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The Mousmé and the Cultural Mobility of Musical Comedy
6 Henry Balme Yale University, USA Between Modernism and Japonism: The Mousmé and the cultural mobility of musical comedy Edwardian musical comedy had been sidelined in music and theatre histories due to its conservative design and frivolous narratives, but it is now being critically reassessed for the role it played in the creation of a first globalised network of theatre. The Mousmé is a work that exemplifies the process of performative re- contextualisation that accompanied musical comedies as they travelled from London’s West End across the world, as far as Yokohama and Tokyo. The work appealed to British audiences because it was held to be a realistic reconstruction of Japanese culture and society, but it was also enjoyed by Japanese audiences, despite its stereotypical portrayal of their people. This apparent dichotomy is explored in this essay, which presents little-known documents surrounding the production and its travels. It sheds light on how musical theatre became culturally mobile during the first age of globalisation. Henry Balme is a full-time Ph.D. candidate in Music History at the Department of Music of Yale University. He completed his M.St. at the University of Oxford (2015) and his B.Mus. at City, University of London. Keywords: Bandmann Opera Company, cultural mobility, Edwardian musical comedy, Florence Smithson, George Edwardes, globalisation, japonism, Maurice E. Bandmann, modernity ulture is rarely stable or fixed.1 This claim is corroborated by the global Ctransmission and reception of Edwardian musical comedy. For a long time the genre had been considered an obscure part of musical theatre history and thus demoted to the sidelines of musicology and theatre studies.2 It is now being critically re-assessed for the importance it played in the globalisation of theatre during the first fifteen years of the twentieth century: musical comedy became a medium of extraordinary mobility, transmitted via the transnational travel and communication networks that had been put into place during the nineteenth century. -
The Reception of the Affaire Dreyfus in British Literature and Culture, 1894-1940
Dipartimento di Studi Europei, Americani e Interculturali Dottorato di ricerca in Scienze del testo THE RECEPTION OF THE AFFAIRE DREYFUS IN BRITISH LITERATURE AND CULTURE, 1894-1940 Alessandra Crotti Matricola 1750394 Relatore Prof. Riccardo Capoferro A.A. 2018-2019 Abstract: La tesi propone lo studio della ricezione dell'Affaire Dreyfus (1894-1906) nella vita politica e culturale inglese della prima metà del ventesimo secolo attraverso l'analisi della sua rappresentazione nella produzione letteraria. Pur appartenendo alla vita politica e culturale della Francia moderna, l'Affaire Dreyfus divenne oggetto di ampio dibattito anche in territorio inglese, intrecciandosi con la storia della società tardo-vittoriana tra il 1897 e il 1900. In Gran Bretagna come in Francia, l'Affaire instaurò un forte legame con la letteratura, con la vita degli intellettuali e con il romanzo, entrando con forza nei testi sia a livello tematico che formale. Nonostante l'entità del fenomeno Dreyfus, la presenza dell'Affaire nella produzione letteraria inglese è raramente riconosciuta e mai studiata. La ricerca intende quindi muoversi verso una ricostruzione quanto più possibile completa della ricezione dell'Affaire Dreyfus in Gran Bretagna passando attraverso lo specchio della letteratura, sia popolare che canonica. La prima parte dell’indagine è quindi dedicata alla produzione culturale e letteraria popolare: dopo aver descritto la presenza pervasiva dell’Affaire nell’ambito dell’intrattenimento popolare, verrà analizzata l’assenza (assoluta e quindi sospetta) dell’Affaire nel romanzo gotico di fine secolo, sito preferenziale di rappresentazione delle fantasie di eliminazione dell’altro. In seguito, verrà evidenziato il ruolo chiave che il caso Dreyfus ebbe come catalizzatore della nascita della spy story inglese, rintracciando temi, motivi e caratterizzazioni ad esso ispirati. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Glasgow Cinema Programmes 1908-1914
Dougan, Andy (2018) The development of the audience for early film in Glasgow before 1914. PhD thesis. https://theses.gla.ac.uk/9088/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The development of the audience for early film in Glasgow before 1914 Andy Dougan Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow May 2018 ©Andy Dougan, May 2018 2 In memory of my father, Andrew Dougan. He encouraged my lifelong love of cinema and many of the happiest hours of my childhood were spent with him at many of the venues written about in this thesis. 3 Abstract This thesis investigates the development of the audience for early cinema in Glasgow. It takes a social-historical approach considering the established scholarship from Allen, Low, Hansen, Kuhn et al, on the development of early cinema audiences, and overlays this with original archival research to provide examples which are specific to Glasgow. -
London Musicals 1920-1924.Pub
1920 1 MEDORAH London run: Alhambra, January 22 nd – March 13 th (60 performances) Music: Vada Ennem Book & Lyrics Denn Spranklin English adaptation: Rupert Hazell English lyrics : Adrian Ross Additional numbers : John Ansell Director: E. Dagnell Choreographer: Will Bishop Musical Director : John Anstell Cast: Leo Stormont ( Sultan), Ada Reeve (Medorah), W.S. Percy ( Dadoolah), Jamieson Dodds (Vernon Grant ), Leslie Stiles ( Ambassador Manston), Margaret Campbell ( Mrs Manston) Songs: Tomorrow’s Another Day, There’s Always a Drawback, Like a Dream. Wonderful Joy, Hope Again, Love and My Soul Alone Story: In Caravanistan beauty is measured in physical bulk, the heavier the better. The Sultan’s eldest daughter, Medorah, is thin, too thin to be an eligible bride. Chancellor Dadoolah suggests she is sent to America for the purposes of putting on weight – a suggestion that delights her because she has fallen in love with Vernon Grant, the man who accompanied the American ambassador and his wife to a reception in the Sultan’s palace. They meet again in Washington, and when she is summoned back to Caravanistan , Vernon secretly follows. Meantime, after various adventures, Vernon is captured and forced to work as a slave in the Sultan’s household. With no hope of marrying his underweight daughter to a prince, the Sultan condemns her to marry his new slave – and thus Medorah and Vernon are happily united. Notes: The original publicity declared that “Medorah” was jointly produced by Mr. Bernard J. Hishin and Sir Oswald Stoll, but within a week of opening, the show was subject to a legal dispute in the Court of Chancery, with Violet Melnotte claiming (and winning) half-ownership in the copyright of the English version of this Dutch original. -
Film Club Sky 328 Newsletter Freesat 306 NOV/DEC 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 NOV/DEC 2020 Virgin 445 You can call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, Hello everyone and welcome to all our new supporters who bought the fantastic TPTV 2021 calendar – welcome to the Talking Pictures TV & Renown Pictures monthly newsletter, the largest free club supporting film and TV history! Talking of calendars – we have just a few left, so please do get your orders in quick as ‘Every Home Should Have One’ and they really do help us, plus they make the perfect gift for film buffs! This month we bring you a very special limited edition DVD release of SCROOGE (1951), with the wonderful Alastair Sim CBE, (in our opinion the best Scrooge on film), with optional subtitles for the very first time! It’s a 2-DVD special edition for Dickens’ 150th anniversary. Included on the discs are the original 1951 theatrical trailer and Scrooge (1935) with Seymour Hicks. It’s limited stock with a special price of just £15 with free UK postage (more details over the page). Keeping the Scrooge theme in mind, I’ve made some delightful exclusive baubles, see page 8, perfect for those ‘Bah Humbugs’ (I’m sure we all know one!)… By popular request, I’ve also made some cufflinks this month, see pages 26-27 for the designs. We have a host of special offers to help you with gifting this year, so I do hope you find something of interest. Look out for the BFI 2-DVD box set Stop! Look! Listen! on page 14, featuring nostalgic films on road safety. -
University Miaonlms International
INFORMATION TO USERS Tins reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality o f the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “ target" for pages apparently lacking from the document photographed is “ Missing Pagc(s)". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication o f either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method o f “ sectioning" the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Exchange’
Dysfunctional Family Makes for Dark Comedy in The Lyons ” This is a show that deals with life, death and everything in between–” The Lyons at 2nd Story The lives of a dysfunctional family take center stage in the black comedy The Lyons, which opened in previews January 10 and is running through February 9 at Warren’s 2nd Story Theatre. The Lyons was written by Nicky Silver and debuted on Broadway at the Cort Theatre in April 2012. This is a show that deals with life, death and everything in between. Paula Faber, a veteran member of the theater’s acting company, gives a tour de force performance as Rita, the overbearing wife of Ben Lyons (Vince Petronio), who is dying from cancer. Rita, stuck in a 40- year loveless marriage, now thinks of the future without Ben and plans to re-decorate their home. Ben lays in his hospital bed and speaks in a flurry of profanities. He is constantly annoyed by Rita and despises her. Their grown children Curtis (Kevin Broccoli) and Lisa (Lara Hakeem) also come to his hospital room to pay a visit. Lisa has left an abusive marriage and is a recovering alcoholic. Curtis, who is gay, has had little to do with his father, who is homophobic. Throughout the play, all the resentments between the Lyons bubble up to the surface. Rita is a fundamentally selfish woman who will not spare anyone’s feelings. However, she is not a one dimensional caricature either. Late in Act One, while her husband sleeps under dimmed lights, Rita realizes how empty her life will be once Ben is gone. -
THE MASK a QUARTERLY JOURNAL of the ART of the THEATRE Volume Four
THE MASK A QUARTERLY JOURNAL OF THE ART OF THE THEATRE Volume Four. Number One. J u L Y I 9 i i ARENA QOLDO N I ? F L 0 R E N C E ITALY • - ..J YEARLY SUBSCRfPTION FIFTEEN SHILLING f | i 1 <& THE MASK. JULY 19 11. J& LITERARY CONTENTS. 1. 4. THE OPEN AIR: Edward Edwardovitch. 8. BRIEUX AND BERNARD SHAW . Louis Madrid .... 13- THE COURAGE OP THE IMPRESARIO . Adolf Purst 17. PIDDLE DE DEE. , Allen Carrie 19. IN DEFENCE OF THE ARTIST. John Balance 22. WONDERFUL ABOMINABLE AMERICANS. John Semar. .... 25. THE TUSCAN " MAQQI " Pierre Ram6s. -. 28. ARTISTIC DEBAUCHERY An Extract from the writings of George Moore with a Note by J. S 34. A HISTORICAL PAGEANT IN KYOTO. Lafcadio Hearn. 37. DOES THE REAL ENGLISHMAN GO TO THE THEATRE ? A Note by . Gordon Craig .... 37- A WORD ABOUT APPLAUSE. Goethe 39- CAMBRIDGE UNIVERSITY AND ITS BAN ON ACTRESSES C. G. Smith 41. ETERNITY AND SOAP BUBBLES . J.van Holt 43- MORE CIRCUS CLASSICS. Adolf Furst .... 45. ITALIAN WOODCUTS. A Note upon their Use to the Modern Scene Designer. Felix Urban 47. J» BOOK REVIEWS. & FOREIGN NOTES. j& EDITORIAL NOTES. J& Short Extracts from the Words or Writings of Madame Eleonora Duse, Garibaldi, Ruskin, R. L. Stevensen, La Bruyere, Nietzsche, Walt Whitman, Oscar Wilde, Pages 3, 7. 16, 21, 24, 27. ILL US T R A T I O N S - WALT WHITMAN. (Frontispiece). Gordon Craig. (1898) . Face 1. A MASK FROM THE JAVANESE. Julius Oliver. , 11. PROFESSOR BRANDER MATTHEWS. From " New York Review " . 21. MONTH OF MAY FESTIVAL. -
Fashion Behind the Footlights: the Influence of Stage
FASHION BEHIND THE FOOTLIGHTS: THE INFLUENCE OF STAGE COSTUMES ON WOMEN'S FASHIONS IN ENGLAND FROM 1878-1914 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karen Adele Recklies, B.A., M.A. * * * * * The Ohio State University 1982 Reading Committee: Approved By Alan Woods George Crepeau Firman Brown, Jr. Advisor Department of Theatre Copyright Karen Adele Recklies 1982 I I I l I ~ ACKNOWLEDGMENTS I would like to thank the following, people for their help in preparing the dissertation: my advisor Alan Woods, George Crepeau, Firman Brown, Jr., Mary Millican, and my husband Don for his preparation of the illustrations. ii VITA 1971 ...................... B.A., Kent State University, Kent, Ohio 1971-72................... Teaching Assistant, Department of Theatre, Kent State Univer sity, Kent, Ohio 1974 ............... M.A., Kent State University, Kent, Ohio 1976-80 ................. Graduate Teaching Associate, Graduate Administrative Associ ate, Department of Theatre, The Ohio State University, Columbus, Ohio 1981-82 ................. Graduate Administrative Associ ate, Center for Medieval and Renaissance Studies, The Ohio State University, Columbus, Ohio PUBLICATIONS AND PRESENTATIONS "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Part of the Competitive Costume Panel at the American Theatre Association National Convention, August 1981. "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Accepted for publication in Theatre Studies. FIELDS OF STUDY Major Field; Theatre Studies in Costume Design and Costume History. Professor Michelle Guillot Studies in Literature and Criticism. Professor John Morrow Studies in History. -
The Story of My Life by Ellen Terry</H1>
The Story of My Life by Ellen Terry The Story of My Life by Ellen Terry Produced by Suzanne Shell, Linda Cantoni and PG Distributed Proofreaders [Illustration: Ellen Terry drawn from photographs by Albert Sterner] THE STORY OF MY LIFE RECOLLECTIONS AND REFLECTIONS BY ELLEN TERRY [Illustration] page 1 / 522 ILLUSTRATED NEW YORK DOUBLEDAY, PAGE & CO. MCMIX _1908, The McClure Company_ 1907, 1908, The S.S. McClure Company 1907, 1908, Ellen Terry TO EDY CONTENTS INTRODUCTION page 2 / 522 I. A CHILD OF THE STAGE, 1848-56 The Charles Keans, 1856 Training in Shakespeare, 1856-59 II. ON THE ROAD, 1859-61 Life in a Stock Company, 1862-63 1864 III. ROSSETTI, BERNHARDT, IRVING, 1865-67 My First Impressions of Henry Irving IV. A SIX-YEAR VACATION, 1868-74 V. THE ACTRESS AND THE PLAYWRIGHT, 1874. Portia, 1875 Tom Taylor and Lavender Sweep VI. A YEAR WITH THE BANCROFTS VII. EARLY DAYS AT THE LYCEUM VIII. WORK AT THE LYCEUM IX. LYCEUM PRODUCTIONS page 3 / 522 X. LYCEUM PRODUCTIONS (_continued_) XI. AMERICA: THE FIRST OF EIGHT TOURS What Constitutes Charm XII. SOME LIKES AND DISLIKES XIII. THE MACBETH PERIOD XIV. LAST DAYS AT THE LYCEUM My Stage Jubilee Apologia The Death of Henry Irving Alfred Gilbert and others "Beefsteak" Guests at the Lyceum Bits From My Diary INDEX LIST OF ILLUSTRATIONS Ellen Terry page 4 / 522 Mr. and Mrs. Benjamin Terry Charles Kean and Ellen Terry in 1856 Ellen Terry in 1856 Ellen Terry at Sixteen "The Sisters" (Kate and Ellen Terry) Ellen Terry at Seventeen George Frederick Watts, R.A. -
Full Text Document (Pdf)
Kent Academic Repository Full text document (pdf) Citation for published version Brooks, Helen E.M. and Hanna, Emma (2019) 'A Night in the West End, 1914-1918': A Lecture-Concert. Performance type: Musical event A Night in the West End, 1914-1918: A Lecture-Concert, 27 April 2019, Westgate Hall, Canterbury. Script. DOI Link to record in KAR https://kar.kent.ac.uk/73664/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html A NIGHT IN THE WEST END 1914-1918 PRESENTED BY Emma Hanna & Helen Brooks ------------------------- IMAGE GATEWAYS SLIDE [Band Enter] IMAGE - TITLE SLIDE with music BAND: Overture to Arcadians [ALL ENTER] ACT I SPEAKER 1: Welcome to ‘A Night in the West End, 1914-1918’, a lecture-concert written and produced by Gateways to the First World War at the University of Kent, in collaboration with the Invicta Concert Band and the Westgate Community Trust.