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Type Booklet For A Little Book of Fonts # # CONTENTS Bembo 04 Baskerville 06 Didot 08 Clarendon 10 Futura 11 Gill Sans 12 Franklin Gothic 14 Snell Roundhand 15 ¶ Dingbat 16 Collector Comic 17 Rosella 18 Maple 20 InterstateMono 21 ••• Gastromond 22 ^ Bembo Regular a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 Italic a b c d e f g h i j k l m n o p q r s t u v w x y z “That’s A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 what Semibold a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 said” Semibold Italic she a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 Bold Bembo is a serif typeface created by the British branch of a b c d e f g h i j k l m n o p q r s t u v w x y z the Monotype Corp in 1928. It is a member of the “old- A B C D E F G H I J K L M N O P Q R S T U V W X Y Z style” of serif fonts, with its regular or roman style based 0 1 2 3 4 5 6 7 8 9 on a design cut around 1495 by Francesco Griffo for Vene- Bold Italic tian printer Aldus Manutius, sometimes generically called a b c d e f g h i j k l m n o p q r s t u v w x y z the “Aldine roman”. Bembo is named for Manutius’s first A B C D E F G H I J K L M N O P Q R S T U V W X Y Z publication with it, a book by the poet and cleric Pietro 0 1 2 3 4 5 6 7 8 9 Bembo. The italic is based on work by Giovanni Antonio Extra Bold Tagliente, a calligrapher who worked as a printer in the & 1520s, after the time of Manutius and Griffo. a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 Extra Bold Italic a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0 1 2 3 4 5 6 7 8 9 04 ^ 05 § § § § § § § § § § § § § § § § § § § §§ § § § § § § § § § § § § § § § § § § § § § § § § § § § § § §§ § §§ Regular § §§ § § Semibold Italic §§ § § § A B C D E F G H I § A B C D E F G H I J K L M N O P Q R Baskerville§, designed§ in 1754, is most known for its CRISP edges, HIGH CON- §§ §§ § §§ J K L M N O P Q R § TRAST HEAVILY § and generous proportions. The typeface was influenced by the pro- § § § § § S T U V W X Y Z cesses of the Birmingham-bred John Baskerville, a master type-founder and printer, § S T U V W X Y Z §§ § § § § § § § § § § a b c d e f g h i j § who owed§ much of his career to his beginnings. § a b c d e f g h i j § § §§ § §§ k l m n o p q r s §§ k l m n o p q r s t u v w x y z § § § § § § t u v w x y z § § § § § § § § § 0123456789 Elegant and Refined §§ § 0123456789 Velit§ discere vituperatoribus et nam, eu dico expetenda iracundia § § Bold § Italic § § § duo. Velit quidam pertinax ut sed. Stet etiam imperdiet pro ut, BASK A B C D E F G H I J aeque dicunt mea ut. Ius ut oportere abhorreant, mutat facilisi has A B C D E F G H I in, ex summo quando nusquam vel. Quas adolescens vim ea, ex § § § § § K L M N O P Q R S pro elit elaboraret. Feugait gubergren dissentiunt an sed, vim an J K L M N O P Q R § § § § § § § § sapientem aliquando. Nec id omnes feugait ancillae, ius no nostro§ § § § § §§ § §§ T U V W X Y Z omittam lobortis. S T U V W X Y Z § § § § a b c d e f g h i j k § §§ a b c d e f g h i In dico duis voluptua mel. Purto aliquam voluptatibus no vel, an ER l m n o p q r s t u mea singulis platonem praesent, dolorum deleniti mei ex. Mei por- j k l m n o p q § § § § § ro salutandi interpretaris no, ex eam brute augue tollit, no nam §§ § omittam scriptorem. Sed eius ullum blandit ea, an mel paulo plac- § § v w x y z § r s t u v w x y z erat gloriatur.§ § § § § § § § § § § § § § 0123456789 § 0123456789 Est ludus senserit et, alii mediocritatem ne est. Cu nostro oporteat §§ Semibold ius. Ei nam eripuit convenire. Te vis decore nusquam. Vix te nulla Bold Italic feugait expetendis, tollit appetere persequeris no mei, solet appar- § § § § § § § § § § § VIL§ A B C D E F G H I J eat et has. §§ § § A B C D E F G H I § § § § § § § § § § § § § § K L M N O P Q R S §§§ J K L M N O P Q R § § § § § T U V W X Y Z § § §§ § § § § S T U V W X Y Z a b c d e f g h i § § § § §a b c d e f g h i § § § § LE§ j k l m n o p q § § § j§ k l m n o p q § § § § § § § § § § § §§ Aa Bb Cc§ §§§§ r s t u v w x y z § §§§§ § §§r s t u v w x y z 0123456789 §§ §§ 0123456789 Qq§§ Zz § §§ § Rr § § § § § § § § § 06 § § 07 § § § §§ §§§§ § DDD Regular A MODERN Aa Bb Cc Dd Ee Ff Gg TYPEFACE Hh Ii Jj Kk Ll Mm Developed in 1784 by the French Didot family. Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz Id tamquam appareat suscipiantur sit. Mei et nostrud insolens persequeris, no recte- que repudiare mea. Agam utinam praesent te usu, adipisci oportere cu duo, ut reque 0123456789 ipsum euismod eos. Ei ignota dolores usu, enim erant legimus ei quo. Ex sit vidit iner- III mis. Eos ea corrumpit repudiare. Italic Ei mea enim scripta, per in quaeque deserunt. Ei mei idque scripta complectitur, his ad ma- Aa Bb Cc Dd Ee Ff Gg Hh iorum theophrastus. Ei vix fastidii facilisis, nec autem saepe similique ne, cu mea quem conse- Ii Jj Kk Ll Mm quuntur. Zril perfecto disputando ne his. Id tamquam appareat suscipiantur sit. Mei et DDD Nn Oo Pp Qq Rr Ss Tt Uu nostrud insolens persequeris, no recteque repu- diare mea. Agam utinam praesent te usu, adipis- Vv Ww Xx Yy Zz ci oportere cu duo, ut reque ipsum euismod eos. Ei ignota dolores usu, enim erant legimus ei quo. 0123456789 Ex sit vidit inermis. Eos ea corrumpit repudiare. Id tamquam appareat suscipiantur sit. Bold Mei et nostrud insolens persequeris, no recte- que repudiare mea. Agam utinam praesent te usu, adipisci oportere cu duo, ut reque ipsum [¶] OOO Aa Bb Cc Dd Ee Ff Gg euismod eos. Ei ignota dolores usu, enim erant Hh Ii Jj Kk Ll Mm legimus ei quo. Ex sit vidit inermis. Eos ea cor- rumpit repudiare. Nn Oo Pp Qq Rr Ss Tt Ei mea enim scripta, per in quaeque deserunt. Ei mei idque scripta Uu Vv Ww Xx Yy Zz complectitur, his ad maiorum theophrastus. Ei vix fastidii facilisis, nec autem saepe similique ne, cu mea quem consequuntur. Zril TTT 0123456789 perfecto disputando ne his. Id tamquam appareat suscipiantur sit. 08 09 1927 CLA Futura REN Designer Paul Renner Category Sans-Serif Classification Geometric Sans-Serif The typeface of DON TODAY and TOMORROW Medium Named after OXFORD’S CLARENDON PRESS, this∏ Light popular slab-serif was created in 1845 by Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Futura is a geometric sans-serif typeface designed by ROBERT BESLEY for the Fann Street Foundry. Kk Ll Mm Nn Oo Pp Qq Rr Ss ABCDEFGHIJKLM- Paul Renner and released in 1927. It was designed as a Tt Uu Vv Ww Xx Yy Zz Notable as one of the last NEW developments contribution on the New Frankfurt-project.
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