A Little Book Book Little A of ##Fonts

CONTENTS

Bembo 04 Baskerville 06 Didot 08 Clarendon 10 Futura 11 Gill Sans 12 Franklin Gothic 14 Snell Roundhand 15 ¶ Dingbat 16 Collector Comic 17 Rosella 18 Maple 20 InterstateMono 21 ••• Gastromond 22 ^

Bembo

Regular a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 Italic a b c d e f g h i j k l m n o p q r s t u v w x y z “That’s A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 what

Semibold a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 said” Semibold Italic she a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 Bold Bembo is a serif typeface created by the British branch of a b c d e f g h i j k l m n o p q r s t u v w x y z the Monotype Corp in 1928. It is a member of the “old- A B C D E F G H I J K L M N O P Q R S T U V W X Y Z style” of serif fonts, with its regular or roman style based 0 1 2 3 4 5 6 7 8 9 on a design cut around 1495 by Francesco Griffo for Vene- Bold Italic tian printer Aldus Manutius, sometimes generically called a b c d e f g h i j k l m n o p q r s t u v w x y z the “Aldine roman”. Bembo is named for Manutius’s first A B C D E F G H I J K L M N O P Q R S T U V W X Y Z publication with it, a book by the poet and cleric Pietro 0 1 2 3 4 5 6 7 8 9 Bembo. The italic is based on work by Giovanni Antonio Extra Bold Tagliente, a calligrapher who worked as a printer in the & 1520s, after the time of Manutius and Griffo. a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9

Extra Bold Italic a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 04 ^ 05

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Regular § §§ § § Semibold Italic

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A B C D E F G H I § A B C D E F G H I

J K L M N O P Q R Baskerville§, designed§ in 1754, is most known for its crisp edges, high con- §§ §§ § §§ J K L M N O P Q R §

trast and generous proportions. The typeface was heavily influenced by the pro- §

§ § § § § S T U V W X Y Z cesses of the Birmingham-bred John Baskerville, a master type-founder and printer, § S T U V W X Y Z §§ § § § § § § § § § §

a b c d e f g h i j § who owed§ much of his career to his beginnings. § a b c d e f g h i j § §

§§ § §§

k l m n o p q r s §§ k l m n o p q r s

t u v w x y z §

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§ § § § t u v w x y z § § § § § § § § §

0123456789 Elegant and Refined §§ § 0123456789

Velit§ discere vituperatoribus et nam, eu dico expetenda iracundia § § Bold § Italic § § §

duo. Velit quidam pertinax ut sed. Stet etiam imperdiet pro ut, BASK

A B C D E F G H I J aeque dicunt mea ut. Ius ut oportere abhorreant, mutat facilisi has A B C D E F G H I

in, ex summo quando nusquam vel. Quas adolescens vim ea, ex

§ § § § §

K L M N O P Q R S pro elit elaboraret. Feugait gubergren dissentiunt an sed, vim an J K L M N O P Q R § § § § § § § § sapientem aliquando. Nec id omnes feugait ancillae, ius no nostro§ § § § §

§§ § §§

T U V W X Y Z omittam lobortis. S T U V W X Y Z

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§ § a b c d e f g h i j k § §§ a b c d e f g h i

In dico duis voluptua mel. Purto aliquam voluptatibus no vel, an ER

l m n o p q r s t u mea singulis platonem praesent, dolorum deleniti mei ex. Mei por- j k l m n o p q § §

§ § §

ro salutandi interpretaris no, ex eam brute augue tollit, no nam §§ § omittam scriptorem. Sed eius ullum blandit ea, an mel paulo plac- § § v w x y z § r s t u v w x y z erat gloriatur.§ § § § § § § § § § § §

§ §

0123456789 § 0123456789

Est ludus senserit et, alii mediocritatem ne est. Cu nostro oporteat §§

Semibold ius. Ei nam eripuit convenire. Te vis decore nusquam. Vix te nulla Bold Italic

feugait expetendis, tollit appetere persequeris no mei, solet appar- § § § § § § § § § § §

VIL§

A B C D E F G H I J eat et has. §§ § § A B C D E F G H I § § § § § § § § § § § § § §

K L M N O P Q R S §§§ J K L M N O P Q R § § § § §

T U V W X Y Z § § §§ § § §

§ S T U V W X Y Z

a b c d e f g h i § §

§ § §a b c d e f g h i § § § § LE§ j k l m n o p q § § § j§ k l m n o p q § § § § § § § § § § § §§ Aa Bb Cc§ §§§§

r s t u v w x y z § §§§§ § §§r s t u v w x y z

0123456789 §§ §§ 0123456789 Qq§§ Zz § §§ § Rr §

§ § § § § § § § 06 § § 07 § § §

§§ §§§§ § DDD Regular A MODERN Aa Bb Cc Dd Ee Ff Gg TYPEFACE Hh Ii Jj Kk Ll Mm Developed in 1784 by the French Didot family. Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz Id tamquam appareat suscipiantur sit. Mei et nostrud insolens persequeris, no recte- que repudiare mea. Agam utinam praesent te usu, adipisci oportere cu duo, ut reque 0123456789 ipsum euismod eos. Ei ignota dolores usu, enim erant legimus ei quo. Ex sit vidit iner- III mis. Eos ea corrumpit repudiare.

Italic Ei mea enim scripta, per in quaeque deserunt. Ei mei idque scripta complectitur, his ad ma- Aa Bb Cc Dd Ee Ff Gg Hh iorum theophrastus. Ei vix fastidii facilisis, nec autem saepe similique ne, cu mea quem conse- Ii Jj Kk Ll Mm quuntur. Zril perfecto disputando ne his. Id tamquam appareat suscipiantur sit. Mei et DDD Nn Oo Pp Qq Rr Ss Tt Uu nostrud insolens persequeris, no recteque repu- diare mea. Agam utinam praesent te usu, adipis- Vv Ww Xx Yy Zz ci oportere cu duo, ut reque ipsum euismod eos. Ei ignota dolores usu, enim erant legimus ei quo. 0123456789 Ex sit vidit inermis. Eos ea corrumpit repudiare. Id tamquam appareat suscipiantur sit. Bold Mei et nostrud insolens persequeris, no recte- que repudiare mea. Agam utinam praesent te usu, adipisci oportere cu duo, ut reque ipsum [¶] OOO Aa Bb Cc Dd Ee Ff Gg euismod eos. Ei ignota dolores usu, enim erant Hh Ii Jj Kk Ll Mm legimus ei quo. Ex sit vidit inermis. Eos ea cor- rumpit repudiare. Nn Oo Pp Qq Rr Ss Tt Ei mea enim scripta, per in quaeque deserunt. Ei mei idque scripta Uu Vv Ww Xx Yy Zz complectitur, his ad maiorum theophrastus. Ei vix fastidii facilisis, nec autem saepe similique ne, cu mea quem consequuntur. Zril TTT 0123456789 perfecto disputando ne his. Id tamquam appareat suscipiantur sit.

08 09 1927 CLA Futura REN Designer Paul Renner Category Sans-Serif Classification Geometric Sans-Serif The typeface of DON TODAY and TOMORROW Medium

Named after oxford’s clarendon press, this∏ Light popular slab-serif was created in 1845 by Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Futura is a geometric sans-serif typeface designed by ROBERT BESLEY for the Fann Street Foundry. Kk Ll Mm Nn Oo Pp Qq Rr Ss ABCDEFGHIJKLM- Paul Renner and released in 1927. It was designed as a Tt Uu Vv Ww Xx Yy Zz Notable as one of the last NEW developments contribution on the New Frankfurt-project. It is based on 0 1 2 3 4 5 6 7 8 9 NOPQRSTUVWXYZ in nineteenth century typography, the letter- geometric shapes, especially the circle, similar in spirit to Medium Italic abcdefghijklmno- forms represented a significant change from the Bauhaus design style of the period. It was developed Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj prstuvwxyz the slab-serif Egyptians that were popular in as a typeface by the Bauer Type Foundry, in competition Kk Ll Mm Nn Oo Pp Qq Rr Ss that time. with Ludwig & Mayer's seminal Erbar typeface of 1926. Tt Uu Vv Ww Xx Yy Zz 0123456789 0 1 2 3 4 5 6 7 8 9 Condensed Medium Roman Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ABCDEFGHIJKLM- 0 1 2 3 4 5 6 7 8 9 NOPQRSTUVWXYZ Bold abcdefghijklmno- Cum dico minim omittam te, vix aperiri Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj luptatum lobortis ad, malis honestatis interpre- Kk Ll Mm Nn Oo Pp Qq Rr Ss prstuvwxyz taris per eu. Dolor oratio nominavi mei ex. Ad Tt Uu Vv Ww Xx Yy Zz vel solet molestiae, ne quo elitr sanctus sapien- 0 1 2 3 4 5 6 7 8 9 0123456789 tem, sed ea sumo nominati ullamcorper. Vim ad legimus fastidii dissentiunt, alienum petentium Bold constituam no vim. Condensed ExtraBold Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk ABCDEFGHIJKLM- Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz NOPQRSTUVWXYZ 0 1 2 3 4 5 6 7 8 9 abcdefghijklmno- prstuvwxyz Facete honestatis nam at, no audire accusam 0123456789 his. No pro facilis voluptaria. Cum ne tale noster splendide, putent consequat nec et. Nam nostro ∏ intellegebat id, ut nam doctus repudiare consec- tetuer. Vero velit singulis pri te, vel salutandi quaerendum an, sit evertitur complectitur ne. Idque labores vel ne. 10 11 1928

A B C D E F G H I J GILL Aa Italic K L M N O P Q R S SANS Bb Light Italic T U V W X Cc Regular a b c d e f g h i j MO Ee is a sans-serif typeface Semibold Gill Sans designed by Eric Gill. It's based on Edward Johnston's 1916 "Under- k l m n o p q r s Ff ground Alphabet", the corporate Semibold NO font of London Underground. Gill Sans was one of the dominant Gg typefaces in British printing in the t u v w x Semibold Italic years following its release. It has been described as "the British Helvetica" because of its lasting popularity in British design. Gill Sans has influenced Bold TY 0 1 2 3 4 5 6 7 8 9 Qq many other typefaces, and helped to define a genre ofsans-serif , known as the humanist style. ¼ ½ ¾ ¹ ² ³ Rr Bold Italic PE Ss Ultrabold

12 13 § §§ §§§§§§§§ §§§ §§§§ Franklin §1965 Snell Roundhand§§§§§

Snell Roundhand Script font was de- Gothic Aa regular signed in 1965 by Matthew Carter. Con§- ception and design were both§ based on the 18th century round hand scripts. § 1967 Bb bold The font has an elegant and festive feel and FRANKLIN GOTHIC and its related fac- its capitals can also be used as initials mixed es are a large family of realist sans-serif black with other alphabets. Snell Roundhand Script is§ typefaces developed by the type foundry Cc well-suited to middle length texts and headlines. §§ American Type Founders (ATF) and cred- § Std ited to its designer MORRIS FULLER BENTON. The typeface continues to maintain a high Extra Condensed Aa Bb Cc Dd Ee Ff Gg Hh § profile, appearing in a variety of media from § books to billboards. Benton's Franklin Gothic §§ § ABCDEFGHIJKLMNOPQRSTUVWXYZ Ii Jj Kk Ll Mm Nn Oo Pp § family is a set of solid designs, particularly suitable for DISPLAY and TRADE use such Qq Rr Ss Tt Uu Vv Ww Xx abcdefghijklmnopqrstuvxyz as headlines rather than for extended text. 0123456789 Yy Zz Regular § § 0 1 2 3 4 5 6 7 8 9 Condensed §§§§ ABCDEFGHIJKLMNOPQRSTUVWXYZ Aa Bb Cc Dd Ee Ff Gg § abcdefghijklmnopqrstuvxyz Hh Ii Jj Kk Ll Mm Nn Oo § 0123456789 Pp Qq Rr Ss Tt Uu Vv §§ § Ww Xx Yy Zz § No. 2 Roman Bold § 0 1 2 3 4 5 6 7 8 9 §§ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvxyz Aa Bb Cc Dd Ee Ff Gg §§ Hh Ii Jj Kk Ll Mm Nn 0123456789 Oo Pp Qq Rr Ss Tt Uu § Vv Ww Xx Yy Zz § 0 1 2 3 4 5 6 7 8 9 Black 14 15 §§ Zapf Dingbats

Aa Bb Cc Dd Ee Ff Gg Hh Ii J CollectoomiC CANADA TYPE is a digital type solutions j Kk Ll Mm N company based in Toronto. It was found- ed in 2004 by Rebecca Alaccari and Patrick n Oo PP Qq Rr  Griffin, as a means to PERFORM profession- * al type solutions to creative indviduals Ss Tt Uu Vv and departments all over the world. ITC Zapf Dingbats Ww Xx Yy Zz is one of the more common Since then, Canada Type has brought forth a comprehensive and popular library of dingbat typefaces. It typefaces that accommodate a variety of 0123456789 was designed by the typog✍ aesthetic tastes. rapher Hermann Zapf in ✁✂✃✄✆✇✈✉✌✍ 1978 and licensed by In✍ ternational Typeface Cor✍ ✎✐✏✑✒✜✛✚✙✗ poration ABCDEFGHIJKLMN ✘✖✕✔✓ TC Zapf Dingbats is OPQRSTUVWXYZ one of the more common 0123456789 ✲✳✴✵✶✷✸✹✺✻✼ dingbat typefaces. It $^`¢£¤¥¨©®¯°´¸˙˘˚˛˜˝΄΅₫€№ Regular was designed by the ty✍ ✽✾✿✿❀❁❂❃❅❄❆ pographer Hermann Zapf ❇❈❉❊❋ in 1978 and licensed by ABCDEFGHIJKLMN International Typeface OPQRSTUVWXYZ CorporationUt dis mos is ❍❏❐❑❒❖➩➩➪➪ dit quiaeribus et aut aut 0123456789 laceseditat e $^`¢£¤¥¨©®¯°´¸˙˘˚˛˜˝΄΅₫€№ ➫➬➬➭➮➹➸➷➶➵ t faces as minveni Italic conseca tectem repediant ➵➾➽➼ od ut la ipsunt quam quam quaspicture niet esto ABCDEFGHIJKLMN ①②③④⑤⑥⑦⑧⑨⑩ odit ipsusaperro te ipsam OPQRSTUVWXYZ ❶❷❸❹❺❻❼❽❾❿ nossitat. 0123456789 ➀➁➂➃➄➅➆➇➈➉ $^`¢£¤¥¨©®¯°´¸˙˘˚˛˜˝΄΅₫€№ Bold

➊➋➌➍➎➏➐➑➒➓ ABCDEFGHIJKLMN OPQRSTUVWXYZ 0123456789 $^`¢£¤¥¨©®¯°´¸˙˘˚˛˜˝΄΅₫€№ Bold Italic 16 17 Rosella Deco A b c d e f g h i j k l m n o p q r s t u v w x y z I Want 0 1 2 3 4 5 6 7 8 9 ♠♣♥♦$^↗↘↙₺₼℗™↕↖↗↘◊ this Engraved A b c d e f g h i j k on l m n o p q r s t u v w x y z my 0 1 2 3 4 5 6 7 8 9 ∆ ♠♣♥♦$^↗↘↙₺₼℗™↕↖↗↘◊ Type Flourish monotype*’s Display fonts A b c d e f g h i j k and technologies bring the l m n o p q r s t u world’s words to the page and screen. included in the Face v w x y z catalogue are classic de- 0 1 2 3 4 5 6 7 8 9 signs from itc, fontfont ♠♣♥♦$^↗↘↙₺₼℗™↕↖↗↘◊ and linotype. Hatched Accullore pratius qui vendi A b c d e f g h i j k occus quatiaturiae volupt- ibusam numquat iaestia vo- l m n o p q r s t u lupta quodit porem hilite- wedding v w x y z sectur ratur suntur ressita 0 1 2 3 4 5 6 7 8 9 del int at. invitations ♠♣♥♦$^↗↘↙₺₼℗™↕↖↗↘◊ Ga. Unt audis et intur ad quamus et molupist, nobis Inline eturibus el et maximus elles A b c d e f g h i j k mod moluptaquis alis ex- l m n o p q r s t u perferia quodis sus rempor restios dolut et et fugiassi v w x y z dunt vendi omnist, imperum 0 1 2 3 4 5 6 7 8 9 ra conem secum rerspel inc- ♠♣♥♦$^↗↘↙₺₼℗™↕↖↗↘◊ tur, eaturibus. Odionse nihil inctios mole- Solid nim sapero idestest et que A b c d e f g h i j k parumen ihitia dolupta tium- que magnimet volorpos se l m n o p q r s t u coneseq uaesti nobit velecta v w x y z 0 1 2 3 4 5 6 7 8 9 ♠♣♥♦$^↗↘↙₺₼℗™↕↖↗↘◊ 19 INTER ‡ ² STATE

A B C D E F G H I J K L M MAPLE N O P Q R S T U V W X Y Z MONO a b c d e f g h i j k l m n o p q r s t u v w x y z Located in Since it was founded in 1989 by 0 1 2 3 4 5 6 7 8 9 light Minneapolis, ‡ DAVID BERLOW and ROGER BLACK, ! " # % & ' ( ) * , { } † Minnesota, Font Bureau has created custom the Process typefaces for almost every major Type Foundry American publication, and grown is an inde- A B C D E F G H I J K L M a retail library of innovative pendent type N O P Q R S T U V W X Y Z designs like Benton Sans, Inter- design stu dio a b c d e f g h i j k l m state, and the Poynter series. The decisions about what designs specializing in n o p q r s t u v w x y z the design of to produce and how to craft them 0 1 2 3 4 5 6 7 8 9 draw upon a base of typographic original type- A B C D E F G H I J K L M N Regular faces for retail ! " # % & ' ( ) * , { } † knowledge built firmly on hundreds and custom O P Q R S T U V W X Y Z of years of tradition. This re- use. mains the essence of what Font a b c d e f g h i j k l m n Bureau does. Bold A B C D E F G H I J K L M o p q r s t u v w x y z N O P Q R S T U V W X Y Z To dignimpos rerspel maioreper- 0 1 2 3 4 5 6 7 8 9 a b c d e f g h i j k l m nam ero ma dolorro voluptatur aut n o p q r s t u v w x y z occaborestia illacipsam aut aut ! " # % & ' ( ) * , { } † optassi musape vendaecte volup- 0 1 2 3 4 5 6 7 8 9 Bold tae. Non parcim endam il idella ! " # % & ' ( ) * , { } † desequo estionsed quo intesse- A B C D E F G H I J K L M N quid quid molecta simolorendi te O P Q R S T U V W X Y Z laborro et harit, everi consequis A B C D E F G H I J K L M antur, omnimaio. Et quunt fu- Black a b c d e f g h i j k l m n gitasped quis eat vel idelitios N O P Q R S T U V W X Y Z conserrumque aligend untium unto o p q r s t u v w x y z a b c d e f g h i j k l m comniment repersp eratius. n o p q r s t u v w x y z Labor simi, cupturibus sus, se- 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 quam rem as aut ullatio. Et ali- Black quam nosa adion eumquod ignimusa ! " # % & ' ( ) * , { } † ! " # % & ' ( ) * , { } † consequam fugiatur? Quia non pe

20 21 Gastromond

Originally trained as a bespoke tailor, JAMES TODD has changed careers and become actively involved in type design. As it turned out, tailoring, and MEN the staggering amount of attention to detail and focus it requires, was a per- T fect springboard to begin designing type. He has and continues to work with P22 Type Foundry and releases his own typefaces under the name JTD. D E A ABCDEFGHIJKLMN L OPQRSTUVWXYZ

E L abcdefghijklmn NO opqrstuvwxyz Regular

D ☞ ☜ D 0123456789

!"#%&'@?;:{}{}†…‡‰ L

TALES E

L

A ABCDEFGHIJKLMN

E

D OPQRSTUVWXYZ T

M N E abcdefghijklmn opqrstuvwxyz Italic 0123456789 !"#%&'@?;:{}{}†…‡‰

22 23 # #