river.
    [Show full text]
  • Louisiana Creoles During the Civil War and Reconstruction Rob Shapiro
    Louisiana Creoles During the Civil War and Reconstruction Rodolphe Lucien Desdunes (1849-1928) Civil rights activist and Creole. Rob Shapiro George Fuller, a northern portraitist, painted The Quadroon in 1880. The painting, which hangs today in the Metropolitan Museum of Art in New York City, is of a mixed race woman, known at the time as a Quadroon or Creole. The work was produced from memory, the subject fictional. However, art scholars believe Fuller’s inspiration comes from his first trip to the South in 1849. During his travels, Fuller recorded in his journal, “Who is this girl with eyes large and black? The blood of the white and dark races is at enmity in her veins – the former predominated. About three-fourths white says one dealer. Three-fourths blessed, a fraction accursed. She is under thy feet, white man…Is she not your sister?...She impresses me with sadness! The pensive expressions of her finely formed mouth and her drooping eyes seemed to ask for sympathy…Now she looks up, now her eyes fall before the rude gaze of those who are but calculating her George Fuller, THE QUADROON, 1880. charms or serviceable Oil on canvas. Collection, The Metropolitan Museum of Art, New York. qualities…Oh, is beauty so cheap!”1 This enslaved Creole woman and the memory of her sale must have remained with Fuller, perhaps even haunting him, as she became the subject of his art 30 years after their encounter. The painting evokes the same sensations of fascination and sadness that occupied Fuller in 1849. One critic writing in the Springfield Republican said in 1880, 1 Sarah Burns, "Images of Slavery: George Fuller's Depictions of the Antebellum South," American Art Journal 15, no.
    [Show full text]
  • 2017 Tennessee Williams Scholars Conference Williams Research Center, 410 Chartres Street Artwork by Jimmy Blanchard
    The Historic New Orleans Collection Publishing award-winning books on the history, art, and culture of Louisiana and the Gulf South for more than 30 years Tennessee Williams Annual Review edited by R. Barton Palmer THNOC is proud to publish the Tennessee Williams Annual Review—the only regularly published journal devoted solely to the works, influence, and cultural context of the great American playwright. Visit www.tennesseewilliamsstudies.org for more information. Paperback; $15 each. Available online and at festival book tables. Drawn to Life Al Hirschfeld and the Theater of Tennessee Williams by Mark Cave and David Leopold, with a foreword by Rex Reed Published in commemoration of Williams’s 2011 centennial, this catalog features works by renowned “characterist” Al Hirschfeld and correspondence, programs, and family photographs documenting Williams’s habit of drawing from his own life to create some of the most compelling characters in American theater. Paperback; $17.95 A Life in Jazz by Danny Barker, an illustrated edition edited by Alyn Shipton, with a new introduction by Gwen Thompkins An elder statesman of jazz and an international representative of New Orleans and African American culture, Danny Barker (1909–1994) is credited on more than a thousand recordings and penned dozens of original songs. This new illustrated edition of his autobiography brings Barker’s story back into print and adds fresh insight into his legacy. Hardcover; $39.95 Guidebooks to Sin The Blue Books of Storyville, New Orleans by Pamela D. Arceneaux, with a foreword by Emily Epstein Landau Between 1897 and 1917, a legal red-light district known as Storyville thrived at the edge of the French Quarter.
    [Show full text]