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November Jewelry, Coin & Collectible Auction
09/29/21 08:56:15 November Jewelry, Coin & Collectible Auction Auction Opens: Tue, Nov 27 7:00am PT Auction Closes: Thu, Nov 29 10:00am PT Lot Title Lot Title 0100 Estate Jewelry - Necklace, Pin & Earrings 0130 2 Amston Sterling Silver Candle Holders 0101 Mixed Lot 0131 2 Fisher Sterling Silver Candle Holders 0102 2 Costume Jewelry Necklaces 0132 Birks Sterling Silver Pitcher 0103 Copper & Sterling Silver Bracelet -Fred Harvey 0133 Empire Sterling Silver Pedestal Dish Era 0134 Vintage Necklace & Earrings 0104 Vintage Necklace 0135 Costume Jewelry 0105 Earrings & Necklace 0136 Vintage Gloves 0106 Pearl Necklace & Bracelet 0137 Vintage Pin 0107 Tibetan Religious Horn 0138 14k Gold Pin w/No Stone's 0108 Two Hair Barrettes 0139 Sterling Silver Salt & Pepper Shakers 0109 Unique Pin 0140 Crystal Reed & Barton Perfume Bottle 0110 Costume Jewelry - Necklaces & More 0141 One Troy Ounce .999 Silver 0111 Knife & Sheath 0142 Ten Indian Head Penney's 0112 Necklace & Matching Earrings 0143 Walking Lady One Troy Ounce Silver 0113 6 Bracelets 0144 1965 Churchill Dollar 0114 1 Bracelet 925 0145 Costume Jewelry-Necklaces & Earrings 0115 Necklace & Earrings 0146 3 Pipes & 1 Lighter 0116 Necklace & Matching Earrings 0147 Box of Vintage Handkerchief 0117 Costume Jewelry 0148 Vintage Handkerchief's 0118 Costume Jewelry Necklaces & Earrings 0149 Costume Jewelry-Necklace & Earrings 0119 Leaf Necklace & Earrings 0150 Large Lot of Earrings 0120 Estate Jewelry - Necklaces & More 0151 2 Costume Jewelry Necklace's 0121 Unique Tibetan Necklace 0152 27 Bracelet's 0122 -
Museum-Exhibit-Russia.Pdf
Content Exclusively for CJCI Members Only Through the efforts of Deb Kosnett, CJCI has been offered this opportunity to make the following PDF available to its members for research purposes only. The following PDF is the property of MINISTRY OF CULTURE OF KALININGRAD OBLAST KALININGRAD REGIONAL AMBER MUSEUM in Russia and no part of this may be copied or replicated without the explicit permission of the author. МИНИСТЕРСТВО КУЛЬТУРЫ КАЛИНИНГРАДСКОЙ ОБЛАСТИ КАЛИНИНГРАДСКИЙ ОБЛАСТНОЙ МУЗЕЙ ЯНТАРЯ MINISTRY OF CULTURE OF KALININGRAD OBLAST KALININGRAD REGIONAL AMBER MUSEUM ВИНТАЖНАЯ ВЕСНА Американские костюмные украшения 1930–1960 годов из частных коллекций, Калининград – Рига Каталог выставКи 28.03. – 27.04. 2014 VINTAGE SPRING American costume jewelry of the 1930–1960s from private collections, Kaliningrad – Riga CATALOGUE OF THE EXHIBITION Калининград • Kaliningrad 2014 УДК 74 ББК 85.125 В 50 Проект реализован в рамках целевой программы Калинин- The project was implemented under the regional target program градской области «Развитие государственного бюджетного of the Kaliningrad region “Development of the State Budget учреждения культуры «Калининградский областной музей Institution of Culture “Kaliningrad Regional Amber Museum” and янтаря» и культурно-образовательного сектора янтарной the Cultural & Educational Sector of Amber Branch (2012–2014)” отрасли (2012–2014 годы)» Над проектом работали Project team Калининградский областной музей янтаря Kaliningrad Regional Amber Museum Татьяна Суворова, директор Tatiana Suvorova – Director Наталия -
Stephenson's Auction General Auction
Stephenson’s Auction 1005 Industrial Blvd. Southampton, PA, 18966 General Auction Friday, March 1st, 2019 4PM Inspection 2-4PM (215) 322-6182 www.stephensonsauction.com Catalog listing is for general selling order only. You are urged to inspect these items before bidding on them. BOX LOTS 9 Omitted. 1 One lot of framed pictures, pots, 10 One lot of die cast metal Nascar, etc. Black and Decker coffee maker, brass 11 One lot of planters, miniature glass lamps, hangers, animal cage, drill bit set, bottles, unframed artwork, decanters, etc. hanging light fixture, etc. 2 One lot of American Graffiti die cast 12 One lot of model Nascar, etc. metal car, etc. 13 One lot of framed artwork, Mickey 3 One lot of stuffed animals, toy Mouse doll, figural lamp, model sailboats, animals, framed pictures, Nutcracker, etc. globe, etc. 4 One lot of of figural decanters, 14 One lot of model cars, etc. framed artwork, etc. 15 One lot of Nerf guns, boots, etc. 5 One lot of bedding, Angel tree toppers, Guitar hero guitar, framed 16 One lot of linens, etc. artwork, trains, fan, coffee pot, etc. 17 One lot of Baseball cards, sports 6 One lot of projector lamps, etc. photos, etc. 7 One lot of elephant stuffed animals, 18 One lot of oil lamps, glass jars, train etc. tracks, angel figurines, glass plates, etc. 8 One lot of candles, scale, framed 19 One lot of American Graffiti die cast artwork, marble cutting board, lamps, etc. metal car, etc. 1 20 One lot of a DVD player, irons, etc. -
Invisible-Punctuation.Pdf
... ' I •e •e •4 I •e •e •4 •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • ••••• • • •• • • • • • I •e •e •4 In/visible Punctuation • • • • •• • • • •• • • • •• • • • • • •• • • • • • •• • • • • • • •• • • • • • •• • • • • • ' •• • • • • • John Lennard •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • •• • • • • • I •e •e •4 I •e •e •4 I •e •e •4 I •e •e •4 I •e •e •4 I ••• • • 4 I.e• • • 4 I ••• • • 4 I ••• • • 4 I ••• • • 4 I ••• • • 4 • • •' .•. • . • .•. •. • ' .. ' • • •' .•. • . • .•. • . • ' . ' . UNIVERSITY OF THE WEST INDIES- LENNARD, 121-138- VISIBLE LANGUAGE 45.1/ 2 I •e •e' • • • • © VISIBLE LANGUAGE, 2011 -RHODE ISLAND SCHOOL OF DESIGN- PROVIDENCE, RHODE ISLAND 02903 .. ' ABSTRACT The article offers two approaches to the question of 'invisible punctuation,' theoretical and critical. The first is a taxonomy of modes of punctuational invisibility, · identifying denial, repression, habituation, error and absence. Each is briefly discussed and some relations with technologies of reading are considered. The second considers the paragraphing, or lack of it, in Sir Philip Sidney's Apology for Poetry: one of the two early printed editions and at least one of the two MSS are mono paragraphic, a feature always silently eliminated by editors as a supposed carelessness. It is argued that this is improbable -
Chapter Two Literature Review in This Study, the Researcher Shows
11 Chapter Two Literature Review In this study, the researcher shows definition and theory in literature review. The researcher writes some definition of punctuation marks taken from some researchers. Then, the researcher also adds review of related study that contains some research results taken from some researchers. The last is conceptual framework. The researcher takes summary from the theory from some researchers before. English Punctuation According to Jones (1994, p.421) “punctuation, as we consider it, can be defined as the central part of the range of non-lexical orthography”. Allthough arguments could be made for including the sub-lexical marks (e.g. hyphens, apostrolphes ) and structural marlcs (e.g. bullets in itemisations), they are excluded since they tend to be lexicalised or rather difficult to represent, respectively. The other concept comes from Samson (2014, p.23). He said, “punctuation enables us to clarify statements and communicate better with readers.” It is similar with the opinion from Ritter (2001, p. 112) said that “Punctuation exists to clarify meaning in the written word and to facilitate reading. Too much can hamper understanding through an uneven, staccato text, while too little can lead to misreading. Within the framework of a few basic rules (fewer still in fiction), an 12 author's choice of punctuation is an ingredient of style as personal as his or her choice of words.” Writing Writing is an outward expression of what is going on in the writer’s mind (Hussain, Hanif, Asif, and Rehman, 2013). Furthermore, according to Hussain et al (2013), “writing is the visual medium through which graphical and grammatical system of a language is manifested” (p.832). -
Peek at Our Menu
weekday winos #burgersandchampagne FRIDAYS! $15 wine bottles on Thurs! perfect burger + ANY sparkler for $17 gluten free +3 TES truffle fries hummus basket prosciutto fig pizzetta white truffle oil, cracked pepper, sweet tomato, cucumber, olives, prosciutto, dried fig, mozzarella, roasted garlic mayo — 7 oven toasted flatbread — 10 provolone, honey drizzle — 13 brie plate popcorn chicken & fries margarita pizzetta candied walnuts, rose hip jam, danish blue cheese dressing, marinara, mozzarella, provolone, SHARE PLA dried figs, toasted ciabatta — 12 ketchup, creamy ranch — 13 oregano — 10 charcuterie platter prosciutto di parma, smoked pork, herbed gournay cheese, red pepper eggplant whip, whole mediterranean olives, cornichon pickles, candied walnuts, oven toasted ciabatta — 24 gluten free +3 shop perfect burger pork melt sandwich american cheese, iceberg, tomato, red onion, pickles, smoked pork charcuterie, cheddar, mozzarella, shop burger sauce, brioche, fries — 16 provolone, dijon mustard, ciabatta, salt chips — 15 – add bacon strips +1 – buffalo chicken sandwich bacon brie burger buffalo roasted chicken, house-made danish blue brie cheese, bacon strips, caramelized onion jam, dressing, mozzarella, provolone, heritage greens, mayo, brioche, fries — 18 ciabatta, salt chips — 15 portobello burger shop club roasted portobello cap, caramelized onion jam, swiss, oven roasted chicken, bacon, cheddar, tomato, mayo garlic mayo, heritage greens, brioche, fries — 16 heritage greens, ciabatta, salt chips — 15 BURGERS & SANDWICHES egg, ham, swiss -
F I N E C R a F T J E W E L R Y C O L L E C T I O N 2014
F i n e C r a f t J e w e l r y C o l l e c t i o n 2014 www.MarthaSeelyDesign.com y jewelry is always a reflection of the art forms that have inspired me over the years: Fiber, fashion, and the grace of natural forms; The boldness of architectural concepts; The simplicity of cold connections, and the kinetic energy of objects in M motion. It expresses in precious metal and gemstones, the strongest influences in my life as a designer: clothing/costume design, art history (with a special fondness for the Art Nouveau /Art Deco movements) and the uniqueness and strength of individual style. Floral Nouveau was inspired by my love of the Art Nouveau (and Deco) movement of the late Curved lines nineteenth century. It is contemporary and feminine. The woven wire combines my love of fiber with the asymmetrical, sinuous vines used widely within Art Nouveau art and design. and vines, woven Floral Architecture is layered contemporary jewelry with simple construction techniques where together. stones seem to float in their floral frames. The floral shapes are simple, layered and riveted together, sometimes flat and sometimes hammered and sculptural. Hammered and Echo Structures are multi-layers of simple, architectural shapes. Rivets. Textures. Con- sometimes sculptural trasts. Brilliant colored stones. Modern and clean. flowers. Formed and Winged Secrets are edgy, formed, textured and riveted flying insects. Sometimes the wings riveted flying insects. move, sometimes not. They are made in silver and gold with large faceted gemstone heads. Everything is handmade, hand formed and one of a kind. -
To Read the Newsletter Sample
American Society of Jhistoriansewelry newsletter vol. 31, no. 1, spring/summer 2017 A Letter from the President Dear ASJH Member: COVER: Necklace, 1929. Pro- The jewelry world is populated with fascinating, compelling, and unforget- duced by Van Cleef & Arpels (Paris, France). Platinum, carved table individuals, many of whom have been industry mentors and leaders. It is rubies, diamonds; l. 41.3 cm. The with great sadness that we inform you of several deaths that have taken place Adrien Labi Collection. Photo: Siegelson, New York. recently: those of Liana Paredes, Kenneth Jay Lane, Daphne Farago, and Fred Leighton. OPPOSITE: “Giraffe” Necklaces and Bracelets, ca. 1927. Designed Ms. Paredes was the chief curator and director of collections at Hillwood by Jean Dunand (French, b. Estate, Museum, and Gardens, the famed museum in Maryland founded by Switzerland, 1877–1942). Red and black lacquer, Oréum; necklaces: Marjorie Merriweather Post. She was a highly esteemed expert on French diam. 11.4–14.6 cm; bracelets: decorative arts and interiors and was both author and co author of numerous diam. 6–7 cm. Siegelson, New York. works on porcelain and collectibles, including Sevres Then And Now: Tradition in Porcelain 1750–2000 and A Taste for Splendor: Russian Imperial and European Treasures from the Hillwood Museum. After organizing and curating numerous decorative arts exhibits, she moved onto what was to become one of her favorite endeavors: researching and curating the magnificent exhibit of Marjorie Merriweather Post’s jewels, Spectacular Gems and Jewelry, on view at Hillwood until January of 2018. She was a historian and a lover of beautiful objects, with a deep under- standing of aesthetics and workmanship. -
The Fabulous Jewelry Fashions of Fall/Winter 2007
The Fabulous Jewelry Fashions of Fall/Winter 2007 Natural Stones When you want to keep it soft, go with the buff and polish of genuine mother-of-pearl, aventurine, wood, jasper and freshwater pearls. Geometrics Edgy circles, squares and triangles take gold and silver metals from playful to sophisticated. They should figure prominently in your accessory wardrobe from work to weekend. Hammered Texture You can’t beat it. From beads to bracelets it’s hot, hot, hot -- especially in matte gold. Texture of all kinds is in the forefront right now. Green Even jewelry is showing its “organic” side this fall. Cultivate the green trend in leafy tones that go it alone or mix with the sparkle and brightness of multi-colored crystals and beads. Two-Tones Your best bet for career and travel. The marriage of gold and silver offers the ultimate in ver - satility. This season look for more matte finished combos and even matte and polished finish - es hanging out together. Jewel Tones All those neutral fashions are begging for a power surge of color -- in accessories that take mix and mingle to the extreme. Cut crystals and CZ’s lead the parade. IMPORTANT THINGS TO KNOW ABOUT OUR COLLECTION: *All of our pierced earrings have stainless steel posts (surgical steel) and stainless steel butterfly clutches. The posts are notched, so that the clutch - es stay on tight. *All of our silver jewelry has a Rhodium finish unless otherwise specified. Rhodium will not tarnish or discolor. Your customers will find the finish will stay as nice as the day they bought it. -
THE IMPORTANCE of BIBLICAL PUNCTUATION by John Temples
BIBLICAL INSIGHTS #57: JOTS AND TITTLES: THE IMPORTANCE OF BIBLICAL PUNCTUATION By John Temples Jesus said in the Sermon on the Mount, “Do not think that I came to destroy the Law or the Prophets. I did not come to destroy but to fulfill. For assuredly, I say to you, till heaven and earth pass away, one jot or one tittle will by no means pass from the law till all is fulfilled” (Matthew 5:17-18). What on earth are jots and tittles? A jot (or yod) was the smallest letter in the Hebrew alphabet. It resembled an apostrophe (‘). A tittle was even smaller, and was a little “horn” or pen stroke on the end of a letter, rather like a serif on a letter in the English alphabet. The NIV does a good job of rendering the sense of Matthew 5:18--“I tell you the truth, until heaven and earth disappear, not the smallest letter, not the least stroke of a pen, will by any means disappear from the Law until everything is accomplished.” (It’s important to note that the law was fulfilled in Jesus and His sacrifice; so once that sacrifice was completed, and the sin debt was paid by Christ’s blood, the law did pass away and was replaced by the New Testament.) So Jesus was saying that not even the smallest parts of the law of Moses would pass away until all the law’s requirements were fulfilled. We use similar expressions when we want to emphasize the importance of small details, such as “dotting our i’s and crossing our t’s.” Also, in English we have small but important marks of punctuation--commas, periods, colons, question marks, etc. -
SM a R T M U S E U M O F a R T U N Iv E R S It Y O F C H IC a G O B U L L E T in 2 0 0 6 – 20
http://smartmuseum.uchicago.edu Chicago, Illinois 60637 5550 South Greenwood Avenue SMART SMART M U S EUM OF A RT UN I VER SI TY OFCH ICAG O RT RT A OF EUM S U M SMART 2008 – 2006 N I ET BULL O ICAG H C OF TY SI VER I N U SMART MUSEUM OF ART UNIVERSITY OF CHICAGO BULLETIN 2006– 2008 SMART MUSEUM OF ART UNIVERSITY OF CHICAGO BULLETIN 2006–2008 MissiON STATEMENT / 1 SMART MUSEUM BOARD OF GOVERNORS / 3 REPORTS FROM THE CHAIRMAN AND DiRECTOR / 4 ACQUisiTIOns / 10 LOANS / 34 EXHIBITIOns / 44 EDUCATION PROGRAMS / 68 SOURCES OF SUPPORT / 88 SMART STAFF / 108 STATEMENT OF OPERATIOns / 112 MissiON STATEMENT As the ar t museum of the Universit y of Chicago, the David and Alfred Smar t Museum of Ar t promotes the understanding of the visual arts and their importance to cultural and intellectual history through direct experiences with original works of art and through an interdisciplinary approach to its collections, exhibitions, publications, and programs. These activities support life-long learning among a range of audiences including the University and the broader community. SMART MUSEUM BOARD OF GOVERNORS Robert Feitler, Chair Lorna C. Ferguson, Vice Chair Elizabeth Helsinger, Vice Chair Richard Gray, Chairman Emeritus Marilynn B. Alsdorf Isaac Goldman Larry Norman* Mrs. Edwin A. Bergman Jack Halpern Brien O’Brien Russell Bowman Neil Harris Brenda Shapiro* Gay-Young Cho Mary J. Harvey* Raymond Smart Susan O’Connor Davis Anthony Hirschel* Joel M. Snyder Robert G. Donnelley Randy L. Holgate John N. Stern Richard Elden William M. Landes Isabel C. -
A Collection of Mildly Interesting Facts About the Little Symbols We Communicate With
Ty p o g raph i c Factettes A collection of mildly interesting facts about the little symbols we communicate with. Helvetica The horizontal bars of a letter are almost always thinner than the vertical bars. Minion The font size is approximately the measurement from the lowest appearance of any letter to the highest. Most of the time. Seventy-two points equals one inch. Fridge256 point Cochin most of 50the point Zaphino time Letters with rounded bottoms don’t sit on the baseline, but slightly below it. Visually, they would appear too high if they rested on the same base as the squared letters. liceAdobe Caslon Bold UNITED KINGDOM UNITED STATES LOLITA LOLITA In Ancient Rome, scribes would abbreviate et (the latin word for and) into one letter. We still use that abbreviation, called the ampersand. The et is still very visible in some italic ampersands. The word ampersand comes from and-per-se-and. Strange. Adobe Garamond Regular Adobe Garamond Italic Trump Mediaval Italic Helvetica Light hat two letters ss w it cam gue e f can rom u . I Yo t h d. as n b ha e rt en ho a s ro n u e n t d it r fo w r s h a u n w ) d r e e m d a s n o r f e y t e t a e r b s , a b s u d t e d e e n m t i a ( n l d o b s o m a y r S e - d t w A i e t h h t t , h d e n a a s d r v e e p n t m a o f e e h m t e a k i i l .