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THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
Drum and Hardware 2011 Catalog Today’S Best Drummers Prefer MAPEX PERFORMANCE IS EVERYTHING
See the entire selection of Mapex Drums and Hardware at mapexdrums.com Product specifications described herein are subject to change without notice. Due to limitations in photographic and lithographic processes, illustrated colors may vary slightly from actual colors offered. Since wood grain patterns appear randomly in raw materials, wood grain on product pictured will differ from actual product. Cymbals are not included, except where indicated. Some items may only be available via special order, see dealer for details. Black Panther®, ITSTM, OS Cymbal AccentuatorsTM and Tri-Nodal are trademarks of Mapex, Incorporated. Remo® is a registered trademark of Remo®. Mapex® is a registered trademark of Mapex®. Mapex thanks the cymbals companies MEINL, PAISTE, SABIAN and ZILDJIAN for their support in the products photography. Pictured on front cover, Derico Watson at Sound Kitchen Studios, Nashville, TN. © Copyright 2011 KHS America PMKM-M2011EB MAPEX Drum and Hardware 2011 Catalog Today’s best drummers prefer MAPEX PERFORMANCE IS EVERYTHING “Where ever in the world “Mapex is not just a company, “When it comes to I might be, Mapex drums it’s a family. Mapex cares Photo by Andrea De Marchi getting a great drum Tonight, you’ll sit down to perform and like every night, you’ll give it your all. You’ve figured out that giving your provide me the voice to about its artist as people and sound, Mapex is my be heard. Manufacturing they are organized to handle reference. I does not best performance reaps valuable rewards. If you give it your best tonight, you’ll learn something new about integrity and excellence all of the needs worldwide. -
Volume 8, No 2, October 2019
International Journal of Music Business Research Volume 8, Number 2, October 2019 Editors: Peter Tschmuck University of Music and Performing Arts Vienna, Austria Dennis Collopy University of Hertfordshire, UK Phil Graham (also book review editor) University of the Sunshine Coast, Australia Guy Morrow University of Melbourne, Australia Daniel Nordgård (also book review editor) University of Agder, Norway Carsten Winter (also book review editor) University of Music, Drama and Media Hanover, Germany AIMS AND SCOPE: The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a new platform to present articles of merit and to shed light on the current state of the art of music business research. Music business research involves a scientific approach to the intersection of economic, artistic (especially musical), cultural, social, legal, technological developments and aims for a better understanding of the creation/production, dissemination/distribution and recep- tion/consumption of the cultural good of music. Thus, the IJMBR targets all academics, from students to professors, from around the world and from all disciplines with an interest in research on the music economy. EDITORIAL BOARD Dagmar Abfalter, University of Music and Performing Arts Vienna, Austria David Bahanovich, Trinity Laban Conservatoire of Music and Dance London, UK Marc Bourreau, Université Telecom ParisTech, France Ryan Daniel, James Cook University Townsville, Australia Beate Flath, University of Paderborn, Germany -
Hindustani Music[Edit] Carnatic Music[Edit]
The music of India includes multiple varieties of folk, popular, pop, classical music andR&B. India's classical music tradition, including Carnatic and Hindustani music, has a history spanning millennia and developed over several eras. Music in India began as an integral part of socio-religious life and that Indian music is essentially melodic: sounds follow one another expressing an emotional state in an aesthetic unity.[1] Two main traditions of classical music are Carnatic music, found predominantly in the peninsular regions, and Hindustani music, found in the northern and central regions.[2] The basic concepts of this music includes Shruti, Swara, Alankar, Rāga, and Tāla. Its tonal system divides the octave into 22 segments called shrutis, not all equal but each roughly equal to one quarter of a whole tone of Western music. Melody is based on the system of ragas, which are melody types used as the basis for improvisation. Hindustani music[edit] Main article: Hindustani classical music Hindustani music tradition was developed around 13th and 14th centuries AD with Persian influences and from existing religious and folk music.[3] The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, a sacred text, were sung as Samagana and not chanted. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, historical Vedic philosophy and native Indian sounds but also enriched by the Persian performance practices of the Mughals. -
Change, Longing, and Frustration in Djent-Style Progressive Metal
CHANGE, LONGING, AND FRUSTRATION IN DJENT-STYLE PROGRESSIVE METAL Patrick Nolan Sallings Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2021 APPROVED: Timothy Jackson, Major Professor Vivek Virani, Committee Member Paul Leenhouts, Committee Member Benjamin Brand, Chair of the Division of Music History, Theory, and Ethnomusicology Jaymee Haefner, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Sallings, Patrick Nolan. Change, Longing, and Frustration in Djent-Style Progressive Metal. Doctor of Philosophy (Music), May 2021, 399 pp., 2 tables, 5 figures, 71 musical examples, 1 appendix, bibliography, 76 titles. The progressive metal style “djent” emerged in the mid-to-late 2000s with bands that modeled their use of extended range instruments and complex rhythmic cycles after that of Swedish metal band Meshuggah. The addition of a new vocabulary of melody and harmony by bands such as Periphery, Tesseract, and Animals as Leaders has come to define djent in a new way and provided fruitful ground for voice-leading and metrical analysis. In this dissertation, I approach analysis in two steps. The first step is the production of detailed transcriptions of four djent songs. The process of transcription has allowed for the development of Transcription Preference Rules, modeled after Lerdahl and Jackendoff’s preference rule approach in their generative theory of tonal music. The Transcription Preference Rules account for the selection of key signatures, time signatures, and other features of the scores that may affect analysis. Second, using these scores, I examine the connection between the textual topic of change and the voice-leading and metrical structures in Periphery’s “Insomnia” and Tesseract’s “Of Matter.” I show how this topic is reflected by techniques such as change melodic direction, multidimensional metrical dissonance, and auxiliary cadential events. -
Mailorderliste, Stand 29.11.2015
Mailorderliste, Stand 29.11.2015 CDs / MCDs / LPs ABOMINANT "Upon black horizons" CD 9,00 EUR (Cheapo! Tipp! Import! Schneller Death-Metal mit skandinavischem Einschlag, USA) ENOCHIAN/ISACAARUM "Split" CD 12,50 EUR ABOMINANT "Warblast" CD 11,50 EUR (Out of print Leviathan Rec. Release) (Import! Variabler U.S.-Death-Metal mit melodischem Einschlag) ...And You Will Know Us By The Trail Of Dead " Worlds Apart" CD 4,00 EUR ABOMINATION "Demos" Digi-CD 14,00 EUR (Interscope 2005, 2nd Hand NM/NM) (Demo-Compilation CD, 2013 Doomentia Rec. Digipack Release, new+ Sealed) 1000 YARD STARE "1000 Yard Stare" MCD 4,00 EUR ABOMINATOR "Eternal Conflagration" CD 9,00 EUR (Cheapo! Import! Mischung aus Grind/Death und Hardcore aus den Staaten) (Cheapo! Prügeliger Black/Thrash aus Australien) 1349 "Revelation of the black flame" CD 14,00 EUR ABOMINATOR "Subversives for Lucifer" CD 9,00 EUR (Cheapo! Black Metal from Norway, 2009 Candlelight Release, New+Sealed) (Cheapo! Prügeliger Black/Thrash aus Australien) 1917 "Neo Ritual" CD 9,00 EUR ABOMINATOR/MORNALAND "Prelude to world funeral" CD 7,00 EUR (Import! Death/Black-Metal aus Argentinien) (Cheapo! Oldschooliger Death/Black aus Australien und Schweden) 1917 "Vision" CD 9,00 EUR ABOMINATTION "Doctrine of false" CD 11,00 EUR (Cheapo! Import! Death-Metal aus Argentinien) (Old-Schooliger Death-Metal in Richtung MORBID ANGEL aus Brasilien) 21 LUCIFERS "In the name of" CD 11,50 EUR ABOMINATTION "Rites of eternal hate" CD 11,50 EUR (Import! Melodic Death Metal from Sweden, Pulverized Rec. Release) (Import! Schneller MORBID ANGEL-Like Death-Metal aus Brasilien) 21 LUFICFERS "In the name of..." CD 12,50 EUR ABORT MASTICATION "Orgs" CD 12,50 EUR (Import! Melodic Death/Thrash aus Schweden) (Import! Death/Grind aus Japan) 3 INCHES OF BLOOD "Here waits thy doom" Dig-CD 14,00 EUR ABORTED "Engineering the dead" CD 12,00 EUR (Das neue Album der Heavy Metal Band aus Amiland! Kommt im limitierten DIGI mit Bonustrack!) (Tipp! Re-Release der vergriffenen zweiten Scheibe der holländischen Death-Metaller) 45 Calibre Brain S. -
Giving In: Crowdfunding for Musical Concerts in India* Anirudh Tagat, Hansika Kapoor & Anurag Tagat1
Crowdfunding for musical concerts in India 27 Giving In: Crowdfunding for musical concerts in India* Anirudh Tagat, Hansika Kapoor & Anurag Tagat1 Abstract Crowdfunding is a contemporary financial model for raising funds, specifically for artistic ventures. Recently, crowdfunding has featured prominently in the Indian in- dependent music industry. We investigate the determinants of crowdfunding in In- dia using the case of a crowdfunded musical concert using survey data. Age and level of education are significantly associated with contributions. Implications for crowdfunding in India and areas of future research are outlined. Keywords: Crowdfunding, India, music concerts, Indian independent music, pay- what-you-want 1 Introduction Crowdfunding is steadily emerging as an area of academic interest for economists as well as business academics (Agrawal, Catalan & Goldfarb 2014). When defined as a means by which capital can be raised from many people online (or offline), crowdfunding offers benefits to inves- tors as well as entrepreneurs looking to raise capital. This is in addition to other non-pecuniary benefits that contributors typically receive. 1 Anirudh Tagat is Research Author at the Department of Economics, Monk Prayogshala, Mumbai, India. Anirudh holds an MSc in Economics from the University of Warwick and is currently pursuing doctoral research at the IIT Bombay and Monash University Research Academy. He has previously published in peer-reviewed journals such as the Journal of Behavioural Economics for Policy, Indian Growth and Development Review, and India Review. He also currently serves as Assistant Editor at South Asia Research. ([email protected]). Hansika Kapoor is Research Author at the Depart- ment of Psychology, Monk Prayogshala, Mumbai, India. -
Artist Title Year Genre Label Format Comments CD Wroth Emitter Tumulus Winter Wood [3Rd Press, Gold CD] 2004 Folk Progressive Wroth Emitter CD W.E
Artist Title Year Genre Label Format Comments CD Wroth Emitter Tumulus Winter Wood [3rd press, gold CD] 2004 folk progressive Wroth Emitter CD W.E. 003 Deimos Never Be Awaken 2004 death doom progressive Wroth Emitter CD W.E. 004 Eternal Sin Christ's False Torments 2005 true black Wroth Emitter CD W.E. 006 Tumulus Sredokresie 2005 folk progressive Wroth Emitter CD W.E. 007 Stonehenge Victims Gallery 2005 doom death Wroth Emitter CD W.E. 008 Patriarch Dark World Of Men 2006 black Wroth Emitter CD W.E. 009 Protector Welcome To Fire 2006 cult thrash Wroth Emitter CD W.E. 010 Tumulus Live Balkan Path 2006 folk progressive Wroth Emitter CD W.E. 011 Majdanek Waltz O proishozhdenii Mira [About World's Birth] 2006 dark folk / ambient Wroth Emitter CD W.E. 012 Todesstoß Spiegel Der Urängste / Sehnsucht 2007 cryptic black Wroth Emitter CD W.E. 013 Al'virius Beyond The Human Nation 2007 sympho thrash Wroth Emitter CD W.E. 014 Karsten Hamre / Vlad Jecan Enter Inside [split] 2007 dark ambient Wroth Emitter CD W.E. 015 Aglaomorpha Perception 2007 doom death avantgarde Wroth Emitter CD W.E. 016 Kogai Hagakure 2007 melodic death progressive Wroth Emitter CD W.E. 017 Tumulus Kochevonov Plyas 2008 folk progressive Wroth Emitter MCD W.E. 018 Tsaraas Shepot Zarytyh Serdec [Whisper Of Buried Hearts] 2008 dark ambient Wroth Emitter CD W.E. 019 Venuspuls Herzschlag Des Endzeit-Architekten 2008 dark ambient / electro Wroth Emitter CD W.E. 020 Mystica Dreams In Real Forms 2008 progressive metal Wroth Emitter CD W.E. -
Исполнитель Альбом Год Стиль Лейбл Формат Примечание CD Wroth Emitter Tumulus Winter Wood [3Rd Press, Gold CD] 2004 Folk Progressive Wroth Emitter CD W.E
Исполнитель Альбом Год Стиль Лейбл Формат Примечание CD Wroth Emitter Tumulus Winter Wood [3rd press, gold CD] 2004 folk progressive Wroth Emitter CD W.E. 003 Deimos Never Be Awaken 2004 death doom progressive Wroth Emitter CD W.E. 004 Eternal Sin Christ's False Torments 2005 true black Wroth Emitter CD W.E. 006 Tumulus Sredokresie 2005 folk progressive Wroth Emitter CD W.E. 007; promo version also available Stonehenge Victims Gallery 2005 doom death Wroth Emitter CD W.E. 008 Патриарх Тёмный мир людей 2006 black Wroth Emitter CD W.E. 009 Protector Welcome To Fire 2006 cult thrash Wroth Emitter CD W.E. 010 Tumulus Live Balkan Path 2006 folk progressive Wroth Emitter CD W.E. 011 Majdanek Waltz О происхождении Мира 2006 dark folk / ambient Wroth Emitter CD W.E. 012 Todesstoß Spiegel Der Urängste / Sehnsucht 2007 cryptic black Wroth Emitter CD W.E. 013 Al'virius Beyond The Human Nation 2007 sympho thrash Wroth Emitter CD W.E. 014 Karsten Hamre / Vlad Jecan Enter Inside [split] 2007 dark ambient Wroth Emitter CD W.E. 015 Aglaomorpha Perception 2007 doom death avantgarde Wroth Emitter CD W.E. 016 Kogai Hagakure 2007 melodic death progressive Wroth Emitter CD W.E. 017 Tumulus Кочевонов Пляс 2008 folk progressive Wroth Emitter MCD W.E. 018; promo version also available Tsaraas Шепот зарытых сердец 2008 dark ambient Wroth Emitter CD W.E. 019 Venuspuls Herzschlag Des Endzeit-Architekten 2008 dark ambient / electro Wroth Emitter CD W.E. 020 Mystica Dreams In Real Forms 2008 progressive metal Wroth Emitter CD W.E. -
Cop out Magazine 07 – Web Version
TTHEHE TRUETRUE SPIRITSPIRIT OFOF INDEPENDENCEINDEPENDENCE IIssuessue No.No. 7 FFreeree CCDD SSamplerampler PPanicanic CCellell HHugeuge MMailail OOrderrder CCatalogueatalogue AAlbumlbum RReviewseviews TThehe BBitteritter tthehe BBetter...etter... II-Def-I-Def-I BBloodyloody CCasualties...asualties... DDecimateecimate BBulletsullets ForFor TeethTeeth AAbigail’sbigail’s MMercyercy BBohicaohica PPsylencesylence NNightmareightmare VVisionsisions TTestswitchestswitch IIsolatorsolator SSalal FFOREVEROREVER NNEVEREVER HHerratikerratik CContradictionsontradictions EExplained...xplained... FFuelbloodeduelblooded TThehe CCasketasket IssueIssue 01 02 CCOP-OUTOP-OUT #7#7 IIss bboughtought ttoo yyouou withwith thhee hhelpelp aandnd aassistences of the following people. Welcome To Cop-Out 07 sistence of the following people. HHelloello andand welcomewelcome toto anotheranother instalmentinstalment ofof Cop-Out,Cop-Out, thethe underfunded,underfunded, badlybadly writtenwritten andand cclobberedlobbered togethertogether catazinecatazine fromfrom thosethose jokersjokers atat CoproCopro Towers.Towers. SomeSome ofof youyou willwill bebe sur-sur- EEDITORDITOR JJoseose GGrifriffi n pprisedrised toto fi nnallyally havehave anotheranother oneone ofof thesethese fallfall onon youryour doordoor mat,mat, somesome ofof you,you, willwill bebe wonder-wonder- [email protected]@coproreords.co.uk iingng jjustust wwhathat tthehe hellhell thisthis is,is, butbut hopefullyhopefully allall ofof you,you, oror atat thethe veryvery leastleast mostmost ofof you,you, -
An Xperiencefit
4 NOV 2011 MAIN ISSUE 72 PAGES INCLUDING COVERS | VOLUME 2 | ISSUE 7 ` 100/- Events | Entertainment | Promotions | MICE | BTL | Sponsorship | Sports An Xperience fit for the ultimate driving machine X-CLUSIVE In Focus: Countdown to NH7 Weekender 2011 begins p 42 Market Pulse: Panasonic India seeks the ‘Face of Beauty’ p 46 Branding with Waterfalls Percept gets artsy with Percept Art p 50 -Stephen Pevnick, Graphical Waterfall p 34 Also Featured: NOET’s ParaForest Forces Programme -By Avishkar Tendle How is your brand connecting with music festivals this year? p 24 Managing Trustee, NOET p 41 Shedding light on the new Entrepreneurs on the block p 26 4 November 2011, EXPERIENTIAL MARKETING 05 It’s all happening here EDITORIAL TEAM: KARISHMA HUNDALANI [email protected] +91 98212 80003 Now that India has gone down in history as an official stop on the KARAN IYER F1 map, there is yet another reason for us to be proud. While not [email protected] +91 80977 68788 focusing on certain other ‘rocking events’ planned around F1 that RACHEL GEORGE didn’t go quite as planned, one must acknowledge JPSI and its [email protected] +91 98197 77983 SHWETA RAMSAY associates for pulling off a world-class event with international [email protected] +91 98923 59703 standards. SHACHI TAPIAWALA [email protected] +91 98336 21173 DESIGN TEAM: While maintaining focus on all that was good in the month gone VINAYAK ALLE by, the BMW Xperience could not miss our attention. If only for its PRASAD KARAMBAT exceptional concept of creating an experience in a most unexpected MARKETING SERVICES: VISHAL NAGDEV venue, this activity deserves credit.