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Get “Buzzed” at St. Baldrick's Help Homeless
City Awards Lancer Wrestlers Schools Funds Finish Strong PAGE 2 For Cordova PAGE 13 Grapevine ndependent VOLUMEI 5047 •• ISSUEISSUE 0925 PROUDLY PROUDLY SERVING SERVING RANCHORANCHO CORDOVA CORDOVA & SACRAMENTO& SACRAMENTO COUNTY COUNTY June MARCH 19, 3, 20152017 CRPD HONORED Help Homeless FOR PROGRAM Get “Buzzed” at St. Baldrick’s OF THE YEAR Children with Project 680 RANCHO CORDOVA, CA (MPG) - Local homeless children need your help! Project 680, a grassroots organization led by local residents with the mission of supporting PAGE homeless students in Rancho 3 Cordova, is kicking off its Spring Drive on Monday, March 6th to collect clothing and other necessities. CORDOVA In 2008, a group of com- munity members joined BASKETBALL forces to hold a sock drive for the homeless youth in SEASON ENDS our area. After learning from Folsom Cordova Unified IN PLAYOFFS School District (FCUSD) that there were 680 homeless students in our commu- nity, Project 680 was born. Today, there are over 800 documented cases of home- less students in the Folsom Cordova Unified School District, as well as their 75 infant and toddler siblings. “Homelessness is some- thing that can affect everyone,” said Reveca Owens, Education Services PAGE 13 “It’s a small sacrifice with a huge reward – raising awareness and funding to help children conquer this awful disease” said Mayor Donald Terry. Liaison for Homeless Photo courtesy City of Rancho Cordova Students at FCUSD. “These RANCHO CORDOVA, CA (MPG) - River Brewing Company, to show my support for chil- and passed away this last year children are lacking basic According to the St. Baldrick’s 11151 Trade Center Drive. -
August 13, 2011 Olin Park | Madison, WI 25Years of Great Taste
August 13, 2011 Olin Park | Madison, WI 25years of Great Taste MEMORIES FOR SALE! Be sure to pick up your copy of the limited edition full-color book, The Great Taste of the Midwest: Celebrating 25 Years, while you’re here today. You’ll love reliving each and every year of the festi- val in pictures, stories, stats, and more. Books are available TODAY at the festival souve- nir sales tent, and near the front gate. They will be available online, sometime after the festival, at the Madison Homebrewers and Tasters Guild website, http://mhtg.org. WelcOMe frOM the PresIdent elcome to the Great taste of the midwest! this year we are celebrating our 25th year, making this the second longest running beer festival in the country! in celebration of our silver anniversary, we are releasing the Great taste of the midwest: celebrating 25 Years, a book that chronicles the creation of the festival in 1987W and how it has changed since. the book is available for $25 at the merchandise tent, and will also be available by the front gate both before and after the event. in the forward to the book, Bill rogers, our festival chairman, talks about the parallel growth of the craft beer industry and our festival, which has allowed us to grow to hosting 124 breweries this year, an awesome statistic in that they all come from the midwest. we are also coming close to maxing out the capacity of the real ale tent with around 70 cask-conditioned beers! someone recently asked me if i felt that the event comes off by the seat of our pants, because sometimes during our planning meetings it feels that way. -
The Mousmé and the Cultural Mobility of Musical Comedy
6 Henry Balme Yale University, USA Between Modernism and Japonism: The Mousmé and the cultural mobility of musical comedy Edwardian musical comedy had been sidelined in music and theatre histories due to its conservative design and frivolous narratives, but it is now being critically reassessed for the role it played in the creation of a first globalised network of theatre. The Mousmé is a work that exemplifies the process of performative re- contextualisation that accompanied musical comedies as they travelled from London’s West End across the world, as far as Yokohama and Tokyo. The work appealed to British audiences because it was held to be a realistic reconstruction of Japanese culture and society, but it was also enjoyed by Japanese audiences, despite its stereotypical portrayal of their people. This apparent dichotomy is explored in this essay, which presents little-known documents surrounding the production and its travels. It sheds light on how musical theatre became culturally mobile during the first age of globalisation. Henry Balme is a full-time Ph.D. candidate in Music History at the Department of Music of Yale University. He completed his M.St. at the University of Oxford (2015) and his B.Mus. at City, University of London. Keywords: Bandmann Opera Company, cultural mobility, Edwardian musical comedy, Florence Smithson, George Edwardes, globalisation, japonism, Maurice E. Bandmann, modernity ulture is rarely stable or fixed.1 This claim is corroborated by the global Ctransmission and reception of Edwardian musical comedy. For a long time the genre had been considered an obscure part of musical theatre history and thus demoted to the sidelines of musicology and theatre studies.2 It is now being critically re-assessed for the importance it played in the globalisation of theatre during the first fifteen years of the twentieth century: musical comedy became a medium of extraordinary mobility, transmitted via the transnational travel and communication networks that had been put into place during the nineteenth century. -
Blackadder Goes Forth Audition Pack
Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades. -
Dorchester Beerex2020
GIANT DONGLE ISSUE 40 : WINTER 2019/20 Dorchester Beerex2020 7th & 8th February 2020 see page 5 In this issue: • Bermondsey Beer Mile • Community Hop Brew Day • Dead Brewers’ Society • plus Latest News & What’s On The FREE magazine from the West Dorset branch of CAMRA The Wyke Smugglers Real Ales * Fresh Food * Log Fire * Pool * Darts Skittles * Crib * Live Music * Car Park * Beer Garden A real community pub Newly refurbished function room available for hire - weddings, birthdays, anniversaries, private parties 76 Portland Road, Wyke Regis Tel: 01305 760010 For more details check out facebook.com/wykesmugglers GIANT DONGLE is published by the West Dorset branch of the Campaign for Real Ale Welcome to the winter Editors Alex Scrivener edition of the Giant Dongle 9 Lydgate Street Poundbury DT1 3SJ I kick off this edition with a plea for more involvement and 07917 263 681 [email protected] information sharing among members and non-members John Parker come to that. Have you ever missed an event in a pub 07769 511700 because you didn’t know about it – annoying isn’t it!? Design & Print James Bennett I often have discussions with landlords about events and [email protected] publicity and am frequently told “well there’s a notice on Distribution the wall” – not all that useful if I am in Dorchester and the 2,500 copies distributed every pub is in Lyme Regis. quarter to over 200 West Dorset pubs, over 600 branch members, at local CAMRA Beer I am wondering if CAMRA members, regulars in said pub Festivals and online at with “the notice on the wall”, might consider “adopting” www.camrawdorset.org.uk the pub and passing info to a central source. -
The Reception of the Affaire Dreyfus in British Literature and Culture, 1894-1940
Dipartimento di Studi Europei, Americani e Interculturali Dottorato di ricerca in Scienze del testo THE RECEPTION OF THE AFFAIRE DREYFUS IN BRITISH LITERATURE AND CULTURE, 1894-1940 Alessandra Crotti Matricola 1750394 Relatore Prof. Riccardo Capoferro A.A. 2018-2019 Abstract: La tesi propone lo studio della ricezione dell'Affaire Dreyfus (1894-1906) nella vita politica e culturale inglese della prima metà del ventesimo secolo attraverso l'analisi della sua rappresentazione nella produzione letteraria. Pur appartenendo alla vita politica e culturale della Francia moderna, l'Affaire Dreyfus divenne oggetto di ampio dibattito anche in territorio inglese, intrecciandosi con la storia della società tardo-vittoriana tra il 1897 e il 1900. In Gran Bretagna come in Francia, l'Affaire instaurò un forte legame con la letteratura, con la vita degli intellettuali e con il romanzo, entrando con forza nei testi sia a livello tematico che formale. Nonostante l'entità del fenomeno Dreyfus, la presenza dell'Affaire nella produzione letteraria inglese è raramente riconosciuta e mai studiata. La ricerca intende quindi muoversi verso una ricostruzione quanto più possibile completa della ricezione dell'Affaire Dreyfus in Gran Bretagna passando attraverso lo specchio della letteratura, sia popolare che canonica. La prima parte dell’indagine è quindi dedicata alla produzione culturale e letteraria popolare: dopo aver descritto la presenza pervasiva dell’Affaire nell’ambito dell’intrattenimento popolare, verrà analizzata l’assenza (assoluta e quindi sospetta) dell’Affaire nel romanzo gotico di fine secolo, sito preferenziale di rappresentazione delle fantasie di eliminazione dell’altro. In seguito, verrà evidenziato il ruolo chiave che il caso Dreyfus ebbe come catalizzatore della nascita della spy story inglese, rintracciando temi, motivi e caratterizzazioni ad esso ispirati. -
Spring Vol. 1.Pdf
The golden quill Contents page Laura—ROCK BANDS. KELIS~READInG FATMA~AJK CHARITY BEN~WHAT DO PEOPLE FIND FUNNY? DaVID~COoKING IN THE KITCH- EN MAX~EMOJIS. ‘remember to read me like a book!!!’ The Rock Bands Jordan was previously the keyboard- ist in a band called Worship. He then became a Bring Me the Horizon Members of Bring Me The Horizon Oliver (Ollie) was born on session musician before becoming a November 20, 1986 in Ash- full fledged member of the group in lead singer Oliver Scott ford’ Kent in South East January of 2013. He was nominat- Sykes England. As a teenager, he ed for Best Keyboardist in the attended Stockbridge High 2013 Alternative Press Reader poll. Rhythm Guitarist Jordan Fish School. When Ollie was He is married to a woman called about 17 years old, he start- Emma Fish and has a son called Bass Guitar Matt Kean ed putting together compila- Eliot Fish. He is 30. He was born tion CD’s and short tracks in England. Matthew Nicholls under the name of Drummer ‘Quakebeat’. He also played in two other bands. One was Matt Kean, born 2 June, 1986, has Set It Off ‘Womb 2 Da Tomb’ which been the bassist for Bring Me The Horizon since their formation in Cody Carson was a rap/hip hop group, Lead singer along with Matt Nicolas 2004. Matt earned the nickname (current Bring Me The Hori- “Vegan” because, before Jona Maxx Danziger Drummer zon Drummer) and his joined the band, he was the only brother Tom Sykes. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Aid Memoir Aid Larry Hollingworth Larry
Larry Hollingworth, current visiting professor of AID MEMOIR Humanitarian Studies at Fordham University in New York City, served as head of the UNHCR’s efforts in Bosnia throughout the lengthy conflict that plagued the former Yugoslavia in the early to mid 90’s. Aid Memoir follows Larry and his UN colleagues throughout multiple efforts to provide much needed relief for besieged, isolated, and desperate communities riddled by senseless killing and aggression. The characters encountered throughout are at times thrilling, at times frightening. Larry spares no details, however troubling, and therefore shines a telling light on the reality of the situation that most will remember to have watched on their television screens. Front cover. During the Siege of Sarajevo, between 1992 and 1995, the city was repeatedly hit by mortar strikes. The craters left behind by these explosions were filled with red resin LARRY HOLLINGWORTH to commemorate the casualties of the attacks. These war memorials were given the name Sarajevo Roses, after people noted that the patterns reminded them of flowers. Today, they serve as a reminder of the bloodshed and loss of AID MEMOIR that conflict. The Sarajevo Rose on the cover HOLLINGWORTH LARRY of this book is one of the city’s most emblematic war memorials found outside the entrance of the Tunnel of Hope under the Sarajevo Airport. The Refuge Press is an independent imprint founded in 2020, with an emphasis on humanitarian and social justice issues. It publishes at least four books, and an equal number of art catalogues, per year. Our books focus on humanitarian solutions as well as personal and professional reflections on global crises. -
Disabling Comedy: “Only When We Laugh!”
Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people. -
Duke University 1999-2000
bulletin of Duke University 1999-2000 0 The Mission of Duke University The founding Indenture of Duke University directed the members of the university to "develop our resources, increase our wisdom, and promote human happiness." To these ends, the mission of Duke University is to provide a superior liberal education to undergraduate students, attending not only to their intellectual growth but also to their development as adults committed to high ethical standards and full participation as leaders in their communities; to prepare future members of the learned professions for lives of skilled and ethical service by providing excellent graduate and professional education; to advance the frontiers of knowledge and contribute boldly to the international community of scholarship; to foster health and well-being through medical research and patient care; and to promote a sincere spirit of tolerance, a sense of the obligations and rewards of citizenship, and a commitment to learning, freedom, and truth. By pursuing these objectives with vision and integrity, Duke University seeks to engage the mind, elevate the spirit, and stimulate the best effort of all who are associated with the university; to contribute in diverse ways to the local community, the state, the nation, and the world; and to attain and maintain a place of real leadership in all that we do. ACADEMIC LIAISONS Martina J. Bryant Associate Dean Ellen W. Wittig Associate Dean PUBLICATIONS COORDINATOR Rob Hirtz COORDINATING EDITOR Judith K. Smith STAFF SPECIALIST: COURSE CATALOG MASTER Margaret R. Sims COVER PHOTOGRAPH University Photography The information in this bulletin applies to the academic year 1999-2000 and is accurate and current, to the extent possible, as of January 1999. -
Glasgow Cinema Programmes 1908-1914
Dougan, Andy (2018) The development of the audience for early film in Glasgow before 1914. PhD thesis. https://theses.gla.ac.uk/9088/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The development of the audience for early film in Glasgow before 1914 Andy Dougan Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow May 2018 ©Andy Dougan, May 2018 2 In memory of my father, Andrew Dougan. He encouraged my lifelong love of cinema and many of the happiest hours of my childhood were spent with him at many of the venues written about in this thesis. 3 Abstract This thesis investigates the development of the audience for early cinema in Glasgow. It takes a social-historical approach considering the established scholarship from Allen, Low, Hansen, Kuhn et al, on the development of early cinema audiences, and overlays this with original archival research to provide examples which are specific to Glasgow.